Whisky Lover Quotes

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Some people when they see cheese, chocolate or cake they don't think of calories.
Amit Kalantri (Wealth of Words)
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
Nights without work I spent with whisky and books.
Haruki Murakami (Norwegian Wood)
To her own heart, which was shaped exactly like a valentine, there came a winglike palpitation, a delicate exigency, and all the fragrance of all the flowery springtime love affairs that ever were seemed waiting for them in the whisky bottle. To mingle their pain their handshake had promised them, was to produce a separate entity, like a child that could shift for itself, and they scrambled hastily toward this profound and pastoral experience.
Jean Stafford (The Collected Stories of Jean Stafford)
How could he say, look, I've tried not to fancy you since you first took your coat off in this office. I try not to give names to what I feel for you, because I already know it's too much, and I want peace from the shit that love brings in its wake. I want to be alone, and unburdened, and free. But I don't want you to be with anyone else. I don't want some other bastard to persuade you into a second marriage. I like knowing the possibility's there, for us to, maybe . . . Except, it'll go wrong, of course, because it always goes wrong, because if I were the type for permanence, I'd already be married. And when it goes wrong, I'll lose you for good, and this thing we've built together, which is literally the only good part of my life, my vocation, my pride, my greatest achievement, will be forever fucked, because I won't find anyone I enjoy running things with, the way I enjoy running them with you, and everything afterward will be tainted by the memory of you. If only she could come inside his head and see what was there, Strike thought, she'd understand that she occupied a unique place in his thoughts and in his affections. He felt he owed her that information, but was afraid that saying it might move this conversation into territory from which it would be difficult to retreat. But from second to second, sitting here, now with more than half a bottle of neat whisky inside him, a different spirit seemed to move inside him, asking himself for the first time whether determined solitude was what he really wanted, for evermore.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
He liked to talk when he was in bed. Dirty talk that had shockingly turned her on. With nothing more than his voice, he’d been able to coax her into forgetting everything except what he’d been doing to her. And she’d liked what he’d done to her. A lot. He’d been an intuitive, giving, demanding, fantastic lover, and now she worked for him. Good sweet baby Jesus. Those whisky eyes on hers, he hit the bathroom lock, the sound of the bolt sliding into place as loud as her accelerated breathing.
Anonymous
What is the sea for the man who has loved and left her? She is fire-water, whisky, rum, a roric flame. She is a green-eyed witch; she speaks in tongues. Her coral rings are forged of skeletons; her white shoulders glisten with the dust of powdered bones. She is memory, the number of numbers, the eye of the world, the mirror of the sea. What is the ocean for the sailor who has loved and left her? The one lover who dissolves the night. A bottomless glass of moonshine. And sailors? All sea-talkers. The sons of mermen.
Rikki Ducornet (The Fountains of Neptune)
She said that even though I was a bastard to her, she still loved me. That I’d know one day what I’d given up, that I’d never be happy, deep down, without her. That—’ Strike and Robin had once before sat in this office, after dark and full of whisky, and he’d come dangerously close to crossing the line between friend and lover. He’d felt then the fatalistic daring of the trapeze artist, preparing to swing out into the spotlight with only black air beneath him, and he felt the same now. ‘—she knew I was in love with you.
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper. By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively. "No, love. I could hurt you." "You won't. Please... Keir..." "Please what?" "I need more." His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'." "I can." She strained against him. "This deep?" he asked, reaching places in her that had never been touched before. She shook at the pleasure of it. "Oh, God. Yes." His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out... "Faster," she said desperately. "No' yet," he whispered. "Please," she begged. His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt." She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses. None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach. "You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Is D looking out for you?” he wanted to know. “Making sure you don’t get into trouble?” “What do you mean?” “You always had your own rules about things. Like that boy you ran around with when I first met you.” “Kibii?” “That’s right.” He tipped his cocktail glass back and pulled the whisky along the rim through his teeth. “You were always a bit of a savage here, weren’t you?” “I can’t think what you’re implying. And anyway, you seemed to admire my hunting with Kibii when we first met. Now I’m a savage?” “I’m only saying that what you do reflects on me. The way you were brought up out here, running around with God knows who doing God knows what…and now you’re off at D’s, a woman alone surrounded by men. It smacks of trouble.” “I’m working, not taking dozens of lovers.” “I’d hear of it in an instant if you were,” he said flatly. His eyes flicked away and returned. “You’ve already put me in quite a position.” “I’ve put you in a position? Just give me the damned divorce and let’s have done with it.” Before
Paula McLain (Circling the Sun)
Everyone has secrets. Everyone has something they regret. Or someone. A song will remind you. The sour taste of whisky. Your mother’s wrinkles on your hand. But some secrets can bind us together, a gay lover’s trust, a family’s Santa story, one friend who listens. Some secrets are kept secret out of love. This is why I give you this book.
Jeanne Althouse (BIG Secrets Everywhere)
He subscribed to the medieval policy of polypharmacy – chucking in sometimes dozens of ingredients on the principle that some of them were bound to do you good, ignoring the possibility that some of them might be toxic. As well as ‘fistfuls’ and ‘half-handfuls’ of miscellaneous greenery, ivory shavings cropped up quite often, sometimes having been burned first. The genitals of a cockerel might come in useful, if you could find them. Breast milk should be drunk ‘from the breast by sucking, and if this be loathsome to the patient [regardless of the feelings of the donor] let him take it as hot as possible’. Cat lovers would be horrified by Gaddesden’s recommendation of an ‘astringent bath: take young cats, cut their entrails out, and put their extremities [paws and tail?] with [various herbs], boil in water and bathe the sick man in it’. Another feline recipe: put ‘the lard’ of a black cat, and of a dog, into the belly of a previously eviscerated and flayed black cat, and roast it; collect the ‘juice’ and rub it on the sick limb. ‘The comfort derived therefrom is marvellous.’ A specific for nervous disease is the brain of a hare. If the hunting party kills a fox instead, they could boil it up and use the resulting broth for a massage. Treatment for a paralysed tongue sounds more cheerful: rub it with what the translator called ‘usquebaugh’, i.e. whisky; ‘it restores the speech, as has been proved on many people’. Animal and avian droppings found many uses, such as peacocks’ droppings for a boil. A cowpat made a good poultice, with added herbs. For those who could afford them, gold and silver and pearls, both bored and unbored, were bound to increase the efficacy of the medicine. Gaddesden recommended his own electuary, using eighteen ingredients including burnt ivory and unbored pearls, with a pound of (very expensive) sugar; ‘I have often proved its goodness myself.’ In a final flourish, he suggests putting the heart of a robin redbreast round the neck of a ‘lethargic’ patient, to keep him awake, or hanging the same heart, with an owl’s heart, above an amnesiac patient; it will ‘give [his memory] back to him’. Even better, the heart of a swallow cooked in honey ‘compels him who eats it to tell all things that happened’ in the past, and to predict the future.
Liza Picard (Chaucer's People: Everyday Lives in Medieval England)
And now, full of whisky, he remembered holding her on the stairs at her wedding. This was the closest they'd come to that moment in nearly two years, and the air seemed thick with unspoken things, and again, he felt as though he stood on a small platform, ready to swing out into the unknown. Leave it there, said the surly self that coveted a solitary attic space, and freedom, and peace. Now, breathed the flickering demon the whisky had unleashed, and like Robin a few minutes previously, Strike was conscious that they were sitting mere feet from a double bed.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
What is the sea for the man who has loved and left her? She is fire-water, whisky, rum, a roric flame. She is a green-eyed witch; she speaks in tongues. Her coral rings are forged of skeletons; her white shoulders glisten with the dust of powdered bones. She is memory, the number of numbers, the eye of the world, the mirror of the sea. What is the ocean for the sailor who has loved and left her? The one lover who dissolves the night. A bottomless glass of moonshine. And sailors? All sea-talkers. The sons of mermen.
Rikki Ducornet (The Fountains of Neptune)