Me Versus Me Quotes

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Perhaps because I'll never be one, humans are interesting to me.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
If you are anything like me --- Clever, fond of goat cheese, and devilishly handsome --- then you have undoubtedly read many books.
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars.
Hermann Hesse
When I read these books, I no longer felt like I was confined to a very tiny world. I no longer felt housebound and bedbound. Really, I told myself, I was just brainbound. And this was not such a sorry state of affairs. My brain, with a little help from other people's brains, could take me to some pretty interesting places, and create all kinds of wonderful things. Despite its faults, my brain, I decided, was not the worst place in the world to be.
Gavin Extence (The Universe Versus Alex Woods)
That’s the novelty of fiction versus reality. You can’t re-live your own love story because, by the time you’ve realized you’re living it, it’s over. At least that was the case for me.
Kate Stewart (Flock (The Ravenhood, #1))
It wasn’t about the age-old battle of Arum versus Luxen. I wasn’t fighting to feed or to work off aggression. I wasn’t fighting because I was told or was obligated. I was fighting for Serena. She meant everything to me. Knowing that, fully understanding what that mean, I was on a motherfucking warpath.
Jennifer L. Armentrout (Obsession)
And then he game me that look. THE LOOK. The one where his eyes went all soft and light. In the battle that was man versus woman, this look should not be allowed.
Nicole Williams (Crush (Crash, #3))
It was supposed to be us against the world, Tyler and me versus everyone else. Now it's just me.
Estelle Maskame (Did I Mention I Need You? (DIMILY, #2))
I'm not talking about commitment to romantic relationships. I'm talking about commitment to things: houses, jobs, neighborhoods. Having a job that requires a contract. Paying a mortgage. I think when men hear that women want a commitment, they think it means commitment to a romantic relationship, but that's not it. It's a commitment to not floating around anymore. I want a guy who is entrenched in his own life.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
Christopher Hitchens (Hitch 22: A Memoir)
Minn, I love you the way you're today, nonetheless before I wanted fate to fare you better Fate is faring me best with you by my side I'm not perfect So do I I'm still adjusting with the new me W'll get through it together We've never had anything to do with each other before We'll start from step one We need time to work things out We have forever
Hlovate (Versus)
Tyler has left me to deal with our mess all by myself. It was supposed to be us against the world, Tyler and me versus everyone else. Now it's just me.
Estelle Maskame (Did I Mention I Need You? (DIMILY, #2))
I'm a nothing person. I don't affiliate myself with any kind of label [..] The truly stalwart don't run with a group. Being alone is like standing against the whole world. Me versus the world.
Wataru Watari (やはり俺の青春ラブコメはまちがっている 3)
Do you think she’s crossed over? I mean, I’ve always wanted her to figure things out, but I never expected her to cross over the very instant she remembered. What if she’s gone?” “We’ll celebrate.” Still, she kept quiet. “I know it’s difficult to believe, but something is going on. Sara is not like this. She would never do anything to hurt me. I didn’t even say good-bye.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
It would be like The Rock versus Seth Green. Now, tell me who he is
Tammy Blackwell (Destiny Binds (Timber Wolves Trilogy, #1))
It occurs to me to dwell on what a microcosm we are of the war as a whole, you and I. An action and an equal and opposite reaction. My viney-hivey elfworld, as you say, versus your techy-mechy dystopia. We both know it’s nothing so simple, any more than a letter’s reply is its opposite. But which egg preceded what platypus? The ends don’t always resemble our means.
Amal El-Mohtar (This Is How You Lose the Time War)
In general, our morally tinged cultural institutions—religion, nationalism, ethnic pride, team spirit—bias us toward our best behaviors when we are single shepherds facing a potential tragedy of the commons. They make us less selfish in Me versus Us situations. But they send us hurtling toward our worst behaviors when confronting Thems and their different moralities.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.
Richard Ayoade (The Double)
One afternoon, I am complaining about the confusion of my age, what is expected of me versus what I want for myself.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Me Tarz-tosterone; You Estro-Jane
Tony Cleaver (A Chain of Flames)
But if it is true that human minds are themselves to a very great degree the creations of memes, then we cannot sustain the polarity of vision we considered earlier; it cannot be "memes versus us," because earlier infestations of memes have already played a major role in determining who or what we are. The "independent" mind struggling to protect itself from alien and dangerous memes is a myth. There is a persisting tension between the biological imperative of our genes on the one hand and the cultural imperatives of our memes on the other, but we would be foolish to "side with" our genes; that would be to commit the most egregious error of pop sociobiology. Besides, as we have already noted, what makes us special is that we, alone among species, can rise above the imperatives of our genes— thanks to the lifting cranes of our memes.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
Hand-to-hand combat with three hundred pounds of screaming monkey menace is not my idea of a fair fight. My idea of a fair fight is one unarmed, toothless, nearsighted old monkey versus me with a Blackhawk attack helicopter.
Dean Koontz (Seize the Night (Moonlight Bay, #2))
I would want kids to talk and write about how the book makes them feel, what it reminded them of, if it changed their thoughts about anything. I’d have them keep a journal and have them freewrite after they read each assignment. What did this make you think about? That’s what I’d want to know. I think you could get some really original ideas that way, not the old regurgitated ones like man versus nature. Just shoot me if I ever assign anyone an essay about man versus nature. Questions like that are designed to pull you completely out of the story. Why would you want to pull kids out of the story? You want to push them further in, so they can feel everything the author tried so hard to create for them.
Lily King (Writers & Lovers)
They sent the shrink round yesterday. He's put me on Prozac. Prozac! He thinks I'm depressed.' 'Aren't you depressed?' 'I wasn't depressed.' 'You did try to kill yourself,' I pointed out. 'Yes. That's what he said too. Apparently that's a classic symptom. It's not thought a sane plan of action for someone in my situation.
Gavin Extence (The Universe Versus Alex Woods)
Back then I was always looking ahead to who I wanted to be versus who I didn’t realize I already was, and the wished-for me was most likely based on who other people seemed to be and the desire to have the same effect on others that they had had on me.
Carrie Fisher (The Princess Diarist)
Have you understood me? Dionysus versus Christ.
Friedrich Nietzsche (Ecce Homo)
I am ashamed to admit that I have contemplated living versus ending it all.
J.L. Mac (Wreck Me (Wrecked, #1))
Somebody tell me that I should just go speak to the kings again." "uh," Sing said, "didn't I just do that?" "I need to her it again, Sing," Grandpa Smedry said. "I'm old and stubborn!
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
In the spiritual life, the opposite of fear is not courage, but trust. Branch out. Not only do our beliefs define us, but so does the community of like-minded people who share those beliefs. Christian traditions, denominations, and congregations provide a group identity. We are social animals, so we should not judge our spiritual groups, or those of others, as necessarily a problem. Only when our communities become the defining element of our spiritual lives, packs that protect those boundaries at all costs, do problems begin. That leads to isolation, “us versus them” thinking, and the illusion that “we” are basically right about the Bible and God and “they” aren’t—the kind of wall-building that Jesus and Paul criticized. So much can be learned from
Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
They told me that nothing was a sin, just a poor life choice. Poor impulse control. That nothing is evil. Any concept of right versus wrong, according to them, is merely a cultural construct relative to one specific time and place. They said that if anything should force us to modify our personal behavior it should be our allegiance to a social contract, not some vague, externally imposed threat of flaming punishment.
Chuck Palahniuk (Damned (Damned, #1))
I was coming to realize something very difficult. I was slowly accepting that the way I did things – the way my people did things – might not actually be the best way. In other words, I was feeling humility. I sincerely hope that you never have to feel this emotion. Like asparagus and fish, it’s not really as good for you as everyone says it is. Selfishness, arrogance, and callousness got me much further than humility ever did
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
So much of our pain comes from looking at our life in a “me” versus “the world” mentality.
Lodro Rinzler (The Buddha Walks into a Bar . . .: A Guide to Life for a New Generation)
Well," he said, "I think we've found our way in. We just wait until they're duking it out, but trust me, these Humans First types don't have a lot of staying power or they'd have been at the gym with me before. I doubt Grandma Kent there is going to do a lot of damage." He pointed at a gray-haired, hunched lady in a shawl, carrying what looked liked a gardening tool. "It's like Plants Versus Zombies, and I'm not rooting for the zombies, weirdly enough.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
It was a big lesson for me when I was young—being given things versus earning them. I was so used to being given things that I didn’t know how important it is for your soul to earn them.
Taylor Jenkins Reid (Daisy Jones & The Six)
When pondering how the past affected us, we rarely look for OUR effect on it. We think about what we were up against versus what we stood for. We remember what we feared but not what we dreamed. We ponder how much we were loved versus how much we loved. We think, why did all that happen to me? What did I get out of it? Where will it lead me? When perhaps we should wonder, what did I make happen? What did I give? Where will I direct myself now?
Brendon Burchard
I have faced bullying before. Not in high school. Not in any school but when I published my now bestselling book series as an indie author back in 2010 through 2012 and became a target for indie publishing, especially in YA because I stood by Amazon self-publishing versus the traditional publishers. How I dealt with it? I kept doing what I love - writing and publishing, and giving my readers what they love. Indie publishing took off soon afterwards and now it is a valid and more desirable way to publish books. So the lesson learned is...don't let bullies stop you from doing what you love and from keeping you from giving your readers the books they love to read from you.
Kailin Gow
I also want to say that there is no hierarchy of suffering. There's nothing that makes my pain worse or better than yours, no graph on which we can plot the relative importance of one sorrow versus another. People say to me, "Things in my life are pretty hard right now, but I have no right to complain -- it's not Auschwitz." This kind of comparison can lead us to minimize or diminish our own suffering. Being a survivor, being a "thriver" requires absolute acceptance of what was and what is. If we discount our pain, or punish ourselves for feeling lost or isolated or scared about the challenges in our lives, however insignificant these challenges may seem to someone else, then we're still choosing to be victims. We're not seeing our choices. We're judging ourselves.
Edith Eger (The Choice: Embrace the Possible)
My wife has made up Ty’s old bedroom for you,” he told him in a low voice as Ty and Mara argued over the merits of the couch cushions versus the rocks out back. “Oh Christ.” Zane laughed, falling back in his chair. “He won’t let me forget this. Losing his bed to me.” “Well,” Earl said with a sigh, “it’s either that or fight his mama over it.” He sat and watched Ty and Mara for a moment, sipping at his coffee contentedly. “Ain’t none of us ever won that fight,” he told Zane flatly. “Me and Zane’ll just bunk together,” Ty was arguing. Mara laughed at him. “You two boys won’t fit in a double bed any more than I’ll still fit in my wedding dress,” she scoffed. [...] “Good morning, Zane dear, how did you sleep?” Mara asked as she came up to him and pressed a glass of orange juice into his hands. “Ah, okay,” Zane hedged, taking the glass out of self-defense. “I don’t do too well sleeping in strange places lately, but….” “Well, Ty’s bed is about as strange a place as you can get,” Deuce offered under his breath. He followed it with a muffled grunt as Ty kicked him under the table.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
The two desires seemed equally strong as they continually warred inside me: wanting her versus wanting her to be well.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
Do these robots looked armed? And I was talking to the dinosaur. Were you worried he would discuss me to death?
A. Lee Martinez (Emperor Mollusk versus The Sinister Brain)
You and me, Ave, is so much better than you versus me.
Kels Stone (Water Under The Bridge (Perks & Benefits #1))
Lately I've been thinking a lot about leaving versus being left, and how obvious it is that leaving is easier. It was for me.
Sarah Protzman (Two Years in New York City)
Oh, please. I'm such a loser. The only thing that's different about me now versus then is that I got some better clothes and got rid of my accent. You'll probably lose yours, too. But even if you don't, this is just high school. Impressing a bunch of snooty teenagers is a pretty lame life goal to have.
Vera Brosgol (Anya's Ghost)
There’s no old life versus new life. There is simply my life. Acceptance really is a wonderful thing. Allowing me to let go of the baggage I carried with me and for once to just be free.
Melissa Toppen (Second Chance)
Picture this: possible boyfriend X takes normal girl versus freak girl, namely me, home to meet his mother. After a handshake, normal girl comments, Oh, what a pretty manicure, Mrs. X. My comment? After I wipe away the foam at my mouth, and I'm finally done convulsing, Mrs, X, you'll die in a car crash two weeks from today. You may as well take care of the arrangements because I'm never wrong. And we live happily ever after? Fat chance.
Ramona Wray (Hex: A Witch and Angel Tale)
9. The Moon Cannot Be Stolen Ryokan, a Zen master, lived the simplest kind of life in a little hut at the foot of the mountain. One evening a thief visited the hut only to discover there was nothing in it to steal. Ryokan returned and caught him. "You may have come a long way to visit me," he told the prowler, "and you should not return empty-handed. Please take my clothes as a gift." Ryokan sat naked, watching the moon. "Poor fellow," he mused, "I wish I could give him this beautiful moon.
Nyogen Senzaki
I record my life, sifting and trying to separate what is real from what I’ve dreamed. I have decided not to tell you what is fact versus what is unfact primarily because (a) I am giving you a portrait of the essence of me, and (b) because, living where I do, living in the chasm that cuts through thought, it is lonely… come with me, reader. I am toying with you, yes, but for a real reason. I am asking you to enter the confusion with me, to give up the ground with me, because sometimes that frightening floaty place is really the truest of all. Kierkegaard says, ‘The greatest lie of all is the feeling of firmness beneath our feet. We are most honest when we are lost.’ Enter that lostness with me. Live in the place I am, where the view is murky, where the connecting bridges and orienting maps have been surgically stripped away.
Lauren Slater (Lying: A Metaphorical Memoir)
Now that the book is out in the world, I’m amazed all over again at what my friend did for me in prompting me to ditch realism for a more magical approach. In some ways, the Golem and the Jinni are the ultimate immigrants. They aren’t just new to New York or America; they’re new to people. Like those around them, they wrestle with issues of religion versus doubt and duty versus self-determination—but as inescapable aspects of their own otherworldly natures. For seven years I’ve lived with their questions, arguments, and adventures, and it’s been one of the greatest gifts of my life.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
Indeed, isn’t the whole business of ascribing responsibility kind of a cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But, of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
I knew that iridium-193 was one of two stable isotopes of iridium, a very rare, very dense metal, but I didn't know that the periodic table even existed. I knew how many zeroes there were in a quintillion, but I thought that algebra lived in ponds. I'd picked up a few Latin words, and a smattering of Elvish, but my French was non-existent. I'd read more than one book of more than one thousand pages (more than once), but I wouldn't have been able to identify a metaphor if it poked me in the eye. By secondary-school standards, I was quite a dunce.
Gavin Extence (The Universe Versus Alex Woods)
religion could never be made compatible with science without diluting it so seriously that it was no longer religion but a humanist philosophy. And so I learned what other opponents of creationism could have told me: that persuading Americans to accept the truth of evolution involved not just an education in facts, but a de-education in faith—the form of belief that replaces the need for evidence with simple emotional commitment.
Jerry A. Coyne (Faith Versus Fact: Why Science and Religion Are Incompatible)
When I read these books, I no longer felt like I was confined to a very tiny world. I no longer felt housebound or bedbound. Really, I told myself, I was just brainbound, and this was not such a sorry state of affairs. My brain, with a little help from other peoples brains, could take me to some pretty interesting places, and create all kinds of wonderful things. Despite its faults, my brain, I decided, was not the worst place in the world to be.
Gavin Extence (The Universe Versus Alex Woods)
Behold!" I bellowed. "'Tis a foul beast of the nether-hells. Stand behind me and I shall slay it!" "Oh, Alcatraz," Bastille breathed. "Thou art awesomish and manlyish.
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
I wasn’t gay, had never been fucked up the ass before, but again, the whole being a chuck roast versus having a fucked ass argument made it a no-brainer to me.
Tymber Dalton (Acquainted with the Night)
So, me versus the dragon. Except-- Except she's not a dragon. She's just a girl. Like me.
Kelly Thompson (Hawkeye #6)
There is one indisputable way to identify a cult, one characteristic they all share. If is not a belief in alien spacecraft or a plentiful supply of Flavor Aid. It is the notion that anyone who does not agree with the group's beliefs or choices, who expresses concerns, who simply dare to ask questions, is deemed "unsafe". Every good thing about that person must be subsumed by the fact that they disagree with me, so I can boil down their character into something vilifiable. For mind control to work, there has to be heroes and villains. It has to be us versus them. In a cult, it isn't good enough for you to say, "I love you, but I disagree with you." You must affirm my choices and beliefs. Only then can you be considered "safe". In a cult, safety means agreement. The irony of course, is that while you are not allowed to have your own opinions about my beliefs, I am allowed to have an opinion about yours.
Bethany Joy Lenz (Dinner for Vampires: Life on a Cult TV Show (While Also in an Actual Cult!))
One/Or the Other was about the Cole that I heard in the monitors on stage versus the Cole that paced the hotel halls at night. This was what One/Or the Other was: It was the knowledge that I was surrounded by adults with lives that I could never imagine living. It was the humming noise inside me that told me to do something and found nothing to do that meant anything, the bit of me that was like a fly smashing itself again and again on a windowpane. It was the futility of aging. It was a piano piece gotten right the first tie. It was the time I picked Angie up for a date and she was wearing a cardigan that made her look like her mother. It was roads that ended in cul-de-sacs and careers that ended with desks and songs screamed in a gymnasium at night. It was the realization that this was life, and I didn't belong here.
Maggie Stiefvater
When I’m aligned with my presence, I’m breathing easily, words come to me without overthinking, I feel genuinely confident, and people resonate with my energy. I feel safe, calm, and in the flow with whatever is happening around me. When I’m out of alignment with the power of my presence, I feel stuck, weak, tired, anxious, and annoyed. No one wants to be around me, and I feel disconnected from everyone. It’s invaluable for me to clearly know the difference between what it feels like to be connected to my presence versus what it feels like when I’m not. This awareness helps me witness when I’m out of alignment so I can choose to realign in an instant.
Gabrielle Bernstein (The Universe Has Your Back: Transform Fear to Faith)
Atlas is so angry, but this is an anger I'm not afraid of. I realize the significance of this moment. I'm alone with an angry man in my apartment, but I'm not in fear for my life, because he isn't angry at me. He's angry at the person who hurt me. It's a protective anger, and there's a world of difference between my reactions to Ryle's anger versus my reaction to Atlas's anger.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
They are seed-harvester ants, and while me versus one boy is totally manageable, me versus the pack of them is nearly impossible. Their hunger is a lightsaber, and I am no match for its power.
Rachel Balducci
The deeper I went, the more I noticed this phenomenon all around me: individuals not guided by legible principles or beliefs, but acting as members of groups playing yin to the other’s yang—well versus weak; awake versus sheep; righteous versus depraved. Binaries where thinking once lived.
Naomi Klein (Doppelganger: a Trip into the Mirror World)
My latest battle had nothing to do with The Company, the rebels, or any other faction. It was out-and-out warfare between my head and my heart. Keeping it cool during daylight, versus nighttime, when I unleashed my passion for him. ... Turned out the Wilderness was a lot more hostile than me.
Rie Warren (In His Command (Don't Tell, #1))
There are many differing viewpoints on nature versus nurture, and there are those who believe that bad behavior can be excused and understood if a person doesn't know better. The theory that someone who has been abused as a child will go on to abuse their own children, and so on, because they don't know differently is widely held. But children know. We all know. Learned behavior. When a child is abused, he or she knows, even as it is happening, that it is wrong. I knew. I was abused. When a child is treated unfairly in any way, he or she knows that it is wrong. I knew. I was treated unfairly. And when a child is treated with love and affection, he or she knows that it is right. I knew. I saw how other kids were treated with love and affection by their parents. I knew. My soul cried out to me and told me so. We all know. We all know right from wrong. Our souls cry out to us and tell us so. And we decide, we make our choices, and we are responsible for those choices. We, no one else but we, decide. Anger, hurt, pain, humiliation, fear, dread, confusion-all these emotions we choose. De we hold on to our anger, our pain and humiliation, and hit back, or do we strive to understand that we can do better?
Rosemary Altea (Soul Signs: An Elemental Guide to Your Spiritual Destiny)
every time i try to make sense of the disconnect between who i am on the inside versus who i am on the outside, i am interrupted by a voice that only repeats the same line: you are broken. you are broken. you are broken. and that is all it takes to send me back within myself, to make me deny every single question i’ve ever been bold enough to ask out loud. maybe i am broken, but nobody will ever know how broken i am.
Parker Lee (Masquerade)
It isn’t that I’m a weak person. I’m a product of self-destruction, or so my therapist tells me. I’m a battlefield of strength versus weakness and reality versus my own mind. I don’t look in the mirror and hate myself because I’m weak. No, I hate myself because even though my clothes and the scale tell me one thing, I can’t see it. It takes all the strength a person can muster to continue fighting his or her own self-image. Fighting to find their way back from the damage they’ve done to themselves physically and mentally.
Harper Sloan (Perfectly Imperfect)
And therein lies the paradox that would haunt me for almost ten years: the tug-of-war between two worlds. A world of freedom versus a world of stability and family. A world of dreams versus a world of tradition.
Ira Wagler
My favorite books, love songs, movies, the ones that resonated with me, have kept me grieving long after I turned the last page, the notes faded out, or the credits rolled. Because of that, I believed it, because I made myself believe it, and I bred the most masochistic of romantic hearts, which resulted in my illness. When I lived this story, my own twisted fairy tale, it was unbeknownst to me at the time because I was young and naïve. I gave into temptation and fed that beating beast, which grew thirstier with every slash, every strike, every blow. That’s the novelty of fiction versus reality. You can’t re-live your own love story because, by the time you’ve realized you’re living it, it’s over. At least that was the case for me.
Kate Stewart (Flock (The Ravenhood, #1))
We were prime examples of the age old debate: nature versus nurture. I’d been brought up around muscle cars and crescent wrenches, and he’d been surrounded by neon lights and stilettos. In all likelihood, I should’ve been straight as an arrow, and Frank would’ve ended up as a showgirl. Yet, he was the top, if only in bed. We both knew who wore the pants in the relationship, even though they were big on me because they were his.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly. The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always. He gave each of us in turn the Look of Doom. "Y'all smell like a North Carolina tobacco field in a wildfire," he said. We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder. Would he call my parents? "I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled. "He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty." "You're awfully philosophical for a girl that just got busted," I told her. "Sometimes you lose a battle. But mischief always wins the war.
John Green (Looking for Alaska)
The debate over the semantics of “preference” versus “orientation” is utter nonsense, and if you even suggest to me that one might “pray the gay away,” I will kick you soundly in your nuts or your juice box, just like I believe Jesus would have.
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
Social justice is a religion based on viewing the entire world through the filter of oppressor versus oppressed. And if you’re not on their team, that makes you the oppressor: primed for targeting and canceling. The backbone is punishment: you’ve victimized me, and now you must pay.
Greg Gutfeld (The Plus: Self-Help for People Who Hate Self-Help)
Regardless of who leads it, the professional-class liberalism I have been describing in these pages seems to be forever traveling on a quest for some place of greater righteousness. It is always engaged in a search for some subject of overwhelming, noncontroversial goodness with which it can identify itself and under whose umbrella of virtue it can put across its self-interested class program. There have been many other virtue-objects over the years: people and ideas whose surplus goodness could be extracted for deployment elsewhere. The great virtue-rush of the 1990s, for example, was focused on children, then thought to be the last word in overwhelming, noncontroversial goodness. Who could be against kids? No one, of course, and so the race was on to justify whatever your program happened to be in their name. In the course of Hillary Clinton’s 1996 book, It Takes a Village, the favorite rationale of the day—think of the children!—was deployed to explain her husband’s crime bill as well as more directly child-related causes like charter schools. You can find dozens of examples of this kind of liberal-class virtue-quest if you try, but instead of listing them, let me go straight to the point: This is not politics. It’s an imitation of politics. It feels political, yes: it’s highly moralistic, it sets up an easy melodrama of good versus bad, it allows you to make all kinds of judgments about people you disagree with, but ultimately it’s a diversion, a way of putting across a policy program while avoiding any sincere discussion of the policies in question. The virtue-quest is an exciting moral crusade that seems to be extremely important but at the conclusion of which you discover you’ve got little to show for it besides NAFTA, bank deregulation, and a prison spree.
Thomas Frank (Listen, Liberal: Or, What Ever Happened to the Party of the People)
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
No girl has ever had this effect on me! She's taking up so much of my attention, I'm having a hard time smoking cigarettes and drinking whiskey!
James Marshall (Ninja Versus Pirate Featuring Zombies (How To End Human Suffering #1))
Yes, it outraged me to see how they’d lied. It entranced me, what they truly looked like versus what they shared.
Allie Rowbottom (Aesthetica)
To them, mathematics was Important, with a capital I, whereas to me it was only a game - a game with which I had become bored
Theodore John Kaczynski (Truth Versus Lies)
it's going to take me some time to get where you are with this. i don't become fearless just because i know my options are do something and die versus do nothing and still die.
Adam Silvera
Love people for who they are versus who you would want them to be!
Sheila Tiller-Tooks
We are microscopes versus telescopes. Smiles versus scowls. Warm versus frigid. Was there ever a chance for us to find common ground?
Jillian Meadows (Give Me Butterflies (Oaks Sisters, #1))
You are not sacrificing me…to anything.” – Abigail “You started this, babe. The choice is simple. Either you die alone, nobly like a good sport, or the entire world dies with you, which I don’t think they’d appreciate much. So put on your big-girl pants and own up to what you and your stupidity caused. It’s Joe Versus the Volcano time. But in the end, I don’t give a shit what you do. With the exception of the cowboy there and my family, I hate people with a passion that makes your feelings for Jess look like a schoolgirl crush. Lovely thing about my current situation, I’m truly immortal. You annihilate humanity and the world…I’m still good. So whatever you decide, it won’t affect me personally. I would say you’re the one who’ll have to live with the guilt. But either way, you’re dead. Whatever. I delivered my message. My job here is done, and I need to get back to the one that I’m still not sure how I let them talk me into doing – which is even weirder and scarier than the Dark-Hunter gig. Jess, call me if she wusses, and I’ll make sure you survive the holocaust.” – Zarek
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
It was a big lesson for me when I was young —being given things versus earning them. I was so used to being given things that I didn’t know how important it is for your soul to earn them.
Taylor Jenkins Reid (Daisy Jones & The Six)
It was a big lesson for me when I was young--- being given things versus earning them. I was so used to being given things that I didn't know how important it is for your soul to earn them.
Taylor Jenkins Reid (Daisy Jones & The Six)
Our four-year-old can be taught, right here in the moment, that this isn’t a me-versus-you battle, but a situation we are in together for which we need to find a creative solution that works for us both.
Shefali Tsabary (The Conscious Parent: Transforming Ourselves, Empowering Our Children)
but trying to get Boris to understand about the Bill of Rights, and the enumerated versus implied powers of the U.S. Congress, reminded me of the time I’d tried to explain to Mrs. Barbour what an Internet server was.
Donna Tartt (The Goldfinch)
But to me this moment in history, rather than being a moment for debating what is inherently masculine versus inherently feminine, is an incredible opportunity to reexamine our value system and the evidence behind it.
Rose Hackman (Emotional Labor: The Invisible Work Shaping Our Lives and How to Claim Our Power)
The difference in joy respondents felt in urban versus natural settings (especially coastal environments) was greater than the difference they experienced from being alone versus being with friends, and about the same as doing favored activities like singing and sports versus not doing those things. Yet, remarkably, the respondents, like me, were rarely caught outside. Ninety-three percent of the time, they were either indoors or in vehicles.
Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
As trepidation and exhilaration warred within me, certainty twined tight around my bones. Nothing else would work. The only way to survive Atakan the heartless was to play this game of hunter versus prey—even if it drew blood.
Ella Fields (Amid Clouds and Bones)
Directors tell me I should direct because the questions I am asking are the questions that they are asking rather than the questions that they expect to come from an actor. I do get that a lot. But there’s a great difference between being able to stand there and make suggestions when it ultimately doesn’t stop at you versus when it does. I think my issue with directing would probably be that I am kind of a loner. I like being responsible for myself.
Christian Bale
If Sibby were here, she would remind me that talking about the weather in this way is functionally the same as having "I'm a Midwesterner" tattooed onto my face. For my next trick, why not bring up a garage sale I heard about? Or perhaps point out that I got the bag I'm carrying at a fifty percent off sale, with an extra five percent deducted for a temperamental zipper? Would Reid be interested in knowing my opinions on mayonnaise versus Miracle Whip?
Kate Clayborn (Love Lettering)
We face two fundamentally different kinds of moral problems: Me versus Us (Tragedy of the Commons) and Us versus Them (Tragedy of Commonsense Morality). We also have two fundamentally different kinds of moral thinking: fast (using emotional automatic settings) and slow (using manual-mode reasoning). And, once again, the key is to match the right kind of thinking to the right kind of problem: When it’s Me versus Us, think fast. When it’s Us versus Them, think slow.
Joshua D. Greene (Moral Tribes: Emotion, Reason, and the Gap Between Us and Them)
I'm Guy Boy Man, which, I admit, is pretty weird, because I'm not Asian, or a series of keywords to search for gay porn, or heterosexual porn, I guess, if you're a chick and you're into porn and if you are, let me just say, that's awesome.
James Marshall (Ninja Versus Pirate Featuring Zombies (How To End Human Suffering #1))
This got me thinking of how animals define beauty versus us humans and how drastically different these opinions are. Animals don’t see beauty or judge us based on it. If a cat is comfortable with you and trusts you, it does not care what you look like. You could have a missing eye or two missing eyes or a freakish pimple on your face, and the horse you are riding or brushing will not care one bit. Animals teach us the meaning of beautiful every day. Do you take the time to listen?
Jaycee Dugard (Freedom: My Book of Firsts)
It was hard for me to believe that the nature of our crimes was what accounted for my fifteen-month sentence versus some of my neighbors’ much lengthier ones. I had a fantastic private attorney and a country-club suit to go with my blond bob. Compared
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
I sit here contemplating the sorry catalog of nonsense that the media have printed about me and I am overcome with discouragement. I itch to refute all of it point by point, but there is just too much of it, and in most cases no documentation is available
Theodore John Kaczynski (Truth Versus Lies)
But here’s the thing,” says Paul. “I would bet that if someone did a study and asked, ‘Okay, your kid’s three, rank these aspects of your life in terms of enjoyment,’ and then, five years later, asked, ‘Tell me what your life was like when your kid was three,’ you’d have totally different responses.”   WITH THIS SIMPLE OBSERVATION, Paul has stumbled onto one of the biggest paradoxes in the research on human affect: we enshrine things in memory very differently from how we experience them in real time. The psychologist Daniel Kahneman has coined a couple of terms to make the distinction. He talks about the “experiencing self” versus the “remembering self.” The experiencing self is the self who moves through the world and should therefore, at least in theory, be more likely to control our daily life choices. But that’s not how it works out. Rather, it is the remembering self who plays a far more influential role in our lives, particularly when we make decisions or plan for the future, and this fact is made doubly strange when one considers that the remembering self is far more prone to error: our memories are idiosyncratic, selective, and subject to a rangy host of biases. We tend to believe that how an episode ended was how it felt as a whole (so that, alas, the entire experience of a movie, a vacation, or even a twenty-year marriage can be deformed by a bad ending, forever recalled as an awful experience rather than an enjoyable one until it turned sour). We remember milestones and significant changes more vividly than banal things we do more frequently.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
One afternoon, I am complaining about the confusion of my age, what is expected of me versus what I want for myself. "Have I told you about the tension of opposites?" he says. "Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted. A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Compared to a Dom in the BDSM world, Marcel taught me that Daddy Doms are the gentlest type of Dom. Versus spanking, whips, and chains, in a dominance and submission relationship, Daddy Doms are more concerned with their Submissive’s goals and needs; not spanking or torturing her.
Jessica N. Watkins (Love Me Some Him)
While some of our deepest wounds come from feeling abandoned by others, it is surprising to see how often we abandon ourselves through the way we view life. It’s natural to perceive through a lens of blame at the moment of emotional impact, but each stage of surrender offers us time and space to regroup and open our viewpoints for our highest evolutionary benefit. It’s okay to feel wronged by people or traumatized by circumstances. This reveals anger as a faithful guardian reminding us how overwhelmed we are by the outcomes at hand. While we will inevitably use each trauma as a catalyst for our deepest growth, such anger informs us when the highest importance is being attentive to our own experiences like a faithful companion. As waves of emotion begin to settle, we may ask ourselves, “Although I feel wronged, what am I going to do about it?” Will we allow experiences of disappointment or even cruelty to inspire our most courageous decisions and willingness to evolve? When viewing others as characters who have wronged us, a moment of personal abandonment occurs. Instead of remaining present to the sheer devastation we feel, a need to align with ego can occur through the blaming of others. While it seems nearly instinctive to see life as the comings and goings of how people treat us, when focused on cultivating our most Divine qualities, pain often confirms how quickly we are shifting from ego to soul. From the soul’s perspective, pain represents the initial steps out of the identity and reference points of an old reality as we make our way into a brand new paradigm of being. The more this process is attempted to be rushed, the more insufferable it becomes. To end the agony of personal abandonment, we enter the first stage of surrender by asking the following question: Am I seeing this moment in a way that helps or hurts me? From the standpoint of ego, life is a play of me versus you or us versus them. But from the soul’s perspective, characters are like instruments that help develop and uncover the melody of our highest vibration. Even when the friction of conflict seems to divide people, as souls we are working together to play out the exact roles to clear, activate, and awaken our true radiance. The more aligned in Source energy we become, the easier each moment of transformation tends to feel. This doesn’t mean we are immune to disappointment, heartbreak, or devastation. Instead, we are keenly aware of how often life is giving us the chance to grow and expand. A willingness to be stretched and re-created into a more refined form is a testament to the fiercely liberated nature of our soul. To the ego, the soul’s willingness to grow under the threat of any circumstance seems foolish, shortsighted, and insane. This is because the ego can only interpret that reality as worry, anticipation, and regret.
Matt Kahn (Everything Is Here to Help You: A Loving Guide to Your Soul's Evolution)
I could have entered any state championship and won.”  “Didn’t you have the urge to defy him and try? Go to a coach and show them what you could do?”  “No. I learned the logic of Samuel’s philosophy on life and purpose very quickly. He taught me to balance what would benefit my progress versus what would only benefit my ego. I learned that there would be instances where cultivating the positive opinions of others wouldn’t hasten my progress toward my goals. Some accomplishments, the ones that meant the most to me, had to be for me alone. So I only swam for him and myself.
Brynne Weaver (Black Sheep)
It took everything I had to walk into those buildings. I did not want to enter them. For years, maybe for my whole life, it felt as though there was a brick wall down the middle of everything. Standing outside those buildings, I could almost picture it. On one side of the wall there was society, and on the other side there was me, us, the people in the place I came from. Separate. We were separate. The feeling in my heart was of the world being divided into an “us” versus “them,” and everyone on the other side of the wall felt like “those people.” The everyday working people
Liz Murray (Breaking Night)
The human race is the biggest mass murderer of all time. Think about it: we’re hard-coded to survive. Even our ancient ancestors were driven by this impulse, driven enough to recognize the Neanderthals and Hobbits as dangerous enemies. They may have slaughtered dozens of human subspecies. And that legacy shamefully lives on. We attack whatever is different, anything we don’t understand, anything that might change our world, our environment, reduce our chances of survival. Racism, class warfare, sexism, east versus west, north and south, capitalism and communism, democracy and dictatorships, Islam and Christianity, Israel and Palestine, they’re all different faces of the same war: the war for a homogeneous human race, an end to our differences. It’s a war we started a long time ago, a war we’ve been fighting ever since. A war that operates in every human mind below the subconscious level, like a computer program, constantly running in the background, guiding us to some eventuality.” Kate didn’t know what to say, couldn’t see how it could involve her trial and her children. “You expect me to believe those two children are involved in an ancient cosmic struggle for the human race?
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
The answer is that the vowels for which the tongue is high and in the front always come before the vowels for which the tongue is low and in the back. No one knows why they are aligned in this order, but it seems to be a kind of syllogism from two other oddities. The first is that words that connote me-here-now tend to have higher and fronter vowels than verbs that connote distance from “me”: me versus you, here versus there, this versus that. The second is that words that connote me-here-now tend to come before words that connote literal or metaphorical distance from “me” (or a prototypical generic speaker):
Steven Pinker (The Language Instinct: How the Mind Creates Language)
I believe in always going to the funeral. My father taught me to do that....'Always go to the funeral' means that I have to do the right thing when I really, really don't feel like it. I have to remind myself of it when I could make some small gesture, but I don't really have to and I definitely don't want to. I'm talking about those things that represent only inconvenience to me, but the world to the other guy. You know, the painfully underattended birthday party. The hospital visit during happy hour. The shiva call for one of my ex's uncles. In my humdrum life, the daily battle hasn't been good versus evil. It's hardly so epic. Most days, my real battle is doing good versus doing nothing. In going to funerals, I've come to believe that while I wait to make a grand heroic gesture, I should just stick to the small inconveniences that let me share in life's inevitable, occasional calamity. On a cold April night three years ago, my father died...His funeral was on a Wednesday, the middle of the workweek. I had been numb for days when, for some reason, during the funeral, I turned and looked back at the folks in the church. The memory of it still takes my breath away. The most human, powerful, and humbling thing I've ever seen was a church at 3:00 on a Wednesday full of inconvenienced people who believe in going to the funeral.
Deidre Sullivan
It is easy for me to imagine’, wrote Wendell Berry in his extended essay Life Is a Miracle, ‘that the next great division of the world will be between people who wish to live as creatures and people who wish to live as machines.’ Berry wrote those words twenty years ago, and the great division he foresaw is now upon us: Life versus the Machine.
Paul Kingsnorth (Against the Machine: On the Unmaking of Humanity)
The crowd erupts with a sudden, sickening wave of excitement when the king's voice booms over the arena. 'An Ordinary versus every Elite The ultimate test.' My head is shaking. I shut my eyes, squeezing out the cruel world beyond. This is a nightmare. This is pretend. Footsteps behind me grow louder atop the shifting sand. I press a hand to my pounding heart, feeling the rapid rise and fall of my chest. This is pretend. This is— "Paedyn." I can feel the exact moment my heart shatters. It's when I turn, my eyes crashing into ones well memorized. When mist meets the deepest sea. When a Shadow faces its Flame. When inevitability meets its end. When I stare into the face of what it is I love most.
Lauren Roberts, Fearless
¡Ah, reverendo padre! (me dicen), explícanos cómo el mal inunda toda la tierra." Mi ignorancia es igual a la de los que me formulan esta pregunta; a veces les digo que en el mundo todo va del mejor modo posible; pero los que se han arruinado o han sido mutilados en la guerra no me creen, y yo tampoco me lo creo; me retiro a mi casa abrumado por mi curiosidad y mi ignorancia. Leo nuestros antiguos libros y ellos espesan todavía más mis tinieblas. Hablo con mis compañeros: los unos me responden que hay que gozar de la vida y burlarse de los hombres; los otros creen saber algo y se pierden en ideas extravagantes; todo aumenta el sentimiento doloroso que experimento. A veces estoy a punto de caer en la desesperación cuando pienso que, después de tanto estudiar, no sé ni de dónde vengo, ni lo que soy, ni adónde iré, ni lo que será de mí." El estado de este buen hombre me causó verdadera pena: nadie era más razonable ni más sincero que él. Comprendí que cuantos más conocimientos tenía en su cabeza y más sensibilidad en su corazón, más desgraciado era.
Voltaire
When facing Me-versus-Us moral dilemmas of resisting selfishness, our rapid intuitions are good, honed by evolutionary selection for cooperation in a sea of green-beard markers.35 And in such settings, regulating and formalizing the prosociality (i.e., moving it from the realm of intuition to that of cogitation) can even be counterproductive, a point emphasized by Samuel Bowles.* In contrast, when doing moral decision making during Us-versus-Them scenarios, keep intuitions as far away as possible. Instead, think, reason, and question; be deeply pragmatic and strategically utilitarian; take their perspective, try to think what they think, try to feel what they feel. Take a deep breath, and then do it all again.*
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
He went back to snapping pictures, this time getting close-ups of each SWAT member. “The ones who’re only interested in muscular men who kick in doors and shoot things.” Her lips twitched. “Versus men who do what? Take pictures and eavesdrop on police scanners?” “And program their own phone apps,” he told her. “Trust me. That skill is in high demand these days.
Paige Tyler (Hungry Like the Wolf (SWAT: Special Wolf Alpha Team, #1))
I stopped noticing the nit-picky things years ago, My late husband was brilliant, but never figured out dirty cups went in the sink. Used to drive me crazy, but one day I compared it to his good qualities. Supportive husband, hands-on dad. Smart, funny, awesome popcorn-maker. All that versus doesn't put cups in the sink. The latter just wasn't worth mentioning.
Donna Gentry Morton
It occurs to me to dwell on what a microcosm we are of the war as a whole, you and I. The physics of us. An action and an equal and opposite reaction. My viny-hivey elfworld, as you say, versus your techy-mechy dystopia. We both know it’s nothing so simple, any more than a letter’s reply is its opposite. But which egg preceded what platypus? The ends don’t always resemble our means.
Amal El-Mohtar (This Is How You Lose the Time War)
Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?
Mary Gaitskill
One afternoon, I am complaining about the confusion of my age, what is expected of me versus what I want for myself. “Have I told you about the tension of opposites?” he says. The tension of opposites? “Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Love? Yes. Gideon chuckled. Why did you say yes like that? Oh, I thought you were asking me a question. I see. Then he truly did see what she meant, and his heart flipped over in his chest. Darling? Gideon smiled at the warmth the endearment flooded him with. Yes, Neliss? Oh, nothing. Just fulfilling my end of the deal. The deal? Yes. You made me a deal. You lost me, he sighed. Legna lifted her head, propped an elbow up against the pillow of his chest, and settled her chin in her palm so she could look down at him. “You said that I would get something very special if I called you that.” “Did I?” he asked, his eyes brightening with speculation as he thought back on it. “Actually, I think you have that confused with the deal about saying my name.” “I like your name,” she said with a smile. “I always thought mine was awful snobbish. But yours has me beat hands down.” “My name is one of the finest and oldest names in all of our history.” “That’s only because you have lived to be such an older tosser.” “Tosser?” “British vernacular, luv.” “What are you, my dialect coach all of a sudden? Is this your idea of postcoital pillow talk?” Legna giggled, apologizing with a clinging kiss on his lips. It clearly calmed him, making him smile in a very cat-versus-canary way. “Is there something you would prefer I say?” she asked compliantly. “That yes a few sentences back was great. Short, sweet, to the point.” “Yes,” she agreed. “Yes?” he asked, arching a brow. “Oh, yes,” she assured him, her own brows doing a little lecherous dance. “Mmm, yes,” he murmured as her mouth lowered to his. Yes. Yes. Yes. Legna? Yes? Do not talk with your mouth full. No? No.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Let me try,” he said, and he took the ends and positioned himself in front of her mirror. She watched him for about two seconds before declaring, “You’re going to have to go home.” His eyes did not leave the reflection of his neckcloth in the mirror. “I haven’t even got past the first knot.” “And you’re not going to.” He gave her a supercilious look, brow quirked and all. “You’re never going to get it right,” she pronounced. “I must say, between this and your boots, I am revising my opinion on the impracticalities of couture, male versus female.” “Really?” Her gaze dropped to his boots, polished to a perfect shine. “No one has ever had to take a knife to my footwear.” “I wear nothing that buttons up the back,” he countered. “True, but I may choose a dress that buttons in the front, whereas you cannot go out and about without a neckcloth.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
What is this, The Packing Games? Four men versus four women, the first team to pack their side of the truck with boxes survives?” Alec asked, his tone teasing. Bronagh laughed and devilishly smirked. “That's exactly what this will be, big brother.” All four brothers stared at Bronagh then looked to me. I grinned and they looked to one another and swallowed. The lads were nervous because they didn't know what we were up to.
L.A. Casey (Keela (Slater Brothers, #2.5))
We can read a book to learn how to live. Alternatively, akin to any weeping philosopher seeking self-realization, we can look inside ourselves to determine right from wrong. Ethics is not a matter of surveying scripture to determine what constitutes virtuous behavior. A person with high moral character must think about life and act in accordance with their conscientious conclusion(s). My faith is in free will and the ability of a moral person to discern good versus evil, not a person’s ability to describe the intentions of whatever deity his or her faith chooses to worship. Simply put, the godhead exists inside me as a spiritual manifestation that embodies people’s innate desire to go forth and multiply, dance in the Etesian wind, and make an artistic testament to the primacy of his or her existence by their honorable performance of worthy deeds.
Kilroy J. Oldster (Dead Toad Scrolls)
… an Emperor says, "I will kill you if you do not come", and the man bursts into a laugh and says, "You never told such a falsehood in your life, as you tell just now. Who can kill me? Me you kill, Emperor of the material world! Never! For I am Spirit unborn and undecaying; never was I born and never do I die; I am the Infinite, the Omnipresent, the Omniscient; and you kill me, child that you are!" That is strength, that is strength!
Vivekananda (The Complete Works of Swami Vivekananda, Volume 3)
Regal Black Swan told me that in this world of personalities, there is always a duality. I had interpreted it as good versus bad, slavery or freedom, conformity and its opposite. But that is not the case. It is not black or white; it is always shades of gray. And most important, all the gray is moving in a progressive pattern back to the originator. I teased about our age and told him I needed another fifty years just for comprehension.
Marlo Morgan (Mutant Message Down Under)
Lord, I realize that I have tended toward the independence described in this chapter. Before I go one step further, I want to settle this issue with You. I repent, and I ask Your forgiveness for having this “boastful pride of life”—this tendency to seek independence from You and Your plans for me. I want to reverse that now. Lord, I make this declaration to You: By Your grace, I will live from now on in willing dependence upon You. Amen.
Derek Prince (Pride Versus Humility)
Tugging her purse strap up on her arm, she headed for the door. “You have my cell number. I’ll text you. If something goes wrong and he pulls an axe, you’ll be the first person I call.” Michelle groaned. “See, this is why I worry. The first person you call is the police. Then you call me and tell me the authorities are on their way and you’re hiding in a closet.” “Yeah, ancient wooden closet door versus axe? And you call me the illogical one?
Virginia Nelson (Hunting For Love)
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
I was starting to remember the whole problem now: I hate these fucking people [people at Tea Party rallies, ed]. It's never been just political, it's personal. I'm not convinced anyone in this country except the kinds of weenies who thought student council was important really cares about large versus small government or strict constructionalism versus judicial activism. The ostensible issues are just code words in an ugly snarl of class resentment, anti-intellectualism, old-school snobbery, racism, and who knows what else - grudges left over from the Civil War, the sixties, gym class. The Tea Party likes to cite a poll showing that their members are wealthier and better educated than te general populace, but to me they mostly looked like the same people I'd had to listen to in countless dive bars railing against "edjumicated idiots" and explaining exactly how Nostradamus predicted 9/11, the very people I and everyone I know fled our hometowns to get away from. So far all my interactions at the rally were only reinforcing my private theory - I suppose you might call it a prejudice - that liberals are the ones who went to college, moved to the nearest city where no one would call them a fag, and now only go back for holidays; conservatives are the ones who married their high school girlfriends, bought houses in their hometowns, and kept going to church and giving a shit who won the homecoming game. It's the divide between the Got Out and the Stayed Put. This theory also account for the different reactions of these two camps when the opposition party takes power, raising the specter of either fascist or socialist tyranny: the Got Outs always fantasize about fleeing the country for someplace more civilized - Canada, France, New Zealand; the Stayed Put just di further in, hunkering down in compounds, buying up canned goods and ammo.
Tim Kreider (We Learn Nothing)
In my practice, I’ve helped to creatively engineer all kinds of physical separations—bringing a cult member home for a holiday, family celebration, or even a funeral. It might seem manipulative, but it is a critical first step to helping a person free themselves from the clutches of a cult—one that has become increasingly difficult with 24/7 access to the internet through smartphones. In the case of Trump, there are also the continual tweets and right-wing and Christian right programming through radio and television. The relentless programming streaming from both ends of the political spectrum is pushing supporters ever deeper into Trump country. This brings me to an important point and a key aspect of my approach. By attacking or belittling Trump’s followers, political opponents and traditional media may be helping Trump to maintain his influence over his base. In my experience, telling a person that they are brainwashed, that they are in a cult, or that they are following a false god, is doomed to fail. It puts them immediately on the defensive, confirms you are a threat, possibly an enemy, and reinforces their indoctrination. It closes their mind to other perspectives. I’ve seen this happen over and over again. It happened to me when I was in the Moon group. It immediately triggers a person’s mind control programming—including thought stopping and us-versus-them thinking, with you being the “them.
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
Unfortunately, I know that some of you Hushlanders have trouble counting to three. (The Librarian- controlled schools don't want you to be able to manage complex mathematics.) So I've prepared this helpful guide. Definition of "book one": The best place to start a series. You can identify "book one" by the fact that it has a little "1" on the spine. Smedrys do a happy dance when you read book one first. Entropy shakes its angry fist at you for being clever enough to organize the world. Definition of "book two": The book you read after book one. If you start with book two, I will make fun of you. (Okay, so I'll make fun of you either way. But honestly, do you want to give me more ammunition?) Definition of "book three": The worst place, currently, to start a series. If you start here, I will throw things at you. Definition of "book four": And . . . how'd you manage to start with that one? I haven't even written it yet. (You sneaky time travelers.)
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
These acts of ritualized destruction are known by anthropologists as “degradation ceremonies.” Their purpose is to allow the public to single out and denounce one of its members. To lower their status or expel them from the group. To collectively take out our anger at them by stripping them of their dignity. It is a we-versus-you scenario with deep biological roots. By the end of it the disgraced person’s status is cemented as “not one of us.” Everything about them is torn down and rewritten.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
But then Simon & Schuster wants in; then Penguin Random House, too, then Amazon (nobody in their right mind goes with Amazon, Brett assures me; they’re here just to drive price up), and then all the smaller, prestigious independent houses that somehow still exist. We go to auction. The number keeps going up. They’re talking about payment schedules, earn-out bonuses, world rights versus North American rights, audio rights, all these things that weren’t even part of the conversation for my debut sale.
R.F. Kuang (Yellowface)
i don’t care what you see, or what you say. path of love’s a pipe dream anyway. my daimon turns demon from today now i want the glory and finer things. sell my soul, the owner, the highest bid reap the things you sow, i’m a change my ways. now watch me transform to a higher place your love’s a thorn, the roses now decay. so i— sign on the dotted line Satan’s paper signed Lucifer’s bonfire warming up my desire i want the vanity — i want the money, the women this is the bourgeoise rhapsody
Soroosh Shahrivar (Letter 19)
There have been a lot of Smedries over the centuries," he said, "and a lot of Talents. Many of them tend to be similar, in the long run. There are four kinds: Talents that affect space, time, knowledge, and the physical world." "Take my talent, for instance," he continued. "I change things in space. I can get lost, then get found again." "What about grandpa Smedry?" "Time," Kas said. "He arrives late to things. Australia, however, has a Talent that can change the physical world--in this case, her own shape. Her Talent is fairly specific, and not as broad as your grandfather's. For instance, there was a Smedry a couple of centuries back who could look ugly any time he wanted, not just when he woke up in the morning. Other have been able to change anyone's appearance, not just their own. Understand?" I shrugged. "I guess so." "The closer the Talent gets to its purest form, the more powerful it is," Kaz said. "Your grandfather's Talent is very pure--he can manipulate time in a lot of different circumstances. Your father and I have very similar Talents--I can get lost and Attica can lose things--and both are flexible." "What about Sing?" I asked. "Tripping. That's what we call a knowledge Talent--he knows how to do something normal with extraordinary ability. Like Australia, though, his power isn't very flexible." I nodded slowly. "So...what does this have to do with me?" "Well, it's hard to say," Kaz said. "You're getting into some deep philosophy now, kid. There are those who argue that the Breaking Talent is simply a physical-world Talent, but one that is very versatile and very powerful. There are others who argue that the Breaking Talent is much more. It seems to be able to do things that affect all four areas. Legends say that one of your ancestors--one of only two others to have this Talent--broke time and space together, forming a little bubble where nothing aged. Other records speak of breakings equally marvelous. Breakings that change people's memory or their abilities. What is it to 'break' something? What can you change? How far can the Talent go?
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
United States, Google Versus A man approached the checkout desk with a request. MAN: I want to use one of your public computers, but could you please disable Google on it? ME: Pardon? MAN: I do not believe in, nor trust, Google. They are taking over the United States. ME: I see. Well, I can’t disable it, I’m sorry. But you don’t have to visit the site if you don’t want to. MAN: That’s not good enough. ME: Come again? MAN: I refuse to use the computers if Google is on them. ME: Okay. MAN: - ME: - MAN: - Me: Enjoy your day!
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
Obviously, it wasn’t fast enough. I mean, me, a puny human with a running of 10, versus a massive 4-legged creature literally designed to move quickly. It wasn’t even a contest as I found out the hard, painful way. You have been rammed by an angry bison! ‘Holy crap that hurt’, I had time to think as I flew through the air and my health bar drained by almost a third. Then I landed in the painful caress of Mother Earth and her rocks and plants and I rolled to the side as fast as I could, just in time to avoid being trampled.
R.K. Billiau (Forced Login (PrimeVerse, #1))
Deacon flushed and smiled. "I guess you're right. I just want to feel, like...used. I want you to fuck me like I'm...like I'm--" "A cheap whore?" Mark supplied. He was familiar with the feeling. "Yes!" Deacon looked relieved. Then nervous again. "Only don't..." Mark wound an arm around him and kissed his cheek. "Spit it out. If I can clean my bowels out in front of you, you can tell me how you want to be fucked." Deacon hesitated. "Just don't be mean about it, okay? I want you to be dirty but not mean. Does that make sense?" "Completely.
Lisa Henry (Mark Cooper versus America (Prescott College, #1))
I don’t mean this to sound cruel,” Tish began, “but it seems like part of your heart can never work if you don’t have kids. Like it will always be shut off.” “I agree,” Katie said. “I didn’t really become a woman until I felt Mackenzie inside me. I mean, there’s all this talk these days of God versus science, but it seems like, with babies, both sides agree. The Bible says be fruitful and multiply, and science, well, when it all boils down, that’s what women were made for, right? To bear children.” “Girl power,” Becca muttered under her breath.
Gillian Flynn (Sharp Objects)
What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The propositions that accompany most of the chapters . . . are not as snappy as I would prefer—but there’s a reason for their caution and caveats. On certain important points, the clamor of genuine scientific dispute has abated and we don’t have to argue about them anymore. But to meet that claim requires me to state the propositions precisely. I am prepared to defend all of them as “things we don’t have to argue about anymore”—but exactly as I worded them, not as others may paraphrase them. Here they are: 1. Sex differences in personality are consistent worldwide and tend to widen in more gender-egalitarian cultures. 2. On average, females worldwide have advantages in verbal ability and social cognition while males have advantages in visuospatial abilities and the extremes of mathematical ability. 3. On average, women worldwide are more attracted to vocations centered on people and men to vocations centered on things. 4. Many sex differences in the brain are coordinate with sex differences in personality, abilities, and social behavior. 5. Human populations are genetically distinctive in ways that correspond to self-identified race and ethnicity. 6. Evolutionary selection pressure since humans left Africa has been extensive and mostly local. 7. Continental population differences in variants associated with personality, abilities, and social behavior are common. 8. The shared environment usually plays a minor role in explaining personality, abilities, and social behavior. 9. Class structure is importantly based on differences in abilities that have a substantial genetic component. 10. Outside interventions are inherently constrained in the effects they can have on personality, abilities, and social behavior.
Charles Murray (Human Diversity: The Biology of Gender, Race, and Class)
Think about the reality shows we used to watch versus those today. It used to be “champagne wishes and caviar dreams” on Lifestyles of the Rich and Famous. It was inspirational. Now it’s a diabetic chick with festering bedsores who collects her own toenails in Ziploc bags. We’ve gone from “Life Styles of the Rich and Famous” to “Lice Styles of the Poor and Depressed.” It’s all geared and produced for the viewers to think, “Well, my life is bad but not that bad. They just cut back my hours at work but I’m watching a chick who will eventually be killed by the avalanche of her own hoarded newspapers.
Adam Carolla (President Me: The America That's in My Head – A Hilariously Satirical Political Comedy from the Podcast Host)
I keep saying there's no Choice, and what I've meant is that you can't choose: you have no right or ability to select one of the two alternatives. But I didn't go far enough. There's no Choice because the Choice itself is wrong. It's a false dilemma. The alternatives are not alternatives at all. Long versus short, quiet versus heroic: they're the same. In the scope of infinity, in a universe with no edge, human history is a flare and human consciousness is a blink. All lives are short and all lives are quiet. But all lives are glorious too, Cal. To live! To live like a human! You are ordinary and extraordinary all at once. You have a heart that contracts and relaxes and beats out your moments. You are alive and you know you are alive. Your too-short time is long enough. Long, short, humdrum, heroic: toss those considerations aside. Nothing to choose there. But we do have a choice. We do. Is consciousness a tragedy or a miracle? Does nothing matter, or does everything matter? That's the choice. That's the real choice. And I've chosen. My cousin, my match, listen to me and tell them all. Tell Trevor and Ben and Matt and Lill. Tell my father. Tell the ten thousand Madonnas, each and every one. I am Jesse, I have a choice, and I choose everything.
Kate Hattemer (The Land of 10,000 Madonnas)
Humans like to consider everything as linear, when in reality everything is cyclic. They are obsessed with straight lines. Straight roads, straight houses, straight pieces of steel, glass, and timber. Straight cut diamonds. Let’s get straight to the point. Be straight with me. I am straight, not gay. And this is how they see their lives. A linear journey, along the road of life. That is where expressions such as Highway to Hell come from. But what about other expressions, such as the life cycle, the cycle of nature, and the weather cycle? Because of this obsession with straight lines, they view history and historical events, as existing way back along an imaginary path, one they are sure they are far away from. Like watching a fading wake from a ship. So when they look at the religious wars, for example, the Christians versus the Muslims, the rise and fall of Empires, democracies and dictatorships, they seem blind when comparing present day situations with those of the past. The majority of humans see evolution as a race along a straight race track, a race they are winning by a long margin, yet they are afraid to ever slow down, in case other life catches them. If they did slow down long enough, they may observe that the track is actually cyclic.
Robert Black
I am short, so I like the little guy/underdog stories, but they are not straightforwardly about one size versus another. Think about, say, Jack and the Beanstalk, which is basically a big ugly stupid giant, and a smart little Jack who is fast on his feet. OK, but the unstable element is the beanstalk, which starts as a bean and grows into a huge tree-like thing that Jack climbs to reach the castle. This bridge between two worlds is unpredictable and very surprising. And later, when the giant tries to climb after Jack, the beanstalk has to be chopped down pronto. This suggests to me that the pursuit of happiness, which we may as well call life, is full of surprising temporary elements -- we get somewhere we couldn't go otherwise and we profit from the trip, but we can't stay there, it isn't our world, and we shouldn't let that world come crashing down into the one we can inhabit. The beanstalk has to be chopped down. But the large-scale riches from the 'other world' can be brought into ours, just as Jack makes off with the singing harp and the golden hen. Whatever we 'win' will accommodate itself to our size and form -- just as the miniature princesses and the frog princes all assume the true form necessary for their coming life, and ours. Size does matter.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
And my friend, the apostle carried this estimation of himself all through his life until he died. For even after his salvation he spoke of himself in this way: “I am the least of the apostles” (1Co 15:9); “Unto me, who am less than the least of all saints, is this grace given” (Eph 3:8); he styled himself the chief of sinners (1Ti 1:15); and finally said, “I be nothing” (2Co 12:11). There’s no self-love here, no self-esteem or self-confidence, but here is one who had learned the lesson of the first beatitude very well: “Blessed are the poor in spirit: for theirs is the kingdom of heaven.” I am nothing; I have nothing; I know nothing;
L.R. Shelton Jr. (The True Gospel of Christ versus the False Gospel of Carnal Christianity)
I KNEW THAT if I continued to debate politics and science—and stayed in the mind instead of the heart and the spirit—it would always be about one side versus the other. We all understand love, however; we all understand respect, we all understand dignity, and we all understand compassion up to a certain point. But how could I convince the loggers to transfer those feelings that they might have for a human being to the forest? And how could I get them to let go of their stereotypes of me? Because in their mind, I was a tree-hugging, granola-eating, dirty, dreadlocked hippie environmentalist. They always managed to say this word with such disgust and disdain!
Julia Butterfly Hill (legacy of luna the story of a tree a woman and the struggle to save the redwoods)
At first, I was dubious that my mother would agree that writing letters to prisoners was morally instructive, but Mr. Peterson, who was extremely crazy, insisted that it was. He told me that most of the prisoners we'd be writing to shouldn't have been put in prison in the first place. They were good people who'd been locked away and denied their most basic human rights. They weren't allowed to act according to their consciences or even to express their opinions without fear of persecution and physical reprisals - although Mr. Peterson doubted very much that I could imagine what that was like. I told Mr. Peterson that since I went to secondary school, I thought that I could imagine it fairly well.
Gavin Extence (The Universe Versus Alex Woods)
From an interview with Susie Bright: SB: You were recently reviewed by the New York Times. How do you think the mainstream media regards sex museums, schools and cultural centers these days? What's their spin versus your own observations? [Note: Here's the article Susie mentions: http://www.nytimes.com/2005/12/05/nat... ] CQ: Lots of people have seen the little NY Times article, which was about an event we did, the Belle Bizarre Bazaar -- a holiday shopping fair where most of the vendors were sex workers selling sexy stuff. Proceeds went to our Exotic Dancers' Education Project, providing dancers with skills that will help them maximize their potential and choices. This event got into the Times despite the worries of its author, a journalist who'd been posted over by her editor. She thought the Times was way too conservative for the likes of us, which may be true, except they now have so many column inches to fill with distracting stuff that isn't about Judith Miller! The one thing the Times article does not do is present the spectrum of the Center for Sex & Culture's work, especially the academic and serious side of what we do. This, I think, points to the real answer to your question: mainstream media culture remains quite nervous and touchy about sex-related issues, especially those that take sex really seriously. A frivolous take (or a good, juicy, shocking angle) on a sex story works for the mainstream press: a sex-positive and serious take, not so much. When the San Francisco Chronicle did its article about us a year ago, the writer focused just on our porn collection. Now, we very much value that, but we also collect academic journals and sex education materials, and not a word about those! I think this is one really essential linchpin of sex-negative or erotophobic culture, that sex is only allowed to be either light or heavy, and when it's heavy, it's about really heavy issues like abuse. Recently I gave some quotes about something-or-other for a Cosmo story and the editors didn't want to use the term "sexologist" to describe me, saying that it wasn't a real word! You know, stuff like that from the Times would not be all that surprising, but Cosmo is now policing the language? Please!
Carol Queen (PoMoSexuals: Challenging Assumptions About Gender and Sexuality)
I learned an amazing way to demonstrate the effectiveness of positive versus negative thinking from Jack Canfield, President of Self-Esteem Seminars, which I now use in my workshops. I ask someone to come up and stand facing the rest of the class. After making sure the person has no problems with her (or his) arms, I ask my volunteer to make a fist and extend either arm out to the side. I then tell her to resist, with as much strength as she can muster, as I stand facing her and attempt to push her arm down with my outstretched hand. Not once have I succeeded in pushing her arm down on my initial trial. I then ask her to put her arm down, close her eyes and repeat ten times the negative statement “I am a weak and unworthy person.” I tell her really to get into the feel of that statement. When she has repeated the statement ten times, I ask her to open her eyes and extend her arm again exactly as she had before. I remind her to resist as hard as she can. Immediately, I am able to bring down her arm. It is as though all strength has left her. I wish I could record the expressions on my volunteers’ faces when they find it impossible to resist my pressure. A few have made me do it again. “I wasn’t ready!” is their plea. Lo and behold, the same thing happens on the second try—the arm goes right down with little resistance. They are dumbfounded. I then ask the volunteer once again to close her eyes, and repeat ten times the positive statement “I am a strong and worthy person.” Again I tell her to really get into the feeling of the words. Once again I ask her to extend her arm and resist my pressure. To her amazement (and everyone else’s) I cannot budge the arm. In fact, it is more steadfast than the first time I tried to push it down. If I continue interspersing positive with negative, the same results occur. I can push the arm down after the negative statement, I am not able to push it down after the positive statement. By the way—for you skeptics out there—I tried this experiment when I was unaware of what the volunteer was saying. I left the room, and the class decided whether the statement should be negative or positive. It didn’t matter. Weak words meant a weak arm. Strong words meant a strong arm.
Susan Jeffers (Feel The Fear And Do It Anyway: Overcome your anxieties and grow confidence with the classic self help bestseller)
We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
What choices erode my happiness, confidence, or peace of mind? Breaking promises I make to myself or others Overeating Sleeping too much Not sleeping enough Not taking care of the space around me Complaining Focusing on my problems (versus focusing on my solutions) Blaming other people Isolating myself and avoiding social situations Beating myself up over the past Giving my energy to fear of the future What choices increase my happiness, inner peace, confidence, or clarity? Working out Keeping my home clean Being intentional about building relationships with people close to me Budgeting and keeping good financial records Meditation Gratitude Journaling Eating well Going to bed early Getting up early Saying “no thank you” to alcohol and indulgences
Elizabeth Benton (Chasing Cupcakes: How One Broke, Fat Girl Transformed Her Life (and How You Can, Too))
cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
Some say that fame is a fleeting thing. Well, it has clung to me tenaciously, like gum stuck to the sidewalk, blackened from being stepped on a thousand times. I haven't been able to shake it, no matter what. Some also say fame is shallow. That's easy to say when you haven't spent your childhood being passed from family to family, scorned and discarded because of a curse that made you break whatever you touched. Fame is like a cheeseburger. It might not be the best or most healthy thing to have, but it will still fill you up. You don't really care how healthy something is when you've been without for so long. Like a cheeseburger, fame fills a need, and it tastes so good going down. It isn't until years later that you realize what it has done to your heart.
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
Which philosophers would Alain suggest for practical living? Alain’s list overlaps nearly 100% with my own: Epicurus, Seneca, Marcus Aurelius, Plato, Michel de Montaigne, Arthur Schopenhauer, Friedrich Nietzsche, and Bertrand Russell. * Most-gifted or recommended books? The Unbearable Lightness of Being by Milan Kundera, Essays of Michel de Montaigne. * Favorite documentary The Up series: This ongoing series is filmed in the UK, and revisits the same group of people every 7 years. It started with their 7th birthdays (Seven Up!) and continues up to present day, when they are in their 50s. Subjects were picked from a wide variety of social backgrounds. Alain calls these very undramatic and quietly powerful films “probably the best documentary that exists.” TF: This is also the favorite of Stephen Dubner on page 574. Stephen says, “If you are at all interested in any kind of science or sociology, or human decision-making, or nurture versus nature, it is the best thing ever.” * Advice to your 30-year-old self? “I would have said, ‘Appreciate what’s good about this moment. Don’t always think that you’re on a permanent journey. Stop and enjoy the view.’ . . . I always had this assumption that if you appreciate the moment, you’re weakening your resolve to improve your circumstances. That’s not true, but I think when you’re young, it’s sort of associated with that. . . . I had people around me who’d say things like, ‘Oh, a flower, nice.’ A little part of me was thinking, ‘You absolute loser. You’ve taken time to appreciate a flower? Do you not have bigger plans? I mean, this the limit of your ambition?’ and when life’s knocked you around a bit and when you’ve seen a few things, and time has happened and you’ve got some years under your belt, you start to think more highly of modest things like flowers and a pretty sky, or just a morning where nothing’s wrong and everyone’s been pretty nice to everyone else. . . . Fortune can do anything with us. We are very fragile creatures. You only need to tap us or hit us in slightly the wrong place. . . . You only have to push us a little bit, and we crack very easily, whether that’s the pressure of disgrace or physical illness, financial pressure, etc. It doesn’t take very much. So, we do have to appreciate every day that goes by without a major disaster.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Recall that the collapse of complexity that accompanies 5 percent [i.e. intractable] conflicts happens along many dimensions: - A very complication situation becomes very simple. - A focus on concrete details in the conflict shifts to matters of general abstract principle. - Concerns over obtaining accurate information regarding substantive issues transform into concerns over defending one's identity, ideology, and values. - The out-group, which was seen as made up of many different types of individuals, now are all alike. - The in-group, which was seen as made up of many different types of individuals, now are all similar. - Whereas I once held many contradictions within myself in terms of what I valued, thought, and did; now I am always consistent in this conflict. - Whereas I used to feel different things about this conflict - good, bad, and ambivalent; now I feel only an overwhelming sense of enmity and hate. - I've shifted from long-term thinking and planning toward short-term reactions and concerns. - Where I once had many action options available to me, I now have one: attack. This is the bad news about the 5 percent, but it's also the good news. The collapse of complexity occurs on so many levels, all leading to a similar state of 'us versus them' thinking, that reintroducing a sense of complexity and agency can also be achieved in a wide variety of ways. There are therefore many places to find points of leverage to rupture the certainty and oversimplification that rules in these situations. The question is how to find them.
Peter T. Coleman (The Five Percent: Finding Solutions to Seemingly Impossible Conflicts)
There is one indisputable way to identify a cult, one characteristic they all share. It is not a belief in alien spacecraft or a plentiful supply of Flavor Aid. It is the notion that anyone who does not agree with the group's beliefs or choices, who expresses concerns, who simply dares to ask questions, is deemed "unsafe." Every good thing about that person must be subsumed by the fact that they disagree with me, so I can boil down their character into something vilifiable. For mind control to work, there has to be heroes and villains. It has to be us versus them. In a cult, it isn't good enough for you to say, "I love you, but I disagree with you." You must affirm my choices and beliefs. Only then can you be considered "safe." In a cult, safety means agreement." - p. 296
Bethany Joy Lenz (Dinner for Vampires: Life on a Cult TV Show (While Also in an Actual Cult!))
And then now a very strange argument indeed ensues, me v. the Lebanese porter, because it turns out I am putting this guy, who barely speaks English, in a terrible kind of sedulous-service double-bind, a paradox of pampering: viz. the The-Passenger’s-Always-Right-versus-Never-Let-A-Passenger-Carry-His-Own-Bag paradox. Clueless at the time about what this poor little Lebanese man is going through, I wave off both his high-pitched protests and his agonized expression as mere servile courtesy, and I extract the duffel and lug it up the hall to 1009 and slather the old beak with ZnO and go outside to watch the coast of Florida recede cinematically à la F. Conroy. Only later did I understand what I’d done. Only later did I learn that that little Lebanese Deck 10 porter had his head just about chewed off by the (also Lebanese) Deck 10 Head Porter, who’d had his own head chewed off by the Austrian Chief Steward, who’d received confirmed reports that a Deck 10 passenger had been seen carrying his own luggage up the Port hallway of Deck 10 and now demanded rolling Lebanese heads for this clear indication of porterly dereliction, and had reported (the Austrian Chief Steward did) the incident (as is apparently SOP) to an officer in the Guest Relations Dept., a Greek officer with Revo shades and a walkie-talkie and officerial epaulets so complex I never did figure out what his rank was; and this high-ranking Greek guy actually came around to 1009 after Saturday’s supper to apologize on behalf of practically the entire Chandris shipping line and to assure me that ragged-necked Lebanese heads were even at that moment rolling down various corridors in piacular recompense for my having had to carry my own bag.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Most of the women in the Camp were poor, poorly educated, and came from neighborhoods where the mainstream economy was barely present and the narcotics trade provided the most opportunities for employment. Their typical offenses were for things like low-level dealing, allowing their apartments to be used for drug activity, serving as couriers, and passing messages, all for low wages. Small involvement in the drug trade could land you in prison for many years, especially if you had a lousy court-appointed lawyer. Even if you had a great Legal Aid lawyer, he or she was guaranteed to have a staggering caseload and limited resources for your defense. It was hard for me to believe that the nature of our crimes was what accounted for my fifteen-month sentence versus some of my neighbors’ much lengthier ones. I had a fantastic private attorney and a country-club suit to go with my blond bob.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
It hit me,then,while he stared down at me with a slight frown.I was standing almost chest to chest with Alex Bainbridge in a very small space. I backed up a step and bumped into the toilet. "I should go," I said, a little shakily. "I should go home." "Right." Always polite, he let me walk out first. "Next week....Next week, we can have our tutoring session in here. We'll discuss art. Or bathroom fixtures. You can sit up there"- he pointed to the counter- "next to the Willing." Now,out of the bathroom, and a few feet away from him, I could laugh- "Okay. Before you start to think that I am obsessive and insane, there has to be something,the sight of something, that would make you go all goofy." He didn't miss a beat. "Mademoiselle Winslow in a tutu. No..." He looked a little goofy when he said, "Spider-Man versus Doctor Octopus. July 1963." "That's a comic book, right?" He sighed. "Oh,Ella." Then, "Come on. I'll drive you home." "You don't have to-" "Yeah,I do.
Melissa Jensen (The Fine Art of Truth or Dare)
We need to distinguish between activities that are spiritually fulfilling versus ones that leave us feeling hollow in the end. I used to play a lot of video games. Simply put, they were fun and exciting. I was good at them, and I liked getting better. During weekends I could spend more than twelve hours playing video games. I did so for years. I noticed that, as fun as the games were, at the end of the day, I often felt a lingering sense of regret or hollowness, as if I had wasted my time. My body seemed to be telling me that there was no meaning in that activity — which is not to say that everyone will feel just like I did, but pay attention to the feeling in the body during and after activities. Make note of the activities that are fulfilling. Spend more time doing those activities. Also, note those activities that result in hollowness or regret. Spend less time doing those things. We can wean ourselves from meaningless activities and gravitate more toward meaningful ones.
Richard L. Haight (Inspirience: Meditation Unbound: The Unconditioned Path to Spiritual Awakening (Spiritual Awakening Series))
Say I decide that it would be a good thing to insert pictures here demonstrating cultural relativism, displaying an act that is commonsensical in one culture but deeply distressing in another. I know, I think, I'll get some pictures of a Southeast Asian dog meat market. Like me, most readers will likely resonate with dogs. Good plan! On to Google Images and the result is that I spend hours transfixed, unable to stop, torturing myself with picture after picture of dogs being carted off to market. Dogs being butchered, cooked and sold. Pictures of humans going about their day's work in a market indifferent to a crate stuffed to the top with suffering dogs. I imagine the fear those dogs feel. How they are hot, thirsty, in pain. I think, what if these dogs had come to trust humans? I think of their fear and confusion. I think, what if one of the dogs whom I've loved had to experience that? What if this happened to a dog my children loved? And with my heart racing, I realize that I hate these people. Hate! Every last one of them and despise their culture. And it takes a locomotive's worth of effort for me to admit that I can't justify that hatred and contempt. That mine is a mere moral intuition. That there are things that I do that would evoke the same response in some distant person whose morality and humanity are certainly no less than mine. And that but for the randomness of where I happen to have been born, I could have readily had their views instead. The thing that makes the tragedy of commonsense morality so tragic, is the intensity with which you just know that They are deeply wrong. In general, our morally tinged cultural institutions, religion, nationalism, ethnic pride, team spirit, bias us toward our best behaviors when we are single shepherds, facing a potential tragedy of the commons. They make us less selfish in Me versus Us situations, but they send us hurtling toward our worst behaviors when confronting Thems and their different moralities.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Well, in one sense, I can’t know what it is that I don’t know. That’s philosophically self-evident.’ He left one of those slight pauses in which we again wondered if he was engaged in subtle mockery or a high seriousness beyond the rest of us. ‘Indeed, isn’t the whole business of ascribing responsibility a kind of cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is – was – a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
Yet there is dynamism in our house. Day to day, week to week, Cady blossoms: a first grasp, a first smile, a first laugh. Her pediatrician regularly records her growth on charts, tick marks indicating her progress over time. A brightening newness surrounds her. As she sits in my lap smiling, enthralled by my tuneless singing, an incandescence lights the room. Time for me is now double-edged: every day brings me further from the low of my last relapse but closer to the next recurrence—and, eventually, death. Perhaps later than I think, but certainly sooner than I desire. There are, I imagine, two responses to that realization. The most obvious might be an impulse to frantic activity: to “live life to its fullest,” to travel, to dine, to achieve a host of neglected ambitions. Part of the cruelty of cancer, though, is not only that it limits your time; it also limits your energy, vastly reducing the amount you can squeeze into a day. It is a tired hare who now races. And even if I had the energy, I prefer a more tortoiselike approach. I plod, I ponder. Some days, I simply persist. If time dilates when one moves at high speeds, does it contract when one moves barely at all? It must: the days have shortened considerably. With little to distinguish one day from the next, time has begun to feel static. In English, we use the word time in different ways: “The time is two forty-five” versus “I’m going through a tough time.” These days, time feels less like the ticking clock and more like a state of being. Languor settles in. There’s a feeling of openness. As a surgeon, focused on a patient in the OR, I might have found the position of the clock’s hands arbitrary, but I never thought them meaningless. Now the time of day means nothing, the day of the week scarcely more. Medical training is relentlessly future-oriented, all about delayed gratification; you’re always thinking about what you’ll be doing five years down the line. But now I don’t know what I’ll be doing five years down the line. I may be dead. I may not be. I may be healthy. I may be writing. I don't know. And so it's not all that useful to spend time thinking about the future - that is, beyond lunch.
Paul Kalanithi (When Breath Becomes Air)
All 250 + episodes to date can be found at tim.blog/ podcast and itunes.com/ timferriss Jamie Foxx on Workout Routines, Success Habits, and Untold Hollywood Stories (# 124)—tim.blog/ jamie The Scariest Navy SEAL I’ve Ever Met . . . and What He Taught Me (# 107)—tim.blog/ jocko Arnold Schwarzenegger on Psychological Warfare (and Much More) (# 60)—tim.blog/ arnold Dom D’Agostino on Fasting, Ketosis, and the End of Cancer (# 117)—tim.blog/ dom2 Tony Robbins on Morning Routines, Peak Performance, and Mastering Money (# 37)—tim.blog/ tony How to Design a Life—Debbie Millman (# 214)—tim.blog/ debbie Tony Robbins—On Achievement Versus Fulfillment (# 178)—tim.blog/ tony2 Kevin Rose (# 1)—tim.blog/ kevinrose [If you want to hear how bad a first episode can be, this delivers. Drunkenness didn’t help matters.] Charles Poliquin on Strength Training, Shredding Body Fat, and Increasing Testosterone and Sex Drive (# 91)—tim.blog/ charles Mr. Money Mustache—Living Beautifully on $ 25–27K Per Year (# 221)—tim.blog/ mustache Lessons from Warren Buffett, Bobby Fischer, and Other Outliers (# 219)—tim.blog/ buffett Exploring Smart Drugs, Fasting, and Fat Loss—Dr. Rhonda Patrick (# 237)—tim.blog/ rhonda 5 Morning Rituals That Help Me Win the Day (# 105)—tim.blog/ rituals David Heinemeier Hansson: The Power of Being Outspoken (# 195)—tim.blog/ dhh Lessons from Geniuses, Billionaires, and Tinkerers (# 173)—tim.blog/ chrisyoung The Secrets of Gymnastic Strength Training (# 158)—tim.blog/ gst Becoming the Best Version of You (# 210)—tim.blog/ best The Science of Strength and Simplicity with Pavel Tsatsouline (# 55)—tim.blog/ pavel Tony Robbins (Part 2) on Morning Routines, Peak Performance, and Mastering Money (# 38)—tim.blog/ tony How Seth Godin Manages His Life—Rules, Principles, and Obsessions (# 138)—tim.blog/ seth The Relationship Episode: Sex, Love, Polyamory, Marriage, and More (with Esther Perel) (# 241)—tim.blog/ esther The Quiet Master of Cryptocurrency—Nick Szabo (# 244)—tim.blog/ crypto Joshua Waitzkin (# 2)—tim.blog/ josh The Benevolent Dictator of the Internet, Matt Mullenweg (# 61)—tim.blog/ matt Ricardo Semler—The Seven-Day Weekend and How to Break the Rules (# 229)—tim.blog/ ricardo
Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
You can find dozens of examples of this kind of liberal-class virtue-quest if you try, but instead of listing them, let me go straight to the point: This is not politics. It’s an imitation of politics. It feels political, yes: it’s highly moralistic, it sets up an easy melodrama of good versus bad, it allows you to make all kinds of judgments about people you disagree with, but ultimately it’s a diversion, a way of putting across a policy program while avoiding any sincere discussion of the policies in question. The virtue-quest is an exciting moral crusade that seems to be extremely important but at the conclusion of which you discover you’ve got little to show for it besides NAFTA, bank deregulation, and a prison spree. This book is about Democrats, but of course Republicans do it too. The culture wars unfold in precisely the same way as the liberal virtue-quest: they are an exciting ersatz politics that seem to be really important but at the conclusion of which voters discover they've got little to show for it all besides more free-trade agreements, more bank deregulation, and a different prison spree.
Thomas Frank (Listen, Liberal: Or, What Ever Happened to the Party of the People)
But between the pleasure of a kiss and of what a man and woman do in bed seems to me only a gradation. A kiss, for instance, is not to be minimized, or its value judged by anyone else. I wonder do these men grade their pleasure in terms of whether their actions produce a child or not, and do they consider them more pleasant if they do. It is a question of pleasure after all, and what’s the use of debating the pleasure of an ice cream cone versus a football game—or a Beethoven quartet versus the Mona Lisa. I’ll leave that to the philosophers. But their attitude was that I must be somehow demented or blind (plus a kind of regret, I thought, at the fact a fairly attractive woman is presumably unavailable to men). Someone brought “aesthetics” into the argument, I mean against me of course. I said did they really want to debate that—it brought the only laugh in the whole show. But the most important point I did not mention and was not thought of by anyone—that the rapport between two men or two women can be absolute and perfect, as it can never be between man and woman, and perhaps some people want just this, as others want that more shifting and uncertain thing that happens between men and women.
Claire Morgan (The Price of Salt)
I Never Knew What They Meant by Flyover Country until the first time someone put me on a plane, windowed me into the congregation looking down on our fields stretched out endless in orderly blanks, redactions in the transcripts of the trial of man versus nature. All this holy squinting at scrimshaw country roads draped with power lines - trip wires lying in wait for the giants we just sort of mice around. I watched the others look down on our Fridays racing Opal Road to hit the tiny hill that drops stomachs like a roller coaster, headlights off for cops. Eighty; Ninety. Ninety-five in a fifty-five, how Kyle's brother talked about defusing IEDs on tour - snip whichever wire you want, you'll only find out if you're a hero. We learned a word for this, its reckless in court, predestination in church. Funny how a thing gets a different name there. Robe becomes vestment. Bench becomes pew. Truth grows a capital letter. Anything to help believe, Mom says, though when it comes to theology we are Presbyterian in casseroles only. This is the word of God, says the pastor into the microphone. See you at the picnic after. See you at the finish, says Kyle's Honda Civic. See you never says his brother's IED.
Robert Wood Lynn (Mothman Apologia)
The single book that has influenced me most is probably the last book in the world that anybody is gonna want to read: Thucydides’ History of the Peloponnesian War. This book is dense, difficult, long, full of blood and guts. It wasn’t written, as Thucydides himself attests at the start, to be easy or fun. But it is loaded with hardcore, timeless truths and the story it tells ought to be required reading for every citizen in a democracy. Thucydides was an Athenian general who was beaten and disgraced in a battle early in the 27-year conflagration that came to be called the Peloponnesian War. He decided to drop out of the fighting and dedicate himself to recording, in all the detail he could manage, this conflict, which, he felt certain, would turn out to be the greatest and most significant war ever fought up to that time. He did just that. Have you heard of Pericles’ Funeral Oration? Thucydides was there for it. He transcribed it. He was there for the debates in the Athenian assembly over the treatment of the island of Melos, the famous Melian Dialogue. If he wasn’t there for the defeat of the Athenian fleet at Syracuse or the betrayal of Athens by Alcibiades, he knew people who were there and he went to extremes to record what they told him.Thucydides, like all the Greeks of his era, was unencumbered by Christian theology, or Marxist dogma, or Freudian psychology, or any of the other “isms” that attempt to convince us that man is basically good, or perhaps perfectible. He saw things as they were, in my opinion. It’s a dark vision but tremendously bracing and empowering because it’s true. On the island of Corcyra, a great naval power in its day, one faction of citizens trapped their neighbors and fellow Corcyreans in a temple. They slaughtered the prisoners’ children outside before their eyes and when the captives gave themselves up based on pledges of clemency and oaths sworn before the gods, the captors massacred them as well. This was not a war of nation versus nation, this was brother against brother in the most civilized cities on earth. To read Thucydides is to see our own world in microcosm. It’s the study of how democracies destroy themselves by breaking down into warring factions, the Few versus the Many. Hoi polloi in Greek means “the many.” Oligoi means “the few.” I can’t recommend Thucydides for fun, but if you want to expose yourself to a towering intellect writing on the deepest stuff imaginable, give it a try.
Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
He’s not a superhero, he’s a vigilante. He’s just a rich bloke with cool toys. If Bane (he’s the pork chop with all the pipes coming out of his dust mask) can break Batman’s back, then what chance would he have against Superman? I mean, Batman versus Superman! What the hell is that all about? Bruce Wayne in a bat suit is no different to you or I, we would break a hand in multiple places if we punched Superman. Spiderman is a superhero and – as I’ve already said – my favourite of them all, but facts are facts. Spidey wouldn’t even get to quip, ‘Hey, over here red pants!’ before he was melted into red and blue jelly.  No. If you are Superman, then you are invincible and completely awesome. You can fucking fly. You get to shoot lasers out of your eyes, and see through shit. And you know the best part? The bit that most people don’t even think about? Just because you’re Superman doesn’t mean you have to dress like him.  If I were Superman, I would wear the Spiderman outfit by day (pretending to spin webs and climb walls etc.) and then switch to Batman at night (fighting crime, being cool and laughing – high pitched to piss the bad guys off, not like Christian Bale – while bullets bounced off me). Plus, who the hell would ever think about using Kryptonite on those two? No one.
Nick Jones (The Unexpected Gift of Joseph Bridgeman (The Downstream Diaries, #1))
Psychologists who study peer influence ask what it is about teenage girls that makes them so susceptible to peer contagion and so good at spreading it. Many believe it has something to do with the way girls tend to socialize.35 “When we listen to girls versus boys talk to each other, girls are much more likely to reply with statements that are validating and supportive than questioning,” Amanda Rose, professor of psychology at the University of Missouri, told me. “They’re willing to suspend reality to get into their friends’ worlds more. For this reason, adolescent girls are more likely to take on, for instance, the depression their friends are going through and become depressed themselves.” This female tendency to meet our friends where they are and share in their pain can be a productive and valuable social skill. Co-rumination (excessive discussion of a hardship) “does make the relationship between girls stronger,” Professor Rose told me. But it also leads friends to take on each other’s ailments. Teenage girls spread psychic illness because of features natural to their modes of friendship: co-rumination; excessive reassurance seeking; and negative-feedback seeking, in which someone maintains a feeling of control by angling for confirmation of her low self-concept from others.36 It isn’t hard to see why the 24/7 forum of social media intensifies and increases the incidence of each.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Between the pleasure of a kiss and of what a man and woman do in bed seems to me only a gradation. A kiss, for instance, is not to be minimized, or its value judged by anyone else. I wonder do these men grade their pleasure in terms of whether their actions produce a child or not, and do they consider them more pleasant if they do. It is a question of pleasure after all, and what's the use debating the pleasure of an ice cream cone versus a football gamme--or a Beethoven quartet versus the Mona Lisa. I'll leave that to the philosophers. But their attitude was that I must be somehow demented or blind (plus a kind of regret, I thought, at the fact that a fairly attractive woman is presumably unavailable to men). [...] The most important point I did not mention and was not thought of by anyone--that the rapport between two men or two women can be absolute and perfect, as it can never be between man and woman, and perhaps some people want just this, as others want that more shifting and uncertain thing that happens between men and women. It was said or at least implied yesterday that my present course would bring me to the depths of human vice and degeneration. Yes, I have sunk a good deal since they took you from me. It is true, if I were to go on like this and be spied upon, attacked, never possessing one person long enough so that knowledge of a person is a superficial thing--that is degeneration. Or to live against one's grain, that is degeneration by definition.
Patricia Highsmith (The Price of Salt)
Having “Having a Coke with You” with You You asked me if I knew the poem “Having a Coke with You” I said I vaguely remembered it but didn’t really so you recited it in its entirety. We were walking from somewhere up by City Hall down toward South Street and the whole time you were reciting it I was wondering “Was that the last line of the poem?” after each line and each time I thought that, I thought it even more because as the poem got longer the fact that you were reciting it from memory became incrementally harder to believe until about two-thirds of the way through the poem I stopped thinking about how long it was and just started listening which I had been, but only a little, because of all that. Anyway then I started listening to it completely, believing the poem itself to be the sole reason you were reciting it but as soon as you finished you started to talk about how you used to think that that poem was just about how liberatingly banal being in love with someone was but then you said you’d started to think more recently it was more about the idiocy of caring about art at all when you could spend all that energy caring about someone you loved instead, and you said you were wondering where I stood on that question now that I had heard the poem and I was as struck by the question as I was stunned that you could so casually recite such a long good poem and that you hadn't even recited it primarily to solicit appreciation for your recitation so much as to ask what I thought about what you had thought about it then, versus how you thought about it now, and this was when I knew I wanted to be with you forever.
Mark Leidner (Returning the Sword to the Stone)
Do you ever find yourself reminiscing about the girl you used to be? I used to do it all the time, and depending on my mood – I’d either smile or cringe. I went through phases where, on the outside, I was the ‘everything’s gonna be okay’ type of girl. I comforted my friends and family. I was intelligent, confident, and strong, but in private, I hated myself. You see, I was adopted into what many consider the perfect family, and while I can say that I was raised in a loving home, there still wasn't enough love in the world that could’ve convinced me that I was enough. There wasn’t enough love in the world to make me believe I was loveable. Although my adoptive parents gave me all of their love, there wasn’t enough love in the world that could make me stop craving the love of my birth mother. It's taken me a very long time to accept myself. It’s taken years to win the war between who I am versus the crippling insecurities that made me hate myself. I’d love to be the perfect woman without flaws or insecurities, but this isn’t Barbie’s Dreamhouse. So, I apologize in advance for my inconsistency, at times. I apologize in advance for my mood swings. I apologize in advance for my immaturity. I apologize for my stupidity. I apologize for my moments of low self-esteem. I apologize for my lingering self-doubt. And I apologize for believing that I wasn’t good enough. I’m still a work in progress, and one day, I’ll even be confident enough to stop apologizing, but in the meantime, please bear with me. Growth doesn’t always happen in a straight line, nor does it happen overnight, so I thank you in advance for this difficult journey that we're about to embark on together, and I hope you can grow to love me as I’ve finally grown to love myself.
Lauren Lacey (Love You, Finally (Love in Beverly Mills #2))
He claimed he was on the right track as far as the two kinds of economy people, land versus money. But not city people against us personally. It’s the ones in charge, like government or what have you. They were always on the side of the money-earning people, and down on the land people, due to various factors Tommy mentioned, monetize this, international banking that. The main one I could understand was that money-earning ones pay taxes. Whereas you can’t collect shit on what people grow and eat on the spot, or the work they swap with their neighbors. That’s like a percent of blood from a turnip. So, the ones in charge started cooking it into everybody’s brains to look down on the land people, saying we are an earlier stage of human, like junior varsity or cavemen. Weird-shaped heads. Tommy was watching TV these days, and seeing finally how this shit is everywhere you look. Dissing the country bumpkins, trying to bring us up to par, the long-termed war of trying to shame the land people into joining America. Meaning their version, city. TV being the slam book of all times, maybe everybody in the city was just going along with it, not really noticing the rudeness factors. Possibly to the extent of not getting why we are so fucking mad out here. It took a lot of emails of Tommy telling me how far back it went, this offensive to wedge people off their own holy ground and turn them into wage labor. Before the redneck miner wars, the coal land grabs, the timber land grabs. Whiskey Rebellion: an actual war. George Washington marched the US Army on our people for refusing to pay tax on corn liquor. Which they weren’t even selling for money, mainly just making for neighborly entertainment. How do you get tax money out of moonshine? Answer: You and what army. It goes a ways
Barbara Kingsolver (Demon Copperhead)
I smoothed my hospital gown and tucked my hair behind my ears. I’m embarrassed to admit I didn’t know it was you until now, I said. He gave me the same warm look of recognition that he’d been giving me since I was nine—but exhausted, like a warrior who has risked everything to get home, half-dead on the doorstep. Now it was unbearable that he should be lying untouched except by needles and tubes. I opened the circular doors and carefully held his hand and foot. If he died he would die forever; I would never see another Kubelko Bondy. See, this is what we do, I began, we exist in time. That’s what living is; you’re doing it right now as much as anyone. I could tell he was deciding. He was feeling it out and had come to no conclusions yet. The warm, dark place he had come from versus this bright, beepy, dry world. Try not to base your decision on this room, it isn’t representative of the whole world. Somewhere the sun is hot on a rubbery leaf, clouds are making shapes and reshaping and reshaping, a spiderweb is broken but still works. And in case he wasn’t into nature, I added: And it’s a really wild time in terms of technology. You’ll probably have a robot and that will be normal. It was like talking someone off a ledge. Of course, there’s no “right” choice. If you choose death I won’t be mad. I’ve wanted to choose it myself a few times. His giant black eyes strained upward, toward the beckoning fluorescent lights. You know what? Forget what I just said. You’re already a part of this. You will eat, you will laugh at stupid things, you will stay up all night just to see what it feels like, you will fall painfully in love, you will have babies of your own, you will doubt and regret and yearn and keep a secret. You will get old and decrepit, and you will die, exhausted from all that living. That is when you get to die. Not now.
Miranda July (The First Bad Man)
Expansion or Extinction Identity is selfishness, heritage is selfishness, culture is selfishness, that is, the way these constructs have been sustained in society all this time. All this time things have been going on like this - my identity versus all others - my heritage versus all others - my culture versus all others. And such behavior has only fostered a paradigm of division. This must change - from division to unison. And how will it happen? We gotta perform a complete overhaul of notions of identity, heritage and culture. We gotta turn each of them from a prison into a path. In simple terms, we gotta humanize them all - we gotta make them more about people than anything else - more about the people of the present and future than those of the past. We gotta make them about life, not habits, beliefs and rituals. One may wonder, aren't habits, beliefs and rituals also life! No they ain't - they are part of life, a microscopic part at that, but not life itself. So first and foremost, feel, think and walk past habits, beliefs and rituals, of your ancestors as well as your own. Expansion, expansion, expansion - only way forward is expansion. If you are afraid that your ancestors would be offended at your expansion, then let me tell you this. It's better to have no ancestor than to have one offended at your expansion. All our ancestors made this mistake. They were all against expansion. Make not the same mistake my friend. Expand yourself, and encourage the children towards further expansion. Encourage them to surpass you, instead of sentencing them to the prison of your own beliefs and notions. Without expansion there ain't gonna be no earth left, that is, one fit for human existence. And to be honest, the day is not far when planet earth will be absolutely unfit for human existence, both psychologically and physically.
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
The purity message nestles neatly into the larger “us” versus “them” messaging I was raised with in the church. Those on the “positive” side of the binary are said to have access to God, Heaven, the community, and a happy life as one of “us.” Those on the “negative” side of the binary are said to be isolated from God, alone, and headed for Hell, a place of suffering reserved explicitly for “them.” Though one’s place on that binary is technically supposed to be determined by one’s belief system, let’s face it—you can’t see into another person’s heart and know whether she really believes these things or has just memorized a bunch of talking points. So if you want to assess who’s really a Christian and who’s not—and lots of people do—you need a proxy, some externally measurable quality that is deemed representative of the person’s internal commitment... ...Growing up, I heard a lot of talk about how evangelical Christians were better people than secular or other religious people (funnily enough, I now hear the exact same self-congratulatory messages from secular liberal people). But the truth was, I couldn’t always tell the difference between a Christian and a non-Christian. I saw both lie, both steal, both love, and both unselfishly give to others. But one tangible thing we could point to as evangelicals was that we didn’t have sex before marriage. There was that. There was always that. (10-11) “Don’t just be pure in body; you need to be pure in spirit . . .” Everything was just so intertwined with each other. It almost seemed like if you weren’t being physically impure, you were being spiritually and emotionally impure. Being “pure” became this really heavy, heavy weight to bear all the time. It almost made me go crazy questioning, “Well, is this impure? . . . Is this wrong? . . . Is this okay? . . . Is this going on?” (Holly) (12)
Linda Kay Klein (Pure: Inside the Evangelical Movement That Shamed a Generation of Young Women and How I Broke Free)
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
Nobody chooses to experience trauma. Whether it’s a natural disaster, a devastating accident, or an act of interpersonal violence, trauma often leaves people feeling violated and absent a sense of control. Because of this, it’s vital that survivors feel a sense of choice and autonomy in their mindfulness practice. We want them to know that in every moment of practice, they are in control. Nothing will be forced upon them. They can move at a pace that works for them, and they can always opt out of any practice. By emphasizing self-responsiveness, we help put power back in the hands of survivors. The body is central to this process. Survivors need to know they won’t be asked to override signals from their body, but to listen to them—one way they’ll learn to stay in their window of tolerance. We can accomplish this, in part, through our selection of language. Rather than give instructions as declarations, we can offer invitations that increase agency. Here are a few examples: • “In the next few breaths, whenever you’re ready, I invite you to close your eyes or have them open and downcast” (as opposed to “Close your eyes”). • “You appeared to be hyperventilating at the end of that last meditation. Would you like to talk to me for a minute about it?” (versus “You looked terrified. I need to talk to you”). In all of our interactions, we can tailor our instructions to be invitations instead of commands. Another way to emphasize choice is to provide different options in practice. We can offer students and clients the choice to have their eyes open or closed, or to adopt a posture that works best for them (e.g., standing, sitting, or lying down). Any time we are offering different ways people can practice, we can also work to normalize any choice they make—one way is not superior to the other.17 While we can encourage people to stay through the duration of a meditation period, we also want them to know that leaving the room—especially if they are surpassing their window of tolerance—is an option that is always available to them.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
Demonstrating for peace to promote war was nothing new. Totalitarianism always requires a tangible enemy. To the ancient Greeks, a holocaust was simply a burnt sacrifice. Khrushchev wanted to go down in history as the Soviet leader who exported communism to the American continent. In 1959 he was able to install the Castro brothers in Havana and soon my foreign intelligence service became involved in helping Cuba's new communist rulers to export revolution throughout South America. At that point it did not work. In the 1950s and 1960s most Latin Americans were poor, religious peasants who had accepted the status quo. A black version of liberation theology began growing in a few radical-leftist black churches in the US where Marxist thought is predicated on a system pf oppressor class ( white ) versus victim class ( black ) and it sees just one solution: the destruction of the enemy. In the 1950s UNESCO was perceived by many as a platform for communists to attack the West and the KGB used it to place agents around the world. Che Guevara's diaries, with an introduction by Fidel Castro, were produced by the Kremlin's dezinformatsiya machine. Changing minds is what Soviet communism was all about. Khrushchev's political necrophagy ( = blaming and condemning one's predecessor in office. It is a dangerous game. It hurts the country's national pride and it usually turns against its own user ) evolved from the Soviet tradition of sanctifying the supreme ruler. Although the communists publicly proclaimed the decisive role of the people in history, the Kremlin and its KGB believed that only the leader counted. Change the public image of the leader and you change history, I heard over and over from Khrushchev's lips. Khrushchev was certainly the most controversial Soviet to reign in the Kremlin. He unmasked Stalin's crimes, but he made political assassination a main instrument of his own foreign policy; he authored a policy of peaceful coexistence with the West but he pushed the world to the brink of nuclear war; he repaired Moscow's relationships with Yugoslavia's Tito, but he destroyed the unity of the communist world. His close association with Stalin's killings made him aware of what political crime could accomplish and gave him a taste for the simple criminal solution. His total ignorance about the civilized world, together with his irrational hatred of the "bourgeoisie" and his propensity to offend people, made him believe that disinformation and threats were the most efficient and dignified way for a Soviet leader to deal with "bourgeois" governments. As that very clever master of deception Yuri Andropov once told me, if a good piece of disinformation is repeated over and over, after a while it will take on a life of its own and will, all by itself, generate a horde or unwitting but passionate advocates. When I was working for Ceausescu, I always tried to find a way to help him reach a decision on his own, rather than telling him directly what I thought he should do about something. That way both of us were happy. From our KGB advisors, I had learned that the best way to ut over a deception was to let the target see something for himself, with his own eyes. By 1999, President Yeltsin's ill-conceived privatization had enabled a small clique of predatory insiders to plunder Russia's most valuable assets. The corruption generated by this widespread looting penetrated every corner of the country and it eventually created a Mafia-style economic system that threatened the stability of Russia itself. During the old Cold War, the KGB was a state within a state. In Putin's time, the KGB now rechristened FSB, is the state. The Soviet Union had one KGB officer for every 428 citizens. In 2004, Putin's Russia had one FSB officer for every 297 citizens.
Ion Mihai Pacepa (Disinformation)
• No matter how open we as a society are about formerly private matters, the stigma around our emotional struggles remains formidable. We will talk about almost anyone about our physical health, even our sex lives, but bring depression, anxiety or grief , and the expression on the other person would probably be "get me out of this conversation" • We can distract our feelings with too much wine, food or surfing the internet, • Therapy is far from one-sided; it happens in a parallel process. Everyday patients are opening up questions that we have to think about for ourselves, • "The only way out is through" the only way to get out of the tunnel is to go through, not around it • Study after study shows that the most important factor in the success of your treatment is your relationship with the therapist, your experience of "feeling felt" • Attachment styles are formed early in childhood based on our interactions with our caregivers. Attachment styles are significant because they play out in peoples relationships too, influencing the kind of partners they pick, (stable or less stable), how they behave in a relationship (needy, distant, or volatile) and how the relationship tend to end (wistfully, amiably, or with an explosion) • The presenting problem, the issue somebody comes with, is often just one aspect of a larger problem, if not a red herring entirely. • "Help me understand more about the relationship" Here, here's trying to establish what’s known as a therapeutic alliance, trust that has to develop before any work can get done. • In early sessions is always more important for patients to feel understood than it is for them to gain any insight or make changes. • We can complain for free with a friend or family member, People make faulty narratives to make themselves feel better or look better in the moment, even thought it makes them feel worse over time, and that sometimes they need somebody else to read between the lines. • Here-and-now, it is when we work on what’s happening in the room, rather than focusing on patient's stories. • She didn't call him on his bullshit, which this makes patients feel unsafe, like children's whose parent's don’t hold them accountable • What is this going to feel like to the person I’m speaking to? • Neuroscientists discovered that humans have brain cells called mirror neurons, that cause them to mimic others, and when people are in a heightened state of emotion, a soothing voice can calm their nervous system and help them stay present • Don’t judge your feelings; notice them. Use them as your map. Don’t be afraid of the truth. • The things we protest against the most are often the very things we need to look at • How easy it is, I thought, to break someone’s heart, even when you take great care not to. • The purpose on inquiring about people's parent s is not to join them in blaming, judging or criticizing their parents. In fact it is not about their parents at all. It is solely about understanding how their early experiences informed who they are as adults so that they can separate the past from the present (and not wear psychological clothing that no longer fits) • But personality disorders lie on a spectrum. People with borderline personality disorder are terrified of abandonment, but for some that might mean feeling anxious when their partners don’t respond to texts right away; for others that may mean choosing to stay in volatile, dysfunctional relationships rather than being alone. • In therapy we aim for self compassion (am I a human?) versus self esteem (Am I good or bad: a judgment) • The techniques we use are a bit like the type of brain surgery in which the patient remains awake throughout the procedure, as the surgeons operate, they keep checking in with the patient: can you feel this? can you say this words? They are constantly calibrating how close they are to sensitive regions of the brain, and if they hit one, they back up so as not to damage it.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Steeped in the Latin of Roman law, Europe’s jurists branded this agreement the pactum societatis. In their minds, it marked the birth of legitimate government. A couple of centuries later, Jean-Jacques Rousseau gave it a more famous name: the social contract. It’s not based on a signed piece of paper or original physical act. Like the axis of Galileo’s rotating earth, the social contract is imaginary, but it is still there, exerting its influence and power. Like any contract, it imposes obligations both on me and on my rulers.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Hobbes’s citizens realize that they must give up their natural liberty in order to protect them from themselves. They are like the alcoholic who hands the key to his liquor cabinet to a friend and says, “No matter what I say, don’t give me back the key.” He knows that unless someone stops him, he is a danger to himself and others.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
What’s also noteworthy about both of these dictators is that both of them take the rage they had against Jesus in particular and direct it toward babies in general. When it’s Jesus versus the self, babies are caught in the crossfire. And it’s always that way. Several years ago a friend sent me a copy of what just might be the most chilling Christmas card ever sent through the US mail. The Planned Parenthood Federation of America, the nation’s leading provider of abortions, unveiled a holiday greeting card in support of the group’s commitment to “reproductive freedom.” The card was beautifully designed, complete with embossed snowflakes and stars made of glitter. Across the card was the caption, “Choice on Earth.
Russell D. Moore (Adoption: What Joseph of Nazareth Can Teach Us about This Countercultural Choice)
That night, on May 26, 1328, Ockham, Cesena, and another Franciscan companion slipped out of their rooms, mounted horses, and lit out of Avignon for the border. The trio did not stop until they crossed into Bavaria, where the Holy Roman Emperor Ludwig IV was engaged in his own dispute with the pope. They met in Munich, where according to legend William of Ockham said to the emperor, “Defend me with your sword, and I will defend you with my pen.” Ludwig accepted the
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Again, the process of collecting food feels rewarding in itself: the sticky sap on my fingers, learning how to tell when fruits are ready to be picked, feeling that burst of adrenaline as I stretch out on a branch hoping to reach just one more mango. I see my food alive and thriving, versus buying it in a market. All of this reminds me of the complex processes and daily miracles that happen before the food goes in my mouth. That appreciation transfers into our meals, and food continues to take on rich new dimensions.
Liz Clark (Swell: A Sailing Surfer's Voyage of Awakening)
So is history a science? I put the question to a group of Yale seniors recently, and the answer one of them came up with made perfect sense to me: it was that we should instead concentrate on determining which sciences are historical. The distinction would lie along the line separating actual replicability as the standard for verification--the rerunning of experiments in a laboratory--from the virtual replicability that's associated with thought experiments. And it would be the accessibility versus the inaccessibility of processes that would make the difference.
John Lewis Gaddis (The Landscape of History: How Historians Map the Past)
train me, nice as could be other than acting like she’s my mom, all honey-this and honey-that and “You think you can remember all that, sweetie?” Just three or four years out of high school herself. But she did have three kids, so probably she’d wiped so many asses she got stuck that way. I didn’t hold it against her. Coach Briggs’s brother stayed upstairs in the office. Heart attack guy was a mystery. First they said he might come back by the end of summer. Then they all stopped talking about him. As far as customers, every kind of person came in. Older guys would want to chew the fat outside in the dock after I loaded their grain bags or headgates or what have you. I handled all the larger items. They complained about the weather or tobacco prices, but oftentimes somebody would recognize me and want to talk football. What was my opinion on our being a passing versus running team, etc. So that was amazing. Being known. It was the voice that hit my ear like a bell, the day he came in. I knew it instantly. And that laugh. It always made you wish that whoever made him laugh like that, it had been you. I was stocking inventory in the home goods aisle, and moved around the end to where I could see across the store. Over by the medications and vaccines that were kept in a refrigerator case, he was standing with his back to me, but that wild head of hair was the giveaway. And the lit-up face of Donnamarie, flirting so hard her bangs were standing on end. She was opening a case for him. Some of the pricier items were kept under lock and key. I debated whether to go over, but heard him say he needed fifty pounds of Hi-Mag mineral and a hundred pounds of pelleted beef feed, so I knew I would see him outside. I signaled to Donnamarie that I’d heard, and threw it all on the dolly to wheel out to the loading dock. He pulled his truck around but didn’t really see me. Just leaned his elbow out the open window and handed me the register ticket. He’d kept the Lariat of course, because who wouldn’t. “You’ve still got the Fastmobile, I see,” I said. He froze in the middle of lighting a smoke, shifted his eyes at me, and shook his head fast, like a splash of cold water had hit him. “I’ll be goddamned. Diamond?” “The one,” I said. “How you been hanging, Fast Man?” “Cannot complain,” he said. But it seemed like he wasn’t a hundred percent on it really being me loading his pickup. He watched me in the side mirror. The truck bounced a little each time I hefted a mineral block or bag into the bed. Awesome leaf springs on that beauty. I came around to give him back his ticket, and he seemed more sure.
Barbara Kingsolver (Demon Copperhead)
There was so much to learn, and it occurred to me that the largest life lesson of all had to be answering the question of how much to give, how much to keep. How much do you matter versus how much do others count when trying to be a mother, friend, or good person? My mother knew to take care of herself first, and I’d learned the opposite in reaction. I couldn’t fault her anymore. I didn’t agree with her, but I got it.
Ann Garvin (There's No Coming Back from This)
The conflicting emotion I got from seeing how soft she looked versus how hard she actually was would never cease to confuse me.
Deanna Grey (Outdrawn)
Shyness feathered through me at the intensity in his eyes. I indulged myself, stroking and petting his shoulders, then his arms. The texture of the scars versus the undamaged skin was so wildly different—his two sides; the healer and the warrior. The poetry wasn’t lost on me, nor was the irony.
Heather Long (Reckless Thief (82 Street Vandals, #8))
Life, simply for life's sake, is obscene. I'm so grateful that I live in a right-to-die state. "Keep your laws off of my body" definitely refers to more than the abortion issue. How DARE they try to make the decision for someone else? Suicide is liberty. For a terminally ill person, it can mean death with dignity, versus months and even years of suffering. It's not a popular view, for sure, especially regarding mental illness. However, the resulting loss of liberty, privacy and personal rights after an unsuccessful attempt is beyond cruel, in my eyes. Anyone who has spent time in an asylum can tell you that if you weren't 'crazy' going in, you'll lose your mind in there. To be talked down to like a child and patronized as a 'lesser' person takes its toll. I have a feeling that this post may get me into trouble, but I felt as though it had to be said...
Lioness DeWinter
Just like the mountain sometimes does not let you pass, the heat would not allow me to run in those canyons as I wished.
Chris Zehetleitner (Runhundred: Heart Versus Heat at Western States 100)
Beware of the Tribes Effect A threat to identity can elicit the Tribes Effect, an adversarial mindset that pits your identity against that of the other side: It is me versus you, us versus them. This mindset most likely evolved to help groups protect their bloodlines from outside threat. Today it can just as easily be activated in a two-person conflict, whether between siblings, spouses, or diplomats. The Tribes Effect spurs you to make a blanket devaluation of the other’s perspective simply because it is theirs. It is thus more than a fleeting fight-or-flight response. As a mindset, it can hold you hostage to polarized feelings for hours, days, or years; through learning, modeling, and storytelling, it can even be passed down through generations, relentlessly resistant to change.
Daniel Shapiro (Negotiating the Nonnegotiable: How to Resolve Your Most Emotionally Charged Conflicts)
Dancing also helped me make this change. If food and I had been battling, so had my body and I. In the culture I grew up in, the messages were so powerful that my girlfriends and I were wearing girdles to school by the time we were in junior high. When I began to dance, the old battle—me versus my body—was transformed. Instead of being just a problem to reshape and control, my body became a source of satisfaction and pleasure.
Frances Moore Lappé (Diet for a Small Planet: The Book That Started a Revolution in the Way Americans Eat)
since the Supreme Court decisions such as the Mallory decision way back in nineteen fifty-seven …” Silence. I didn’t like that silence. “And Mapp versus Ohio.… Preston versus U.S.…” I could hear him breathing. Breathing heavily, it sounded like. Getting a little faster. I went on, slowing a bit, “Gideon versus Wainwright? And we can’t forget the Escobedo case, can we?” He’d stopped breathing. That was bad. “And then there’s that little beauty, Miranda versus Arizona … Sam? Sam, I’m merely showing you I had the law clearly in mind, what’s left of it.” I laughed lightly again. “I mean, what’s left of the law, not my mind. Sam?” Finally, he spoke. His voice seemed to come from a great distance. “You didn’t arrest them. Nobody arrested them. You merely ran them through with bows and arrows, beat upon them, shot them, coerced and threatened them, set fire to the countryside—the flames were seen from the corner of Hollywood and Vine!—entered illegally, probably raped the housekeeper—” “I did burn up four automobiles, now you remind me. But, Sam, everything’s swell—
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
The fact that “over a month” brought Edith and me into meeting-the-family territory, whereas I had known Julian for months before he’d even mentioned Miles, told me all I needed to know about dating gay women versus straight men.
Naoise Dolan (Exciting Times)
I still lack humility. I still tend to make life about my plan, my feelings, my desires, and my expectations. I am still tempted to assess the “good” of a day by whether it pleased me versus whether I pleased God and was loving toward others. I still am tempted to live as if I own my life and still fail to remember that I was bought with a price.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
One of my mastermind members, Travis Killian, once told me about how he gets products to stand out in a busy, loud marketplace. His answer was simple: “We listen to people. We execute so many split tests, it’s insane. We’ll mock up the product and ask people, Which do you like better? This one or this other one from our competitor? We do that for all the top competitors in the market, all the ones we think have the best products in the niche.” Split testing requires nothing more than asking people which one of two things they like better. That’s it. Show someone two items, and ask for his or her preference. It’s one of those rare things that happens to be simple, easy, and effective. “I remember one time, when we were just starting out,” Travis told me, “we paid one of our friends to go to the mall in Austin, show pictures of our products versus our competitor’s products, and collect survey answers on which one they preferred.” If it sounds like a ton of time and money to pay someone to do inperson surveys and split testing, Travis says that’s not even essential. “When we started out, that’s what we did. Now, we use services online to run constant split tests of our products against our competitors’ products. The most important thing is to get the feedback on why survey respondents have a preference. Why do they like the other guy’s product over mine? That’s the data we really want to collect. We spend our time analyzing that data and applying it to the products—deciding first if the feedback is something we can, and want, to address, and then making changes from there.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
That man-to-man battle in the cornfield in Ukraine was like Achilles versus Hector,” I said, sounding very much like a know-it-all teenager. “It kind of makes you wish all wars were fought this way.” My father looked at me sadly. “The difference is that the Russian soldier and I weren’t leaders standing for something we believed in. We were just boys who crossed each other’s paths and had to kill each other because we were enemies.
Alexander Münninghoff (The Son and Heir: A Memoir)
Listen to me,' my father tells him, still squeezing Max's bony hand. 'A handshake isn't a sign of friendship. It's an assessment. You versus the other guy. Who would win in a fight? That's what I want you to think about. You need to show the other guy that if you absolutely had to, you could tear his throat out. Now, squeeze like you mean it, son.
Carter Wilson
I've only ever lived in the middle of the forest, with no neighbors. I wonder how it compares, being surrounded by strangers, versus being surrounded by trees.
Amy Reed (Tell Me My Name)
In order to represent the monsters of New York, did one have to become monstrous too? I swallowed thickly as I fought a silent war in my head. Ambition versus morality. Both characteristics so elemental to me, I couldn’t fathom making a choice.
Giana Darling (When Heroes Fall (Anti-Heroes in Love, #1))