Horns Book Quotes

If love were a dolphin with wings and a unicorn’s horn, being ridden by a blind leprechaun dressed like Rasputin, would you believe in second chances for love at first sight?

Love is like a unicorn with a rainbow for a horn. What I mean is it’s rare, and you’re lucky if you see it once, or at the most twice, in a given week.


Razo was sorely tempted to assert that all was true and he'd lost his horns and tail in a tragic childhood accident

Never before had she seen such creatures, though they looked much live very large, very shaggy white goats. Thin black horns punctuated the top of their long faces. You look like a collection of grandfathers, she thought, amused.

Long hair will make thee look dreafully to thine enemies, and manly to thy friends: it is, in peace, an ornament; in war, a strong helmet; it... deadens the leaden thump of a bullet: in winter, it is a warm nightcap; in summer, a cooling fan of feathers.

Where in the Bible does the young woman initiate a marriage?' Nobody asked bitterly. 'Ahem, well, now that you mention it, in the book of Ruth.

The dancing vortex of a sacred metaphor clashes horns and halos to make wounded music set to the tempo of a new era in brilliant labor.

The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray, a manuscript-book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging this new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectations, of a happiness which you won't get, and which isn't possible for you.

Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room - a cry of boundless, dark, demanding grief; pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming. Full of the glitter and the frenzy of night, the horn thundered in, conveying from the distant offing, from the dead center of the sea, a thirst for the dark nectar in the little room.

An inverted five-pointed star. The humans don’t understand it correctly. They draw a goat’s head into it with the horns at the top. They like to see the devil everywhere, except in the mirror and on TV.

When a passenger of foot heave in sight, tootle the horn. Trumpet at him melodiously first, but if he still obstacles your passage, then tootle him with vigor.

But as we’ve seen, the Bible was not written as an “instruction book.” The biblical authors do not always recommend what they record and sometimes what they record is an abject lesson in what not to do.

Mr. Franklin kept a horn book always in his pocket in which he minuted all his invitations to dinner, and Mr. Lee said it was the only thing in which he was punctual 

In all my wanderings through this world of care, In all my griefs -- and God has given my share -- I still had hopes, my latest hours to crown, Amidst these humble bowers to lay me down; To husband out life's taper at the close, And keep the flame from wasting, by repose: I still had hopes, for pride attends us still, Amidst the swains to show my book-learn'd skill, Around my fire an evening group to draw, And tell of all I felt, and all I saw; And, as a hare, whom hounds and horns pursue, Pants to the place from whence at first she flew, I still had hopes, my long vexations past, Here to return -- and die at home at last.

In the sky was a sliver of moon. What kind of moon? A moon like a clipped fingernail, like a smudge of powdered sugar, like a yellow laddoo, like a shattered dinner plate, like the tusk of a wounded mammoth, like a scimitar buried in the enemy’s skull, like a horned demon drowned in blood, like a fallen warrior’s silver visor, like the prow of a ghostly mothership, like the smile of a giant black cat, like God’s half-closed night-time eye, a low murder moon

though books, as Milton says, may be the embalming of mighty spirits, they are also the resurrection of rebellious, reactionary, fantastical, and wicked spirits! in books dwell all the demons and all the angels of the human mind. it is for this reason that a a bookshop -- especially a second-hand bookshop / antiquarian - is an arsenal of explosives, an armory of revolutions, an opium den of reaction. and just because books are the repository of all the redemptions and damnations, all the sanities and insanities, of the divine anarchy of the soul, they are still, as they have alwasys been, an object of suspicion to every kind of ruling authority. in a second-hand bookshop are the horns of the altar where all the outlawed thoughts of humanity can take refuge! here, like depserate bandits, hide all the reckless progeny of our wild, dark, self-lacerating hearts. a bookshop is powder-magazine, a dynamite-shed, a drugstore of poisons, a bar of intoxicants, a den of opiates, an island of sirens. of all the 'houses of ill fame' which a tyrant, a bureaucrat, a propagandist, a moralist, a champion of law and order, an advocate of keeping people ignorant for their own good, hurries past with averted eyes or threatens with this minions, a bookshop is the most flagrant. ~ autobiography

I’m kind of digging this mead horn, though. You mind if I keep it?

But you will exceed all of them. For you will sacrifice the man who bears me. Already your horn has been raised, and your wrath has been kindled, and your star has passed by, and your heart has become strong." [--Jesus to Judas]

When we have learnt to call storms, storms, and death, death, and birth, birth, when we have mastered the sailor's horn-book and Mr Piddington's law of cyclones, Ellis's anatomy and Lewer's midwifery, we have already made ourself half blind. We have become hypnotized by words and names. We think in words and names, not in ideas; the commonplace has triumphed, the true intellect is half crushed.

Sophie’s gasp echoed off the circle of trees, and she blinked to make sure her eyes were working. A few feet in front of her stood a shimmering pale horse with outstretched feathered wings. It wasn’t a pegasus—she knew from the books she’d studied at Havenfield that those were smaller and huskier, with deep blue spots and midnight blue manes. This horse had wavy silver hair that trailed up its neck and parted around a horn of swirled white and silver that jutted from its forehead like a unicorn. But the unicorns she’d seen didn’t have wings. “What are you?” Sophie whispered as she stared into the horse’s deep brown eyes. Usually she thought brown eyes were flat and boring—especially her own—but these had glinting flecks of gold, and gazed back at her so intently she couldn’t look away.

While not all elements in the Periodic Table are represented by letters of the alphabet, some in this book (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns), are introduced by alternate designations. For instance, Tungsten is also known as Wolfram so “W” is used as the entry for that alphabetical letter in this book. The letter “W” is also used as the atomic symbol for Tungsten in all periodic tables.

What I want more than a car that goes from Point A to Point B, is a car that stops. I make it a point to break for love. My horn is broke—and so am I, but I get paid Friday.

As legendary musician Charlie Parker said, “If you don't live it, it won't come out of your horn.

All you need is tea, travel and a good book

It might be very hard to believe but with no metal and no magic there’d be no technology.

Imperious and yet forlorn,. Came through the silence of the trees,. The echoes of a golden horn,. Calling to distances.

The metal horn unicorns in the Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns are all based on the metal horn unicorn characters in my Blue Unicorn – Journey To Osm books.  If it weren’t for their magical powers, based on the properties of the metals of their horns and hooves, this book would have never come into being.

In my dreams I come face to face with myriad reflections of myself, all unknown and passing strange. They speak unending in languages not my own and walk with companions I have never met, in places my steps have never gone. In my dreams I walk worlds where forests crowd my knees and half the sky is walled ice. Dun herds flow like mud, vast floods tusked and horned surging over the plain, and lo, they are my memories, the migrations of my soul.

The Green Man has also become synonymous with Cernunnos, the Celtic horned God, often portrayed in Celtic art as part man, part stag, who roams the greenwood wild and free. He is a character of strength and power, but often sadly mistaken for the devil by the Christian fraternity due to his horned appearance.

The thing about marriage is that it requires so much compromise. And, naturally, someone is going to come into the marriage being better at The Yield. In fact, I say a lengthy marriage requires it. Someone is always going to come in with horns down and nostrils flaring. That requires that the other person run away as quickly as possible while waving the white flag. Certainly not the red flag, because I don't want to be that poor woman who accidentally ran over her spouse sixty-five times. Someone is the bull. Someone must be the china shop. We all have important roles to play.

Nothing can be called unhappy if it fulfils its own nature, unless you would conclude that a man ought to be pitied because he cannot fly about with the birds, and cannot run on four feet like the whole family of beasts, and is not armed with horns like a bull.

24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.

Elliot thought about being on different sides. In his books about magic lands, the evildoers had horns, or at least had the decency to wear outfits composed entirely of black leather. Sometimes there was one traitor on the good side, but he didn’t remember any stories about teams who wore the same uniform splitting up and turning against each other. People did not have to learn how to live with each other again, after trust was broken between them

To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.

Clarissa would have been three or four, in a house to which she would never return, about which she retains no recollection except this, utterly distinct, clearer than some things that happened yesterday: a branch tapping at a window as the sound of horns began; as if the tree, being unsettled by wind, had somehow caused the music. It seems that at that moment she began to inhabit the world; to understand the promises implied by an order larger than human happiness, though it contained human happiness along with every other emotion. The branch and the music matter more to her than do all the books in the store window.

I think astronaut's helmets need to have Viking horns affixed to the side, to let any aliens we might encounter know that we came to pillage and probe.

His voice is like 999 one-winged vultures, all flapping in unison, while 333 horned frogs croak in protest. My love must sound better to her.

Education, boy, is not something to prepare you for life. That is a vulgar American error.… It's something to take you out of life.

The war had made him into a lone wolf, an introverted arrow that shot silent and solitary to his target for the moment. He'd become an opportunist of sensation and aesthetic.

Nur weil mein Leben unlogisch ist, heißt das nicht, dass es nicht funktioniert.

Did you ever notice that when you read the same book again and again, the book doesn’t change, but you do?

My husband is just outside." "Don't be afraid," I said, "the extensive branches of his horns would never let him through the doorway.

[T]he important thing was that each Saturday they must win games and put The Academy on the sporting pages. For that, after all, was the final index to the rating of an American school.

Even if you cannot fully match my skill at composing verses,” he said, “yet be of good cheer. Remember that it is granted to the poets to drink from the largest horn at the banquet of the gods.

Horned humans are not unknown to medical science as there is a rare skin disease, which goes by the name of ‘Cornu Cutaneum’, a cutaneous growth, which resembles a horn and grows from the scalp.

I like spending time with people I like, I guess. I don’t like very many people.” “People in books aren’t real,” I pointed out. He shrugged. “They’re real when you’re reading. That’s close enough.

Everyone is leaving me... nobody wants me around... am I worse than a dog then... why everything is this way? Perhaps I don't deserve to be loved by anyone, I'm worthless, useless, unworthy of love...

Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.

Ig knew her, of course. It was the same woman who had served him and Merrin drinks on their last night together. Her face was framed by two wings of lank black hair that curled under her long, pointed chin, so she looked like the female version of the wizard who was always giving Harry Potter such a hard time in the movies. Professor Snail or something. Ig had been waiting to read the books with the children he and Merrin planned to have together.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

The People of the Eastern Ice, they are melting like the snow— They beg for coffee and sugar; they go where the white men go. The People of the Western Ice, they learn to steal and fight; "They sell their furs to the trading-post: they sell their souls to the white. The People of the Southern Ice, they trade with the whaler's crew; Their women have many ribbons, but their tents are torn and few. But the People of the Elder Ice, beyond the white man's ken— Their spears are made of the narwhal-horn, and they are the last of the Men!

We're not going to make it," I said. The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, Adam.' She'd been right. If this were a novel my heroes would have arrived just in the nick of time and saved the day. But real life didn't work like that. Real life had no happy endings. Despite our best efforts, despite my love for Tara [his wife] and my determination to protect her, and after everything we'd been through at the LeHorn house, fate conspired against us. We were still nine or ten miles from home, and night was almost upon us. By the time we got there it would already be too late. I fought back tears. I had the urge just to lie down in the middle of the road and let the next car run over me.

Of all the creatures in the universe, I’ve found him. A sexy horned alien with gray and blue camo patterns and a long weapon of a tail. A man exuberantly open with his sexual interest but fiercely protective and big-hearted to a fault. Could I have ever hoped to find such a man back on earth? I don’t think so.

It was during a misunderstanding conducted with crowbars with a fellow we used to call Hercules. He laid me out with a crusher alongside the head that made everything crack, and seemed to spring every joint in my skull and made it overlap its neighbor.  Then the world went out in darkness, and I didn't feel anything more, and didn't know anything at all—at least for a while. When I came to again, I was sitting under an oak tree, on the grass, with a whole beautiful and broad country landscape all to myself—nearly.  Not entirely; for there was a fellow on a horse, looking down at me—a fellow fresh out of a picture-book.  He was in old-time iron armor from head to heel, with a helmet on his head the shape of a nail-keg with slits in it; and he had a shield, and a sword, and a prodigious spear; and his horse had armor on, too, and a steel horn projecting from his forehead, and gorgeous red and green silk trappings that hung down all around him like a bedquilt, nearly to the ground. "Fair sir, will ye just?" said this fellow.

Malina and Parsons are of particular interest in this book’s research, as Ghislaine Maxwell’s brother-in-law Roger Malina’s father was this very man—Frank Malina—one of the original “Rocketmen” from the “Suicide Squad” and a good friend of Jack Parsons, whose own iconoclastic interests in turn involved devotion to the dark teachings of Aleister

I spent the nine days' voyage partly sketching my Turkish fellow passengers, and partly trying to learn Turkish, and after a time I was able to say, "I would like a shoe-horn," and "See how badly you have ironed my coat, you must do it again." Father Chantry-Pigg said this phrase book was little use, as it had no sentences about the Church being better than Islam...

and just happened to be looking out the window as he hurried out the door, they’d have no reason to suspect that he was behaving strangely.  Perhaps he’d lost something, his wallet, maybe, and was checking to see if he’d left it in his vehicle.  Still, he hesitated to lock the car for fear that the brief sounding of the horn would alert every nosy neighbor on the block

Cook was a captain of the powder-days When captains, you might have said, if you had been Fixed by their glittering stare, half-down the side, Or gaping at them up companionways, Were more like warlocks than a humble man— And men were humble then who gazed at them, Poor horn-eyed sailors, bullied by devils' fists Of wind or water, or the want of both, Childlike and trusting, filled with eager trust— Cook was a captain of the sailing days When sea-captains were kings like this, Those captains drove their ships By their own blood, no laws of schoolbook steam, Till yards were sprung, and masts went overboard— Daemons in periwigs, doling magic out, Who read fair alphabets in stars Where humbler men found but a mess of sparks, Who steered their crews by mysteries And strange, half-dreadful sortilege with books, Used medicines that only gods could know The sense of, but sailors drank In simple faith. That was the captain Cook was when he came to the Coral Sea And chose a passage into the dark. Men who ride broomsticks with a mesmerist Mock the typhoon. So, too, it was with Cook.

At around 8 pm we heard the sound of sirens. As the sound drew nearer and nearer, we caught sight of a fire truck. As it reached the hotel, the truck pulled into the parking lot with emergency lights shining and horns blasting. It came to a stop in front of our congregation. We didn’t see a fire or any other emergency in the immediate vicinity, so this was quite unexpected. Perhaps our smell had been reported as some kind of toxic leak or spill? Firemen began to pour out of the truck carrying different trays covered in foil. I could hardly believe my eyes. The local Franklin Fire Department had brought us all a spaghetti and meatball dinner! They also brought salad and pudding for desert. This was an example of trail magic at its finest.

This is the real work of woman of color feminism: to resist acquiescence to fatality and guilt, to become warriors of conscience and action who resist death in all its myriad manifestations: poverty, cultural assimilation, child abuse, motherless mothering, gentrification, mental illness, welfare cuts, the prison system, racial profiling, immigrant and queer bashing, invasion and imperialism at home and at war. To fight any kind of war, Kahente Horn-Miller writes. "The Biggest single requirement is fighting spirit." I thought much of this as I read Colonize This! since this collection appears in print at a time of escalating world-wide war--In Colombia, Afghanistan, Palestine. But is there ever a time of no-war for women of color? Is there ever a time when our home (our body, our land of origin) is not subject to violent occupation, violent invasion? If I retain any image to hold the heart-intention of this book, it is found in what Horn-Miller calls the necessity of the war dance. This book is one rite of passage, one ceremony of preparedness on the road to consciousness, on the "the war path of greater empowerment.

The crew of the Argo II assembled at the rail and cut the grappling lines. Piper brought out her new horn of plenty and, on Percy’s direction, willed it to spew Diet Coke, which came out with the strength of a fire hose, dousing the enemy deck. Percy thought it would take hours, but the ship sank remarkably fast, filling with Diet Coke and seawater. “Dionysus,” Percy called, holding up Chrysaor’s golden mask. “Or Bacchus—whatever. You made this victory possible, even if you weren’t here. Your enemies trembled at your name…or your Diet Coke, or something. So, yeah, thank you.” The words were hard to get out, but Percy managed not to gag. “We give this ship to you as tribute. We hope you like it.” “Six million in gold,” Leo muttered. “He’d better like it.

When I lifted the first veil and entered the outer court of the temple of initiation, I saw in half darkness the figure of a woman sitting on a high throne between two pillars of the the temple, one white and one black. Mystery emanated from her and was about her. Sacred symbols shone on her, and on her head a golden tiara surmounted by a two-horned Moon. To enter the Temple one must lift the second veil and pass between the two pillars. And to pass one must obtain the keys, read the book, and understand the symbols. Are you able to do this? She whispered to me “ learn to discern the real from the false. Listen only to the voice that is soundless. Look only on that which is invisible and remember that in thee thyself is the Temple and the gate to it, and the mystery, and the initiation.

I can't say I remember this bit in the book,' she commented when he was finished and she was sweeping an applicator along his collarbone and pressing it lightly into the hollow beneath. 'They call it “artistic licence”. ' 'Not just the producers trying to shoe-horn in a scene involving you in a wet shirt?' 'Why would they want that?' There was a soft gleam of white teeth as his lips parted in a smile.

The story of Jesus feeding some 5,000 people, as told in the books of Matthew and John, is well known throughout the world. It goes like this: As a large and hungry crowd gathers to hear Jesus, his disciples nervously ask him how so many people can be fed. The only food in their midst consists of five loaves of bread and two fishes. Jesus informs his associates of some rich people who live nearby. “Go and take what they have and give it to these who want it” he commands. So armed with swords and clubs the disciples raid the homes of the rich, as well as a grocery store and a bank, and redistribute the proceeds to the grateful multitude. After the event is over, Jesus lobbies Roman authorities to raise taxes on the rich and fork over the loot so that next time the disciples will not have to go steal it themselves.

He rises bloodless from dust, with dead eyes that are pits twin reaches to eternal pain. He is the lodestone to the gathering clan, made anew and dream-racked. The standard a rotted hide, the throne a bone cage, the king a ghost from dark fields of battle. And now the horn moans on this grey clad dawn drawing the disparate host To war, to war, and the charging frenzy of unbidden memories of ice. - Lay of the First Sword

I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.

I AM NOT SO INTELLIGENT The epiphany I had in my career in randomness came when I understood that I was not intelligent enough, nor strong enough, to even try to fight my emotions. Besides, I believe that I need my emotions to formulate my ideas and get the energy to execute them. I am just intelligent enough to understand that I have a predisposition to be fooled by randomness—and to accept the fact that I am rather emotional. I am dominated by my emotions—but as an aesthete, I am happy about that fact. I am just like every single character whom I ridiculed in this book. Not only that, but I may be even worse than them because there may be a negative correlation between beliefs and behavior (recall Popper the man). The difference between me and those I ridicule is that I try to be aware of it. No matter how long I study and try to understand probability, my emotions will respond to a different set of calculations, those that my unintelligent genes want me to handle. If my brain can tell the difference between noise and signal, my heart cannot. Such unintelligent behavior does not just cover probability and randomness. I do not think I am reasonable enough to avoid getting angry when a discourteous driver blows his horn at me for being one nanosecond late after a traffic light turns green. I am fully aware that such anger is self-destructive and offers no benefit, and that if I were to develop anger for every idiot around me doing something of the sort, I would be long dead. These small daily emotions are not rational. But we need them to function properly. We are designed to respond to hostility with hostility. I have enough enemies to add some spice to my life, but I sometimes wish I had a few more (I rarely go to the movies and need the entertainment). Life would be unbearably bland if we had no enemies on whom to waste efforts and energy.

That's how it goes these days, huh? Moving forward at the sounds of horns on highways, at the cue of traffic signals, turnstiles, tollbooths, ushered and rushed to the next stop on the itinerary, and there are days on the commuter train in the winter when it's got dark early and you can't see out because of the reflection and you might put down your paper or put aside your book and really look at yourself, because amid the noise and the smoke and the strangers and what's become of your life: there you are.

He relished learning from the voice of a teacher and from books. Each day of merely learning something was a deep adventure to him. Sometimes he laughed and told himself that he was unnatural, for American boys are supposed to hate school. They followed a pattern of Redblooded Masculinity, set up by the traditions of hookey and Mark Twain. But he had no resistance whatever to his studies. He took them supine and with gusto, with the receptively of a girl whose desires have been aroused by loving blandishment.

SANCTUARY the safest place in the world is a book is a shifting land on top of a tree so high up that a belt can't reach is a closet opening into snow with a tropical child tumbling through is a river, a mermaid, a spaceship a girl with living tentacles for hair is a red-horned, gold-feathered angel a dusty crocodile on a second star is a fractional platform, another family one with only soft mothers and aunts is a meadow, is a menu of words an oxygen mask, chest compressions is a map for someone who has died many times, and wants to come back.

What does he want?” “To talk with you. Since you don’t like a client horning in on a case, I didn’t press him for particulars.” Thereupon Wolfe paid me a high compliment. He gazed at me with a severely suspicious eye. Obviously he suspected me of pulling a fast one—of somehow, in less than two hours, digging up Albert M. Irby and his connection with Priscilla Eads, and shanghaiing him. I didn’t mind, but I thought it well to be on record. “No, sir,” I said firmly. He grunted. “You don’t know what he wants?” “No, sir.” He tossed the book aside. “Bring him in.

Once I saw torches with dancing flames of scarlet and radiant gold held by solemn apes. A man with the horns and muzzled face of a bull bent over me, a constellation sprung to life. I spoke to him and found myself telling him that I was unsure of the precise date of my birth, that if his benign spirit of meadow and unfeigning force had governed my life I thanked him for it; then remembered that I knew the date, that my father had given a ball for me each year until his death, that it fell under the Swan. He listened intently, turning his head to watch me from one brown eye.

The symbol for that portion of the zodiac in which the sun re-enters the yearly cycle at the time of the winter solstice is Capricorn, originally known as the “Goat-Fish” (aíγóχερωs, ‘goat-horned’): the sun mounts like a goat to the tops of the highest mountains, and then plunges into the depths of the sea like a fish. The fish in dreams occasionally signifies the unborn child,47 because the child before its birth lives in the water like a fish; similarly, when the sun sinks into the sea, it becomes child and fish at once. The fish is therefore a symbol of renewal and rebirth.

We do not claim to be experts. We only claim that we are striving to become experts and are taking the same journey that we hope we have inspired you to take. It isn’t a journey that any of us will ever complete. As soon as you believe that you are in expert in your field, you will no longer have the drive to keep learning. Humans are diverse, adapting and changing; there is always something to learn. The six domains of combat profiling and the content in this book should provide you with the foundation to grow in this pursuit. Good luck. Never Forget. Never Quit. Semper Fidelis.

Did you know you used to need a travel agent to book a multi-city trip with five stops? Did you know it used to take up to forty-eight hours to book a five-stop trip? Did you know it used to take up to five days to receive a price quote for a five-stop trip? Imagine, if for the first time ever, you could plan and book a five-stop trip yourself, without ever having to use a travel agent? Imagine if you could get your own price quotes for a multi-stop trip? Imagine if you could do all the above in less than an hour? You don’t have to imagine it; we’ve created it. It’s called Indie.

Let’s go see.” “Wait,” said Jack. He turned more pages of the book. “I want to see what’s really going on, Jack. Not what’s in the book,” said Annie. “But look at this!” said Jack. He pointed to a picture of a big party. Men were standing by the door, playing drums and horns. He read: Fanfares were played to announce different dishes in a feast. Feasts were held in the Great Hall. “You can look at the book. I’m going to the real feast,” said Annie. “Wait,” said Jack, studying the picture. It showed boys his age carrying trays of food. Whole pigs. Pies. Peacocks with all their feathers. Peacocks?

The original title of this book was to be How Satan Rules in the World. However, I was advised that this would hamper the book’s sales. Our secular world discounts the existence of Satan, just as it does God, claiming that these were beings dreamed up by primitive cultures. If by “Satan” one means a cartoon character with horns and a pitchfork, I’d agree. However, at least the reality of evil is acknowledged by most people, except for a handful of extreme relativists (those who might say nothing – not even machine-gunning a group of children – could be called evil, since morality is “a matter of opinion”).

Love and justice. Why do we overestimate love to the disadvantage of justice, saying the nicest things about it, as if it were a far higher essence than justice? Isn’t love obviously more foolish? Of course, but for just that reason so much more pleasant for everyone. Love is foolish, and possesses a rich horn of plenty; from it she dispenses her gifts to everyone, even if he does not deserve them, indeed, even if he does not thank her for them. She is as nonpartisan as rain, which (according to the Bible24 and to experience) rains not only upon the unjust, but sometimes soaks the just man to the skin, too.

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

Dinosaurs dominated our planet for more than 160 million years. They evolved and changed to adopt many different lifestyles and live in every type of environment. Some ate plants, others ate meat, fish, or eggs. Some lived in forests, others in deserts or plains. Some were huge, others small. Some hunted using vicious claws and teeth, while others defended themselves with spikes, horns and armor plates. The dinosaurs were not alone - they shared the world with other reptiles that flew in the sky or swam in the seas. But it was dinosaurs that dominated in an age of reptiles that spanned nearly half the time animals have lived on land.

His unfinished book had become his obsession. He rarely left his room, which he insulated with sheaves of paper scribbled with beginnings and endings, nailing ideas to the walls and stretching long strips of sentences from the window to the door. Tall stacks of scenes and chapters sprouted from the floor, as if the papers had reincarnated themselves back into trees. The paper forest around him glimmered in the sun from the windows, weaving rays of light in yellow and purple and blue. Hunger squeezed his throat, but he turned his ravenousness toward writing. He almost never slept. During the shortages, he wrote between the columns of old newspapers, or on pieces of cardboard, or on bark pulled from trees. He traded potatoes for ink.

There is a question that has been haunting me,’ he replied over the sound of the first horns announcing column formation. ‘How does a mortal win over a god? Has it ever happened before, even? Has the old order been overturned? Or is this just … special circumstance? A moment unique in all of history?’ ‘You have won the Worm of Autumn to her cause, Priest?’ At Lostara’s question, Banaschar frowned. He studied her for a moment, and then glanced at Ruthan Gudd. ‘You look shocked,’ he said to him. ‘Is it that I somehow possessed that power? Or is it the very idea that what we do in this mortal world – with our lives, with our will – could make a god kneel before us?’ Then he shook his head. ‘But you both misunderstood me. I was not speaking of myself at all. I cannot win over a god, even when I am the last priest in that god’s House. Don’t you understand? It’s her. She did it. Not me.’ ‘She spoke to your god?’ Banaschar grunted. ‘No, Lostara. She rarely speaks at all – you of all people should know that by now. No. Instead, she simply refused to waver from her path, and by that alone she has humbled the gods. Do you understand me? Humbled them.’ Ruthan Gudd shook his head. ‘The gods are too arrogant to ever be humbled.’ ‘A year ago, lying drunk on my cot, I would have agreed with you, Captain. So tell me now, will you fight for her?’ His eyes were thinned as he studied Banaschar, and then he said, ‘With all my heart.’ The gasp that came from Lostara was almost a sob.

Ascent To The Sierras poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem » Ascent To The Sierras Beyond the great valley an odd instinctive rising Begins to possess the ground, the flatness gathers to little humps and barrows, low aimless ridges, A sudden violence of rock crowns them. The crowded orchards end, they have come to a stone knife; The farms are finished; the sudden foot of the slerra. Hill over hill, snow-ridge beyond mountain gather The blue air of their height about them. Here at the foot of the pass The fierce clans of the mountain you'd think for thousands of years, Men with harsh mouths and eyes like the eagles' hunger, Have gathered among these rocks at the dead hour Of the morning star and the stars waning To raid the plain and at moonrise returning driven Their scared booty to the highlands, the tossing horns And glazed eyes in the light of torches. The men have looked back Standing above these rock-heads to bark laughter At the burning granaries and the farms and the town That sow the dark flat land with terrible rubies... lighting the dead... It is not true: from this land The curse was lifted; the highlands have kept peace with the valleys; no blood in the sod; there is no old sword Keeping grim rust, no primal sorrow. The people are all one people, their homes never knew harrying; The tribes before them were acorn-eaters, harmless as deer. Oh, fortunate earth; you must find someone To make you bitter music; how else will you take bonds of the future, against the wolf in men's hearts?

There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. *

In explaining the way that trivial, if diverting, pursuits like Guitar Hero provide an easy alternative to meaningful work, Horning draws on the writing of political theorist Jon Elster. In his 1986 book An Introduction to Karl Marx, Elster used a simple example to illustrate the psychic difference between the hard work of developing talent and the easy work of consuming stuff: Compare playing the piano with eating lamb chops. The first time one practices the piano it is difficult, even painfully so. By contrast, most people enjoy lamb chops the first time they eat them. Over time, however, these patterns are reversed. Playing the piano becomes increasingly more rewarding, whereas the taste for lamb chops becomes satiated and jaded with repeated, frequent consumption. Elster then made a broader point: Activities of self-realization are subject to increasing marginal utility: They become more enjoyable the more one has already engaged in them. Exactly the opposite is true of consumption. To derive sustained pleasure from consumption, diversity is essential. Diversity, on the other hand, is an obstacle to successful self-realization, as it prevents one from getting into the later and more rewarding stages. “Consumerism,” comments Horning, “keeps us well supplied with stuff and seems to enrich our identities by allowing us to become familiar with a wide range of phenomena—a process that the internet has accelerated immeasurably. . . . But this comes at the expense with developing any sense of mastery of anything, eroding over time the sense that mastery is possible, or worth pursuing.” Distraction is the permanent end state of the perfected consumer, not least because distraction is a state that is eminently programmable. To buy a guitar is to open possibilities. To buy Guitar Hero is to close them. A

Do you remember Zhitomir, Vasily? Do you remember the Teterev, Vasily, and that evening when the Sabbath, the young Sabbath tripped stealthily along the sunset, her little red heel treading on the stars? THe slender horn of the moon bathed its arrows in the black waters of the Teterev. Funny little Gedali, founder of the Fourth International, was taking us to Rabbi Motele Bratzlavsky’s for evening service. Funny little Gedali swayed the cock’s feathers on his high hat in the red haze of the evening. The candes in the Rabbi’s room blinked their predatory eyes. Bent over prayer books, brawny Jews were moaning in muffled voices, and the old buffoon of the zaddiks of Chernobyl jingled coppers in his torn pocket... ...Do you remember that night, Vasily? Beyond the windows horses were neighing and Cossacks were shouting. The wilderness of war was yawning beyong the windows, and Robbi Motele Bratzslavsky was praying at the eastern wall, his decayed fingers clinging to his tales. (...)

Tolkien preferred the still, small voice of Elijah to the resounding horns of Sinai. Accordingly, his commitment to myth as his medium was dogged. He repeatedly denied that The Lord of the Rings was allegory. The reason is this: allegory intends that this particular thing in the story is meant to be that particular thing known outside the story. In a way, it is coercive, forcing the reader to see things in a certain way. For example, Lewis’s lion in the Narnia books, Aslan, is meant to be understood by the reader as a representation of Christ. Tolkien, in fact, was annoyed with Lewis for engaging in allegory, which he found heavy-handed. (Lewis, for his part, denied that his Narnia books were only allegory.) He believed myth to be a more artistically subtle device. Tolkien did not, for instance, intend his War of the Ring to be a battle of good versus evil. He didn’t see matters in such black-and-white terms and did not believe in absolute evil. During the Great War, he didn’t view the Germans as all bad and the English as all good. In the Lord of the Rings, even Sauron, like Lucifer, did not start as evil. Evil for Tolkien was a personal battle within each and every individual. A battle might be won or lost, but the war was unending.

Two weeks ago my mountain of mail delivered forth a pipsqueak mouse of a letter from a well-known publishing house that wanted to reprint my story “The Fog Horn” in a high school reader. In my story, I had described a lighthouse as hav­ing, late at night, an illumination coming from it that was a “God-Light.” Looking up at it from the view-point of any sea-creature one would have felt that one was in “the Presence.” The editors had deleted “God-Light” and “in the Presence.” Some five years back, the editors of yet another anthology for school readers put together a volume with some 400 (count ‘em) short stories in it. How do you cram 400 short stories by Twain, Irving, Poe, Maupassant and Bierce into one book? Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito—out! Every simile that would have made a sub-moron’s mouth twitch—gone! Any aside that explained the two-bit philosophy of a first-rate writer—lost! Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like—in the finale—Edgar Guest. Every word of more than three syllables had been ra­zored. Every image that demanded so much as one instant’s attention—shot dead. Do you begin to get the damned and incredible picture? How did I react to all of the above? By “firing” the whole lot. By sending rejection slips to each and every one. By ticketing the assembly of idiots to the far reaches of hell.

Recipe for a Perfect Wife, the Novel INGREDIENTS 3 cups editors extraordinaire: Maya Ziv, Lara Hinchberger, Helen Smith 2 cups agent-I-couldn’t-do-this-without: Carolyn Forde (and the Transatlantic Literary Agency) 1½ cup highly skilled publishing teams: Dutton US, Penguin Random House Canada (Viking) 1 cup PR and marketing wizards: Kathleen Carter (Kathleen Carter Communications), Ruta Liormonas, Elina Vaysbeyn, Maria Whelan, Claire Zaya 1 cup women of writing coven: Marissa Stapley, Jennifer Robson, Kate Hilton, Chantel Guertin, Kerry Clare, Liz Renzetti ½ cup author-friends-who-keep-me-sane: Mary Kubica, Taylor Jenkins Reid, Amy E. Reichert, Colleen Oakley, Rachel Goodman, Hannah Mary McKinnon, Rosey Lim ½ cup friends-with-talents-I-do-not-have: Dr. Kendra Newell, Claire Tansey ¼ cup original creators of the Karma Brown Fan Club: my family and friends, including my late grandmother Miriam Christie, who inspired Miriam Claussen; my mom, who is a spectacular cook and mother; and my dad, for being the wonderful feminist he is 1 tablespoon of the inner circle: Adam and Addison, the loves of my life ½ tablespoon book bloggers, bookstagrammers, authors, and readers: including Andrea Katz, Jenny O’Regan, Pamela Klinger-Horn, Melissa Amster, Susan Peterson, Kristy Barrett, Lisa Steinke, Liz Fenton 1 teaspoon vintage cookbooks: particularly the Purity Cookbook, for the spark of inspiration 1 teaspoon loyal Labradoodle: Fred Licorice Brown, furry writing companion Dash of Google: so I could visit the 1950s without a time machine METHOD: Combine all ingredients into a Scrivener file, making sure to hit Save after each addition.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.

From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean

In a flash, the previously lusty green irises morphed into an angry blood red. Nadua stood with a gasp, not sure what was happening to him. The horns that peeked out of his sandy brown hair began to alter their color as well, taking on the cast of burning embers. Razor-sharp fangs peeked out from his lips, twisted in rage. This was how he had looked when he was tearing through her men.

A triangle has three points, just like the number of horns my ex had (she was 50% more evil than Satan).

If you’re too slow off a red light, I’ll lay on my horn, because I’m a honky. Was that racist? Only if you’re trying to stir up political votes.

When I tap my car’s brakes, my horn beeps. Don’t make me flick on my windshield wipers.

When he was twenty-four, André floated down to Saigon and returned with a wife standing upon his prow. Eugenia was the eldest child of Pierre Cazeau, the stately, arrogant owner of the Hôtel Continental, on rue Catinat. She was also deaf. Her tutors had spent the first thirteen years of her life attempting to teach her how to speak like a hearing person, as was dictated by the popular pedagogy of the time. Her tongue was pressed, her cheeks prodded, countless odd intonations were coaxed forth from her lips. Cumbersome hearing horns were thrust into her ears, spiraling upward like ibex horns. It was a torture she finally rejected for the revolutionary freedom of sign, which she taught herself from an eighteenth-century dictionary by Charles-Michel de l’Épée that she had stumbled upon accidentally on the shelf of a Saigon barbershop.1 Based on the grammatical rules of spoken language, L’Épée’s Methodical Sign System was unwieldy and overly complex: many words, instead of having a sign on their own, were composed of a combination of signs. “Satisfy” was formed by joining the signs for “make” and “enough.” “Intelligence” was formed by pairing “read” with “inside.” And “to believe” was made by combining “feel,” “know,” “say,” “not see,” plus another sign to denote its verbiage. Though his intentions may have been noble, L’Epée’s system was inoperable in reality, and so Eugenia modified and shortened the language. In her hands, “belief” was simplified into “feel no see.” Verbs, nouns, and possession were implied by context. 1 “So unlikely as to approach an impossibility,” writes Røed-Larsen of this book’s discovery, in Spesielle ParN33tikler (597). One could not quite call her beautiful, but the enforced oral purgatory of her youth had left her with an understanding of life’s inherent inclination to punish those who least deserve it. Her black humor in the face of great pain perfectly balanced her new husband’s workmanlike nature. She had jumped at the opportunity to abandon the Saigon society that had silently humiliated her, gladly accepting the trials of life on a backwater, albeit thriving, plantation. Her family’s resistance to sending their eldest child into the great unknowable cauldron of the jungle was only halfhearted—they were in fact grateful to be unburdened of the obstacle that had kept them from marrying off their two youngest (and much more desirable) daughters. André painstakingly mastered Eugenia’s language. Together, they communed via a fluttering dance of fingertips to palms, and their dinners on the Fig. 4.2. L’Épée’s Methodical Sign System From de l’Épée, C.-M. (1776), Institution des sourds et muets: par la voie des signes méthodiques, as cited in Tofte-Jebsen, B., Jeg er Raksmey, p. 61 veranda were thus rich, wordless affairs, confluences of gestures beneath the ceiling fan, the silence broken only by the clink of a soup spoon, the rustle of a servant clearing the table, or the occasional shapeless moan that accentuated certain of her sentences, a relic from her years of being forced to speak aloud.

Getting left of bang requires two things. The first is a mindset and mentality to actively search your area for people that don’t fit in. The second is the knowledge to know what causes someone to stand out from the crowd. I hope that this book and the webpages that accompany these pages help provide you with what you need to do both.

The Earth Mother and Pan, who is the God of Nature and a wonderful, loving and wise being who does not have horns and is not a devilish figure, as some have made him out to be. In truth, he is an Elohim Master. These two Masters, in conjunction with Archangel Sandalphon, are the three best Masters to call on to help ground your manifestations.

Tormund rose to his feet. “Hold. You gave Styr his style, give me mine.” Mance Rayder laughed. “As you wish. Jon Snow, before you stands Tormund Giantsbane, Tall-talker, Horn-blower, and Breaker of Ice. And here also Tormund Thunderfist, Husband to Bears, the Mead-king of Ruddy Hall, Speaker to Gods and Father of Hosts.