Lisa Rowe Quotes

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The gardens were brilliant with summer magic, with plump cushions of forget-me-nots, lemon balm, and vibrant yellow daylilies, surrounding plots of roses shot through with garnet clematis. Long rows of silvery lamb's-ear stretched between large stone urns filled with rainbow Oriental poppies.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
What are you going to say if she tells you that she had a row with Winterborne?” Cassandra asked. “I’ll tell her to have more of them,” Kathleen said. “One can’t allow a man to have his way all the time.” She paused reflectively. “Once Lord Berwick told me that when a horse pulls at the reins, one should never pull back. Instead, loosen them. But never more than an inch.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
What are you going to say if she tells you that she had a row with Winterborne?” Cassandra asked. “I’ll tell her to have more of them,” Kathleen said. “One can’t allow a man to have his way all the time.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She slept all night with the bedroom window open even though she knows women are advised not to. She arranged glasses in a row along her windowsill so that if a man did break in at least she would have some warning.
Lisa Jewell (The Family Upstairs (The Family Upstairs, #1))
When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.
Lisa Ann Sandell (A Map of the Known World)
I think of an old sermon my grandfather quoted from time to time— something about not looking back when you’re plowing a field, but instead finding a mark in the distance and focusing on that. Otherwise, the rows won’t come out straight.
Lisa Wingate (The Tidewater Sisters (Carolina Heirlooms #1.5))
Parents sat gloomy and still, like rows of turnips in a grocer's box. Their little criminals sat with them, tapping LOLs on their phones, or milled in the yard outside stinking of Lynx and taut nonchalance. Solicitors strode in and out in a twist of slacks and briefcases.
Lisa McInerney (The Glorious Heresies)
Evie stiffened nervously when she felt his hands moving along the line of fasteners on the back of her brown wool. “What are you doing?” “Helping you to change your gown.” “I don’t want to. Not now. I… oh, please don’t!” But he persisted, sliding one hand around her front to keep her in place, while his other continued to release the row of buttons. Rather than resort to an undignified struggle, Evie flushed and held still, goose bumps rising on her exposed skin. “I w-wish you wouldn’t handle me in such a cavalier manner!” “The word ‘cavalier’ implies indifference,” he replied, pushing the gown over her hips. It fell in a scratchy heap to the floor. “And there is nothing indifferent about my reaction to you, love.” “One could wish for a bit of respect,” Evie exclaimed, shivering before him in her underclothes. “Especially after… after…” “You don’t need respect. You need comfort, and holding, and possibly a good long tumble in bed with me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gaveher a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It was an intensely lonely moment, like all of eighth grade condensed into one claustrophobic second.
Lisa Rowe Fraustino (Dirty Laundry: Stories About Family Secrets)
The train scoots along in a slow, lazy sway, like a mama rocking her baby, too lost in the look of her child to think of the day’s work done or the hard row ahead.
Lisa Wingate (The Book of Lost Friends)
What got you into rowing?” Declan covered
Lisa Scottoline (Corrupted (Rosato & DiNunzio, #3))
I gave Carnades a slow, cold smile that told him that and much more. If Tam could act cool and confident, so could I. In reality I was scared shitless and mad as hell, but considering how close I was to a whole row of empty cells, I thought I'd keep that to myself for now. I could always let my rage out to play later. I didn't want to, but if Carnades pushed me too far, I would push back. He'd seen the Saghred's full power in me when I'd crushed a demon the size of a small house, right here in this very room. He know what I could do, but he thought I wouldn't do it. If he laid a hand on Tam or Mychael, I'd show him just how wrong he was.
Lisa Shearin (Bewitched & Betrayed (Raine Benares, #4))
They made their way to the dining room, where the air was blossom-scented and gilded with candlelight. The mammoth Jacobean table, with its legs and support rails carved like twisted rope, had been covered with pristine white linen. A row of broad silver baskets filled with billows of June roses rested on a long runner of frothy green maidenhair ferns. The walls had been lined with lush arrangements of palms, hydrangeas, azaleas and peonies, turning the room into an evening garden. Each place at the table had been set with glittering Irish crystal, Sèvres porcelain, and no fewer than twenty-four pieces of antique Georgian silver flatware per guest.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
PRONUNCIATION GUIDE: Ailith: A-lith ("noble war"; "ascending, rising") Andriana: An-dree-ana, or Dree, for "Dri" ("warrior") Asher: Ash-er ("happy one") Azarel: Ah-zah-rell ("helper") Bellona: Bell-oh-na ("warlike") Chaza'el: Chazah-ell ("one who sees") Kapriel: Kah-pree-ell (variant of "warrior") Keallach: Key-lock ("battle") Killian: Kill-ee-un ("little warrior"--though he's not so little in my novel!) Raniero: Rah-near-oh ("wise warrior") Ronan: Row-nun ("little seal"; I know. Not as cool, right? But he was named Duncan at first draft and I had to change it due to publisher request, and "Ronan" sounded like a medieval, cool warrior name to me. I overlooked the real translation in favor of the man he became in my story. And that guy, to my mind, is more like a warrior, with the spray of the sea upon his face as he takes on the storm--which is like a seal!) Tressa: Tre-sah ("late summer") Vidar: Vee-dar ("forest warrior")
Lisa Tawn Bergren (Season of Wonder (The Remnants, #1))
Most of the time when we got a tough row to plow, the Good Lord makes us fall a little short and puts another mule in the pasture. You don’t never know whether you’re the blind mule or the deaf mule, but you’re always one or the other.
Lisa Wingate (A Month of Summer (Blue Sky Hill #1))
Evie swallowed hard and tried to stiffen her knees, which seemed inclined to buckle. Cold dread weighted her stomach as she glanced at the bed. "Are we going to..." she started to ask, her voice turning scratchy. St. Vincent began on the front fastenings of her gown. "Are we going to..." he repeated, and followed her gaze to the bed. "Good God, no." His fingers moved rapidly along her bodice, freeing the row of buttons. "Delectable as you are, my love, I'm too tired.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things that she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. “We made up a list of potential suitors and wrote it on our empty dance cards,” Evie had told him. “Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind.” Sebastian had laughed huskily, tangling his bare legs intimately with hers. “I was waiting for you to ask me.” “You never spared me a glance,” Evie had replied wryly. “You weren’t the sort of man to dance with wallflowers.” Sebastian had smoothed her hair, and was silent for a moment. “No, I wasn’t,” he had admitted. “I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you’d never have escaped me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Lillian concentrated on putting one foot in front of the other, when all she wanted was to head back to Westcliff and fling herself upon him in a mindless attack. “That arrogant, pompous clodpole—” “Easy,” she heard St. Vincent murmur. “Westcliff is in a thorough temper—and I wouldn’t care to engage him in your defense. I can best him any day with a sword, but not with fists.” “Why not?” Lillian muttered. “You’ve got a longer reach than Westcliff.” “He’s got the most vicious right hook I’ve ever encountered. And I have an unfortunate habit of trying to shield my face—which frequently leaves me open for gut punches.” The unashamed conceit behind the statement drew a reluctant laugh from Lillian. As the heat of anger faded, she reflected that with a face like his, one could hardly blame him for desiring to protect it. “Have you fought with the earl often?” she asked. “Not since we were boys at school. Westcliff did everything a bit too perfectly—I had to challenge him now and then just to make certain that his vanity didn’t become overinflated. Here…shall we take a more scenic route through the garden?” Lillian hesitated, recalling the numerous stories that she had heard about him. “I’m not certain that would be wise.” St. Vincent smiled. “What if I promise on my honor not to make any advances to you?” Considering that, Lillian nodded. “In that case, all right.” St. Vincent guided her through a small leafy grove, and onto a graveled path shaded by a row of ancient yews. “I should probably tell you,” he remarked casually, “that since my sense of honor is completely deteriorated, any promise I make is worthless.” “Then I should tell you that my right hook is likely ten times more vicious than Westcliff’s.” St. Vincent grinned.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
His head bent over hers; she could feel the rush of his unsettled exhalations. The hairs on his chest were not flat and straight, but softly curling. She wanted to brush her nose and lips across them. He smelled of soap, male skin, clean earth and meadow grass, and every breath of him made her feel warm in places that hadn't been warm in years. When the placket was finally unfastened, Mr. Ravenel raised his arms and let the shirt settle over his head, wincing as the neat row of stitches at his side was strained. Phoebe reached up to tug at the hem of the garment. Her knuckles inadvertently grazed the dark fleece on his chest, and her stomach did an odd little flip. From the surface of her skin down to the marrow of her bones, her entire body was alive with sensation.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Sukey's approving glance swept over Amanda's black evening dress, made of shimmering crinkled silk that had been cut very low across the bosom and fitted tightly to her voluptuous shape. Rows of glittering jet beads adorned the bodice and long sleeves, while her gloves and shoes were of soft chamois leather. It was a sophisticated ensemble, one that made the most of Amanda's looks and generously displayed her bosom.
Lisa Kleypas (Suddenly You)
The Head of the Charles in Cambridge, Mass., is the great American crew event, athletically and socially. It occurs the second weekend in October; secondary schools and colleges send shells in all categories in the three-mile race up the Charles River. Drunken Preps line the banks and bridges at Harvard, ready to howl with glee as a coxswain rams his shell into a stanchion of the Eliot Street Bridge (where the river narrows and curves with treacherous suddenness).
Lisa Birnbach (The Official Preppy Handbook)
In crew, contempt is important. In Boston, Boston University and Northeastern crew are treated with contempt by the college up the river. Intramural crew is treated with contempt. Nonathletic coxswains (Chinese engineering majors, poets) are treated with contempt. A true coxswain is a diminutive jock, raging against the pint size that made him the butt of so many jokes at Prep school. He runs twenty stadiums a day, his girlfriend is six feet one, and he can scream orders even when he has the flu (which he catches at least three times a winter).
Lisa Birnbach (The Official Preppy Handbook)
A brief grin crossed Tom's face as he saw her expression. He was entirely comfortable in his nakedness, whereas she was a collection of inhibitions all held together with a blush. Climbing into bed like a prowling cat, he lowered himself beside her, one hairy leg settling between hers. She wasn't sure where to put her hands. One of her palms came to the taut row of muscles at his midriff, her fingertips resting at the edge of a rib. Taking her hand in a light hold, Tom guided it down to his groin. "You can touch me," he encouraged, a new huskiness infusing his voice.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
-did you just ask something?" "I asked if you can undress any faster." Evie huffed with a mixture of amusement and exasperation. "No, I can't. There are too many b-buttons, and they're very small." "What a pity. Because in thirty seconds, I'm going to rip away whatever clothing you have left." Evie knew full well not to take the threat lightly- he'd done it before, on more than one occasion. "Sebastian, no. I like this dress." Her husband's eyes glinted with devilish humor as he watched her increasingly frantic efforts. "No dress is as beautiful as your naked skin. All those sweet freckles scattered over you, like a thousand tiny angel kisses... you have twenty seconds left, by the way." "You don't even h-have a clock," she complained. "I'm counting by heartbeats. You'd better hurry, love." Evie glanced anxiously down at the row of pearl buttons, which seem to have multiplied. With a defeated sigh, she dropped her arms to her sides. "Just go on and rip it off," she mumbled. She heard his silky laugh, and a sluice of water. He stood with streams runneling over the sleek, muscled contours of his body, and Evie gasped as she was pulled into a steaming embrace. His amused voice curled inside the sensitive shell of her ear. "My poor little put-upon wife. Let me help you. I have a way with buttons...
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
It was unexpected, the way West’s politeness seemed to have transformed into genuine interest in the process taking place before him. Kathleen watched him thoughtfully, finding it difficult to reconcile the drunken lout of yesterday with this attentive, engaging stranger. One would almost think he gave a damn about the estate and its tenants. At the end of the row, West stood, dusted his hands, and pulled a handkerchief from his pocket to mop his face. Strickland blotted his own brow with his sleeve. “Next I could show you how to mow,” he offered cheerfully. “Thank you, no,” West replied with a rueful grin, looking so much like Devon that Kathleen felt a quick pang of recognition. “I’m sure I shouldn’t be trusted with a sharp blade.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
As soon as Devon left his room, he was overwhelmed by a surplus of unwanted attention. Not one but two footmen accompanied him down the stairs, eagerly pointing out dangers such as the edge of a particular step that wasn’t quite smooth, or a section of the curved balustrade that might be slippery from a recent polishing. After negotiating the apparent perils of the staircase, Devon continued through the main hall and was obligated to stop along the way as a row of housemaids curtsied and uttered a chorus of “Happy Christmas” and “God bless you, milord,” and offered abundant wishes for his good health. Abashed by the role he seemed to have been cast in, Devon smiled and thanked them. He made his painstaking way to the dining room, which was filled with lavish arrangements of Christmas flowers, and hung with evergreen garlands twined with gold ribbon. Kathleen, West and the twins were all seated, laughing and chatting with relaxed good humor. “We knew you were approaching,” Pandora said to Devon, “from all the happy voices we could hear in the entrance hall.” “He’s not accustomed to people exclaiming happily when he arrives,” West said gravely. “Usually they do it when he leaves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
When Evie awakened alone in the large bed, the first thing she beheld was a scattering of pale pink splashes over the snowy white linens, as if someone had spilled blush-colored wine in bed. Blinking sleepily, she propped herself up on one elbow and touched one of the pink dabs with a single fingertip. It was a creamy pink rose petal, pulled free of a blossom and gently dropped to the sheet. Gazing around her, she discovered that rose petals had been sprinkled over her in a light rain. A smile curved her lips, and she lay back into the fragrant bed. The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. "We made up a list of potential suitors and wrote it on our empty dance cards," Evie had told him. "Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind." Sebastian had laughed huskily, tangling his bare legs intimately with hers. "I was waiting for you to ask me." "You never spared me a glance," Evie had replied wryly. "You weren't the sort of man to dance with wallflowers." Sebastian had smoothed her hair, and was silent for a moment. "No, I wasn't," he had admitted. "I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you'd never have escaped me." He had proceeded to seduce her as if she were still a virginal wallflower, coaxing her to let him make love to her by slow degrees, until he was finally sheathed in her trembling body.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Where’s the baby?” “I just fed and changed him,” Haven said. Hardy lifted Luke’s carrier and gave it to Jack, who took it with his free hand. “Thank you.” I gave Haven a woeful glance as she handed me the diaper bag. “I’m sorry.” “For what?” “For falling asleep like that.” Haven smiled and reached out to hug me. “There’s nothing to be sorry about. What’s a little narcolepsy among friends?” Her body was slim and strong, one small hand patting my back. The gesture surprised me in its naturalness and ease. I returned the embrace awkwardly. Haven said over my shoulder, “I like this one, Jack.” Jack didn’t answer, only nudged me out into the hallway. I trudged forward, nearly blind with exhaustion, staggering with it. It took extreme focus to keep one foot in front of the other. “I don’t know why I’m so tired tonight,” I said. “It’s all caught up with me, I guess.” I felt Jack’s hand descend to the center of my back, guiding me forward. I decided to talk to keep myself awake. “You know, chronic sleep deper . . . dep . . .” “Deprivation?” “Yes.” I shook my head to clear it. “It gives you memory problems and raises your blood pressure. And it results in occupational hazards. It’s lucky I can’t get hurt doing my job. Unless I fall forward and hit my head on the keyboard. If you ever see QWERTY imprinted on my forehead, you’ll know what happened.” “Here we go,” Jack said, loading me onto the elevator. I squinted at the row of buttons and reached for one. “No,” he said patiently, “that’s the nine, Ella. Press the upside-down one.” “They’re all upside-down,” I told him, but I managed to find the 6. Propping myself up in the corner, I wrapped my arms around my midriff. “Why did Haven tell you ‘I like this one’?” “Why shouldn’t she like you?” “It’s just . . . if she says it to you, it implies . . .”— I tried to wrap my foggy brain around the idea—“. . . something.” A quiet laugh escaped him. “Don’t try thinking just now, Ella. Save it for later.” That sounded like a good idea. “Okay.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Come, dear, you must try this game. It’s silly but quite fun.” The girls, all of them unmarried, and ranging in age from their early teens to mid-twenties, moved to make room for the pair of them. While Daisy explained the rules, Evie was blindfolded, and the other girls proceeded to change the positions of the four glasses. “As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gave her a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Years later, she remembered her zombie days.... No name turned the key to her prison.... So in the land of the dead the men sang to her. The sound faded across the rows of plants. The dusty mechanism of her arms rose and fell.... At last they tried a new tune whose tune carried across the gray field. Hair as black as coal in the mine, little Liza Jane / Eyes so large and big and fine, little Liza Jane. You are beautiful. We need you. You cannot go where you are trying to go. Come back to us.... You plant a patch of cotton, I'll plant a patch of cane / I'm gonna make molasses, to sweeten Liza Jane... Sobs began to heave out of her mouth... Oh Lisa, poor gal, Oh Liza Jane / Oh Liza poor gal, she died on the trail. Liza, the sang. Lucy raised her head. Tears flowed down her face and she opened her mouth: 'I got happy,' Lucy Thompson remembered eighty years after her resurrection, 'and sang with the rest.'" - The Half Has Never Been Told: Slavery and the Making of American Capitalism
Edward E. Baptist
With Matthew at her side, Daisy browsed the row of wooden stalls that had been erected along High Street, filled with fabrics, toys, millinery, silver jewelry, and glassware. She was determined to see and do as much as possible in a short time, for Westcliff had strongly advised them to return to the manor well before midnight. “The later the hour, the more unrestrained the merrymaking tends to become,” the earl had said meaningfully. “Under the influence of wine—and behind the concealment of masks—people tend to do things they would never think of doing in the light of day.” “Oh, what’s a little fertility ritual here or there?” Daisy had scoffed cheerfully. “I’m not so innocent that I—” “We’ll be back early,” Matthew had told the earl.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Are we going to…” she started to ask, her voice turning scratchy. St. Vincent began on the front fastenings of her gown. “Are we going to…” he repeated, and followed her gaze to the bed. “Good God, no.” His fingers moved rapidly along her bodice, freeing the row of buttons. “Delectable as you are, my love, I’m too tired. I’ve never said this in my entire life—but at the moment I would much rather sleep than fuck.” Overwhelmed with relief, Evie let out an unsteady sigh. She was forced to clutch at him for balance as he pushed the loosened gown down over her hips. “I don’t like that word,” she said in a muffled voice. “Well, you had better get used to it,” came his caustic reply. “That word is said frequently at your father’s club. God knows how you managed to escape hearing it before.” “I did,” she said indignantly, stepping out of the discarded gown. “I just didn’t know what it meant until now.” St. Vincent bent to untie her shoes, his broad shoulders quivering. A curious gasping, choking noise came from him. At first Evie wondered anxiously if he had suddenly been taken ill, and then she realized that he was laughing. It was the first genuine laughter she had ever heard from him, and she had no idea what he found so funny. Standing over him in her chemise and drawers, she crossed her arms over her front and frowned.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
sculpted and refined by hours upon hours of exercise, walking stairs that lead nowhere, riding bikes that go nowhere, rowing phantom rowboats, wearing immovable cross-country skis.
Lisa Grunwald (Whatever Makes You Happy)
a long row of hornbeams beginning to contemplate autumn,
Lisa Zumpano (A Secret Agenda (Lillie Mead, #4))
As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter. Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach. "Good morning, Sir Ross," she said. "Will you have some breakfast?" "No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries. "Just one or two?" Sophia coaxed. Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule. He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it. "They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke. Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions. For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
Christopher came up behind her. As Beatrix turned to face him, he searched her face with a gently quizzical gaze. “If you like, we can spend our first night together here,” he said. “But if this doesn’t suit you, we’ll go to Phelan House.” Beatrix could hardly speak. “You did this for me?” He nodded. “I asked Lord Westcliff if we might stay the night here. And he had no objections to a little redecorating. Do you--” He was interrupted as Beatrix flung herself at him and wrapped her arms tightly around his neck. Christopher held her, his hands coursing slowly over her back and hips. His lips found the tender skin of her cheeks, her chin, the yielding softness of her mouth. Through the descending diaphanous layers of pleasure, Beatrix answered him blindly, taking a shivering breath as his long fingers curved beneath her jaw. He shaped her lips with his own, his tongue questing gently. The taste of him was smooth and subtle and masculine. Intoxicating. Needing more of him, she struggled to draw him deeper, to kiss him harder, and he resisted with a quiet laugh. “Wait. Easy…love, there’s another part of the surprise that I don’t want you to miss.” “Where?” Beatrix asked drowsily, her hand searching over his front. Christopher gave a muffled laugh, taking her by the shoulders and easing her away. He stared down at her, his gray eyes glowing. “Listen,” he whispered. As the thrumming of her own heart quieted, Beatrix heard music. Not instruments, but human voices joined in harmony. Bemused, she went to the window and looked out. A smile lit her face. A small group of officers from Christopher’s regiment, still in uniform, were standing in a row and singing a slow, haunting ballad. Were I laid on Greenland’s coast, And in my arms embrac’d my lass; Warm amidst eternal frost, Too soon the half year’s night would pass. And I would love you all the day. Ev’ry night would kiss and play, If with me you’d fondly stray. Over the hills and far away… “Our song,” Beatrix whispered, as the sweet strains floated up to them. “Yes.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Listen,” he whispered. As the thrumming of her own heart quieted, Beatrix heard music. Not instruments, but human voices joined in harmony. Bemused, she went to the window and looked out. A smile lit her face. A small group of officers from Christopher’s regiment, still in uniform, were standing in a row and singing a slow, haunting ballad. Were I laid on Greenland’s coast, And in my arms embrac’d my lass; Warm amidst eternal frost, Too soon the half year’s night would pass. And I would love you all the day. Ev’ry night would kiss and play, If with me you’d fondly stray. Over the hills and far away… “Our song,” Beatrix whispered, as the sweet strains floated up to them. “Yes.” Beatrix lowered to the floor and braced her folded arms on the windowsill…the same place where she had lit so many candles for a soldier fighting in a faraway land. Christopher joined her at the window, kneeling with his arms braced around her. At the conclusion of the song, Beatrix blew the officers a kiss. “Thank you, gentlemen,” she called down to them. “I will treasure this memory always.” One of them volunteered, “Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.” “What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.” “Well, you bungled that one, old fellow.” The group chortled. “Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.” “As fair as moonlight,” another said. “Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.” “We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.” And with cheerful catcalls and well wishes, the Rifles departed. “They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The door opened to reveal a room with walls consisting mostly of inset mahogany bookcases covered by leaded glass doors. Intricate plasterwork adorned the ceiling in a flowered medallion style that matched the thick Aubusson carpet on the floor. "Are all of these books for sale?" Amanda asked in a hushed voice, feeling as if she had entered a king's treasure room. Fretwell nodded. "You'll find everything from antiques to zoology. We have a wide selection of antique maps and celestial charts, original folios and manuscripts..." He gestured around them, as if the extensive rows of books were self-explanatory. "I would love to lock myself in here for a week," she said impulsively.
Lisa Kleypas (Suddenly You)
Devlin was as sleek and muscular as the black-and-gold tiger she had seen on exhibition at the park menagerie. Divested of his clothes, he seemed even larger, his broad shoulders and long torso looming before her. The texture of his flesh was heavy and tough, covered with skin that seemed hard but silken at the same time. His midriff was scored with rows of muscle. She had seen statues and illustrations of the male body, but nothing had ever conveyed this sense of warm, living strength, this potent virility.
Lisa Kleypas (Suddenly You)
They were all young women with hopes and dreams and fears… each of them entirely familiar with the sight of a gentleman’s polished black shoes walking by their row of chairs in search of more promising quarry. The wallflowers had nothing to lose by helping each other, and everything to gain.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Evie and Lillian hurried to each other and embraced warmly. The two of them, along with Lillian's sister Daisy Swift, and the vivacious Annabelle Hunt, had begun a lifelong friendship more than three decades ago. They had all been downtrodden wallflowers, consigned to sitting in a row at the side of a ballroom while everyone else danced. But instead of competing for male attention, they had made a compact to help each other. And throughout the years, they had championed and saved each other, time and again.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
When the teenager with the retainer and unfortunate dad bod asked me what movie I wanted to see behind the box office glass, I pointed at the one with Kate Hudson on the poster. “M—Mona Lisa a—and the Blood Moon?” he sputtered, pushing his thick glasses up the bridge of his nose. “Problem?” I drawled. The kid shook his head, his shoulders quaking with a suppressed laugh. He was about to get a front row seat to How to Lose an Eye in Ten Seconds if he wasn’t careful.
L.J. Shen (Playing with Fire)
I grab our leather-bound book where we log our customers’ special requests, and hurry forward, walking past rows of books and trinkets that don’t move fast enough to pay the bills. We count on being contracted to locate high-end collectibles.
Lisa Renee Jones (A Reckless Note (Brilliance Trilogy #1))
They weren’t sorry Catherine was dead at all. Certainly they hadn’t particularly liked her when she was alive. Lisa had called her a stuck-up southern cow only last week, when Mr Scott had read out a chunk of her essay on Steinbeck. They were enjoying every minute of this. They weren’t in the least sorry that Catherine would never take her place again in the front row for English. But she didn’t say
Ann Cleeves (Raven Black (Shetland Island, #1))
slightest whiff of crystalline snow delicately layered its lace over the frozen limbs of a long row of hornbeam hedging.
Lisa Zumpano (A Willful Grievance (Lillie Mead, #2))
Panting, she pressed closer to him as he unfastened the row of buttons and freed his swollen erection. With a soothing murmur, Ross positioned her over his hips, canting them to just the right angle. She sank down eagerly, gasping as he filled her completely. Her hands clutched at the fabric of his coat, fingertips digging into the smooth broadcloth. "Hold onto me," he whispered. When she had wrapped herself around him, he picked his feet up from the stepping board and let the chamber-horse seat drop several inches in a sudden electrifying jolt. The movement forced Sophia harder onto the hilt of his shaft, and she whimpered in pleasure. Ross smiled as he stared into her wide, unfocused eyes. Color burnished the edges of his cheekbones and the bridge of his nose, and sweat misted his skin. His thighs went taut as he braced his feet on the board once more, then let them drop again. "Is this all right?" he murmured. "Is it too much?" "No," she gulped. "Do it again." Obligingly he began a bouncing motion that elicited a rhythmic squeak from the chamber horse. Air rushed from the contraction and expansion of the cushions like the sighing of fireplace bellows. Sophia held on tightly, her body gripping his intimately. Each drop of the seat caused the stiff, thick shaft to push harder inside her, again, again, until the stroking, grinding motion caused her to convulse in a release that had no end. Feeling the spasms of her body, Ross impaled her one last time and groaned in satisfaction. When at least he leaned backward with her body clasped in his arms, Sophia draped herself over him, utterly relaxed. Their bodies were still joined , and she moaned as he flexed inside her.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
I think you can be way too careful. You can be so careful that you go your whole life without ever seeing a rainbow because you're so busy trying not to step in any puddles.
Lisa Rowe Fraustino (Dirty Laundry: Stories About Family Secrets)
They" are farmers and ranchers, though generally not those from the front row of the church, that select few who remain in conventional agriculture. These are the ones who were trimmed off long ago, or at least by the industry's prescription, should have been. As we sit and talk, the topics are sometimes technical, often political or economic, and always, ultimately, philosophical. And personal. If we start with a discussion of soil microbiology or a comparison of turkey breeds, inevitably we end up in family, history, ecology, faith, beauty, morality, and the fate of the world to come. For them, all those things are linked. As they see it, agriculture is not an industry on the periphery of modern civilization. It is a fundamental act that determines whether we as a society will live or die. What binds these people is not a particular farming method, but rather the conviction that as humans, the contributions they make are essential. Conventional agriculture doesn't need people for much more than to run the machines and carry the debt, but these people refuse that lifeless role. To the work, they bring their intellects and their consciences, their histories and their concerns for the future. In quiet ways, in quiet places, they have set about correcting the damage that has come from believing agriculture could actually be reduced to numbers alone.
Lisa M. Hamilton (Deeply Rooted: Unconventional Farmers in the Age of Agribusiness)
I rolled away from him with a gasp of laughter and hopped out of bed. “I need a shower.” Jack followed readily. I stopped short as I flipped on the switch in his bathroom, an immaculate well-lit space with contemporary cabinetry and modern stone vessel sinks. But it was the shower that left me speechless, a room made of glass and slate and granite, with rows of dials and knobs and thermostats. “Why is there a car wash in your bathroom?” Jack went past me, opened the glass door, and went inside. As he turned knobs and adjusted the temperature on digital screens, jets sprouted from every conceivable place, and steam collected in white drifts. Three rainfall streams came directly from the ceiling. “Aren’t you going to come in?” Jack’s voice filtered through the sound of abundant falling water. I went to the glass doorway and peeked inside. Jack was a magnificent sight, all bronzy and lean, a sheet of water glimmering over his skin. His stomach was drum-tight, his back gorgeous and sleekly muscled. “I hate to be the one to tell you this,” I said, “but you need to start exercising. A man your age shouldn’t let himself go.” He grinned and gestured for me to come to him. I ventured into the maelstrom of competing sprays, battered with heat from all directions. “I’m drowning,” I said, spluttering, and he pulled me out of the direct downpour of an overhead spray. “I wonder how much water we’re wasting.” “You know, Ella, you’re not the first woman who’s ever been in this shower with me—” “I’m shocked.” I leaned against him as he soaped my back. “— but you’re for damn sure the first one who’s ever worried about wasting water.” “How much, would you say?” “Ten gallons per minute, give or take.” “Oh my God. Hurry. We can’t stay in here long. We’ll throw the entire ecological system out of balance.” “This is Houston, Ella. The ecological system won’t notice.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
But then again, we're all on death row, aren't we? Most of us just don't know it.
Lisa Unger (In the Blood)
Julie Rowe with the first romantic suspense in
Lisa Marie Rice (Midnight Secrets (Men of Midnight, #3))
The skin of his torso was smooth and golden, rows of hard silken muscles contracting at her timid touch. His body radiated heat, luring her like a cat to a patch of sunlight.
Lisa Kleypas (Suddenly You)
You got nowhere running around Inner Circle. Instead, I dodged shoppers and strollers all the way down Southampton Row, onto Kingsway, a right onto Aldwych and over the Strand; then it was a race with the shadows of the double-deckers crossing Waterloo Bridge and a few bounces down the steps of Southbank to fall in with the ferries and barges, all of us purposefully gliding.
Lisa Halliday (Asymmetry)
Beatrix, are you there?” “Two rows away,” came her sister’s cheerful reply. “Medusa found some worms!” “Lovely.” Harry gave Poppy a bemused glance. “Who . . . or should I say what . . . is Medusa?” “Hedgehog,” she replied. “Medusa’s getting a bit plump, and Beatrix is exercising her.” To Harry’s credit, he remained composed as he remarked, “You know, I pay my staff a fortune to keep those out of the garden.” “Oh, have no fear. Medusa is merely a guest hedgehog. She would never run away from Beatrix.
Lisa Kleypas (The Hathaways Complete Series: Mine Till Midnight, Seduce Me at Sunrise, Tempt Me at Twilight, Married by Morning, and Love in the Afternoon)
I thought I’d go mad if I had to spend another minute in that blasted room. I was worried about you. I sat there thinking that all I want in life is to spend as much time with you as possible. And then it occurred to me that you had visited this hotel for three seasons in a row—three—and I’d never met you. All that time I wasted, when we could have been together.” “But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.” Lifting her easily, Harry brought her into the bedroom. “And you know what I like to do with them,” he said softly. “Take them apart . . . and put them back together again. Shall I show you, love?” “Yes . . . yes . . .
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Forgive me for interrupting your task," Devon said to Helen after they were introduced. A hesitant smile emerged. "Not at all, my lord. I'm merely observing the orchids to make certain there is nothing they lack." "How can you tell what they lack?" Devon asked. "I see the color of their leaves, or the condition of the petals. I look for signs of aphids or thrips, and I try to remember which varieties prefer moist soil and which ones like to be drier." "Will you show them to me?" Devon asked. Helen nodded and led him along the rows, pointing out particular specimens. "This was all my mother's collection. One of her favorites was Peristeria elata." She showed him a plant with marble-white blossom. "The central part of the flower resembles a tiny dove, you see? And this one is Dendrobium aemulum. It's called a feather orchid because of the petals." With a flash of shy mischief, Helen glanced back at Kathleen and remarked, "My sister-in-law isn't fond of orchids." "I despise them," Kathleen said, wrinkling her nose. "Stingy, demanding flowers that take forever to bloom. And some of them smell like old boots or rancid meat." "Those aren't my favorite," Helen admitted. "But I hope to love them someday. Sometimes one must love something before it becomes lovable.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Beatrix, are you there?” “Two rows away,” came her sister’s cheerful reply. “Medusa found some worms!” “Lovely.” Harry gave Poppy a bemused glance. “Who . . . or should I say what . . . is Medusa?” “Hedgehog,” she replied. “Medusa’s getting a bit plump, and Beatrix is exercising her.” To Harry’s credit, he remained composed as he remarked, “You know, I pay my staff a fortune to keep those out of the garden.” “Oh, have no fear. Medusa is merely a guest hedgehog. She would never run away from Beatrix.” “Guest hedgehog,” Harry repeated, a smile working across his mouth.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
After the combined efforts of Poppy and the maid, Catherine was dressed in a pale seafoam gown, neither blue nor green but some perfect shade between the two. The bodice was close-fitting, stylishly cut without a waist seam, the skirts plain until the knee, where they draped in rows of flounces. The matching jacket, tailored to the waist, was trimmed with silk fringe in interwoven shades of blue, green, and silver-gray. A small, flirtatious hat was set on the upsweep of her hair, which had been done in a waterfall chignon with the ends tucked up and pinned beneath. To Catherine, who had gone so long without wearing anything pretty or modish, the effect was disconcerting. She was a stylishly turned-out woman in the looking glass, decidedly feminine and dashing. "Oh, miss, you're as pretty as the girls they paint on tins of sweets," the housemaid exclaimed.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Listen," he whispered. As the thrumming of her own heart quieted, Beatrix heard music. Not instruments, but human voices joined in harmony. Bemused, she went to the window and looked out. A smile lit her face. A small group of officers from Christopher's regiment, still in uniform, were standing in a row and singing a slow, haunting ballad. Were I laid on Greenland's coast, And in my arms embrac'd my lass; Warm amidst eternal frost, Too soon the half year's night would pass. And I would love you all the day. Ev'ry night would kiss and play, If with me you'd fondly stray. Over the hills and far away... "Our song," Beatrix whispered, as the sweet strains floated up to them. "Yes." Beatrix lowered to the floor and braced her folded arms on the windowsill... the same place where she had lit so many candles for a soldier fighting in a faraway land.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The variety of wares was staggering: stacks of brown haddock fried in batter, pea soup crowded with chunks of salt pork, smoking-hot potatoes split and doused with butter, oysters roasted in the shell, pickled whelks, and egg-sized suet dumplings heaped in wide shallow bowls. Meat pasties had been made in half-circle shapes convenient for hand carrying. Dried red saveloy and polony sausages, cured tongue, and cuts of ham seared with white fat were made into sandwiches called trotters. Farther along the rows, there was an abundance of sweets: puddings, pastries, buns crossed with fat white lines of sugar, citron cakes, chewy gingerbread nuts dabbed with crackled icing, and tarts made with currants, gooseberries, rhubarbs, or cherries. Ransom guided Garrett from one stand to the next, buying whatever caught her interest: a paper cone filled with hot green peas and bacon, and a nugget of plum dough. He coaxed her to taste a spicy Italian veal stew called stuffata, which was so delicious that she ate an entire cup of it.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
His sister, clad in a high-necked white lace gown, was silhouetted against a row of black and purple robes. Poppy looked angelic, bathed in light from a narrow rectangular window, a veil cascading down her back from a neat coronet of white rosebuds.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
From what little I could hear, they were quarreling about something. Perhaps I shouldn’t call it quarreling, since Helen didn’t raise her voice, but…she sounded distressed.” “They were probably discussing the wedding,” Kathleen said, “since that was when Mr. Winterborne told her he wanted to plan it.” “No, I don’t think that was why they were at odds. I wish I could have heard more.” “You should have used my drinking glass trick,” Pandora said impatiently. “If I’d been there, I would be able to tell you every word that was said.” “I went upstairs,” Cassandra continued, “and just as I reached the top, I saw Mr. Winterborne leave. Helen came upstairs a few minutes afterward, and her face was very red, as if she’d been crying.” “Did she say anything about what happened?” Kathleen asked. Cassandra shook her head. Pandora frowned, reaching up to her hair. Gingerly touching the pinned section Cassandra had been working on, she said, “These don’t feel like puffs. They feel like giant caterpillars.” A swift smile was wrenched from Kathleen’s lips as she regarded the pair. Heaven help her, she loved the two of them. Although she was not wise or old enough to be their mother, she was all they had in the way of maternal guidance. “I’ll look in on Helen,” she said, standing. She reached for Pandora’s hair and separated one of the caterpillars into two puffs, using a pin from Cassandra to anchor it. “What are you going to say if she tells you that she had a row with Winterborne?” Cassandra asked. “I’ll tell her to have more of them,” Kathleen said. “One can’t allow a man to have his way all the time.” She paused reflectively. “Once Lord Berwick told me that when a horse pulls at the reins, one should never pull back. Instead, loosen them. But never more than an inch.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I’ll look in on Helen,” she said, standing. She reached for Pandora’s hair and separated one of the caterpillars into two puffs, using a pin from Cassandra to anchor it. “What are you going to say if she tells you that she had a row with Winterborne?” Cassandra asked. “I’ll tell her to have more of them,” Kathleen said. “One can’t allow a man to have his way all the time.” She paused reflectively. “Once Lord Berwick told me that when a horse pulls at the reins, one should never pull back. Instead, loosen them. But never more than an inch.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I seem to recall a rule regarding breeches,” he said. “They’re not breeches, they’re trousers.” He arched one brow. “So you think you’re justified in breaking the spirit of the law as long as you keep to the letter?” “Yes. Besides, you have no right to make rules about my attire in the first place.” Devon fought back a grin. If her impudence was intended to discourage him, it had the opposite effect. He was a man, after all, and a Ravenel to boot. “Nevertheless,” he said, “there will be consequences.” Kathleen shot him an uncertain glance. He kept his expression impassive as they headed through the stables to the saddle room. “There’s no need for you to accompany me,” Kathleen said, her pace quickening. “I’m sure you have much to do.” “Nothing as important as this.” “As what?” she asked warily. “Finding out the answer to one question.” Kathleen stopped near the wall of saddle racks, squared her shoulders, and turned to face him resolutely. “Which is?” She tugged meticulously at the fingers of her riding gloves and pulled them from her hands. Devon loved her willingness to stand up to him, even though she was half his size. Slowly he reached out and removed her hat, tossing it to the corner. Some of the defiant tension left her slight frame as she realized that he was playing with her. She looked very young with her cheeks flushed and her hair a bit mussed from the ride. He moved forward, crowding her back against the wall between two rows of empty racks, effectively pinning her into the small space. Gripping the narrow lapels of her riding jacket, he lowered his mouth to her ear and asked softly, “What do ladies wear beneath their riding trousers?
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I’m sure you have much to do.” “Nothing as important as this.” “As what?” she asked warily. “Finding out the answer to one question.” Kathleen stopped near the wall of saddle racks, squared her shoulders, and turned to face him resolutely. “Which is?” She tugged meticulously at the fingers of her riding gloves and pulled them from her hands. Devon loved her willingness to stand up to him, even though she was half his size. Slowly he reached out and removed her hat, tossing it to the corner. Some of the defiant tension left her slight frame as she realized that he was playing with her. She looked very young with her cheeks flushed and her hair a bit mussed from the ride. He moved forward, crowding her back against the wall between two rows of empty racks, effectively pinning her into the small space. Gripping the narrow lapels of her riding jacket, he lowered his mouth to her ear and asked softly, “What do ladies wear beneath their riding trousers?
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
He moved forward, crowding her back against the wall between two rows of empty racks, effectively pinning her into the small space. Gripping the narrow lapels of her riding jacket, he lowered his mouth to her ear and asked softly, “What do ladies wear beneath their riding trousers?” A breathless laugh escaped her. The gloves dropped to the floor. “I would think an infamous rake would already know.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You haven’t answered my question.” She shrank from him until her head pressed against the wood-planked wall. “You know I can’t.” “Then I’ll have to find out for myself.” His arms slid around her, one hand traveling beneath the hem of her riding jacket to the small of her back. His fingertips drew across the ribbed surface of her riding corset, shorter and lighter than the usual ones. Exploring beneath the waist of her trousers, he encountered thin, silky fabric where he would have expected linen or cotton. Fascinated, he used one hand to unfasten the row of buttons at the front of her trousers, while the other eased into the back. “Are these drawers? What are they made of?” She began to push at him, but remembering his injury, she stopped. Her hands were suspended in midair as Devon pulled her hips against his. Feeling how hard he was, Kathleen drew in a quick breath. “Someone will see,” she hissed. He was far too occupied with her drawers to care. “Silk,” he said, his hand wandering deeper inside the trousers.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Kathleen.” He made no attempt to hide the lust in his gaze. “If you hold still, I’ll help you with your skirt. But if you run from me, you’re going to be caught.” He took an unsteady breath before adding softly, “And I’ll make you come for me again.” Her eyes turned huge. He took a deliberate step forward. She bolted across the nearest threshold and fled to the carriage room. Devon was at her heels instantly, following her past the workshop with its long carpenter’s benches and tool cupboards. The carriage room smelled pleasantly of sawdust, axle grease, lacquer varnish, and leather polish. It was quiet and shadowy, illuminated only by a row of skylights over massive hinge-strapped doors that could be opened onto the estate’s carriage drive. Kathleen darted through rows of vehicles used for different purposes; carts, wagons, a light brougham, a landau with a folding top, a phaeton, a hooded barouche for summer. Devon circled around and intercepted her beside the family coach, a huge, stately carriage that could only be pulled by six horses. It had been designed as a symbol of power and prestige, with the Ravenel family crest--a trio of black ravens on a white and gold shield--painted on the sides. Halting abruptly, Kathleen stared at him through the semidarkness. Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage. “My riding skirt,” she exclaimed in dismay. “You’ll ruin it.” Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Halting abruptly, Kathleen stared at him through the semidarkness. Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage. “My riding skirt,” she exclaimed in dismay. “You’ll ruin it.” Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly. Quieting her with his mouth, he worked on the row of buttons. After the sides of the jacket had listed open, he took the back of her head in his hand and kissed her more deeply, ravishing her mouth, and she responded as if she couldn’t help herself. A shock of pleasure went through him as he felt her suck on his tongue with a shy little tug, and he reached out to fumble for the ring-shaped handle of the carriage door. Realizing what he intended, Kathleen said dazedly, “You can’t.” Devon was more aroused and entertained than he’d ever been in his life. After tugging the door open, he pulled down the folding step. “Here’s your choice: Out here, in full view of anyone who passes by…or in the carriage, where no one will see.” She blinked and stared at him, seeming aghast. But there was no concealing the deep flush of excitement on her face. “Out here, then,” he said ruthlessly, and reached for the waist of her trousers. Galvanized into action, Kathleen turned with a whimper and climbed into the carriage. Devon followed instantly.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
As Devon accompanied her to the second floor, Kathleen became aware of strange ethereal music floating through the air. The delicate notes didn’t come from a piano. “What is that sound?” she asked. Devon shook his head, looking perplexed. They entered the drawing room, where Helen, Cassandra and Pandora had gathered around a small rectangular table. The twins’ faces glowed with excitement, while Helen’s was blank. “Kathleen,” Pandora exclaimed, “it’s the most beautiful, clever thing you’ve ever seen!” She saw a music box that was at least three feet long and a foot tall. The shining rosewood box, decorated with gold and lacquer inlay, rested upon its own matching table. “Let’s try another,” Cassandra urged, opening a drawer in the front of the table. Helen reached into the box to withdraw a brass cylinder, its surface bristling with hundreds of tiny pins. Several more cylinders lay in a gleaming row in the drawer. “You see?” Pandora said to Kathleen excitedly. “Each cylinder plays a different piece of music. You can choose what you want to hear.” Kathleen shook her head, marveling silently. Helen placed a new cylinder in the box and flipped a brass lever. The brisk, jaunty melody of the William Tell Overture poured out, making the twins laugh. “Swiss-made,” Devon remarked, staring at a plaque on the interior of the lid. “The cylinders are all opera overtures. Il Bacio, Zampa,,,” “But where did it come from?” Kathleen asked. “It seems to have been delivered today,” Helen said, her voice oddly subdued. “For me. From…Mr. Winterborne.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
As she approached the library, she felt her heartbeat quicken uncomfortably. Squaring her shoulders, she crossed the threshold. Devon appeared to be browsing over a row of books, reaching up to straighten a trio of volumes that had fallen sideways. “My lord,” Kathleen said quietly. Devon turned, his gaze finding hers at once. He was stunningly handsome, dressed in a dark suit of clothes that had been tailored in the new looser-fitting fashion, the coat, waistcoat, and trousers all made of matching fabric. The informal cut of the suit did nothing to soften the hard lines of his body. For a moment Kathleen couldn’t help remembering the feel of his arms around her, his solid chest beneath her cheek. Heat swept over her face. Devon bowed, his face inscrutable. He appeared relaxed at first glance, but a closer look revealed faint shadows beneath his eyes, and finespun tension beneath his calm veneer. “I hope you’re well this morning,” he said quietly. Her blush deepened uncomfortably. “Yes, thank you.” She curtsied and wove her fingers together in a stiff knot. “You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I would think that even a proper lady might find some pleasure in the conjugal embrace.” She gasped in befuddled outrage. “I--you--that you would dare bring up such a subject--” He had been so gentle and comforting, and now he had changed back into the insufferable cad of before. “As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.” “My--” Glancing down at her front, Kathleen saw to her horror that the first few buttons of her dress and the top two hooks of her corset had been undone. She went scarlet. “Oh, how could you?” A flare of amusement lit his eyes. “You weren’t breathing well. I thought you needed oxygen more than modesty.” After watching her frantic efforts to rehook the corset, he asked politely, “May I help?” “No. Although I’m certain you’re quite accomplished at ‘helping’ ladies with their undergarments.” “They’re hardly ever ladies.” He laughed quietly as she worked at the placket of the corset with increasing panic. The strain of the afternoon had left her so enervated that even the simplest task was difficult. She huffed and wriggled to pull the edges of the corset together. After watching her for a moment, Devon said brusquely, “Allow me.” He brushed her hands away and began to hook the corset efficiently. She gasped as she felt the backs of his knuckles brush the skin of her upper chest. Finishing the hooks, he started on the row of buttons at her bodice. “Relax. I’m not going to ravish you; I’m not quite as depraved as my reputation might indicate. Besides, a bosom of such modest proportions--albeit charming--isn’t enough to send me into a frenzy of lust.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
After watching her for a moment, Devon said brusquely, “Allow me.” He brushed her hands away and began to hook the corset efficiently. She gasped as she felt the backs of his knuckles brush the skin of her upper chest. Finishing the hooks, he started on the row of buttons at her bodice. “Relax. I’m not going to ravish you; I’m not quite as depraved as my reputation might indicate. Besides, a bosom of such modest proportions--albeit charming--isn’t enough to send me into a frenzy of lust.” Kathleen glowered and held still, secretly relieved that he’d given her a reason to hate him again. Nimbly his long fingers worked at the buttons until each one was neatly secured in its small silk loop. His lashes cast brindled shadows down his cheeks as he glanced along her front. “There,” he murmured. She clambered out of his lap with the haste of a scalded cat. “Careful.” Devon flinched at the heedless placement of her knee. “I have yet to produce an heir, which makes certain parts of my anatomy more valuable to the estate than the actual family jewels.” “They’re not valuable to me,” she said, staggering to her feet. “Still, I’m quite fond of them.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))