Andrew Bolt Quotes

We've searched our database for all the quotes and captions related to Andrew Bolt. Here they are! All 26 of them:

What is love, Arthur? What is it?” she asks him. “Is it the good dear thing I had with Janet for eight years? Is it the good dear thing? Or is it the lightning bolt? The destructive madness that hit my girl?
Andrew Sean Greer (Less)
Two hours. More than enough time to kidnap a man. Or to slice his throat, bury him in the forest, and steal his magic project. How the hell did de Harven fit into it? Did he surprise the thieves? Of course, Adam Kamen could've killed his uber-bodyguard and bolted with the goods. Because he was secretly a ninja, adept at mortal combat and vanishing into thin air. Yes, that was it. Case solved.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
We need a barn or one of those storage areas for the Broken vehicles." "A garage?" He gave her a short nod. "A private, relatively remote location, with thick walls to dampen the sound and preferably a sturdy door I could bolt from the inside, keeping your grandmother, your brothers, and all other painfully annoying spectators out..." Rose began to laugh. A make-out bunker... "I'm glad you find our dilemma hilarious,
Ilona Andrews (On the Edge (The Edge, #1))
You could have an eight-inch thick titanium diaper bolted to your pelvis, and you would still somehow get laid. It should be their official tourism slogan: Israel Where Virginity Goes to Die.
Jesse Andrews (Me and Earl and the Dying Girl)
I snapped the crossbow into the top of the mount, took a canvas bundle from the cart, and unrolled it. Crossbow bolts, tipped with the Galahad warheads. “This is my baby.” I petted the stock. “You have a strange relationship with your weapons,” Roman said. “You have no idea,” Raphael told him. “This from a man with a living staff and a man who once drove four hours both ways for a sword he then put on his wall,” I murmured. “It was an Angus Trim,” Raphael said. “It’s a sharpened strip of metal.” “You have an Angus Trim sword?” Kate’s eyes lit up. “Bought it at an estate auction,” Raphael said. “If we get out of this alive, you are invited to come to my house and play with it.” It was good that Curran wasn’t here and I was secure in our relationship, because that totally could be taken the wrong way.
Ilona Andrews
He surveyed me, his eyes half closed, as if wondering if I were a delicious snack. I had an image of a massive dragon circling me slowly, eyes full of magic fixed on me as he moved, considering if he should bite me in half. “Dragons.” Rogan snapped his fingers. Oh crap. “I wondered why I kept getting dragons around you.” He leaned forward. His eyes lit up, turning back to their clear sky blue. “You think I’m a dragon.” “Don’t be ridiculous.” My face felt hot. I was probably blushing. Damn it. His smile went from amused to sexual, so charged with promise that carnal was the only way to describe it. I almost bolted out of my chair. “Big powerful scary dragon.” “You have delusions of grandeur.” “Do I have a lair? Did I kidnap you to it from your castle?” I stared straight at him, trying to frost my voice. “You have some strange fantasies, Rogan. You may need professional help.” “Would you like to volunteer?” “No. Besides, dragons kidnap virgins, so I’m out.” And why had I just told him I was not a virgin? Why did I even go there? “It doesn’t matter if I’m the first. It only matters that I’ll be the last.” “You won’t be the first, the last, or anything in between. Not in a million years.” He laughed. “Rogan,” I ground out through my teeth. “I’m on the clock. My client is in the next room mourning his wife. Stop flirting with me.” “Stop? I haven’t even started.
Ilona Andrews (White Hot (Hidden Legacy, #2))
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Andrew's mouth gave a violent twitch, a grimace he forcibly repressed, and he finally looked up. The darkness in his stare almost took Neil's breath away. Fast on the heels of shock was a bolt of triumph. Andrew had been back from Easthaven for almost two weeks, and this was the first sign that there was anything real going on behind that blank mask. Neil would have preferred to see the real Andrew under safer circumstances, but knowing he could be reached was a desperate relief. "Fuck you," Andrew said. The edge in his voice had every hair on Neil's arm standing on end. Neil held Andrew's stare, silently daring that anger to break against him instead of Allison.
Nora Sakavic (The King's Men (All for the Game, #3))
THERE ALMOST HAS to be a heaven. If other worlds surround us, just a lightning bolt away, then what would stop us from slipping there? If love has left us, well, then there is a world where it has not. If death has come, then there is a world where it has been kept at bay.
Andrew Sean Greer (The Impossible Lives of Greta Wells)
Because engineers could not manually screw on connecting bolts or weld seams in many places, nor resolve instances where the underlying building sagged under the additional weight as sizeable components were laid down, the Sarcophagus has many unintended holes.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
In his turn, the P.M. when he had shot his bolt got up and had a walk, pulling from his heated buttocks the seat of his trousers which had clearly stuck to them. It was indeed a warm night. There was something about this dumpy figure, plucking at his backside, which suggested immense strength but little distinction.
Andrew Roberts (Churchill: Walking with Destiny)
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
N. Scott Momaday (House Made of Dawn)
In his letter of 23 October 1928 Warnie wrote of a sea voyage to Hong Kong. ‘The most interesting person on board,’ he said, ‘was the Chief Engineer who was a character straight out of Kipling–such a man as I had always believed never existed outside novels…I first came across him one night after dinner when a few of us collected in the saloon for a mouthful of the port, and McAndrew’s Hymn being mentioned, he expressed his warmest approval of it…This and some more chat led to an invitation to adjourn to his room and inspect “ma buiks”. It was a severe shock after a discussion on Kipling to arrive at his room and come bolt under a withering collection of philosophy–Spencer, Comte, and similar books. I had to mumble something about having no philosophy, which was met with “When ye say ye haaaave no pheelawsophy, Cap’n, ye only mean ye haaave a bad pheelawsophy.
C.S. Lewis (The Collected Letters of C.S. Lewis, Volume 1: Family Letters, 1905-1931)
The point is, I have no patience left. You will tell me where you went when you vanished. Now.” Andrea raised her chin, as if daring me to take a swing. “Or?” Or what exactly? “Or I will punch you right in the face.” Andrea froze. For a second I thought she would bolt for the door. She sighed instead. “Can I at least get some coffee first?
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Eric?” “Yes?” “If your phone was in your pocket, then what’s that in your hand?” A short, yet awkward silence ensued— “There he is! That’s the pervert who stole my underwear!” —At least, it did until a horde of girls ran up and one of them pointed at Eric before shouting. “Uh-oh.” Eric leapt from his seat. “Here, hold these.” He shoved what he’d been holding into Lindsay’s hands and then bolted. “GET BACK HERE, YOU DAMN PERVERT!” “YOU’LL NEVER TAKE ME ALIVE!” Eric shouted back at the girls. Unfortunately, because he had turned his head to do so, he wasn’t watching where he was going and tripped over a chair. The girls used that opportunity to swarm him like hungry piranhas. Soon, the perverted young man’s screams filled the air. Throughout it all, Lindsay sat there, blinking as she looked down at the item in her hands. It was an article of clothing. To be more precise, it was a pair of panties. She stared at the white lace garment in her hands, trying to resist the temptation. Don’t do it, Lindsay. You’re better than this. You’re better than Eric. You don’t want to do this. But she did. She did want to do this. After discreetly looking around to make sure no one was watching her, Lindsay held the panties up to her face and took several deep whiffs. “These… these smell really good,” she mumbled before noticing her audience. Alex and Andrew were gawking at her, their jaws wide enough that a fist could have passed through them, and their eyes the size of hockey pucks. Lindsay blushed and went back to her salad. The rest of lunch was very awkward.
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
A carriage pulled by four bolting horses would not stay upright on a road such as this for very long. He offered a silent prayer to the God he chose to believe in on such occasions, and hung on to a seat as best he could.
Andrew Swanston (The King's Spy (Thomas Hill, #1))
Soon he really shut his eyes and fell asleep. He did not sleep long and suddenly awoke with a start and in a cold perspiration. As he fell asleep he had still been thinking of the subject that now always occupied his mind- about life and death, and chiefly about death. He felt himself nearer to it. "Love? What is love?" he thought. "Love hinders death. Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source." These thoughts seemed to him comforting. But they were only thoughts. Something was lacking in them, they were not clear, they were too one-sidedly personal and brain-spun. And there was the former agitation and obscurity. He fell asleep. He dreamed that he was lying in the room he really was in, but that he was quite well and unwounded. Many various, indifferent, and insignificant people appeared before him. He talked to them and discussed something trivial. They were preparing to go away somewhere. Prince Andrew dimly realized that all this was trivial and that he had more important cares, but he continued to speak, surprising them by empty witticisms. Gradually, unnoticed, all these persons began to disappear and a single question, that of the closed door, superseded all else. He rose and went to the door to bolt and lock it. Everything depended on whether he was, or was not, in time to lock it. He went, and tried to hurry, but his legs refused to move and he knew he would not be in time to lock the door though he painfully strained all his powers. He was seized by an agonizing fear. And that fear was the fear of death. It stood behind the door. But just when he was clumsily creeping toward the door, that dreadful something on the other side was already pressing against it and forcing its way in. Something not human- death- was breaking in through that door, and had to be kept out. He seized the door, making a final effort to hold it back- to lock it was no longer possible- but his efforts were weak and clumsy and the door, pushed from behind by that terror, opened and closed again. Once again it pushed from outside. His last superhuman efforts were vain and both halves of the door noiselessly opened. It entered, and it was death, and Prince Andrew died. But at the instant he died, Prince Andrew remembered that he was asleep, and at the very instant he died, having made an effort, he awoke. "Yes, it was death! I died- and woke up. Yes, death is an awakening!" And all at once it grew light in his soul and the veil that had till then concealed the unknown was lifted from his spiritual vision. He felt as if powers till then confined within him had been liberated, and that strange lightness did not again leave him. When, waking in a cold perspiration, he moved on the divan, Natasha went up and asked him what was the matter. He did not answer and looked at her strangely, not understanding. That was what had happened to him two days before Princess Mary's arrival. From that day, as the doctor expressed it, the wasting fever assumed a malignant character, but what the doctor said did not interest Natasha, she saw the terrible moral symptoms which to her were more convincing. From that day an awakening from life came to Prince Andrew together with his awakening from sleep. And compared to the duration of life it did not seem to him slower than an awakening from sleep compared to the duration of a dream.
Leo Tolstoy (War and Peace)
We burst through the doors of Parthenon like Greeks through the open gates of Troy. Five minutes later we were seated at our usual table in the garden section despite two flights of stairs, which Andrea insisted on climbing, and the heat of late afternoon. The owners had finally gotten rid of the chairs that were bolted to the floor, and I sat so I could watch the door and the two women on the right, who were the only other diners willing to brave the garden section in the heat. We ordered a heaping platter of meat, a pint of tzatziki sauce, and a bucket of fried okra, because Andrea really wanted it, and waited for our food
Ilona Andrews (Magic Binds (Kate Daniels, #9))
Her neurological reboot didn't take long, but it was long enough for the man to sit bolt upright and start shrieking 'END THE FED! END THE FED!
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
Landon spun the wheel. The Land Rover nearly careened, turning off the road. Landon parked and bolted out of the car, slapping the driver's door closed behind him.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
He bolted into the house where the old man slept on the porch. Chickens scattered. Oskar, Nia, and the children hurried after Podo into the shadowy old building. The old man stirred and muttered a few garbled words but kept sleeping. Once inside, Janner could see nothing. He could hear Podo’s familiar tap-clunk and his raspy gripe: “Been so long I can scarce remember how to find the…” Janner heard the rattle and clomp outside of armored Fangs on the march. It didn’t sound like a large unit, but it was enough to make him tremble. “Papa, they’ve stopped,” Nia whispered.
Andrew Peterson (North! or Be Eaten)
Jaycee flipped his body around to see the octopus bolting toward him.
Andrew Mackay (Star Cat: Training Day: A Science Fiction & Fantasy Adventure Novella)
Broadly speaking, in online Australian media, News Corp has strengthened its claim to the conservative, male, right-wing media space. Its approach to news stories shows a refusal to recognise climate change as a global threat caused by human activities, which can be seen in the prominence given to climate change deniers such as columnists Andrew Bolt and Miranda Devine, and their clear disdain for unions,
Jane Gilmore (Fixed It)
News Corp’s right-wing stance expresses itself in hostility to feminists and feminist principles, as described by prominent writers such as Miranda Devine, Rita Panahi, Tim Blair and Andrew Bolt. While there are many highly professional and skilled women working for News Corp, some who even express feminist points of view and approaches to news, they are the exception. News Corp’s editors and senior staff are overwhelmingly white and male. Their approach to news is aimed at a primarily male audience, with a strong focus on men’s sport, right-wing politics, sensationalised crime and opinion writing that is deeply hostile to feminist aims. Some women thrive in this environment, such as the aforementioned Miranda Devine and Rita Panahi. Others I’ve spoken to find it impossible to work with and are forced to seek work outside the News Corp enclosures. This is working (for now) as News Corp slowly raises paywalls around most of its content, but the News Corp audience doesn’t only skew male, it also tends to be older than the readership for other publications.
Jane Gilmore (Fixed It)
Everything was in order, although coated in dust, cobwebs and what looked like an entire village of dead bugs. A pegboard held his saws, chisels, hammers, vises and screwdrivers. He’d used old wooden cigar boxes with tiny knobs screwed to each to construct drawers for a homemade cubby holding a wide assortment of nails, screws, bolts and washers. The power tools were neatly arranged on the wooden shelves beside the bench. An old nail barrel held scraps of lumber. She inhaled deeply. The shed smelled of cigar smoke, WD-40 and sawdust. It smelled like Papi.
Mary Kay Andrews (Sunset Beach)
O, who shall from this dungeon raise A soul enslaved so many ways? With bolts of bones, that fettered stands In feet; and manacled in hands. Here blinded with an eye: and there Deaf with the drumming of an ear; A soul hung up, as ’twere, in chains Of nerves, and arteries, and veins; Tortured, besides each other part, In a vain head and double heart?
Andrew Marvell (The Complete Poems)