Hinge Dating Quotes

We've searched our database for all the quotes and captions related to Hinge Dating. Here they are! All 9 of them:

As you wish, of course." Lucius lowered the volume on an old record player, which spun a warped vinyl disk that wailed unfamiliar music, scratchy and whiny, like cats fighting. Or a coffin with rusty hinges opening and closing over and over again in a deserted mausoleum. "Do you like Croatian folk?" heasked, seeing my interest. "It reminds me of home." "I prefer normal music." "Ah, yes, your MTV with all the bumping and grinding. Like a shot of raging adolescent hormones administered via television. I'm not averse.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
The deception study found that men use several tactics to deceive women about their intentions. Men pretend to be interested in starting a relationship when they are not really interested and act as if they care about a woman even though they really do not. Most men are fully aware that feigning commitment is an effective tactic for short-term sexual attraction, and they admit to deceiving women by this means. Men using Tinder, Hinge, and other dating apps admit that they pretend to be open to being in a relationship even though their real interest lies in racking up large numbers of short-term sexual conquests.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
The letter was dated October 2. That night, as Orville later told the story, discussion in camp on aeronautical theory went on at such length that he indulged himself in more coffee than usual. Unable to sleep, he lay awake thinking about ways to achieve an even better system of control when suddenly he had an idea: the rear rudder, instead of being in a fixed position, should be hinged—movable.
David McCullough (The Wright Brothers)
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller
The rusty hinge of a grackle sounds from the trees overhead. He’s about to apologize, to say that he made a mistake and go home, when she offers him the ice cream sandwich. For the first time all afternoon, she lowers her guard, with something like a smile. “Look,” she says. “I played along a little. I waited with those other women and let you buy me ice cream like we were just another hetero couple out on our hetero Sunday date with the boringly hetero idea to go to the park. Now have some ice cream, I don’t want to eat all of it.” He takes a bite, and she pulls it back. “One thing I’ll tell you, though,” she says. “You move differently than before.” “Move differently?” “Yeah, you were always graceful, but you used to be so careful to swing your hips. You were a languid boy, who learned to move like a woman, who then learned to move like a boy again, but without wiping your hard drive each time. You’ve got all these glitches in the way you move. I was watching you in the ice cream line—you slither.” “Wow, Reese, just wow.” “No! It’s charismatic. Remember how Johnny Depp pretended to be a drunk Keith Richards pretending to be a fey pirate? You can’t help but be a little drawn in, like: What’s going on with that one?” She smiles at him and takes a lick of ice cream, mock innocent. “I forget what it’s like being around trans women,” he admits. “That for once, I’m not the only one constantly analyzing the gender dynamics of every situation to play my role.” “Welcome back,” she says, seeming considerably cheered. “You must have also forgotten that I taught you everything you know.” “Please. The student surpassed the master long ago.” “Girl, you wish.” It’s like coming home, that quick “girl.” Something warmer and sweeter than the spring sun heating his neck and the ice cream lingering on his tongue. It’s scary-seductive, emphasis on scary. Start looking for that kind of comfort and he’s bound to make a fool of himself.
Torrey Peters (Detransition, Baby)
Like the sifting ground, the scattered baleen, and this your body ancient turned upside down. Heart Swathing in Late Summer In the penumbra of an oak under sculpted Moonlight, we pile the last waking hours On our faces, breathe the wilderness of dry Heat waiting for fall ventilations. It feels Later than it is and the air is already mouthing The date for tomorrow. At least now, our eyes Can fall into the craters of a waterproof Reflection, and we stop for a moment to fill Ourselves with the kind of light that can only Be found in the dark. What is night if not for It being a repetition of unlit squares glued Jointly, plastered against the thought of midday. What is not seeing but to echolocate a name. It’s how I find your chin when I can’t sense The meaning of your hands. Weeks ago, it was Astral rebounds, shiny hinges. We harvested The fertile Perseids posed recumbent In the back of a flatbed, tallying the mineral Opulence reserved for those who wait. Not Ever so many in return. Now this moon in its Entirety has never looked so much like A distant circular kite set ablaze, doused by The kind of burning a man feels when he hears The humming of rain against a woman’s bare neck.
Mai Der Vang (Afterland)
I want to move on from the men we call monsters and start talking about the greyer space. The smaller acts of shame transmission. The ones we cannot pinpoint because they do not have a beginning or an end: a jury's verdict, a healed bruise. They are just moments. They come and they go, and we think they don't hurt us, but they do. I want to move on from the men we call monsters because I am tired of talking about them. I want to talk about us. I want to talk about the moments after the shame transmission, the whole life that is lived afterwards, and how all the other shame transmissions cumulate until the false self is a necessary weapon. I want to connect the emotionally abusive boyfriend that we make excuses for to the boy who came before him who was too pushy at the party and to the Tuesday morning wolf-whistler who came after. I want us to understand that carrying other people's shame affects a whole life. I want us to keep watching the woman after the bad thing happens, after the secret has been locked away. I want us to see how it keeps affecting her even though she wishes it wouldn't. I want to connect the rape to the illness to the aggressive Hinge date to the screaming argument with a man you thought you were safe with.
Lucia Osborne-Crowley (My Body Keeps Your Secrets)
I want to talk about the moments after the shame transmission, the whole life that is lived afterwards, and how all the other shame transmissions cumulate until the false self is a necessary weapon. I want to connect the emotionally abusive boyfriend that we make excuses for to the boy who came before him who was too pushy at the party and to the Tuesday morning wolf-whistler who came after. I want us to understand that carrying other people's shame affects a whole life. I want us to keep watching the woman after the bad thing happens, after the secret has been locked away. I want us to see how it keeps affecting her even though she wishes it wouldn't. I want to connect the rape to the illness to the aggressive Hinge date to the screaming argument with a man you thought you were safe with.
Lucia Osborne-Crowley (My Body Keeps Your Secrets)
I’m most surprised by the competitive streak she’s revealed. Xavier means more to her than she’s let on. “But what about Mindy? Doesn’t it bother you—?” Sophie rolls her head along with her eyes. “Look, all guys play the field—at least the non-nerds. She’s the girl who slept with him once. I’m the girl he found afterward. And all those codes about dating—honestly, the only one that makes sense is ‘All’s fair in love and war.’ Even if they were betrothed from the cradle, it’s not over until they tie the knot.
Abigail Hing Wen (Loveboat, Taipei)