“
Each of us is all the sums he has not counted: subtract us into the nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
Man is the Reasoning Animal. Such is the claim. I think it is open to dispute. Indeed, my experiments have proven to me that he is the Unreasoning Animal... In truth, man is incurably foolish. Simple things which other animals easily learn, he is incapable of learning. Among my experiments was this. In an hour I taught a cat and a dog to be friends. I put them in a cage. In another hour I taught them to be friends with a rabbit. In the course of two days I was able to add a fox, a goose, a squirrel and some doves. Finally a monkey. They lived together in peace; even affectionately.
Next, in another cage I confined an Irish Catholic from Tipperary, and as soon as he seemed tame I added a Scotch Presbyterian from Aberdeen. Next a Turk from Constantinople; a Greek Christian from Crete; an Armenian; a Methodist from the wilds of Arkansas; a Buddhist from China; a Brahman from Benares. Finally, a Salvation Army Colonel from Wapping. Then I stayed away for two whole days. When I came back to note results, the cage of Higher Animals was all right, but in the other there was but a chaos of gory odds and ends of turbans and fezzes and plaids and bones and flesh--not a specimen left alive. These Reasoning Animals had disagreed on a theological detail and carried the matter to a Higher Court.
”
”
Mark Twain (Letters from the Earth: Uncensored Writings)
“
I wonder if Socrates and Plato took a house on Crete during the summer.
”
”
Woody Allen (Love and Death)
“
So, you invite a wild rabbit living in Italy to a party on the island of Crete. What’s it supposed to do, swim there? Its little tux would get wet.
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
The people of Crete unfortunately make more history than they can consume locally.
”
”
Saki
“
If you are a dreamer, come in,
If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic bean buyer...
If you're a pretender, come sit by my fire
For we have some flax-golden tales to spin.
Come in!
Come in!
”
”
Shel Silverstein
“
A fallen woman is the sweetest entertainment they know; I saw it before, in Crete. I will not let it happen to me.
”
”
Jennifer Saint (Ariadne)
“
This is the tale of Magic Alex, the man who was everywhere: with Leonard Cohen in Hydra; in Crete with Joni Mitchell; in a Paris bathroom when Jimmy Morrison went down; working as a roadie setting up the Beatles last rooftop gig; an assistant to John and Yoko when they had a bed-in at the Amsterdam Hilton; with the Stones when they were charged for pissing against a wall; the first to find and save Dylan after the motorcycle accident; having it off with Mama Cass hours before she choked the big one; arranging the security at Altamont; at Haight-Ashbury with George Harrison and the Grateful Dead; and in the Japanese airport with McCartney after the dope rap. He was the guy Carly Simon was really singing about and the missing slice of ‘Bye, Bye Miss American Pie’.
”
”
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
“
An ardent desire to go took possession of me once more. Not because I wanted to leave - I was quite all right on this Cretan coast, and felt happy and free there and I needed nothing - but because I have always been consumed with one desire; to touch and see as much as possible of the earth and the sea before I die.
”
”
Nikos Kazantzakis (Zorba the Greek)
“
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world.
Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas.
The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.
This is a moment:
”
”
Thomas Wolfe (Look Homeward, Angel)
“
Anti-sabbatical: A job taken with the sole intention of staying only for a limited period of time (often one year). The intention is usually to raise enough funds to partake in another, more personally meaningful activity such as watercolor sketching in Crete or designing computer knit sweaters in Hong Kong. Employers are rarely informed of intentions
”
”
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
“
To put Göbekli Tepe in context, its megaliths predate Stonehenge by at least six thousand years. They predate the first literate civilizations of Egypt, Sumer, India, and Crete by even more. Unearthing this kind of Stone Age sophistication so deep in our past is like finding out your great-grandparents have been secretly coding apps and trading cryptocurrency behind everyone’s back.
”
”
Brian C. Muraresku (The Immortality Key: The Secret History of the Religion with No Name)
“
Ah, I found you." Came a voice behind me. My heart skipped a beat as a smile spread across my face. How do I already know his voice?
'My ears have not yet drunk a hundred words of thy tongue’s uttering, yet I know the sound.' I remembered the line from Romeo and Juliet. I could not forget Ariston's voice if I tried. At the sound, all thoughts of the odd occurrence faded.
I turned around to see Ariston Crete walking towards me. I realized when I saw him that there was a part of my mind that had wondered if he was real, if I had not only imagined his beauty, but clearly I had not. Somehow, he is real, right down to his ancient eyes. It felt just as indescribable to look into his eyes as it had before.
”
”
Jasmine Dubroff
“
But, as a form of exercise, I cannot recommend carrying a suitcase for a mile or so along sand and shingle at the dead of night, and then edging one's way along a narrow path where a false step will mean plunging into a couple of fathoms of sea that, however quiet, is toothed like a shark with jagged fangs of rock.
”
”
Mary Stewart (The Moon-Spinners)
“
Conversations between persons who do not like one another's selves are always sterile.
”
”
Robert Graves (Seven Days in New Crete)
“
Biffi said it was more American on an air force base in Crete than it was in Times Square.
”
”
Cathleen Schine (Fin & Lady)
“
But now, in these our detestable times, no maiden is safe, even if she is hidden and enclosed in another labyrinth like the one in Crete; because even there, through chinks in the wall, or carried by the air itself, with the zealousness of accursed solicitation the amorous pestilence finds its way in and, despite all their seclusion, maidens are brought to ruin. It was for their protection, as time passed and wickedness spread, that the order of knights errant was instituted: to defend maidens, protect widows, and come to the aid of orphans and those in need.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Leave Crete and sweep to this blest temple
Where apple-orchard's elegance
Is yours, and smouldering altars, ample
Frankincense.
Here under boughs a bracing spring
Percolates, roses without number
Umber the earth and, rustling,
The leaves drip slumber.
Here budding flowers possess a sunny
Pasture where steeds could graze their fill,
And the breeze feels as gentle as honey...
Kypris, here in the present blend
Your nectar with pure festal glee.
Fill gilded bowls and pass them round
Lavinshly.
”
”
Sappho
“
The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.
”
”
Alison Fell (The Element -inth in Greek)
“
My story would not be one of death and suffering and sacrifice. I would take my own place in the songs that would be sung about Theseus: the princess who saved him and ended the monstrosity that blighted Crete.
”
”
Jennifer Saint (Ariadne)
“
Venice manipulated markets by controlling production. In the late thirteenth century, wishing to raise the world market price, Venice had all saltworks in Crete destroyed and banned the local production of salt.
”
”
Mark Kurlansky (Salt: A World History)
“
There us a kind of flame in Crete - let us call it "soul" - something more powerful than either life or death. There is pride, obstinacy, valor, and together with these something else inexpressible and imponderable, something which makes you rejoice that you are a human being, and at the same time tremble. (Report to Greco)
”
”
N. Kazantzakis
“
After all I've done for you? Medea kept her voice steady. 'Who was it who helped you defeat the fire-breathing oven and the great spent of the Grove of Area? Who was it who overcame Talos of Crete...'
Yes, yes, yes. But...
”
”
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
“
It was not until ten summers later, when Theseus came to Crete, seeking power beyond what we could give him, that I learned the truth: that any man can throw words up into the air, and it it women who must pay when those words land.
”
”
Laura Shepperson (Phaedra)
“
One cannot analyse the character of European gardens without looking beyond the Mediterranean. This is because horticulture, palace life and city-building developed in the Fertile Crescent before spreading, via Crete, Greece, Egypt and Italy to the forests of Europe
”
”
Tom Turner (European Gardens: History, Philosophy and Design)
“
A gentle joyousness-a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
The majority of our polities, as Aristotle says, are like the Cyclops, abandoning the guidance of the women and children to each individual man according to his mad and injudicious ideas: hardly any, except the polities of Sparta and of Crete, have entrusted the education of children to their laws.
”
”
Michel de Montaigne (The Complete Essays)
“
Daedalus had told me a story once about the lords of Crete who used to hire him to enlarge their houses. He would arrive with his tools, begin taking down the walls, pulling up the floors. But whenever he found some problem underneath that must first be fixed, they frowned. That was not in the agreement! Of course not, he said, it has been hidden in the foundation, but look, there it is, plain as day. See the cracked beam? See the beetles eating the floor? See how the stone is sinking into the swamp? That only made the lords angrier. It was fine until you dug it up! We will not pay! Close it up, plaster over. It has stood this long, it will stand longer. So he would seal that fault up, and the next season the house would fall down. Then they would come to him, demanding back their money. “I told them,” he said to me. “I told them and told them. When there is rot in the walls, there is only one remedy.” The purple bruise at my throat was turning green at its edges. I pressed it, felt the splintered ache. Tear down, I thought. Tear down and build again.
”
”
Madeline Miller (Circe)
“
All of the likely or possible independent inventions of writing (in Sumer, Mexico, China, and Egypt), and all of the early adaptations of those invented systems (for example, those in Crete, Iran, Turkey, the Indus Valley, and the Maya area), involved socially stratified societies with complex and centralized political institutions, whose necessary relation to food production we shall explore in a later chapter. Early writing served the needs of those political institutions (such as record keeping and royal propaganda), and the users were full-time bureaucrats nourished by stored food surpluses grown by food-producing peasants. Writing was never developed or even adopted by hunter-gatherer societies, because they lacked both the institutional uses of early writing and the social and agricultural mechanisms for generating the food surpluses required to feed scribes.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
These apparent paradoxes would be vexing, except that an alternative explanation for the relative absence of heart disease on Crete had always been at hand: the near-complete absence of sugar in the Cretan diet. As Allbaugh described, the Cretans “do not serve desserts—except for fresh fruit in season. . . . Cake is seldom served, and pie almost never.
”
”
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)
“
i @m $omething
bec@u$e god does not cre@te w@$te
”
”
arnav arya
“
We have here another interesting proof of a connection between XIIth Dynasty Egypt and early Minoan Crete.
”
”
Leonard William King (History of Egypt, Chaldaea, Syria, Babylonia and Assyria in the Light of Recent Discovery)
“
Minos, king of Crete, son of Zeus and a mortal woman.
”
”
Madeline Miller (Circe)
“
The lintel of more than one collapsed Venetian house on Crete bears the Latin motto ‘The world is nothing but smoke and shadows’.
”
”
Roger Crpwley
“
To tell the truth, I was not sorry to pay Mother Dia some respect. She does not like men who rule; and in Crete I knew she was supreme.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
When day was bright, we saw before us the high shores of Crete: huge wrinkled yellow cliffs, sheer-standing, the land hidden above them. It looked a cruel coast.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
from Crete he made his way, racked by hardship, tumbling on like a rolling stone until he turned up here.
”
”
Homer (The Odyssey)
“
I could hear in their breathless, excited conversations the echo of two sisters who had loved each other all those years ago on Crete.
”
”
Jennifer Saint (Ariadne)
“
My mind had no answers. It was limp and dulled, useless as my missing fingers. One thought came clear: I must do something. I could not stand by while a horror was loosed upon the world. I had the thought that I should find my sister’s workroom. Perhaps there would be something there to help me, some antidote, some great drug of reversal. It was not far, a hall off her bedchamber separated by a curtain. I had never seen another witch’s craft room before, and I walked its shelves expecting I do not know what, a hundred grisly things, kraken livers, dragons’ teeth, the flayed skin of giants. But all I saw were herbs, and rudimentary ones at that: poisons, poppies, a few healing roots. I had no doubt my sister could work plenty with them, for her will had always been strong. But she was lazy, and here was the proof. Those few simples were old and weak as dead leaves. They had been collected haphazardly, some in bud, some already withered, cut with any knife at any time of day. I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me. And my own herbs from Aiaia would not be enough, strong as they were. The monster was bound to Crete, and whatever would be done, Crete must guide me.
”
”
Madeline Miller (Circe)
“
THE SEAS ROUND CRETE are dark blue almost to blackness, wild, bare, and empty. None of us had been before on water where one saw no land. There indeed man is a dust-grain in the palm of the god.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
It is important to note that we did not emerge into patriarchal religion from a dark, chaotic, immature period of primitivism; Goddess-centered cultures, including Minoan Crete, were highly evolved.
”
”
Charlene Spretnak (Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths)
“
Indeed, dear boy, I do want to go with all my heart if I really ought. I have always wanted to see the ocean and I can't imagine any place I'd rather go.
- Grace Livingston Hill, Aunt Crete's Emancipation.
”
”
Grace Livingston Hill (Aunt Crete's Emancipation)
“
On a summers night, I have sat on the balcony drinking Ouzo, watching the ghosts of Greek Heroes sailing past, listening to the rustle of their sail cloths and the gentle lapping of their oars...and lain alongside Pythagoras watching him study the myriad of triangles in the constellations twinkling above us.
Whether it was Crete, the heat, the Ouzo, or a combination, it is unequalled anywhere other than Santorini, in my humble opinion.
”
”
Phil Simpkin
“
I slept that night with a sense of calm in my heart, and the next morning I decided that I would walk down to the beach. The ocean had always been a friend to me, back on Crete. The sight of it would always soothe my soul.
”
”
Jennifer Saint (Ariadne)
“
In ancient Greece, Plutarch wrote of a wooden ship that Theseus sailed from Crete to Athens. To preserve the ship, as its old planks decayed, Athenians would replace them with new wood. Eventually all the planks had been replaced. It looked like the same ship, but none of its parts was the same. Was it still the same ship? Later, philosophers added a wrinkle: if you collected all the original planks and fashioned them into a ship, would that be the same ship?
”
”
Adam M. Grant (Think Again: The Power of Knowing What You Don't Know)
“
We are entrusted, you must know, with the revision of the English Dictionary. On the evidence of the Liverpool find of Christmas cards, in which occurred such couplets as:
Just to hope the day keeps fine
For you and your this Christmas time,
and:
I hope this stocking's in your line
When stars shine bright at Christmas-time
I hold that "Christmas-time" was often pronounced "Christmas-tine", and that this is a dialect variant of the older "Christmas-tide". Quant denies this, with a warmth that is unusual in him.'
'Quant is right.
”
”
Robert Graves (Seven Days in New Crete)
“
After Moros came a great rush of offspring, one after the other, like a monstrous airborne invasion. First came APATE, Deceit, whom the Romans called FRAUS (from whom we derive the words “fraud,” “fraudulent,” and “fraudster”). She scuttled off to Crete where she bided her time. GERAS, Old Age, was born next; not necessarily so fearful a demon as we might think today. While Geras might take away suppleness, youth, and agility, for the Greeks he more than made up for it by conferring dignity, wisdom, and authority. SENECTUS is his Roman name, a word that shares the same root as “senior,” “senate,” and “senile.
”
”
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
“
Love of liberty, the refusal to accept your soul's enslavement, not even in exchange for paradise; stalwart games over and above love and pain, over and above death; smashing even the most sacrosant of the molds when they are unable to contain you any longer - these are the great cries of Crete. (Report to Greco)
”
”
N. Kazantzakis
“
There is a kind of flame in Crete - let us call it "soul" - something more powerful than either life or death. There is pride, obstinacy, valor, and together with these something else inexpressible and imponderable, something which makes you rejoice that you are human being, and at the same time tremble. (Report to Greco)
”
”
N. Kazantzakis
“
Daedalus had told me a story once about the lords of Crete who used to hire him to enlarge their houses. He would arrive with his tools, begin taking down the walls, pulling up the floors. But whenever he found some problem underneath that must first be fixed, they frowned. That was not in the agreement! Of course not, he said, it has been hidden in the foundation, but look, there it is, plain as day. See the cracked beam? See the beetles eating the floor? See how the stone is sinking into the swamp? That only made the lords angrier. It was fine until you dug it up! We will not pay! Close it up, plaster over. It has stood this long, it will stand longer.
”
”
Madeline Miller (Circe)
“
All cultures seem to find a slightly alien local population to carry the Hermes projection. For the Vietnamese it is the Chinese, and for the Chinese it is the Japanese. For the Hindu it is the Moslem; for the North Pacific tribes it was the Chinook; in Latin America and in the American South it is the Yankee. In Uganda it is the East Indians and Pakistanis. In French Quebec it is the English. In Spain the Catalans are "the Jews of Spain". On Crete it is the Turks, and in Turkey it is the Armenians. Lawrence Durrell says that when he lived in Crete he was friends with the Greeks, but that when he wanted to buy some land they sent him to a Turk, saying that a Turk was what you needed for a trade, though of course he couldn't be trusted.
This figure who is good with money but a little tricky is always treated as a foreigner even if his family has been around for centuries. Often he actually is a foreigner, of course. He is invited in when the nation needs trade and he is driven out - or murdered - when nationalism begins to flourish: the Chinese out of Vietnam in 1978, the Japanese out of China in 1949, the Jankees out of South America and Iran, the East Indians out of Uganda under Idi Amin, and the Armenians out of Turkey in 1915-16. The outsider is always used as a catalyst to arouse nationalism, and when times are hard he will always be its victim as well.
”
”
Lewis Hyde (The Gift)
“
During 36 years of marriage, the long-suffering Mrs Stewart had convinced her workaholic husband to go abroad on holiday exactly twice. DI Jimmy Stewart didn’t like abroad. He didn’t like the sea, the sun or foreigners. Not in a racist way, they just insisted on having their own languages and he had a copper’s pathological dislike of things he didn’t understand. The second time they went abroad, they’d gone to Crete. He’d not liked it but he’d kept that largely to himself. The woman had given birth to and raised four kids, all of whom he loved and three of whom he liked. Once he’d given in, he’d decided it was only fair to let her enjoy the holiday and not be a moany prick about it.
”
”
Caimh McDonnell (A Man With One of Those Faces (Dublin Trilogy publication order, #1; Dublin Trilogy chronological order, #6))
“
What do we have so far? Man’s job is to take care of the earth and the animals. And he’s meant to do that in communion with woman.
”
”
Gerry Ken Crete (Litanies of the Heart)
“
The true heroes and the true saints do not transmit pain; they transform it.
”
”
Gerry Ken Crete (Litanies of the Heart)
“
Atlantis sinks.
Serves it right. Red hates the place. For one thing, there are so many Atlantises, always sinking, in so many strands: an island off Greece, a mid-Atlantic continent, an advanced pre-Minoan civilization on Crete, a spaceship floating north of Egypt, on and on. Most strands lack Atlantis altogether, know the place only through dreams and mad poets’ madder whispers.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
first, those of Crete and Sparta, which are generally applauded; what is termed oligarchy comes next; this is not equally approved, and is a form of government which teems with evils: thirdly, democracy, which naturally follows oligarchy, although very different: and lastly comes tyranny, great and famous, which differs from them all, and is the fourth and worst disorder of a State.
”
”
Plato (Republic)
“
I was not Minos’ captive daughter; I was not Cinyras’ trade for copper; nor was I Theseus’ diversion between heroic feats of glory. Somehow I had survived them all, and here I was, free of them at last. My life was before me, like one of the seeds that lay curled in my palm to sow. My destiny had never been my own until I left Crete and seized it for myself. So what was I now to make of it?
”
”
Jennifer Saint (Ariadne)
“
To the followers of the murdered Caesar:
Do you march against Decimus Brutus Albinus in Gaul, or against the son of Caesar in Rome? Ask Marcus Antonius.
Are you mobilized to destroy the enemies of your dead leader, or to protect his assassins? Ask Marcus Antonius.
Where is the will of the dead Caesar which bequeathed to every citizen of Rome three hundred pieces of silver coin? Ask Marcus Antonius.
The murderers and conspirators against Caesar are free by an act of the Senate sanctioned by Marcus Antonius.
The murderer Gaius Cassius Longinus has been given the governorship of Syria by Marcus Antonius.
The murderer Marcus Junius Brutus has been given the governorship of Crete by Marcus Antonius.
Where are the friends of the murdered Caesar among his enemies?
The son of Caesar calls to you.
”
”
John Williams (Augustus)
“
I had not fooled myself with false hope. I was a goddess, and he a mortal, and both of us were imprisoned. But I pressed his face into my mind, as seals are pressed in wax, so I could carry it with me.
”
”
Madeline Miller (Circe)
“
The Laconian peninsula lay weightlessly along the eastern horizon and, slightly more substantial, the outline of Elaphonisi—Stag-Island—loomed between us. Wraithlike on the Lybian Sea which expanded southwards far beyond the divider-point capes of Malea and Matapan, hovered Cythera once again, and beyond it, hardly discernible, Anticythera, the last stepping stone to the two stormy western capes of Crete.
”
”
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
“
Daedalus took comfort in the baby Icarus, and I loved to see him walking about with the infant dandled in his arms, showing the oblivious child the flowers and the birds and the many wonders of the palace.
”
”
Jennifer Saint (Ariadne)
“
It appears that the charts must have originated with a people unknown; that they were passed on, perhaps by the Minoans (the Sea Kings of ancient Crete) and the Phoenicians, who were for a thousand years and more the greatest sailors of the ancient world. We have evidence that they were collected and studied in the great library of Alexandria and that compilations of them were made by the greographers who worked there.
”
”
Charles H. Hapgood (Maps of the Ancient Sea Kings: Evidence of Advanced Civilization in the Ice Age)
“
A fine statue of a naked Theseus stands proudly today in Athens' central place of assembly, the city's hub, Syntagma Square. Even today he is a focus of Athenian identity and pride. The ship he brought back from his adventures in the Labyrinth of Crete remained moored in the harbour at Piraeus, a visitor attraction right up to the days of historical ancient Athens, the time of Socrates and Aristotle. Its continuous presence there for such a long time caused the Ship of Theseus to become a subject of intriguing philosophical speculation. Over hundreds of years, its rigging, its planks, its hull, deck, keel, prow, stern and all its timbers had been replaced so that not one atom of the original remained. Could one call it the same ship? Am I the same person I was fifty years ago? Every molecule and cell of my body has been replaced many times over.
”
”
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
“
There was no wrestling; it seemed that had been settled already. But if you are supposing these were the funeral games of the dead King, you will be wrong; they were held in my honor. He was gone from sight and mind; I have grieved longer for a dog than they did for him. What is more, I was Kerkyon now. It is the style of Kings of Eleusis, like Pharaoh in Egypt and Minos in Crete. So the man had not even left a name behind him.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
She turns the speedometer off. Running totally black now. Precipitating her way toward the sweet 'crete of the creek bottom like a black angel who has just had the shroud lines of her celestial parachute severed by the Almighty. And when the wheels finally meet the pavement, it just about drives her knees up through her jawbone. She finishes the whole gravitational transaction with not much altitude and a nasty head of dark velocity.
”
”
Neal Stephenson (Snow Crash)
“
Before evening we were in the harbor, looking up at the hill-slopes rich with olives set in green corn, with orchards and with vines. So well the Mother has loved Dia, no wonder they named it with her name. It is the greatest of the Cyclades, and the richest too. From afar we saw the royal Palace standing among vineyards, a high bright house in the style of Crete. Ariadne smiled and pointed; I was glad the place was homelike for her.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
ten signs of humility: giving up control, vulnerability, willingness to change, obedience, patience, simplicity or detachment, a nonjudgmental attitude toward others, self-control, gentleness, and compassion for others.113
”
”
Gerry Ken Crete (Litanies of the Heart)
“
Hitler repeatedly did everything he could to avoid upsetting the Turks. On two occasions he forbade military operations in Turkish waters when chasing the enemy. After Crete was taken, he stressed that except for a Kraft-durch-Freude (Strength through Joy) facility, nothing else, especially not military installations, could be built there, in order not to upset the Turks. The New Turkey was repeatedly invited to take part in the New Order of Europe
”
”
Stefan Ihrig (Atatürk in the Nazi Imagination)
“
There was a joy here beyond laughter; and for us who were Hellenes, even though our feet trod Delian soil for the first time, a homecoming beyond tears. As I walked up to the lake and the sacred grove, along the warm sparkling causeway, the sharp white sunlight seemed to wash from me the earth-darkness of Dia, the rotten glow of Crete. All here was lucid, shining, and clear; even the awe of the god, the secret of his mystery, hidden not in shadows but in a light too dazzling for human eyes.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
When my children enter college I trust that education will open to them many paths toward the understanding of life. “May my son study history,” said Napoleon at St. Helena, “for it is the only true philosophy, and the only true psychology.” Psychology is largely a theory of human behavior, philosophy is too often an ideal of human behavior, and history is occasionally a record of human behavior. We cannot trust all the historians, for sometimes, like Akbar’s, they were engaged by their heroes and gave them all the virtues and the victories. But no man is educated, or fit for statesmanship, who cannot see his time in the perspective of the past. Every lad and lass should begin, in high school, an orderly recapitulation of the pageant of history; not, as we used to do, with Greece and Rome, which were the old age of the ancient world, but with Mesopotamia and Egypt and Crete, from which civilization flowed over into Greece and Rome, and through them to Northern Europe and ourselves.
”
”
Will Durant (Fallen Leaves: Last Words on Life, Love, War, and God)
“
If the novelist loses touch with this linguistic ground of prose style, if he is unable to attain the heights of a relativized, Galilean linguistic consciousness, if he is deaf to organic double-voicedness and to the internal dialogization of living and evolving discourse, then he will never comprehend, or even realize, the actual possibilities and tasks of the novel as a genre. He may, of course, crete an artistic work that compositionally and thematically will be similar to a novel, will be “made” exactly as a novel is made, but he will not thereby have created a novel. The style will always give him away. We will recognize the naively self-confident or obtusely stubborn unity of a smooth, pure single-voiced language (perhaps accompanied by a primitive, artificial, worked-up double-voicedness). We quickly sense that such an author finds it easy to purge his work of speech diversity: he simply does not listen to the fundamental heteroglossia inherent in actual language; he mistakes social overtones, which create the timbres of words, for irritating noises that it is his task to eliminate. The novel, when torn out of authentic linguistic speech diversity, emerges in most cases as a “closet drama,” with detailed, fully developed and “artistically worked out” stage directions (it is, of course, bad drama). In such a novel, divested of its language diversity, authorial language inevitably ends up in the awkward and absurd position of the language of stage directions in plays [327].
”
”
Mikhail Bakhtin (The Dialogic Imagination: Four Essays)
“
Self-preservation and determination meant she could get away with anything. As her law-abiding, conventionally minded daughter, I secretly envied her this. She was not the clinging-vine type, nor one who could coax sugar from a lemon. Hers was the frontal attack with no inhibitions. She told the Nazis you could not trust Hitler, and they let her go. In the days of chaperones, she hitch-hiked a ride on a French destroyer along the coast of Crete; 'All quite proper, I had my cook with me,' she explained.
”
”
Mary Allsebrook
“
They showed me myself, as I must look to Attic eyes: a bull-dancer of Crete, smooth-shaven, fined down to a whiplash by the training; my waist in a gilded cinch-belt, my silk kilt stitched with peacock eyes, my lids still smudged with kohl; nothing Hellene about me, but my flaxen hair. My necklace and arm-rings were not grave jewels of a kingly house, but the costly gauds of the Bull Court, the gift of sport-loving lords and man-loving ladies to a bull-boy who will go in with the music and fly up with the horns.
”
”
Mary Renault (The Bull from the Sea (Thesus, #2))
“
But that is a …” She checked herself and said, “only a mainland custom. Here in Crete no king has been sacrificed for two hundred years. We hang our dolls on the trees instead, and the Mother has not been angry.” I made over her the sign against evil. Her dark eyes, with little lamp-flames in them, followed the movement of my hand as a child’s eyes do. “You offered yourself,” she said, “and the Mother gave you to me.” “We are all her children. But Poseidon gave me to my people. Himself he spoke to me; and I cannot leave them.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
You are sure you mean bliss?'
'Yes, an island or some place where we could all live or go to easily whenever we pleased and do all the things we wish to do without thought of the narrow-mindedness of others.'
'You are asking too much. Oh, for the Isle of Crete! You are wishing a return to the good old Pagan times when all honor was paid even to prostitutes.'
'No, not asking too much, just asking for a natural morality, a thing which varies with each bird, beast, and human and for which due allowance is not made in lawmaking.
”
”
Robert Scully
“
They sent him (Phormio) twenty ships, but ordered the commander of them to go to Crete first; for Nicias of Gortys in Crete, who was the proxenus of the Athenians, had induced them to send a fleet against Cydonia, a hostile town which he promised to reduce.But he really invited them to please the Polichnitae, who are neighbours of the Cydoniatae.
So the Athenian commander took the ships, went to Crete, and joined the Polichnitae in ravaging the lands of the Cydoniatae; there, owing to contrary winds and bad weather, a considerable time was wasted.
(Book 2 Chapter 85.5-6)
”
”
Thucydides (History of the Peloponnesian War: Books 1-2)
“
Aboard the gondola, Giacomo Foscarini sat facing Mathias. They were crossing the Canal Grande, then they would navigate around San Marco and return. Foscarini loved to travel around Venice this way. They stopped briefly at a mooring near the bridge to the Rialto, and Foscarini had a servant fetch green olives, fresh Piacenza cheese, a few sausages from Modena, and wine that had just been delivered from Crete. The nobleman often dined aboard his gondola, looking out over the city, watching his world. "Seen from this vantage point, Venice doesn't seem like it's in any of its terrible troubles at all magister," said Foscarini.
”
”
Riccardo Bruni (The Lion and the Rose)
“
She stood to them for the prayers King Minos had answered; for the oracles that had sweetened their coarse bread with mystery and hope; the little Cretan goddess, whom tall fair-haired Pasiphae had been ashamed of bearing. She was their own, their stake in the glories of the Labyrinth. She was the heart and kernel of the old religion, nearest to the Mother who takes men to her breast and soothes them like whipped children after her husband’s wrath. She was the Thrice Holy, the Most Pure, the Guardian of the Dance; and, seeing her, they remembered the sacrilege done before her in the ring, which had waked the Earth Bull to ravage Crete.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
In a word, every man for his own ends. Our summum bonum is commodity, and the goddess we adore Dea Moneta, Queen Money, to whom we daily offer sacrifice, which steers our hearts, hands, affections, all: that most powerful goddess, by whom we are reared, depressed, elevated, esteemed the sole commandress of our actions, for which we pray, run, ride, go, come, labour, and contend as fishes do for a crumb that falleth into the water. It is not worth, virtue (that's bonum theatrale [a theatrical good]), wisdom, valour, learning, honesty, religion, or any sufficiency for which we are respected, but money, greatness, office, honour, authority; honesty is accounted folly; knavery, policy; men admired out of opinion, not as they are, but as they seem to be: such shifting, lying, cogging, plotting, counterplotting, temporizing, flattering, cozening, dissembling, "that of necessity one must highly offend God if he be conformable to the world," Cretizare cum Crete [to do at Crete as the Cretans do], "or else live in contempt, disgrace, and misery." One takes upon him temperance, holiness, another austerity, a third an affected kind of simplicity, whenas indeed he, and he, and he, and the rest are hypocrites, ambidexters, outsides, so many turning pictures, a lion on the one side, a lamb on the other.
”
”
Robert Burton (The Anatomy Of Melancholy: What It Is, With All The Kinds, Causes, Symptoms, Prognostics And Several Cures Of It)
“
I stretched out my hand to Poseidon, but he sent no sign. He was away perhaps, shaking the earth somewhere. All about us I felt another power, dark, past man’s thought, giver of desolation or of joy, she who can cherish or cast away but abides no question. Two gulls flew by me, one following the other with wild cries, the pursued screaming as if in scorn. I was cold and weak, and grasped the bulwark to keep from falling. “Sea Mother,” I said, “Foam-Born Peleia of the Doves, this is your kingdom. Do not forsake us while we are in Crete. I have no offering now for you; but I swear, if I get back to Athens, you and your doves shall have a shrine upon the Citadel.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
We live in Knossos Palace, the House of the Ax, and we never leave it. But from what he says, it is pretty big. It is old too—a thousand years, he says, as if anyone could count so many. He says Poseidon lives underneath it, deep in a cave, in the form of a great black bull. No one has ever seen him, he lives too far down; but when he shakes the earth he bellows. Lukos—that’s the Captain—has heard it himself and says no sound on earth is half so dreadful. And his deeds in Crete have been like his voice. Two or three times, in former ages, he has had the house down to the very ground. So he is a god they have to pay heed to; and that is how the bull-dance began.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
According to Hesiod's Theogony, Rhea gives birth to the following children in this order: Hestia, Demeter, Hera, Hades, Poseidon, and Zeus. Kronos swallows each of the first five deities, and Rhea is understandably consumed with grief. She consults her parents - Gaia and Ouranos, Earth and Heaven. They tell her to go to Crete to give birth to Zeus, the youngest of her children. Rhea gives birth and then plays a trick on Kronos: instead of giving him their youngest child to consume, she give him a rock, disguised as a baby. The inability to even register the difference between a god and a rock suggests that Kronos was not just a terrible father, but also an inattentive eater.
”
”
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
“
Then indeed I understood, not only this but all the rest. “But,” I said, “then Crete is being ruled by a man who does not belong to any god; who was never dedicated. He has all power; yet he has not consented to make the sacrifice. Has he consented?” There was a shadow on her cheek, as if she would smile; but her face grew grave, and she shook her head. “Then,” I said, “the god will never speak to him. How can he lead the people? Who will see their danger coming? What will happen, if the god is angry, and there is no one to offer himself? He takes service, tribute, honor; and he gives nothing! Nothing! I knew that he was monstrous! He will be death to your people, if they let him live. Why do the chiefs obey him? Why do they bear it?
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
In the great world outside Hungary events were taking place that would change all their lives: the uprising in Russia, the dispute over Crete, the Kaiser Wilhelm’s ill-timed visit to Tangier, the revelation of Germany’s plans to expand its navy – but such matters were of no importance to the members of the Hungarian Parliament. Even events closer to home, such as the rabble-rousing speech of an Austrian politician in Salzburg urging revolt among the German-speaking minorities in northern Hungary, or the anonymous pamphlet, which appeared in Vienna and revealed the total unpreparedness of the Austro-Hungarian forces compared with those of the other European powers, went unnoticed in Budapest. Naturally when Apponyi made a speech in favour of Deszo Baffy’s proposal to limit the demand for Hungarian commands in the army to using Hungarian only in regimental matters, everyone listened and discussed it as if their very lives depended on it.
”
”
Miklós Bánffy (They Were Counted)
“
Last night the sound of the front door closing upon breathless chuckles and secretive panting, then the voice of Paddy Leigh Fermor: “Any old clothes?” in Greek. Appeared with his arm round the shoulders of Michaelis who had shown him the way up the rocky path in darkness. “Joan is winded, holed below the Plimsoll line. I’ve left her resting halfway up. Send out a seneschal with a taper, or a sedan if you have one.” It is as joyous a reunion as ever we had in Rhodes. After a splendid dinner by the fire he starts singing, songs of Crete, Athens, Macedonia. When I go out to refill the ouzo bottle at the little tavern across the way I find the street completely filled with people listening in utter silence and darkness. Everyone seems struck dumb. “What is it?” I say, catching sight of Frangos. “Never have I heard of Englishmen singing Greek songs like this!” Their reverent amazement is touching; it is as if they want to embrace Paddy wherever he goes.
”
”
Lawrence Durrell (Bitter Lemons of Cyprus)
“
In time of war, under the banner of an enemy recognisable as such, a foreigner from a camp outside the lines, the imperial idea grew strong in confidence and temper. The British democracy rallied to the call of a strong leadership, and it was not just in rhetorical enthusiasm but with considerable personal satisfaction that Churchill hailed the year 1940-1 as the British people's 'finest hour'. He, with other imperialists, was delighted by the fact that, when it came to the sticking-place, it was the old-fashioned loyalty of the reactionary British Empire to all that was symbolised by allegiance to Crown and country that came forward to save European civilisation from utter overthrow by German tyranny...The days of showing the flag—even for only a momentary glimpse, such as wall that inhabitants of Greece and Crete and Dieppe had of it—had returned. The Empire was the Empire once more, and to 10, Downing Street returned that imperial control that two generations of Dominion opinion had combined to condemn as sinister.
”
”
A.P. Thornton (The Imperial Idea and its Enemies: A Study on British Power)
“
I will make it stick in their minds,” she said. “I shall paint my face white, and draw a line of red under my eyelids. I shall have a cloud of smoke (it is all the same to them what one makes it of) and roll my eyes and toss about. When I have spoken, I shall fall down.” I was slow to speak. At last I said, “It is a woman’s mystery. But my mother told me once that when she is in the Snake Pit, whatever the question is, something any fool should know without troubling a deity, she always pauses before her answer, and listens, in case the Goddess forbids it.” “I always pause too,” she said. “I have been properly taught as well as your mother. A pause makes people attend. But you can see, Theseus, Crete is not like the mainland. We have more people, more cities, more business to fit together. We have ninety clerks working in the Palace alone. It would be chaos every month, if no one knew what the oracles were going to be.” She stroked her fingers back from my temples through my hair; I felt them say, “I love you, my barbarian.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
I looked. The Palace stood on an easy slope; yet it had no more walls than a common dwelling-house might have, to keep thieves out and slaves in. The roofs were even without battlements, crowned only by their insolent horns, a pair facing each way. Such was the power of Minos. His walls were on the waters, which his ships commanded. I stared in silence, shutting my face on my despair. I felt like a child come among warriors with a wooden spear. Also I felt up-country, rude and ignorant, which hurts a young man more. “All very fine,” I said. “But if war came to Crete, they could not hold it a day.” Lukos had heard me. But here on his home ground he was too easy for anger. He said with his careless smile, “The House of the Ax has stood here a thousand years, and never fell yet except when the Earth Bull shook it. It was old when you Hellenes were herdsmen still on the northern grasslands. I see you doubt me, but that is natural. We have learned from the Egyptians to reckon years and ages. You, I think, have a saying, ‘Time out of mind.’” He strolled on, before I had an answer.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
The choice of 'eastern Europe' as a frame of reference requires a word of explanation. The term is used here in a provisional manner and indeed a rather arbitrary one, with the lower-case form intended to underline this. The travellers set out from places that stretch from Kiev to Rijeka, and from Gdansk to Crete. The eastern Europe that they represent includes the lands that lie between the Baltic in the north and the Mediterranean in the south; between Russia in the east and Italy, Austria and Germany in the west. These boundaries were set in part by the limits of the possible: had resources permitted, accounts by travellers from the Baltic countries or by Austrian Germans, among others, might equally well have been included here. My aim has been to assemble a representative selection of travel writings from this region: the anthology includes accounts from some twenty languages, by more than one hundred authors, written over a period of more than 450 years, beginning in the sixteenth century and finishing with a book published in 2004. The writers travel to Ireland in the west, to Istanbul in the east—and any number of places in between.
But why group these particular east European travels through Europe together, in a single volume? The answer lies partly in eastern Europe's relationship to the idea of Europe itself.
”
”
Wendy Bracewell (Orientations: An Anthology of European Travel Writing on Europe (East Looks West))
“
A striking example from the history of writing is the origin of the syllabary devised in Arkansas around 1820 by a Cherokee Indian named Sequoyah, for writing the Cherokee language. Sequoyah observed that white people made marks on paper, and that they derived great advantage by using those marks to record and repeat lengthy speeches. However, the detailed operations of those marks remained a mystery to him, since (like most Cherokees before 1820) Sequoyah was illiterate and could neither speak nor read English. Because he was a blacksmith, Sequoyah began by devising an accounting system to help him keep track of his customers’ debts. He drew a picture of each customer; then he drew circles and lines of various sizes to represent the amount of money owed. Around 1810, Sequoyah decided to go on to design a system for writing the Cherokee language. He again began by drawing pictures, but gave them up as too complicated and too artistically demanding. He next started to invent separate signs for each word, and again became dissatisfied when he had coined thousands of signs and still needed more. Finally, Sequoyah realized that words were made up of modest numbers of different sound bites that recurred in many different words—what we would call syllables. He initially devised 200 syllabic signs and gradually reduced them to 85, most of them for combinations of one consonant and one vowel. As one source of the signs themselves, Sequoyah practiced copying the letters from an English spelling book given to him by a schoolteacher. About two dozen of his Cherokee syllabic signs were taken directly from those letters, though of course with completely changed meanings, since Sequoyah did not know the English meanings. For example, he chose the shapes D, R, b, h to represent the Cherokee syllables a, e, si, and ni, respectively, while the shape of the numeral 4 was borrowed for the syllable se. He coined other signs by modifying English letters, such as designing the signs , , and to represent the syllables yu, sa, and na, respectively. Still other signs were entirely of his creation, such as , , and for ho, li, and nu, respectively. Sequoyah’s syllabary is widely admired by professional linguists for its good fit to Cherokee sounds, and for the ease with which it can be learned. Within a short time, the Cherokees achieved almost 100 percent literacy in the syllabary, bought a printing press, had Sequoyah’s signs cast as type, and began printing books and newspapers. Cherokee writing remains one of the best-attested examples of a script that arose through idea diffusion. We know that Sequoyah received paper and other writing materials, the idea of a writing system, the idea of using separate marks, and the forms of several dozen marks. Since, however, he could neither read nor write English, he acquired no details or even principles from the existing scripts around him. Surrounded by alphabets he could not understand, he instead independently reinvented a syllabary, unaware that the Minoans of Crete had already invented another syllabary 3,500 years previously.
”
”
Jared Diamond (Guns, Germs, and Steel)
“
Schools, gymnasiums, arithmetic, geometry, history, rhetoric, physics, biology, anatomy, hygiene, therapy, cosmetics, poetry, music, tragedy, comedy, philosophy, theology, agnosticism, skepticism, stoicism, epicureanism, ethics, politics, idealism, philanthropy, cynicism, tyranny, plutocracy, democracy: these are all Greek words for cultural forms seldom originated, but in many cases first matured for good or evil by the abounding energy of the Greeks. All the problems that disturb us today—the cutting down of forests and the erosion of the soil; the emancipation of woman and the limitation of the family; the conservatism of the established, and the experimentalism of the unplaced, in morals, music, and government; the corruptions of politics and the perversions of conduct; the conflict of religion and science, and the weakening of the supernatural supports of morality; the war of the classes, the nations, and the continents; the revolutions of the poor against the economically powerful rich, and of the rich against the politically powerful poor; the struggle between democracy and dictatorship, between individualism and communism, between the East and the West—all these agitated, as if for our instruction, the brilliant and turbulent life of ancient Hellas. There is nothing in Greek civilization that does not illuminate our own. We shall try to see the life of Greece both in the mutual interplay of its cultural elements, and in the immense five-act drama of its rise and fall. We shall begin with Crete and its lately resurrected civilization, because apparently from Crete, as well as from Asia, came that prehistoric culture of Mycenae
”
”
Will Durant (The Life of Greece (Story of Civilization, Vol 2))
“
Like noiseless nautilus shells, their light prows sped through the sea; but only slowly they neared the foe. As they neared him, the ocean grew still more smooth; seemed drawing a carpet over its waves; seemed a noon-meadow, so serenely it spread. At length the breathless hunter came so nigh his seemingly unsuspecting prey, that his entire dazzling hump was distinctly visible, sliding along the sea as if an isolated thing, and continually set in a revolving ring of finest, fleecy, greenish foam. He saw the vast, involved wrinkles of the slightly projecting head beyond. Before it, far out on the soft Turkish-rugged waters, went the glistening white shadow from his broad, milky forehead, a musical rippling playfully accompanying the shade; and behind, the blue waters interchangeably flowed over into the moving valley of his steady wake; and on either hand bright bubbles arose and danced by his side. But these were broken again by the light toes of hundreds of gay fowl softly feathering the sea, alternate with their fitful flight; and like to some flag-staff rising from the painted hull of an argosy, the tall but shattered pole of a recent lance projected from the white whale's back; and at intervals one of the cloud of soft-toed fowls hovering, and to and fro skimming like a canopy over the fish, silently perched and rocked on this pole, the long tail feathers streaming like pennons. A gentle joyousness—a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face.
"I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire.
"Je m'en fous da la civilisation européenne!" I blurted out.
"Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice.
Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.
”
”
Henry Miller (The Colossus of Maroussi)
“
Theseus Within the Labyrinth pt.1
The lives of Greeks in the old days were deep,
mysterious and often lead to questions like
just what was wrong with Ariadne anyway, that’s
what I’d like to know? She would have done
anything for that rascally Theseus, and what
did he do but sneak out in the night and row
back to his ship with black sails. Let’s get
the heck out of here, he muttered to his crew
and they leaned on their oars as he went whack-
whack on the whacking board—a human metronome
of adventure and ill-fortune. She was King Minos’s
daughter and had helped Theseus kill the king’s
pet monster, her half-brother, so possibly
he didn’t like feeling beholden—people might
think he wasn’t tough. But certainly he’d spent
his life knocking chips off shoulders and flattening
any fellow reckless enough to step across a line
drawn in the dust. If you wanted a punch thrown,
Theseus was just the cowboy to throw it. I’m only
happy when hitting and scratching, he’d told Ariadne
that first night. So he’d been the logical choice
to sail down from Athens to Crete to stop this
nonsense of a tribute of virgins for some
monster to eat. Those Cretans called it eating but
Theseus thought himself no fool and liked a virgin
as well as the next man. Not that he could have got
into the Labyrinth without Ariadne’s help or out
either for that matter. As for the Minotaur, lounging
on his couch, nibbling grapes and sipping wine, while
a troop of ex-virgins fluttered to his beck and call,
Theseus must have scared the horns right off him,
slamming back the door and standing there in his lion
skin suit and waving that ugly club. The poor beast
might have had a stroke had there been time before
Theseus pummelled him into the earth. Then, with
Ariadne’s help, Theseus escaped, and soon after he
ditched her on an island and sailed off in his ship
with black sails, which returns us to the question:
Just what was wrong with Ariadne anyway?
”
”
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
“
I had allowed my body to take whatever path it wished. The fact that it was guiding me and not I it gave me great pleasure. I had confidence. The body is not blind unwrought material when bathed in Greek light; it is suffused with abundant soul which makes it phosphoresce, and is left free, it is able to arrive at its own decision and find the correct road without the mind's intervention. Conversely, the soul is not an invisible airy phantom; it has taken on some body's sureness and warmth in its own right, and it savors the world with what you might call carnal pleasure, as though it had a mouth and nostrils and hands with which to caress this world. Man often lacks the persistence to maintain all of his humanity. He mutilates himself. Sometimes he wishes to be released from his soul sometimes from his body. To enjoy both together seems a heavy sentence. But here in Greece these two graceful, deathless elements are able to commingle like hot water with cold, the soul to take something from the body, the body from the soul. They become friends, and thus man, here on Greece's divine threshing floor, is able to live and journey unmutilated, intact. (Report to Greco)
”
”
N. Kazantzakis
“
I had allowed my body to take whatever path it wished. The fact that it was guiding me and not I it gave me great pleasure. I had confidence. The body is not blind unwrought material when bathed in Greek light; it is suffused with abundant soul which makes it phosphoresce, and it left free, it is able to arrive at its own decision and find the correct road without the mind's intervention. Conversely, the soul is not an invisible airy phantom; it has taken on some body's sureness and warmth in its own right, and it savors the world with what you might call carnal pleasure, as though it had a mouth and nostrils and hands with which to caress this world. Man often lacks the persistence to maintain all of his humanity. He mutilates himself. Sometimes he wishes to be released from his soul sometimes from his body. To enjoy both together seems a heavy sentence. But here in Greece these two graceful, deathless elements are able to commingle like hot water with cold, the soul to take something from the body, the body from the soul. They become friends, and thus man, here on Greece's divine threshing floor, is able to live and journey unmutilated, intact. (Report to Greco)
”
”
N. Kazantzakis
“
Nope. Look. The Raft is a media event. But in a much more profound, general
sense than you can possibly imagine."
"Huh?"
"It's created by the media in that without the media, people wouldn't know it
was here, Refus wouldn't come out and glom onto it the way they do. And it
sustains the media. It creates a lot of information flow-movies, news reports -
- you know."
"So you're creating your own news event to make money off the information flow
that it creates?" says the journalist, desperately trying to follow. His tone
of voice says that this is all a waste of videotape. His weary attitude
suggests that this is not the first time Rife has flown off on a bizarre
tangent.
"Partly. But that's only a very crude explanation. It really goes a lot deeper
than that. You've probably heard the expression that the Industry feeds off of
biomass, like a whale straining krill from the ocean."
"I've heard the expression, yes."
"That's my expression. I made it up. An expression like that is just like a
virus, you know -- it's a piece of information -- data -- that spreads from one
person to the next. Well, the function of the Raft is to bring more biomass.
To renew America. Most countries are static, all they need to do is keep having
babies. But America's like this big old clanking, smoking machine that just
lumbers across the landscape scooping up and eating everything in sight. Leaves
behind a trail of garbage a mile wide. Always needs more fuel...
"Now I have a different perspective on it. America must look, to those poor
little buggers down there, about the same as Crete looked to those poor Greek
suckers. Except that there's no coercion involved. Those people down there
give up their children willingly. Send them into the labyrinth by the millions
to be eaten up. The Industry feeds on them and spits back images, sends out
movies and TV programs, over my networks, images of wealth and exotic things
beyond their wildest dreams, back to those people, and it gives them something
to dream about, something to aspire to. And that is the function of the Raft.
It's just a big old krill carrier."
Finally the journalist gives up on being a journalist, just starts to slag L.
Bob Rife openly. He's had it with this guy. "That's disgusting. I can't
believe you can think about people that way."
"Shit, boy, get down off your high horse. Nobody really gets eaten. It's just
a figure of speech. They come here, they get decent jobs, find Christ, buy a
Weber grill, and live happily ever after. What's wrong with that?
”
”
Neal Stephenson (Snow Crash)
“
After your email about the Late Bronze Age collapse, I became very intrigued by the idea that writing systems could be ‘lost’. In fact I wasn’t really sure what that even meant, so I had to look it up, and I ended up reading a lot about something called Linear B. Do you know all about this already? Basically, around the year 1900, a team of British excavators in Crete found a cache of ancient clay tablets in a terracotta bathtub. The tablets were inscribed with a syllabic script of unknown language and appeared to date from around 1400 BCE. Throughout the early part of the twentieth century, classical scholars and linguists tried to decipher the markings, known as Linear B, with no success. Although the script was organised like writing, no one could work out what language it transcribed. Most academics hypothesised it was a lost language of the Minoan culture on Crete, with no remaining descendants in the modern world. In 1936, at the age of eighty-five, the archaeologist Arthur Evans gave a lecture in London about the tablets, and in attendance at the lecture was a fourteen-year-old schoolboy named Michael Ventris. Before the Second World War broke out, a new cache of tablets was found and photographed – this time on the Greek mainland. Still, no attempts to translate the script or identify its language were successful. Michael Ventris had grown up in the meantime and trained as an architect, and during the war he was conscripted to serve in the RAF. He hadn’t received any formal qualifications in linguistics or classical languages, but he’d never forgotten Arthur Evans’s lecture that day about Linear B. After the war, Ventris returned to England and started to compare the photographs of the newly discovered tablets from the Greek mainland with the inscriptions on the old Cretan tablets. He noticed that certain symbols on the tablets from Crete were not replicated on any of the samples from Pylos. He guessed that those particular symbols might represent place names on the island. Working from there, he figured out how to decipher the script – revealing that Linear B was in fact an early written form of ancient Greek. Ventris’s work not only demonstrated that Greek was the language of the Mycenaean culture, but also provided evidence of written Greek which predated the earliest-known examples by hundreds of years. After the discovery, Ventris and the classical scholar and linguist John Chadwick wrote a book together on the translation of the script, entitled ‘Documents in Mycenaean Greek’. Weeks before the publication of the book in 1956, Ventris crashed his car into a parked truck and died. He was thirty-four
”
”
Sally Rooney (Beautiful World, Where Are You)
“
Land and Sea
The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity.
Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes.
The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters.
Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages.
Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months.
Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
O happy age, which our first parents called the age of gold! Not because of gold, so much adored in this iron age, was then easily purchased, but because those two fatal words mine and thine, were distinctions unknown to the people of those fortunate times; for all things were in common in that holy age: men, for their sustenance, needed only lift their hands and take it from the sturdy oak, whose spreading arms liberally invited them to gather the wholesome savoury fruit; while the clear springs, and silver rivulets, with luxuriant plenty, ordered them their pure refreshing water. In hollow trees, and in the clefts of rocks, the laboring and industrious bees erected their little commonwealths, that men might reap with pleasure and with ease the the sweet and fertile harvest of their toils. The tough and strenuous cork-trees did of themselves, and without other art than their native liberality, dismiss and impart their broad light bark, which served to cover these lowly huts, propped up with rough-hewn stakes, that were first built as a shelter against the inclemencies of air. All then was union, all peace, all love and friendship in the world; as yet no rude plough-share with violence to pry into the pious bowels of our mother earth, for she, without compulsion, kindly yielded from every part of her fruitful and spacious bosom, whatever might at once satisfy, sustain, and indulge her frugal children. Then was the when innocent, beautiful young sheperdesses went tripping over the hills and vales; their lovely hairs sometimes plaited, sometimes loose and flowing, clad in no other vestment but what was necessary to cover decently what modesty would always have concealed. The Tyrian dye and the rich glossy hue of silk, martyred and dissembled into every color, which are now esteemed so fine and magnificent, were unknown to the innocent plainness of that age; arrayed in the most magnificent garbs, and all the most sumptous adornings which idleness and luxury have taught succeeding pride: lovers then expressed the passion of their souls in the unaffected language of the heart, with the native plainness and sincerity in which they were conceived, and divested of all that artificial contexture, which enervates what it labours to enforce: imposture, deceit and malice had not yet crept in and imposed themselves unbribed upon mankind in the disguise of truth and simplicity: justice, unbiased either by favour or interest, which now so fatally pervert it, was equally and impartially dispensed; nor was the judge's fancy law, for then there were neither judges nor causes to be judged: the modest maid might walk wherever she pleased alone, free from the attacks of lewd, lascivious importuners. But, in this degenerate age, fraud and a legion of ills infecting the world, no virtue can be safe, no honour be secure; while wanton desires, diffused into the hearts of men, corrupt the strictest watches, and the closest retreats; which, though as intricate and unknown as the labyrinth of Crete, are no security for chastity. Thus that primitive innocence being vanished, the opression daily prevailing, there was a necessity to oppose the torrent of violence: for which reason the order of knight-hood-errant was instituted to defend the honour of virgins, protect widows, relieve orphans, and assist all the distressed in general. Now I myself am one of this order, honest friends; and though all people are obliged by the law of nature to be kind to persons of my order; yet, since you, without knowing anything of this obligation, have so generously entertained me, I ought to pay you my utmost acknowledgment; and, accordingly, return you my most hearty thanks for the same.
”
”
Miguel de Cervantes Saavedra (Don Quixote)