Luxury Bag Quotes

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You saw Travis on Halloween! He’s out of control over this girl! She left the morning after he bagged her the first time without telling him good-bye, and he trashed his fucking apartment! Trust me, I would love to bash something or someone, but I don’t have that luxury, Cami. I have to keep it together! I don’t need you judging me about what I do to keep my mind off of you!
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
Diogenes the Cynic was an ascetic by choice. He rejected his family's bourgeois status, got himself exiled from his native city, and went about in a threadbare cloak with only the barest possessions, a bag for his crust of bread and a cup for scooping water from fountains. When one day he saw a boy drinking from his hands, he smashed the cup, disgusted by his own love of luxury.
James Romm (Dying Every Day: Seneca at the Court of Nero)
we discussed this dire problem with education and illusions of academic contribution, with Ivy League universities becoming in the eyes of the new Asian and U.S. upper class a status luxury good. Harvard is like a Vuitton bag or a Cartier watch. It is a huge drag on the middle-class parents who have been plowing an increased share of their savings into these institutions, transferring their money to administrators, real estate developers, professors, and other agents. In the United States, we have a buildup of student loans that automatically transfer to these rent extractors. In a way it is no different from racketeering: one needs a decent university “name” to get ahead in life; but we know that collectively society doesn’t appear to advance with organized education.
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
In 1911, the poet Morris Rosenfeld wrote the song “Where I Rest,” at a time when it was the immigrant Italians, Irish, Poles, and Jews who were exploited in the worst jobs, worked to death or burned to death in sweatshops.[*] It always brings me to tears, provides one metaphor for the lives of the unlucky:[19] Where I Rest Look not for me in nature’s greenery You will not find me there, I fear. Where lives are wasted by machinery That is where I rest, my dear. Look not for me where birds are singing Enchanting songs find not my ear. For in my slavery, chains a-ringing Is the music I do hear. Not where the streams of life are flowing I draw not from these fountains clear. But where we reap what greed is sowing Hungry teeth and falling tears. But if your heart does love me truly Join it with mine and hold me near. Then will this world of toil and cruelty Die in birth of Eden here.[*] It is the events of one second before to a million years before that determine whether your life and loves unfold next to bubbling streams or machines choking you with sooty smoke. Whether at graduation ceremonies you wear the cap and gown or bag the garbage. Whether the thing you are viewed as deserving is a long life of fulfillment or a long prison sentence. There is no justifiable “deserve.” The only possible moral conclusion is that you are no more entitled to have your needs and desires met than is any other human. That there is no human who is less worthy than you to have their well-being considered.[*] You may think otherwise, because you can’t conceive of the threads of causality beneath the surface that made you you, because you have the luxury of deciding that effort and self-discipline aren’t made of biology, because you have surrounded yourself with people who think the same.
Robert M. Sapolsky (Determined: A Science of Life without Free Will)
Shostakovich was the celebrity witness to the glories of Soviet culture, but the luxury accommodation was no recompense for the humiliation he suffered. At the official press conference, he stood up, his face a “bag of ticks and grimaces,” his eyes downcast behind thick wire-rimmed glasses, and read from a prepared statement, accusing Western “hatemongers” of “preparing world opinion for the transition from cold war to outright war.” In the audience was the Russian-born composer Nicolas Nabokov, who, like his first cousin Vladimir, had fled the revolution and taken U.S. citizenship. Nabokov watched
Nigel Cliff (Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War)
he would even suggest such a thing. Her motives for such dedication were unclear, but since she was only a client, he didn’t press for more. As she stood abruptly, he followed suit. “I’ll show you your room,” she said, the words clipped. Larkin followed her back to the foyer and up the stairs, pausing only to grab his bag. The house was furnished with impeccable taste, luxury in every detail, but nothing at all ostentatious. He wondered if she had redone the place after her parents’ deaths, and he suspected she had. Somehow the decor reflected the personality of its owner. When Winnie paused, Larkin followed suit, standing shoulder to shoulder with his hostess as he surveyed the room. He whistled. “Very nice.” This close, he inhaled the scent of honeysuckle again. “I hope you’ll be comfortable. I appreciate your fitting me into your schedule. Let me know if you need anything at all.” There it was again. That pesky, subtle does-she-or-doesn’t-she vibe that made his skin itchy and his sex
Janice Maynard (Taming the Lone Wolff (The Men of Wolff Mountain Book 6))
He was twenty-eight years old with no family or partner to help make ends meet, and certainly no savings to allow him to pursue higher education in hope of finding a better career. When he wasn’t unclogging toilets and mopping up spills, he worked at a local tech-support call center. He delivered flyers. He bagged groceries and retrieved wayward carts and cleaned yet more spills at the local grocery store closest to his one-bedroom apartment in a neighborhood that shouldn’t cost as much to live in as it did. And it still wasn’t enough. Still Hero struggled to pay all his bills and afford the little luxuries of life like food and clothing and deeply necessary medication.
Ashley Shuttleworth (A Dark and Hollow Star (The Hollow Star Saga, #1))
I visited a factory in Guangdong Province and held the bags in my hands. To see them, I had to promise the manufacturer that I wouldn’t reveal the brand names. Each brand made the manufacturer sign a confidentiality agreement stipulating that he could not reveal the fact that he produced their products in China.
Dana Thomas (Deluxe: How Luxury Lost Its Luster)
Turning 60 hadn't sent me into a tailspin or whipped up an existential crisis. Aging in our business was a luxury most never got. But it straight up pissed me off when I came up against something I couldn't do as easily as I used to. Everyday I walked 10 miles and two hours of yoga; I spent 12 hours a week pounding my fists into a heavy bag and lifting weights. I popped supplements like they were Pez. But once in a while, some little shit like Brad Fogerty crossed my path and I felt every damned year.” ― , Killers of a Certain Age
Deanna Raybourn (Killers of a Certain Age (Killers of a Certain Age, #1))
Overeating, or comfort eating, is the cheap, meek option for self-satisfaction, and self-obliteration. You get all the temporary release of drinking, fucking, or taking drugs, but without - and I think this is the important bit - ever being left in a state where you can't remain responsible and cogent. In a nutshell, then, choosing food as your drug - sugar highs, or the deep, soporific calm of carbs, the Valium of the working classes - you can still make the packed lunches, do the school run, look after the baby, pop in on your mum, and then stay up all night with the ill five-year-old - something that is not an option if you're coming off a gigantic bag of skunk or regularly climbing into the cupboard under the stairs and knocking back quarts of Scotch. Overeating is the addiction of choice of carers, and that's why it's come to be regarded as the lowest-ranking of all the addictions. It's a way of fucking yourself up while still remaining fully functional, because you have to. Fat people aren't indulging in the "luxury" of their addiction making them useless, chaotic, or a burden. Instead, they are slowly self-deconstructing in a way that doesn't inconvenience anyone. And that's why it's so often a woman's addiction of choice.
Caitlin Moran
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Samuel Kent (The Grammar of Heraldry, or Gentleman's Vade Mecum, &C: Containing I. Rules of Blazoning, Cautions and Observations; II. Practical Directions for ... Of an Atchievement; III. A Large Collection)
After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.
Kingsley Amis
Are you sure it’s going to fit? You told me to get a double.” “I did?” She glanced at the platform. “I meant a full. That’s a little narrower, isn’t it?” “I don’t know. I hope they’re the same. Measure twice, move once.” Doubt flickered across Kenzie’s expression. “That’s not how the saying goes.” “It’ll do for now.” “Let’s just try it.” She curled her fingers around a handle and dragged it onward. Linc reached for the other one and helped her flip it down. It hollowed in the middle and hung over the edge. “I’m guessing I got suckered,” he said with annoyance. He looked at the label sewn into the side. “It isn’t a national brand--the measurement sure isn’t standard. The damn thing is about three inches wider than the platform.” “The length is correct,” Kenzie said helpfully. Linc lifted it back up again and leaned it against the opposite wall. “Yeah. Great.” “Sorry,” she offered. He bent over and ran a hand along the platform’s edge, pushing gently on the long wooden bar that kept the mattress in place. It gave at one corner. “Stapled. Not exactly quality construction.” He thumped at it with a closed fist to pry it loose and di the same thing at the other end, straightening with the bar in his hand. He handed it to her. “This can go in the closet. You get to explain to Norm.” “He won’t care. You’re a genius.” Linc hoisted the mattress and flipped it down again. “If you say so.” He grinned. “At least the bed’s flat.” Kenzie rested the bar in a corner and got busy stripping off the plastic while he watched. The luxurious satin top gleamed softly--he’d spent what she’d given him. When she was done, she had an armful of plastic that she stuffed into a bag on top of the crumpled rock-star posters. With a sigh of happiness she sat down on her new bed. “Thanks so much. You really came through.” “I like protecting you from lecherous mattress salesmen. You don’t need to thank me,” he joked. “How about a kiss instead?” Linc was taken aback. He opened his mouth, too surprised for a second to say yes. No never entered his mind.
Janet Dailey (Honor (Bannon Brothers, #2))
And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.
Edmund Spenser (The Faerie Queene)
He does not treat oranges like a luxury costing too many dollars per bag, like something to be savored, he eats them like they are made to be devoured, without thought to where the next orange is coming from.
Cherie Jones (How the One-Armed Sister Sweeps Her House)
In a press release, Abercrombie & Fitch offered Jersey Shore star Mike “The Situation” Sorrentino a “substantial” amount of money (later reported to be $10,000) not to wear their clothing on the show. Similar efforts were afoot with his castmates—the writer and fashion commentator Simon Doonan claimed in a New York Observer column that high-end brands were giving the reality stars their competitors’ luxury bags as a way to drive down their desirability.
Véronique Hyland (Dress Code: Unlocking Fashion from the New Look to Millennial Pink)
In a world dictated by “likes”, “followers”, Jordans, Red Bottoms, luxury bags, who’s got the “drip”, and driving high-priced cars, you have to look past all this “noise” in order to grasp what real, solid, generationally transferable success looks like.
Carlos Wallace
Tiff’s allowing her kids the luxury of watching television brought to mind a dinner Pete, the kids, and I went to with a few other couples and their kids. We were at a restaurant where the service was friendly but slow, and after five minutes, all of our kids were growing restless. My husband and I reached for our iPhones, because years earlier we’d decided (or at least accepted) that we’d let our children play on screens while they waited for food in restaurants. Another couple, for reasons of civility or table manners or brain development, had a no-screens-at-the-table policy in effect, so instead they reached for the piles of toys they’d carried with them, in big tote bags brimming with markers and Play-Doh and Disney figurines. They poured these nondigital diversions onto the table, turning the place settings into an elevated rec room. Another couple at the table disapproved of both of these choices. They wanted their children to sit nicely and participate in the conversation. Mostly this meant their kids flopped around and played with the saltshakers and kicked each other’s knees. The one childless couple at the table grimaced at all of us. I could see them silently interrogating each other, trying to understand how it was possible that all six of their friends were such ineffectual parents. Everyone was tense and unhappy. Everyone felt watched and judged. Everyone was wondering who was doing it the right way. But worst of all, worse than the atmosphere of guardedness and anxiety, was the fact that no one was acknowledging any of it. This, it turns out, is the most important rule of parenting as a competitive sport: Nobody ever, no matter what, admits to competing. We smile and nod and hold our judgments until we get home from the restaurant. We say things like, “There’s no single right way.” We say these things as we sip our drinks, and only when we get home do we say to our partner or the nearest person who will listen, “What the fuck are they doing with those kids?” Nothing is acknowledged. Nothing is discussed. And on and on the parenting game goes; it’s hard to win while pretending not to play.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.
Courtney Milan
An upturned axis mundi, a sad parody of the pure, healthy and luxuriously verdant tree, of vigorous and fecund vegetation overflowing with life-giving juices and sap; a feeble shadow of arboreal life, of aromatic and salutory herbs, Man, nature’s discard, a living and walking incarnation of decay, like a contaminated and worm-infested blood clot, was the chosen pasture ground of the immortal earthworm which gnaws and devours (‘esca vermis qui semper rodit et comedit immortalis’), a lurid ‘thing’, which rotted and became contaminated. A bag of excrement producing nothing but a foul stench, infected blood, purulent sperm, a ball of filth. ‘Man is nothing but fetid sperm, a bag of dung and food for worms. After man comes the worm, and after the worm, stench and horror. And thus is every man’s fate’ (St Bernard).
Piero Camporesi (The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore)