Afraid Of Your Own Shadow Quotes

We've searched our database for all the quotes and captions related to Afraid Of Your Own Shadow. Here they are! All 30 of them:

Are you afraid of your own shadow?
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
I hear the question upon your lips: What is it to be a colour? Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances. I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted. I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
Orhan Pamuk (My Name Is Red)
Many a mother would happily toss their daughters at your feet.” “Wouldn’t work, I’m afraid. I prefer my women off their knees, upright, and standing on their own.” “At your back?” “At my side.
L.J. Andrews (Curse of Shadows and Thorns (The Broken Kingdoms, #1))
Our shadow is on the outside. And we can see in the dark: we can see you, we see you turn away, but one day we finally understand that you turn away not from our faces but from your own fears. From those things inside you that you think mark you as someone unlovable to your family, and society, and even to God.
Anne Lamott (Plan B: Further Thoughts on Faith)
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
Coming to accept our own shadow is an essential preliminary of the path to wholeness. Do not be afraid of your darkness; for once we trust the dragon and learn how to ride it, it will develop wings and take you places. You see, the dragon will somehow never cease to exist. Simply hop on and the ride will keep getting more pleasant with time.
Omar Cherif
Hair in darkness doesn’t feel the way it does in light. In light, you can touch a person’s hair and not feel it at all - you might think you are feeling it, but really you are seeing its color, seeing its shape, seeing the light and the shadows intertwined between the hair and your own hands. But in darkness, her hair poured across his palms like molten music between his fingers. Skin in darkness is different, too. In light, you don’t notice skin, distracted as you are by eyes watching you, eyes you are afraid to trust, eyes that could be waiting for your shame. But in pure darkness, her skin was warm and trembling and alive - secret whorled passageways of ears, soft fingertips tracing circles on his neck, the living heartbeat-shudders of falling-closed eyelids, cheeks erupting into lips and giving way to his tongue. And in light you don’t think of how warm a person is, of how a person can enfold you, enclose you amid arms and clothes and ribs in pure primeval underground darkness, the heat between you glowing like an ember that you are afraid to put out.
Dara Horn (The World to Come)
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
Children perceive frightening ghosts and monsters and dragons and they are terrified. Yet if they ask someone they trust for the meaning of what they perceive, and are willing to let their own interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his 'ghosts' into a courtain, his 'monster' into a shadow and his 'dragon' into a dream he is no longer afraid, and laughs happily at his own fear. You, my child, are afraid of your brothers and of your Father and of yourself. But you are merely deceived in them. Ask what they are of the Teacher of reality, and hearing His answer, you too will laugh at your fears and replace them with peace. For fear lies not in reality, but in the minds of children who do not understand reality. It is only their lack of understanding that frightens them, and when they learn to perceive truly they are not afraid.
Foundation for Inner Peace
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
The charm of a city, now we come to it, is not unlike the charm of flowers. It partly depends on seeing time creep across it. Charm needs to be fleeting. Nothing could be less palatable than a museum-city propped up by prosthetic devices of concrete. Paris is not in danger of becoming a museum-city, thanks to the restlessness and greed of promoters. Yet their frenzy to demolish everything is less objectionable than their clumsy determination to raise housing projects that cannot function without the constant presence of an armed police force… All these banks, all these glass buildings, all these mirrored facades are the mark of a reflected image. You can no longer see what’s happening inside, you become afraid of the shadows. The city becomes abstract, reflecting only itself. People almost seem out of place in this landscape. Before the war, there were nooks and crannies everywhere. Now people are trying to eliminate shadows, straighten streets. You can’t even put up a shed without the personal authorization of the minister of culture. When I was growing up, my grandpa built a small house. Next door the youth club had some sheds, down the street the local painter stored his equipment under some stretched-out tarpaulin. Everybody added on. It was telescopic. A game. Life wasn’t so expensive — ordinary people would live and work in Paris. You’d see masons in blue overalls, painters in white ones, carpenters in corduroys. Nowadays, just look at Faubourg Sainte-Antoine — traditional craftsmen are being pushed out by advertising agencies and design galleries. Land is so expensive that only huge companies can build, and they have to build ‘huge’ in order to make it profitable. Cubes, squares, rectangles. Everything straight, everything even. Clutter has been outlawed. But a little disorder is a good thing. That’s where poetry lurks. We never needed promoters to provide us, in their generosity, with ‘leisure spaces.’ We invented our own. Today there’s no question of putting your own space together, the planning commission will shut it down. Spontaneity has been outlawed. People are afraid of life.
Robert Doisneau (Paris)
Do you truly think it is a good idea to retreat, to abandon the possibility of arming yourself against the rising sea of troubles, and to thereby diminish yourself in your own eyes? Do you truly think it wise to let the catastrophe grow in the shadows, while you shrink and decrease and become ever more afraid? Isn’t it better to prepare, to sharpen your sword, to peer into the darkness, and then to beard the lion in its den? Maybe you’ll get hurt. Probably you’ll get hurt. Life, after all, is suffering. But maybe the wound won’t be fatal.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
My sisters don’t be afraid of the words “old maid,” for it is in your power to make this a term of honor, not reproach. It is not necessary to be a sour, spiteful spinster, with nothing to do but brew tear, talk scandal and tend a pocket handkerchief. No, the world is full of work, needing all the heads, hearts, and hands we can bring to do it. Never was there so splendid an opportunity for women to enjoy their liberty and prove that they deserve it by using it wisely. If love comes as it should come, accept it in God’s name and be worthy of His best blessing. If it never comes, then in God’s name, reject the shadow of it, for that can never satisfy a hungry heart. Do not be ashamed to own the truth—do not be daunted by the fear of ridicule and loneliness, nor saddened by the loss of a woman’s tenderest ties. Be true to yourself; cherish whatever talent you possess, and in using it faithfully for the good of others, you will most assuredly find happiness for yourself, and make of life no failure, but a beautiful success.
Louisa May Alcott
My friend," said Kavanagh, after a short pause, during which he had taken note of Mr. Churchill's sadness, "that is not always excellent which lies far away from us. What is remote and difficult of access we are apt to overrate; what is really best for us lies always within our reach, though often overlooked. To speak frankly, I am afraid this is the case with your Romance. You are evidently grasping at something which lies beyond the confines of your own experience, and which, consequently, is only a play of shadows in the realm of fancy. The figures have no vitality; they are only outward shows, wanting inward life. We can give to others only what we have." "And if we have nothing worth giving?" interrupted Mr. Churchill. "No man is so poor as that. As well might the mountain streamlets say they have nothing worth giving to the sea, because they are not rivers. Give what you have. To some one, it may be better than you dare to think.
Henry Wadsworth Longfellow (Kavanagh)
My sisters don’t be afraid of the words “old maid,” for it is in your power to make this a term of honor, not reproach. It is not necessary to be a sour, spiteful spinster, with nothing to do but brew tear, talk scandal and tend a pocket handkerchief. No, the world is full of work, needing all the heads, hearts, and hands we can bring to do it. Never was there so splendid an opportunity for women to enjoy their liberty and prove that they deserve it by using it wisely. 4 minutes ago Heidi M If love comes as it should come, accept it in God’s name and be worthy of His best blessing. If it never comes, then in God’s name, reject the shadow of it, for that can never satisfy a hungry heart. 4 minutes ago Do not be ashamed to own the truth—do not be daunted by the fear of ridicule and loneliness, nor saddened by the loss of a woman’s tenderest ties. Be true to yourself; cherish whatever talent you possess, and in using it faithfully for the good of others, you will most assuredly find happiness for yourself, and make of life no failure, but a beautiful success.
Louisa May Alcott
What is my life for and what am I going to do with it? I don’t know and I’m afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that’s why I want to be everyone – so no one can blame me for being I. So I won’t have to take the responsibility for my own character development and philosophy. People are happy – – – if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges – no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people “find themselves.” But the very content that comes from finding yourself is over-shadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Jesus Christ!" Foraker's shocked exclamation burned across the bridge like a buzzsaw, and Caslet's mouth fell open as his plot suddenly changed. One instant, his ship was charging into the teeth of two opponents' fire; the next instant, there were no opponents. The warships' acceleration had carried them within less than three hundred thousand clicks of the Manty merchantman, which had suddenly rolled back down to present her own broadside to them. Eight incredibly powerful grasers smashed out from the "unarmed freighter" like the wrath of God, and the second raider destroyer simply vanished. A single pair of hits on the light cruiser burned through her sidewall as if it hadn't even existed, and her after third blew apart in a hurricane of splintered and vaporized plating. Three of Shannon's shipboard lasers added their own fury to her damage, chewing huge holes in what was left of her hull, but they were strictly an afterthought, for that ship was already a helpless hulk. "We're being hailed, Skipper," Lieutenant Dutton said shakenly from Communications. Caslet just looked at him, unable to speak, then looked back down at his plot and swallowed as the unmistakable impeller signatures of a full dozen LACs drifted up from the "freighter's" gravitic shadow and locked their weapons on his ship. "Speaker," he rasped. "Unknown cruiser, this is Captain Honor Harrington of Her Majesty's Armed Merchant Cruiser Wayfarer," a soprano voice said quietly. "I appreciate your assistance, and I wish I could offer you the reward your gallantry deserves, but I'm afraid I'm going to have to ask you to surrender.
David Weber (Honor Among Enemies (Honor Harrington, #6))
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons
When the time comes to be afraid of your own shadow , make the sign of the cross .
Ivan Veljanoski
Something sharp slashed at Cass’s left arm and she cried out. Snapping her head around, she searched for her assailant, but the crowded alleyway blurred into a sea of arms and hands all reaching out toward her. She gasped, beginning to panic, struggling against the current of faceless flesh. “What? What is it?” Falco pulled her from the tangle of sweaty bodies and pressed her up against the side of a small bakery shop. Cass looked down at the sleeve of her teal chemise. Someone or something had sliced right through the silky fabric. Falco separated the torn material to examine Cass’s skin beneath. He lifted her arm to show her the swollen pink line just below her elbow. “Look, no blood,” he said. “You probably just got your sleeve caught on a sword hilt or belt buckle.” Or a knife. Cass searched the crowd again, but no one was paying her any attention. Falco’s hand felt hot on her flesh, almost burning. She pulled her arm away, turning to look back at the entrance to the alleyway. It seemed impossibly far away. Unreachable. Falco traced his finger along one of the delicate fishbone braids that framed her face. “It was just an accident,” he said. Cass felt the blood return to her face. She glanced down at her torn sleeve. The scratch on her arm was already starting to fade. “Sorry,” she murmured. “I’m being silly. It just scared me, that’s all.” “It’s all right,” Falco said. His voice was surprisingly gentle. Cass had been certain he would mock her for being a child, a spoiled little aristocrat afraid of her own shadow.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Gratitude is not a sentiment that someone tells you to be in, it is, I am afraid, a conclusion and a rebellious stage you have to reach on your own.
Lamine Pearlheart (The Sunrise Scrolls: To Life from the Shadows II)
I believe supercharged emotions have some sort of reaction with the universe that everyday life does not. We know that fear causes a release of adrenaline and gives the body the energy and strength it needs to overcome seemingly impossible obstacles (if you’re into comic books—remember Dr. Bruce Banner and his work to release the body’s inner strength that resulted in him becoming the Incredible Hulk?). When the human body is in peril and is afraid for its own survival, it becomes flooded with emotions that can leave a lasting impression on the very fabric of space and time. These emotional hotpots could validate imprint theory and be the places where paranormal activity occurs.
Zak Bagans (Dark World: Into the Shadows with the Lead Investigator of the Ghost Adventures Crew)
Try these journal prompts as you work to integrate your type 8 shadows: See yourself through your ex’s eyes. This can be a difficult exercise, but if anyone’s up for it, Challenger, it’s you. Write a letter to yourself from your ex’s point of view. Take a moment to remember all you did wrong and write it down—even if (especially if!) you think the failure of the relationship was their fault, not yours. What negative traits of yours do you need to own and master to be better in your next relationship? Write a letter to the person who hurt you the most in your past. Tell them everything they did that made you feel unworthy of love or less-than. Don’t be afraid to hit below the belt! Get it all out! When you’re done, put the letter away somewhere safe. Come back and re-read it two weeks later and consider whether you can see any of the negative qualities of this person in yourself. How have you hurt others? Is it similar to the way you’ve been hurt? Think about the people you love most. If you had the power, what would you like to change about them in order to improve your relationship with them? (This might also have to do with the way you resolve conflicts.) How does this action reflect on you? Based on this exercise, is there anything you might consider improving in yourself to help? TYPE 8 SELF-CARE PRESCRIPTION Type 8s tend to struggle with inaction when it comes to self-care. Since you’re always seeking progress and pushing yourself, it’s challenging for you to sit in a quiet place alone and rest. But the world is a complicated place, and you are prone to feeling angry about the things you can’t control or change. You want so much to do something to heal the pain of the world, to fix the broken systems. But you can’t fight for others until you’ve first fought for yourself by releasing the need for control and choosing stillness. Being still probably feels unnatural to you, even scary, but that’s where your real inner work begins! Learn your limits. As an energetic 8, you frequently push yourself to your limits, even if you’re unaware you’re doing so. Pay closer attention to your own feelings, and force yourself to rest and recover whenever necessary, instead of pushing through. You’ll be much better off for it! Practice mindful breathing for anger management. When you feel the need to let loose with an angry tirade, take it as a cue to practice your calming breaths. Find an outdoor exercise activity you love. When you’re feeling especially furious or antsy, hop on your bike and go for a ride or do a few laps around the neighborhood. These activities are healthy outlets for that restless energy of yours. Let others take the lead sometimes. With your commanding presence and direct approach, you make a natural leader. But sometimes, you need to step back and allow someone else to step up to bat. Take a break and learn not to carry all responsibilities on your own shoulders; this will benefit both you and your relationships with others.
Delphina Woods (The Ultimate Enneagram Book: The Complete Guide to Enneagram Types for Shadow Work, Self-Care, and Spiritual Growth)
Wouldn’t work, I’m afraid. I prefer my women off their knees, upright, and standing on their own.” “At your back?” “At my side.
L.J. Andrews (Curse of Shadows and Thorns (The Broken Kingdoms, #1))
I believe his exact words were, ‘Go sort this out, and don’t come back until you’re certain you can keep your mind on what matters.’” He smiled at Kerry, then. That big, broad grin that crinkled the deeply tanned skin at the corners of his eyes, the one that made all that bright blue twinkle and added a shadow to that hint of a cleft in his chin. “That sounds more like Big Jack,” she said. He’d just been making it clear he wanted Cooper’s head back in the game. She wondered if Big Jack was shocked when his oldest son had taken him up on the offer. Probably, she thought, a smile hovering again as she imagined the look on his broad, still handsome, craggy face. “He also said, ‘And, if what matters happens to be about yay high”--Cooper lifted the palm of his hand level with the top of Kerry’s head--“‘with firecracker hair and a temperament to match, well, you’d best be bringing her back along with you.’” “He did not say that,” Kerry declared, even as she knew damn well he probably had. She could hear him, see his own crinkled-at-the-corners, twinkle-eyed gaze. Now it was Cooper’s turn to shrug. “He’ll be deeply disappointed when I come back empty-handed.” He lifted his palms. “But what’s a bloke to do?” She swatted his shoulder, only it might have been a little more like a punch. “Don’t you dare try to emotionally blackmail me or make me feel bad about this. I didn’t ask you to fly halfway around the globe and could have saved you the trouble if you’d given me so much as a hint what you were thinking. Besides, you don’t want me--or anyone else--on the station who doesn’t want to be there. Who doesn’t feel the same as you.” His smile stayed, but the look in his eyes was nothing short of the fierce gaze of a man who pushed himself to the limits of his ability every single day and wasn’t the least bit afraid of a challenge. “My mistake, then.” Kerry tried to hold his gaze but ended up ducking her chin. “You never so much as hinted--” “Starfish--” Her head shot up, but the automatic rejection of the nickname died on her lips at the look on his face, in his eyes. “Nothing ever happened.” Only because you didn’t let it happen, her little voice supplied. She tried desperately to ignore that part. “As you said, you weren’t staying. We all knew that.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
True to Me” Out on the edge of the great unknown, Where the wild winds of freedom have blown, There's a voice that whispers deep inside, "Don't be afraid to take that ride." Be yourself, let your heart be your guide, Stand tall, with nothing to hide. You've got to be sure, in your own skin, Don't worry 'bout the outside, it's the inside that wins. In the mirror, see your true reflection, Not just a shadow of others' perceptions. Wear your colors, bold and bright, Be a beacon in the dark of night. 'Cause the world will talk, and the world will spin, But the only voice that matters is the one within. So hold your head high, and let them see, What it means to live, truly free. (Chorus) Be yourself, let your heart be your guide, Stand tall, with nothing to hide. You've got to be sure, in your own skin, Don't worry 'bout the outside, it's the inside that wins. So don't be afraid, to be who you are, Shine like the sun, be your own star. For in the end, when all is done, It's your life to live, you're the only one.
James Hilton-Cowboy
True to Me” Out on the edge of the great unknown, Where the wild winds of freedom have blown, There's a voice that whispers deep inside, "Don't be afraid to take that ride." Be yourself, let your heart be your guide, Stand tall, with nothing to hide. You've got to be sure, in your own skin, Don't worry 'bout the outside, it's the inside that wins. In the mirror, see your true reflection, Not just a shadow of others' perceptions. Wear your colors, bold and bright, Be a beacon in the dark of night. 'Cause the world will talk, and the world will spin, But the only voice that matters is the one within. So hold your head high, and let them see, What it means to live, truly free. Be yourself, let your heart be your guide, Stand tall, with nothing to hide. You've got to be sure, in your own skin, Don't worry 'bout the outside, it's the inside that wins. So don't be afraid, to be who you are, Shine like the sun, be your own star. For in the end, when all is done, It's your life to live, you're the only one.
James Hilton-Cowboy
And I hate him because he's a fool and a coward and he tries to steal my wives." Those last words were so unexpected that I laughed. Then Ignifex raised an eyebrow and I realized that he was serious, at least as much as he ever was. "What? Don't tell me he hasn't kissed you yet. You're no Helen or Aphrodite, but you aren't plain." I remembered last night and my face went hot. Sure he could see the truth on my face, I blurted the first thing that came into my mind. "And you would know so much about women, locked up in your castle." "Locked up with eight wives. And sometimes I make house calls for my bargainers. There's many a lovely woman desperate enough to bargain with me." This idea had never occurred to me before. "You touch another woman and I'll cut your hands off," I snapped. He looked delighted. "I thought you were afraid of hurting me." There was nothing I could say without making it worse, so I glared at him until he laughed and said, "I've never struck that kind of bargain. Though it's nice to know you're jealous." I crossed my arms. The key hidden in the front of my dress dug into my skin, reminding me I was here for more than bickering. "How is Shade a coward?" I asked. "Now I'm jealous." "Don't worry, you're still the only one I want to kill. Why do you call him a fool and a coward if he's never been anything but your obedient shadow?" "He's plenty disobedient. Do you think I tell him to go around kissing my wives?" He caught at my chin. "They say that if you want a thing done well--" I slapped his hand away. "If he's just your shadow, isn't it ridiculous to compete with him? And how do you know he's a coward?" Ignifex's eyes widened a fraction. "He's a coward and a fool," he repeated distantly, as if he had learnt the words by rote. Then his gaze snapped back to me. "Why shouldn't I know my own shadow?" "He got better than you at kissing somehow," I said. "Don't you ever wonder how?
Rosamund Hodge (Cruel Beauty)
It was tough. I was trying to walk away from guilt and shame, and it wasn’t easy: guilt and shame had more guns than I did. But fear lies, hiding self-disgust in self-justification, and sometimes you don’t know how afraid you were, until you leave all your fearful friends. I felt things that I’d justified and rationalised for too long fall like leaves, washed from my body by a waterfall. Alone is a current in truth’s river, like togetherness. Alone has its own fidelity. But when you navigate that closer view of the shore, it often seems that the faith you have in yourself is all the faith there is. I took a deep breath, put my heart in the decision, and made a mental note to clean and load my gun.
Gregory David Roberts (The Mountain Shadow)
God is your Shepherd; he provides what you need. He invites you to lie down in green pastures. He leads you beside quiet waters. He restores your soul. He leads you in paths of righteousness for the sake of his own name. Even when you walk through the valley of the shadow of death, you don’t have to be afraid. He will provide comfort. He prepares a table for you and takes care of you, even when your enemies surround you. He anoints your head with oil and overflows your cup. He is good. He is loving. And he invites you to dwell in his house forever (Ps. 23).
Emily P. Freeman (The Next Right Thing: A Simple, Soulful Practice for Making Life Decisions)