Love Galore Quotes

We've searched our database for all the quotes and captions related to Love Galore. Here they are! All 22 of them:

Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.
Alice Sebold (The Lovely Bones)
I love you, hugs & kisses, smoochies galore, licks, nibbles & assorted gropages!! -Aisling said to Drake
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
Orgasms galore and sore vagina here I come.
Jessica Florence (The Final KO (Final Love #1))
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything.
Alice Sebold (The Lovely Bones)
When both men had their shirt off, as they did right now, it was like living in an Abercrombie & Fitch ad- a six-pack celebration, complete with triceps and biceps galore. No doubt about it, Dolphina loved her new job.
Suzanne Brockmann (All Through the Night (Troubleshooters, #12))
If we address frankly what is evoked by cheese, I think it becomes clear why so little is said. So what does cheese evoke? Damp dark cellars, molds, mildews and mushrooms galore, dirty laundry and high school locker rooms, digestive processes and visceral fermentations, he-goats which do not remind of Chanel … In sum, cheese reminds of dubious, even unsavory places, both in nature and in our own organisms. And yet we love it.
Michael Pollan (Cooked: A Natural History of Transformation)
We have scholars galore, and kings and emperors, and statesmen and military leaders, and artists in profusion, and inventors, discoverers, explorers - but where are the great lovers? After a moment's reflection one is back to Abelard and Heloise, or Anthony and Cleopatra, or the story of the Taj Mahal. So much of it is fictive, expanded and glorified by the poverty-stricken lovers whose prayers are answered only by myth and legend.
Henry Miller
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go hold someone’s hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide heaven is about flat head nails and the soft down of new leaves, wild roller coaster rides and escaped marbles that fall, then hang, then take you somewhere you could never imagined in your small-heaven dreams.
Alice Sebold
Mary Tryphena said, It's the only thing the world gives us, you know. The right to say yes or no to love.
Michael Crummey (Galore)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
Books. More books than I had ever seen in my life. I gasped and crawled to my knees. I couldn’t breathe. Books galore. Music books, philosophy books. Math books. Geometry. Opera scores, logic. I sobbed and cradled the books. I hugged them to my naked chest and I cried. I smelled them and touched their spines. I remember how violently my fingers shook. I buried my nose in their pages and wept. Never had I ever held so many books in my life. And they were mine. All my very own. The orgasm still riddled my body. It had barely begun to fade. One orgasm ended, but the euphoria was just beginning.
Angela B. Chrysler (Broken)
THE ENGLISHMAN’S VERY SHY (FOX-TROT)   (Bloat): The Englishman’s very shy, He’s none of your Ca-sa-no-va, At bowling the ladies o-ver, A-mericans lead the pack—   (Tantivy): —You see, your Englishman tends to lack That recklessness transatlantic, That women find so romantic Though frankly I can’t see why . . .   (Bloat): The polygamous Yank with his girls galore Gives your Brit-ish rake or carouser fits,   (Tantivy): Though he’s secretly held in re-ve-rent awe As a sort of e-rot-ic Clausewitz. . . .   (Together): If only one could al-ly A-merican bedroom know-how With British good looks, then oh how Those lovelies would swoon and sigh, Though you and I know the Englishman’s very shy.
Thomas Pynchon (Gravity's Rainbow)
THE ENGLISHMAN’S VERY SHY (FOX-TROT)   (Bloat): The Englishman’s very shy, He’s none of your Ca-sa-no-va, At bowling the ladies o-ver, A-mericans lead the pack—   (Tantivy): —You see, your Englishman tends to lack That recklessness transatlantic, That women find so romantic Though frankly I can’t see why . . .   (Bloat): The polygamous Yank with his girls galore Gives your Brit-ish rake or carouser fits,   (Tantivy): Though he’s secretly held in re-ve-rent awe As a sort of e-rot-ic Clausewitz. . . .   (Together): If only one could al-ly A-merican bedroom know-how With British good looks, then oh how Those lovelies would swoon and sigh, Though you and I know the Englishman’s very shy.  
Thomas Pynchon (Gravity's Rainbow)
What used the darling ones to do? ‘How used they keep themselves contented Before this monster was invented?’ Have you forgotten? Don’t you know? We’ll say it very loud and slow: They . . . used . . . to . . . read! They’d read and read, And read and read, and then proceed To read some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching ’round the pot, Stirring away at something hot. (It smells so good, what can it be! Good gracious, it’s Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and— Just How The Camel Got His Hump, And How The Monkey Lost His Rump, And Mr. Toad, and bless my soul, There’s Mr. Rat and Mr. Mole— Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks— Fear not, because we promise you That, in about a week or two Of having nothing else to do, They’ll now begin to feel the need Of having something good to read. And once they start—oh boy, oh boy! You watch the slowly growing joy
Roald Dahl (Charlie and the Chocolate Factory)
He’s a lawyer, so fighting with him is like being interrogated by imposing counsel. He uses innuendo and leading questions, false assumptions galore. As if there’s some invisible jury who’s going to congratulate him and say, ‘You win!’” —Amber, Joliet, IL
Merry Bloch Jones (I Love Him, But . . .)
Falling in love meant browsing many wrong people. Some boys were like Netflix movies; the preview looked okay and the first half hour wasn’t bad, but after sitting through the whole thing you realized it was a total waste of time. With Hunter, it was Emmys galore.
Khristina Chess (The Cutting Edge of Friendship)
After all, if we didn’t love something, flaws included, what sort of love would that be? Yes, there were rules galore, but they were all feasible. Survivable.
Carissa Orlando (The September House)
Naskar, The Journey (Sonnet 1540) The journey began with Art of Neuroscience, I was the rookie scholar in the block. Amateurish intellectualism was quite evident, till my voice took charge in the 11th work. Finally yours truly was speaking on his own, without leaning on those who came before. Riding on a whim, along came sonnets, Prose and poetry fused in Naskarean ore. Thus original Naskar started pouring out, as Hurricane Human, Hometown Human 'n more, Martyr Meets World to Mücadele Muhabbet, all as bedrock of assimilation galore. The journey that began with science, soon turned into a humanitarian tsunami. Rooted in love, tempered by reason - I'm the furnace of peace, piety 'n poetry.
Abhijit Naskar (World War Human: 100 New Earthling Sonnets)
The home I grew up in was something you might expect to find in an F. Scott Fitzgerald novel. Domed ceilings with ornate moldings, inlaid marble floors, and more powder rooms than people. It was a small palace. Mom loved French architecture and décor and would take trips overseas to find unique antiques. There were two exterior swimming pools, a tennis court, a pavilion, plus a rose garden, Italian stepped stone fountains, and grounds galore. A branch of the Trinity River flowed near stone-covered walking paths, swaths of carefully tended grass in green spaces waving nearby.
Mary Hollis Huddleston (Piece of Cake)
Emily didn't put any of the neighbours in—she didn't need to. Characters galore trooped into her consciousness, demanding a local habitation and a name. They laughed and scowled and wept and danced—and even made a little love. Aunt Elizabeth tolerated this, supposing you couldn't have a novel without some of it. Emily read a chapter every evening, and Aunt Laura and Cousin Jimmy were allowed to hear it along with Aunt Elizabeth. Cousin Jimmy was in raptures. He was sure it was the most wonderful story ever written.
Lucy Maud Montgomery (Emily's Quest (Emily, #3))