Lounge Room Quotes

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Sharing a room with a cadaver is only mildly different from being in a room alone. They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Everything was comfortable, tasteful, as if the apartment were for lounging and nights by the fire. And there were so many books—on shelves, on the tables by the couch, stacked beside the large armchair before the curtained floor-to-ceiling window spanning the entire length of the great room. Smart. Educated. Cultured, if the knickknacks were any indication. There were things from across kingdoms, as if she'd picked up something everywhere she went. The room was a map of her adventures, a map of a whole different person. Aelin had lived. She'd lived, and seen and done things.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“ Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity. "May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?” More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir." A number of people in the class laughed outright. "Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“ The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named. "Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Well,” said a very amused voice. “This is unexpected.” Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—” The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth. Magnus Bane. “You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Jack stood in the dining room just outside the batwing doors leading into the Colorado Lounge, his head cocked, listening. He was smiling faintly. Around him, he could hear the Overlook Hotel coming to life. It
Stephen King (The Shining (The Shining, #1))
Sometimes, Kate was downright astonished by how much the women in the faculty lounge sounded like the little girls nattering away in Room 4. It
Anne Tyler (Vinegar Girl (Hogarth Shakespeare, #3))
The Sky Lounge is not aspirational. It is desperational.
John Hodgman (Medallion Status: True Stories from Secret Rooms)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Starling walked up and down the linoleum of the shabby lounge far underground. She was the only brightness in the room. We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we’re frightened in the face of Doom.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
passed a room where twenty or so residents were lounging in front of a big-screen TV tuned to Fox News. Half were snoring. The other half, I assume, had advanced dementia—it was their only possible excuse for not changing the channel. When
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
The room they had reached served as an impromptu drug-lounge in which a hundred naked addicts engaged in communal sex. One of them drew nearer and spontaneously relieved himself all over Aurora’s shoes. ‘You’re welcome,’ the addict said proudly, buttoning up his soiled jeans and walking away like a champ. A nearby woman saw the whole thing and smirked. ‘You’re one lucky lady, you know that?’ she smiled toothlessly. The remnants of today’s orgy were still visible in her mouth. ‘I wouldn’t piss on you if you were on fire.
Louise Blackwick (5 Stars)
What do you want?” he growled. “I just want to talk.” I tried to keep my voice steady. “You don't have to try to scare me.” He kept a straight face, and his tone was seductively low. "There's hardly any room for fear when you're so bloody turned-on.” A flash of shock hit me at his audacity. His eyes lowered to my body, but he never moved away. “Ah, there's anger now,” he said coolly, “and a bit of embarrassment.” He was reading me — reading my colors! And I couldn't see his at all. I felt stripped bare before him, vulnerable. I concentrated on why I'd gone there to begin with. “I know what we are now.” I wished my voice weren't shaky. “Congratulations.” He stood over me for a second more, savoring his power, no doubt, and then walked away, tossing the knife in the general direction of the dartboard and hitting the bull's-eye. Never missing a beat, he swaggered to a white couch with oversize pillows. He fell back onto it, propping his big, black boots on the white cushions and lounging back with arms spread wide across the back of the sofa. He stared as if daring me to talk. I had no idea what to say or do. I didn't know anymore why I'd come. Had I just wanted to barge in and say, Ha, I know what we are! and then demand information?
Wendy Higgins (Sweet Evil (Sweet, #1))
Sherlock Holmes was, as I expected, lounging about his sitting-room in his dressing-gown, reading the agony column of The Times and smoking his before-breakfast pipe,
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
Her husband leaned against the lounge room doorway, arms folded, his gaze steady.
Jane Harper (Exiles (Aaron Falk, #3))
He opened the door and led me through a corridor into a dark green lounge curiously paneled with pale green glass behind which, at cunningly measured distances, lay exquisitely painted panoramas of strange seas and beautiful landfalls. Standing in the center of the room, and slowly turning, a man might imagine that Satan had taken him to the top of a high mountain, and was showing him all the kingdoms of the earth... until he put out his hand to touch the middle distance, and felt a window, and saw through it to the heart of the illusion.
Gerald Kersh (The Secret Masters)
leaves the condolences piled on the dining-room table until they begin to overflow into the lounge. She does not want to deal with them, but she cannot bring herself to toss them away unread
Erin Morgenstern (The Night Circus)
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we’re frightened in the face of Doom.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
I suddenly remembered that Murray Gell-Mann and I were supposed to give talks at that conference on the present situation of high-energy physics. My talk was set for the plenary session, so I asked the guide, "Sir, where would the talks for the plenary session of the conference be?" "Back in that room that we just came through." "Oh!" I said in delight. "Then I'm gonna give a speech in that room!" The guide looked down at my dirty pants and my sloppy shirt. I realized how dumb that remark must have sounded to him, but it was genuine surprise and delight on my part. We went along a little bit farther, and the guide said, "This is a lounge for the various delegates, where they often hold informal discussions." They were some small, square windows in the doors to the lounge that you could look through, so people looked in. There were a few men sitting there talking. I looked through the windows and saw Igor Tamm, a physicist from Russia that I know. "Oh!" I said. "I know that guy!" and I started through the door. The guide screamed, "No, no! Don't go in there!" By this time he was sure he had a maniac on his hands, but he couldn't chase me because he wasn't allowed to go through the door himself!
Richard P. Feynman
Disgust rose in Samantha like vomit. She wanted to seize the over-warm cluttered room and mash it between her hands, until the royal china, and the gas fire, and the gilt-framed pictures of Miles broke into jagged pieces; then, with wizened and painted Maureen trapped and squalling inside the wreckage, she wanted to heave it, like a celestial shot-putter, away into the sunset. The crushed lounge and doomed crone inside it, soared in her imagination through the heavens, plunging into the limitless ocean, leaving Samantha alone in the endless stillness of the universe.
J.K. Rowling (The Casual Vacancy)
I passed a room where twenty or so residents were lounging in front of a big-screen TV tuned to Fox News. Half were snoring. The other half, I assume, had advanced dementia—it was their only possible excuse for not changing the channel.
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
So, this is how it started: as a secret, a challenge, a fire escape they used to dodge the hulking mass of their mother, who demanded that they hang laundry or get the goddamn cat out of the stovepipe whenever she found them lounging in the bunk room.
Chloe Benjamin (The Immortalists)
He was seated alone on a lounge chair in the sitting room, his face veiled with a copy of his favourite newspaper, the Guardian, half reading and half listening to Mother.
Chigozie Obioma (The Fishermen)
but the dust seemed to meander from room to room like a lazy cat, lounging on whatever it deemed convenient and comfortable.
Ania Ahlborn (The Bird Eater)
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtray, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
trompe l’oeil row of lockers marked the hallway down to the Social Room, a lounge designated for the seniors, where there was a microwave for making popcorn during free periods, and a Coke machine that cost only fifty cents instead of seventy-five like the ones in the cafeteria, and a chunky black cube of a jukebox left over from the seventies and now loaded with Sir Mix-a-Lot and Smashing Pumpkins and the Spice Girls.
Celeste Ng (Little Fires Everywhere)
Mrs. Richards: Girl, there's no paper in my room. Why don't you check these things? That's what you're being paid for, isn't it? Polly: We don't put it in the rooms. Mrs. Richards: What? Polly: Well, we keep it in the lounge. Mrs. Richards: [aghast] In the lounge? Polly: I'll get you some. Do you want plain ones or ones with our address on it? Mrs. Richards: Address on it? Polly: How many sheets? Well, how many are you going to use? Mrs. Richards: Manager!
John Cleese
Noah held his hand out. She accepted it - it was bone-cold, as always - and together they turned to face the huge room. Noah took a deep breath as if they were preparing to explore the jungle instead of stepping deeper into Monmouth Manufacturing. It seemed bigger with just the two of them there. The cobwebbed ceiling soared, dust motes making mobiles overhead. They turned their heads sideways and read the titles of the books aloud. Blue peered at Henrietta through the telescope. Noah daringly reattached one of the broken miniature roofs on Gansey's scale town. They went through the fridge tucked in the bathroom. Blue selected a soda. Noah took a plastic spoon. He chewed on it as Blue fed Chainsaw a leftover hamburger. They closed Ronan's door - if Gansey still managed to inhabit the rest of the apartment, Ronan's presence was still decidedly pervasive in his room. Noah showed Blue his room. They jumped on his perfectly made bed and then they played a bad game of pool. Noah lounged on the new sofa while Blue persuaded the old record player to play an LP too clever to interest either of them. They opened all the drawers on the desk in the main room. One of Gansey's EpiPens bounced against the interior of the topmost drawer as Blue withdrew a fancy pen. She copied Gansey's blocky handwriting onto a Nino's receipt as Noah put on a preppy sweater he'd found balled under the desk. She ate a mint leaf and breathed on Noah's face. Crouching, they crab-walked along the aerial printout Gansey had spread the length of the room. He'd jotted enigmatic notes to himself all along the margin of it. Some of them were coordinates. Some of them were explanations of topography. Some of them were Beatles lyrics.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished. He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete.
Thomas Harris (Silence Of The Lambs)
Pa tells us we will all live with Uncle Leang and his family in their house. Uncle Leang and his wife have six children, so with the nine of us it makes seventeen under one thatched roof. Their house would not be called a house by city people’s standards. It looks more like one of those simple huts poor people live in. The roof and walls are made of straw and the hut has only a dirt floor. There are no bedrooms or bathrooms, just one big open room. There is no indoor kitchen, so all the cooking is done outside under a straw roof awning.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
...if we're to experience change in our very nature, we need to enter the cocoon of the Word of God. When you sit in your lounge room or your favorite chair reading the Bible, think caterpillar. It's like you're spinning your own spiritual cocoon. It's in the confines of the cocoon that the unseen work is done in the caterpillar...This is exactly what happens to us when we abide in the Word of God. It's here He can do His greatest work in us. As we commit to this process we too will experience internal transformation that in time will cause external change.
Christine Caine
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
Select a room where you can be alone and undisturbed; sit erect, comfortably, but do not lounge; let your thoughts roam where they will but be perfectly still for from fifteen minutes to half an hour; continue this for three or four days or for a week until you secure full control of your physical being.
Charles F. Haanel (The Master Key System: Unlock your greatest potential)
Homophobia and the closet are allies. Like an unhealthy co-dependent relationship they need each other to survive. One plays the victim living in fear and shame while the other plays the persecutor policing what is ‘normal’. The only way to dismantle homophobia is for every gay man and lesbian in the world to come out and live authentic lives. Once they realise how normal we are and see themselves in us….the controversy is over. It is interesting to think what would happen though....on a particularly pre-determined day that every single gay man and lesbian came out. Imagine the impact when, on that day, people all around the world suddenly discovered their bosses, mums, dads, daughters, sons, aunts, uncles, cousins, teachers, doctors, neighbours, colleagues, politicians, their favourite actors, celebrities and sports heroes, the people they loved and respected......were indeed gay. All stereotypes would immediately be broken.....just by the same single act of millions of people…..and at last there would no longer be need for secrecy. The closet would become the lounge room. How much healthier would we be emotionally and psychologically when we could all be ourselves doing life without the internal and societal negatives that have been attached to our sexual orientation.
Anthony Venn-Brown OAM (A Life of Unlearning - a journey to find the truth)
In her hotel days, Vincent had always associated money with privacy—the wealthiest hotel guests have the most space around them, suites instead of rooms, private terraces, access to executive lounges—but in actuality, the deeper you go into the kingdom of money, the more crowded it gets, people around you in your home all the time,
Emily St. John Mandel (The Glass Hotel)
Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,
Thomas Pynchon (Mason & Dixon)
He smiled through his greasy glasses with his clear eyes. “Why do we all expect to be happy? We all came out of our mothers crying. Pain is what we do.” It reminded me of a tweet from Alain Botton several years back that sparked a Twitter chat between the two of us: “Happiness is generally impossible for longer than fifteen minutes. We are the descendants of creatures who, above all else, worried.” Indeed. The great worriers of history were the ones who saw the charging rhinoceros first, had an action plan ready to go should a tiger in camp, fretted that the basket of weeds collected that they may be poisonous. We carry this terror in our genes into our suburban lounge rooms, to our office water coolers, to our IKEA-issue bedrooms. Worry is our default position.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
In four months Miranda will be back in Toronto, divorced at twenty-seven, working on a commerce degree, spending her alimony on expensive clothing and consultations with stylists because she’s come to understand that clothes are armor; she will call Leon Prevant to ask about employment and a week later she’ll be back at Neptune Logistics, in a more interesting job now, working under Leon in Client Relations, rising rapidly through the company until she comes to a point after four or five years when she travels almost constantly between a dozen countries and lives mostly out of a carry-on suitcase, a time when she lives a life that feels like freedom and sleeps with her downstairs neighbor occasionally but refuses to date anyone, whispers “I repent nothing” into the mirrors of a hundred hotel rooms from London to Singapore and in the morning puts on the clothes that make her invincible, a life where the moments of emptiness and disappointment are minimal, where by her midthirties she feels competent and at last more or less at ease in the world, studying foreign languages in first-class lounges and traveling in comfortable seats across oceans, meeting with clients and living her job, breathing her job, until she isn’t sure where she stops and her job begins, almost always loves her life but is often lonely, draws the stories of Station Eleven in hotel rooms at night.
Emily St. John Mandel (Station Eleven)
They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.
Nick Milligan (Part Two (Enormity Book 2))
I’m not sure what all the fuss is about. But we are working backward: dinner first, then drinks in one of the little nooks Campbell has reserved, a mini-closet where you can lounge expensively in a place that’s not too different from, say, your living room. But fine, it’s fun to do the silly, trendy things sometimes. We are all overdressed in our little flashy frocks, our slasher heels, and we all eat small plates of food bites that are as decorative and insubstantial as we are. We
Gillian Flynn (Gone Girl)
There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Are you staying in tonight, Moshe?" she asked as she passed by the cat who lounged on her bed. When he only opened his eye in acknowledgement, she breezed out of the room. "Okay,don't wait up." Shelby dropped her purse on top of the box that held Myra's lamps and prepared to lift both when someone knocked on the door. "You expecting someone?" she asked Auntie Em.The bird merely fluttered her wings,unconcerned. Hefting the box,Shelby went to answer. Pleasure.She had to acknowledge it as well as annoyance when she saw Alan. "Another neighborly visit?" she asked, planting herself in the doorway. She skimmed a glance down the silk tie and trim, dark suit. "You don't look dressed for strolling." THe sarcasm didn't concern him-he'd seen that quick flash of unguarded pleasure. "As a public servant, I feel an obligation to conserve our natural resources and protect the environment." Reaching over,he clipped a tiny sprig of sweet pea into her hair. "I'm going to give you a lift to the Ditmeyers'. You might say we're carpooling.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
surprise at the languid, lounging figure of the man who had been no doubt depicted to him as the most incisive reasoner and most energetic agent in Europe. Holmes slowly reopened his eyes and looked impatiently at his gigantic client. “If your Majesty would condescend to state your case,” he remarked, “I should be better able to advise you.” The man sprang from his chair and paced up and down the room in uncontrollable agitation. Then, with a gesture of desperation, he tore the mask from his face and hurled it upon the ground. “You are right,” he cried; “I
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
Upon entering the main room, Evie discovered her husband lounging in a large, old-fashioned slipper tub. Since the lavatory was too small to allow for a tub, a portable one had to be carried in by footmen and laboriously filled with large cans of hot water brought by housemaids. Sebastian leaned back with one long leg propped at the far end of the tub, a crystal glass of brandy clasped negligently in one hand. His once tawny amber hair was handsomely silvered at the sides and temples. The daily ritual of a morning swim had kept him fit and limber, his skin glowing as if he existed in perpetual summer. He might have been Apollo lazing on Olympus: a decadent golden sun god utterly lacking in modesty.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The only people who remained there after the exodus that night were an assortment of lost, unclaimed souls. There was a boy from Iran who appeared very sad, his eyelashes clustered together in little wet starbursts. He sat in a chair in a corner of the first-floor lounge with his computer on his lap, gazing at it mournfully. When Greer entered the lounge—her room, a rare single, was too depressing to stay in all evening, and she’d been unable to concentrate on her book—she was startled to realize that he was merely looking at his screen saver, which was a picture of his parents and sister, all of them smiling at him from far away. The family image swept across the computer screen and gently bounced against one side, before slowly heading back
Meg Wolitzer (The Female Persuasion)
I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.
Judith McNaught (Almost Heaven (Sequels, #3))
Silence. Ah (...) Isn't that something? Did you know this is how other families are? They're quiet. Ask one of these people sitting here. They'll tell you. They've got famillies. This is how some families are all the time. And some people like to call these families repressed, or emotionally stunted or whatever, but do you know what I say? (...) I say, lucky fuckers. Lucky, lucky fuckers. (...) What a peaceful existence. What a joy their lives must be. They open a door and all they've got behind it is a bathroom or a lounge. Just neutral spaces. And not this endless maze of present rooms and past rooms and the things said in them years ago and everybody's old historical shit all over the place. They're not constantly making the same old mistakes. They're not always hearing the same old shit. They don't do public performances of angst on public transport. Really, these people exist. I'm telling you. The biggest traumas of their lives are things like recarpeting. Bill-paying. Gate-fixing. They don't mind what their kids do in life as long as they're reasonably, you know, healthy. Happy. And every single fucking day is not this huge battle between who they are and who they should be, what they were and what they will be. Go on, ask them. And they'll tell you. No mosque. Maybe a little church. Hardly any sin. Plenty of forgiveness. No attics. No shit in attics. No skeletons in cupboards. No great-grandfathers. I will put twenty quid down now that Samad is the only person in here who knows the inside bloody leg measurement of his great-grandfather. And you know why they don't know? Because it doesn't fucking matter. As far as they're concerned, it's the past. This is what it's like in other families. They're not self-indulgent. They don't run around, relishing, relishing the fact that they are utterly dysfunctional. They don't spend their time trying to find ways to make their lives more complex. They just get on with it. Lucky bastards. Lucky motherfuckers.
Zadie Smith (White Teeth)
Marcus took a deep breath. “Alex, what happened exactly?” “I’ve already told you everything. I ran into her in the garden. She was talking one second and the next, she just sort of poofed—” “She poofed?” Seth laughed. He lounged in the corner, arms folded across his chest, and that damn smile plastered across his face. “Seriously?” “Yes, she poofed. Like she was there one second and the next she was a pile of dust.” “We just don’t poof, Alex. That doesn’t happen.” “Well, it did. She poked me in my chest with her bony fingers and said some crazy stuff. Then she poofed!” Seth’s brows flew up and he laughed again. “What have you been doing today? Smoking something?” Addressing Marcus, I threw up my hands. I had no idea why Seth was being such a jerk to me. He’d started in the moment he’d stepped into this room, and now I wanted to kill him. “Does he have to be here?” “He is where I need him to be,” Lucian answered instead. “And I need him here.” “Can he shut up, at least?” I missed the more charming version of Seth. This version sucked. “There’s no valuable need for him to comment on everything that comes out of my mouth!
Jennifer L. Armentrout (Pure (Covenant, #2))
Come," he said gently, for he knew she'd been through travail. "I sought you out amongst your labors to bend my knee and plead that you leave the dust and spiders and mouse droppings to come and lounge awhile and perhaps partake of luncheon." Interestingly, she blushed. "I can't do that," she hissed under her breath. "Why not?" he asked, deeply diverted by her reaction. "The other servants." He blinked. "I assure you, I do let all my servants partake of luncheon." "But if I am with you..." Her blush deepened. He cocked his head, studying her, entirely baffled. "I didn't mean luncheon as a euphemism; however, I'm entirely happy to adjourn to my rooms right at this moment if that is-" "No," she said with what some might take as unflattering emphasis. She rolled her eyes as if he were the one being difficult, which, to be fair, he often was. "Let's go have luncheon." He smiled. "Splendid!" She looked at him a little shyly. Absolutely enchanting. "I'm dusty. I'll go wash first and meet you in the dining room, shall I?" He bowed with a flourish. "I await your presence." She looked flustered at that and he was very tempted to perhaps lean her up against one of the tables and-
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
said he was attracted to the way I lived my life, the way I’d dance easily, laugh loudly, fill a room with colour; but instead of sitting back and enjoying the butterfly, he caught it. He framed me like a butterfly, pinning me into his frame, but the pins that hold the butterfly in place are not easily visible, and no one can see I’m being held down. Over the years the butterfly has faded – he’s stripped me of everything that made me what I was, and now he’s left with this dull, colourless woman who’s scared to say what she really thinks. And I can’t dance any more. It’s hard to reconcile the person I once was with the woman I am now, standing helplessly in my beautiful bedroom with handmade oak wardrobes and gold silk eiderdown. The only reason I get out of bed in the morning is my children; they are my reason to live, and without them I don’t think I would survive. Things have never been perfect between Simon and I, but until Caroline, my life was bearable, but now I see her curling up on our king-sized bed. She’s lounging seductively on our sofa, arms around the boys, my boys, and she’s in my kitchen serving breakfast. This woman wants to take over my husband, but she’ll also take over my life,
Sue Watson (Our Little Lies)
Flattery was a prime department store strategy for cultivating customers, and men got a heavy dose. Males could expect to be treated like busy executives and discriminating men of the world. Men’s sections, floors, and entire stores were designed to resemble opulent clubs, often outfitted with wood-paneled grills that women customers were not permitted to enter. Vandervoort’s and Filene’s went to somewhat unusual lengths in furnishing a men’s lounge and smoking room, oddly working against the prevailing assumption that men had no time to spare. In Halle’s new men’s store of the late 1920s, dark mahogany paneling and carved marble detailing created the ambience of a priestly inner sanctum. Filene’s furnished an indoor putting green in its men’s store of 1928. Wanamaker’s outdid itself in 1932, the unlucky Depression year it opened its luxurious six-story men’s store in the Lincoln-Liberty building, with stocks of British imports and an equestrian shop too. Both Wanamaker’s and Marshall Field sold airplanes. Lord & Taylor reserved its tenth floor in New York City for men, with heman departments for cutlery, the home bar, and barbecue equipment. Gimbels, Macy’s, and Hearn’s stuck to more basic appeals, using their large liquor departments to attract men.
Jan Whitaker (Service and Style: How the American Department Store Fashioned the Middle Class)
Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.
Mark Strand (Reasons for Moving)
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
It did not take long for the entire town of Beldingsville to learn that the great New York doctor had said Pollyanna Whittier would never walk again; and certainly never before had the town been so stirred. Everybody knew by sight now the piquant little freckled face that had always a smile of greeting; and almost everybody knew of the "game" that Pollyanna was playing. To think that now never again would that smiling face be seen on their streets—never again would that cheery little voice proclaim the gladness of some everyday experience! It seemed unbelievable, impossible, cruel. In kitchens and sitting rooms, and over back-yard fences women talked of it, and wept openly. On street corners and in store lounging-places the men talked, too, and wept—though not so openly. And neither the talking nor the weeping grew less when fast on the heels of the news itself, came Nancy's pitiful story that Pollyanna, face to face with what had come to her, was bemoaning most of all the fact that she could not play the game; that she could not now be glad over—anything. It was then that the same thought must have, in some way, come to Pollyanna's friends. At all events, almost at once, the mistress of the Harrington homestead, greatly to her surprise, began to receive calls: calls from people she knew, and people she did not know; calls from men, women, and children—many of whom Miss Polly had not supposed that her niece knew at all. Some came in and sat down for a stiff five or ten minutes. Some stood awkwardly on the porch steps, fumbling with hats or hand-bags, according to their sex. Some brought a book, a bunch of flowers, or a dainty to tempt the palate. Some cried frankly. Some turned their backs and blew their noses furiously. But all inquired very anxiously for the little injured girl; and all sent to her some message—and it was these messages which, after a time, stirred Miss Polly to action. First came Mr. John Pendleton. He came without his crutches to-day. "I don't need to tell you how shocked I am," he began almost harshly. "But can—nothing be done?" Miss Polly gave a gesture of despair. "Oh, we're 'doing,' of course, all the time. Dr. Mead prescribed certain treatments and medicines that might help, and Dr. Warren is carrying them out to the letter, of course. But—Dr. Mead held out almost no hope.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
Action Step: Nourished by “Light” You can prove to yourself how nourishing a new word can be once it begins to be your personal theme. Let’s use the word light. Since it’s the opposite of heavy, this word is one of the best for our purposes. The more you bring light into your life, the easier it will be to lose weight. Why? Because light covers so many positive experiences. Look at the following usages: Lighthearted Light-handed Enlightened Feeling light and bright The light of inspiration Lightness of being The light of the soul The light of God If you had these things in your life, it would be much easier for your body to be light. Your mind would be sending messages that are the opposite of heavy, dull, inert, tired, bored, dark, unenlightened. Start to rid yourself of those messages and let your body conform to lightness and all of its positive connotations. With this background, you can proceed to use light in various ways, beginning with the physical sensation of being light. Exercise: Filling with Light Sit in a quiet room by yourself. Close your eyes and take a few deep breaths until you feel centered and ready. (It’s best to sit upright if you can rather than lounging back in your chair.) Breathing normally, visualize light filling your chest each time you inhale. The light is soft, warm, and white. Watch it suffuse your chest. Now exhale normally, but leave the light inside. On your next breath, take in more light. See the light filling your chest now begin to suffuse the rest of your body, moving down into your abdomen. Don’t force the visualization, and don’t worry if you have trouble seeing the light—even a faint sense of white light is good enough. With each breath, let the light suffuse your arms, then your hands all the way to the fingertips. Let it suffuse your legs down to your toes. Finally, send the light into your head and out the top in a beam that reaches high. Sit with the light for a few moments, then lift your arms, letting them float upward as if the light is causing them to rise. You are like a balloon filled completely with light. Enjoy the sensation, then open your eyes. This is a good exercise to counteract feelings of dullness, heaviness, fatigue, and sadness. The sensation of being physically light, paired with the visualization of inner light, creates a big change in how you relate to your body.
Deepak Chopra (What Are You Hungry For?: The Chopra Solution to Permanent Weight Loss, Well-Being and Lightness of Soul)
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
Now I have a ghost and a grim reaper in my lounge room!" said Lance Infuriated. "A Grim Reaper where?" asked the ghost in horror. "Me, the grand reaper,", said. Blake more engrossed in the television than the ghost who he saw as no problem. "Grand reaper what's that?" the ghost asked. "Another name for a couch potato!" Lance hissed, "King of the Grim reapers he's meant to get rid of you!
Rachel Lawson (The Magicians: Lend me your ears: first book of the series)
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Literally, my job consisted of getting loaded, lounging, partying, working out, and using the trucks as motel rooms.
Stanley Tookie Williams (Blue Rage, Black Redemption: A Memoir)
Hugh Collins wasn’t exactly what Perdita had visualised as a northern landlord. An elegant man with beautifully styled white hair, he was dressed in a red velvet waistcoat and smelled distinctly of whisky. It looked like James had long since made himself comfortable and was lounging in front of a roaring open fire, with what looked like a single malt in his glass. Perdita felt her temper rise but stifled it and decided to direct what little energy she had left elsewhere. She followed, dumbed by fatigue, to a back room where Hugh had laid a table in front of another huge fire.
Georgia Hill (Pursued by Love)
So shut it. Go on. Try it. Silence. Ah.’ She reached into the air as if trying to touch the quiet she had created. ‘Isn’t that something? Did you know this is how other families are? They’re quiet. Ask one of these people sitting here. They’ll tell you. They’ve got families. This is how some families are all the time. And some people like to call these families repressed, or emotionally stunted or whatever, but do you know what I say?’ The Iqbals and the Joneses, astonished into silence along with the rest of the bus (even the loud-mouthed Ragga girls on their way to a Brixton dance hall New Year ting), had no answer. ‘I say, lucky fuckers. Lucky, lucky fuckers.’ ‘Irie Jones!’ cried Clara. ‘Watch your mouth!’ But Irie couldn’t be stopped. ‘What a peaceful existence. What a joy their lives must be. They open a door and all they’ve got behind it is a bathroom or a lounge. Just neutral spaces. And not this endless maze of present rooms and past rooms and the things said in them years ago and everybody’s old historical shit all over the place. They’re not constantly making the same old mistakes. They’re not always hearing the same old shit. They don’t do public performances of angst on public transport. Really, these people exist. I’m telling you. The biggest traumas of their lives are things like recarpeting. Bill-paying. Gate-fixing. They don’t mind what their kids do in life as long as they’re reasonably, you know, healthy. Happy. And every single fucking day is not this huge battle between who they are and who they should be, what they were and what they will be. Go on, ask them. And they’ll tell you. No mosque. Maybe a little church. Hardly any sin. Plenty of forgiveness. No attics. No shit in attics. No skeletons in cupboards. No great-grandfathers. I will put twenty quid down now that Samad is the only person in here who knows the inside bloody leg measurement of his great-grandfather. And you know why they don’t know? Because it doesn’t fucking matter. As far as they’re concerned, it’s the past. This is what it’s like in other families. They’re not self-indulgent. They don’t run around, relishing, relishing the fact that they are utterly dysfunctional. They don’t spend their time trying to find ways to make their lives more complex. They just get on with it. Lucky bastards. Lucky motherfuckers.
Zadie Smith (White Teeth)
One more thing.” She remained still, waiting. The demon king lounged in his seat. “There is a glass wall in Rifthold. Impossible to miss.” She knew it—had perched atop it. “Damage the city enough to instill fear, show our power. But that wall … Bring it down.” She only said, “Why?” Those golden eyes simmered like hot coals. “Because destroying a symbol can break the spirits of men as much as bloodshed.” That glass wall—Aelin Galathynius’s power. And mercy. Manon held that gaze long enough to nod. The king jerked his chin toward the shut doors in silent dismissal. Manon was out of the room before he’d turned back to Vernon. It did not occur to her until she was long gone that she should have remained to protect the Matron.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
She ran her hands into Smith's wet hair, and he-- But why always Smith? Was it necessarily true, that because she seemed to HIM to be the ripe, round, straightforward antidote to the complications of his hopes, the scene looked as simple through her eyes? Was she not taking the greater risk here? Did she not have to set aside cautions, sorrows, hopes, fears, loyalties, to permit herself the role of the plump and ready siren in the steam-room? Have we not heard enough already of Mr. Smith's desire, and seen Mrs. Tomlinson quite sufficiently as he did? Should we not, at least, pay a little attention to Terpie's view of him, lounging like a freckly satyr on the wooden benches, grinning at her with a young man's lazy sense of entitlement now the surprise of her gift had faded; grown almost all the way into his strength but still long-limbed, with the knots of bone at his knees and his elbows giving him the lingering gawkiness of a foal; with the film of sweat on his chest, and his curls thickened to dark emphatic coils with water drops at the end; with the last unremoved traces of the paint around his eyes rimming his gaze in black depravity; with his wide mouth laughing, and his cock lolling? No, not lolling any more. Stirring, as she filled her hands with him, to her pleasure and his. The reader may imagine the occasional mismatches of desire or of endurance caused by their different ages. By the differences, at times in what followed, between twenty-four-year-old impetuousness and forty-six-year-old guile; between twenty-four-year-old muscles and forty-six-year-old backache. The reader may imagine, as she knelt on the bench en levrette--a technical term Terpie had learnt from a French gentleman, meaning with your bum in the air--that the pleasure of a boyish lover's deep wet rooting inside her did not entirely cancel the pinching of the skin of her knees between the wooden slats. And yet the two of them made for themselves, successfully, that little encompassing sphere of sensation which seems while it lasts to be, if not a home in the great world to be relied upon, at least a little world in itself, outside which not much matters, for a while. And yet, they arrived together, if not at rapture, then at those melting convulsions which come as close to it as you may, where gratitude and mutual greed are all you have to furnish the place of trust.
Francis Spufford (Golden Hill)
When she opened her eyes, Hudson was standing next to the chaise, staring at her. “Hey, you,” Morgan said, placing her hand on the side of his face with a sad smile. He looked up at her with a concerned expression, his ears plastered against his head and his tongue lizarding out of his mouth. He shifted his weight, then gently hopped up so his front paws were on the chaise next to her. Before she realized what he was doing, Hudson leaned closer to gently lick her cheek, exactly where the tear had rolled down. “Oh my God,” Morgan whispered as it dawned on her. “You’re worried about me?” Hudson continued licking her cheek no matter how she moved her face away from him. It was like he needed to distract her and wipe away any tangible traces of her sadness. “Hud, I’m okay. I’m okay,” she lied as new tears of recognition welled in her eyes. Oh my God. Hudson is a comfort dog. Their family dog, Betty, had been one, so keyed in to offering support to the humans in her house that she could practically smell tears from a room away. Betty had been particularly helpful during Morgan’s angsty teen years, seeking her out when she was feeling depressed. After realizing that Hudson meant business and wasn’t going to stop his comfort rituals, Morgan surrendered to him. She pulled him up onto the lounge, and he leaned his body against hers like a weighted blanket.
Victoria Schade (Dog Friendly)
When I look back at Ryle, he’s halfway down a hallway. He disappears into a room and I stand here, looking at the picture again. That’s when I see it. The picture is blurred, so it was hard to make out at first. But I can recognize that hair from anywhere. That’s my hair. It’s hard to miss, along with the marine-grade polymer lounge chair I’m lying on. This is the picture he took on the rooftop the first night we met. He must have had it blown up and distorted so no one would notice what it was.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
They had always had a library room in the house, and it was filled floor to ceiling with hundreds of books. She spent many long blanket-wrapped winter days and hot summer afternoons lounging on the shaggy carpet, her stormy grey eyes scouring the pages, trying to soak up facts, adventures, or mysteries.
Lauren de Leeuw (Secrets in the Islands: A Sami Series Adventure)
Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor. Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak. Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Dad mentioned wanting a normal guy for me. Some accountant, he said. Well, probably when I turn fifty, but . . . I don’t think I can make it work with any normal guy, Yulia.” “Why not?” I arch an eyebrow at my baby sister. “Because a normal guy would piss himself the moment he meets our family. Can you imagine an accountant lounging in our living room and BS-ing with Dad, Alexei, and Uncle Sergei?
Neva Altaj (Beautiful Beast (Perfectly Imperfect: Mafia Legacy, #1))
neighbor occasionally but refuses to date anyone, whispers “I repent nothing” into the mirrors of a hundred hotel rooms from London to Singapore and in the morning puts on the clothes that make her invincible, a life where the moments of emptiness and disappointment are minimal, where by her midthirties she feels competent and at last more or less at ease in the world, studying foreign languages in first-class lounges and traveling in comfortable seats across oceans, meeting with clients and living her job, breathing her job, until she isn’t sure where she stops and her job begins, almost always loves her life but is often lonely,
Emily St. John Mandel (Station Eleven)
No more whist, I beg you,” Aunt Saffronia said after dinner. “Let us have some music.” “Indeed,” said Captain East. “I believe, Miss Erstwhile, that you promised me a song.” Jane was quite certain that she had never promised any such thing, but it seemed a fitting remark to make, and so Jane rose and made her graceful way to the piano. “If you insist, Colonel Andrews, but I must beg you forgive me at the same time. And you too, Mr. Nobley, as I know you are particular to music played well and no doubt a harsh critic when a piece is ill executed.” “I believe,” said Mr. Nobley, “that I have never been witness to a young lady about to play without her excusing her skill beforehand, only to perform perfectly thereafter. The excuse is no doubt intended as a prelude that sets up the song for deeper enjoyment.” “Then I pray I do not disappoint.” She smiled expressly at Captain East, who sat forward, forearms resting on knees, eager. With professional suavity, Jane arranged her skirt, spread out the music, poised her fingers, and then with one hand played the black keys, singing along with the notes, “Peter, Peter, pumpkin-eater, had a wife and couldn’t keep her, put her in a pumpkin shell, and there he kept her very well.” She rose and curtsied to the room. Captain East smiled broadly. Mr. Nobley coughed. (Laughed?) Jane sat back on the lounge and picked up her discarded volume of sixteenth-century poetry. “That was…” said Aunt Saffronia to the silence. “Well, I hope the weather’s clear tomorrow,” Miss Charming said in her brassiest accent. “How I’ve longed for a game of croquet, what-what.
Shannon Hale (Austenland (Austenland, #1))
privately laughing over the written work of my students. When I felt guilty about this, I just remembered the following fact: no school on the planet allows students in the teachers’ lounge. And the reason for this is that the main activity in that room is gossiping about said students, and not always in flattering terms.
Peter Rudiak-Gould (Surviving Paradise: One Year On A Disappearing Island)
I feel like crying for the first time in many years, and there’s nobody in the room to witness it, so I give in to the urge and let the tears come freely. In the afternoon, I go back down to the chow lounge to see if Sergeant Fallon is around. I spot her in a corner by one of the projection windows, flexing her right knee and looking at her lower leg. When she sees me approaching, she smirks and raps her knuckles on her new shin, which has the dull gleam of anodized metal. “Titanium alloy,” she says as I sit down in the chair across the table from her. “Feels weird, but it’s much stronger than the old leg. Maybe I should have the other one replaced, too.” “That was fast. Didn’t they just fit you for that yesterday?” “Day before yesterday. They bumped me to the top of the spare-parts queue. I’ll have to suffer some dog-and-pony show with a few people from Army Times in return.
Marko Kloos (Terms of Enlistment (Frontlines, #1))
The lights went out in the dining room and Owen entered the kitchen, stopping several feet away. She leaned on her hands, her head bent nearly to her chest. She could only see his feet and legs. “Claire, you’re exhausted. Why didn’t you just go up to bed?” “The meds kicked in. Too tired to move.” Unexpected and exciting, he plucked her right off the counter and settled her in his arms and against his broad, hard chest. Too tired to make a fuss and exert her independence, she gave in to something else entirely and snuggled closer, nestling her face in his neck and settling her head on his strong shoulder. His chest rumbled with a laugh. “You’re like a contented cat, snuggling in for the night.” “Deep down, I’m fine on my own. The meds have made me mushy and weak.” “Not weak. After the night you’ve had, you just need a hug.” He squeezed her to his chest. She tried to hide the wince of pain, but he felt her stiffen in his arms. “Sorry, overstepped.” They reached the top of the stairs, and he stopped. “No, you didn’t. I didn’t realize how banged up I got. I feel like I got hit by a car,” she joked. “The meds are helping out considerably. My room’s on the right.” Owen walked down the hall and entered her room, stopping just inside and looking around. “Wow. It’s like another house in here.” “I moved in over a year ago, but I spent all my time opening the shop and running it. A couple of months ago, I started on the house. I spend so much time at the shop, the most time I spend here is sleeping, so I redid the master bedroom first. I’ve upgraded the bathroom, but I still need to add the finishing touches.” “You added the flower pots on the back patio with the lounge and table set.” “I like to drink my coffee out there in the morning when the weather is nice.” “You spend a lot of time working, so spending the morning outside is relaxing.” “Yes. Sounds like the same is true for you, too.” He nodded. “I spend most evenings outside reading over briefs and preparing for court. I take care of the horses and barn cats. It gets me out of my head.” “You can put me down now.” “I knew you’d say that.” She laughed, and he set her on her bed. -Owen & Claire
Jennifer Ryan (Falling for Owen (The McBrides, #2))
I have confessed sin over cigars, asked for prayer over cigars, celebrated personal and professional victories over cigars, and mourned personal and professional defeats over cigars. I’ve laughed with those who have laughed, over cigars, and wept with those who have wept. That’s not to elevate the cigar to some kind of exalted religious or cultural level. Here’s what a cigar is, in plain-speak: An excuse to sit down and talk with another guy for an hour. Think about it . . . when does this ever happen outside a cigar lounge? When guys are “hunting together” they’re sitting in a tree stand being quiet. When guys are “watching a ballgame together” they’re sitting in a living room or a sports bar staring slack-jawed at a television. When guys are “shopping for antiques together”[3] they’re walking through a junky antique store making fun of all the ridiculous stuff inside and not really talking about the stuff of life. The cigar lounge removes the awkward stiltedness of the Church Lobby (“How are YOU doing Bob?”), and it’s not as formal and intimidating as a counselor’s office, yet it still works as a place to talk.
Ted Kluck (The Christian Gentleman's Smoking Companion)
Unexpected emergency plumbers Unexpected emergency plumber is? If your own group, but probably the same dress isn’t in the middle, where they start imitating the pool, the owner most likely to smoke. This is certainly a task that will require a qualified plumber, clean bathrooms and sinks in each backup, and even the simple addition of a new line of right tubes. Unfortunately, there are elements that do not require any old plumber, but a situation of sudden emergency, like H2O uncontrolled always works with tap water and start flooding the marsh peace. However, they are high quality. How can I tell if other service providers should be, or not? Are you sure you need a plumber crisis? Shortly before speaking to the installer should complete the water supply or the probability that the water line, the rack provides back. It is in order to avoid problems with the drinking water. He is not only very welcome to complete the water flow. After the arrest of H2O oneself've, evaluates the circumstances. If the problem is a bathroom fully equipped, bathroom once, until dawn, so the long-term wear’s each washing. He is a very potential and are reluctant to get up early in the morning when you are ready for self-determination, these solutions makes the kitchen sink, toilet and a lounge. In fact, you can get away from high fire call 24 hours a plumber at night for a few hours or during holidays or weekends to stay. In an interview with an unexpected emergency plumbers Unfortunately, when the time of the suspension of H2O and objective analysis and emergency may not be present, created only for contacting unexpected emergency sanitary and easy and to take concerns in writing to the other include some content his hands to keep the person. Preliminary interviews hydraulic range is trying to understand a lot of the other Box difficulties. Other personal data and many other facts themselves can be better able to assess the management of the crisis and the calculation of the payments change. Is a great addition to the amount pipeline management principle affects many, if not yet in a plumber decision. In fact, bought a lot of contact carrier price quotes can also sometimes significant price differences. Also check out the views of the services is in his hands. Some of the costs only in the room, even if they, after maintenance. Well, the result have, as it in this area before the season and it is surprising simply be a monthly bill. Please ask to get the price of maintenance. 24 hours plumber not calculates the direction of providing greater than a cell phone, and requires separate installation scenario earlier selection. But it can be equipped with a direction to select difficulty of defining and thinking about the cost, if he succeeded in presenting the sewage system in unforeseen emergencies. Ask will differ plumber state and talk about their own crisis normal or common prices. If you need to contact the unexpected rescue tend to check an unexpected emergency plumber to the self to take us in the direction of first, so that you can be your own ready to talk to the plumber, one after another, much better, then you determine the value.
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A large reading room is a greater asset than a big living room.
Sravani Saha Nakhro
Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open. Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree.
Felicity Chapman (Connected)
Eyeing stairs that now seemed downright daunting, he drew in a breath, hitched Miss Plum up a little higher in the hopes it would distribute her weight more evenly, then began to climb, counting the steps as he did so. “. . . forty-seven, forty-eight, forty-nine . . . You’re really quite sturdy, aren’t you, Miss Plum? Fifty . . .” By the time he eventually reached the tower room, he was completely out of breath, perspiration was dribbling down his face, and his arms were no longer simply quivering, they were now downright shaking. Stepping through the door of the tower room, he faltered for a moment, wondering what he should do next. “You can just set me down right here, Mr. Haverstein.” Miss Plum’s voice took him by such surprise that he almost dropped her right on the hard stone floor of the tower room. Looking down, he frowned when he saw something in her lovely eyes that he’d never, not once, expected to see, something that resembled, if he wasn’t much mistaken . . . amusement. He’d always been under the impression that Miss Plum, being a fragile sort, possessed a somber and serious demeanor, spending her time away from the theater in a subdued fashion, embroidering samplers, or perhaps pillows, as she lounged on a settee, or learning her lines from the comfort of her bedchamber, but . . . what if he’d been wrong? What if Miss Plum was not as delicate as he’d believed, and what if the woman he’d been enamored with for what seemed like a very long time, turned out to be completely different than what he’d imagined her to be? “How long have you been out of your swoon?” he asked. “Would you be very upset to learn that I never swoon?” His mouth immediately took to gaping open. “Do you mean to tell me that you allowed me to scoop you up off the ground—which wasn’t an easy task by the way—carry you into the castle, and then all the way up a tremendous number of steps when there was absolutely nothing wrong with you?” “I did.” “I could have suffered an injury.” “You seem to be remarkably fit, Mr. Haverstein, and I certainly couldn’t own up to the fact I was feigning my condition, especially since I was doing so to aid dear Abigail.” Bram set her on her feet and rubbed his arms. “My arms feel like jelly.” “I’m sure they do. You carried me a remarkably long distance, and I will admit that I was concerned you were going to drop me a time or two.” She pursed her lips. “Quite honestly, I was going to tell you to put me down right about step number forty-nine, but then you made that remark about how sturdy I am, and . . . I changed my mind.” “I said that out loud?” “Indeed.” “I do beg your pardon.” Miss
Jen Turano (Playing the Part (A Class of Their Own, #3))
steps that construction required. He answered her questions and satisfied her curiosity. And she was reluctant to see their excursion end. It had been unexpectedly pleasant. His grandmother was waiting in the living room when they got back. “So there you are.” She glared at Wentworth from the sofa, where she was lounging in a
Diana Palmer (Love By Proxy)
The room was silent, just the low murmur of Sports Center coming from the television. Ruxs’ eyes were on the sports announcers but he wasn’t listening to them. He could feel Green’s strong presence. It called to him. He heard him rustling in his chair and turned to look in his direction. Green was still reclined all the way back. He was looking at the TV, his eyes heavy, one hand down inside his lounge pants. Ruxs could see his hand moving. Oh my God. Ruxs had an urge to rub his own aching balls. Shit. Poor things. They’d been sorely neglected for months. He
A.E. Via (Here Comes Trouble (Nothing Special #3))
With just one departure daily, the station is mostly empty. But Mr. Shiekhly says that in his mind’s eye he can still see the girl, and everything else that once made the station such a special place to him: a nice restaurant over there; groups of men playing backgammon and dominoes; the officers’ lounge that was, he recalls, “beautiful and full of wood.” The station itself is a time capsule. The ticket booths in the circular room are identified by destinations long out of reach to passenger trains. One sign reads, “Booking for Mosul Train.” Another booth is where passengers once bought tickets to Turkey, Syria and Anbar Province. “Now you have to take tanks or jet fighters to get to these places,” said Ahmed Abdulrahman, 50, who has worked at the station since the late 1970s.
Anonymous
You might think he could have made up his mind earlier, and been man enough to inform his surroundings of his decision. But Allan Karlsson had never been given to pondering things too long. So the idea had barely taken hold in the old man’s head before he opened the window of his room on the ground floor of the Old Folks’ Home in the town of Malmköping, and stepped out—into the flower bed. This maneuver required a bit of effort, since Allan was 100 years old, on this very day in fact. There was less than an hour to go before his birthday party would begin in the lounge of the Old Folks’ Home. The mayor would be there. And the local paper. And all the other old people. And the entire staff, led by bad-tempered Director Alice. It was only the Birthday Boy himself who didn’t intend to turn up.
Jonas Jonasson (The 100-Year-Old Man Who Climbed Out the Window and Disappeared)
that Elijah Martin--alias Skeesicks--lounging shyly into the bar-room, joined in it weakly.
Various (The Golden Age of Westerns: An Anthology of 50 Short Stories (Unexpurgated Edition) (Halcyon Classics))
And in an upstairs bedroom of the elegant house, the newest de Montforte was being born. Charles was as distraught as Lucien had ever seen him, pacing back and forth in the drawing room while above, Amy screamed in pain as another contraction seized her. Charles blanched.  Droplets of sweat beaded his brow. "Do sit down, Charles," Lucien murmured, not looking up from where he sat calmly writing a letter.  The duke, along with his siblings and Juliet — whose presence Amy had specifically requested — had arrived a fortnight ago so they could all be together for the grand event.  "I daresay you're expending as much effort on delivering this child as Amy is." "Yes, I wonder which one will be more exhausted when it's over?" teased Gareth, lounging on a nearby sofa and bouncing a leg over one bent knee. Charles kept pacing.  "I won't sit down, I can't sit down, I can't rest, I can't eat, I can't think until I know that both of them are all right!" Gareth, with his new son Gabriel in his arms and Charlotte playing on the floor nearby, fought hard to contain his laughter.  Having recently gone through the same hell as Charles was currently experiencing — and behaving just as abominably — he considered himself quite the expert on such matters.  He looked at Charles and grinned. "Yes, Luce is quite right, Charles.  All you're doing is wearing a hole in the carpet.  Amy'll be just fine." "But those screams!  I cannot bear to hear them!" Lucien dipped his quill in the ink bottle.  "Then go outside, my dear Charles, so that you do not have to hear them." For answer, Charles only threw himself down in the nearest chair.  Raked a hand through his hair.  Jumped to his feet, poured himself a drink, and continued his pacing. Moments
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Syn stared into Furi’s sparkling eyes. He brought one hand up and tenderly brushed Furi’s cheek. “Congratulations.” “Thank you.” Furi kissed his lips gently. “I’ll be fine. I’m a big boy.” “I know you are.” Syn winked. Furi flushed with embarrassment. “Shut up. Don’t start something you can’t finish.” “I’ll finish it later,” Syn promised. His look was pure lust as he pushed his rising cock against Furi’s jean-clad thigh. “Fuckin’ right you will,” Furi moaned against Syn’s cheek, rocking back against him. “I’d fuckin’ take you right now if your bosses weren’t in the front room.” Syn groaned. Furi gripped Syn’s cock in a firm grip and stroked a couple times, wrapping his other arm around Syn’s back to hold him close. He nipped at Syn’s stubbled chin, peppering sweet kisses along his jaw to his ear. Furi flicked his tongue out and pulled the fleshy lobe between his soft lips. Furi’s lips were pressed against his ear as he spoke in a low, sexy drawl, “I’d bend you over this sink and fuck you until you yelled my name and begged me not to stop.” “Fuck,” Syn moaned. Heat tore up through him at Furi’s nasty words. “Fuck you hard, just how you like it, baby.” Furi increased the speed of his stroke. “Oh fuck, fuck. No. Stop honey,” Syn protested weakly, his balls already throbbing with the need for release. “Why?” Furi hissed. “Because I fucking refuse to let Day hear me come.” Syn put some room between their bodies and kept backing up until he hit the wall. He tried to control his breathing, but staring at Furi’s gorgeous, flushed face didn’t help. “You guys are crazy.” Furi shook his head. “Day’s pranks have no boundaries. I wouldn’t be surprised if my moans are broadcasted over the loudspeaker in the office today.” Syn opened the bathroom door and gestured for Furi to look out into the hallway. “See.” Furi busted out laughing at Day standing there in the hallway with his cell phone in his hand, studying the non-existent art on Syn’s bare wall. He whistled like he was just lounging around not looking for trouble. Syn just flipped him off and pulled Furi into his bedroom, slamming the door behind them. “Oh my fucking god. That shit is too funny.” Furi laughed while he put a few things into his backpack. “Yeah, because you don’t’ have to deal with his silliness.” Syn hurried to get dressed.
A.E. Via
Despite Grumblethorpe's noises of disapproval, Esme knew she liked the family pets.She just did't approve of having so many of them in her mistress's bedroom at once. Still, it was an old battle and one the lady's maid had given up waging long ago. Good thing too, since four of Esme's six cats- who had all started life in either Braebourne stables or as strays she'd rescued- were snoozing in various locations around her room. They included a big orange male, Tobias, who was curled up in a cozy spot in the middle of her bed; Queen Elizabeth- a sweet-natured tabby, who was lounging in her usual window seat; Mozart- a luxuriously coated white longhair who luckily loved being brushed; and Naiad, a one-eyed black female, whom Esme had rescued from drowning as a kitten. Her other two cats, Persephone and Ruff, were out and about, seeing to their own cat business. As for the dogs, Burr lay stretched out on the hearthrug in front of the fireplace. He snored gently, clearly tired after their recent adventures. And joining him in the land of dreams was dear old Henry, a brindle spaniel who was curled up inside a nearby dog bed lined with plush pillows that helped cushion his aging joints. Handel and Haydn, a pair of impish Scottish terriers, were absent. She suspected they were on the third floor playing with her increasingly large brood of nieces and nephews. The dogs loved the children.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
He likes to personalise his plants because if he doesn’t personalise them – picture them possessing human needs and wants in some tiny and whimsical part of a mind I am only beginning to realise operates with as much order and predictability as the insides of our lounge room vinyl beanbag
Trent Dalton (Boy Swallows Universe)
Where is Abu Fadi,” she wailed. “Who will bring me my loved one?” —The New York Times, 9/20/1982 I do not wish to speak about the bulldozer and the red dirt not quite covering all of the arms and legs Nor do I wish to speak about the nightlong screams that reached the observation posts where soldiers lounged about Nor do I wish to speak about the woman who shoved her baby into the stranger’s hands before she was led away Nor do I wish to speak about the father whose sons were shot through the head while they slit his own throat before the eyes of his wife Nor do I wish to speak about the army that lit continuous flares into the darkness so that the others could see the backs of their victims lined against the wall Nor do I wish to speak about the piled up bodies and the stench that will not float Nor do I wish to speak about the nurse again and again raped before they murdered her on the hospital floor Nor do I wish to speak about the rattling bullets that did not halt on that keening trajectory Nor do I wish to speak about the pounding on the doors and the breaking of windows and the hauling of families into the world of the dead I do not wish to speak about the bulldozer and the red dirt not quite covering all of the arms and legs because I do not wish to speak about unspeakable events that must follow from those who dare “to purify” a people those who dare “to exterminate” a people those who dare to describe human beings as “beasts with two legs” those who dare “to mop up” “to tighten the noose” “to step up the military pressure” “to ring around” civilian streets with tanks those who dare to close the universities to abolish the press to kill the elected representatives of the people who refuse to be purified those are the ones from whom we must redeem the words of our beginning because I need to speak about home I need to speak about living room where the land is not bullied and beaten to a tombstone I need to speak about living room where the talk will take place in my language I need to speak about living room where my children will grow without horror I need to speak about living room where the men of my family between the ages of six and sixty-five are not marched into a roundup that leads to the grave I need to talk about living room where I can sit without grief without wailing aloud for my loved ones where I must not ask where is Abu Fadi because he will be there beside me I need to talk about living room because I need to talk about home I was born a Black woman and now I am become a Palestinian against the relentless laughter of evil there is less and less living room and where are my loved ones? It is time to make our way home.
June Jordan (MOVING TOWARDS HOME)
She reached in her bag, opened a notebook and took me through her plans for Read the Room, a bookstore reading lounge.
Shon . (Just Right (Bliss Peak #1))
Businesses also aggregate multiple publics by exploiting their spatial diversity, where different areas can be sectioned off to serve different groups of customers. Advertisements for San Francisco’s DNA Lounge invite patrons to listen to guest DJs mixing songs in one portion of the venue, and also promote the club’s resident DJs who spin for the crowd in another area of the bar. Similarly, the city’s Cat Club often advertises attractions in different spaces in the venue: “back room” DJs and “front room” DJs. The club aggregates different forms of entertainment in a single space, suggesting to customers that there are a bevy of attractions available there. By doing that, the advertisement suggests at least some variety in the publics that form there. Similarly, the Chicago bar Sidetrack uses its architecture to aggregate multiple publics.
F. Hollis Griffin (Feeling Normal: Sexuality and Media Criticism in the Digital Age)
With my raven scribe at my side, I arrived in the throne room of Sessrumnir, Freya’s mansion, at the appointed hour. Instead of the goddess, however, I found a scruffy-looking individual wearing a multihued short-sleeved garment bearing the words KEEP CALM AND FOLKVANGER ON lounging on the dais. MAN: Whoa, dude, are you supposed to be in here? SNORRI STURLUSON: Yes. The goddess Freya herself is to honor me with her presence. M: Cool. I’m Miles. And judging by your body odor [leans close and sniffs SS], I’m guessing you’re a Fart Elf. SS [indignant]: I am a thane.
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
In America’s Gilded Age palaces the opulence of France’s ancien régime was the style most often simulated. As a result, the first-class lounge on A deck, the showiest of the Titanic’s public rooms, had been designed to emulate Versailles—though with some English coziness added in the patterned carpeting and comfortably upholstered sofas with large green pillows. The walls were paneled in oak with carved rococo detailing, although the use of gilding was restrained, reserved for some details on the plastered ceiling, a gilt ormolu wall clock, and the statuette of the Artemis of Versailles on the marble mantelpiece. At the far end of the room stood a mahogany, glass-fronted bookcase that held the ship’s library, and from its shelves
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
While the Duff Gordons drank champagne at the Ritz that Thursday night, Margaret Brown was still on the Carpathia, helping out with the steerage passengers. Immigration and health officials had come on board to spare the Titanic’s third-class survivors the customary hiatus at Ellis Island, but it was after eleven o’clock before the first of them began to leave the ship. Still wearing the black velvet suit she had donned after the collision, “Queen Margaret,” as some in first class had dubbed her, worked to organize the disembarkation of the steerage women and help with their travel arrangements. The Countess of Rothes was doing likewise, and one passenger of particular concern for her was Rhoda Abbott, who was unable to walk due to her ordeal in Collapsible A. Although Rhoda assured the countess and Margaret Brown that she would be looked after by the Salvation Army, she was transferred by ambulance to New York Hospital at Noëlle’s expense and later to a hotel room that Mrs. Brown arranged for her. The small, slim countess eventually walked down the gangway and into the arms of her husband Norman, the Earl of Rothes, and before long, she, too, was in a suite at the Ritz-Carlton. But Margaret Brown remained on the ship, where she improvised beds in the lounge for the remaining steerage women and spent the night with them. The next day her brother, who had come from Denver to greet her, came on board and told Margaret that her ailing grandson—the reason she had come home on the Titanic—was recovering well. This encouraged her to stay in New York, where she set up headquarters for the Titanic Survivors’ Committee in her suite at the Ritz-Carlton.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
As 1:00 a.m. approached, Second Officer Lightoller was feeling frustrated. None of the lifeboats on the port side had yet been launched, despite his best efforts. He had managed to get Lifeboat 4 swung out and lowered half an hour ago, even though Chief Officer Wilde had twice told him to wait. Both times Lightoller had jumped rank and gone directly to Captain Smith to get the go-ahead to proceed. The captain had also suggested that Lifeboat 4 be lowered to A deck since he thought it would be easier for the passengers to board from there. But a crewman had just shouted up that the A-deck windows were locked. (Smith may have forgotten that, unlike the Olympic, the Titanic had a glassed-in forward promenade.) Lightoller sent someone to unlock the windows and to recall the passengers who had been sent down there. Meanwhile, he moved aft to prepare Lifeboats 6 and 8, ordering that the masts and sails be lifted out of them. Just then the roaring steam was silenced and Lightoller was slightly startled by the sound of his own voice. Arthur Peuchen overheard the order and, ever handy around boats, jumped in to help cut the lashings and lift the masts out onto the deck. After that the call went out for women and children to come forward. The “women and children only” order would be more strictly enforced here than on the starboard side where men were being allowed into boats. When a crowd of grimy stokers and firemen suddenly appeared carrying their dunnage bags, Chief Officer Wilde was spurred into action. “Down below, you men! Every one of you, down below!” he bellowed in a stern, Liverpool-accented voice. Major Peuchen was very impressed with Wilde’s commanding manner as he drove the men right off the deck, and thought it “a splendid act.” Helen Candee, however, felt sympathy for the stokers whom she later described as a band of unknown heroes who had accepted their fate without protest. She was waiting by Lifeboat 6 with Hugh Woolner, who had been by her side ever since he had gone down to her cabin from the smoking room after the collision. “The Two” had then walked together on the boat deck, amid the roar of venting steam, and had noticed that the ship was listing to starboard. They went into the lounge to escape the cold and the noise, and there a young man came over to them with something in his hand. “Have some iceberg!” he said with a smile as he dropped a piece of ice into Helen’s palm. The ice soon chilled Helen’s fingers, so Woolner dashed it from her and rubbed her hand and then kept it clasped in his.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)