Mirage Meaning In Love Quotes

...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.

…quite simply, I was in love with New York. I do not mean "love" in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there

Quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later – because I did not belong there, did not come from there – but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.

When we recognize that, just like the glass, our body is already broken, that indeed we are already dead, then life becomes precious, and we open to it just as it is, in the moment it is occurring. When we understand that all our loved ones are already dead — our children, our mates, our friends — how precious they become. How little fear can interpose; how little doubt can estrange us. When you live your life as though you're already dead, life takes on new meaning. Each moment becomes a whole lifetime, a universe unto itself. When we realize we are already dead, our priorities change, our heart opens, and our mind begins to clear of the fog of old holdings and pretendings. We watch all life in transit, and what matters becomes instantly apparent: the transmission of love; the letting go of obstacles to understanding; the relinquishment of our grasping, of our hiding from ourselves. Seeing the mercilessness of our self-strangulation, we begin to come gently into the light we share with all beings. If we take each teaching, each loss, each gain, each fear, each joy as it arises and experience it fully, life becomes workable. We are no longer a "victim of life." And then every experience, even the loss of our dearest one, becomes another opportunity for awakening. If our only spiritual practice were to live as though we were already dead, relating to all we meet, to all we do, as though it were our final moments in the world, what time would there be for old games or falsehoods or posturing? If we lived our life as though we were already dead, as though our children were already dead, how much time would there be for self-protection and the re-creation of ancient mirages? Only love would be appropriate, only the truth.

An individual's torments only have meaning within his or her personal experience. Faced with the collective we are as naked and helpless as the day we were born. Our individual development depends on realizing that others cannot understand our experience. Sometimes the obstacles we meet tempt us to place our destiny in the hands of another. But we cannot live by proxy, we must take everything on our own shoulders. Then we know we are alone. We must allow this sensation to fill our being and live like abandoned children because only thus is our life in our own hands. From time to time a mirage will surface of some way of life that will free us from the feeling of abandonment; but a mirage is exactly what it will remain. We can of course live solely within the collective, with the illusion of speaking a common language and of not being alone, but this deception can cost our lives. If we act according to the general rule, we are following a code that is not our own. Everyone must find his or her own tune, accepting the resulting abandonment by those who continue singing in concert. Great artists create modes of expression that are uniquely their own: they enter so deeply into their sense of life that preexisting modes no longer serve their purpose. They invent new ways of writing poetry, of painting and making music.

My body was quiet after the orgy. I felt power; I felt I was taking revenge. I was inflicting pain, being unfaithful, desecrating all the delicacies in Bill and in myself. Wilson, who has big needs, needed me, wanted all I could give, wanted me for a wife, a collaborator, a mistress, one to enjoy power with, his two houses, his position of power, his last ten years of achievement, but I starve him, elude him. He telephones. I inflict the suffering on him that was inflicted on me by another, but only because I do not love. So it must mean that those who behaved as I do now do not love.

Speaking of the happy new year, I wonder if any year ever had less chance of being happy. It’s as though the whole race were indulging in a kind of species introversion — as though we looked inward on our neuroses. And the thing we see isn’t very pretty. Before the year is over, I think I will be looking back longingly on the Gulf of Lower California — that sea of mirages and timelessness. It is a very magical place. It is cold and clear here now - the leaves all fallen from the trees and only the frogs are very happy. Great cheering sections of frogs singing all the time. The earth is moist and water is seeping out of the ground everywhere. So we go into this happy new year, knowing that our species has learned nothing, can, as a race, learn nothing — that the experience of ten thousand years has made no impression on the instincts of the million years that preceded. Maybe you can find some vague theology that will give you hope. Not that I have lost any hope. All the goodness and the heroisms will rise up again, then be cut down again and rise up. It isn’t that the evil thing wins — it never will — but that it doesn’t die. I don’t know why we should expect it to. It seems fairly obvious that two sides of a mirror are required before one has a mirror, that two forces are necessary in man before he is man. I asked Paul de Kruif once if he would like to cure all disease and he said yes. Then I suggested that the man he loved and wanted to cure was a product of all his filth and disease and meanness, his hunger and cruelty. Cure those and you would have not man but an entirely new species you wouldn’t recognize and probably wouldn’t like. There it is — It is interesting to watch the German efficiency, which, from the logic of the machine is efficient but which (I suspect) from the mechanics of the human species is suicidal. Certainly man thrives best (or has at least) in a state of semi-anarchy. Then he has been strong, inventive, reliant, moving. But cage him with rules, feed him and make him healthy and I think he will die as surely as a caged wolf dies. I should not be surprised to see a cared for, thought for, planned for nation disintegrate, while a ragged, hungry, lustful nation survived. Surely no great all-encompassing plan has ever succeeded. And so I'll look to see this German plan collapse because they do not know enough to plan for everything.

All suffering is a consequence of a constant quest. A quest to follow a mirage, the mirage that is the creation of our mind, the illusion of happiness, the illusion of being loved. That is what it is. Love itself is an illusion. We misuse the word so much we forget what it means. It means nothing, because it simply does not exist. It is the destiny of the mind to seek. When it does not discover what it seeks, it gives birth to hopelessness. And given our undying spirit, from that hopelessness rises hope itself. This hope takes us to the quest all over again, churning us in an endless cycle of suffering. This cycle is called life. Suffer you will, one way or the other...

Sorrow walked in my clothes before I did. Flocks of shadows followed me. One night I looked at the stars I thought were gods until they disappeared. Some say I smashed my father’s idols and walked away. Or walked towards a desert of barren promises. Or promises that are hummingbirds hovering for a moment then drifting away. Even now, walking towards that mountain, sometimes I will watch my shadow sitting beneath a plane tree, casting dice, ignoring my steps. Some of you made me a founder but it was only that shadow. Some of you made me your father, but it was yourselves you were describing. You plant a tree, you dig a well, and it brings life, that’s all. Everything else is the heart’s mirage. Except what begins inside you. Except Sarah. When she stepped inside my dream the curtains shivered, whole mountains entered the room. It always seemed a question of which love to honor. The land I loved fills with fire. Who should we listen to? It’s true, He offered the world and I offered only myself. But I thought His words were coffins. I was frantic for any scrap of shade. Now everything is shade. Your old newspapers are taken up by the wind like pairs of broken wings. Each window, each door is a wound. One track erases another track. One bomb. One rock, one rubber bullet. What can I tell you? Where have you left your own morning of promises? You remember Isaac, maybe Ishmael, but not the love that led me there. Not Sarah. Just to hear the sound of her eyelids opening, or her plants pushing the air aside as they reach for the sun, twilight filling her fingers like fruit. This afternoon a flock of doves settled on my porch. Their silence took the shape of all I ever wanted to say. Today, the miracle you want aches inside the trees. Why believe anything except what is unbelievable? I never thought of it as a trial, not any of it. Now the leaves turn into messages that are simply impossible to read. The roots turn into roads as they break through the surface. How can I even know what I mean? Beneath the hem of night the rain falls asleep on the grass. We have to turn into each other. One heart inside the other’s heart. One love. One word. Inside us, our shadows will walk into water, the water will walk into the sky. Blind. Faithful. Inside us the music turns into a flock of birds. Theirs is a song whose promise we must believe the way the moon believes the earth, the fire believes the wood, that is, for no reason, for no reason at all.

As you look into life, as you watch life, as you learn more about it, by and by you will feel disillusioned. There is nothing – just mirages calling you. Many times you have been befooled. Many times you rushed, you traveled long, to find just nothing. If you are alert, your experience will make you free of the world. And by the world, remember, I don’t mean and neither does Saraha mean, the world of the trees and the stars and the rivers and the mountains. By the world he means the world that you project through your mind, through your desire. That world is maya, that world is illusory, that is created by desire, that is created by thought. When thought and desire disappear and there is just awareness, alertness, when there is consciousness without any content, when there is no thought-cloud, just consciousness, the sky, then you see the real world. That real world is what religions call God, or Buddha calls nirvana. Beasts do not understand the world to be a sorry place.

Desert rose! Like the traveler who wants to go everywhere, Like the sunshine that falls on everything, I want to travel too, but in one direction, that can be anywhere, As long as it leads to you, because without you, the world means nothing, Like the desert I want to spread endlessly, Like the wind I desire to be free, And chase your mirages over sand dunes tirelessly, And then wherever you are, there I shall be, Like the desert let your love be clear and unobstructed, Like the calm of the desert let us spread everywhere, Then in this desert let everything else be restricted, Because I want it to be your representation everywhere, Like an oasis oozing from the bosom of the desert, Like the mirage of water to a thirsty desert wanderer on a hot day, Let your love just one feeling assert, That like an oasis you will flow through me everyday, Like the beautiful desert rose, Like the endless desert, Let your feelings of love within me repose, As I slowly, but surely into your devout disciple convert, Like it first my love, before you begin to love it, Like the desert rose then let me love you, And finally as I, my soul to you shall submit, Let me see the desert, the oasis and the desert rose, and eternity in you!

This is poignantly illustrated in Stanley Kubrick’s film Eyes Wide Shut. Bill and Alice have just returned from a lavish black-tie Christmas party that has sparked a conversation about sex. Bill has always assumed that Alice, like him, is essentially incapable of infidelity. “You’re my wife and my child’s mother and I’m sure of you. You’d never be unfaithful. I’m sure of you.” Alice, outraged at his presumption and emboldened by a joint they have just smoked, decides to enlighten him. She describes in agonizing detail just how powerful the presence of the other can be, even when it is nothing more than a mirage. She tells him of her febrile fantasy about a naval officer she desired from a distance. They never met; nonetheless, his instant hold on her was so strong she would have given up everything if he’d only asked. She also says that this happened on a day when she and Bill had just made love, and Bill had never been dearer to her. Bill is devastated by his wife’s revelation, and he spends the rest of the film trying to avenge the betrayal and restore order to his broken world. What struck me is that, for Bill, a fantasy could generate the same sense of violation as an actual affair. Bill is like many of the partners I meet. His security rests not only on what Alice does but also on what she thinks. Her fantasies are proof of her freedom and separateness, and that scares him. The third points to other possibilities, choices we didn’t make, and in this way it’s bound up with our freedom. Laura Kipnis says, “What is more anxiogenic than a partner’s freedom, which might mean the freedom not to love you, or to stop loving you, or to love someone else, or to become a different person than the one who once pledged to love you always and now…perhaps doesn’t?” If she can think about others, she might love others, and that is intolerable.

tiny seed of doubt sprouting inside her gut. Could this life-altering affair be nothing more than a one-sided mirage? She couldn’t keep her journalistic instincts from attempting to connect dots. She recalled every possible aversion of her lover’s eyes, each word of affirmation that may not have been as sincere and heartfelt as the previous. And now this. Karina released an audible breath and brought her hand to her head. She felt the sharp edge of her one-quarter-karat, pear-shaped diamond engagement ring, and thought about Reinaldo, her Brazilian husband of the last ten years. There had been some good times … moments she’d always remember. But as she recalled the hikes up Pikes Peak, the mountainous bike rides, and games of pool while drinking a few beers, she admitted that Reinaldo had been nothing more than a friend—a convenient friend at that. But one who had helped her produce two kids, two adorable little rug rats. Would they ever look at Mommy the same way, if they found out who the real Karina was? When they found out. Karina couldn’t let her insecurities question her new path in life—a path she’d ignored far too long. Determined to make this relationship work, her mind sharpened, and she leaned over the side of the bed and snatched her smartphone from the back pocket of her khakis. No sweet text messages. She licked her lips, then scrolled to her contacts and tapped the cell number. “Hi, Karina. Miss me already?” the voice on the other end asked. Karina couldn’t help but smile. “I just wanted to hear your voice again before I packed up my things and strolled back into my old life.” “I know what you mean,” Karina’s lover said. “You don’t have a spouse and two kids,” Karina said with a tone more harsh than she’d intended. “Oh, sorry.” “Not a problem. I get it. I really do.” A wave of emotion overcame Karina. A single tear bubbled out of the corner of her eye and she sniffled. “Are you okay, dear?” “I …” “You can tell me, Karina. We share everything.” “I just wanted our evening together to be special. You mean so much to me … how I see myself. How I see our future.” “I’m so sorry my work got in our way. Just know that you hold a special place in my heart.” Karina could hear sincerity, which warmed her heart. “I love you.” “I love you too, Karina.” Muffled sounds broke Karina’s concentration. Was that another person’s voice? “What was that noise? Where are you?” Tension rippled up her spine. “Oh, I just walked in my door. I’m exhausted, dear. Let’s make plans for early next week. We can both relax and have some fun at my new place. We can talk about our future.” The pressure in Karina’s head eased. They kissed into

If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world.” Lewis continues: “If none of my earthly pleasures satisfy it, that does not prove that the universe is a fraud. Probably earthly pleasures were never meant to satisfy it, but only to arouse it, to suggest the real thing. If that is so, I must take care, on the one hand, never to despise, or be unthankful for, these earthly blessings, and on the other, never to mistake them for the something else of which they are only a kind of copy, or echo, or mirage.

Nietzsche was to reiterate this, long after the Greeks—which proves in passing that their message preserves an actuality such as can still be found in modern philosophy: the ultimate end of human life is what Nietzsche calls amor fati, or “love of one’s fate.” To embrace everything that is the case, our destiny—which, in essence, means the present moment, considered as the highest form of wisdom, and the only form that can rid us of what Spinoza (whom Nietzsche regarded as “a brother”) named, equally memorably, the “sad passions”: fear, hatred, guilt, remorse, those corrupters of the soul that bog us down in mirages of the past or of the future. Only our reconciliation to the present, to the present moment—in Greek, the kairos—can, for Nietzsche, as for Greek culture as a whole, lead to proper serenity, to the “innocence of becoming,” in other words to salvation, understood not in its religious meaning but in the sense of discovering ourselves as saved, finally, from those fears that diminish existence, stunting and shriveling it.

Desire describes a state of attachment to something or someone, and the cloud of possibility that is generated by the gap between an object’s specificity and the needs and promises projected onto it. This gap produces a number of further convolutions. Desire visits you as an impact from the outside, and yet, inducing an encounter with your affects, makes you feel as though it comes from within you; this means that your objects are not objective, but things and scenes that you have converted into propping up your world, and so what seems objective and autonomous in them is partly what your desire has created and therefore is a mirage, a shaky anchor. Your