Plaques With Quotes

Gazzy: "What does that mean?" (points to metal plaque warning to stay off the third rail that said Stay off the third rail!) Fang: "It means the third rail has seven hundred volts of direct current running through it. Touch it and you're human popcorn.

Who's Kreacher?" "The house-elf who lives here," said Ron. "Nutter. Never met one like him." "He is not a nutter," said Hermione. "His life's ambition is to have his head cut off and stuck up on a plaque like his mother", said Ron. "Is that normal, Hermione?

At the end of the hall stood a walnut door with a bronze plaque: ASCLEPIUS MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH There may have been more acronyms in the list, but by that point Leo's brain had exploded.

Don't steal - the government hates competition!

For me, the most ironic token of [the first human moon landing] is the plaque signed by President Richard M. Nixon that Apollo 11 took to the moon. It reads: "We came in peace for all Mankind." As the United States was dropping 7 ½ megatons of conventional explosives on small nations in Southeast Asia, we congratulated ourselves on our humanity. We would harm no one on a lifeless rock.

A plaque and platinum status is whack if I'm not the baddest.

There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.

Gazzy: "What does that mean?" (points to metal plaque warning to stay off the third rail that said Stay off the third rail!) Fang: "It means the third rail has seven hundred volts of direct current running through it. Touch it and you're human popcorn." “Okay,” I said. “Good tip. Everyone stay off the third rail. Then I shot Fang a look that said, Thank you for that lovely image. He almost grinned at me.

For like a poisonous breath over the fields, like a mass of locusts over Egypt, so the swarm of excuses is a general plaque, a ruinous infection among men, that eats off the sprouts of the Eternal.

Every city is a ghost. New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park.

At the ed of the hall stood a walnut door with a bronze plaque: ASCLEPIUS MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH There may have been more acronyms in the list, but by that point Leo's brain had exploded.

I encourage you to sit in that garden, but when you do, close your eyes and I'll tell you about the real garden, the sacred place. Ninety feet away from where you sit there is a spot, where Brock's knees hit the dirt, where the Swedes tackled him to the ground, yelling 'What the fuck are you doing? Do you think this is okay?'. Put their words on a plaque. Mark that spot, because in my mind I've erected a monument. The place to be remembered is not where I was assaulted, but where he fell, where I was saved, where two men declared stop, no more, not here, not now, not ever.

The seals stupidly dive off rocks into swirling black water, barking mindlessly. The zookeepers feed them dead fish. A crowd gathers around the tank, mostly adults, a few accompanied by children. On the seals' tank a plaque warns: COINS CAN KILL——IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL'S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL. So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It's not the seals I hate——it's the audience's enjoyment of them that bothers me.

On the other hand, winning awards is cool. Aside from the warm fuzzy, it creates publicity, and that helps spread the word about the book. Plus, this award was a plaque of some sort. I could have used that for all sorts of things. Obviously it would be useful for decorating the barren walls of my house and intimidating my enemies, but that's just for starters.

Mr. Buckley, let me explain it this way. And I'll do so very carefully and slowly so that even you will understand it. If I was the sheriff, I would not have arrested him. If I was on the grand jury, I would not have indicted him. If I was the judge, I would not try him. If I was the D.A., I would not prosecute him. If I was on the trial jury, I would vote to give him a key to the city, a plaque to hang on his wall, and I would send him home to his family. And, Mr. Buckley, if my daughter is ever raped, I hope I have the guts to do what he did.

Almost overnight, the streets glow with meaning. She reads inscriptions on coins, on cornerstones and tombstones, on lead seals and buttress piers and marble plaques embedded into the defensive walls—each twisting lane of the city a great battered manuscript in its own right.

Let me guess: you were one of those kids who had a chair dedicated to you in detention in school." "Was not. They retired my chair after it sort of accidentally caught on fire. There's a plaque there now.

You don’t have to call me that, you know,” she said, brushing her hair back from her shoulders. “There was a time when you called me Winter.” He leaned his elbows on the enclosure wall. “There was also a time when I could come visit you without feeling like I was supposed to toss bread crumbs to earn your favor.” “Bread crumbs? Do I look like a goose?” He tilted his head to the side. “You don’t look like an arctic wolf, either, but that’s what the plaque tells me I’m looking at.” Winter leaned back on her hands. “I will not play fetch,” she said, “but I might howl if you ask nicely.” He grinned. “I’ve heard your howl. It’s not very wolf-like, either.” “I’ve been practicing.” “You won’t bite me if I come in there, will you?” “I make no guarantees.” Jacin hopped over the rail and came to sit beside her. She raised an eyebrow. “You don’t look like an arctic wolf, either.” “I also don’t howl.” He considered. “Though I might play fetch, depending on the prize.” “The prize is another game of fetch.” “You drive a hard bargain.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

No plaque reminds the passer-by of these glories, although there should be one; for those who invent biscuits bring great pleasure to many.

Ellie screwed a plaque into the back of one of the chairs: “His Royal Ass Was Here.” Beside it, Marty scratched into the wood: “And it was fiiine.” I

Modern man is full of platitudes about living life to its fullest, with catchy keychain phrases and little plaques for kitchen walls. But if you've never retreated to the solitude of a dark room and listened to Beethoven's Ninth from start to finish, you know nothing. For music is a transcendental exploration of human emotion and experience, the very fabric of life in its purest form. And the Ninth our greatest musical achievement.

I, too, stood on the sacred image. For a moment this foot was on his face. It was on the face of the man who has been ever in my thoughts, on the face that was before me on the mountains, in my wanderings, in prison, on the best and most beautiful face that any man can ever know, on the face of him whom I have always longed to love. Even now that face is looking at me with eyes of pity from the plaque rubbed flat by many feet. « Trample ! » said those compassionate eyes. « Trample ! Your foot suffers in pain ; it must suffer like all the feet that have stepped on this plaque. But that pain alone is enough. I understand your pain and your suffering. It is for that reason that I am here. » « Lord, I resented your silence. » « I was not silent. I suffered beside you. »

Often there is no more than a little plaque to reveal that, against all gynaecological probability, someone very famous was born halfway up a wall.

To me, every plaque, no matter what words are inscribed on it, says the same magic informative thing: Something happened! The gum cost a dollar, but the story was free.

On a plaque attached to the NASA deep space probe we [human beings] are described in symbols for the benefit of any aliens who might meet the spacecraft as “bilaterly symmetrical, sexually differentiated bipeds, located on one of the outer spiral arms of the Milky Way, capable of recognising the prime numbers and moved by one extraordinary quality that lasts longer than all our other urges—curiosity.

The main objects of all science, the freedom and happiness of man. . . . [are] the sole objects of all legitimate government. (A plaque with this quotation, with the first phrase omitted, is in the stairwell of the pedestal of the Statue of Liberty.)

She almost thought she'd said the words aloud, but she hadn't. They remained trapped in her head, but not because they were barricaded by plaques and tangles. She just couldn't say them aloud

I smiled at Peter with teeth clenched so tight, plaque could crumble off.

The end of the world revealed the futility of all commemorative plaques.

Michael gave her the five-sentence rundown. "A fluid-borne disease made the dead come back to life. They like to attack the living. There are hundreds of them out there. The only way to kill them is to get them in the head with a weapon. There's a good chance we're all going to die." Vespertine was quiet for a moment before saying, with her usual coolness, "That will be engraved on a plaque someday, sir.I vote you Poet Laureate of the Undebuted Set.

Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.

Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt there history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx.

We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels good to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage. For ourselves, we have had mounted in a small hardwood plaque one perfect borrego [bighorn sheep] dropping. And where another man can say, "There was an animal, but because I am greater than he, he is dead and I am alive, and there is his head to prove it," we can say, "There was an animal, and for all we know there still is and here is proof of it. He was very healthy when we last heard of him.

A bronze plaque read: GAIUS PLINIUS CAECILIUS SECUNDUS Dan made a face. "Get a load of the guy with the funny name." "I think that's Pliny the younger, the famous Roman writer," Amy supplied. She bent down to read the English portion of the tablet. "Right. In A.D. 79, Pliny chronicled the destruction of Pompeii by the eruption of Mount Vesuvius. It's one of the earliest eyewitness accounts of a major disaster." Dan yawned. "Doesn't this remind you of the clue hunt? You know–you telling me a bunch of boring stuff, and me not listening?

but just beneath the bell was a small scarlet plaque bearing the name of the club and the legend ALIS VOLAT PROPRIIS. “‘She flies with her own wings,’” I translated.

...Charlie still smiled at the urn above the cash register with a gold plaque that said: ASHES OF PROBLEM CUSTOMERS.

A plaque at the door congratulated her for climbing 1,860 individual stairs, and she nodded as she caught her breath. "Just my luck," she gasped. "I'm going to have the best glutes left in the planet, and there nobody here to see them.

A capacity for inferiority in the growing adult is threatened by the temptation by squander that capacity ruthlessly, to revel in hallowness. The syndrom especially plaques anyone who lives behind a mask. An elephant in her disquise as a human princess, a scarecrow with painted features, a glittering tiara under which to glow and glide in anonymous glamour. A witch's hat, a wizards stole, a scholars gown, a soldiers dress sartorials. A hundred ways to duck the question: how will I live with myself now that I nkow what I know.

Listen to me," Jordan begged urgently, somehow convinced that she would stay alive if she understood how much she meant to him. "Listen to what my life was like before you hurtled into it wearing that suit of armor— Life was empty. Colorless. And then you happened to me, and suddenly I felt feelings I never believed existed, and I saw things I'd never seen before. You don't believe that, do you, darling? But it's true, and I can prove it." His deep voice ragged with unshed tears, Jordan recited his proof: "The flowers in the meadow are blue," he told her brokenly. "The ones by the stream are white. And on the arch, by the arbor, the roses are red." Lifting her hand to his face, he rubbed his cheek against it. "And that's not all I noticed. I noticed that the clearing by the pavilion—the one where my plaque is—looks like the very same one where we had our duel a year ago. Oh, and darling, there's something else I have to tell you: I love you, Alexandra." Tears choked his voice and made it a tormented whisper. "I love you, and if you die I'll never be able to tell you that.

To restore the dignity of man. Obiora was reading the plaque, too. He let out a short cackle and asked, “But when did man lose his dignity?

Conservatism is like plaque; even once scraped away, it builds up again to problematic levels, so that what is now permissible can yet again become taboo -

No one should be posing for duck-lipped selfies with the plaque of the dead. That wouldn't be right.

I am pro-plaque.

Really? That plaque over there says chivalry gave birth to toxic masculinity, which caused Old Earth a few millennia of bullshit patriarchy.

It was, in fact, one of those places that exist merely so that people can have come from them. The universe is littered with them: hidden villages, windswept little towns under wide skies, isolated cabins on chilly mountains, whose only mark on history is to be the incredibly ordinary place where something extraordinary started to happen. Often there is no more than a little plaque to reveal that, against all gynecological probability, someone very famous was born halfway up a wall.

I’m a sick woman, a madwoman, a ball-breaker, a man-eater; I don’t consume men gracefully with my fire-like red hair or my poisoned kiss; I crack their joints with these filthy ghoul’s claws and standing on one foot like a de-clawed cat, rake at your feeble efforts to save yourselves with my taloned hinder feet: my matted hair, my filthy skin, my big fat plaques of green bloody teeth. I don’t think my body would sell anything. I don’t think I’d be good to look at. O of all diseases self-hate is the worst and I don’t mean for the one who suffers it!

Without sufficient sleep, amyloid plaques build up in the brain, especially in deep-sleep-generating regions, attacking and degrading them. The loss of deep NREM sleep caused by this assault therefore lessens the ability to remove amyloid from the brain at night, resulting in greater amyloid deposition. More amyloid, less deep sleep, less deep sleep, more amyloid, and so on and so forth.

Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I'd read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein's Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people - usually lodgers and members of their own families - and who were then murdered in turn: by handing, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward social situations - seated about a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy. It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children.

Maybe she would have done more good as a playwright than as a doctor, after all — clichés were like plaque in the arteries of the imagination, they clogged the sense of what was possible. Maybe if enough people had worked to demolish clichés, the world wouldn't have ended.

America had invented itself. It continued to invent itself as it went along. Sometimes its virtues made it the envy of the world. Sometimes it betrayed the very heart of its ideals. Sometimes the people dispensed with what was difficult or inconvenient to acknowledge. So the good people maintained the illusion of democracy and wrote another hymn to America. They sang loud enough to drown out dissent. They sang loud enough to overpower their own doubts. There were no plaques to commemorate mistakes. But the past didn’t forget. History was haunted by the ghosts of buried crimes, which required period exorcisms of truth. Actions had consequences.

On the outside of the bedroom door there was a plaque that said Valerie. On the way up, Jackson noticed that other bedrooms also had names - Eleanor, Lucy, Anna, Charlotte.Jackson wondered how you decided on a name for a room. Or a doll. Or a child, for that matter. The naming of dogs seemed even more perplexing.

Over the long term, however, too much adrenaline produces scarring on the insides of your blood vessels. These scars become magnets for molecules to accumulate, creating lumps called plaques. These can grow large enough to block the blood vessels. If it happens in the blood vessels of your heart, you get a heart attack; in your brain, you get a stroke.

I have a lock of his hair, a handful of his ashes, a box of his letters, a goatskin tambourine. And in the folds of faded violet tissue a necklace, two violet plaques etched in Arabic, strung with black and silver threads, given to me by the boy who loved Michelangelo.

Philippa Audu stands in the cemetery over a plaque. There's no body beneath her hooves. One of the perks of a cannibal society: very few bodies to bury or take up room.

wooden plaque hangs from a nail, reading THE MASTER IS OUT, and I shake my head and flip it around. The other side also says THE MASTER IS OUT.

Hating L.A. was in my Northern California DNA. We even had a burl plaque that hung on our living room wall that read, “We Don’t Give a Damn How it’s Done in L.A.

Don’t let your principles sit idle on a plaque. Bring them to life.

Firefighters are taught early on not to leave any person behind. It has been etched on countless plaques, statues, and national monuments honoring those who have fallen.

WWII plaque that resides on an island in the pacific:   “When you go home  Tell them of us, and say  For your tomorrow,  We gave our today.

Who we are,” he said, underlining each word as he said it. “Who we are! Us! Right? What kind of people are we? What kind of person are you? Isn’t that the most important thing of all? Isn’t that the kind of question we should be asking ourselves all the time? “What kind of person am I? “Did anyone happen to notice the plaque next to the door of this school? Anyone read what it says? Anyone?” He looked around but no one knew the answer. “It says: ‘Know Thyself,’ ” he said, smiling and nodding. “And learning who you are is what you’re here to do.

A dusty old plaque hung on the far side of his cramped office. He hadn’t read it for years, but suddenly it had new meaning. “Libraries should be open to all—except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors.” – John F. Kennedy, October 29, 1960.

But science should be based in fact, not fashion. And policy should be based on science. Facts shouldn’t change. And indeed, they don’t. But their interpretation does. Consider the idea that inflammation causes heart disease. First espoused in the late 1800s after the invention of aspirin by Bayer, this idea was relegated to the dustbin of medical science in favor of the cholesterol hypothesis, which reigned for the second half of the twentieth century. But over the last decade, the “inflammation hypothesis” has made a decided comeback, and is now thought to be the primary factor in the genesis of atherosclerotic plaques and thrombosis.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

oh, good, Pestilence is free," said Karou, heading towards the sculpture. Massive emperor and horse both wore gas masks, like every other statue in the place, and it had always put Karou in mind of the first horseman of the Apocalypse, Pestilence, sowing plaque with one outstretched arm.

Wylan sat forward like a schoolboy eager to prove he had the answers. He drew a vial from his pocket. “This version works.” “It’s a weevil?” Inej asked, examining it. “A chemical weevil,” said Jesper. “But Wylan still hasn’t named it. My vote is for the Wyvil.” “That’s terrible,” said Wylan. “It’s brilliant.” Jesper winked. “Just like you.” Wylan blushed daylily pink. “I helped as well,” added Kuwei, looking sulky. “He did help,” Wylan said. “We’ll make him a plaque,” said Kaz. “Tell them how it works. Wylan cleared his throat. “I got the idea from cane blight—just a little bit of bacteria can ruin a whole crop. Once the weevil is dropped into the silo, it will keep burrowing down, using the refined sugar as fuel until the sugar is nothing but useless mush.” “It reacts to sugar?” asked Jesper. “Yes, any kind of sugar. Even trace amounts if there’s enough moisture present, so keep it away from sweat, blood, saliva.” “Do not lick Wyvil. Does someone want to write that down?

Eyes to God. My skin erupts in goosebumps. This is identical to the plaque we have in the town square. They position the gallows directly over it so when our necks snap, it's the last thing we'll see, which always struck me as especially cruel. If your neck is broken, how can you look up? Even in death we're a disappointment.

The boy returned at ten-thirty on a Tuesday morning. It’s official library policy to report truants to the high school, because the school board felt we were becoming 'a haven for unsupervised and illicit teenage activity.' I happen to think that’s exactly what libraries should aspire to be, and suggested we get it engraved on a plaque for the front door.

the center of the American Museum of Natural History’s Hall of Biodiversity, there’s an exhibit embedded in the floor. The exhibit is arranged around a central plaque that notes there have been five major extinction events since complex animals evolved, over five hundred million years ago. According to the plaque, “Global climate change and other causes, probably including collisions between earth and extraterrestrial objects,” were responsible for these events. It goes on to observe: “Right now we are in the midst of the Sixth Extinction, this time caused solely by humanity’s transformation of the ecological landscape.

We came up to the first tower of the bridge, with a plaque proclaiming who had built it; I stopped to read. John Roebling. Aided by his wife, and then his son. He died during construction. But hey, the Brooklyn Bridge might be here for eight hundred years. I wanted to leave something like that behind. I didn’t know how I was going to do it, but I felt like I had taken the first steps

Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx

Death begins when no one can dream of you any longer.” It’s on the grave of a young nurse, Marie Deschamps, who died in 1917. Apparently, it was a soldier who put up this plaque in 1919. Every time I go past it, I wonder whether he dreamt of her for a long time.

The names of the compact's signers, including Anne Hutchinson's husband, Will, are listed below the text. Here lies the deepest reason why the Woman's Healing Garden strikes me as so forlorn - that Hutchinson is remembered here by pink echinacea in bloom instead of on the Portsmouth Compact plaque, where she belongs. All of the signers were there because of her, because she stood up to Massachusetts and they stood with her. But all the signers were men. Anne Hutchinson wasn't allowed to sign the founding document of the colony she founded.

It was a modest, out-of-the-way place in downtown Tucson, the only shrine in America dedicated to the soul of a sinner, reported the historical plaque there. [...] He went there because that was the one holy place that didn't compel him to change into someone else in order to welcome him.

Never become a slave or captive to any person, substance, or situation. Be a willing servant. Give freely from a willing heart. In this way, you ensure freedom from the ensnarement of resentment, which builds up like plaque around the fond heart and extinguishes rapture. Give freely to your love, without regard for reward or consequences, but simply motivated by the pure pleasure that comes from giving … and that is its own reward.

Façade. One, simple word. But, very complex portents. It’s like living a life of half-dead. You are neither fully inside a grave, nor completely out of it, beyond the oppressive calmness of the slabs, tombstones and plaques. There is one solace though, you soon discover that you are not alone in the vast graveyard of the half-dead. This is what Kamini soon realized when she plunged herself back into the world that the destiny had conspired her to inherit.

The voice welling up out of this little man is terrific, Harry had noticed it at the house, but here, in the nearly empty church, echoing off the walnut knobs and memorial plaques and high arched rafters, beneath the tall central window of Jesus taking off into the sky with a pack of pastel apostles for a launching pad, the timbre is doubled, richer, with a rounded sorrowful something Rabbit hadn't noticed hitherto, gathering and pressing the straggle of guests into a congregation, subduing any fear that this ceremony might be a farce. Laugh at ministers all you want, they have the words we need to hear, the ones the dead have spoken.

Our hosts had been kind to us and considerate as only Mexicans can be. Furthermore, they had taught us the best ways to go hunting, and we shall never use any other. We have, however, made one slight improvement on their method: we shall not take a gun, thereby ovbiating the last remote possibility of having the hunt cluttered up with game. We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels food to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage. for ourselves, we have mounted in a small hardwood plaque one perfect borrego dropping. And where another man can say "There was an animal, but because I am greater than he, he is dead and I am alive, and there is his head to prove it," we can say, "There was an animal, and for all we know there still is and here is the proof of it. he was very healthy when we last heard of him

I encourage you to sit in that garden, but when you do, close your eyes, and I’ll tell you about the real garden, the sacred place. Ninety feet away from where you sit there is a spot, where Brock’s knees hit the dirt, where the Swedes tackled him to the ground, yelling, What the fuck are you doing? Do you think this is okay? Put their words on a plaque. Mark that spot, because in my mind I’ve erected a monument. The place to be remembered is not where I was assaulted, but where he fell, where I was saved, where two men declared stop, no more, not here, not now, not ever.

But we can't do anything about getting older. If we live long enough, is forgetting due to Alzheimer's our brain's destiny? For most of us, it is not. Alzheimer's is not a part of normal aging. Only 2% of people with Alzheimer's have the purely inherited early-onset form of the disease. 98% of the time, Alzheimer's is caused by a combination of the genes we inherited and how we live. While we can't do anything about our DNA, science clearly shows that the way we live can dramatically affect the accumulation of amyloid plaques. This in turn means that, like cancer and heart disease, there are things we can do to prevent Alzheimer's.

Beauty! Art! Wit! Wonderment! Humility! Arrogance! Style! Virtue! Decency! Patience! And all the others, Gone, trampled by the Newly-polished jack boots Of the clog-suited society. I'm a stranger here, from Another planet; Not spotted yet, but Getting peculiar stares> Forbidden entrance to All the places where Air remains, Where green is true and water unmolested. In any other time, (Excepting Attila's) I'd be a hero. Why, they'd even name An alley after me And put a blotting-paper Plaque on all my doors. Not because I was great But because I insisted on All the words and ways rejected by Those who wait ferally In the ancient trees.

I don't define success by how much money someone makes. I don't define success by how many trophies or plaques or awards someone has. I don't define it by membership in exclusive clubs or the ability to name-drop about someone's famous friends. I don't define it by how many luxury cars or opulent homes someone might own or how many sumptuous vacations they might taken in exotic locales all over the globe. I don't define success...oh, hell, I'm just kidding. Actually, all that stuff is fantastic!

Around them the stubbled land was marked off by plaques and signs that explained to visitors what had happened here on a long-ago July day not unlike this one. But Peter already knew all they said and more. He looked around at the people with their noses tucked in brochures and guidebooks, and those trailing, sheeplike, after tour guides and park employees. He was used to feeling somewhat out of place most everywhere he went--at school or the barbershop, even at home, but here, where he knew everything, all the names and dates and facts, he somehow seemed to fit, and the knowledge of this welled up inside him. It was like he'd been born a blue flower in a field full of red ones and had only now been plunked down in a meadow so blue it might as well have been the ocean.

Perhaps if you win this one I can put a word in for you.You know, extra carrots and that sort of thing, a bit of molasses in the evening.A bigger brass plaque for your box at home." "That's bribery," Keeley murmured. Brian turned, his eyes going warm. "That's bargaining," he corrected. "But if I can interest you in a bribe," he began and opened the box door intending to snatch Keeley inside for a much anticipated welcome back kiss. He nearly stepped over Mo. "Sorry. Didn't see you there." "I'm short.That's my cross to bear.

The healer's job has always been to release something not understood,to remove obstructions (demons, germs, despair) between the sick pa-tient and the force of life driving obscurely toward wholeness. Themeans may be direct—the psychic methods mentioned above—or indi-rect: Herbs can be used to stimulate recovery; this tradition extendsfrom prehistoric wisewomen through the Greek herbal of Dioscoridesand those of Renaissance Europe, to the prevailing drug therapies of thepresent. Fasting, controlled nutrition, and regulation of living habits toavoid stress can be used to coax the latent healing force from the sick body; we can trace this approach back from today's naturopaths to Galenand Hippocrates. Attendants at the healing temples of ancient Greeceand Egypt worked to foster a dream in the patient that would eitherstart the curative process in sleep or tell what must be done on awaken-ing. This method has gone out of style, but it must have worked fairlywell, for the temples were filled with plaques inscribed by grateful pa-trons who'd recovered.

Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again. Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with. “Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.” This was the point at which Arthur began to feel a little nervous again. “Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.” “That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it. “Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.” The sign read: “Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.” “It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.” He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers. “And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.

This is a man who has shown a complete disregard for human life, cynicism and hypocrisy, and a willingness to use war and the deaths of thousands of Russian soldiers and innocent civilians as a PR instrument in his election campaign. This is a man who raised a toast on the anniversary of Stalin’s birth, had the plaque commemorating former KGB head Yury Andropov restored to its place on the wall of the Lubyanka—Federal Security Service headquarters—and dreams of seeing the statue of butcher Felix Dzerzhinsky, founder of the Soviet secret police, stand once again in the center of Moscow.

Ellie stops walking and turns to the display in front of her. It’s a bed—four-poster canopy, ornate and curtained with intricate, gold-trimmed, royal-blue and purple fabric. She reads the description off the plaque on the wall. “The bed of His Majesty King Reginald the Second and Queen Margaret Anastasia of Wessco. That’s Queen Lenora’s parents, right?” “Yeah.” She gazes back at the bed with a longing sigh. “Wow. I can’t imagine living like this every day. Servants and castles and crowns—how perfect would that be?” She points at the opulent bed. “Queen Lenora could have been conceived on this bed, right here!” I flinch at the thought. “Let’s not speak of it.

But it wasn't Neil or Buzz that had interested her, or even the moon itself. She had been attracted to the missions' most unsung hero: Michael Collins, alone in Columbia, drifting around the moon in exquisite solitary splendor while Buzz and Neil had gone about the terrestrial work of putting down a plaque, erecting a flag, and gathering rocks. Every two hours Michael Collins had gone out of radio contact for forty-eight minutes when the moon stood between himself and Earth, and during those minutes he was the most alone person in the history of people. Helen still liked to think about that. That had always been her dream: space, not a location with it, just space.

Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl’s eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren’t bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings. “Your

I Am Not in Here I have a disciple in Vietnam who wants to build a stupa for my ashes when I die. He and others want to include a plaque with the words “Here lies my beloved teacher.” I told them not to waste the temple land. “Do not put me in a small pot and put me in there!” I said. “I don’t want to continue like that. It would be better to scatter the ashes outside to help the trees to grow.” I suggested that, if they still insist on building a stupa, they have the plaque say, “I am not in here.” But in case people don’t get it, they could add a second plaque, “I am not out there either.” If people still don’t understand, then you can write on the third and last plaque, “I may be found in your way of breathing and walking.” This body of mine will disintegrate, but my actions will continue me. In my daily life, I always practice to see my continuation all around me. We don’t need to wait until the total dissolution of this body to continue—we continue in every moment. If you think that I am only this body, then you have not truly seen me. When you look at my friends, you see my continuation. When you see someone walking with mindfulness and compassion, you know he is my continuation. I don’t see why we have to say “I will die,” because I can already see myself in you, in other people, and in future generations. Even when the cloud is not there, it continues as snow or rain. It is impossible for a cloud to die. It can become rain or ice, but it cannot become nothing. The cloud does not need to have a soul in order to continue. There’s no beginning and no end. I will never die. There will be a dissolution of this body, but that does not mean my death. I will continue, always.

There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")

That’s just the way life is. It can be exquisite, cruel, frequently wacky, but above all utterly, utterly random. Those twin imposters in the bell-fringed jester hats, Justice and Fairness—they aren’t constants of the natural order like entropy or the periodic table. They’re completely alien notions to the way things happen out there in the human rain forest. Justice and Fairness are the things we’re supposed to contribute back to the world for giving us the gift of life—not birthrights we should expect and demand every second of the day. What do you say we drop the intellectual cowardice? There is no fate, and there is no safety net. I’m not saying God doesn’t exist. I believe in God. But he’s not a micromanager, so stop asking Him to drop the crisis in Rwanda and help you find your wallet. Life is a long, lonely journey down a day-in-day-out lard-trail of dropped tacos. Mop it up, not for yourself, but for the guy behind you who’s too busy trying not to drop his own tacos to make sure he doesn’t slip and fall on your mistakes. So don’t speed and weave in traffic; other people have babies in their cars. Don’t litter. Don’t begrudge the poor because they have a fucking food stamp. Don’t be rude to overwhelmed minimum-wage sales clerks, especially teenagers—they have that job because they don’t have a clue. You didn’t either at that age. Be understanding with them. Share your clues. Remember that your sense of humor is inversely proportional to your intolerance. Stop and think on Veterans Day. And don’t forget to vote. That is, unless you send money to TV preachers, have more than a passing interest in alien abduction or recentlypurchased a fish on a wall plaque that sings ‘Don’t Worry, Be Happy.’ In that case, the polls are a scary place! Under every ballot box is a trapdoor chute to an extraterrestrial escape pod filled with dental tools and squeaking, masturbating little green men from the Devil Star. In conclusion, Class of Ninety-seven, keep your chins up, grab your mops and get in the game. You don’t have to make a pile of money or change society. Just clean up after yourselves without complaining. And, above all, please stop and appreciate the days when the tacos don’t fall, and give heartfelt thanks to whomever you pray to….

She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious. The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community. Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.

Mabel went on, and you Petites Cendres, you haven’t forgotten we’re throwing a party for your Doctor Dieudonné, oh yes, soon as he gets back, the entire Black Ancestral Choir’s going to celebrate Dieudonné, man of God taking care of the poor and never asking for one cent, why did he have to go away said Petites Cendres, carefree in the comfort of his bed, wasn’t his clinic enough, he mumbled into the dishevelled folds of his sloth, I mean why go volunteer there when we’re holding a party for him right here, Mabel’s singsong voice cut in, going from deep to nasal, he’s getting the town’s medal of honour for doctoring all you lazy layabouts and lost souls, and running two hospitals and a hospice, our very own choir director’s going to give him his plaque with those same fingers and long thin red nails of hers, the ideal man, says the doctor, is not one who piles up money but one who saves lives, why he’s even helped our Ancestral Choir a whole lot too, he’s going to need a nice black tuxedo, just what he hates, and Eureka, the head of the choir, will be so proud that day when Reverend Ézéchielle invites us all to sing in her church,

What does this F. — I.W. mean?” “Initial-slang,” informed Baines. “Made correct by common usage. It has become a worldwide motto. You’ll see it all over the place if you haven’t noticed it already.” “I have seen it here and there but attached no importance to it and thought nothing more about it. I remember now that it was inscribed in several places including Seth’s and the fire depot.” “It was on the sides of that bus we couldn’t empty,” put in Gleed. “It didn’t mean anything to me.” “It means plenty,” said Jeff. “Freedom — I Won’t!” “That kills me,” Gleed responded. “I’m stone dead already. I’ve dropped in my tracks.” He watched Harrison thoughtfully pocketing the plaque. “A piece of abracadabra. What a weapon!” “Ignorance is bliss,” asserted Baines, strangely sure of himself. “Especially when you don’t know that what you’re playing with is the safety catch of something that goes bang.” “All right,” challenged Gleed, taking him up on that. “Tell us how it works.” “I won’t.” Baines’ grin reappeared. He seemed to be highly satisfied about something. “That’s a fat lot of help.” Gleed felt let down, especially over that momentary hoped-for reward. “You brag and boast about a one-way weapon, toss across a slip of stuff with three letters on it and then go dumb. Any folly will do for braggarts and any braggart can talk through the seat of his pants. How about backing up your talk?” “I won’t,” repeated Baines, his grin broader than ever. He gave the onlooking Harrison a fat, significant wink. It made something spark vividly within Harrison’s mind. His jaw dropped, he dragged the plaque from his pocket and stared at it as if seeing it for the first time. “Give it back to me,” requested Baines, watching him. Replacing it in his pocket, Harrison said very firmly, “I won’t.” Baines chuckled. “Some people catch on quicker than others.

Il serra ses mains en poings et se força à marcher à pas lents et mesurés vers la tombe et commença à haleter. Bon sang, il ne pouvait pas s’écrouler. Il voulait le faire, il avait besoin de le faire, besoin de voir ce qu’il pourrait retirer de ce rappel physique de sa propre mortalité éphémère. Peut-être que cela lui donnerait envie de vivre à nouveau. Il lut les dates de décès marquées sur les pierres tombales, en faisant attention à ne pas marcher sur les tombes des autres pauvres enfants morts, d’année en année, jusqu’à ce qu’il voit son nom. JULIETTE ANNE MARTIN 14 août 1991-9 octobre 2008 Fille bien-aimée. Il n’y avait pas d’ours, de plaques ou même d’anges comme il en avait vu sur les autres pierres tombales, alors qu’il cherchait la sienne. Elle était gris foncé, en marbre et très élégante. Ses jambes se dérobèrent sous lui quand il réalisa que son amie, sa Juliette, gisait à ses pieds, et il atterrit sur la terre molle à côté d’elle. Les fleurs oubliées tombèrent au sol et des sanglots secs ravagèrent son corps. Il ne pleurerait pas, il le savait. Il était incapable de pleurer depuis cette nuit-là. Tout comme il ne supportait plus d’être touché, il ne pouvait éprouver le plus petit soulagement que les pleurs lui auraient accordé.

I sat up, woozy and blurry-eyed. I was lying in my old cot in the Me cabin. Sunlight streamed through the windows—morning light? Had I really slept that long? Snuggled up next to me, something warm and furry was growling and snuffling in my pillow. At first glance, I thought it might be a pit bull, though I was fairly sure I did not own a pit bull. Then it looked up, and I realized it was the disembodied head of a leopard. One nanosecond later, I was standing at the opposite end of the cabin, screaming. It was the closest I’d come to teleporting since I’d lost my godly powers. “Oh, you’re awake!” My son Will emerged from the bathroom in a billow of steam, his blond hair dripping wet and a towel around his waist. On his left pectoral was a stylized sun tattoo, which seemed unnecessary to me—as if he could be mistaken for anything but a child of the sun god. He froze when he registered the panic in my eyes. “What’s wrong?” GRR! said the leopard. “Seymour?” Will marched over to my cot and picked up the leopard head—which at some point in the distant past had been taxidermied and stuck on a plaque, then liberated from a garage sale by Dionysus and granted new life. Normally, as I recalled, Seymour resided over the fireplace mantel in the Big House, which did not explain why he had been chewing on my pillow. “What are you doing here?” Will demanded of the leopard. Then, to me: “I swear I did not put him in your bed.” “I did.” Dionysus materialized right next to me. My tortured lungs could not manage another scream, but I leaped back an additional few inches. Dionysus gave me his patented smirk. “I thought you might like some company. I always sleep better with a teddy leopard.” “Very kind.” I tried my best to kill him with eye daggers. “But I prefer to sleep alone.” “As you wish. Seymour, back to the Big House.” Dionysus snapped his fingers and the leopard head vanished from Will’s hands. “Well, then…

Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . . on you roll, across a countryside whose light is forever changing--castles, heaps of rock, moons of different shapes and colors come and go. There are stops at odd hours of teh mornings, for reasons that are not announced: you get out to stretch in lime-lit courtyards where the old men sit around the table under enormous eucalyptus trees you can smell in the night, shuffling the ancient decks oily and worn, throwing down swords and cups and trumps major in the tremor of light while behind them the bus is idling, waiting--"passengers will now reclaim their seats" and much as you'd like to stay, right here, learn the game, find your old age around this quiet table, it's no use: he is waiting beside the door of the bus in his pressed uniform, Lord of the Night he is checking your tickets, your ID and travel papers, and it's the wands of enterprise that dominate tonight...as he nods you by, you catch a glimpse of his face, his insane, committed eyes, and you remember then, for a terrible few heartbeats, that of course it will end for you all in blood, in shock, without dignity--but there is meanwhile this trip to be on ... over your own seat, where there ought to be an advertising plaque, is instead a quote from Rilke: "Once, only once..." One of Their favorite slogans. No return, no salvation, no Cycle--that's not what They, nor Their brilliant employee Kekule, have taken the Serpent to mean.

Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....