Meet Joe Black Quotes

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Fifth grade was fourth grade with something wrong. Nothing changed outright. Instead it teetered. You'd pushed futility at Public School 38 so long by then you expected the building itself would be embarrassed and quit. The ones who couldn't read still couldn't, the teachers were teaching the same thing for the fifth time now and refusing to meet your eyes, some kids had been left back twice and were the size of janitors. The place was a cage for growing, nothing else. School lunch turned out to be the five-year-plan, the going concern. You couldn't be left back from fish sticks and sloppy joes. You'd retain at the least two thousand half-pint containers of vitamin D-enriched chocolate milk. Two black guys from the projects, twins, were actually named Ronald and Donald MacDonald. The twins themselves only shrugged, couldn't be made to agree it was incredible.
Jonathan Lethem (The Fortress of Solitude)
See, look, you don’t know how black it got.” I stepped up next to him. Didn’t touch him, but my voice dropped low. “I’d get so, I don’t know, but I’d get to a point where I’d head into Vegas, maybe meet up with Dev and go hunting tail.” I’d never, ever told nobody what I was telling him. “It felt so desperate. I’d come home and well, while I didn’t have blue balls anymore, I probably felt worse than when I left.
James Buchanan (Spin Out (Deputy Joe, #2))
Meanwhile back in the cinema, a staggering number of films still fail to meet the incredibly low standards of the Bechdel Test, which merely requires them to include two named female characters who talk to each other about any subject other than a man. According to the Bechdel website, recent failures to meet their ludicrously simple criteria include mainstream Hollywood blockbusters like The Internship, The Lone Ranger, The Avengers, Jack Reacher, Killer Joe, Men in Black III and Star Trek: Into Darkness (which should get a bonus point for an underwear scene so blatantly gratuitous even the writer subsequently saw fit to make a public apology for it). There is a feverish desperation to portray any young woman as a sexual object among a large swathe of the media that is so powerful as to transcend both relevance and respect. In the past year alone this rabid tunnel vision led to the portrayal of Amanda Thatcher (in mourning and speaking at her grandmother’s funeral), Amanda Knox (on trial for murder) and Reeta Steenkamp (a victim of domestic violence and murder) as sexual objects for mass consumption. All – regardless of their very different reasons for being in the spotlight – were paraded in countless photographs for the delectation of the tabloid readers.
Laura Bates (Everyday Sexism)
William Parrish: “I want you to get swept away out there. I want you to levitate. I want you to sing with rapture and dance like a dervish. (Yeah) Be deliriously happy, or at least leave yourself open to be. I know it’s a cornball thing. But love is passion, obsession, someone you can't live without. I say, fall head over heels. Find someone you can love like crazy and who will love you the same way back. How do you find him? Well, you forget your head, and you listen to your heart. And I'm not hearing any heart. ‘Cause the truth is, honey, there's no sense living your life without this. To make the journey and not fall deeply in love, well, you haven't lived a life at all. But you have to try, ‘cause if you haven't tried, you haven't lived. Stay open. Who knows? Lightning could strike.“ - Meet Joe Black (1998)
Alberto Casella (Death Takes a Holiday)
But for thirteen-year-old Maricela García, it was more than that. The blind girl knew many of Selena’s songs by heart and competed in talent contests singing her music. Before the show, Maricela said, ‘“I can’t see her, but I want to touch her.” Selena got the message and came out to meet the girl, taking her hand and letting her feel the texture of the black leather motorcycle jacket she was wearing.
Joe Nick Patoski (Selena: Como la Flor)
He led the USFL with 28 sacks for 199 yards lost (both professional football records), but also led in manic mayhem. Early on during training camp, Corker—nicknamed Sack Man—gathered the team in a circle and guided the Panthers in prayer. “He started praying like a Baptist black preacher,” said Dave Tipton, a defensive tackle, “and I thought, Wow, Corker must walk with the Lord.” Not quite. Blessed with the world’s largest penis, Corker never shied away from showing it off to fellow Panthers. “The biggest johnson in the USFL,” said Matt Braswell, the team’s center. “We had women reporters come into the locker room, and Corker would position himself so he was in full view of any females. He had this vat of Nivea skin cream, and he would just make sure to completely rub it and moisturize it.” Corker operated on a clock that required only two to three hours of sleep per night, and was powered by the dual fuels of alcohol and cocaine. He kept a gun in his car’s glove compartment, missed as many meetings as he attended, and proudly pasted his pay stubs to his locker, so that teammates could marvel at the money he was being docked. Once, Hebert drove with Corker from Pontiac to Detroit for a promotional appearance. It was snowing outside, the roads were slippery—“and Corker was driving, smoking one joint after another,” said Hebert. “We both walked in reeking of pot.” In a USFL urban legend that actually checks out, Corker was once found naked on the ice at Joe Louis Arena in the early-morning hours. He had passed out, and spent so much time on the cold surface that some of his skin had to be ripped off. “That,” said Bentley, “surprised none of us.
Jeff Pearlman (Football For A Buck: The Crazy Rise and Crazier Demise of the USFL)