Tone And Mood Quotes

People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.

A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. And as a day changes so do its subjects, bugs and birds, cates, dogs, butterflies and people.

The abuser’s mood changes are especially perplexing. He can be a different person from day to day, or even from hour to hour. At times he is aggressive and intimidating, his tone harsh, insults spewing from his mouth, ridicule dripping from him like oil from a drum. When he’s in this mode, nothing she says seems to have any impact on him, except to make him even angrier. Her side of the argument counts for nothing in his eyes, and everything is her fault. He twists her words around so that she always ends up on the defensive. As so many partners of my clients have said to me, “I just can’t seem to do anything right.” At other moments, he sounds wounded and lost, hungering for love and for someone to take care of him. When this side of him emerges, he appears open and ready to heal. He seems to let down his guard, his hard exterior softens, and he may take on the quality of a hurt child, difficult and frustrating but lovable. Looking at him in this deflated state, his partner has trouble imagining that the abuser inside of him will ever be back. The beast that takes him over at other times looks completely unrelated to the tender person she now sees. Sooner or later, though, the shadow comes back over him, as if it had a life of its own. Weeks of peace may go by, but eventually she finds herself under assault once again. Then her head spins with the arduous effort of untangling the many threads of his character, until she begins to wonder whether she is the one whose head isn’t quite right.

Your Monday morning thoughts set the tone for your whole week. See yourself getting stronger, and living a fulfilling, happier & healthier life.

Do not blame my tone of voice, my lack of patience, or my bad mood on PMS. It's not my period that's my problem.

Er," Oliver said. "He talks even less than the one Lily married," the crone remarked to Walter. "Though when the mood strikes him, he asks just as many questions as Galem." "I'm sorry," Oliver said weakly. The old woman nodded. "You are forgiven," she pronounced in a queenly tones.

In winter. At the very beginning winter.

You mean the Prophet won’t print it because Fudge won’t let them,” said Hermione irritably. Rita gave Hermione a long, hard look. Then, leaning forward across the table toward her, she said in a businesslike tone, “All right, Fudge is leaning on the Prophet, but it comes to the same thing. They won’t print a story that shows Harry in a good light. Nobody wants to read it. It’s against the public mood. This last Azkaban breakout has got people quite worried enough. People just don’t want to believe You-Know-Who’s back.” “So the Daily Prophet exists to tell people what they want to hear, does it?” said Hermione scathingly. Rita sat up straight again, her eyebrows raised, and drained her glass of firewhisky. “The Prophet exists to sell itself, you silly girl,” she said coldly.

Music is my one necessary tool. I put on music that fits the mood of what I'm writing, to help me stay in the zone and get the emotional tone right.

I'm never one, distinct color but a dichotomy of dark and bright. The hues follow me, reflecting my mood, displaying every tone and shade I feel. I can breathe in red and exhale blue, or swim in green and dry as a rainbow. It all depends on how I choose to react to every shadow and light beam headed my way.

So often, children are punished for being human. Children are not allowed to have grumpy moods, bad days, disrespectful tones, or bad attitudes, yet we adults have them all the time! We think if we don't nip it in the bud, it will escalate and we will lose control. Let go of that unfounded fear and give your child permission to be human. We all have days like that. None of us are perfect, and we must stop holding our children to a higher standard of perfection than we can attain ourselves. All of the punishments you could throw at them will not stamp out their humanity, for to err is human, and we all do it sometimes.

For the soul, depression is an initiation, a rite of passage. If we think that depression, so empty and dull, is void of imagination, we may overlook its initiatory aspects. We may be imagining imagination itself from a point of view foreign to Saturn; emptiness can be rife with feeling-tone, images of catharsis, and emotions of regret and loss. As a shade of mood, gray can be as interesting and as variegated as it is in black-and-white photography. If

The person who waits upon moods in impoverished. If the painter only wanted to paint when in the mood for it, he would not get very far. In religion, as in art and science, along with the times of high excitement, there are times of sober work and practice. We must practice our communion with God, otherwise we will not find the right tone, the right word, the right language, when God surprises us with his presence.

Well … damn. You’re obviously in a mood.” “Am I?” There was danger in her tone. “Am I really? Why should that be exceptional? A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command the world mutters darkly about her moods.

In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.

My job is not to sell the books - my father does that - but to look after them. Every so often I take out a volume and read a page or two. After all, reading is looking after in a manner of speaking. Though they're not old enough to be valuable for their age alone, nor improtant enough to be sought after by collectors, my charges are dear to me, even as often as not, they are as dull on the inside as on the outside. No matter how banal the contents, there is always something that touches me. For someone now dead once thought these words significant enough to write them down. People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the boooks they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so. For it must be very lonely being dead.

A shrug. “I wasn’t sent to you until now.” “Are you serious?” Incredulity sharpened my tone. “Is your boss in a bad mood, or does he suffer from time-delay up there?

When I’m happy or sad or mad, anything, music is what I seek. I relate life to lyrics, tone to mood.

It would be wholly impossible for me to say whether this cloudy, silently disturbed, unraveled sky is mirrored in my soul or the reverse, whether or not I read the image of my own inner life in this sky. Sometimes everything is so completely uncertain! There are days when I am convinced that no man on earth can recognize certain moods of air and cloud, certain tones of color, certain fragrances and movements of moisture as finely, as exactly, and as truly as I can, with my old, nervous sense of poet and wanderer. And then again, as today, it can be doubtful to me whether I have seen, heard, and smelled anything after all, whether everything that I took to be true is not merely an image cast outward, the image of my inner life.

No, you don’t get to touch yourself in my car.” “Why not?” It wasn’t a whine, it wasn’t. My voice was too deep to whine. It was more of a… whoan. Or something. I couldn’t think. “Three reasons. One, I don’t want to get into an accident trying to keep my eyes on you. Two, if I got into an accident, or if we were pulled over for indecent exposure, the mood killing would be the least of our problems. Three,” and here it was, the tone I loved, that I could barely wait for even though I knew I wasn’t going to like what he had to say, “for the rest of the night, that’s mine. Don’t touch it.

All medieval and classic cultures of the ancient world, including those on which Tolkien modeled his elves, routinely exposed their young and marriageable women to the fortunes of war, because bearing and raising the next generation of warriors is not needed for equality-loving elves. Equality-loving elves. Who are monarchists. With a class system. Of ranks. Battles are more fun when attractive young women are dismembered and desecrated by goblins! I believe that this is one point where C.S. Lewis, J.R.R. Tolkien, and all Christian fantasy writers from before World War Two were completely agreed upon, and it is a point necessary in order correctly to capture the mood and tone and nuance of the medieval romances or Norse sagas such writers were straining their every artistic nerve and sinew to create. So, wait, we have an ancient and ageless society of elves where the virgin maidens go off to war, but these same virgin maidens must abide by the decision of their father or liege lord for permission to marry? -- The Desolation of Tolkien

Am I the cause of all your tears?” Dallin asked in a deceptively soft tone. “Yes,” Lacey whispered honestly, glancing up at him to try and gauge what type of mood he was in this morning. His face, as usual, gave nothing away. “Then I would not have you wipe them away. The tears that are streaming down your cheeks belong to me.

People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.

God created a woman to be the keeper of her home. She sets the tone, and where her mind and heart goes, her home and marriage tend to follow.

An Earthlike organ keyboard sits in the center of my area, oriented such that the operator faces the kids. The organ has quite a few more options than a typical keyboard found on Earth. I can apply inflection, tone, mood, and all the other little intricacies of spoken language. I settle into the comfortable chair, crack my knuckles, and start the class. “All right, all right,” I play. “Everyone settle down and get in your seats.” They scamper to their assigned desks and sit quietly, ready for the lesson to begin. “Who here can tell me the speed of light?” Twelve kids raise their claws.

Literary works are pieces of rhetoric as well as reports. They demand a peculiarly vigilant kind of reading, one which is alert to tone, mood, pace, genre, syntax, grammar, texture, rhythm, narrative structure, punctuation, ambiguity – in fact to everything that comes under the heading of ‘form’.

Hi. You’ve reached the residence of Theo and Wills. We can’t take your call right now because we’re in bed, having wild monkey sex, so you’d better not be thinking of coming by to rob us. We’d be in a really bad mood, and Wills would have to hurt you. So anyway, leave a message at the tone, and we’ll get back to you.

So what if sometimes Sam was an emotional exhibitionist, going up and down all the time? She could be a storm. But she could be a soft candle lighting up a dark room. So what if she made me a little crazy? All of it—​all her emotional stuff, her ever-changing moods and tones of voice—​it made her seem so incredibly alive.

Oh, wow. Thank you.” She smiled. “Now I’m actually a bit sorry that I can’t have you on my dissertation committee. Perhaps rumors of your cruelty have been greatly exaggerated.” His mouth twitched. “Maybe you just pull out the best in me?” She grinned. “Then maybe I should stick around. Just, you know, to save the department from your terrible moods?” He glanced at the picture of the failed Western blot in her hand. “Well, it doesn’t look like you’re going to graduate anytime soon.” She half laughed, half gasped. “Oh my God. Did you just—?” “Objectively—” “This is the rudest, meanest thing—” She was laughing. Holding her stomach as she waved her finger at him. “—based on your blotting—” “—that anyone could ever say to a Ph.D. student. Ever.” “I think I can find meaner things. If I really put myself to it.” “We’re done.” She wished she weren’t smiling. Then maybe he’d take her seriously instead of just looking at her with that patient, amused expression. “Seriously. It was nice while it lasted.” She made to stand and leave indignantly, but he grabbed the sleeve of her shirt and gently tugged at it until she was sitting down again, next to him on the narrow couch—maybe even a little closer than before. She continued glaring, but he regarded her blandly, clearly unperturbed. “There’s nothing bad about taking more than five years to graduate,” he offered in a conciliatory tone. Olive huffed. “You just want me to stay around forever. Until you have the biggest, fattest, strongest Title IX case to ever exist.

There is a certain degree and tone of light which tends to disturb the equilibrium of the senses, and to promote dangerously the tenderer moods; added to movement, it drives the emotions to rankness, the reason becoming sleepy and unperceiving in inverse proportion; and this light fell now upon these two from the disc of the moon. All the dancing girls felt the symptoms, but Eustacia most of all.

Happiness is a frame of mind. It is a state of thinking. It is an attitude, a headset, a mentality. Happiness is a disposition and demeanor. It is a mood and sensibility. It is a philosophy, a notion, a tone, an outlook and perspective. Happiness is all of these things, none of which exist separate from me. They cannot be extracted or stolen because they constitute my very being. Therefore, happiness must be the natural essence of me.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia--a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity.

TECHNIQUE #10 MAKE A MOOD MATCH Before opening your mouth, take a "voice sample" of your listener to detect his or her state of mind. Take a "psychic photograph" of the expression to see if your listener looks buoyant, bored, or blitzed. If you ever want to bring people around to your thoughts, you must match their mood and voice tone, if only for a moment.

When those fault lines inside of us quake on account of all that is built up and unkempt between two people in love—on account of perceptiveness and wariness resembling in tone.

Emotions are also contagious. Seeing someone else sad, afraid, disgusted, or angry can cause you to experience these same emotions in your own body. This explains why someone else’s tone of voice, their shift in energy, their bad mood, and their body language can immediately trigger you to feel on edge. And one more thing to understand is that whenever you or another person are hungry, or tired, or stressed-out, or under the influence, or lonely, or angry, or hurt, you’ll be even more emotional. I say this because whenever I do or say something I later regret, there is usually stress, alcohol, or hunger involved. Knowing all this helps me to make the changes to better manage my emotions and helps me stay in control of what I say, do, and think.

The first conversation began awkwardly, although Espinoza had been expecting Pelletier's call, as if both men found it difficult to say what sooner or later the would have to say. The first twenty minutes were tragic in tone, with the word fate used ten times and the word friendship twenty-four times. Liz Norton's name was spoken fifty times, nine of them in vain. The word Paris was said seven times, Madrid, eight. The word love was spoken twice, once by each man. The word horror was spoken six times and the word happiness once (by Espinoza). The word solution was said twelve times. The word solipsism seven times. The world euphemism ten times. The word category, in the singular and the plural, nine times. The word structuralism once (Pelletier). The term American literature three times. The words dinner or eating or breakfast or sandwich nineteen times. The words eyes or hands or hair fourteen times. The the conversation proceeded more smoothly.

It is a humiliating confession, but we are all of us made out of the same stuff. In Falstaff there is something of Hamlet, in Hamlet there is not a little of Falstaff. The fat knight has his moods of melancholy, and the young prince his moments of coarse humour. Where we differ from each other is purely in accidentals: in dress, manner, tone of voice, religious opinions, personal appearance, tricks of habit and the like. The more one analyses people, the more all reasons for analysis disappear. Sooner or later one comes to that dreadful universal thing called human nature.

There was danger in her tone. “Am I really? Why should that be exceptional? A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command the world mutters darkly about her moods.

Thank you for the improvements you made... the lock and hinges... and the lion's-head knocker. I like it very much." Ethan's voice was soft. "Did you like the violets?" She hesitated before shaking her head. "No?" he asked, more softly still. "Why not?" "They reminded me that I might never see you again." "After tonight, you probably won't." "You say that every time we meet. However, you keep popping up like a jack-in-the-box, which has made me increasingly skeptical." Garrett paused before adding in an abashed tone, "And hopeful." His gaze caressed her face. "Garrett Gibson... as long as I'm on this earth, I'll want to be wherever you are." She couldn't help smiling ruefully. "You're the only one who does. I've been in a foul mood for the past two weeks. I've offended nearly everyone I know, and frightened off one or two of my patients." His voice was dark velvet. "You needed me there to sweeten your temper." Garrett couldn't bring herself to look at him as she admitted huskily, "Yes.

Mood isn't a particular thought or a particular part of the brain, nor in a particular part of the body, such as a foot or an ear, it is everywhere, but nothing in itself, more like a colour in which thoughts are thought, a colour through which the world is seen.

I put music on in the morning, just that it sets the tone for the rest of the day. It’s very simple but also sort of complicated to explain: I believe that we can choose our moods: because we are aware that there are several mood-strata and we have the means to gain access to them. For example, to write a profound thought, I have to put myself onto a very special stratum, otherwise the ideas and words just don’t come. I have to forget myself and at the same time be superconcentrated. But it’s not a question of “the will,” it’s a mechanism I can set in motion or not, like scratching my nose or doing a backward roll. And to activate the mechanism there’s nothing better than a little music. For example, to relax, I put on something that takes me into a sort of faraway mood, where things can’t really reach me, where I can look at them as if I were watching a film: a “detached” stratum of consciousness. In general, for that particular stratum, I resort to jazz or, more effective overall but longer to take effect: Dire Straits (long live my mp3 player).

I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.

Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.” “Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.” Chase’s smile was crooked as he acknowledged the praise with a short nod. Dante cleared his throat. “And about that offer of help . . .” “Name it.” “Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.” “You want me to go retrieve a wayward canine, is that where this is heading?” “Well, you did say anything, didn’t you?” “So I did.” Chase chuckled. “All right. I will.” Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.” “Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.” Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.” “Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?” “Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.” “Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?” “Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?” Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.

if you want to set the tone or mood, make sure you get some of the first words in. Think about it, which meeting would you prefer to attend? One that starts with “Let’s get going because we have so much to do today and a lot of fires to put out” or one that starts with “I’m happy to see you all today—it’s great that we have such a strong team working on these exciting new projects”? Same reality but a very different outlook. Then sit back and watch how people’s engagement and motivation improve in response to your power lead. It’s one of the most effective tools in this book.

There’s nothing terribly original about the fact that I put music on in the morning, just that it sets the tone for the rest of the day. It’s very simple but also sort of complicated to explain: I believe that we can choose our moods: because we are aware that there are several mood-strata and we have the means to gain access to them.

I’m not sure what you want, Piper. Do you want me to send money? Would that help?” Curtiss asked. “He’s not like an abandoned pet, Curtiss. God! He’s your father and you could come up and help me out. That would be helpful.” I was angry with him. I felt like once again he had walked away from me and left me at a critical time. When I was a junior in high school, Curtiss went away to college and left me alone to navigate life with my father, and for those two years I held a vicious grudge. Curtiss left me alone to battle my father’s moods, alone to absorb Curtiss’s portion of his criticisms, alone to protect my mother from his cruel tone and even crueler periods of silence. Curtiss visited home rarely, but when he did I made sure that he could feel my wrath underneath my layers of friendly conversation. Finally, when he returned for my own high school graduation, he addressed my years of quiet fury. “Piper, you just don’t know how it is. It’s not like this in other families. It’s different when you get out into the world.

What happens when that recently triggered mood lingers? You’ve been in a bit of a funk since that day, and now you look around the room during a staff meeting and all you think of is that this person’s tie is hideous, and the nasally tone of your boss is worse than nails on a chalkboard. At this point, you’re not just in a mood. You’re reflecting a temperament, a tendency toward the habitual expression of an emotion through certain behaviors. A temperament is an emotional reaction with a refractory period that lasts from weeks to months. Eventually, if you keep the refractory period of an emotion going for months and years, that tendency turns into a personality trait. At that point others will describe you as “bitter” or “resentful” or “angry” or “judgmental.” Our personality traits, then, are frequently based in our past emotions. Most of the time, personality (how we think, act, and feel) is anchored in the past. So to change our personalities, we have to change the emotions that we memorize. We have to move out of the past.

You feel like a leaf at the mercy of the wind, don’t you?” he finally said, staring at me. That was exactly the way I felt. He seemed to empathize with me. He said that my mood reminded him of a song and began to sing in a low tone; his singing voice was very pleasing and the lyrics carried me away: “I’m so far away from the sky where I was born. Immense nostalgia invades my thoughts. Now that I am so alone and sad like a leaf in the wind, sometimes I want to weep, sometimes I want to laugh with longing.” (Que lejos estoy del cielo donde he nacido. Immensa nostalgia invade mi pensamiento. Ahora que estoy tan solo y triste cual hoja al viento, quisiera llorar, quisiera reir de sentimiento.) We did not speak for a long while. He finally broke the silence. “Since the day you were born, one way or another, someone has been doing something to you,” he said. “That’s correct,” I said. “And they have been doing something to you against your will.” “True.” “And by now you’re helpless, like a leaf in the wind.” “That’s correct. That’s the way it is.” I said that the circumstances of my life had sometimes been devastating. He listened attentively but I could not figure out whether he was just being agreeable or genuinely concerned until I noticed that he was trying to hide a smile. “No matter how much you like to feel sorry for yourself, you have to change that,” he said in a soft tone. “It doesn’t jibe with the life of a warrior.

about shape and style. A new era truly has dawned, was the feeling those cars gave you. At some point in that decade, American society changed abruptly in tone and mentality. Instead of being preoccupied above all with survival, it became a consumer society. A world of toil was transformed into a world of enjoyment. Domestic interiors were still full of things from the 1930s and 1940s, but amid the brown furniture and crocheted rugs a different lifestyle was emerging, with all the features of the old austerity but a cheerful sense of amazement as well. ‘What sort of fairyland is this we suddenly find ourselves in?’ was the general mood. These were the years of what became known as the ‘baby boom’. The birth rate shot up by

cross my mind,” Marshall replies with a tone, still cold toward him. Mom tries to salvage the mood. “I think it’s wonderful! You make a charming couple. I wish you both the best.” My dad gives her a side-glance, which she ignores. Olivia stands there, an angry expression on her usually pretty face. She’s glaring at me with such rage and gives Hunt a confused, wounded

Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive to us—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy? To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. —Walter Pater, Studies in the History of the Renaissance (1873)

Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?

Kindness can take on many forms. For example, when communicating, your tone may speak more about you than your words. Have you ever been scolded by a superior, who used firm words but a kind tone? Conversely, have you ever been ridiculed by someone who may have used appropriate language but whose tone was demeaning and discouraging? Choosing to speak in a kind tone has the power to turn away wrath, change a mood, even transform a relationship.

There is no place in the service of worship where vanity and bad taste can so intrude as in the singing. There is, first, the improvised second part which one hears almost everywhere. It attempts to give the necessary background, the missing fullness to the soaring unison tone, and thus kills both the words and the tone. There is the bass or the alto who must call everybody’s attention to his astonishing range and therefore sings every hymn an octave lower. There is the solo voice that goes swaggering, swelling, blaring and tremulant from a full chest and drowns out everything else to the glory of its own fine organ. There are the less dangerous foes of congregational singing, the ‘unmusical’ who cannot sing, of whom there are far fewer than we are led to believe, and finally, there are often those also who because of some mood will not join in the singing and thus disturb the fellowship.

In Mattersight systems your call is routed by a clever algorithm. You first state your reason for calling. The algorithm listens to your problem, analyses the words you have used and your tone of voice, and deduces not only your present emotional state but also your personality type – whether you are introverted, extroverted, rebellious or dependent. Based on this information, the algorithm forwards your call to the representative who best matches your mood and personality.

struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let’s tone it down. You will find society asking you for the happy ending,

We find this more cosmic aspect of the Marian archetype expressed in the person of Galadriel’s own heavenly patroness, Elbereth, Queen of the Stars, who plays the role in Tolkien’s legendarium of transmitting light from the heavenly places. It is to Elbereth that the Elves sing their moving invocation: O Elbereth! Gilthoniel! We still remember, we who dwell In this far land beneath the trees, Thy Starlight on the Western seas. Tolkien would have been familiar from his childhood with one of the most popular Catholic hymns to the Virgin Mary, the tone and mood of which are markedly close to that of Tolkien’s to Elbereth (see L 213): Hail, Queen of Heaven, the ocean star, Guide of the wand’rer here below: Thrown on life’s surge, we claim thy care— Save us from peril and from woe. Mother of Christ, star of the sea, Pray for the wanderer, pray for me. Starlight on the sea: for Tolkien a particularly evocative combination, as we have seen. Light shining in darkness, representing the life, grace, and creative action of God, is the heart of Tolkien’s writing.

What happened?" Della asked. Kylie pulled her eyes away from the woods. "Nothing." Della tilted her head to the side, as if listening to Kylie's heart, listening for signs of deception. Della rolled her eyes. "Liar. Liar. Pants on fire." Kylie groaned. "Fine. I'm lying. And if I were wearing pants, they'd combust and burn my ass." "Wow. You are in such a lovely mood. What took a bite out of your attitude?" "You did." Kylie flinched at the sound of her sharp tone. Della grinned as if enjoying Kylie's anger. Kylie started walking.

I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.” Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?” Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration. “So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?” “Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“ Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“ Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.” “And what,” Sutherland gritted, “do you claim is the reason you decided you ought?” “I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.” “Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.

Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.

The beauty of theatre was that it was a moving, changing art form—only those who watch the same performance night in after night out see the real naturalistic drama at work—the small changes, adjustments, changes in articulation or intonation, the addition of a cough or hiccup, a longer pause rife with more (or less) meaning, the character’s movement across the stage a step slower, a step closer to the audience, the change of a word here and there, an overall change in mood and tone, the actors becoming (or not) the characters more fully, blending in with them, losing themselves in the lines, in the characterizations, in a drama that is simultaneously unfolding and becoming more and more verisimilitudinous as time marches on. This is the real narrative—while the character changes on stage in an instant, the play changes slowly, unnoticeably (unnoticeable to those closest to it perhaps), like the face of a man in his thirties, like his beliefs about life, his motives, all slowly as if duplicating itself day by day, filling itself and becoming more and more itself, the rehearsal of Self, the dress rehearsal of Self, the performance of Self, the extended performance of Self, the encore…—it appears to be the same show, played over and over again with the same details to different crowds, and yet something happens. Something changes. It is not the same show.

People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humour, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.

You remember the Latin?" "Of course. Vir prudens non contra ventum mingit." I couldn't see his face. Cease of the hood, but it could tell by the tone of his voice that he was completely serious. Or at least trying to be. I wrinkled my forehead as I attempted to translate. "Wait a second," Seth said, pulling back his hood to demonstrate his utter confusion. "I thought their greeting was Non ducor, duco. 'I am not led, I lead.'" Liam's shoulders began shaking just as I finished my rough translation. "A wise man does not urinate against the wind?" I pulled down my hood and looked at Liam. He winked at me, and it was pretty much the most beautiful thing I'd ever seen in my life. Normally, I'm very anti-wink when it comes to guys, but in this case it was a wink of absolution. It was a wink that meant Liam and I were actually going to be okay. "You've been planning that all night, haven't you?" I reached over and squeezed his arm. It was the first time I had touched him in at least twenty-four hours, and his strong forearm felt so good beneath my fingertips. When he grabbed my hand and quickly brought my palm to his lips, I felt all the air leave my body. As much as I hated to admit it, for fear of sounding like a ridiculous, boy-crazed damsel in distress, it felt good to have my boyfriend back. Taylor whipped back her hood, her blue eyes icy. "I'm so glad this is such a joke to you," she spat, clearly not in the mood for games. Liam dropped my hand and sat up a little straiter. "Sorry T., I've got it non ducor, duco. Don't worry.

Toraf is one of the best Trackers in Syrena history. His ability to sense others of his kind is acute, but more than that, he can home in on any one of them. He recognizes not only the presence of another Syrena, but after spending minimal time with them, can identify each one individually and from impossible distances. And the one he's most sensitive to is staring in an unhealthy way at a fillet knife across the counter. "Rayna, your mate has come all this way to see you. You're being rude. Why don't you step away from the counter? Now?" Galen says, his tone hedged in warning. He's not in the mood to fight with either one of them. If Rayna makes a move, he'll be forced to subdue her. If he handles her too roughly, Toraf will take exception and handle him roughly. And besides, he's hungry and the fillets are almost cool enough to eat. Rayna pushes back and whirls around. "He is not my mate." Toraf clears his throat. Galen's eyes go wide, but Toraf cuts him a warning look, shakes his head almost indiscernibly. "I was hoping your feelings would have changed by now, my princess. You know you won't find anyone else who would be more devoted to you than me. I've followed you around since you couldn't even swim straight," Toraf says. Although the words are tossed to her lightheartedly, Galen knows he means every one of them. "Which is why I trusted you," Rayna snarls. "You knew me better than Galen. You know I never wanted to mate. You let me think you agreed with my decision. But all that time, you were planning to take away my freedom yourself." "Wow, shame on you Toraf," Rachel calls from the sink. "Anyone hungry?" "Starving," Galan and Toraf say. Rayna rolls her eyes and stomps to the table.

What are your terms?” he asked, and he made a final effort to tip the balance of power into her hands and out of his by adding, “I’m scarcely in a position to argue.” Elizabeth hesitated and then slowly began stating her terms: “I want to be allowed to look after Havenhurst without interference or criticism.” “Done,” he agreed with alacrity while relief and delight built apace in him. “And I’d like a stipulated amount set aside for that and given to me once each year. In return, the estate, once I’ve arranged for irrigation, will repay your loan with interest.” “Agreed,” Ian said smoothly. Elizabeth hesitated, wondering if he could afford it, half-embarrassed that she’d mentioned it without knowing more about his circumstances. He’d said last night that he’d accepted the title but nothing else. “In return,” she amended fairly, “I will endeavor to keep costs at an absolute minimum.” He grinned. “Never vacillate when you’ve already stipulated your terms and won a concession-it gives your opponent a subtle advantage in the next round.” Elizabeth’s eyes narrowed suspiciously; he was agreeing to everything, and much too easily. “And I think,” she announced decisively, “I want all this written down, witnessed, and made part of the original agreement.” Ian’s eyes widened, a wry, admiring smile tugging at his lips as he nodded his consent. There was a roomful of witnesses in the next room, including her uncle, who’d signed the original agreement, and a vicar who could witness it. He decided it was wise to proceed now, when she was in the mood, rather than scruple over who knew about it. “With you as a partner a few years ago,” he joked as he guided her from the room, “God knows how far I might have gone.” Despite his tone and the fact that he’d been on her side during the negotiations, he was nevertheless impressed with the sheer daring of her requests.

The case of a patient with dissociative identity disorder follows: Cindy, a 24-year-old woman, was transferred to the psychiatry service to facilitate community placement. Over the years, she had received many different diagnoses, including schizophrenia, borderline personality disorder, schizoaffective disorder, and bipolar disorder. Dissociative identity disorder was her current diagnosis. Cindy had been well until 3 years before admission, when she developed depression, "voices," multiple somatic complaints, periods of amnesia, and wrist cutting. Her family and friends considered her a pathological liar because she would do or say things that she would later deny. Chronic depression and recurrent suicidal behavior led to frequent hospitalizations. Cindy had trials of antipsychotics, antidepressants, mood stabilizers, and anxiolytics, all without benefit. Her condition continued to worsen. Cindy was a petite, neatly groomed woman who cooperated well with the treatment team. She reported having nine distinct alters that ranged in age from 2 to 48 years; two were masculine. Cindy’s main concern was her inability to control the switches among her alters, which made her feel out of control. She reported having been sexually abused by her father as a child and described visual hallucinations of him threatening her with a knife. We were unable to confirm the history of sexual abuse but thought it likely, based on what we knew of her chaotic early home life. Nursing staff observed several episodes in which Cindy switched to a troublesome alter. Her voice would change in inflection and tone, becoming childlike as ]oy, an 8-year-old alter, took control. Arrangements were made for individual psychotherapy and Cindy was discharged. At a follow-up 3 years later, Cindy still had many alters but was functioning better, had fewer switches, and lived independently. She continued to see a therapist weekly and hoped to one day integrate her many alters.

So what do you guys want to do first?” Claire asked excitedly from the backseat. “Oh my God, Claire. I don’t know, but maybe you should ask us again in five minutes. We haven’t had enough time to think about it since the last time you asked.” Chelsea’s mood had gone downhill quickly during the car ride into the mountains, and she had lost her patience for everyone-including Claire-who was usually safe from her temper. “Effin’-A, Chels, I was just asking.” Claire’s lips drew together tightly as she crossed her arms in front of her. It was as close to swearing as Claire ever got. Claire must have really been tired of Chelsea’s snippy tone. Chelsea didn’t apologize; instead she closed her eyes and took another deep breath, leaning her head back against her seat. “Do you want me to pull over again?” Jay asked, glancing anxiously at Chelsea in his rearview mirror. He shot a nervous look at Violet, and Violet knew exactly what he was thinking. He didn’t want Chelsea to puke…in his car. Chelsea sighed with annoyance. “Why, Jay? So I can walk around in the cold again, talking about how fucking-yeah, that’s right, Claire, I said fucking-sick I feel? No, thank you. Just keep driving. The sooner we get there, the sooner I get out of this hellhole.” “No offense taken. Right, Jay?” Mike laughed, hitting Jay’s headrest playfully. Apparently he thought he was safe from Chelsea’s caustic remarks. He wasn’t. “That’s too bad,” Chelsea shot back without opening her eyes. “Maybe someone should take offense. Maybe it’s not the car making me sick, maybe it’s the driving.” Violet started to laugh but caught herself, just barely, in time to stop the sound from actually escaping her lips. She covered her mouth with her hand so that only those with their eyes open could see her. Ha-ha, Jay mouthed, when she glanced sideways in his direction, making it even harder to contain herself. Sorry, she mouthed back to him, when she finally felt like she had enough control not to laugh.

As she walked through the throngs of people, it was the first time at a charity event that she didn’t stop to meet and greet handfuls of people as she walked by. At any event, really. After all, that was their purpose.Well, networking was her purpose for attending.But now that she had a bit of space, she was just replaying the last half hour in her head, and it all left her with such a sour taste in the back of her mouth.Rather than the smile she typically fixed on, even in a bad mood, she was scowling by the time she reached Dean.“You look like you’re in a delightful mood.” He took a sip of the drink in his hand, pausing for a moment before he wondered aloud, “Here I thought you were on some sort of urgent covert mission, yet instead I find you slinking back in here looking all flushed with Sutton Spencer.”She didn’t need to see him to know that he was winking; his tone said it all.She shoved his shoulder. Harder than she’d originally intended, but she couldn’t control the frustration that was still bottled up. “Like I would do that here.” She didn’t say anything about whether or not she would do it with Sutton, because Dean might have been gay, but he was her friend; he knew her, and he had eyes.

Captain! Firing at us! We are in forbidden territory.” Forbidden, that is, by our own people. A rectangle in which our own people fired on any plane, friend or enemy. We had orders to fly round it, but the Group never bothered to observe these traffic regulations. Well, it was Dutertre who set the course, not I. Nobody could blame me. “Firing hard?” “Doing as well as they can.” “Want to go back and round?” “Oh, no.” His tone was matter-of-fact. We had been through our storm. For men like us, this anti-aircraft fire was a mere April shower. Still.... “Dutertre, wouldn’t it be silly to be brought down by our own guns?” “They won’t bring anything down. Just giving themselves a little exercise.” Dutertre was in a sarcastic mood. Not I. I was happy. I was impatient to be back with the Group again. “They are, for a fact. Firing like....” The gunner! Come to, has he? This is the first time on board that he has opened his mouth without being spoken to. He took in the whole jaunt without feeling the need of speech. Unless that was he who muttered “Boy! oh, boy!” when the shells were thickest. But you wouldn’t call that blabbing, exactly. He spoke now because machine guns are his specialty—and how can you keep a specialist quiet about his specialty?

And thus when by poetyr or wehn by music the most entrancing of the poetic moods we find ourselves melted into tears, we weep then not as the abbate gravina supposes through excess of pleasure but through a certain petulatn impatient sorrow at our inability to grasp no wholly here on earth at once and forever these divein and rapturous joys of which through the poem or through the music we attain to but brief and indeterminate glimpses. The struggle to apprehend the supernal loveliness this struggle on the part of souls fittingly constituted has given to the world all that which it (the world) has ever been enabled at once to understand and to feel as peotic whose distant footsteps echo down the corridors of time The impression left is one of pleasurable sadness. This certain taint of sadness is insperably connected with al the higher manifestations of true beauty . It is nevertheless. Beauty is the sole legitimate province of the poem. Melancholy is thus the most legitimate of all the poetical tones. The next desideratum was a pretext for the continous use of the one word nevermore.in observing the difficutly which i at once found in inventing a suffiecienly plausible reason for its continuous repetition i did not fail to preceive thta this difficutly arose solely form the pre assumption that the world was to be so continuously or monotonously spoke by a human being i did not fail to perceive in shor t that the difficulty lay in the reconciliation of this monotony with the exercise of reason on the part of the creature repeating the word here then immediately arose the idea of a non-reasoning creature capable of speech and very naturally a parrot in the first instance suggested itself but was superseded forthwith by a raven as equally capable of speech and infinitely more in keeping with the intended tone.“I had now gone so far as the conception of a Raven, the bird of ill-omen, monotonously repeating the one word "Nevermore" at the conclusion of each stanza in a poem of melancholy tone, and in length about one hundred lines. Now, never losing sight of the object _supremeness_ or perfection at all points, I asked myself--"Of all melancholy topics what, according to the _universal_ understanding of mankind, is the _most_ melancholy?" Death, was the obvious reply. "And when," I said, "is this most melancholy of topics most poetical?" From what I have already explained at some length, the answer here also is obvious--"When it most closely allies itself to _Beauty_; the death, then, of a beautiful woman is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.

Why did you cry off?” She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed. “How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun. She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.” Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off. When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it. “Who’s the other one?” Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired. Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!” “You spoiled my shot,” she countered. “Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement. “No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.” “He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.” “I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.” “He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.” It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!

Three years later he had another opportunity to see the little girl. Helmert had been tearing through the keep, bellowing like a mad bull as he searched for his sister. “Josephine , I swear I’ll rip yer head off when I find ye!” ’Twas eerily similar to Graeme’s first visit. Remembering his first encounter with the tree sprite, Graeme went in search of Josephine. The first place he looked was the auld oak tree, but she was not there. After a careful search out of doors, he went inside. She was not in the larder or the kitchen. It took more than half an hour before he finally located her in her father’s study, hiding under the large desk. Graeme crouched low so he could see her better. It didn’t appear she had grown much in three years, though she had lost the cherubic face. This time she wore a dark green dress and matching slippers. The last time he’d seen her, she’d been quite terrified of her brother. Now, she looked quite angry. “I’ll nae tell, Josephine,” he whispered, offering her a kind smile. A scrunched brow said she didn’t believe him. “Pray tell, what did ye hide this time?” he asked, hoping his amused tone would help lighten the mood. Reluctantly, she finally confessed. “His strop.” Graeme raised a confused brow. “Why would ye hide his strop?” The little girl looked at him as though he were quite daft. “So he will not beat me with it.

(...) To discuss such, ah, personal matters on the air, especially in an educational setting, is really quite in poor taste.” “It wasn’t that personal,” I say. “Everyone who’s been on social media knows what happened with the 'Bugle' stuff. Also, you know, my locker still says FEMINAZI.” Dr. Guinn clears his throat. “I meant your discussion about . . . feminine hygiene.” It takes me a minute to understand. “Are you trying to say that tampons aren’t allowed on the morning announcements?” Dr. Guinn studies me for a moment. (...) “I’m just trying to ensure that this is an environment where everyone feels comfortable.” Look, I get it. Tampons are embarrassing. Periods are embarrassing. PMS, for some reason, is not, but that’s because it has somehow become a synonym for being in a bad mood while female. The whole specific business with the bleeding, though, is still not cool, except in certain woke corners of the internet. (...) But it’s weird to have Dr. Guinn tell me how embarrassing periods are. The man has never had one in his life—why does he get to have an opinion about it? “Could it be,” I say, in as conciliatory a tone as I can manage, “that maybe it’s not an environment where everyone feels comfortable . . . if we’re not allowed to talk publicly about something that is a normal, healthy part of life for every menstruating student and teacher at Willoughby?

They suffered for several hours, almost all the time in silence. The words of cheer which the sailor had addressed to his youthful comrade were now only heard occasionally, and at long intervals, and when heard were spoken in a tone that proclaimed their utterance to be merely mechanical, and that he who gave tongue to them had but slight hope. Little as remained, however, he would rise from time to time to his feet, and stand for a while scanning the horizon around him. Then as his scrutiny once more terminated in disappointment, he would sink back upon the canvas, and half-kneeling, half-lying, give way for an interval to a half stupor of despair. From one of these moods he was suddenly aroused by circumstances which had made no impression on his youthful companion, though the latter had also observed it. It was simply the darkening of the sun by a cloud passing over its disc. Little William wondered that an incident of so common character should produce so marked an effect as it had done upon his protector: for the latter on perceiving that the sun had become shadowed instantly started to his feet, and stood gazing up towards the sky. A change had come over his countenance. His eyes, instead of the sombre look of despair observable but the moment before, seemed now to sparkle with hope. In fact, the cloud which had darkened the face of the sun appeared to have produced the very opposite effect upon the face of the sailor!

But the Hermetic Teachings go much further than do those of modern science. They teach that all manifestation of thought, emotion, reason, will or desire, or any mental state or condition, are accompanied by vibrations, a portion of which are thrown off and which tend to affect the minds of other persons by "induction." This is the principle which produces the phenomena of "telepathy"; mental influence, and other forms of the action and power of mind over mind, with which the general public is rapidly becoming acquainted, owing to the wide dissemination of occult knowledge by the various schools, cults and teachers along these lines at this time. Every thought, emotion or mental state has its corresponding rate and mode of vibration. And by an effort of the will of the person, or of other persons, these mental states may be reproduced, just as a musical tone may be reproduced by causing an instrument to vibrate at a certain rate — just as color may be reproduced in the same way. By a knowledge of the Principle of Vibration, as applied to Mental Phenomena, one may polarize his mind at any degree he wishes, thus gaining a perfect control over his mental states, moods, etc. In the same way he may affect the minds of others, producing the desired mental states in them. In short, he may be able to produce on the Mental Plane that which science produces on the Physical Plane — namely, "Vibrations at Will." This power of course may be acquired only by the proper instruction, exercises, practice, etc., the science being that of Mental Transmutation, one of the branches of the Hermetic Art.

The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.

He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.

MATHEMATICAL MIRACLE Some years ago, I heard a story which has been making the rounds in Midwest A.A. circles for years. I don’t have any names to back up this story, but I have heard it from many sources, and the circumstances sound believable. A man in a small Wisconsin city had been on the program for about three years and had enjoyed contented sobriety through that period. Then bad luck began to hit him in bunches. The firm for which he had worked for some fifteen years was sold; his particular job was phased out of existence, and the plant moved to another city. For several months, he struggled along at odd jobs while looking for a company that needed his specialized experience. Then another blow hit him. His wife was forced to enter a hospital for major surgery, and his company insurance had expired. At this point he cracked, and decided to go on an all-out binge. He didn’t want to stage this in the small city, where everyone knew his sobriety record. So he went to Chicago, checked in at a North Side hotel, and set forth on his project. It was Friday night, and the bars were filled with a swinging crowd. But he was in no mood for swinging—he just wanted to get quietly, miserably drunk. Finally, he found a basement bar on a quiet side street, practically deserted. He sat down on a bar stool and ordered a double bourbon on the rocks. The bartender said, “Yes, sir,” and reached for a bottle. Then the bartender stopped in his tracks, took a long, hard look at the customer, leaned over the bar, and said in a low tone, “I was in Milwaukee about four months ago, and one night I attended an open meeting. You were on the speaking platform, and you gave one of the finest A.A. talks I ever heard.” The bartender turned and walked to the end of the bar. For a few minutes, the customer sat there—probably in a state of shock. Then he picked his money off the bar with trembling hands and walked out, all desire for a drink drained out of him. It is estimated that there are about 8,000 saloons in Chicago, employing some 25,000 bartenders. This man had entered the one saloon in 8,000 where he would encounter the one man in 25,000 who knew that he was a member of A.A. and didn’t belong there. Chicago, Illinois

A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?

We are conscious of only a tiny fraction of the information that our brains process in each moment.1 Although we continually notice changes in our experience—in thought, mood, perception, behavior, etc.—we are utterly unaware of the neurophysiological events that produce them. In fact, we can be very poor witnesses to experience itself. By merely glancing at your face or listening to your tone of voice, others are often more aware of your state of mind and motivations than you are. I generally start each day with a cup of coffee or tea—sometimes two. This morning, it was coffee (two). Why not tea? I am in no position to know. I wanted coffee more than I wanted tea today, and I was free to have what I wanted. Did I consciously choose coffee over tea? No. The choice was made for me by events in my brain that I, as the conscious witness of my thoughts and actions, could not inspect or influence. Could I have “changed my mind” and switched to tea before the coffee drinker in me could get his bearings? Yes, but this impulse would also have been the product of unconscious causes. Why didn’t it arise this morning? Why might it arise in the future? I cannot know. The intention to do one thing and not another does not originate in consciousness—rather, it appears in consciousness, as does any thought or impulse that might oppose it. The physiologist Benjamin Libet famously used EEG to show that activity in the brain’s motor cortex can be detected some 300 milliseconds before a person feels that he has decided to move.2 Another lab extended this work using functional magnetic resonance imaging (fMRI): Subjects were asked to press one of two buttons while watching a “clock” composed of a random sequence of letters appearing on a screen. They reported which letter was visible at the moment they decided to press one button or the other. The experimenters found two brain regions that contained information about which button subjects would press a full 7 to 10 seconds before the decision was consciously made.3 More recently, direct recordings from the cortex showed that the activity of merely 256 neurons was sufficient to predict with 80 percent accuracy a person’s decision to move 700 milliseconds before he became aware of it.4 These findings are difficult to reconcile with the sense that we are the conscious authors of our actions. One fact now seems indisputable: Some moments before you are aware of what you will do next—a time in which you subjectively appear to have complete freedom to behave however you please—your brain has already determined what you will do. You then become conscious of this “decision” and believe that you are in the process of making it. The distinction between “higher” and “lower” systems in the brain offers no relief: I, as the conscious witness of my experience, no more initiate events in my prefrontal cortex than I cause my heart to beat. There will always be some delay between the first neurophysiological events that kindle my next conscious thought and the thought itself. And even if there weren’t—even if all mental states were truly coincident with their underlying brain states—I cannot decide what I will next think or intend until a thought or intention arises. What will my next mental state be? I do not know—it just happens. Where is the freedom in that?

You do that a great deal, don’t you?” He swallowed the rest of his wine. “What?” “Close up into yourself whenever someone tries to peer into your soul. Make a joke of it.” “If you came out here to lecture me,” he snapped, “don’t bother. Gran has perfected that talent. You can’t possibly compete.” “I only want to understand.” “I want to be consumed by a star, but we don’t all get what we want.” “What?” “Never mind.” Turning for the nearest door into the house, he started to stalk off, but she caught his arm. “Why are you so angry at your grandmother?” Maria asked. “I told you-she’s trying to ruin the lives of me and my siblings.” “By requiring you to marry so you can have children? I thought all lords and ladies were expected to do that. And the five of you are certainly old enough.” Her tone turned teasing. “Some of you are beyond being old enough.” “Watch it, minx,” he clipped out. “I’m not in the mood for having my nose tweaked tonight.” “Because of your grandmother, you mean. It’s not just her demand that has you angry, is it? It goes back longer than that.” Oliver glared at her. “Why do you care? Has she got you fighting her battles for her now?” “Hardly. She just informed me that I was, and I quote, ‘exactly the sort of woman who would not meet my requirements of a wife.’” A smile touched his lips at her accurate mimicking of Gran at her most haughty. “I told you she would think that.” “Yes,” she said dryly. “You both excel at insulting people.” “One of my many talents.” “There you go again. Making a joke to avoid talking about what makes you uncomfortable.” “And what is that?” “What did your grandmother do, besides giving you an ultimatum about marriage, that has you at daggers drawn?” Blast it all, would she not leave off? “How do you know she did anything? Perhaps I’m just contrary.” “You are. But that’s not what has you so angry at her.” “If you plan to spend the next two weeks asking ridiculous questions that have no answers, then I will pay you to return to London.” She smiled. “No, you won’t. You need me.” “True. But since I’m paying for the service you’re providing, I get some say in how it’s rendered. Bedeviling me with questions isn’t part of our bargain.” “You haven’t paid me anything yet,” she said lightly, “so I should think there’s some leeway in the terms. Especially since I’ve been working hard all evening furthering your cause. I just finished telling your grandmother that I have ‘feelings’ for you, and that I know you have ‘feelings’ for me.” “You didn’t choke on that lie?” he quipped. “I do have feelings for you-probably not the sort she meant, though apparently she believed me. But she was suspicious. She’s more astute than you give her credit for. First she accused us of acting a farce, and then, when I denied that, she accused me of thinking to marry you so I could gain a fortune from her down the line.” “And what did you say to that?” “I told her she could keep her precious fortune.” “Did you, indeed? I would have given my right arm to see that.” Maria was proving to be an endless source of amazement. No one ever stood up to Gran-except this American chit, with her naïve beliefs in justice and right and morality. It amazed him that she’d done it, considering how he’d treated her. No one, not even his siblings, had ever defended him with so little reason. It stirred something that had long lain dead inside him. His conscience? No, that wasn’t dead; it was nonexistent.

Much information important for strategy making never does become hard fact. The expression on a customer’s face, the mood in the factory, the tone of voice of a government official, all of this can be information for the manager but not for the formal system.

Civilized human beings wear clothes, therefore there can be no portraiture, no mythological or historical storytelling without representations of folded textiles. But though it may account for the origins, mere tailoring can never explain the luxuriant development of drapery as a major theme of all the plastic arts. Artists, it is obvious, have always loved drapery for its own sake—or, rather, for their own. When you paint or carve drapery, you are painting or carving forms which, for all practical purposes, are non-representational-the kind of unconditioned forms on which artists even in the most naturalistic tradition like to let themselves go. In the average Madonna or Apostle the strictly human, fully representational element accounts for about ten per cent of the whole. All the rest consists of many coloured variations on the inexhaustible theme of crumpled wool or linen. And these non-representational nine-tenths of a Madonna or an Apostle may be just as important qualitatively as they are in quantity. Very often they set the tone of the whole work of art, they state the key in which the theme is being rendered, they express the mood, the temperament, the attitude to life of the artist.

What’s important when exploring our vision is that we understand the difference between aspirations and expectations in the realm of spiritual training. Expectations, particularly of ourselves, are often unrealistically high. Like a reverberating echo deep in our psyches, there is often a voice that says with a tone of sadness, anger, or despair, Not good enough. Still not lovable. Something’s wrong with you. You are so broken. This “mood of unlove,” as transpersonal psychologist John Welwood dubbed it, is sometimes so deep-seated in the unconscious that we stopped noticing it long ago.

I conceived the idea from my personal everyday experience, so what's better than to capture myself in the perfect mood.

No business at the table,” Gram finally said when Jess looked as if she was about to throw down her napkin and bolt. “I’m sure we can think of other things to talk about. After all, when was the last time we had a chance to be together under this roof? Let’s make this meal as special as the occasion calls for.” “How are Uncle Jeff and Uncle Tom?” Abby asked, seizing on the first thing that came to mind. “How would I know?” Mick responded bitterly. The implication in his tone was that he didn’t much care, either. Obviously neither time nor Gram had mellowed his mood when it came to his brothers. The breakup of the business partnership had taken a personal toll. It had exposed all of the philosophical and environmental differences of the brothers. Since like all O’Briens, none of them were willing to back down from a stance, working together had been a really bad idea from the beginning. That they’d actually completed Chesapeake Shores at all had been a miracle. Gram scowled at Mick, then turned to Abby. “They’re fine. Tom’s working on legislation to protect the bay and trying

I was barely ever bad-tempered with Marcel, and my tone made him press his lips together to keep from smiling. When I parked in front of Mr. Anderson’s house, he stretched over to take my face in his hands. He handled me very thoroughly, touching just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was exceptionally breakable. Which was specifically the case-compared with him, at most limited. ‘You should be in a good mood, today of all days,’ he muttered. His unseasoned breath crossed my face. ‘Moreover, if I don't want to be in a good mood?’ I asked, my breathing irregular. His golden eyes smoldered. ‘Too bad.’ My head was already spinning by the time he leaned closer and pressed his icy lips against mine. As he intended, no doubt, I forgot all about my worries and concentrated on remembering how to inhale and exhale. His mouth lingered on mine, cold and smooth and gentle until I wrapped my arms around his neck and threw myself into the kiss with a little too much enthusiasm. I could feel his lips curve upward as he let go of my face and reached back to unlock my grip on him. Marcel had drawn many careful lines for our physical relationship, with the intent being to keep me alive. Though I respected the need for maintaining a safe distance between my skin and his razor-sharp, venom-coated teeth, I tended to forget about trivial things like that when he was kissing me. ‘Be good, please,’ he breathed against my cheek. He pressed his lips gently to mine one more time and then pulled away, folding my arms across my stomach. My pulse was thudding in my ears. I put one hand over my heart. It drummed hyperactivity under my palm. ‘Do you think I'll ever get better at this?’ I wondered, mostly to myself. ‘That my heart might someday stop trying to jump out of my chest whenever you touch me?’ ‘I hope not,’ he said, a bit smug. I rolled my eyes. ‘Let's go watch the Capulets and Montagues hack each other up, all right?’ ‘Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits.

Three American business school professors decided to find out. In a first-of-its-kind study, they analyzed more than 26,000 earnings calls from more than 2,100 public companies over six and a half years using linguistic algorithms similar to the ones employed in the Twitter study. They examined whether the time of day influenced the emotional tenor of these critical conversations—and, as a consequence, perhaps even the price of the company’s stock. Calls held first thing in the morning turned out to be reasonably upbeat and positive. But as the day progressed, the “tone grew more negative and less resolute.” Around lunchtime, mood rebounded slightly, probably because call participants recharged their mental and emotional batteries, the professors conjectured. But in the afternoon, negativity deepened again, with mood recovering only after the market’s closing bell. Moreover, this pattern held “even after controlling for factors such as industry norms, financial distress, growth opportunities, and the news that companies were reporting.”8 In other words, even when the researchers factored in economic news (a slowdown in China that hindered a company’s exports) or firm fundamentals (a company that reported abysmal quarterly earnings), afternoon calls “were more negative, irritable, and combative” than morning calls.9 Perhaps more important, especially for investors, the time of the call and the subsequent mood it engendered influenced companies’ stock prices. Shares declined in response to negative tone—again, even after adjusting for actual good news or bad news—“leading to temporary stock mispricing for firms hosting earnings calls later in the day.” While the share prices eventually righted themselves, these results are remarkable. As the researchers note, “call participants represent the near embodiment of the idealized homo economicus.” Both the analysts and the executives know the stakes. It’s not merely the people on the call who are listening. It’s the entire market. The wrong word, a clumsy answer, or an unconvincing response can send a stock’s price spiraling downward, imperiling the company’s prospects and the executives’ paychecks. These hardheaded businesspeople have every incentive to act rationally, and I’m sure they believe they do. But economic rationality is no match for a biological clock forged during a few million years of evolution. Even “sophisticated economic agents acting in real and highly incentivized settings are influenced by diurnal rhythms in the performance of their professional duties.

When I’m happy or sad or mad, anything, music is what I seek. I relate life to lyrics, tone to mood. The beat can wake me or break me down. The words can lift me or leave me a soppy mess. A lot of people avoid songs that make them remember pain when they’re drowning in it, but I say let that sucker take you under.

A sudden thought jolted me from my complacency. “Fool?” I called aloud in the darkened room. “What?” He did not open his eyes but his ready reply showed me he had not yet slipped toward sleep. “You are not the Fool anymore. What do they call you these days?” A slow smile curved his lips in profile. “What does who call me when?” He spoke in the baiting tone of the jester he had been. If I tried to sort out that question, he would tumble me in verbal acrobatics until I gave up hoping for an answer. I refused to be drawn into his game. I rephrased my question. “I should not call you Fool anymore. What do you want me to call you?” “Ah, what do I want you to call me now? I see. An entirely different question.” Mockery made music in his voice. I drew a breath and made my question as plain as possible. “What is your name, your real name?” “Ah.” His manner was suddenly grave. He took a slow breath. “My name. As in what my mother called me at my birth?” “Yes.” And then I held my breath. He spoke seldom of his childhood. I suddenly realized the immensity of what I had asked him. It was the old naming magic: if I know how you are truly named, I have power over you. If I tell you my name, I grant you that power. Like all direct questions I had ever asked the Fool, I both dreaded and longed for the answer. “And if I tell you, you would call me by that name?” His inflection told me to weigh my answer. That gave me pause. His name was his, and not for me to bandy about. But, “In private, only. And only if you wished me to,” I offered solemnly. I considered the words as binding as a vow. “Ah.” He turned to face me. His face lit with delight. “Oh, but I would,” he assured me. “Then?” I asked again. I was suddenly uneasy, certain that somehow he had vested me yet again. “The name my mother gave me, I give now to you, to call me by in private.” He took a deep breath and turned back to the fire. He closed his eyes again, but his grin grew even wider. “Beloved. She called me only ‘Beloved.’” “Fool!” I protested. He laughed, a deep rich chuckle of pure enjoyment, completely pleased with himself. “She did,” he insisted. “Fool, I’m serious.” The room had begun to revolve slowly around me. If I did not go to sleep soon, I would be sick. “And you think that I am not?” He gave a theatrical sigh. “Well, if you cannot call me ‘Beloved,’ then I suppose you should continue to call me ‘Fool.’ For I am ever the Fool to your Fitz.” “Tom Badgerlock.” “What?” “I am Tom Badgerlock now. It is how I am known.” He was silent for a time. Then, “Not by me,” he replied decisively. “If you insist we must both take different names now, then I shall call you ’Beloved.’ And whenever I call you that, you may call me ‘Fool.’” He opened his eyes and rolled his head to look at me. He simpered a lovesick smile, then heaved an exaggerated sigh. “Good night, Beloved. We have been apart far too long.” I capitulated. Conversation was hopeless when he got into these moods. “Good night, Fool.

When you high five yourself first thing in the morning, you set a positive tone for your day—and research shows your mood in the morning impacts your productivity for the rest of the day.

Without the proper tone, body language, and mood, you could easily end up being misunderstood by what you just said a few seconds ago.

while it was all right to disagree with something, you should never argue; it was even all right to get annoyed or angry, but it really wasn’t done to raise your voice. All fluctuations in mood and tone had somehow to be played down and smoothed out, not only the troughs, but the crests as well. It was great to be happy, but you didn’t need to make a song and dance about it, so to speak, a smile was sufficient. And if, even so, someone did get carried away, the others would fall ostentatiously quiet for a few seconds, or they would smile pleasantly, then change the subject completely.

Most of the members of the Christian community seemed to do their utmost to appear as gentle and kind and full of brotherly love as possible, as if dead set on reminding themselves of how much they cared about one another. At your house I had the feeling that while it was all right to disagree with something, you should never argue; it was even all right to get annoyed or angry, but it really wasn’t done to raise your voice. All fluctuations in mood and tone had somehow to be played down and smoothed out, not only the troughs, but the crests as well. It was great to be happy, but you didn’t need to make a song and dance about it, so to speak, a smile was sufficient. And if, even so, someone did get carried away, the others would fall ostentatiously quiet for a few seconds, or they would smile pleasantly, then change the subject completely. But despite, or maybe because of, this unspoken insistence on constant self-control, violent emotional outbursts did occasionally occur

When she finally rejoined her husband she found little sympathy. In a mood of irritated exasperation he told her bluntly that if she was going to faint she should have done so in private. When she returned to the penthouse suite they occupied in the Pan Pacific hotel overlooking Vancouver Bay, Diana flopped down and sobbed her eyes out. She was exhausted, hadn’t eaten and was distressed by her husband’s uncaring attitude. It was what she had come to expect but his disapproving tone still hurt.

After a few moments' consideration I decided the seaside landscape project I did the previous summer after my trip up to Saugatuck, on the eastern coast of Lake Michigan, would look great in that spot. While landscapes weren't my usual thing, I thought I did a decent job with that series. I'd been in a rare mood for watercolors on that trip, and I thought the warm, sandy tones I'd used would go well with the color scheme of the room. As would the seashells and pieces of beach trash I'd glued to the canvas once the paint had dried.

I close my eyes and let the music take over my body, like it always does. When I’m happy or sad or mad, anything, music is what I seek. I relate life to lyrics, tone to mood.

Anxious Attachment Constant need for closeness/intimacy. Hypersensitivity to partner’s moods and actions. Tendency to be controlling when they feel threatened. Preoccupied by fear of abandonment. Prioritizes a partner’s wants/needs before their own. Unable to give a partner healthy space. Over-giving to partner, quick to dismiss their own needs. Excessive worrying/catastrophizing. Controlling behavior; requires a partner to prove their loyalty. Often adopts partner’s hobbies/interests to increase closeness. Feels deeply uncomfortable/unsafe expressing issues. Becomes overly dependent on their relationship. Vigilant for signs of abandonment/disloyalty. Constant need to please/gain approval. Unaware of/unable to express wants/needs. Poor sense of boundaries within a relationship. Requires frequent reassurance of partner’s commitment/care. Lets partner make the rules and set the tone of the relationship. Believes they must work to keep their partner interested. Highly jealous; suspects that their partner will be unfaithful. Has an unrealistic view of how a relationship should be. Feels uncomfortable receiving intimacy. Discomfort being single. Often jumps from partner to partner.

Endometriosis, or painful periods? (Endometriosis is when pieces of the uterine lining grow outside of the uterine cavity, such as on the ovaries or bowel, and cause painful periods.) Mood swings, PMS, depression, or just irritability? Weepiness, sometimes over the most ridiculous things? Mini breakdowns? Anxiety? Migraines or other headaches? Insomnia? Brain fog? A red flush on your face (or a diagnosis of rosacea)? Gallbladder problems (or removal)? — PART E — Poor memory (you walk into a room to do something, then wonder what it was, or draw a blank midsentence)? Emotional fragility, especially compared with how you felt ten years ago? Depression, perhaps with anxiety or lethargy (or, more commonly, dysthymia: low-grade depression that lasts more than two weeks)? Wrinkles (your favorite skin cream no longer works miracles)? Night sweats or hot flashes? Trouble sleeping, waking up in the middle of the night? A leaky or overactive bladder? Bladder infections? Droopy breasts, or breasts lessening in volume? Sun damage more obvious, even glaring, on your chest, face, and shoulders? Achy joints (you feel positively geriatric at times)? Recent injuries, particularly to wrists, shoulders, lower back, or knees? Loss of interest in exercise? Bone loss? Vaginal dryness, irritation, or loss of feeling (as if there were layers of blankets between you and the now-elusive toe-curling orgasm)? Lack of juiciness elsewhere (dry eyes, dry skin, dry clitoris)? Low libido (it’s been dwindling for a while, and now you realize it’s half or less than what it used to be)? Painful sex? — PART F — Excess hair on your face, chest, or arms? Acne? Greasy skin and/or hair? Thinning head hair (which makes you question the justice of it all if you’re also experiencing excess hair growth elsewhere)? Discoloration of your armpits (darker and thicker than your normal skin)? Skin tags, especially on your neck and upper torso? (Skin tags are small, flesh-colored growths on the skin surface, usually a few millimeters in size, and smooth. They are usually noncancerous and develop from friction, such as around bra straps. They do not change or grow over time.) Hyperglycemia or hypoglycemia and/or unstable blood sugar? Reactivity and/or irritability, or excessively aggressive or authoritarian episodes (also known as ’roid rage)? Depression? Anxiety? Menstrual cycles occurring more than every thirty-five days? Ovarian cysts? Midcycle pain? Infertility? Or subfertility? Polycystic ovary syndrome? — PART G — Hair loss, including of the outer third of your eyebrows and/or eyelashes? Dry skin? Dry, strawlike hair that tangles easily? Thin, brittle fingernails? Fluid retention or swollen ankles? An additional few pounds, or 20, that you just can’t lose? High cholesterol? Bowel movements less often than once a day, or you feel you don’t completely evacuate? Recurrent headaches? Decreased sweating? Muscle or joint aches or poor muscle tone (you became an old lady overnight)? Tingling in your hands or feet? Cold hands and feet? Cold intolerance? Heat intolerance? A sensitivity to cold (you shiver more easily than others and are always wearing layers)? Slow speech, perhaps with a hoarse or halting voice? A slow heart rate, or bradycardia (fewer than 60 beats per minute, and not because you’re an elite athlete)? Lethargy (you feel like you’re moving through molasses)? Fatigue, particularly in the morning? Slow brain, slow thoughts? Difficulty concentrating? Sluggish reflexes, diminished reaction time, even a bit of apathy? Low sex drive, and you’re not sure why? Depression or moodiness (the world is not as rosy as it used to be)? A prescription for the latest antidepressant but you’re still not feeling like yourself? Heavy periods or other menstrual problems? Infertility or miscarriage? Preterm birth? An enlarged thyroid/goiter? Difficulty swallowing? Enlarged tongue? A family history of thyroid problems?

He smoothed a little hair off her forehead. “I’m proud of you.” “It was so awesome.” “See? I knew you’d find something here to sink your teeth into.” He reached down, crossed his arms under her bottom and lifted her straight up so that her face was even with his. “Nowwww, what did we decide?” she asked, but her tone was teasing. Her smile was playful. “We decided that I would not kiss you.” “That’s right.” “I haven’t,” he said. “Maybe we should have talked about this,” she added, but she certainly didn’t struggle. In fact, this seemed oddly right. Celebratory. Like being picked up and swung around after the win of a big game. And that was how she felt—as though she’d just scored a touchdown. Arms resting on his shoulders, she clasped her hands behind his head. “We further decided that if you kissed me, I would let you,” he said. “You’re fishing.” “Does this look like fishing to you?” “Begging?” “Doing exactly as I’ve been told. Waiting.” What the hell, she thought. Absolutely nothing could feel better after the night she’d just spent than to plant a big wet one on this guy—a guy who’d keep his business open all night just in case they needed something. So she laid one on him. She slid her lips over his, opening them, moving over his with wicked and delicious intent, getting her tongue involved. And he did nothing but hold her there, allowing this. “Did you not like that?” she asked. “Oh,” he said. “Am I allowed to respond?” She whacked him softly in the head, making him laugh. She tried it again, and this time it was much more interesting. It made her heart beat faster, made her breathe hard. Yes, she thought. It is okay to feel something that doesn’t hurt sometimes. This wasn’t because she was grief-stricken or needy, this was because she was victorious. And all she could think about at the moment was his delicious mouth. When their mouths came apart, she said, “I feel like a total champ.” “You are,” he said, enjoying her mood more than she would ever guess. “God, you taste good.” “You don’t taste that bad,” she said, laughing. “Put me down now,” she instructed. “No. Do it again.” “Okay, but only one more, then you have to behave.” She planted another one on him, thoroughly enjoying his lips and tongue, the strength of the arms that held her. She refused to worry about whether this was a mistake. She was here, she was happy for once, and his mouth felt as natural to hers as if she’d been kissing him for years. She let the kiss be a little longer and deeper than she thought prudent, and even that made her smile. When it was over, he put her on her feet. “Whew,” she said. “We don’t have nearly enough births in this town.” “We have another one in about six weeks. And if you’re very, very good…” Ah, he thought. That gives me six weeks. He touched the end of her nose. “Nothing wrong with a little kissing, Mel.” “And you won’t get ideas?” He bellowed. “You can make me behave, it turns out. But you can’t keep me from getting ideas.” *

Essays that do not concern these directors’ works but are addressed to them—in spirit, tone, wash—because these directors have, over time, caused me to bend into shape visions that were long hibernating.

Taking a moment here and there to check yourself will allow you to understand your mood before it sets the tone for the rest of your day.

There are different types of beauty, Olivia. You have a face that a man could appreciate every day and still discover something new to marvel at," he said between kisses. "Different angles ... every mood. If I had the skill and patience to be an artist, I would be eager to sketch you." "You flatter me," she said, both pleased and uncomfortable with his compliment. His expression hardened at her dismissive tone. "No, I have flattered to get what I wanted from other women. I am speaking the truth to you, Olivia.

A woman accompanied her husband to the doctor’s office. After his very thorough checkup, the doctor sent the husband into the waiting area and called the wife into his office for a confidential assessment. In a concerned tone, he said, “Your husband is suffering from a severe disease combined with horrible stress. It looks as though he may die soon unless you commit to the following actions: Each morning fix him a full, warm, healthy breakfast. Always be in a good mood. Be constantly pleasant to make sure he doesn’t feel any additional stress. Make him a nice lunch, and for the next year really try to go overboard and cook his favorite meals for dinner. Don’t burden him with household chores; he can’t handle the additional pressure. Don’t discuss your problems with him; it will only increase the tension. And most importantly, try to satisfy his every physical desire. If you can do this for the next ten to twelve months, I’m confident your husband will fully regain his health.” On the way home, the husband asked, “So, what did the doctor say to you?” His wife paused for a long time and then responded, “He said you are going to die.

Wait. Your mom is Victoria Lane!?” Lucky asked. Holy shit! That’s where he knew her from. That’s why her lips looked so familiar. That’s why he’d felt like he’d looked into her eyes before. He had. “Yep.” “You were in a perfume or clothing ad with her when you were a teenager!” Lucky had ripped out every ad he’d found in magazines his senior year. He’d never particularly thought that Victoria was that hot, but when he’d seen her daughter beside her, Lucky had been one smitten kitten. In fact, Deanna had been his first and only crush. He just hadn’t known it was her. Deanna didn’t share his enthusiasm. “Yeah, I was.” “I knew you looked familiar. God, I was obsessed with you. I stole every ad I could find and I would fold it in half and pin it up on my wall so only you were showing.” Her head spun around, and she looked…mad. “No, you didn’t.” Oh well. He wasn’t about to try to dig himself out of this one. His only move was to dig in deeper. “Yes. I did. I thought you were so damn hot—” Her hand rose defensively. “Lucky, stop. I know that’s not true—” “You don’t know shit,” he snapped back, still feeling the adrenaline from earlier. His tone made him cringe, so he softened his voice. “Sorry, but you don’t.” “Whatever.” She crossed her arms in front of her. Lucky saw it for what it was: a protective stance. But he’d be damned if she was going to feel she had to protect herself from him. He would never hurt her. “Look, I’m sorry if it pisses you off that I had hundreds of pictures of you all over my wall and I used to jack it to you morning and night—” “What!?” she screeched. Glancing over, he saw the horror in her beautiful expressive eyes, but her lips were curled a little at the edges and not set in a grim expression. So he hadn’t pissed her off that bad by his oh-so-shocking admission. “Sorry to burst your bubble, but I don’t think there was a red-blooded teenage boy who wasn’t jerking it to those pictures.” He’d said it to lighten the mood, but he was getting the same feeling he’d gotten when he’d seen Casey heading towards Deanna on the dance floor. One word filled his mind. Mine. Deanna let out a harsh laugh. “Yeah, maybe, but it wasn’t me they were looking at.” Lucky took his eyes off the road just long enough to see in the set of her jaw and her protective body language that she wasn’t joking. She really believed that she wasn’t hot. Or beautiful. And her mom was. Then it hit him. She’d grown up the daughter of a supermodel and a professional baseball player. Maybe living in the shadows all of those years had caused her not to see herself for who she really was. It was time to shed some light on that subject. Instead of arguing with her, Lucky decided to enlighten her. “My favorite was the one with you wearing a white tank top and jeans. Just a tiny sliver of your stomach was showing, and I used to imagine running my finger along that area and how soft your skin would feel. I loved how that one piece of your hair fell over your shoulder. Your eyes were looking right in the camera, and your lips were so full and… I won’t even tell you what I pictured you doing with them.” Deanna sounded breathless as she said, “Oh.” “Do you believe me now?” he asked as he kept his eyes on the winding, dark highway illuminated only by his headlights. “Yes,” she said quietly. Then he felt her turn towards him, and her voice sounded lighter and hell of a lot sassier as she asked, “You know I was only thirteen when I shot that, right?” “You were what!?” Lucky’s voice rose in shock, and it took everything in his power not to swerve the truck into the other lane. Now, he was the one who didn’t believe her. “No way. There is no way you were thirteen!” “Yep. I really was. Whatever you were picturing me doi—” “Stop!” If Lucky could’ve, he would have covered his ears and said, “Na-na-na-na-na! I’m not listening to you.

You seemed to be taking an excessive amount of time so I thought I’d come to make certain you two weren’t arguing.” He motioned forward. “So—did you make amends?” Nathaniel stood motionless, mouth agape, producing only small, stunted grunts as he struggled to find the best way to describe the bloody mess. Thomas’s timbre dropped. “What did you do?” “Me?” “Of course, you must have done something or you wouldn’t be standing there like a bumbling fool.” He looked around again. “Where is she?” Thomas’s incriminating tone flicked away the last remaining thread of Nathaniel’s good humor. He brushed past Thomas and stomped toward the door. “The same place I’m going. Home.” “She went to your home?” The shock in Thomas’s voice would have been amusing if Nathaniel had been in the mood. “No,” he said, whirling around. “She went to your home, and I’m going to mine.

Pierre asked his confessor: “Is it a sin to marry someone you don’t love?” Father Moineau was a square-faced, heavyset priest in his fifties. His study in the College des Ames contained more books than Sylvie’s father’s shop. He was a rather prissy intellectual, but he enjoyed the company of young men, and he was popular with the students. He knew all about the work Pierre was doing for Cardinal Charles. “Certainly not,” Moineau said. His voice was a rich baritone somewhat roughened by a fondness for strong Canary wine. “Noblemen are obliged so to do. It might even be a sin for a king to marry someone he did love.” He chuckled. He liked paradoxes, as did all the teachers. But Pierre was in a serious mood. “I’m going to wreck Sylvie’s life.” Moineau was fond of Pierre, and clearly would have liked their intimacy to be physical, but he had quickly understood that Pierre was not one of those men who loved men, and had never done anything more than pat him affectionately on the back. Now Moineau caught his tone and became somber. “I see that,” he said. “And you want to know whether you would be doing God’s will.” “Exactly.” Pierre was not often troubled by his conscience, but he had never done anyone as much harm as he was about to do to Sylvie. “Listen to me,” said Moineau. “Four years ago a terrible error was committed. It is known as the Pacification of Augsburg, and it is a treaty that allows individual German provinces to choose to follow the heresy of Lutheranism, if their ruler so wishes. For the first time, there are places in the world where it is not a crime to be a Protestant. This is a catastrophe for the Christian faith.” Pierre said in Latin: “Cuius regio, eius religio.” This was the slogan of the Augsburg treaty, and it meant: “Whose realm, his religion.” Moineau continued: “In signing the agreement, the emperor Charles V hoped to end religious conflict. But what has happened? Earlier this year the accursed Queen Elizabeth of England imposed Protestantism on her wretched subjects, who are now deprived of the consolation of the sacraments. Tolerance is spreading. This is the horrible truth.” “And we have to do whatever we can to stop it.

Were you a man, I could tell you to go to hell, you know.” “Were I a man,” Anna said, “I would have already told you the same thing.” “Oh?” He smiled, not exactly sweetly. “At which particular moment?” “When you fail to offer a civil greeting upon seeing a person first thing in the day. When you can’t be bothered to look a person in the eye when you offer your rare word of thanks or encouragement. When you take out your moods and frustrations on others around you, like a child with no sense of how to go on.” “Ye gods.” The earl held up a staying hand. “Pax! You make me sound like the incarnation of my father.” “If the dainty little glass slipper fits, my lord…” Anna shot back, glad for the gathering shadows. “You are fearless,” the earl said, his tone almost humorous.

What really matters, finally, is the big picture, the fictional dream that lingers after the details have vanished. The big picture is formed not only by our descriptions of characters, settings and events but also by forces that reside above and below our story’s surface—atmosphere, mood, feeling, motif, theme, form, structure and tone. These terms are far from interchangeable.

Outer influences and distractions Consider the power of external influences to condition your life experience. Spend a day watching how what you encounter impacts your attitude and spirit. Pay attention to what is usually mere background noise. Probe all sights, sounds, and touches as life swirls about. Listen to the radio carefully. Study the comments on talk shows. Listen to popular music lyrics and rhythms. Pay attention to words and worldview, tones and timbre. What and how do you feel as a result? Watch people at a shopping mall. How many appear trim and in vibrant health? How many look happy? What are people wearing and how are they groomed? What does their appearance suggest about your community’s values? Does the appearance of others affect how you feel? Chat with coworkers. What comes up about the economy, government, and company management? Suggest changes in attitudes and actions for more happiness or productivity. What kind of responses do they give you? Look at Internet discussions and news. What is the tone and logic of the posts? Does the commenters’ passion reflect their intellectual depth and degree of knowledge? How many stories are negative and how many are positive? Could any of the negative stories be written with a positive spin and still remain true? How do you feel about what you observe? Is it possible that even if you had not been paying close attention, those experiences out on the margin of awareness might have affected your mood or attitude?

Stay back, Charity. I warned you before ... this cable is dangerous. It can whip back and take your legs clean off.” I struggled to keep my tone light. I wasn’t in the mood for her jabbering about which jock was dating which cheerleader, which rich snob got accepted into an Ivy League college, or which momma’s boy received a sweet new BMW from his parents.

No child can avoid emotional pain while growing up, and likewise emotional toxicity seems to be a normal by-product of organizational life—people are fired, unfair policies come from headquarters, frustrated employees turn in anger on others. The causes are legion: abusive bosses or unpleasant coworkers, frustrating procedures, chaotic change. Reactions range from anguish and rage, to lost confidence or hopelessness. Perhaps luckily, we do not have to depend only on the boss. Colleagues, a work team, friends at work, and even the organization itself can create the sense of having a secure base. Everyone in a given workplace contributes to the emotional stew, the sum total of the moods that emerge as they interact through the workday. No matter what our designated role may be, how we do our work, interact, and make each other feel adds to the overall emotional tone. Whether it’s a supervisor or fellow worker who we can turn to when upset, their mere existence has a tonic benefit. For many working people, coworkers become something like a “family,” a group in which members feel a strong emotional attachment for one another. This makes them especially loyal to each other as a team. The stronger the emotional bonds among workers, the more motivated, productive, and satisfied with their work they are. Our sense of engagement and satisfaction at work results in large part from the hundreds and hundreds of daily interactions we have while there, whether with a supervisor, colleagues, or customers. The accumulation and frequency of positive versus negative moments largely determines our satisfaction and ability to perform; small exchanges—a compliment on work well done, a word of support after a setback—add up to how we feel on the job.28

She froze when she thought she heard movement in a nearby copse of trees, then scanned the area. Probably just an animal. They tended to be in jungles. She turned back to the stream— “Put your hands on your head.” Not an animal. As she slowly stood and turned, she recognized that these weren’t locals. These were bad guys, three of them with machine guns aimed at her face. In her present mood that equaled: Why, I believe I’ll turn them into frogs! Just as she reached for the mirror in her pocket, they cocked their weapons. The oldest man was clearly the leader, and his tone was deadly as he said, “Your hands on your head—or I’ll put a bullet into it.” He didn’t have a thick accent. These must be the international narco-terrorists, the ones who made the cartel look mild. So much for the mirror’s judgment. Unless this was still better than Bowen.

What exactly is going on?” Resignation clouded Mary Beth’s cute face. “You know men, always looking out for us.” Anger lit like a match inside Maddie as she turned narrowed eyes on Mitch through the windows. She didn’t know what was going on, but she was in the mood for a fight, and this was the perfect excuse to have one. He gave her a sheepish look, and Maddie wanted to throttle him. She turned away. Her veins practically raced with adrenaline. She’d been tamping down her temper so long she’d forgotten how intoxicating it was to let it rise to the surface. How much effort did she spend repressing her emotions? The better question was, why did she continue? She stiffened her spine. Not anymore. Through gritted teeth she said, “Yes, I know.” Mary Beth’s expression turned consoling and she made some motherly “tsk” noises, even though she couldn’t be much older than Maddie. “They can’t help themselves. It’s in their nature, but obviously execution is not their strong suit.” Maddie turned her attention to the woman. She’d deal with Mitch Riley later.     “What in the hell is going on in there?” Mitch cursed. This was the worst thought-out plan in the world. Why did he leave the details up to Tommy? He knew better. He scowled at the mechanic. “You can’t lie for shit.” Tommy shot him a droll look. “What about you? You could have jumped in any time, but no, you just stood there like an idiot.” “I hired you to lie to her so I wouldn’t have to, dumbass.” With his jaw clenched, the words came out like a growl. Tommy jabbed a finger in his direction. “Ha! I knew you were pussy-whipped.” “I’m not pussy-whipped.” One had to have sex to be pussy-whipped. Not that Mitch was about to volunteer that information. “I just don’t want to lie to her.” “Same difference, dickhead.” Irrational anger flared hot in his blood. God, he wanted to take someone out. He was so fucked. “If you’d thought of a halfway decent story, this wouldn’t be happening.” “How in the hell was I supposed to know she’d know anything about cars?” “She has brothers.” “Yeah, well, you could have mentioned that.” Through the glass window, Maddie shot him a death glare. Yep, totally fucked. He shouldn’t have told her about his past; it was another strike against him, one he knew from experience couldn’t be overlooked. Between tarnishing his knight-in-shining-armor image and the subterfuge, somehow he didn’t think he’d be granted a third strike. They watched the women. Mitch tried to decipher the expressions playing across Maddie’s features and finally gave up, resigned to his fate. Ten excruciating minutes later, the door opened, and Mitch steeled himself for the fight that was sure to come. He didn’t care how he managed it, but she wasn’t leaving. Maddie walked across the dark gray, grease-stained floor, and unable to stand it any longer, he said, “Now, Maddie, I can explain.” “There’s no need.” Her voice held no trace of emotion. Not good. “But—” he started, but before he could say any more, Maddie flung herself into his arms. Shocked, he caught her and held tight. He raised a questioning eyebrow at Mary Beth, and a satisfied smirk curled over her lips. “I told Maddie how her transmission blew,” Mary Beth said in a pleased tone. “And how it cost twenty-five hundred dollars, but Tommy knows this guy over in Shelby who can trade him for a sixty-five Corvette carburetor so it would only cost her around four hundred. Unfortunately, I had to explain how Tommy was doing you a huge, gigantic favor so you agreed to represent Luke in his legal troubles.” While

Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie

You want me to report what he says about He-Who-Must-Not-Be-Named?” Rita asked Hermione in a hushed voice. “Yes, I do,” said Hermione. “The true story. All the facts. Exactly as Harry reports them. He’ll give you all the details, he’ll tell you the names of the undiscovered Death Eaters he saw there, he’ll tell you what Voldemort looks like now — oh, get a grip on yourself,” she added contemptuously, throwing a napkin across the table, for at the sound of Voldemort’s name, Rita had jumped so badly that she had slopped half her glass of firewhisky down herself. Rita blotted the front of her grubby raincoat, still staring at Hermione. Then she said baldly, “The Prophet wouldn’t print it. In case you haven’t noticed, nobody believes his cock-and-bull story. Everyone thinks he’s delusional. Now, if you let me write the story from that angle —” “We don’t need another story about how Harry’s lost his marbles!” said Hermione angrily. “We’ve had plenty of those already, thank you! I want him given the opportunity to tell the truth!” “There’s no market for a story like that,” said Rita coldly. “You mean the Prophet won’t print it because Fudge won’t let them,” said Hermione irritably. Rita gave Hermione a long, hard look. Then, leaning forward across the table toward her, she said in a businesslike tone, “All right, Fudge is leaning on the Prophet, but it comes to the same thing. They won’t print a story that shows Harry in a good light. Nobody wants to read it. It’s against the public mood. This last Azkaban breakout has got people quite worried enough. People just don’t want to believe You-Know-Who’s back.” “So the Daily Prophet exists to tell people what they want to hear, does it?” said Hermione scathingly. Rita sat up straight again, her eyebrows raised, and drained her glass of firewhisky. “The Prophet exists to sell itself, you silly girl,” she said coldly.

Not a morning person, is she?” a lazy voice drawled. Maddie dropped her hand to stare into Sam Roberts’s amused face. He sat across from Mitch, long, denim-clad legs stretched out, one hand hugging a coffee cup. Of course. What was breakfast with Mitch if not another new humiliation? This town was custom-made to put her in awkward situations. She glared at Mitch, who grinned like the cat who ate the canary. “Do you ever have breakfast alone?” He shrugged. “They’re big fans of the drop-in.” “From the looks of her, she should be in a much better mood,” Sam said, clearly entertained. Maddie crossed her arms over her breasts. She might as well be naked in her skimpy tank top and cotton shorts. “No need to be shy.” Sam winked at her. “I saw you last night, although you were considerably less rumpled.” She rolled her eyes. “Isn’t it polite to allow a girl some dignity?” “What do you mean, last night?” Mitch asked at the same time, eyes narrowed on Sam. A muscle jumped in his forearm as his fingers tightened around his mug. “Don’t even tell me that’s what you were wearing.” “I was sitting on the front porch when he came home.” She ran her hand through her disheveled hair, getting caught in the wild mass of tangles. Sam gave Mitch a sly, devious smile. “Not my fault you left her alone for just anyone to come take a peek.” Mitch’s attention snapped to Maddie. She refused to fidget under his scrutiny. One golden brow rose. Maddie huffed. “I don’t need to explain myself to you.” “Hmmmm . . .” Mitch gave her a through once-over. Maddie’s chin shot up. “This is your fault, not mine!” Sam scrubbed his blond, stubbled jaw. “She’s got a point.” “I suppose she does,” Mitch said, but his tone spoke of a different story. Those amber eyes told her without words that she’d be paying later with his own delicious brand of torture. She

The ordeals at the airport, she said, had made her feel helpless and pathetic and lost. The strange way they spoke. Her diminishing supply of money. The cab rides through the mountains. The rain and heat. And the edge, the dark edge, the inwrought mood or tone, the ominous logic of the place. It was all dreamlike, a nightmare of isolation and constraint. She had to get off the island.

Now just think of what the quality of life and character must be in a person who would routinely interrupt sacred rituals to pursue reconciliation with a fellow human being. What kind of thought life, what feeling tones and moods, what habits of body and mind, what kinds of deliberations and choices would you find in such a person? When you answer these questions, you will have a vision of the true “rightness beyond” that is at home in God’s kingdom of power and love. Of

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but if forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but is forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents' dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. As a day changes so do its subjects, bugs and birds, cats, dogs, butterflies and people.

Klee channeled his mood through the process of using areas of color that he then outlined or added figures to embellish. Some of his paintings are simply color and shade studies, juxtaposing light and tone to produce a thing of lyrical beauty. He said, “Color is the irrational element in painting and chief vehicle of expression.” He wanted to present his works as “disciplined simplicity” in order to portray seeing the world through child-like eyes. When his work was criticized as little more than the scribbles of a child, he claimed to be delighted.

word you’re telling yourself, I love you. I see you. I believe in you. Let’s go. Don’t rush it. Revel in it. This moment is for you. Q: Why do it first thing in the morning? There are two reasons to make it the start of your day: It will impact your productivity and how you show up all day. When you high five yourself first thing in the morning, you set a positive tone for your day—and research shows your mood in the morning impacts your productivity for the rest of the day. You may be surprised by the shift. Caroline told me that she was amazed by how “weirdly motivated” she felt all day after doing the high five.

There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let’s tone it down. You will find society asking you for the happy ending, saying come back when you’re better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.

Tone-deaf to the mounting resentments of those who had not shared in the bounty of globalization, they missed the mood of discontent. The populist backlash caught them by surprise.

I'm showered and now wearing the dress Caro brought over---a peacock-blue chiffon number from this season's Madeleine Bouchard collection. Again, it's like it's made for me---a perfect fit. When I enter the kitchen, Charles is still in a foul mood, barking out orders to the staff. "Charles," I say. "Can you tone down the anger in your voice? We're all working together. Aren't we?" "We are," says Charles, looking up and taking in my presence. His hands fly to his heart. "Whoa, ooh-la-la. You look amazing. That shade of blue really brings out the color in your eyes.

An impatience began to flow from the three bodies in the rear seat. They wanted to be home, not here. They wanted to blink an eye and find themselves in their rooms, with their things, not sitting in a cramped car on this windswept concrete plain. Journeys home were always a test. I started up the car, knowing it was only a matter of seconds before the massed restlessness took on elements of threat. We could feel it coming, Babette and I. A sulky menace brewed back there. They would attack us, using the classic strategy of fighting among themselves. But attack us for what reason? For not getting them home faster? For being older and bigger and somewhat steadier of mood than they were? Would they attack us for our status as protectors—protectors who must sooner or later fail? Or was it simply who we were that they attacked, our voices, features, gestures, ways of walking and laughing, our eye color, hair color, skin tone, our chromosomes and cells?

At stage 1, the relationship begins with passion. You hold your partner in high regard, praise them, give them all your attention and hope or expect them to do the same. You probably,and without realising it, inflate the positives and might feel like they are “the one.” As the relationship progresses to stage 2, you become more sensitive to words and actions that could possibly hold even the slightest hint of negativity. You may fixate on the smallest of things like a late reply to their text or a missed call, and begin to question their motives and interest. This comes from a place of anxiety, a fear of abandonment and low self-worth. The symptoms of BPD will start to flare up and interfere. At stage 3, the relationship can take on a different tone again. You might start testing out your partner,deliberately push them away or behave unacceptably .You might cause arguments for no reason just to see how willing they are to fight for the relationship. Stage 4 rolls around and you will start to distance yourself from the love of your life, letting the relationship spiral downward because at that point, you are convinced that they are going to leave you. This is really painful for you. You don’t want them to leave, and they don’t want to leave you either. When they express confusion, you will hide away your real feelings and pretend that everything is fine. Stage 5 may be where the relationship ends, especially if your partner isn't aware yet that you are Borderline or just what that means ie this is the playing out of symptoms and not what you really want. Borderlines experience intense mood swings, ranging from sadness at the loss of the relationship to anger against the other person. The fear of abandonment becomes a reality and it fuels your emotional lability. There may be attempts by them to resolve things but if the relationship is really over, then we’re at stage 6, where the Borderline might spiral downward and experience a bout of severe depression. They may give into their thoughts of low self-worth and even resort to reckless behaviors and self-harming to seek distraction and relief. If the relationship hasn’t ended, the cycle may start all over again. The occurrence of this cycle and its intensity depends on whether or not you are managing your illness by seeking professional help, and if you have other sources of emotional support. The BPD cycle is not a sure thing to happen for people that have or know someone with BPD, nor is it an official symptom of the condition. However it is really very common and even if not officially a symptom ,it is symptomatic. The idea that people with BPD cannot ‘hold down’ relationships, however, is a misconception and as a matter of fact, many people with BPD do have healthy and successful relationships, especially if they have been in, or are going through therapy. Because of the intensity of their emotions ,Borderlines can be the most loving, caring empathic and fun partners. 6 “SOMEONE…HELP ME, PLEASE.” - DIALECTICAL BEHAVIOR THERAPY “I just got diagnosed.

White privilege is largely hidden from our eyes if we are white. Why? Because it is structural instead of psychological and we tend to interrupt most things in personal, individual and psychological ways. Since we do not consciously have racist attitudes or overt racist behavior, we kindly judge ourselves to be openminded egalitarian, iberal, and therefore surely not racist. Because we have never been on the other side, we largely do not recognize the structural access, the trust we think we deserve, the assumption that we always belong and do not have to earn our belonging. The "we set the tone" mood that we white folks often live inside of and take totally for granted and even naturally deserved. Only the outsider can spot all these attitudes in us.

You are the captain on the bridge, and you are giving the orders in the way of thoughts, feelings, opinions, beliefs, moods, and mental tones. Keep your eye on the beam. You go where your vision is! Cease, therefore, looking at all the obstacles, delays, and impediments that would cause you to go off your course. Be definite and positive. Decide where you are going. Know that your mental attitude is the ship which will take you from the mood of lack and limitation, to the mood and feeling of opulence, and to the belief in the inevitable law of God working for you.

Understand: you cannot disguise your attitude towards the public. If you feel superior at all, part of some chosen elite, then this seeps out in the work. It is conveyed in the tone and mood. It feels patronizing. If you have little access to the public you are trying to reach but you feel that the ideas in your head cannot fail to be interesting, then it almost inevitably comes across as something too personal, the product of someone who is alienated. In either case, what is really dominating the spirit of your work is fear. To interact closely with the public and get its feedback might mean having to adjust your “brilliant” ideas, your preconceived notions. This might challenge your tidy vision of the world. You might disguise this with a snobbish veneer, but it is the age-old fear of the Other.

120 stunning color combination ideas - We take you through the basics of combining colors and offer 120 stunning color combinations inspired by nature, wildlife, food & drink, and travel. Your choice of colors can set the tone of your entire project, so choosing wisely is crucial. After all, you don’t want your colors conveying a mood that is opposite to what the project calls for and you certainly don’t want a color combination that is off-putting or confusing to the eye. We briefly explain the science behind choosing the right mix of colors, and then give you 120 beautiful color combinations that you can start using immediately. Let’s jump right in! The science of combining colors Believe it or not, there’s a science to creating color combinations and it’s actually not complicated to grasp. All you need is the color wheel, and an understanding of five different combination styles that each has its own place in your bag of tricks. Complementary color combination Complementary refers to a 2-color combination where the colors are opposite from each other on the color wheel. The two colors complement each other through their contrast, which allows each color to stand out. Monochromatic color combination Monochromatic refers to a combination of different shades, tones and tints of the same color, by adding black, white or grey to the original color. A monochromatic color combination is traditional and subtle. Triadic color combination Triadic colors refers to a 3-color combination that forms a perfect triangle on the color wheel. There’s not as much contrast as there is with complementary colors, but there’s enough to let each color do its thing. Analogous color combination Analogous is another 3-color combination, this time colors that are adjacent to each other on the colour wheel. With this color combination, it’s best to make one color dominant and use the others as accents. Tetradic color combination Tetradic refers to a 4-color combination where the colors are placed in a perfect square around the color wheel (essentially two pairs of complementary colors). To achieve balance with so many colors, it’s best to keep one color dominant and use the rest as accents. Color combination based on nature Sometimes nature knows best. If you find a color combination that appears somewhere in nature, chances are it’s a winning combination, as you can see from the examples in many of the examples that follow.

He/She Gets Angry When Questioned Where you were until now just riles him/her up like the Hulk. He/she hates being questioned about their whereabouts. Their stories won’t match, their tone and pitch will change paces and they will try to avoid talking about it altogether. He/She Stays Up Late A sudden shift in their bedtime routine indicates an affair. Cheating partners consider a partner’s sleeping time as the safest to text or message their new love interest. His/Her Stories Seem Inconsistent Sometimes they won’t say a word about where they were and sometimes they would give away too much. When asked if a friend was there with them too, they will not only confirm their presence but also tell you about all the other people who were there, including someone’s pets. Too much information is another sign that there is something fishy going on or else they won’t be this particular about it. There Is No Intimacy Not just physically, but you also find them emotionally distant from you. Even when they are with you, their mind doesn’t seem to be. They have also lost interest in sex and always make excuses like being tired, not in the mood, had chili beef in the office and feeling bloated, etc. They Never Put Their Phone Down If they seem to be stuck with their phone all the time and even taking it with them when taking the trash or going for a bath, it is a sure tell sign that there is something in that phone they don’t want you to know about. He/She Pays Attention to Himself/Herself It’s always appraisable that your spouse dresses up for you, but if they are suddenly worried about how they look naked or whether they should get a bikini wax or not, it’s probably an effort to look good for someone other than you. You Only Get One-Word Answers from Them You sense a barrier in your communications because they have resorted to a yes, no, or hmm at most. When partners lose interest in their spouses or are having an affair, they fear to communicate too much. They want to play it carefully and not say or do something that would get them caught. They Are Spending Too Much If all of a sudden you notice too many credit card bills and receipts in their pockets and yet you don’t receive any supposed gifts, then someone else is on the receiving end of them. When asked, they will always have an explanation over how they had to lend some money to a friend, how they had to pitch in the last minute for an office party for a guy’s farewell or how they had to pay a medical bill of some relative. He/He’s Doing Things They Hated Before Remember the time you asked them to go golfing with you and they flat out refused and joked about how it’s an old man’s sport? Look who is all polo shirts and hats now! If their interests have changed all of a sudden and they are doing stuff they hated, know something is up.

Music forms an integral part in people’s lives including its global usage as a backdrop for work, play, and serving as a stress reducer. The erumpent sounds of music serve a prime role in sheer entertainment and operate to stave off the dullness of mere silence. Musical tones evoke a wide range of emotions. Americans use music to soothe their nerves, for motivational purposes, set a romantic mood, and occupy their brain in order to thwart boredom and loneliness.

You will invariably face jobs that are associated with uncomfortable feelings, ranging from relatively minor annoyance (e.g., taking out the garbage in the rain) to more persistent and recurring feelings of stress and discomfort (e.g., dissertation, organizing income taxes) that activate your procrastination script. Even a minimal degree of stress or inconvenience (what we have come to describe as the feeling of “Ugh”) can be potent enough to make you delay action. Think about some of the mundane examples of procrastination, such as watching a boring television show because the remote control is out of reach (e.g., “It’s ALL THE WAY over there.”) or exercise (e.g., “I’m TOO TIRED to change into my workout clothes.”). The use of capital letters is meant to illustrate the tone of voice of your selftalk, which serves to exaggerate and convince you of the difficulty of what you want to do. You are capable to perform the action, but your thoughts and feelings (including feeling tired or “low energy”) makes you conclude that you are not at your best and therefore cannot and will not follow through (for seemingly justifiable reasons). You might think, “I have to be in the mood to do some things.” But, how often are any of us in the mood to do many of the tasks on which we end up procrastinating? The very fact that we have to plan them indicates that these tasks require some targeted planning and effort. When facing emotional discomfort, ADHD adults are particularly at risk for bolting to pleasant, easy, and yet often unsatisfying activities, such as eating junk food, watching television, social networking, surfing the Internet, etc. In fact, sometimes you may escape from stressful tasks by performing other, lower priority errands or chores. Thus, you rationalize violating your high-priority project plan in order to run out to fill your car with gas. This strategy can be seen as a form of “plea bargaining”—“I will do something productive in order to justify not doing the higher priority but less appealing task.” Moreover, these errands are often more discrete and time limited than the task you are putting off (i.e., “If I start mowing the lawn now, I will be done in 1 hour. I don’t know how long taxes will take me.”), which is often their appeal—even though they are low priority, you are more confident you will get them done. You need not be “in the mood” for a task in order to perform it. A useful reframe is the reminder that you have “enough” energy to get started and recall that once you get started on the first step, you usually feel better and more engaged. Breaking the task down into its discrete steps and setting an end time help you to reframe the plan (e.g., “I’m tired, but I have enough energy to do this task for 15 minutes.”). Rather than setting up the unrealistic expectation that you must be stress-free and 100% energized before you can do tasks, the notion of acceptance of discomfort is a useful mindset to adopt and practice.

Are you not at all frightened?" A curious pause. "Are you a villain?" "I suppose not." "A debaucher, a rake bent on ravishment?" It felt to him that she was rolling her eyes, her tone certainly had a touch of asperity. Knowing he was in the devil of a mood, he replied, "I could be for you.

You know who else was always on about being laughed out of the Academy?” Kraken said. Her voice had that teasing tone that could break Dharthi’s worst, most self-loathing prickliest moods-if she let it. “Moriarty.

After a brief battle with the urge to bury my head under the duvet and pretend pasties had never been invented, I got up only a few minutes late on Monday. Blaming my grouchy mood on the hours I’d spent churning over the revelations inside Mum’s box instead of sleeping, I did my best to plough on as usual. Gregory firmly plonked a large envelope on the counter when he came for his breakfast. ‘I’m presuming there’s something wrong with your emails, because I can’t think of any other reason why you’ve still not signed the lease. Here’s a paper copy. Read it when you have your soup and call me if you’ve any questions.’ ‘Mum may have known this inside out, but I’m in charge now. A responsible business owner would take the time to study it properly,’ I said. ‘If you’ve not had time to read a twenty-page document in two months, then you need to seriously question your life choices,’ Gregory said, laughing at his own joke. ‘A responsible business owner would make the time and get it done.’ Blessing came over to the kiosk before her shift started at two o’clock, leaning up against the hatch to take a good look at me once I’d filled her travel mug with coffee and handed her a pasty. ‘Mascara and dusky-rose lipstick. Subtle, yet effective. I bet no one’s said you look crap today.’ I swapped my Parsley’s Pasties smile for a real one. ‘Thanks for coming over last night.’ ‘Getting to nosey about the mysterious Brown house while showing off my make-up prowess? The pleasure was all mine. Although, next time we hang out, we’re going shopping. That blue T-shirt made your skin tone appear way more porridge than Arctic hare, and I have a feeling the rest of your wardrobe isn’t much better.’ ‘It’s no better,’ I started to reply, before Blessing, who had turned to check the time on the airport display board as she picked up her purchases, gasped. ‘Hello!’ She whipped her head back, eyes wide with glee. ‘What a perfect day for your secret lover to appear.’ ‘What?’ I instinctively craned my neck to scan the trickle of travellers wandering about the concourse, embarrassed anticipation flooding my pale cheeks. I didn’t have to ask who I was looking for. Blessing had been teasing me about Pip Hawkins since she’d caught us chatting back in September. Not that she knew we were on first-name terms.

Jane waited until she had her sons’ full attention once again and gestured for Avery to speak. “Now, let’s get down to specifics, Mother. What do you expect us to do that will make him jealous?” Avery looked up at his mother with false wide-eyed innocence, the rogue wanted her to say it! He didn’t think she would be capable of laying out her scheme in explicit detail. He was quite mistaken. “Don’t give me that sweet-as-a-lamb look, child,” Jane warned. “The three of you have sinned enough to fill the second circle of hell all on your own, and leave no room for others. You will do what you do with any gentle born lady. Compliment her. Seduce her. Fuel the fire deep within her. Lure her into passion. But do nothing to worry me in a month’s time. Understood?” Had she been in a better mood she would have laughed at the flush of embarrassment on their faces. “What? You expect me to play ignorant of such things? I gave birth to five children, and I assure you that I did not do that all on my own. Your father played a significant role in bringing your miserable existences about. There’s that little book from India I believe you all own? The one with all the illustrations. Don’t pretend you don’t know it, because I’ve read it as well.” “Mother! For God’s sake!” Lawrence begged, cutting his mother off. Jane allowed a smile to curve her lips. “It isn’t as much fun when you are on the other end of unpleasant thoughts now, is it?” She clapped her hands together. “Now then, off to the ballroom. And remember, do what I charged you or you will beg for mercy, and I shall have none to give. I brought you into this world, and should you displease me, I shall happily remove you from it.” She made the threat in such a sweet tone that all three of her sons shuddered. -Lady Rochester, Avery, Lawrence, & Linus

He caught her hand, his thumb feathering across the inside of her wrist. I am not a vampire. I have not turned. “I don’t understand.” He closed his eyes, smiled in his mind. She was back to using her professional, scientific voice. You were worried that I had turned. Earlier, in the woods, you were afraid I was a vampire. Just now you thought our people might be vampire. We are Carpathian, not the undead. Unless we turn. “Would you stay out of my head? Wait until you’re invited.” If I waited for an invitation from you, little red hair, I would be centuries old before it ever came about. The smile in his mind was just a little too sexy for her peace of mind. I was merely attempting to ease your fears. Now he sounded innocent. She laughed softly. “Do I have naïve stamped on my forehead?” Has anyone ever complained about your bedside manner? Shea raised her eyebrows. “I’m a surgeon. I don’t need a bedside manner. And in any case, I’ve never had such an outrageous patient before. Stop calling me red hair. And little red hair. And all the other things you call me. Dr. O’Halloran is appropriate.” For the first time his sensuous mouth softened, curved into a grin. The effect on her was shattering. It wasn’t right for a male to look that sexy. He should be banned from all female company. Handsome and sexy. I must be getting somewhere after all. His tone was lazy, teasing, a little bit husky. Shea laughed softly. It was impossible to be annoyed with him when he was in this mood. “You are handsome and sexy, but don’t let it go to your head. You’re also arrogant, dominating, and too ruthless for my taste.” She squashed him without a qualm. Jacques tugged on her hand, drew her close to the bed so that he could bring her palm to the warmth of his mouth. I am exactly to your taste.

I am not going to help you start a dynasty of giant babies.” “I never said you had to be willing.” “And you wonder why you have a hard time getting a woman.” She rolled her eyes. “You know, it is precisely that attitude that has made me revise my plan to abscond with you and make you my bride.” “About time. But if you’re not here to kidnap me, what the heck are you doing here then? And why isn’t anyone tossing you out on your striped ear?” “I was invited.” “Who was stupid enough to do that?” she asked. “I was.” Spinning on her heel, she finally found Leo, holding two bottles of sweating beer, one brown and skunky, the other pale with a wedge of lime shoved inside the glass. She grabbed the dark one and chugged it before he could saddle her with the girly one. Once she’d satisfied her thirst— without belching because she was, after all, a lady— she asked, “Why did you invite the king of misogyny?” “So I could show him this.” This comprised of Leo spinning Meena in his arms and plastering her mouth with his. A surprise smooch. A welcome lashing of tongues. An unimpressed audience. A gagging noise ruined the mood. “Is that necessary? I’ve already withdrawn my suit for the lady.” “Just making sure you get the point,” Leo remarked when he came up for air. “And to think I’d heard you were the sporting one,” Dmitri said in a dry tone of voice. Leo fixed Dmitri with a stare, a cold and menacing one. So hot. “I might be sporting, but I play to win. I also don’t share. Meena is mine.

Consent can be sexy! Reframing a question as part of seduction/foreplay allows couples to be clear about what kind of sexual activity is allowed while keeping the mood alive. Saying, “I’m wondering what it would be like to kiss you” in a soft, seductive tone can feel easier (and hotter) in a steamy moment than, “Do you mind if I kiss you?

Avi-Dekel This CBD strain has a 15.8% CBD level and 1% THC level, and with an indica-to-sativa ratio of 60:40, it delivers medicinal benefits without making the patient high. The Avi-Dekel CBD strain is relatively new and a product of Northern Israel. It is characterized by the gold-colored nuggets and olive green tones of the plant. The Avi-Dekel refreshes the body, relieves pain, and improves the mood, causing a feeling of happiness in the patient. The Avi-Dekel strain is recommended for those suffering from rheumatoid arthritis, colitis, diabetes, digestive problems, sleep disorders, and liver inflammation. The strain has a pleasant and earthy aroma, with nutty and chestnut flavors. Patients can still function normally een after taking Avi-Dekel because it does not cause drowsiness.

I’m beginning to realize I shouldn’t have stayed away from Eversby Priory for so long,” she heard him say grimly. “The entire household is running amok.” Unable to restrain herself any longer, Kathleen went to the open gap in the doorway and glared at him. “You were the one who hired the plumbers!” she hissed. “The plumbers are the least of it. Someone needs to take the situation in hand.” “If you’re foolish enough to imagine you could take me in hand--” “Oh, I’d begin with you,” he assured her feelingly. Kathleen would have delivered a scathing reply, but her teeth had begun to chatter. Although the Turkish towel had absorbed some of the moisture from her clothes, they were clammy. Seeing her discomfort, Devon turned and surveyed the room, obviously hunting for something to cover her. Although his back was turned, she knew the precise moment that he spotted the shawl on the fireplace chair. When he spoke, his tone had changed. “You didn’t dye it.” “Give that to me.” Kathleen thrust her arm through the doorway. Devon picked it up. A slow smile crossed his face. “Do you wear it often?” “Hand me my shawl, please.” Devon brought it to her, deliberately taking his time. He should have been mortified by his indecent state of undress, but he seemed entirely comfortable, the great shameless peacock. As soon as the shawl was within reach, Kathleen snatched it from him. Casting aside her damp towel, she pulled the shawl around herself. The garment was comforting and familiar, the soft wool warming her instantly. “I couldn’t bring myself to ruin it,” she said grudgingly. She was tempted to tell him that even though the gift had been inappropriate…the truth was, she loved it. There were days when she wasn’t certain whether the gloomy widow’s weeds were reflecting her melancholy mood or causing it, and when she pulled the brilliant shawl over her shoulders, she felt instantly better. No gift had ever pleased her as much. She couldn’t tell him that, but she wanted to. “You look beautiful in those colors, Kathleen.” His voice was low and soft. She felt her face prickle. “Don’t use my first name.” “By all means,” Devon mocked, glancing down at his towel-clad form, “let’s be formal.

Would you stay out of my head? Wait until you’re invited.” If I waited for an invitation from you, little red hair, I would be centuries old before it ever came about. The smile in his mind was just a little too sexy for her peace of mind. I was merely attempting to ease your fears. Now he sounded innocent. She laughed softly. “Do I have naïve stamped on my forehead?” Has anyone ever complained about your bedside manner? Shea raised her eyebrows. “I’m a surgeon. I don’t need a bedside manner. And in any case, I’ve never had such an outrageous patient before. Stop calling me red hair. And little red hair. And all the other things you call me. Dr. O’Halloran is appropriate.” For the first time his sensuous mouth softened, curved into a grin. The effect on her was shattering. It wasn’t right for a male to look that sexy. He should be banned from all female company. Handsome and sexy. I must be getting somewhere after all. His tone was lazy, teasing, a little bit husky. Shea laughed softly. It was impossible to be annoyed with him when he was in this mood. “You are handsome and sexy, but don’t let it go to your head. You’re also arrogant, dominating, and too ruthless for my taste.” She squashed him without a qualm. Jacques tugged on her hand, drew her close to the bed so that he could bring her palm to the warmth of his mouth. I am exactly to your taste. She yanked her hand away as if he had burned her, rubbing her palm along her thigh. The feeling didn’t go away, and neither did the butterflies he had sent winging in her stomach. “How do you know you’re not a vampire?” She needed to distract him, distract both of them. “Maybe you forgot. You’re certainly capable of acting like one.” This time he laughed, startling both of them. The sound was husky, low, and foreign to his ears, as if he had forgotten what it was like. His black eyes leapt to her face almost in fear. “Not bad, wild man. First a growl, and now a laugh. We’re making progress.” Her eyes danced at him, reassured him. Joy welled up in the midst of pain. Shea. She had created a world where his soul could somehow touch light.

Far too often, executives fail to align their physical energy with what they want to achieve. When we talk about energy, we mean both the superficial layer- how you look- and the vibe you give off-the mood and tone you convey. How you appear to others matters as much as what you say.

Let me get it,” he says, standing much too close for my comfort. It’s downright suffocating. “Not a chance, darlin’,” I drawl, giving him a dose of his own medicine. I hand the youngish sales lady my tags and bury my gaze inside my purse in search of my wallet. When I look up, I find a loopy smile on her face and it’s directed at him. The happy bastard smiles right back. “Are you two done? Can I pay for these, or would you like to go on a date before you ring me up?” They both turn to stare. She’s cherry red and pushing all the wrong buttons on the register while Dane’s busy scowling at me. I hand her my credit card without taking my eyes off of him. “Did I do something to you, Stella?” The thing is, I’m not mad at him. I’m mad at myself. I cannot believe that I allowed myself to fall under his spell. I don’t blame the sales girl either. She never stood a chance under the magnetic force that is Dane Wylder. I fell for it and I’ve been vaccinated against this particular virulent disease. I have Paul Donovan to thank for that. Turning back to the sales person, I take the receipt she hands me. “I’m sorry,” I murmur. “Hormones––they’re wreaking havoc.” “Oh, I get the same way when I get my period,” she replies in the sweetest drawl. “Thanks for your help,” I tell her in an apologetic tone. With that I walk away from the counter, and the two of them. A second later a big hand grabs a hold of my upper arm. I stop and turn, my expression not a happy one. “You didn’t answer me?” “No, Dane. You did nothing. Like I said, it’s the hormones.” He looks pensive, his sexy lips pursed as he’s mulling this over. “We should get you some ice cream.” I don’t know whether to laugh, or cry. He genuinely thinks ice cream is the solution to our problem? Then again he doesn’t have a problem. I’m the one with the urge. I’m the one with the craving. Unless ice cream comes in a flavor called Sweaty Sex With Dane, I don’t want it…and about as smart as jumping out of a plane with no parachute. The ride will be fast and thrilling and most certainly prove painful when I hit bottom. “What does ice cream have to do with it?” “Maybe it’ll make you nicer. You know, take the edge off.” My eyes automatically narrow. “Maybe we need to give each other space.” “No,” he huffs, arms crossed in front of his broad chest, his shirt straining against the swell of his pecs, expression locked in the determined position. “No?” “No. No space. I see what you’re doing here. This is some kinda female mental jujitsu. You say you want space, but you don’t really want it.” I’m seconds from punching him in the nut sac, which is almost directly in my line of sight. There is something to be said about being short. Or for him being grotesquely tall. “I…I’m going to…I can’t.” I flee to the cosmetics department in search of the Holy Grail, a flat iron, before I do or say something I’ll regret. And find one. Thank the Lord. This goes a small way to propping up my mood. I’m almost tempted to purchase two.

That’s got to be right,” she heard Roo mumble. “Once they discovered she was a spy, she’d have been executed.” “And think of her career.” Ashley sighed. “The scandal.” Etienne’s tone was humorless. “Hell, in this town, the locals mighta strung her up. Me, I’d have taken that poison, too.” The mood around the table had gone somber, as though none of them really wanted to admit Miss Ellena’s guilt. Even Parker seemed to be considering Miranda’s theory. Leaning back in his chair, Etienne stroked his fingers along his chin. “She coulda gotten secrets from anybody. Or passed secrets to anybody. Especially if she was somebody’s mistress.” “Or many somebody’s mistress.” Parker chuckled. “It would have been so easy for her--men would have told her anything. They’d have given up secret information just like that.” Snapping her fingers, Ashley coolly confronted Parker’s indignation. “Come on, give us guys a little credit. Why would any high-ranking officer share classified information with his little groupie, huh?” “Because those high-ranking officers were men.” Roo’s stare was as condescending as her tone. “And men only think with their--” “Downstairs brain,” Ashley finished. While the guys conceded with slight embarrassment, Roo and Miranda laughed. “Good one, Ash.

This is less about putting your dream car, your coveted vacation, or the ideal wedding gown on the board and more about placement of words, colors, and objects that create the mood and tone of your desired life. What do you want your life to feel like? What is the mood?

Didn’t we meet last year at the meeting of the New Jersey Bar Association?” Bodine asked, as his daughter collected their papers and put them in their briefcase. “Yes, I believe we did.” “Thought so. I never forget a voice.” That comment threw Fiske off-center for a moment. “I just wanted to, well, shake hands so to speak, before we come out fighting.” “Is your hand out there in the air, waiting for mine? Cause if it is, you can put it back wherever you had it. I don’t shake hands these days. And while you’re at it, you can remove that smug smile off your face. I don’t have to see it, I can tell by your tone. You’ve already pissed me off, and this is just the arraignment. So I’m not exactly in a gentlemanly mood. And if you try to set up my client by having him mingle with the others, there’ll be hell to pay. Getting my drift, son?” Fighting words for sure, but the word that provoked Fiske the most was the condescending “son,” just as Bodine had figured it would. “Is that a threat, Mr. Bodine?” Emily tugged at her father’s arm with the covert message that he quit this repartee. He turned to leave, but not before saying, “No, Mr. Fiske, just a consequence.” Nathaniel Bodine, blind lawyer

Mom ignored this as she shifted into the aggressive tone she used at her most manic. By then we’d learned to read Mom’s moods; after years on a psychiatrist’s couch she’d finally been diagnosed as bipolar, and we’d come to expect the extreme swings that moved through her like weather, altering every aspect of her being. The

Notice how your voice tone affects the voice tone of the person you speak to. Change your voice tone and see how it changes the voice tone of the other person (you may have to demonstrate the change a few times before the other person matches you). When your level of negative emotional arousal is low, notice how much you love your partner, notice your commitment to your relationship, and notice the things you both want from your relationship, such as companionship, friendship, support, and understanding. Notice that you are in the same boat together: you sail or sink together. Every day remind yourself about how you are connected to your partner: “Your happiness is my happiness, and your unhappiness is my unhappiness. When I take care of your needs, I am also taking care of my own. When I treat you with love and kindness, I am taking care of myself also.” Notice how your mood affects others around you, and vice versa. Before saying something to your partner, even in an easy, nonconflictual situation, ask yourself, “Is this going to make things better or worse?” or, if you prefer, “Is this going to get me what I really want in the long term?” Practice this one as much as possible, even several times per day. Notice how empowering it is to be able to choose how you

Parents of an ADD child will often say that their son or daughter has a “powerful” personality. Far from being powerful, the child is weak and vulnerable. It’s not his “power” but the inefficiency of the parents’ own emotional thermostat that enables the fluctuations in the child’s moods to set the emotional tone of the whole household. A child in this situation is deeply insecure. He is made insecure by his lack of emotional self-control because there are no adults around able to maintain a steady and functioning environment, whatever his own particular internal states may be.

Philosophiren, says Novalis, ist dephlegmatisiren vivificiren. The service of philosophy, of speculative culture, towards the human spirit is to rouse, to startle it into sharp and eager observation. Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us,—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy? To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes any two persons, things, situations, seem alike. While all melts under our feet, we may well catch at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist's hands, or the face of one's friend. Not to discriminate every moment some passionate attitude in those about us, and in the brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. "Philosophy is the microscope of thought." The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or what is only conventional, has no real claim upon us.

Anglo-Saxon English was a language of tremendous richness. Its vowels, which could be mixed together in many ways, gave it subtle moods and echoing tones. Its Germanic consonants could declaim or whisper, crack and crunch. Even in formal verse, the lines varied their stresses and length, falling into the natural rhythm of the scene the poet wished to evoke. It was the tongue of Nordic sagas and of men who lived by the sea, river, and forest. When poets recited, their listeners could almost feel the swinging axe, see heroes fall, sense the deer in the thicket, or hear the singing saw of the swans’ wings over the water. Above all, the art of the poet lay not in rhyme but in the clever use of alliteration, to which this strong tongue so obviously lent itself, searching its riches for an endless supply of evocative repetitions.

Rather than tell a story in traditional Tin Pan Alley style, Lennon and McCartney wrote their lyrics to create a mood or a tone, so as not to get in the way of the effect created by the music and the sound.

So often children are punished for being human. Children are not allowed to have grumpy moods, bad days, disrespectful tones, or bad attitudes. Yet, us adults have them all the time. None of us are perfect. We must stop holding our children to a higher standard of perfection than we can attain ourselves.” ​— ​REBECCA EANES

Please note that singing significantly improves our mood and tone. Today there is a whole line of therapy - singing therapy. Singing heals - at first glance it is paradoxical, but if we understand the mechanisms of respiration, it is quite understandable.

A tyrant, in the future, is about to retire and turn over the 3 or so planets he controls to a younger aspirant. The young wife of the tyrant, however, wishes control to go to her, and to prove to her husband what a dreadful leader the aspirant would make. All time-travel experiments have failed, but there is a theoretical possibility that alternate presents could be reached. Instigated by the tyrant's wife, a research crew begins the job. MEANWHILE, the aspirant has let no grass grow beneath his feet; he responds to Project Alternate by hiring one of Earth's larges industrial corporations to build a fake alternate world, in which he rules, and all is wonderful. Now comes the tour de force. The tyrant's young wife learns about the construction of a fake alternate world. Her response: she engages a team of clever experts—along the lines of that in MISSION IMPOSSIBLE—to worm their way into the fake alternate world and plant fake fakes there, which will give it all away when the tyrant is brought to visit it. All seems clear at this point. The aspirant is having a fake alternate world being made; the tyrant's wife is busily subverting it. But—aha! Everyone's scheme is brought down in a great crash when a real alternate present is reached. The tyrant sets out to visit it—naturally. But it bears no relation at all to their own world. It is a 'board-game' world, with squares and the possibility of moving from one square to the next. Each square is a sort of alternate world on its own; the squares differ that much from one another in tone, structure, mood, color, with the characters themselves altering to fit into the Geist of each square. On one square, for example, all food tastes marvelous. On the next square, milk is a deadly poison. And so on. Ultimately, the characters discover the nature of this world: each square represents a particular mushroom, and that of a poisonous mushroom is a poisonous micro-world . . . the morel square, of course, being nearly on a level with heaven.

I can’t imagine anyone dumb enough to think they could ever take you on and win. Damn, boy. You are ripped!” Gaping even wider, he gave one more squeeze to Talyn’s massive biceps. Fain bristled at Chayden’s impressed tone. “He’s the same size I am.” Chayden finally quit molesting Talyn’s arm and snorted disdainfully at Fain. “Yeah, but he’s a lot scarier than you are, Hauk.” Talyn cracked a cocky grin that really didn’t help Fain’s foul mood, as Galene laughed. While

I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood, because I want to preserve your comfort, because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering. Let’s tone it down. You will find society asking you for the happy ending, saying “Come back when you’re better, when what you say can make us feel good, when you have something more uplifting, affirming.

The Brain Song Review 2025 — Does This Sound-Based Memory Booster Really Work? (gm47) # The Brain Song Review: Can This 12-Minute Audio Track Really Boost Your Brainpower? Feeling mentally foggy? Struggling with focus and memory? The Brain Song is a sound-based program promising to enhance cognitive function using specific audio frequencies in just 12 minutes a day. CLICK HERE TO Visit The Official Website CLICK HERE TO Visit The Official Website CLICK HERE TO Visit The Official Website But does it live up to the hype? Is it genuine neuroscience or just clever marketing? This in-depth review breaks down the science behind The Brain Song, shares our 30-day experience, examines real user results, and delivers an unbiased verdict to help you decide if it's right for you.

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The Philosophy of Space: How Intentional Design Shapes Our Inner Lives We spend our lives navigating spaces—offices, homes, cafes, and walkways. These environments, often seen merely as backdrops to our existence, are in fact active participants in our narrative. The truth is, the architecture, arrangement, light, and color of our surroundings are not passive; they are constantly communicating with us, subtly dictating our moods, fueling our productivity, and framing our most intimate thoughts. Understanding this profound relationship between our physical environment and our inner life is the foundation of intentional design. The philosophy of space recognizes that a poorly designed room isn't just an aesthetic failing; it can be an emotional drain and a barrier to achieving our goals. Conversely, a space crafted with mindfulness becomes a powerful tool—a silent partner that supports and inspires. The Subtle Psychology of the Built World The field of environmental psychology has long explored how our surroundings impact cognitive function and well-being. Clutter, for instance, is not just a visual nuisance; studies show it can directly increase stress hormone (cortisol) levels, distract the working memory, and reduce our ability to focus. Conversely, a minimalist, organized space promotes calm and clarity, providing an external representation of the mental order we seek. Consider the role of light and color: Light: Natural light is critical, regulating our circadian rhythms and boosting vitamin D production. Spaces lacking adequate daylight often contribute to lethargy and mood disorders. Even artificial light sources—from warm, amber tones that promote relaxation to crisp, cool lights that enhance concentration—can be intentionally deployed to support specific activities. Color: The emotional resonance of color is undeniable. Blues and greens are often used in bedrooms and offices to inspire tranquility and focus, while vibrant reds and yellows can stimulate appetite and energy, making them staples in kitchens or social areas. Intentional design leverages this psychological palette to engineer desired emotional states. Bridging the Gap: From Concept to Concrete Reality The process of intentional design begins with a vision—the ideal workspace for innovation, or the perfect sanctuary for rest. However, this is where the philosophical challenge meets the logistical reality. Translating a conceptual dream into a concrete, functional structure is a monumental task fraught with complexity. A beautifully rendered 3D model is just the blueprint. The actual execution—the fit-out—involves dozens of critical, intertwined stages: managing multi-disciplinary teams (plumbers, electricians, carpenters), ensuring materials procurement aligns with specifications, adhering to tight timelines, and navigating the inevitable challenges and variations that arise during construction. This execution phase requires a synthesis of design sensibility and rigorous, boots-on-the-ground project management. For businesses and individuals seeking to bridge this complex gap and manage the entire interior lifecycle with confidence, connecting with a full ecosystem of vetted professionals is essential. Platforms exist that are dedicated to streamlining the entire fit-out process, from securing reliable quotes to managing project turnover. For example, systems like Super Fitout are specifically designed to bring structure and transparency to this critical phase, ensuring that the integrity of the original design vision is maintained through expert execution. The Power of Deliberate Creation Intentional design is the act of being an author, not just an occupant, of our surrounding

The Brain Song Review 2025 — Does This Sound-Based Memory Booster Really Work? (7ey3) # The Brain Song Review: Can This 12-Minute Audio Track Really Boost Your Brainpower? Feeling mentally foggy? Struggling with focus and memory? The Brain Song is a sound-based program promising to enhance cognitive function using specific audio frequencies in just 12 minutes a day. CLICK HERE TO Visit The Official Website CLICK HERE TO Visit The Official Website CLICK HERE TO Visit The Official Website But does it live up to the hype? Is it genuine neuroscience or just clever marketing? This in-depth review breaks down the science behind The Brain Song, shares our 30-day experience, examines real user results, and delivers an unbiased verdict to help you decide if it's right for you.

Neuro Energizer Review: The Ultimate Guide to Mental Clarity Neuro Energizer isn’t a pill or supplement. It is an audio program built on soundwaves. You just press play and listen. It uses binaural beats and isochronic tones. These special sounds help your brain sync up better What is Neuro Energizer? Neuro Energizer is a digital audio program. It uses binaural beats and brainwave entrainment. The goal? To improve focus, memory, creativity, mood, and sleep all without pills or apps. Click Here To Visit – Neuro Energizer Official Website Click Here To Visit – Neuro Energizer Official Website How Neuro Energizer Works? 1. Tunes Your Brainwaves When two different tones play, one in each ear, your brain creates a third tone. This is the binaural-beat effect. It guides your brain into sharper, calmer states. 2. Activates the “Genius Bridge” The audio targets the corpus callosum the link between your brain’s left and right sides. It boosts the flow of ideas between thinking and creativity. 3. Instant Focus Boost You only need to listen for about 7 seconds a day. That quick session is enough to feel alert and sharp. Many say they feel calm focus right away . 4. Builds Lasting Brain Power Over time, repeated use supports neuroplasticity your brain’s ability to form new connections. This leads to better focus, memory, and creativity. Where to Buy? Neuro Energizer costs $39 one‑time. It’s available only on its official website. Purchasing there gets you instant digital access, bonus materials, and the 60‑day money‑back guarantee Avoid buying from third‑party sites, since that may void the guarantee or delay downloads. Click Here To Visit – Neuro Energizer Official Website Final Verdict Neuro Energizer receives consistently positive personal reviews for boosting focus, memory, and sleep. A few users question the hype but the genuine success stories and refund safety net make it worth a try for anyone drawn to audio brainwave enhancement. It’s delivered as downloadable sound tracks and bonus guides to help you integrate it into your life.

Common Narcissistic Phrases (Parent) “I sacrificed everything for you” “You owe me for all I’ve done for you” “You’re so ungrateful” “I’m the best parent you could ever have” “You’ll never find someone who loves you as much as me” “You’re just like “ (negative comparison in the family) “I know what’s best for you” “You’re the reason for my stress” “Why can’t you be more like your sibling?” “You’ll never survive on your own” “I did it for your own good” “I’m the only one who will ever understand you” When Your Mother Is a Narcissist Being raised by a narcissistic mother means that she was emotionally immature. She was either explosive or forgot you were there until she needed something. Maybe you didn’t get attention for doing well because that’s what was expected. However, the moment you were less than perfect, her mask would come off. You grew up being unfairly compared to your siblings or even your cousins outside the home. You grew up with a lack of privacy. In your childhood home, it was ALWAYS about mom. Her mood set the tone for the entire household. If mom wasn’t happy, nobody was happy.

AlpineAura: Where Natural Calm Meets Elevated Modern Style As lifestyles become more fast-paced and digital, the desire for calm and authenticity continues to grow. AlpineAura reflects this modern need by drawing inspiration from the purity of alpine landscapes and blending it with contemporary design and living. It represents a balanced approach to life—clean, intentional, and refined. The Inspiration Behind AlpineAura The alpine world is known for its clarity, strength, and timeless beauty. Snow-covered peaks, fresh mountain air, and peaceful surroundings form the foundation of the AlpineAura concept. The word “aura” adds a deeper layer, symbolizing an invisible energy that influences mood, confidence, and well-being. Together, AlpineAura creates a feeling of quiet luxury rooted in nature. This concept fits naturally into wellness, fashion, travel, home décor, and sustainable branding. AlpineAura appeals to people who seek products and experiences that feel genuine, calming, and thoughtfully designed. What Defines the AlpineAura Identity AlpineAura is defined by simplicity and purpose. It avoids unnecessary complexity and focuses on clean lines, natural tones, and high-quality materials. This approach creates a sense of trust and sophistication without being overwhelming. Unlike short-lived trends, AlpineAura embraces a timeless aesthetic. It values long-term quality, ethical choices, and designs that remain relevant across seasons. This makes it especially appealing to modern consumers who prioritize sustainability and mindful living. AlpineAura as a Lifestyle Philosophy Beyond branding, AlpineAura represents a lifestyle centered on balance and awareness. It encourages people to slow down, reconnect with nature, and choose quality over quantity. Whether through minimalist interiors, eco-conscious products, or calming digital spaces, AlpineAura reflects modern values of intentional living. As more people seek meaningful experiences and sustainable solutions, AlpineAura stands out as a concept with enduring appeal. It communicates calm confidence, natural elegance, and a sense of grounded sophistication. In essence, AlpineAura is more than a keyword—it is a reflection of modern living inspired by nature’s clarity and strength.