Rubbish Day Quotes

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We are such things as rubbish is made of, so let's drink up and forget it.
Eugene O'Neill (Long Day’s Journey into Night)
It surprised him that his grief was sharper than in the past few days. He had forgotten that grief does not decline in a straight line or along a slow curve like a graph in a child's math book. Instead, it was almost as if his body contained a big pile of garden rubbish full both of heavy lumps of dirt and of sharp thorny brush that would stab him when he least expected it.
Helen Simonson (Major Pettigrew's Last Stand)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
I actually attack the concept of happiness. The idea that - I don’t mind people being happy - but the idea that everything we do is part of the pursuit of happiness seems to me a really dangerous idea and has led to a contemporary disease in Western society, which is fear of sadness. It’s a really odd thing that we’re now seeing people saying “write down 3 things that made you happy today before you go to sleep”, and “cheer up” and “happiness is our birthright” and so on. We’re kind of teaching our kids that happiness is the default position - it’s rubbish. Wholeness is what we ought to be striving for and part of that is sadness, disappointment, frustration, failure; all of those things which make us who we are. Happiness and victory and fulfillment are nice little things that also happen to us, but they don’t teach us much. Everyone says we grow through pain and then as soon as they experience pain they say “Quick! Move on! Cheer up!” I’d like just for a year to have a moratorium on the word “happiness” and to replace it with the word “wholeness”. Ask yourself “is this contributing to my wholeness?” and if you’re having a bad day, it is.
Hugh Mackay
I’m dazzled by your facility. In ten days you’ll have written six stories! I don’t understand it… I’m like one of those old aqueducts: there’s so much rubbish cogging up the banks of my thought that it flows slowly, and only spills from the end of my pen drop by drop.
Gustave Flaubert
No horrible, awful, rubbish day is worth damaging a library book.
Elle McNicoll (A Kind of Spark)
Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish–they often are. But then, it is always easier to return to rubbish words at a later date and make them better.
Sarah Waters
Silence is the element in which great things fashion themselves together; that at length they may emerge, full-formed and majestic, into the daylight of Life, which they are thenceforth to rule. Not William the Silent only, but all the considerable men I have known, and the most undiplomatic and unstrategic of these, forbore to babble of what they were creating and projecting. Nay, in thy own mean perplexities, do thou thyself but hold thy tongue for one day: on the morrow, how much clearer are thy purposes and duties; what wreck and rubbish have those mute workmen within thee swept away, when intrusive noises were shut out! Speech is too often not, as the Frenchman defined it, the art of concealing Thought; but of quite stifling and suspending Thought, so that there is none to conceal. Speech too is great, but not the greatest. As the Swiss Inscription says: Sprecfien ist silbern, Schweigen ist golden (Speech is silvern, Silence is golden); or as I might rather express it: Speech is of Time, Silence is of Eternity.
Thomas Carlyle (Sartor Resartus)
One day God felt he ought to give his workshop a spring clean... It was amazing what ragged bits and pieces came from under his workbench as he swept. Beginnings of creatures, bits that looked useful but had seemed wrong, ideas he'd mislaid and forgotten... There was even a tiny lump of sun. He scratched his head. What could be done with all this rubbish?
Ted Hughes (The Dreamfighter : And Other Creation Tales)
Your greatest need is to clean out the enormous mass of mental and emotional rubbish that clutters your mind. You need to learn how to select your thoughts just the same way you select your clothes every day. This is a power you can cultivate. If you want to control things in your life, work on controlling your mind. In most cases, that’s the only thing you should be trying to control.
Marc Chernoff
The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny.
Christopher Isherwood (Goodbye to Berlin)
… to rule at my side with grace and justice, to honor the laws of the Earthen Union as laid out by our forefathers, to be an advocate for peace and fairness among all peoples.” Did anyone believe a word of this rubbish? “From this day forward, she will be my sun at dawn and my moon at night, and I vow to love and cherish her for all our days.” Who wrote these vows anyway? He’d never heard anything so ridiculous in his life.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Funny how days are like that. Some days start off rubbish and get worse as they go on, others start well and get better.
Chris Higgins (A Perfect Ten)
If there's anything romcoms have taught us about spontaneous gifting, it's that the big expensive presents are often a sign of guilt. But not the small, sort of rubbish presents. It seems to me that a cheap bag of crisps says a whole lot more than a gold necklace. It says 'You occupy such a vast space in my mind, I think of you so constantly, that my day-to-day life throws up constant reminders of you.' That person is, subconsciously or not, considered in everything you do and everywhere you go. Even in somewhere as mundane as the supermarket snack aisle.
Ali Pantony (Almost Adults)
But at times like this, he wondered if he was also the only one paying attention to the shortening of the days, the rubbish left by the side of the road, and the neglected and forgotten past.
Natalie Jenner (The Jane Austen Society)
Paul declared in Philippians 3:8: “I count all things to be loss in view of the surpassing value of knowing Christ Jesus my Lord, for whom I have suffered the loss of all things, and count them but rubbish so that I may gain Christ” (NASB).
Charles F. Stanley (I Lift Up My Soul: Devotions to Start Your Day with God)
In the wild struggle for existence, we want to have something that endures, and so we fill our minds with rubbish and facts, in the silly hope of keeping our place. The thoroughly well-informed man--that is the modern ideal. And the mind of the thoroughly well-informed man is a dreadful thing. It is like a bric-a-brac shop, all monsters and dust, with everything priced above its proper value. I think you will tire first, all the same. Some day you will look at your friend, and he will seem to you to be a little out of drawing, or you won't like his tone of colour, or something. You will bitterly reproach him in your own heart, and seriously think that he has behaved very badly to you. The next time he calls, you will be perfectly cold and indifferent. It will be a great pity, for it will alter you. What you have told me is quite a romance, a romance of art one might call it, and the worst of having a romance of any kind is that it leaves one so unromantic.
Oscar Wilde (The Picture of Dorian Gray)
THE LILIES This morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses-- There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat...
Doris Lessing (Going Home)
Everything altered. The room was the same as it had always been, night and morning, day after day for as long as Sarah could remember, but she was seeing it with new eyes. It was all fabricated from pieces of scrap, everything was rubbish, relics. All her things, the furniture, even the walls, the whole room was a garbage heap, a dead shrine to a spirit that had fled.
A.C.H. Smith (Labyrinth: A Novel Based on the Jim Henson Film)
The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day." It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.
Neil Gaiman
a happy child grows up to be a happy adult. When I was growing up, spoiling a child meant ruining a child. If something was spoiled, it either went down the drain or was tossed into the rubbish. These days, however, parents pat themselves on the back because their children want for nothing. Wanting is good. If you want for nothing, then you have no goals. And if you have no goals, you have no life, no drive, and no ambitions. Chances are, if today's children don't inherit a lot of money from their parents, they'll grow up and live off the welfare system.
Jamie Eubanks (Hidden Doors, Secret Rooms)
They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they woke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish-–something they heard, something they had picked up in the garden. They had all their little treasures. . . And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and he believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries––perhaps that was it. He had always his work to fall back on.
Virginia Woolf (To the Lighthouse)
You will encounter resentful, sneering non-readers who will look at you from their beery, leery eyes, as they might some form of sub-hominid anomaly, bookimus maximus. You will encounter redditters, youtubers, blogspotters, wordpressers, twitterers, and facebookers with wired-open eyes who will shout at from you from their crazy hectoring mouths about the liberal poison of literature. You will encounter the gamers with their twitching fingers who will look upon you as a character to lock crosshairs on and blow to smithereens. You will encounter the stoners and pill-poppers who will ignore you, and ask you if you have read Jack Keroauc’s On the Road, and if you haven’t, will lecture you for two hours on that novel and refuse to acknowledge any other books written by anyone ever. You will encounter the provincial retirees, who have spent a year reading War & Peace, who strike the attitude that completing that novel is a greater achievement than the thousands of books you have read, even though they lost themselves constantly throughout the book and hated the whole experience. You will encounter the self-obsessed students whose radical interpretations of Agnes Grey and The Idiot are the most important utterance anyone anywhere has ever made with their mouths, while ignoring the thousands of novels you have read. You will encounter the parents and siblings who take every literary reference you make back to the several books they enjoyed reading as a child, and then redirect the conversation to what TV shows they have been watching. You will encounter the teachers and lecturers, for whom any text not on their syllabus is a waste of time, and look upon you as a wayward student in need of their salvation. You will encounter the travellers and backpackers who will take pity on you for wasting your life, then tell you about the Paulo Coelho they read while hostelling across Europe en route to their spiritual pilgrimage to New Delhi. You will encounter the hard-working moaners who will tell you they are too busy working for a living to sit and read all day, and when they come home from a hard day’s toil, they don’t want to sit and read pretentious rubbish. You will encounter the voracious readers who loathe competition, and who will challenge you to a literary duel, rather than engage you in friendly conversation about your latest reading. You will encounter the slack intellectuals who will immediately ask you if you have read Finnegans Wake, and when you say you have, will ask if you if you understood every line, and when you say of course not, will make some point that generally alludes to you being a halfwit. Fuck those fuckers.
M.J. Nicholls (The 1002nd Book to Read Before You Die)
There used to be a rubbish heap under the great tree in Dhoby Ghaut with a sarabat stall parked next to it. It was a low, sprawling rubbish heap made up of the usual things—refuse from dustbins, paper, old tins and slippers and leaves from the tree above. Then one day, people forgot about it. They found a new dumping place and the old rubbish heap settled low on the ground. Time passed and its contents became warm and rich and fertile and people living in the area would take away potfuls of it to plant flowers in. Somehow, a rose cutting, slim as a cheeping chicken’s leg and almost brown, appeared on the rubbish heap one day.
Gregory Nalpon (The Wayang at Eight Milestone: Stories & Essays)
Listen, O Arkady—listen to the way in which the young men of the present day ought to express themselves! Surely our youth will now rally to your side? For once upon a time they had to go to school, since they did not like to be taken for dunces, and therefore worked at their studies; but now they have but to say: 'Everything in the world is rubbish,' and, behold! the trick is done. They consider that delightful—and naturally! In other words, the blockheads of former days are become the Nihilists of the present.
Ivan Turgenev (Fathers and Sons)
Writing! There's nothing like it! Well, you would know! You sit down in a corner. By yourself. With a sheet of paper and an old ballpoint. And out it comes! While the world, and all the steps in it, can go hang! Of course, it's often rubbish. Tedious, boring, over the top. But then you hit your stride for a few yards, and you feel wonderful! You find a phrase that exactly expresses what you want to say about something. You read it back to yourself again and again. It feels good. You read it again the next day; it still feels good.
David Burke (The Copenhagen Papers)
It surprised him that his grief was sharper than in the past few days. He had forgotten that grief does not decline in a straight line or along a slow curve like a graph in a child’s math book. Instead, it was almost as if his body contained a big pile of garden rubbish full both of heavy lumps of dirt and of sharp thorny brush that would stab him when he least expected it.
Helen Simonson (Major Pettigrew's Last Stand)
And so passed one morning and every morning and day but the people growing gentle and together, like old bulbs without promise of bloom, thrown to the rubbish heap and sinking in the filth and blindness to sprout a seperate community of dark, touching tendril and root to yet invisible colour of maimed flowers, narcissus, daffodil, tulip, and crocus-leaf stained with blade of snow.
Janet Frame (Owls Do Cry)
One day God felt he ought to give his workshop a spring-clean…. It was amazing what ragged bits and pieces came out from under his workbench as he swept. Beginnings of creatures, bits that looked useful but had seemed wrong, ideas that he’d mislaid and forgotten…. There was even a tiny lump of sun. He scratched his head. What could be done with all this rubbish? Ted Hughes, “Leftovers,” from The Dreamfighter
Cornelia Funke (Inkdeath)
I actually attack the concept of happiness. The idea that—I don't mind people being happy—but the idea that everything we do is part of the pursuit of happiness seems to me a really dangerous idea and has led to a contemporary disease in Western society, which is fear of sadness. It's a really odd thing that we're now seeing people saying "write down three things that made you happy today before you go to sleep" and "cheer up" and "happiness is our birthright" and so on. We're kind of teaching our kids that happiness is the default position. It's rubbish. Wholeness is what we ought to be striving for and part of that is sadness, disappointment, frustration, failure; all of those things which make us who we are. Happiness and victory and fulfillment are nice little things that also happen to us, but they don't teach us much. Everyone says we grow through pain and then as soon as they experience pain they say, "Quick! Move on! Cheer up!" I'd like just for a year to have a moratorium on the word "happiness" and to replace it with the word "wholeness." Ask yourself, "Is this contributing to my wholeness?" and if you're having a bad day, it is.
Hugh Mackay (The Good Life)
Waste of time," said the leper. "There's a dozen or more beggars who come here every day, pretending to be cripples, hiring themselves out to the holy men. A couple of drachmas and they'll swear they've been crippled or blind for years then stage a bloody miraculous recovery. Holy men? Healers? Don't make me laugh." "But this man is different," said Christ. "I remember him," said the blind man. "Jesus. He come here on the sabbath, like a fool. The priests wouldn't let him heal anyone on sabbath. He should've known that." "But he did heal someone," said the lame man. "Old Hiram. You remember that. He told him to take up his bed and walk." "Bloody rubbish," said the blind man. "Hiram went as far as the temple gate, then he lay down and went on begging. Old Sarah told me. He said what was the use of taking his living away? Begging was the only thing he knew how to do. You and your blether about goodness," he said, turning to Christ, "where's the goodness in throwing an old man out into the street without a trade, without a home, without a penny? Eh? That Jesus is asking too much of people." "But he was good," said the lame man. "I don't care what you say. You could feel it, you could see it in his eyes." "I never saw it," said the blind man.
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
There were office-worn gents with yellow faces, bent backs, and one shoulder set slightly higher than the other from spending hours hunched over desks. And their sad, anxious faces spoke volumes about their domestic troubles, never-ending money worries, and all those old hopes which had been dashed for good; for they all belonged to the army of poor threadbare drudges who just about make ends meet in some dismal plasterboard house with a flowerbed for a garden in the rubbish-and-slag-heap belt on the outskirts of Paris.
Guy de Maupassant (A Day in the Country and Other Stories)
Each day, as she passed the house whose number she claimed, she looked at it with gratitude and affection. On windy days, when papers blew before it, she went about picking up the debris and depositing it in the gutter before the house. Mornings after the rubbish man had emptied the burlap bag and had carelessly tossed the empty bag on the walk instead of in the yard, Francie picked it up and hung it on a fence paling. The people who lived in the house came to look on her as a quiet child who had a queer complex about tidiness. Francie
Betty Smith (A Tree Grows in Brooklyn)
Who can know anybody?' said the bookshop owner. 'Every person is like thousands of books. New, reprinting, in stock, out of stock, fiction, non-fiction, poetry, rubbish. The lot. Different every day. One's lucky to be able to put his hand on the one that's wanted, let alone know it.
Russell Hoban (The Lion of Boaz-Jachin and Jachin-Boaz)
Today, many of us feel like we live in a highly polarized world, where people with opposing opinions cannot even be civil to each other. If you want things to be different, I offer you a challenge. Pick a controversial political issue that you feel strongly about. […] Spend five minutes per day deliberately considering the issue from the perspective of those you disagree with, not to have an argument with them in your head, but to understand how someone who’s just as smart as you can believe the opposite of what you do. I’m not asking you to change your mind. I’m also not saying this challenge is easy. It requires a withdrawal from your body budget, and it might feel pretty unpleasant or even pointless. But when you try, really try, to embody someone else’s point of view, you can change your future predictions about the people who hold those different views. If you can honestly say, “I absolutely disagree with those people, but I can understand why they believe what they do”, you’re one step closer to a less polarized world. That is not magical liberal academic rubbish. It’s a strategy that comes from basic science about your predicting brain.
Lisa Feldman Barrett (Seven and a Half Lessons About the Brain)
You were reading my Flannery O’Connor the other day.” He took a sip of his drink. “When I was ill.” “The short stories? I can’t believe you noticed that.” “I couldn’t help but notice. You left the book out on the side. I can’t pick it up.” “Ah.” “So don’t read rubbish. Take the O’Connor stories home. Read them instead.” I
Jojo Moyes (Me Before You (Me Before You, #1))
Even though part of me passed it off as rubbish, I still had another part that believed there to be some truth in it. When no one was looking I read my daily horoscope each morning, hoping for a five-star day. Anything less than four stars and I didn’t bother reading it. Deep down, all that stuff gave me the heebie-jeebies.
Michael Looft (Crossing Allenby Bridge)
The ordinary woman had perhaps been so busy that the veiled newspaper warnings of famine had not penetrated to her; but perhaps that was natural when the authorities kept repeating, “There is plenty of rice. Plenty of rice.” Perhaps there was plenty of rice, but in that case, who, women were beginning to ask, who were these people flocking into the towns and the city? Men and women and unclothed children, all with scarecrow legs and arms and ribs, and strange sunk eyes and swollen stomachs? Why did they settle in swarms on the pavements, round the rubbish bins, sleeping there through the nights, covering the streets with filth and cess? Why did no one come to move away? Why, rather did more and more come every day?
Sujata Massey (The Sleeping Dictionary)
I’m tired of these sophistries. I’m tired of these right-wing fuckers. They wouldn’t lift a finger themselves. They work contentedly in offices and banks. Yet now they sit pontificating in parliament, in papers, impugning our motives, questioning our judgements. And why? Because they themselves need to feel better by putting down everyone whose work is so much harder than theirs. You only have to say the words ‘social worker’…’probation officer’ … ‘counsellor’ … for everyone in this country to sneer. Do you know what social workers do? Every day? They try and clear out society’s drains. They clear out the rubbish. They do what no one else is doing, what no one else is willing to do. And for that, oh Christ, do we thank them? No, we take our own rotten consciences, wipe them all over the social worker’s face, and say ‘if…’ FUCK! ‘if I did the job, then of course if I did it…oh no, excuse me, I wouldn’t do it like that…’ Well I say: ‘OK, then, fucking do it, journalist. Politician, talk to the addicts. Hold families together. Stop the kids from stealing in the streets. Deal with couples who beat each other up. You fucking try it, why not? Since you’re so full of advice. Sure, come and join us. This work is one big casino. By all means. Anyone can play. But there’s only one rule. You can’t play for nothing. You have to buy some chips to sit at the table. And if you won’t pay with your own time…with your own effort…then I’m sorry. Fuck off!
David Hare (Skylight)
I met an angel on the rubbish dump. The light from the flames flickered on the bamboo walls and the straw roof, like the wings of other angels from the hut there emerged a tremulous stream of white, vegetal smoke. Silence took possession of the house, but it was not the silken silence of sweet peaceful nights, whose nocturnal carbon-paper makes copies of happy dreams, lighter than the thoughts of flowers, less metallic than water. April nights in the tropics are like the widows of the warm days of March - dark, cold, dishevelled and sad. The meaning of happiness or despair can only be understood by those who have spelt it out in their minds beforehand, bitten a tear-soaked handkerchief, torn it to shreds with their teeth.
Miguel Ángel Asturias (The President)
When he lifted the cover of one of the trash cans, before emptying the contents of his own pail into it, he was always astonished by its neatness and order. His own trash was the most indecent collection in the entire building. Repugnant and despicable. There was no resemblance between it and the honest, day-to-day trash of the other tenants. That had a solid, respectable appearance, and his did not.
Roland Topor (The Tenant)
Spend five minutes per day deliberately considering the issue from the perspective of those you disagree with, not to have an argument with them in your head, but to understand how someone who’s just as smart as you can believe the opposite of what you do. I’m not asking you to change your mind. I’m also not saying this challenge is easy. It requires a withdrawal from your body budget, and it might feel pretty unpleasant or even pointless. But when you try, really try, to embody someone else’s point of view, you can change your future predictions about the people who hold those different views. If you can honestly say, “I absolutely disagree with those people, but I can understand why they believe what they do,” you’re one step closer to a less polarized world. This is not magical liberal academic rubbish. It’s a strategy that comes from basic science about your predicting brain.
Lisa Feldman Barrett (Seven And A Half Lessons About The Brain)
Last night, Good Friday night, at the bottom of the escalator at King’s X tube, a weasel-faced man in uniform was sweeping up rubbish with a wide broom, drink cartons, cigarette packets with all the dust and filthy scraps of the day which he pushed towards an elegant long black glove that was lying there. I expected him to pick it up as I would have – I thought of picking it up, but was too late. He smothered it in a wide sweep. It seemed to me extraordinary and shocking that he had no feeling for it. Several images went through my mind, a symbolic hand, a dead blackbird, an ornamental bookmark fallen from a lectern Bible – any once-precious relic being tumbled in the dirt. As I went up the escalator I remembered the Tatterdemallion whom I haven’t seen for months and thought of his body, if he were to die in the tube, being tumbled about with the rest of the thrown-away rubbish.” David Thomson, In Camden Town
David Thomson (In Camden Town)
I had never been to the Amazon, my jungle experience had mostly come from Central America with some short trips to Borneo, but the Amazon undoubtedly had a mystique all of its own. Surely the trees would be much bigger, the wildlife had to be much richer and more diverse and the people would be that bit wilder and cut off from the outside world. It gave me butterflies to think of spending time in the Amazon. Not knowing the geography of the area in any detail, my dreams were restricted to what I did know. There was a ruddy great river that virtually crossed the whole continent from west to east, and…that was about it. I had heard of expeditions that had kayaked the entire river from source to sea – phenomenal endurance feats taking five-plus months – the problem was I was a rubbish kayaker. Sure, I’d done a bit on the canals in England as a Cub Scout but that cold, depressing experience had been enough to put me off for life. What a dull, miserable sport, instructed by overenthusiastic dickheads in stupid helmets.
Ed Stafford (Walking the Amazon: 860 Days. One Step at a Time)
On a certain day, a bull and a pheasant were grazing on a field. The bull was grazing and the pheasant was picking ticks off the bull—a perfect partnership. Looking at the huge tree at the edge of the field, the pheasant said, “Alas, there was a time I could fly to the topmost branch of the tree. Now I do not have enough strength in my wing to even get to the first branch.” The bull said nonchalantly, “Just eat a little bit of my dung every day, and watch what happens. Within two weeks, you’ll get to the top.” The pheasant said, “Oh come on, that’s rubbish. What kind of nonsense is that?” The bull said, “Try it and see. The whole of humanity is onto it.” Very hesitantly, the pheasant started pecking. And lo, on the very first day, he reached the first branch. Within a fortnight, he had reached the topmost branch. He sat there, just beginning to enjoy the scenery. The old farmer, rocking on his rocking chair, saw a fat old pheasant on top of the tree. He pulled out his shotgun and shot the bird off the tree. Moral of the story: bullshit may get you to the top, but it never lets you stay there!
Sadhguru (Inner Engineering: A Yogi’s Guide to Joy)
The work of God requires stamina. Nehemiah sustained his stamina even through staggering difficulties. He persisted through both ridicule and discouragement, and he remained faithful when tempted to compromise. This tenacity is required of leaders who will make a difference. Will you crumble under the pressures, or will you face the trials with God’s strength? Many today question the possibility of revival. These naysayers see only the decaying moral condition of society and the disappointing lukewarm condition of churches. Revival, however, is not dependent on or the result of a flourishing spiritual condition. Some of the greatest revivals in Scripture came during the darkest times. Let us not look at the rubbish, but at Christ, the Rock, who can rebuild our country through revival. Let us be leaders God can use to bring revival. Nehemiah was not a man to sit idly by when there was tremendous need. Neither was he a man to attempt meeting such need in his own strength. God used Nehemiah to bring revival because Nehemiah began with supplication for God’s forgiveness and power. The task of rebuilding the walls could never have been completed by one man alone; it needed a leader who understood the power of synergy. Nehemiah’s willingness to be personally involved in the work, as well as his ability to convey the need to others, resulted in a task force that completed this enormous building project in a mere fifty-two days—to the glory of God. Like any godly leader, Nehemiah did not go unchallenged. Yet, he sustained his stamina in the face of every opposition. Nehemiah’s life proves that revival is possible, even when it appears the most unlikely. God sends revival through leaders willing to make a difference.
Paul Chappell (Leaders Who Make a Difference: Leadership Lessons from Three Great Bible Leaders)
Isn't it surprising what an array of things a woman can drag forth, burrowing into attics, rooms and nooks! Things long out of mind; an old thing; a worn-out thing; but it has lain in that room, nook or bag until just such a riot of soap and scrubbing brush brings it out. And, as I think of it, a human mind could, and should go through just such a ransacking, occasionally; for you don’t know half of what an accumulation of rubbish is kicking about, in its dark, musty corridors. Old fashions in thoughts; bigotry; vanity; all lying stagnant. So why not drag out and sort all that stuff, discarding all which is of no valuation? About half of us will find, in our minds, a room, having on its door a card, saying: “It Was Not So In My Day.” Go at that room, right off. That “My Day” is long past. “Today” is boss, now. If that “My Day” could crawl up on “Today,” what a mix-up in World affairs would occur! Ox cart against aircraft; oil lamps against arc lights! Slow, mail information against radio! But, as all this stuff is laid out, what will you do with it? Nobody wants it. So I say, burn it, and tomorrow morning, how happy you will find that musty old mind!
Ernest Vincent Wright (Gadsby)
The dumpkeeper had spawned nine daughters and named them out of an old medical dictionary gleaned from the rubbish he picked. These gangling progeny with black hair hanging from their armpits now sat idle and wide-eyed day after day in chairs and crates about the little yard cleared out of the tips while their harried dam called them one by one to help with chores and one by one they shrugged or blinked their sluggard lids. Uretha, Cerebella, Hernia Sue. They moved like cats and like cats in heat attracted surrounding swains to their midden until the old man used to go out at night and fire a shotgun at random just to clear the air. He couldn't tell which was the oldest or what age and he didn’t know whether they should go out with boys or not. Like cats they sensed his lack of resolution. They were coming and going all hours in all manner of degenerate cars, a dissolute carousel of rotting sedans and niggerized convertibles with bluedot taillamps and chrome horns and foxtails and giant dice or dashboard demons of spurious fur. All patched up out of parts and lowslung and bumping over the ruts. Filled with old lanky country boys with long cocks and big feet.
Cormac McCarthy (Child of God)
When a person is faithful to his or her times of prayer, day after day, week after week, it’s like someone with a well in the garden that’s choked with rubbish—branches, leaves, stones, mud—but underneath is water, clean and pure. In spending time in prayer, you’re setting to work patiently to unblock the well. What comes up at the start is the mud and dirt: our wretchedness, worries, fears, guilt, self-blame—the things we normally avoid. Plenty of people run away from themselves. There’s a real fear of silence today! But those who have the courage to go forward into the desert end up finding an oasis.
Jacques Philippe (The Way of Trust and Love: A Retreat Guided by St. Therese of Lisieux)
There,” she said, smiling, her eyes soft and warm. “It’s perfect. Ada. You’re beautiful.” She was lying. She was lying, and I couldn’t bear it. I heard Mam’s voice shrieking in my head. “You ugly piece of rubbish! Filth and trash! No one wants you, with that ugly foot!” My hands started to shake. Rubbish. Filth. Trash. I could wear Maggie’s discards, or plain clothes from the shops, but not this, not this beautiful dress. I could listen to Susan say she never wanted children all day long. I couldn’t bear to hear her call me beautiful. “What’s the matter?” Susan asked, perplexed. “It’s a Christmas present. I made it for you. Bottle green velvet, just like I said.” Bottle green velvet. “I can’t wear this,” I said. I pulled at the bodice, fumbling for the buttons. “I can’t wear it. I can’t.” “Ada.” Susan grabbed my hands. She pulled me to the sofa and set me down hard beside her, still restraining me. “Ada. What would you say to Jamie, if I gave him something nice and he said he couldn’t have it? Think. What would you say?” Tears were running down my face now. I started to panic. I fought Susan’s grasp. “I’m not Jamie!” I said. “I’m different, I’ve got the ugly foot, I’m—” My throat closed over the word rubbish.
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
If this be the manner in which Italian witchcraft is treated by the most intelligent writer who has depicted it, it will not be deemed remarkable that there are few indeed who will care whether there is a veritable Gospel of Witches, apparently of extreme antiquity, embodying the belief in a strange counter-religion which has held its own from pre-historic time to the present day. "Witchcraft is all rubbish, or something worse," said old writers, "and therefore all books about it are nothing better." I sincerely trust, however, that these pages may fall into the hands of at least a few who will think better of them.
Charles Godfrey Leland (Aradia: Gospel of the Witches (Annotated))
Days in summer, Basil, are apt to linger,” murmured Lord Henry. “Perhaps you will tire sooner than he will. It is a sad thing to think of, but there is no doubt that genius lasts longer than beauty. That accounts for the fact that we all take such pains to over-educate ourselves. In the wild struggle for existence, we want to have something that endures, and so we fill our minds with rubbish and facts, in the silly hope of keeping our place. The thoroughly well-informed man—that is the modern ideal. And the mind of the thoroughly well-informed man is a dreadful thing. It is like a bric-a-brac shop, all monsters and dust, with everything priced above its proper value. I think you will tire first, all the same. Some day you will look at your friend, and he will seem to you to be a little out of drawing, or you won’t like his tone of colour, or something. You will bitterly reproach him in your own heart, and seriously think that he has behaved very badly to you. The next time he calls, you will be perfectly cold and indifferent. It will be a great pity, for it will alter you. What you have told me is quite a romance, a romance of art one might call it, and the worst of having a romance of any kind is that it leaves one so unromantic.
Oscar Wilde (The Picture of Dorian Gray)
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection. It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.
Charlotte Brontë (Villette)
personal equation. Thorndyke's brain was not an ordinary brain. Facts of which his mind instantly perceived the relation remained to other people unconnected and without meaning. His powers of observation and rapid inference were almost incredible, as I had noticed again and again, and always with undiminished wonder. He seemed to take in everything at a single glance and in an instant to appreciate the meaning of everything that he had seen. Here was a case in point. I had myself seen all that he had seen, and, indeed, much more; for I had looked on the very people and witnessed their actions, whereas he had never set eyes on any of them. I had examined the little handful of rubbish that he had gathered up so carefully, and would have flung it back under the grate without a qualm. Not a glimmer of light had I perceived in the cloud of mystery, nor even a hint of the direction in which to seek enlightenment. And yet Thorndyke had, in some incomprehensible manner, contrived to piece together facts that I had probably not even observed, and that so completely that he had already, in these few days, narrowed down the field of inquiry to quite a small area. From these reflections I returned to the objects on the table. The spectacles, as things of which I had some expert knowledge, were not so profound a mystery to me. A pair of spectacles might easily afford good evidence for identification; that I perceived clearly enough. Not a ready-made pair, picked up casually at a shop, but a pair constructed by a skilled optician to remedy a particular defect of vision and to fit a particular face. And such were the spectacles before me. The build of the frames was peculiar; the existence of a cylindrical lens—which I could easily make out from the remaining fragments—showed that one glass had been cut to a prescribed shape and almost certainly ground to a particular formula, and also that the distance between centres must have
R. Austin Freeman (The Mystery of 31 New Inn)
She did not like it that Jasper should shoot birds; but it was only a stage; they all went through stages. Why, she asked, pressing her chin on James's head, should they grow up so fast? Why should they go to school? She would have liked always to have had a baby. She was happiest carrying one in her arms. Then people might say she was tyrannical, domineering, masterful, if they chose; she did not mind. And, touching his hair with her lips, she thought, he will never be so happy again, but stopped herself, remembering how it angered her husband that she should say that. Still, it was true. They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they awoke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after breakfast, which they did every day of their lives, was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish - something they had heard, something they had picked up in the garden. They all had their little treasures... And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and she believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries - perhaps that was it. He had always his work to fall back on. Not that she herself was "pessimistic," as he accused her of being. Only she thought life - and a little strip of time presented itself to her eyes - her fifty years. There it was before her - life. Life, she thought - but she did not finish her thought.
Virginia Woolf (To the Lighthouse)
At age sixty-seven, Thomas Edison returned home early one evening from another day at the laboratory. Shortly after dinner, a man came rushing into his house with urgent news: A fire had broken out at Edison’s research and production campus a few miles away. Fire engines from eight nearby towns rushed to the scene, but they could not contain the blaze. Fueled by the strange chemicals in the various buildings, green and yellow flames shot up six and seven stories, threatening to destroy the entire empire Edison had spent his life building. Edison calmly but quickly made his way to the fire, through the now hundreds of onlookers and devastated employees, looking for his son. “Go get your mother and all her friends,” he told his son with childlike excitement. “They’ll never see a fire like this again.” What?! Don’t worry, Edison calmed him. “It’s all right. We’ve just got rid of a lot of rubbish.” That’s a pretty amazing reaction. But when you think about it, there really was no other response. What should Edison have done? Wept? Gotten angry? Quit and gone home?
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
Because I have already had a long leave I get none on Sundays. So the last Sunday before I go back to the front my father and eldest sister come over to see me. All day we sit in the Soldiers’ Home. Where else could we go? We don’t want to stay in the camp. About midday we go for a stroll on the moors. The hours are a torture; we do not know what to talk about, so we speak of my mother’s illness. It is now definitely cancer, she is already in the hospital and will be operated on shortly. The doctors hope she will recover, but we have never heard of cancer being cured. ”Where is she then?” I ask. ”In the Luisa Hospital,” says my father. ”In which class?” ”Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper.” ”So she is lying there with all those people. If only she could sleep properly.” My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father’s life has been practically given up to it. ”If only I knew how much the operation costs,” says he. ”Have you not asked?” ”Not directly, I cannot do that–the surgeon might take it amiss and that would not do; he must operate on mother.” Yes, I think bitterly, that’s how it is with us, and with all poor people. They don’t dare ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. ”The dressings afterwards are so expensive,” says my father. ”Doesn’t the Invalid’s Fund pay anything toward it, then?” I ask. ”Mother has been ill too long.” ”Have you any money at all?” He shakes his head: ”No, but I can do some overtime.” I know. He will stand at his desk folding and pasting and cutting until twelve o’clock at night. At eight o’clock in the evening he will eat some miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on.
Erich Maria Remarque (All Quiet on the Western Front)
On trial were two men, one in a plaid shirt, and the other with a long, ZZ Top-style beard. They looked intimated by the crowd that had turned out, even though Plaid Shirt stood six foot four. He was the main perpetrator, charged with animal cruelty. He had brought his young son along during the bear killing for which he was on trial. The main reason the state managed to bring charges is that the hunters had made a videotape of their gruesome acts. The state trooper who confiscated the video couldn’t even testify at the time of the trial, he was so emotionally overcome. Then they showed the video in court, and I understood why. ZZ Top and Plaid Shirt cornered the bear cub. In order to preserve the integrity of the pelt, they attempted to kill the cub by stabbing it in the eyes. It was absolutely gut-wrenching to watch. The bear struggled for its life, but Plaid Shirt kept thrusting his knife, moving back as the animal twisted frantically away, then moving forward to stab again. The bear cub screamed, and it sounded eerily as though the bear was actually crying “Mama,” over and over. Plaid Shirt and ZZ Top sat unfazed in court. The bear screamed, “Mama, mama, mama.” From my place in the gallery, I watched as a towering man in a police uniform burst into tears and walked out of the courtroom. At the end of the video, Plaid Shirt brought his nine-year-old son over to stand triumphantly next to the dead bear cub. “Clearly, you deserve jail,” the judge told Plaid Shirt as he stood for sentencing. “Unfortunately, the jails are filled with people even more heinous than you: rapists, murderers, and armed robbers. So I am going to sentence you to three thousand hours of community service.” I approached the judge after the trial, furious that this man might end up collecting a bit of rubbish along the highway as his penance. “I want him,” I said, referring to Plaid Shirt. I said that I ran a wildlife rehabilitation facility and could use a volunteer. The first day Plaid Shirt showed up, he actually looked scared of me. He cleaned cages, fed animals, and worked hard. He liked the bobcat I was taking care of, “Bobby.” He said it was the biggest one he had ever seen. It would make a prize trophy. I asked him every question I could think of: where he hunted, how he hunted, why he hunted. Whether he had any kind of shirt other than plaid. I felt as though I was in the presence of true evil. For months he helped. He had some skills, like carpentry, and he could lift heavy things. He fulfilled his community service. In the end, I couldn’t tell if I had made any difference or not. I was only slightly encouraged by his parting words. “You know,” Plaid Shirt said, “I never knew cougars purred.
Terri Irwin (Steve & Me)
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
Not long after I'd first met Doc, we were sitting on our rock on the hill behind the rose garden and I had asked him why I was a sinner and what I had done to be condemned to eternal hell fire unless I was born again. He sat for a long time looking over the valley, and then he said, :Peekay, God is too busy making the sun come up and go down and watching so the moon floats just right in the sky to be concerned with such rubbish. Only man ants always God should be there to condemn this on and save that one. Always it is man who wants to make heaven and hell. God is too busy training the bees to make honey and every morning opening up all the new flowers for business."He paused and smiled "In Mexico there is a cactus that even sometimes you would think God forgets. But no, my friend, this is not so. On a full moon in the desert every one hundred years he remembers and he opens up a single flower to bloom. And if you should be there and you see this beautiful cactus blossom painted silver by the moon and laughing up at the stars, this, Peekay, is heaven.: He looked at me, his deep blue eyes sharp and penetrating. "This is the faith in God the cactus has". We had sat for a while before he spoke again. "it is better just to get on with the business living and minding your own business and maybe, if God likes the way you do things, he may just let you flower for a day or a night. But don't go pestering and begging and telling him all your stupid little sins, that way you will spoil his day. Absoloodle.
Bruce Courtenay
The whitewash of Kingdom of Heaven Kingdom of Heaven is a classic cowboys-and-Indians story in which the Muslims are noble and heroic and the Christians are venal and violent. The script is heavy on modern-day PC clichés and fantasies of Islamic tolerance; brushing aside dhimmi laws and attitudes (of which Ridley Scott has most likely never heard), it invents a peace-and-tolerance group called the “Brotherhood of Muslims, Jews and Christians.” But of course, the Christians spoiled everything. A publicist for the film explained, “They were working together. It was a strong bond until the Knights Templar caused friction between them.” Ah yes, those nasty “Christian extremists.” Kingdom of Heaven was made for those who believe that all the trouble between the Islamic world and the West has been caused by Western imperialism, racism, and colonialism, and that the glorious paradigm of Islamic tolerance, which was once a beacon to the world, could be reestablished if only the wicked white men of America and Europe would be more tolerant. Ridley Scott and his team arranged advance screenings for groups like the Council on American-Islamic Relations, making sure that sensitive Muslim feelings were not hurt. It is a dream movie for the PC establishment in every way except one: It isn’t true. Professor Jonathan Riley-Smith, author of A Short History of the Crusades and one of the world’s leading historians of the period, called the movie “rubbish,” explaining that “it’s not historically accurate at all” as it “depicts the Muslims as sophisticated and civilised, and the Crusaders are all brutes and barbarians. It has nothing to do with reality.” Oh, and “there was never a confraternity of Muslims, Jews and Christians. That is utter nonsense.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
Now just a word about zoos. Many folks think that animals in a zoo know no comforts; nothing but constant fright from living in captivity. Such folks do not stop to think of a thing or two about an animal’s wild condition. Wild animals must not only constantly hunt for food, but invariably fight to kill it and to hold it, too; for, in such a fight, a big antagonist will naturally win from a small individual. Thus, what food is found, is also lost; and hunting must go on, day by day, or night by night until a tragic climax—by thirst or starvation. But in a zoo, food is brought daily, with facility for drinking, and laid right in front of hoofs, paws or bills. For small animals, roofs and thick walls ward off cold winds and rain; and so, days of calm inactivity, daily naps without worrying about attack; and a carting away of all rubbish and filth soon puts a zoo animal in bodily form which has no comparison with its wild condition. Lack of room in which to climb, roam or play, may bring a zoo animal to that condition known as “soft”; but, as it now has no call for vigor, and its fighting passions find no opportunity for display, such an animal is gradually approaching that condition which has brought Man, who is only an animal, anyway, to his lofty point in Natural History, today. Truly, with such tribulations, worry, and hard work as Man puts up with to obtain his food and lodging, a zoo animal, if it could only know of our daily grind, would comfortably yawn, thankful that Man is so kindly looking out for it. With similar animals all around it, and, day by day, just a happy growth from cub-hood to maturity, I almost wish that I was a zoo animal, with no boss to growl about my not showing up, mornings, at a customary hour!
Ernest Vincent Wright (Gadsby)
Jeffers stretched up on his toes to see the back of the mob, “But James, we’re doing all this for you... We need this gold to build a united Alba. We need it to fund an army and to forge decisive leadership.” His voice was almost plaintive. “We want to hand your generation a real empire rather than just a loose collection of competing Families. We want to give you the foundations to achieve glory! What could possibly be wrong with that?” “Rubbish!” cried Tristan, not about to let honey-coated nonsense dissolve the glue that bound his army. “Absolute codswallop!” he let his calm facade slip for the first time that day. “What you’re actually trying to do is to build a legacy that you don’t deserve! You want to swan around as an armchair General for the next twenty years while your precious army strives and dies for hollow victories that do nothing more than feed your ego! And do you know who strives and dies in this picture?” He waved one arm at the figures behind him. “We do! We here in this alley, along with other young men and women just like us!” Tristan watched Jeffers from the corner of his eye, as he shook his fist towards deGroot, “Well we’re not having it! If you want us to fight and die, then we’re going to fight now, and we’re going to fight you! So come on down deGroot and take a swing!
Aaron D'Este (Weapon of Choice)
He was a rather quirky worker, and he didn’t really fit into the day-to-day business of GCHQ. But in terms of coming up with new ideas he was quite exceptional. You had to sort through some rubbish sometimes, but he was very innovative and always willing to challenge the orthodoxy.
Simon Singh (The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography)
sort. Jeremiah 15:19 speaks, instructing me, “If you extract the precious from the worthless, you will be My spokesman.” (NASB) This verse was written to Jeremiah, the prophet of God. If anyone should have his spiritual act together, you would think it’d be someone like Jeremiah. Yet God’s word to Jeremiah was that in order to be God’s spokesman, he needed to address an issue in his life. He needed to extract from the rubbish and debris that which was precious.
Arabah Joy (Trust Without Borders: A 40-Day Devotional Journey to Deepen, Strengthen, and Stretch Your Faith in God)
Someone who persists in praying day after day is like a man who acquires an old house in the country with a well in the garden. The well has not been used for maybe the last hundred years and is blocked up. The man thinks it would be a good idea to restore it to use, so he starts clearing it. To begin with, it is not very pleasant: he finds dead leaves, stones, mud, and all sorts of rubbish, some of it quite disgusting. If he does not give up, but continues toiling away, in the end he discovers at the bottom of the well water that is clear, fresh, and unbelievably thirst-quenching. That
Jacques Philippe (Thirsting for Prayer)
Mum. No one is coming to collect the rubbish for a while yet. I doubt it’s the council’s first priority,’ said Sarah, hoping the sentiment about turning into your mother wasn’t true and pitying Mark, her husband, if it was. Sally sat in her rocking chair in the living room. She’d been up and ready for the day for a few hours. No silly weather system was about to change her routine,
Darryl Donaghue (A Journal of Sin (Sarah Gladstone, #1))
I've just had a great writing week. There are few feelings more joyous than reading back over the week's work and thinking 'that's not bad at all', as opposed to the all-too-frequent, 'it's rubbish, I've wasted a week and I'll have to re-write the lot.' And if you think that's an exaggeration or false modesty, you are very, very wrong. It's perfectly possible to put in eight hour days and have nothing to show for them but a single idea that, if reworked completely, might be passable.
J.K. Rowling
The Huge Artifice: an interim assessment Enough of this great work has now appeared For sightings to be taken, the ground cleared, Though the main purpose - what it's all about In the thematic sense - remains in doubt. We can be certain, even at this stage, That seriousness adequate to engage Our deepest critical concern is not To be found here. First: what there is of plot Is thin, repetitive, leaning far too much On casual meetings, parties, fights and such, With that excessive use of coincidence Which betrays authorial inexperience. We note, besides these evident signs of haste, A great deal in most questionable taste: Too many sex-scenes, far too many coarse Jokes, most of which have long lost all their force. It might be felt that, after a slow start, Abundance incident made amends for art, But the work's 'greatness' is no more than size, While the shaping mind, and all that implies, Is on a trivial scale, as can be guessed From the brash nature of the views expressed By a figure in an early episode, who Was clearly introduced in order to Act as some kind of author-surrogate, Then hastily killed off - an unfortunate Bid to retrieve a grave strategic lapse. More damaging than any of this, the gaps In sensitivity displayed are vast. Concepts that have not often been surpassed For ignorance or downright nastiness - That the habit of indifference is less Destructive than the embrace of love, that crimes Are paid for never or a thousand times, That the gentle come to grief - all these are forced Into scenes, dialogue, comment, and endorsed By the main action, manifesting there An inhumanity beyond despair. One final point remains: it has been urged That a few characters are not quite submerged In all this rubbish, the they can display Reason, justice and forethought on their day, And that this partly exculpates the mind That was their author. Not at all. We find Many of these in the history of art (So this reviewer feels), who stand apart, Who by no purpose but their own begin To struggle free from a base origin.
Kingsley Amis (Collected Poems)
EVERY TIME something thwarts your plans or desires, use that as a reminder to communicate with Me. This practice has several benefits. The first is obvious: Talking with Me blesses you and strengthens our relationship. Another benefit is that disappointments, instead of dragging you down, are transformed into opportunities for good. This transformation removes the sting from difficult circumstances, making it possible to be joyful in the midst of adversity. Begin by practicing this discipline in all the little disappointments of daily life. It is often these minor setbacks that draw you away from My Presence. When you reframe setbacks as opportunities, you find that you gain much more than you have lost. It is only after much training that you can accept major losses in this positive way. But it is possible to attain the perspective of the apostle Paul, who wrote: Compared to the surpassing greatness of knowing Christ Jesus, I consider everything I once treasured to be as insignificant as rubbish.
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
The Black Clouds He had trudged through tangles and trailed in steeps for two days scratching his face and extremities into blood. The sun was near to setting and he was not able to overcome the plumb rocks. He had hunger collywobles in his stomach. “Tomorrow I will easily reach the troops…” – he entered a familiar cave with these thoughts and emptying the pockets full of mushrooms picked on the road burnt a flame. He took from the internal pocket a flat bottle of moonshine and swallowed – it removed the fatigue and helped him to rid himself of remorse. He felt stick in his mouth – “As is, I have drunk of bile and smell like lathery horse…» His tousled beard hid all light lines on his face making him more terrible. His large shoulders and brawny arms proved him as a strong person. He almost had no neck – as though, his head was stuck into shoulders. His old and narrow dress fitted close to his body – under it he had military officer’s shirt. Although he avoided twists and turns of war, he was accustomed to the smell of blood and death – he was bright, fearless and volitional like a real fighter. “I could become a good fighter,” – he was sure in it and sometimes expressed this thought loudly watching the fighting troops. Besides everything, the war is ugly also because of the fact that pillagers not wasting the time pillage the dead fighters. When the fights get calm, the Sun illuminates the naked corpses – it is qiute common phenomenon. The most of people think that this action is done by the winner figthers. But they are wrong because the day-time heroes cannot turn into night hyenas. This action is done by pillagers wearing military dress and hang around the attacking troops and, some of them do it with entire family in horse carts. He also was fed by the war – he also wandered following the troops like dark shadow and emtied the dead fighters’ pockets. He often sold the robbed things to fighters. His accomplices robbed in dream even own fellow travellers. But he was more compassionate and never robbed the wounded fighters thinking that it would moderate his sins. He never took the dead figthers’ dress but emptied only their pockets. But the pillagers following him stripped the dead fighters naked. “Thy say that there is a lame necrophiliac pillager among them raping the dead people.” Once, checking the laying fighter’s pockets he saw that the fighter is alive but his leg is torn off and suspended on the skin. Sitting close he started to frankly speak to the fighter consoling him. The fighter asked him to cut his leg off and bury it. He implicitly fulfilled the fighter’s request; coming to consciousness in the evening the fighter cheerfully said that his leg called him to the beyond. At that moment he tried to think about the world above but immediately shook his hand thinking «That’s load of rubbish!» The fighter died in the night and, taking the fighters ring off his finger, he put into sack. The fighters didn’t think about them in the heat of the battle. However, if the fighter caught any of them they unreservedly killed them. Once he always was near to death – however, he could save his life saying that he was carrying the army’s battle to the troops and furthermore, tearfully implored a little reward from officer. Coming back, he emptied his killed accomplices’ pockets ad collected a lot of money and valuables. He hated retreating troops. “Troops should either self-destruct or destroy the enemies!" Rivers of blood, ditches full of human corpses, mothers’ tears – all of these notions were nonsensical rot in his comprehension. Both the victory and defeat also were considered by him as nonsense – he was interested only in trophies. The days when he succeeded to collect rich trophies he could neither sleep in nights nor eat for sake of protecting the robbed values from pillagers but it didn’t weaken him. He willingly studied information about bloody wars and was mostly amazed by the fight of Waterloo: «It
Rashid
But what was strange was that although Goldstein was hated and despised by everybody, although every day, and a thousand times a day, on platforms, on the telescreen, in newspapers, in books, his theories were refuted, smashed, ridiculed, held up to the general gaze for the pitiful rubbish that they were—in spite of all this, his influence never seemed to grow less.
George Orwell (1984)
For me, writing any piece of advertising is unnerving. You sit down with your partner and put your feet up. You read the strategist's brief, draw a square on a pad of paper, and you both stare at the damned thing. You stare at each other's shoes. You look at the square. You give up and go to lunch. You come back. The empty square is still there. Is the square gonna be a poster? Will it be a branded sitcom, a radio spot, a website? You don't know. All you know is the square's still empty. So you both go through the brand stories you find online, on the client's website, what people are saying in the Amazon reviews. You go through the reams of material the account team left in your office. You discover the bourbon you're working on is manufactured in a little town with a funny name. You point this out to your partner. Your partner keeps staring out the window at some speck in the distance. (Or is that a speck on the glass? Can't be sure.) He says, “Oh.” Down the hallway, a phone rings. Paging through an industry magazine, your partner points out that every few months the distillers rotate the aging barrels a quarter turn. You go, “Hmm.” On some blog, you read how moss on trees happens to grow faster on the sides that face a distillery's aging house. Now that's interesting. You feel the shapeless form of an idea begin to bubble up from the depths. You poise your pencil over the page…and it all comes out in a flash of creativity. (Whoa. Someone call 911. Report a fire on my drawing pad 'cause I am SMOKIN' hot.) You put your pencil down, smile, and read what you've written. It's complete rubbish. You call it a day and slink out to see a movie. This process continues for several days, even weeks, and then one day, completely without warning, an idea just shows up at your door, all nattied up like a Jehovah's Witness. You don't know where it comes from. It just shows up. That's how you come up with ideas. Sorry, there's no big secret. That's basically the drill.
Luke Sullivan (Hey, Whipple, Squeeze This: The Classic Guide to Creating Great Ads)
Lunch with Fabius. How naive to seek enlightenment on the art of govern ment from a motley collection of intellectuals and actresses! What do the population want? Why have they no enthusiasm for anything? Why do the efforts made on their behalf produce negative opinion-poll results? It is quite bewildering how this man, who certainly didn't get to be Prime Minister without employing some cunning and who must surely know how much sharp practice, ill will, deceit and pride goes into any successful political career, can be so ingenuous about the perverse mechanisms of popular indifference, deploring the apathy and per fidiousness of the masses, their lack of imagination and participation, the absence of a collective myth, etc. (when it is by virtue of this indifference that he and others like him are in power today), deploring the emptiness of the social world apparently without noticing the void which power itself occupies (which is why he fills that void so wonderfully well). You wonder how he can survive two days in this role and this setting. The people are bored? Then give them something to marvel at. Otherwise they will make their own entertainment at your expense. They will seek out something to astonish them in spectacle (the spectacle of the media or of terrorism) if they cannot find it on the political stage. Individuals and peoples want something to marvel at - that remains their great passion. And nothing you have done has amazed them. Shock them by telling them the truth? Rubbish! Truth is extremely dangerous, since the person who tells it is the first to believe it. Now it only takes a politician believing in what he says for the others to stop believing him: that is the specific perversity of the political field. It's no use just telling the truth; you need the ring of truth too. It's no use lying. You need to have the ring of lying. This is what the socialists will have lacked to the end. They will have lied a lot and told the truth a lot, but they will never have known how to do something that had this ring about it. Now, admittedly, you can pull off quite a political stroke by using the truth - and indeed that was Fabius's intention. But you must never believe in the truth of truth. If you do, you lose all its effect. You have to use truth as a challenge, go beyond what needs to be said for it to be strictly true. The truth must astonish; otherwise, it becomes akin to stupidity. That's what produced all the political tribulations of the Greenpeace Affair. If a prime minister doesn't know that, then he has his head in the clouds. And this is the impression Fabius gives: sure of his ambitions and totally ignorant of the immoral ways of the world. I had before me the Divine Left in person.
Jean Baudrillard (Cool Memories)
Real life: just rubbish
Susie Day (My Invisible Boyfriend)
I never said it. Never said, "Get a job'', or, ''you're just a bum watching rubbish television and horror films all day long,'' but just because I didn't say it, didn't mean I wasn't thinking it at the time he was being an unemployed bum.
Abigail George
Depression is a funhouse, with suicidal ideation the wavy, distorting mirrors that have you trapped and stumbling from corner to corner in that box on the midway. You don’t think clearly, and the first thing to disappear is your sense of worth. You believe you don’t matter. You believe you’d be better off dead. When someone dies by their own hand, those left behind spin in wonder: Didn’t they know how loved they were? How valued? How much of a smoking crater they left behind by dying? Well, no, they don’t. When you’re in the funhouse of depression, the opposite becomes true. A deep, pervasive sense of worthlessness seeps across everything like a spreading stain. You fixate on the burden of your incapacity, how messed up and heavy you are, and there’s no talking yourself out of it. You can’t pull yourself up by your bootstraps because you don’t have bootstraps. You don’t even have boots. You’re treading barefoot over broken glass, day after day, exhausted and sick of the pain. You can’t seem to get it right, and you imagine how things would go much better, people would do so much better, if you weren’t around to drag them down. You’d be doing everyone a favor, really. That’s how dangerous depression can be. Not only do you believe you’d be better off dead, but also that everyone else would be relieved by your absence. Good riddance to bad rubbish.
Lily Burana (Grace for Amateurs: Field Notes on a Journey Back to Faith)
There was a calmness to the first hours of dawn. The day just waking, nothing to spoil it. A new beginning. A fresh start. All rubbish, of course. There were no fresh starts. Not really. We're all too entrenched in our own personal ruts, unable to summon up the energy to dig ourselves out. Life, as we know it.
C.J. Tudor (The Other People)
The scale of what Taiwan had accomplished, in just six post-war decades and under extremely straitened circumstances, was astonishing. In 1952, 42 per cent of Taiwanese were illiterate. Fifty years later, nearly 60 per cent of Taiwanese went to university. (Tellingly, the illustration on Taiwan’s 1000-dollar note was four schoolchildren studying a globe, though it wasn’t apparent whether they were learning their foreign capitals or plotting Chinese missile trajectories.) Taiwan’s 23 million diligent, dogged and courteous people had built the seventeenth-biggest economy in the world, and accrued the third-largest foreign reserves. Their tiny island boasted six domestic airlines, trains you could set your watch by and, in the shape of Taipei 101, the world’s tallest building. And they’d made their transition from military dictatorship to pluralist democracy without getting any blood on the carpet. For a country that didn’t formally exist in the eyes of most of the world, this was decent going. Having visited many broken-down, violent dumps where everybody insisted that The Struggle superseded all other considerations, like picking up the rubbish and teaching kids to read, and invariably blamed someone else for all their problems, I fell hopelessly in love with the place. Were I a George Soros-style billionaire eccentric, I’d establish a program under which the world’s nationalist crazies, idiot warlords and dingbat terrorists would be sent to Taiwan, to see what can be accomplished when people stick the grievance schtick on the back-burner, put in a day’s work and behave in a civilised manner. Taiwan
Andrew Mueller (I Wouldn't Start from Here: The 21st Century and Where It All Went Wrong)
with each passing day he steals a little more of my heart. Even Rubbish adores him. It’s easy to see why, because as companions go, Hoover is damned near perfect. He senses when my mood needs lifting, listens patiently to everything I say, keeps me warm in bed at night, and shares my taste in ice cream. If only I could find all those traits in a man. While
Annelise Ryan (Frozen Stiff (Mattie Winston Mysteries #3))
One day, when everything is finally and fully revealed, that other door will open and all that we were – rubbish of stars and souls – will be swept outside the house, so that what exists can start over.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
[...] his friends were all a bunch of poor cunts and his mother was a fool who still believed her man was coming back one day, a fucking fool who pretended she didn’t know that Brando’s dad had another family over in Palogacho and only sent them money each month because he felt guilty for having tossed them out like rubbish bags, as if we were pieces of shit, Mum, wake the fuck up: what’s the point in all that praying, what good does it do if you can’t even see straight, if you can’t see what everyone else does, you stupid, stupid woman! But she would just lock herself in her room and chant her litanies, almost shouting them to block out Brando’s raging and bashing against her door, the kicking and thumping that he would have happily aimed at her rotten mug, to see if that way she’d get it through her thick skull, to see if she’d just die and fuck off once and for all to her motherfucking promised land and stop banging on at him with her prayers and her sermons, her moaning and snivelling, all that: Lord, what have I done to deserve this child? Where’s my darling boy, my sweet, dear little Brando? How could you allow the devil to enter him, Lord? The devil doesn’t exist, he’d shout back, or your shitty God, and his mother would let out an anguished wail followed by more prayers, intoned with even greater intensity, even greater devotion, to make up for her son’s blasphemes, before Brando stormed off to the bathroom, where he’d stand before the mirror and stare at the reflection of his face until it looked like his black pupils, together with his equally black irises, had dilated so wide that they covered the entire surface of the mirror, a forbidding darkness cloaking everything: a darkness devoid of even the solace of the incandescent fires of hell; a desolate, dead darkness, a void from which nothing and no one could ever rescue him: not the wide-open mouths of the poofs who approached him in the clubs on the highway, not his nocturnal escapades in search of dog orgies, not even the memory of what he and Luismi had done, not even that [...]
Fernanda Melchor (Hurricane Season)
What rubbish it was to say words can never hurt you. Words could tear your heart apart. People used them every day to destroy one another
Liz Lawler (The Silent Mother)
My memories of those first days in Novorossiisk still lie behind a curtain of gray dust. They are still being whirled about by a stifling whirlwind - just as scraps of this and splinters of that, just as debris and rubbish of every kind, just as people themselves were whirled this way and that way, left and right, over the mountains or into the sea. Soulless and mindless, with the cruelty of an elemental force, this whirlwind determined our fate.
Teffi (Memories: From Moscow to the Black Sea)
Nan hisses, her teacup clattering to its saucer. “You wouldn’t know piss rubbish if your tart of the day were pissing in your face and calling it gold.
Lauren Landish (The Dare (Truth or Dare #1))
Genuine newspapers give us news. Propaganda only gives us rubbish.
Anthony T. Hincks
Microplastics will the death of everyone.
Anthony T. Hincks
We came back late that afternoon to find Shams burned red by the sun with bags of rubbish and marine litter collected from the beach. He'd spent the whole day cleaning the entire beach. When I asked why he had done it, he explained that the sea had given him such joy that he wanted to look after it and give something back by taking care of it and cleaning it up. His experience of surfing had altered his perception in way that artist and writer Jenny Odell would describe as "reciprocal attention". A renewed attention to the living world that foster a sense of stewardship and interdependence, that helps blur the distinction between what's "outside" of ourselves and what's "inside" us.
Easkey Britton (Saltwater in the Blood: Surfing, Natural Cycles and the Sea's Power to Heal)
It was from him that I learnt of the modern-day Fagins of Italy, and how the more innocent Gypsies fell into their nets. (…) Instead of Germany, after a long journey in a van, they found themselves in the city of Salerno in southern Italy. There they were brought by their 'Boss' to the empty shell of an unfinished apartment block. Inside there were hundreds of Romanian beggars sleeping on rags and mattresses which had been salvaged from rubbish dumps. There were rats everywhere. (…) The next morning they were pushed out on to the streets to beg. Romi was in tears. But in his tearful state he earned good money, especially outside the churches. He pocketed over a hundred euros on the first day and in the evening he tried to conceal some of it from the 'Boss'.He was told to strip. They found the money and beat him. They beat Dumitru as well because he had earned only ten euros. (p. 286)
William Blacker (Along the Enchanted Way: A Romanian Story)
My favourite time of the day is when she crawls into my side and hugs me to sleep because it makes her feel safe. My favourite part is when she says my name with that softness that she shows to no one but me. My favourite meal is when she tries to cook something and makes me taste it first in case it’s rubbish. My favourite activity is when we run together and challenge each other on who gets to finish their lap first. My favourite person is her.
Rina Kent (Royal Elite Epilogue (Royal Elite, #7))
Little stones or shiny sweet wrappers were left in the garden or dropped near my feet. Paper clips and bobby pins, pieces of jewelry or rubbish, sometimes shells or rocks or bits of plastic. I kept each in a box that year by year had to grow bigger. Even when I forgot to feed the birds they brought me gifts. They were mine, and I theirs, and we loved each other. So it went for four years, every day without fail. Until I left not only my mother but my twelve kindred spirits, too. Sometimes I dream of them waiting in that tree for a girl who would never come, bringing gift after precious gift to lie unloved in the grass.
Charlotte McConaghy (Migrations)
If any locals had seen the dark-robed group as they moved through the darkness they might well have felt the stirrings of fear. Monks – anonymous, rootless, untraceable – were able to commit atrocities with near impunity. ‘Our angels’ some Christians called them. Rubbish, said non-Christians. They were not angels but ignorant, boorish thugs, men in appearance only who ‘led the lives of swine, and openly did and allowed countless unspeakable crimes’. As the author Eunapius wrote with sardonic distaste: ‘in those days every man who wore a black robe and consented to behave in unseemly fashion in public, possessed the power of a tyrant, to such a pitch of virtue had the human race advanced!’ Even a wholeheartedly Christian emperor mutedly observed that ‘the monks commit many crimes’. And on that night, these monks were about to commit another. Shenoute’s target was not, this time, one of his monks but one of the wicked, godless pagans. In sermon after furious sermon Shenoute had turned his famously fiery prose on these people. Their hearts were ‘the nests of the spirits of wickedness’. If disturbed then these evil people would spit out poison. The Bible, Shenoute told his congregants, said that those who set up pagan images should be killed. As he put it in one particularly vigorous sermon, God wished His people to ‘remove the abominations from His presence’. The emperors, Shenoute thundered, had declared that the entire earth must be cleansed of perversions. No stone was to be left on top of any other stone of any pagan temple. Not one. In the entire earth.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Weeds thrive in the company of humans. They aren’t parasites, because they can exist without us, but we are their natural ecological partners, the species alongside which they do best. They relish the things we do to the soil: clearing forests, digging, farming, dumping nutrient-rich rubbish. They flourish in arable fields, battlefields, parking lots, herbaceous borders. They exploit our transport systems, our cooking adventures, our obsession with packaging. Above all they use us when we stir the world up, disrupt its settled patterns. It would be a tautology to say that these days they are found most abundantly where there is most weeding; but that notion ought to make us question whether the weeding encourages the weeds as much as vice versa.
Richard Mabey (Weeds: How Vagabond Plants Gatecrashed Civilisation and Changed the Way We Think About Nature)
Well, guess what? As long as you think that way, you are not in control of your life. You are at the mercy of those around you, and that is rubbish. It’s not true at all. In every situation, you choose how you react. You can choose to have your day ruined, or you can choose to laugh it off and pay attention to something that is actually important!
Gala Darling (Radical Self-Love: A Guide to Loving Yourself and Living Your Dreams)
A tear falls and lands on the face of a zebra shark. I quickly wipe it away. No horrible, awful, rubbish day is worth damaging a library book.
Elle McNicoll (A Kind of Spark)
hated Monday mornings, particularly when it was pouring down with rain. And as if that wasn’t a bad enough start to the day, when I picked up the box of Chococandy Pops, it was empty. “Who’s been eating my Chococandy Pops?” “You’re the only one who eats that rubbish,” Jack said. “What about you, Florence? Did you eat them?” “No, Mummy, I don’t want my teeth to fall out.” “How come this box is empty, then?” I shook it to prove the point. “Most likely because you put it back in the cupboard like that,” Jack said. That was a ridiculous notion. Someone must have eaten them. Maybe it was Buddy. “What am I supposed to do now?” “You’re welcome to have some muesli.” “Don’t be ridiculous. I’ll go and see if they have some at the store.” “Good luck with that.” Jack laughed.
Adele Abbott (Witch Is Where Rainbows End (A Witch P.I. Mystery #40))
The first is the result of ordinary nourishment and eliminates itself naturally, and this must be each day, otherwise there follow all sorts of illnesses. (The physician knows this well.) For the same reason that you go to the bathroom for this maintenance, you must go to the bathroom for the second excrement which is rejected from you by the sexual function. It is necessary for health and the equilibrium of the body; and certainly it is necessary in some to do it each day, in others each week, in others again every month or every six months. It is subjective. For this you must choose a proper bathroom. One that is good for you. A third excrement is formed in the head; it is rubbish of the food impressions, and the wastes accumulate in the brain. (The physician ignores it, just as he ignores the important role of the appendix in digestion, and rejects it as wastes.)
G.I. Gurdjieff (Transcripts of Gurdjieff's Wartime Meetings 1941-1946: Thirty-four meetings held at 6, rue des Colonels Renard, Paris)
That', Ghoolion said in a voice quivering with rage, 'is my dungeon for useless kitchen utensils. There's one such in every kitchen worthy of the name. Its inmates are kept there like especially dangerous patients in a mental institution.' He reached into the cupboard and brought out an odd-looking implement. 'What cook', he cried, 'does not possess such a gadget, which can sculpt a radish into a miniature rose? I acquired it at a fair in one of those moments of mental derangement when life without a miniature-rose-cutting gadget seems unimaginable.' He hurled the thing back into the darkness and brought out another. 'Or this here, which enables one to cut potatoes into spirals five yards long! Or this, a press for juicing turnips! Or this, a frying pan for producing rectangular omelettes!' Ghoolion took gadget after gadget from the cupboard and held them under Echo's nose, glaring at them angrily. 'What induced me to buy all these? What can one do with potato spirals long enough to decorate a banqueting hall? What demented voice convinced me in a whisper that I might some day be visited by guests with an insatiable hankering for turnip juice, rectangular omelettes and potatoes five yards long?' He Hurled the gadgets back into their dungeon with a look of disgust. 'Why, I ask myself, don't I simply chuck them all on to the rubbish dump? I'll tell you that too. I keep them for one reason alone: revenge! I keep them just as medieval princes kept their enemies on starvation rations. A quick death on a rubbish dump would be too merciful. No, let them languish in a gloomy dungeon, condemned to everlasting inactivity. That's the only condign punishment for a rectangular omelette pan!
Walter Moers (Der Schrecksenmeister (Zamonien, #5))
From the mountains of rubble, slag, rubbish, bones, dust, excrement that bear witness to the works and days of each passing generation, a few milligrams of radioactive mind-energy have in the course of history been extracted, and from them, only a fractional amount has been preserved. That fraction, passing from mind to mind, has the property of irradiating the rest of existence with meaning and value. Like the radioactive elements themselves, these dynamic and formative attributes of mind are extremely powerful, but evanescent: yet their half-life, as with the ancient Egyptian organization of the megamachine, may last for thousands of years.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))