Light Leak Quotes

A melancholy-looking man, he had the appearance of one who has searched for the leak in life's gas-pipe with a lighted candle.

He was a Frenchman, a melancholy-looking man. His aspect was that of one who has been looking for the leak in a gas pipe with a lighted candle.

His smile faded into something awed, something......reverent, and I reached out to cup his face in my hands- To find my skin glowing. Faintly, as if some inner light shone beneath my skin, leaking out into the world. Warm and white light, like the sun-like a star. Those wonder-filled eyes met mine, and Rhys ran a finger down my arm. "Well, at least now I can gloat that I can literally make my mate glow with happiness.

But it seems she’d wanted children after all, because when she was told she’d been accidentally sterilized she could feel all the light leaking out of her.

I drank some too-hot coffee and scowled at him, annoyed although I couldn't remember why. The light from the lounge was leaking in, highlighting his spiky blond hair. I decided that must be it. "You really hate my hair, don't you?" he asked, a smile flickering over his lips so fast I might have imagined it. "Yeah" "Why?" I reached out to touch it, and was surprised as always to find it mostly soft. Just a little stiff in places from whatever product he used on it. It felt weird, imagining Pritkin having anything in his hair but sweat. But he must have; nobody's did that all on its own. "It's like...angry hair," I said, trying to pat it down and failing miserably. He caught my wrist. "Most people would say that suits me." "I'm not most people." "I know.

The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hand, a list of newly charged with addresses.

All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.

As a lie can be buried, the truth will always bloom.

Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.

One noteworthy study suggests that people who suppress negative emotions tend to leak those emotions later in unexpected ways. The psychologist Judith Grob asked people to hide their emotions when she showed them disgusting images. She even had them hold pens in their mouths to prevent them from frowning. She found that this group reported feeling less disgusted by the pictures than did those who'd been allowed to react naturally. Later, however, the people who hid their emotions suffered side effects. Their memory was impaired, and the negative emotions they'd suppressed seemed to color their outlook. When Grob had them fill in the missing letter to the word "gr_ss", for example, they were more likely than others to offer "gross" rather than "grass". "People who tend to [suppress their negative emotions] regularly," concludes Grob, "might start to see their world in a more negative light." p. 223

After she has gone back to sleep, after Etienne has blown out his candle, he kneels for a long time beside his bed. The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hands, a list newly charged with addresses. Gazing first at the crew of officers unloading from their limousines into the chateau. Then at the flowing rooms of the perfumer Claude Levitte. Then at the dark tall house of Etienne LeBlanc. Pass us by, Horseman. Pass this house by.

Relationships are a lot like houses: without a good foundation, they’ll crumble. When a light bulb goes out, you don’t buy a new house, you change the bulb. When the faucet drips, you don’t start mopping the floor before you fix the leak. In other words, no matter how much digging it takes, it’s important to get to the root of a problem.

The best ship, the best culture, the best knowledge, is the one which allows us to go farther, explore more territories or oceans of reality, and have the least damaging leaks possible.

Love happens over breakfast.’ ” “It’s just something Cormack said when we were first married. Romance happens over dinner. The candlelight, the wine.” “Everyone looks a lot better than they usually do,” Cormack says and laughs. Reenie rolls her eyes. “Well, yes,” she says. “That’s the romance of it. But at breakfast everything’s just as it is, in the light of day. No one wears lipstick to breakfast. And this is where you talk about your day and the part of the roof that might leak this fall. You bring your real self to breakfast.

Aelin’s eyes furled her fingers into a fist. Light leaked through her clenched fingers. Cold white light. Tendrils flickered — silver flame ...

What…what are you?” The guard’s voice had lost its certainty. “Spirit or man?” “What am I?” Szeth whispered, a bit of Light leaking from his lips as he looked past the man down the long hallway. “I’m…sorry.

We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?

You are really nuts, you know it? One a these days they're gonna come over and just lock you up! You aren't playing with a full deck, Eunice. I think somebody blew your pilot light out. There's more. You know what? You got splinters in the windmill of your mind. You're playin hockey with a warped puck! I think you dine sprung a leak in your dingey....

...and the smoke that creeps off the tip of my cigarette and into the dim, scattered strands of light leaking off the moon, in through the clefts in the curtains, is much like my spirit trying to escape the burn of yesterday's presence.

They were taken from Anacortes on a train to a transit camp—the horse stables at the Puyallup fairgrounds. They lived in the horse stalls and slept on canvas army cots; at nine p.m. they were confined to their stalls; at ten p.m. they were made to turn out their lights, one bare bulb for each family. The cold in the stalls worked into their bones, and when it rained that night they moved their cots because of the leaks in the roof. The next morning, at six A.M., they slogged through mud to the transit camp mess hall and ate canned figs and white bread from pie tins and drank coffee out of tin cups.

There was no way to explain that the thing about dark is that it’s rare. There’s always some ambient light. There’s always that contrast that helps you understand: This is dark. The pricks of stars, the leak beneath the door, the glow of an appliance, something. Wasn’t its ability to assert itself, and at breakneck speed at that, light’s most remarkable quality?

When the lights go out, the parents cry and ask each other what did he do to her, but the girls are burning with a question of their own: what did she do? What does she know now that makes her so dangerous, like the slow amber leak of a noxious fume?

Lines written for a thirtieth wedding anniversary Somewhere up in the eaves it began: high in the roof – in a sort of vault between the slates and the gutter – a small leak. Through it, rain which came from the east, in from the lights and foghorns of the coast – water with a ghost of ocean salt in it – spilled down on the path below. Over and over and over years stone began to alter, its grain searched out, worn in: granite rounding down, giving way taking into its own inertia that information water brought, of ships, wings, fog and phosphor in the harbour. It happened under our lives: the rain, the stone. We hardly noticed. Now this is the day to think of it, to wonder: all those years, all those years together – the stars in a frozen arc overhead, the quick noise of a thaw in the air, the blue stare of the hills – through it all this constancy: what wears, what endures.

I had that hole in me, that empty space. I could have lived my life with it, content enough. I wasn’t an unhappy man.” He kept his eyes on hers as his thumb brushed lightly over the back of her hand. “Then, one day I felt something—a prickle at the back of my neck, a heat at the base of my spine. And standing at a memorial for the dead, I turned, and there you were.” He turned her hand over, interlocking fingers. “There you were, and it all shifted under my feet. You were everything I shouldn’t have, shouldn’t want or need. A cop for Jesus’ sake, with eyes that looked right into me.” He reached out, just a whisper of fingers on her face. And the quiet touch was somehow wildly passionate, desperately intimate. “A cop wearing a bad gray suit and a coat that didn’t even fit. From that moment, the hole inside me began to fill. I couldn’t stop it. I couldn’t stop what rooted there, or what grew. The tears came now. He watched them drip down her cheeks, wondered if she were even aware they leaked out of her. “She was part of my life. You are my life. If I have a regret, it’s that even for an instant you could think otherwise. Or that I allowed you to.

Then she put it back in the bag and pulled out the bone-handled razor. Opened the blade. How light and lethal it felt in her hand. Allison rolled her sleeve up over her biceps and cut across the vein and artery. Warm blood splashed onto the tiled floor. Mum... It felt good, like the pain in her was leaking out with the blood, like a terrible pressure was being removed. It was soothing. She slid down the wall. Mum... But as she was there, things quickly changed; there was too much blood.

It was the burden of being alive. Awkwardly, the men would reassemble themselves, first in private, then in groups, becoming soldiers again. They would repair the leaks in their eyes. They would check for casualties, call in dustoffs, light cigarettes, try to smile, clear their throats and spit and begin cleaning their weapons.

If you find someone who fills your heart, fills in all the cracks and stops all the leaking, to the Abyss with station,

Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.

Unfamiliar insects produced a soft but insistent chirp; a crisp whir like the sound the earth itself might make rolling through the darkness if we all kept quiet enough to hear it. The lights of the condominium complex shone. They were not far away. Still, they looked almost too real and close to touch. They were like holes punched in the night, leaking light from another, more animated world. For a moment I could imagine what it would be like to be a ghost—to walk forever through a silence deeper than silence, to apprehend but never quite reach the lights of home.

We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

Movies are made out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that make it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theater gazing together at a deep imaginative night. It is the terra incognita of film, the dark continent on every map. In a similar way, a runner’s every step is a leap, so that for a moment he or she is entirely off the ground. For those brief instants, shadows no longer spill out from their feet, like leaks, but hover below them like doubles, as they do with birds, whose shadows crawl below them, caressing the surface of the earth, growing and shrinking as their makers move nearer or farther from that surface. For my friends who run long distances, these tiny fragments of levitation add up to something considerable; by their own power they hover above the earth for many minutes, perhaps some significant portion of an hour or perhaps far more for the hundred-mile races. We fly; we dream in darkness; we devour heaven in bites too small to be measured.

Prior to her reading of the poem, light tears washed over him. He seemed to be leaking out moments that were, as far as he could tell, stored in physical parts of his body – in his shoulders, his back, his stomach. His body remembered things that his brain ignored.

My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.

He thought of all the people in the world who felt they’d been saved by a city. He was one of them. Whatever darkness leaked its way in, there were always lights on in different windows here, each light like a gentle touch on his shoulder saying, Whatever is happening, Bob Burgess, you are never alone.

He no sooner saw the woman than he saw the aftermath of her - his marriage proposal and her acceptance, the home they would set up together, the drawn rich silk curtains leaking purple light, the bed sheets billowing like clouds, the wisp of aromatic smoke winding from the chimney - only for every wrack of it - its lattice of crimson roof tiles, its gables and dormer windows, his happiness, his future - to come crashing down on him in the moment of her walking past.

We all travelled light, taking with us only what we considered to be the bare essentials of life. When we opened our luggage for Customs inspection, the contents of our bags were a fair indication of character and interests. Thus Margo’s luggage contained a multitude of diaphanous garments, three books on slimming, and a regiment of small bottles each containing some elixir guaranteed to cure acne. Leslie’s case held a couple of roll-top pullovers and a pair of trousers which were wrapped round two revolvers, an air-pistol, a book called Be Your Own Gunsmith, and a large bottle of oil that leaked. Larry was accompanied by two trunks of books and a brief-case containing his clothes. Mother’s luggage was sensibly divided between clothes and various volumes on cooking and gardening. I travelled with only those items that I thought necessary to relieve the tedium of a long journey: four books on natural history, a butterfly net, a dog, and a jam-jar full of caterpillars all in imminent danger of turning into chrysalids. Thus, by our standards fully equipped, we left the clammy shores of England.

And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You.

I hear you will bring in a law,’ Kingston says. ‘It seems harsh, to make them commit a crime in retrospect.’ They try to explain it to the constable. A prince cannot be impeded by temporal distinctions: past, present, future. Nor can he excuse the past, just for being over and done. He can’t say, ‘all water under the bridges’; the past is always trickling under the soil, a slow leak you can’t trace. Often, meaning is only revealed retrospectively. The will of God, for instance, is brought to light these days by more skilful translators. As for the future, the king’s desires move swiftly and the law must run to keep up. ‘Bear in mind his Majesty’s remarkable foresight, at the trial of the late queen. He knew the sentence before the verdict was in.’ ‘True,’ Kingston says. ‘The executioner was already on the sea.’ Kingston has been a councillor long enough. He should know how the king’s mind works. Once Henry says, ‘This is my wish,’ it becomes so dear and familiar a wish that he thinks he has always had it. He names his need, and he wants it supplied.

The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.

I was making dinner and I got a message. Go look outside, she said, go look at the sunset. My apartment is small, with four rooms and two windows that don’t see much light so I had no idea. I pulled my coat on and hurried out. I was running to this sunset, suddenly the only thing that mattered. I hurried past the taller buildings to the park and the sky was leaking shades of pink and purple. It was beautiful and fleeting, there one minute and gone the next. I would’ve missed it; I almost kissed it. And so I started thinking, how great it would be to get a nudge, a tap on your shoulder, a moment or two before your life changes. Stop what you’re doing and look around, you’ll want to remember this later. In a minute, you’re going to fall in love.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

The stars in the dark vault of sky were endless. Soft green and blue light with tinges of peach at the edges waved across it in silent curtains. The curtains of gods. “I think she’s watching us from up there.” Tears leaked silently down her face. And in that instant she was certain that from up there, everything must look like it had a plan. A reason. A pattern. She just couldn’t see it from down here.

Dad once noted (somewhat morbidly, I thought at the time) that American institutions would be infinitely more successful in facilitating the pursuit of knowledge if they held classes at night, rather than in the daytime, from 8:00 PM to 4:00 or 5:00 in the morning. As I ran through the darkness, I understood what he meant. Frank red brick, sunny classrooms, symmetrical quads and courts--it was a setting that mislead kids to believe that Knowledge, that Life itself, was bright, clear, and freshly mowed. Dad said a student would be infinitely better off going out into the world if he/she studied the periodic table of elements, Madame Bovary (Flaubert, 1857), the sexual reproduction of a sunflower for example, with deformed shadows congregating on the classroom walls, the silhouettes of fingers and pencils leaking onto the floor, gastric howls from unseen radiators, and a teacher's face not flat and faded, not delicately pasteled by a golden late afternoon, but serpentine, gargoyled, Cyclopsed by the inky dark and feeble light from a candle. He/she would understand "everything and nothing," Dad said, if there was nothing discernible in the windows but a lamppost mobbed by blaze-crazy moths and darkness, reticent and nonchalant, as darkness always was.

A Short Story of Falling It is the story of the falling rain to turn into a leaf and fall again it is the secret of a summer shower to steal the light and hide it in a flower and every flower a tiny tributary that from the ground flows green and momentary is one of water's wishes and this tale hangs in a seed-head smaller than my thumbnail if only I a passerby could pass as clear as water through a plume of grass to find the sunlight hidden at the tip turning to seed a kind of lifting rain drip then I might know like water how to balance the weight of hope against the light of patience water which is so raw so earthy-strong and lurks in cast-iron tanks and leaks along drawn under gravity towards my tongue to cool and fill the pipe-work of this song which is the story of the falling rain that rises to the light and falls again

Keep me heaven my soul has holes, leaking good morals, I once had control over dark matters of the world, give me courage and strength for my Lord, and sew the holes that hold you near. Keep me heaven my soul has holes.

One noteworthy study suggests that people who suppress negative emotions tend to leak those emotions later in unexpected ways. The psychologist Judith Grob asked people to hide their emotions as she showed them disgusting images. She even had them hold pens in their mouths to prevent them from frowning. She found that this group reported feeling less disgusted by the pictures than did those who’d been allowed to react naturally. Later, however, the people who hid their emotions suffered side effects. Their memory was impaired, and the negative emotions they’d suppressed seemed to color their outlook. When Grob had them fill in the missing letter to the word “gr_ss,” for example, they were more likely than others to offer “gross” rather than “grass.” “People who tend to [suppress their negative emotions] regularly,” concludes Grob, “might start to see the world in a more negative light.

QUIET WRITING Quiet does not mean that we have nothing to say, or that we leak the power of speech - we rise up and tell our truths even if it feels like people don't like it the least; Writing is our means to have something to tell when we lost our voice suddenly we still stand behind our truths even if it feels like people won't like it. Beautifully are the quiet lines written with thunder and silent boldness - for we can have a revolution inside the pages of nowadays.

The light is off, and it is dark. He has one hand pressed against the cold tiles of the wall above the toilet, and with his other hand he is taking aim, such as it is. He’s waiting for his prostate to get out of the way so he can take a well-deserved leak and get back to bed where he belongs, so that if by chance his heart stops this very second, he won’t be found—holding his pecker, dead on the floor—by a bunch of twenty-year-old medics who will gawk at his circumcision and bad luck.

She was always an introvert, but at her core there had been something vital and alive, something that even she wasn't totally aware of. That light, that radiance used to leak out by itself, emerging from between the cracks. Do you know what I mean?

If only i could get that under control then i feel like i could stay here a long time, watching the days leaking into the nights, swilling over the buildings, bleeding back again. I could lie and not think of anything but ways to describe the sky, the clouds, the light.

Hey Ma, how come you never hit us until we were bigger’n you?” At that moment realizing I guess I never hit my kids when they were little for the same reason my father never hit me: because we were afraid that our rage at the world in which we lived might leak out to contaminate and destroy someone we loved.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

It wasn't her looks that caught his interest or made him stand utterly still. It was her shadow. The sun was throwing light perfectly to create tall, full shadows. Hers leaked long tentacles. Thin. Like streaks reaching out toward the shadows around her. Everywhere there was a shadow, hers connected to it with the long feelers--with long tubes.

Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “’A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.”’ Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ’You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ’The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?

What about this, then?” The metal surface rippled at his touch, stretching and splitting into a million thin wires that made it look like a giant version of one of those pin art toys Sophie used to play with as a kid. He tapped his fingers in a quick rhythm, and the pins shifted and sank, forming highs and lows and smooth, flat stretches. Sophie couldn’t figure out what she was seeing until he tapped a few additional beats and tiny pricks of light flared at the ends of each wire, bathing the scene in vibrant colors and marking everything with glowing labels. “It’s a map,” she murmured, making a slow circle around the table. And not just any map. A 3-D map of the Lost Cities. She’d never seen her world like that before, with everything spread out across the planet in relation to everything else. Eternalia, the elvin capital that had likely inspired the human myths of Shangri-la, was much closer to the Sanctuary than she’d realized, nestled into one of the valleys of the Himalayas—while the special animal preserve was hidden inside the hollowed-out mountains. Atlantis was deep under the Mediterranean Sea, just like the human legends described, and it looked like Mysterium was somewhere in the Bermuda Triangle. The Gateway to Exile was in the middle of the Sahara desert—though the prison itself was buried in the center of the earth. And Lumenaria… “Wait. Is Lumenaria one of the Channel Islands?” she asked, trying to compare what she was seeing against the maps she’d memorized in her human geography classes. “Yes and no. It’s technically part of the same archipelago. But we’ve kept that particular island hidden, so humans have no idea it exists—well, beyond the convoluted stories we’ve occasionally leaked to cause confusion.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

It was a small magic, he'd once told me, to keep the damper on who he was, what his power looked like. As the full majesty of him was unleashed, he filled the room, the world, my soul, with glittering ebony power. Stars and wind and shadows; peace and dreams and the honed edge of nightmares. Darkness rippled from him like tendrils of steam as he reached out a hand and laid it flat against the glowing skin of my stomach. The hand of night splayed, the light leaking through the wafting shadows, and I hoisted myself up on my elbows to kiss him. Smoke and mist and dew. I moaned at the taste of him, and he opened his mouth for me, letting me brush my tongue against his, scrape it against his teeth. Everything he was had been laid before me- one final question. I wanted it all.

They say that is is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false -- a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

I want to devour her fucking soul. If she asked me to, I’d do it. Whatever it means. I’d pin her down in the dirt and fuck her so hard, her head would end up buried in the forest floor. Even if she screams for me to stop, I won’t until she’s passed out from lack of oxygen. Leaking. Fucking filled with every drop of my cum, and if any escapes, I’ll finger it all back in and drag another orgasm from her corpse. “Malachi?” But then if she’s a corpse, she’ll be dead. Then so would I. We could haunt our house together. My sister is very much stuck with me forever. If she tried to run again, I’d chain her back up in the basement and she’d never see the light of day again. Mine, always mine. And I’ll mean it. Not just a claim of property or a claim on life. Everything about her will be mine. Already is.

His smile faded into something awed, something … reverent, and I reached out to cup his face in my hands— To find my skin glowing. Faintly, as if some inner light shone beneath my skin, leaking out into the world. Warm and white light, like the sun—like a star. Those wonder-filled eyes met mine, and Rhys ran a finger down my arm. “Well, at least now I can gloat that I literally make my mate glow with happiness.

Arthur takes a seat beside her. The colored lights bounce off his eyeglasses and Louisa loses all interest in time-travel technology. The future and the past disappear. All she feels is the tension between two bodies. How his head had been in her lap. How her hand had been wrapped inside his. The tension leaks down her throat. The belly. The muscle. And something forged. A weld. A softness. A vagueness that is rather quickly being sharpened into a point aimed directly at Louisa's heart.

emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false—a reality, an absolute and everlasting truth. Yes, we inevitably turn to God;

The police think maybe it was the gas. Maybe the pilot light on the stove went out or a burner was left on, leaking gas, and the gas rose to the ceiling, and the gas filled the condo from ceiling to floor in every room. The condo was seventeen hundred square feet with high ceilings and for days and days, the gas must’ve leaked until every room was full. When the rooms were filled to the floor, the compressor at the base of the refrigerator clicked on. Detonation. The floor-to-ceiling windows in their aluminum frames went out and the sofas and the lamps and dishes and sheet sets in flames, and the high school annuals and the diplomas and telephone. Everything blasting out from the fifteenth floor in a sort of solar flare. Oh, not my refrigerator. I’d collected shelves full of different mustards, some stone-ground, some English pub style. There were fourteen different flavors of fat-free salad dressing, and seven kinds of capers. I know, I know, a house full of condiments and no real food.

To get to our passion and purpose we must be willing to shine the light of awareness on the shadow parts of ourselves. If we cannot admit it when we are angry, the anger will leak out in ways beyond our control and we will remain stuck in the anger. By acknowledging anger, we are able to make conscious choices about how and when we express that anger. Just as we have seen that we can transcend fear, we can transcend anger. All of our “negative” emotions are part of our humanity. If we can forgive ourselves for our humanity, we can forgive others for theirs.

The notion occurs to her that the ground beneath Saint-Malo has been knitted together all along by the root structure of an immense tree, located at the center of the city, in a square no one ever walked her to, and the massive tree has been uprooted by the hand of God and the granite is coming with it, heaps and clumps and clods of stones pulling away as the trunk comes up, followed by the fat tendrils of roots—the root structure like another tree turned upside down and shoved into the soil, isn’t that how Dr. Geffard might have described it?—the ramparts crumbling, streets leaking away, block-long mansions falling like toys.

I listen to our two children playing in the backseat. Their games have become more vivid, more complex, more convincing. Children have a slow, silent way of transforming the atmosphere around them. They are so much more porous than adults, and their chaotic inner life leaks out of them constantly, turning everything that is real and solid into a ghostly version of itself. Maybe one child, alone, by himself, cannot modify the world the adults around him or her sustain and entertain. But two children are enough--enough to break the normality of that world, tear the veil down, and allow things to glow with their own, different inner light.

There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.

books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, “Light Is Like Water,” and of course Lord of the Flies—are nothing but desperate attempts by adults to come to terms with childhood. That although they seem to be stories about children’s worlds—worlds without adults—they are in fact stories about an adult’s world when there are children in it, about the way that children’s imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected from other adults, the more their imaginations leak through the cracks of our own fragile structures.

Dida was staring thoughtfully at the wall. He ran a hand down one of the rune-inscribed pillars. “Perhaps it was not a guardian. If not dispelled, all wards disintegrate over time, though the most powerful can last for hundreds—thousands—of years. These oldest of wards have been known to slowly dissolve and can . . . leak . . . magic.” Adaira frowned. “I’ve heard of this phenomenon, but how does that account for the creature we fought?” “Given the power in these runes and the time that has passed . . .” Dida shrugged. “I cannot be sure, but I suspect the entity was a residue of old magic. Ignited perhaps by oxygen or even our light spell, forming a half-life, imitating the only forms it knew.” “So magic—spirit—is alive?

At around 8 pm we heard the sound of sirens. As the sound drew nearer and nearer, we caught sight of a fire truck. As it reached the hotel, the truck pulled into the parking lot with emergency lights shining and horns blasting. It came to a stop in front of our congregation. We didn’t see a fire or any other emergency in the immediate vicinity, so this was quite unexpected. Perhaps our smell had been reported as some kind of toxic leak or spill? Firemen began to pour out of the truck carrying different trays covered in foil. I could hardly believe my eyes. The local Franklin Fire Department had brought us all a spaghetti and meatball dinner! They also brought salad and pudding for desert. This was an example of trail magic at its finest.

To blow the whistle on secret programs, I’d also have to blow the whistle on the larger system of secrecy, to expose it not as the absolute prerogative of state that the IC claimed it was but rather as an occasional privilege that the IC abused to subvert democratic oversight. Without bringing to light the full scope of this systemic secrecy, there would be no hope of restoring a balance of power between citizens and their governance. This motive of restoration I take to be essential to whistleblowing: it marks the disclosure not as a radical act of dissent or resistance, but a conventional act of return—signaling the ship to return back to port, where it’ll be stripped, refitted, and patched of its leaks before being given the chance to start over.

You're telling me this now?' 'I got sidetracked,' he said, his eyes twinkling. And the light in those eyes, the quiet joy... They knocked the breath from me. A future- we would have a future together. I would have a future. A life. His smile faded into something awed, something... reverent, and I reached out to cup his face in my hands- To find my skin glowing. Faintly, as if some inner light shone beneath my skin, leaking out into the world. Warm and white light, like the sun- like a star. Those wonder-filled eyes met mine, and Rhys ran a finger down my arm. 'Well, at least now I can gloat that I literally make my mate glow with happiness.' I laughed, and the glow flared a little brighter. He leaned in, kissing me softly, and I melted for him, wrapping my arms around his neck.

Spite houses are buildings constructed or modified to antagonize neighbours or landowners, usually by blocking access or light. They have one purpose, and one purpose only; although technically ‘houses’, these buildings are often symbols of defiance rather than genuine attempts at a home. When building a spite house, the comfort and safety of someone living inside are secondary considerations at best. What does it matter if the bedroom is too narrow to fit a bed? What does it matter if there’s no electricity or gas or running water? What does it matter if there’s no ventilation or natural light? If the house is awkward and dark and damp, if the house rattles in the wind or leaks in the rain, if the house presses its bare walls to your shoulder as you walk through the rooms? If the house is not, in fact, a usable home–then the spite burns all the stronger.

A process in the weather of the heart" A process in the weather of the heart Turns damp to dry; the golden shot Storms in the freezing tomb. A weather in the quarter of the veins Turns night to day; blood in their suns Lights up the living worm. A process in the eye forwarns The bones of blindness; and the womb Drives in a death as life leaks out. A darkness in the weather of the eye Is half its light; the fathomed sea Breaks on unangled land. The seed that makes a forest of the loin Forks half its fruit; and half drops down, Slow in a sleeping wind. A weather in the flesh and bone Is damp and dry; the quick and dead Move like two ghosts before the eye. A process in the weather of the world Turns ghost to ghost; each mothered child Sits in their double shade. A process blows the moon into the sun, Pulls down the shabby curtains of the skin; And the heart gives up its dead. Dylan Thomas, Collected Poems. (W W Norton & Co Inc June 1971)

we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.

And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered – pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.

For years, Britain operated a research facility called the Common Cold Unit, but it closed in 1989 without ever finding a cure. It did, however, conduct some interesting experiments. In one, a volunteer was fitted with a device that leaked a thin fluid at his nostrils at the same rate that a runny nose would. The volunteer then socialized with other volunteers, as if at a cocktail party. Unknown to any of them, the fluid contained a dye visible only under ultraviolet light. When that was switched on after they had been mingling for a while, the participants were astounded to discover that the dye was everywhere—on the hands, head, and upper body of every participant and on glasses, doorknobs, sofa cushions, bowls of nuts, you name it. The average adult touches his face sixteen times an hour, and each of those touches transferred the pretend pathogen from nose to snack bowl to innocent third party to doorknob to innocent fourth party and so on until pretty much everyone and everything bore a festive glow of imaginary snot.

Ladies. I’m fine,” said Sam. “Mm-hm,” said Avani, her hands on her hips. “You be sure and tell me that when you wake up in the middle of the night and pus is leaking out of your stomach and your skin’s turning green.” He looked a bit taken aback and studied his middle more closely. “You’ll be fine,” I said. “At least for a little while.” “Or we could cauterize it,” said Avani, her face lighting up. “Cauterize?” Sam echoed, looking slightly panicked. “Like, with fire?” “Yes!” She grinned even wider. “I’ve read how to do it. I definitely could.” “I should’ve let the sexually frustrated elephant rip my guts out,” Sam muttered. “At least it had the decency not to smile while it contemplated my murder.” Avani rolled her eyes. “Sam, you gonna put your shirt back on? Before Sarah here starts to hyperventilate?” Looking thoroughly chastened, Sam shrugged his shirt on. I hissed at Avani through the corner of my mouth as he walked away. “Hyperventilate?” She shrugged and inspected her nails. “You were studying him like you were prepping for an anatomy exam.” “I was not!

I set my coffee beside me on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. My hand works automatically over the puppy’s fur, following the line of hair under his ears, down his neck, inside his forelegs, along his hot-skinned belly. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its side; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillograph on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.

For years, Britain operated a research facility called the Common Cold Unit, but it closed in 1989 without ever finding a cure. It did, however, conduct some interesting experiments. In one, a volunteer was fitted with a device that leaked a thin fluid at his nostrils at the same rate that a runny nose would. The volunteer then socialized with other volunteers, as if at a cocktail party. Unknown to any of them, the fluid contained a dye visible only under ultraviolet light. When that was switched on after they had been mingling for a while, the participants were astounded to discover that the dye was everywhere—on the hands, head, and upper body of every participant and on glasses, doorknobs, sofa cushions, bowls of nuts, you name it. The average adult touches his face sixteen times an hour, and each of those touches transferred the pretend pathogen from nose to snack bowl to innocent third party to doorknob to innocent fourth party and so on until pretty much everyone and everything bore a festive glow of imaginary snot. In a similar study at the University of Arizona, researchers infected the metal door handle to an office building and found it took only about four hours for the “virus” to spread through the entire building, infecting over half of employees and turning up on virtually every shared device like photocopiers and coffee machines. In the real world, such infestations can stay active for up to three days. Surprisingly, the least effective way to spread germs (according to yet another study) is kissing. It proved almost wholly ineffective among volunteers at the University of Wisconsin who had been successfully infected with cold virus. Sneezes and coughs weren’t much better. The only really reliable way to transfer cold germs is physically by touch. A survey of subway trains in Boston found that metal poles are a fairly hostile environment for microbes. Where microbes thrive is in the fabrics on seats and on plastic handgrips. The most efficient method of transfer for germs, it seems, is a combination of folding money and nasal mucus. A study in Switzerland in 2008 found that flu virus can survive on paper money for two and a half weeks if it is accompanied by a microdot of snot. Without snot, most cold viruses could survive on folding money for no more than a few hours.

Suppose you and Pa were gone, and we were lost. Suppose we were inside of Lord of the Flies What would happen then? I wonder what my sister, who understand books better than life, would say if she were confronted with a question like this one. She's so good at explaining books and their meanings, beyond the obvious. Maybe she'd say that all those books and stories devoted to adult-less children – books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, "Light is Like Water," and of course Lord of the Flies – are nothing but desperate attempts by adults to come to terms with childhood. That although they may seem to be stories about children's worlds – worlds without adults – they are in fact stories about children's worlds – worlds without adults – they are in fact stores about an adult's world when there are children in it, about the way that children's imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected by other adults, the more their imaginations leak through the cracks of our own fragile structures.

It did, however, conduct some interesting experiments. In one, a volunteer was fitted with a device that leaked a thin fluid at his nostrils at the same rate that a runny nose would. The volunteer then socialized with other volunteers, as if at a cocktail party. Unknown to any of them, the fluid contained a dye visible only under ultraviolet light. When that was switched on after they had been mingling for a while, the participants were astounded to discover that the dye was everywhere—on the hands, head, and upper body of every participant and on glasses, doorknobs, sofa cushions, bowls of nuts, you name it. The average adult touches his face sixteen times an hour, and each of those touches transferred the pretend pathogen from nose to snack bowl to innocent third party to doorknob to innocent fourth party and so on until pretty much everyone and everything bore a festive glow of imaginary snot. In a similar study at the University of Arizona, researchers infected the metal door handle to an office building and found it took only about four hours for the “virus” to spread through the entire building, infecting over half of employees and turning up on virtually every shared device like photocopiers and coffee machines. In the real world, such infestations can stay active for up to three days. Surprisingly,

...the house let out a groan. Like the wood itself was being warped, the house began to moan and shudder- the coloured glass lights in my room tinkling. I jolted upright, twisting to the open window. Clear skies, nothing- Nothing but the darkness leaking into my room from the hall door. I knew that darkness. A kernel of it lived in me. It rushed in from the cracks of the door like a flood. The house shuddered again. I vaulted from bed, yanked the door open, and darkness swept past me on a phantom wind, full of stars and flapping wings and- pain. So much pain, and despair, and guilt and fear. I hurtled into the hall, utterly blind in the impenetrable dark. But there was a thread between us, and I followed it- to where I knew his room was. I fumbled for the handle, then- More night and stars and wind poured out, my hair whipping around me, and I lifted an arm to shield my face as I edged into the room. 'Rhysand.' No response. But I could feel him there- feel that lifeline between us. I followed it until my shins banged into what had to be his bed. 'Rhysand,' I said over the wind and dark. The house shook, the floor-boards clattering under my feet. I patted the bed, feeling sheets and blankets and down, and then- Then a hard taut, male body. But the bed was enormous, and I couldn't get a grip on him. 'Rhysand!' Around and around darkness swirled, the beginning and end of the world.

For years, Britain operated a research facility called the Common Cold Unit, but it closed in 1989 without ever finding a cure. It did, however, conduct some interesting experiments. In one, a volunteer was fitted with a device that leaked a thin fluid at his nostrils at the same rate that a runny nose would. The volunteer then socialized with other volunteers, as if at a cocktail party. Unknown to any of them, the fluid contained a dye visible only under ultraviolet light. When that was switched on after they had been mingling for a while, the participants were astounded to discover that the dye was everywhere—on the hands, head, and upper body of every participant and on glasses, doorknobs, sofa cushions, bowls of nuts, you name it. The average adult touches his face sixteen times an hour, and each of those touches transferred the pretend pathogen from nose to snack bowl to innocent third party to doorknob to innocent fourth party and so on until pretty much everyone and everything bore a festive glow of imaginary snot. In a similar study at the University of Arizona, researchers infected the metal door handle to an office building and found it took only about four hours for the “virus” to spread through the entire building, infecting over half of employees and turning up on virtually every shared device like photocopiers and coffee machines. In the real world, such infestations can stay active for up to three days.

The evening was a string of miserable minutes strung together in tiny clusters. Three minutes for a man shot through the shoulder; Ellis put first a finger in the entry wound and then another in the exit and when his fingers touched, he decided the man was only lightly injured and didn’t need a surgeon. Three minutes to set a broken wrist and splint it with a strip of cowhide and a piece of wood from a sycamore tree. Two minutes to tourniquet a leg, then extract a piece of wire deep in the meat of it. A minute to peek under a pink, saturated bandage several inches below a slender belly button; he saw thin, red water leaking from a hole and smelled urine, knew the ball had breached the bladder. It would either heal or it wouldn’t, but nothing to do about it so he set the soul aside, a case not to be operated upon. He turned a man’s head looking for the source of a trickle of blood and had ten terrible minutes trying to stop torrential bleeding from under his clavicle; frantic moments during which he could get neither a finger nor a clamp around the pulsating source. All bleeding stops eventually though, and the case did not violate the rule. He took two minutes to settle his own breathing, then four minutes sewing a torn scalp, and half a minute saying a prayer over a fat, cigar-shaped dead man. After awhile, he had the impression he wasn’t seeing men, but parts—an exploded chest, a blood swolled thigh, a busted jaw with its teeth spat to the wind or swallowed. It was more than a man could take and a lot less than there was to be seen.

Can a reasonable man ever truly question the nobility of the heat engine he calls his body? What option does he have but to heap praise on his form, to self-adore, to admire, and to hold it up as the greatest statement of beauty in a beautiful garden? What, though, is to be admired in such a frighteningly fragile machine; a perilously needy contraption laced with kilometres of liquid and electrical conduits prone to leaks, rot, clogs, and short-circuits? What is there to be proud of in a machine that has an eight hour battery life and is predetermined to spend half its existence in a defenceless, catatonic coma? What is to be revered in a mechanism let loose in a sealed off room where almost everything—including its single source of light and warmth—makes it sick, but whose immune system functions by late entry crisis-response imitation? Where is the awe in a contrivance that freezes and dies if placed a little over here, or overheats and dies if placed a little over there? Where is the wonder in an instrument that is crushed to a pulp if dropped a little down there, or boiled away to nothing if lifted a little up there? Where is the marvel in an appliance where three-quarters of the planet’s surface will drown it, and three-quarters of the atmosphere will asphyxiate it? What is there to be cherished in a machine born innately greedy and so utterly useless that it has to wait three years for its neural networks to hook-up and come online before it even begins to get a hint of who or even what it is, and only then can it start to relearn absolutely everything its forebears had already bothered to learn? Where is the artistry in a thinking engine whose sweetest fuel can only be embezzled from other thinking engines?

Eventually the term ended and I was on the windy mountain road to camp, still slightly worried that I’d made a wrong turn in life. My doubt, however, was short-lived. The camp delivered on its promise, concentrating all the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.

People who love are different from everybody else. People who feel are more fortunate than all. Rich men who buy and grab up things are just moving them around. They have bought these things with money, which they can never own. A mother with life in her womb is the one who is truly wealthy. A newborn in the arms is beyond oil in one palm and pure gold in the other. Father says that there is no God, so that I might worship him. But something is moving in the atmosphere… Not for viewing, but for sensing and being changed by. That I can feel. I am certain. My first love was the sky. Who created that? My second love was my mother’s eyes that revealed a reflection of me. My father had a house of great beauty built for us all. But who created the mind, the memory, and the imagination? I’d sit in the soil surrounded with no walls just to talk to that ONE, even without words… Diamonds are lovely, but sound is lovelier. Roller coasters are thrilling. My clitoris clothed in my vagina is more, more, more. Why turn on the lights when we can lie under the glare of the moon? Why listen to the call for war when we can make love? He wants revolution, but I want passion revolving in my soul. A man invented the fan, but who created the wind and caressed it into a breeze Then converted it into a storm? A cloud holds the water, yet both clouds and water were created. Impress me not with castles, cars, or clothes. I’d rather meet the Maker of rain— But would be content with simply being showered while lying in the grass Facing a darkened sky pregnant with thunder and leaking lightning. My husband asks me, Do you love me? So gently, I answer him. “I love the Creator of life. This is why I can love you.” Yet everywhere that I see and feel a trace of the Creator, the Light of life, There is so much love in it for me.

What in the world happened?” Phil asked me. “Did you flip your truck?” “It’s a long story,” I said. “Let’s go duck-hunting.” We ended up having one of our best duck hunts of the season. When we returned to Phil’s house, I filled up about twenty bottles of water. My busted radiator leaked the entire way home, and I had to stop every couple of miles to fill it up with water. There was a body shop close to our house, so I pulled in there before going home. “Well, whatcha think?” I asked the mechanic. “Well, we can fix it,” he said. “I can get you a radiator.” “What’s it going to cost me?” I asked. “Well, what are you going to do with the deer?” he said. “I can get you a radiator for the deer.” About that time, the mechanic’s assistant walked up to my truck. “What are you going to do with the rack of horns?” the assistant asked me. “Hey, if you can fix my door so it will close, you can have the horns,” I told him. There’s nothing quite like good, old-fashioned redneck bartering. Unfortunately, I didn’t get off so easy with the damage to Missy’s car. In all the excitement of the day, I’d completely forgotten to tell her that I’d wrecked her car. When I got home, she told me somebody pulled in the driveway and sideswiped it. I couldn’t tell a lie. “You remember how you scolded me about forgetting to turn out the carport light?” I said. “Yeah,” she said. “Well, this is what happens when you start worrying about small things like that,” I said. A big argument ensued, but Missy took her car to the body shop, and it cost us several hundred dollars to fix it. Two days after we picked up her car, I was driving it to Phil’s house. Wouldn’t you know it? Another deer jumped in front of me in the road. I totaled Missy’s car. We had to buy her a new car, and my truck never drove the same after it was wrecked, either. I sold it for—you guessed it—a thousand bucks.

He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves. He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.' The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?' He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.

Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.

I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.

Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “ ‘A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false—a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.’ ” Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ‘You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ‘The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?

Take your hands off him.' She did. 'Unshackle him.' Lucien's skin drained of colour as Ianthe obeyed me, her face queerly vacant, pliant. The blue stone shackles thumped to the mossy ground. Lucien's shirt was askew, the top button on his pants already undone. The roaring that filled my mind was so loud I could barely hear myself as I said, 'Pick up that rock.' Lucien remained pressed against that tree. And he watched in silence as Ianthe stopped to pick up a grey, rough rock about the size of an apple. 'Put your right hand on that boulder.' She obeyed, though a tremor went down her spine. Her mind thrashed and struggled against me, like a fish snared on a line. I dug my mental talons in deeper, and some inner voice of hers began screaming. 'Smash your hand with the rock as hard as you can until I tell you to stop.' The hand she'd put on him, on so many others. Ianthe brought the stone up. The first impact was a muffled, wet thud. The second was an actual crack. The third drew blood. Her arm rose and fell, her body shuddering with the agony. And I said to her very clearly, 'You will never touch another person against their will. You will never convince yourself that they truly want your advances; that they're playing games. You will never know another's touch unless they initiate, unless it's desired by both sides.' Thwack; crack; thud. 'You will not remember what happened here. You will tell the others that you fell.' Her ring finger had shifted in the wrong direction. 'You are allowed to see a healer to set the bones. But not to erase the scarring. And every time you look at that hand, you are going to remember that touching people against their will has consequences, and if you do it again, everything you are will cease to exist. You will live with that terror every day, and never know where it originates. Only the fear of something chasing you, hunting you, waiting for you the instant you let your guard down.' Silent tears of pain flowed down her face. 'You can stop now.' The bloodied rock tumbled onto the grass. Her hand was little more than cracked bones wrapped in shredded skin. 'Kneel here until someone finds you.' Ianthe fell to her knees, her ruined hand leaking blood onto her pale robes. 'I debated slitting your throat this morning,' I told her. 'I debated it all last night while you slept beside me. I've debated it every single day since I learned you sold out my sisters to Hybern.' I smiled a bit. 'But I think this is a better punishment. And I hope you live a long, long life, Ianthe, and never know a moment's peace.' I stared down at her for a moment longer, tying off the tapestry of words and commands I'd woven into her mind, and turned to Lucien. He'd fixed his pants, his shirt. His wide eyes slid from her to me, then to the bloodied stone. 'The word you're looking for, Lucien,' crooned a deceptively light female voice, 'is daemati.

So,” I cleared my throat, unable to tolerate his moans of pleasure and praise any longer, “uh, what are your plans for the weekend?” “The weekend?” He sounded a bit dazed. “Yes. This weekend. What do you have planned? Planning on busting up any parties?” I asked lightly, not wanting him to know that I was unaccountably breathless. I moved to his other knee and discarded the towel. “Ha. No. Not unless those wankers down the hall give me a reason to.” Removing his arms from his face, Bryan’s voice was thick, gravelly as he responded, “I, uh, have some furniture to assemble.” “Really?” Surprised, I stilled and stared at the line of his jaw. The creases around his mouth—when he held perfectly still—made him look mature and distinguished. Actually, they made him even more classically handsome, if that was even possible. “Yes. Really. Two IKEA bookshelves.” I slid my hands lower, behind his ankle, waiting for him to continue. When he didn’t, I prompted, “That’s it?” “No.” He sighed, hesitated, then added, “I need to stop by the hardware store. The tap in my bathroom is leaking and one of the drawer handles in the kitchen is missing a screw. I just repainted the guest room, so I have to take the excess paint cans to the chemical disposal place; it’s only open on Saturdays before noon. And then I promised my mam I’d take her to dinner.” My mouth parted slightly because the oddest thing happened as he rattled off his list of chores. It turned me on. Even more so than running my palms over his luscious legs. That’s right. His list of adult tasks made my heart flutter. I rolled my lips between my teeth, not wanting to blurt that I also needed to go to the hardware store over the weekend. As a treat to myself, I was planning to organize Patrick’s closet and wanted to install shelves above the clothes rack. Truly, Sean’s penchant for buying my son designer suits and ties was completely out of hand. Without some reorganization, I would run out of space. That’s right. Organizing closets was something I loved to do. I couldn’t get enough of those home and garden shows, especially Tiny Houses, because I adored clever uses for small spaces. I was just freaky enough to admit my passion for storage and organization. But back to Bryan and his moans of pleasure, adult chores, and luscious legs. I would not think about Bryan Leech adulting. I would not think about him walking into the hardware store in his sensible shoes and plain gray T-shirt—that would of course pull tightly over his impressive pectoral muscles—and then peruse the aisles for . . . a screw. I. Would. Not. Ignoring the spark of kinship, I set to work on his knee, again counting to distract myself. It worked until he volunteered, “I’d like to install some shelves in my closet, but that’ll have to wait until next weekend. Honestly, I’ve been putting it off. I’d do just about anything to get someone to help me organize my closet.” He chuckled. I’d like to organize your closet. I fought a groan, biting my lip as I removed my hands, turned from his body, and rinsed them under the faucet. “We’re, uh, finished for today.

TREASURE CHEST COOKIES (Lisa’s Aunt Nancy’s Babysitter’s Cookies) Preheat oven to 350 degrees F., rack in the middle position. The Cookie Dough: ½ cup (1 stick, 4 ounces, ¼ pound) salted butter, room temperature ¾ cup powdered sugar (plus 1 and ½ cups more for rolling the cookies in and making the glaze) ¼ teaspoon salt 2 tablespoons milk (that’s cup) 1 teaspoon vanilla extract 1 and ½ cups all-purpose flour (pack it down when you measure it) The “Treasure”: Well-drained Maraschino cherries, chunks of well-drained canned pineapple, small pieces of chocolate, a walnut or pecan half, ¼ teaspoon of any fruit jam, or any small soft candy or treat that will fit inside your cookie dough balls. The Topping: 1 cup powdered (confectioners) sugar To make the cookie dough: Mix the softened butter and ¾ cup powdered sugar together in a medium-sized mixing bowl. Beat them until the mixture is light and fluffy. Add the salt and mix it in. Add the milk and the vanilla extract. Beat until they’re thoroughly blended. Add the flour in half-cup increments, mixing well after each addition. Divide the dough into 4 equal quarters. (You don’t have to weigh it or measure it, or anything like that. It’s not that critical.) Roll each quarter into a log shape and then cut each log into 6 even pieces. (The easy way to do this is to cut it in half first and then cut each half into thirds.) Roll the pieces into balls about the size of a walnut with its shell on, or a little larger. Flatten each ball with your impeccably clean hands. Wrap the dough around a “treasure” of your choice. If you use jam, don’t use over a quarter-teaspoon as it will leak out if there’s too much jam inside the dough ball. Pat the resulting “package” into a ball shape and place it on an ungreased cookie sheet, 12 balls to a standard-size sheet. Push the dough balls down just slightly so they don’t roll off on their way to your oven. Hannah’s 1st Note: I use baking sheets with sides and line them with parchment paper when I bake these with jam. If part of the jam leaks out, the parchment paper contains it and I don’t have sticky jam on my baking sheets or in the bottom of my oven. Bake the Treasure Chest Cookies at 350° F. for approximately 18 minutes, or until the bottom edge is just beginning to brown when you raise it with a spatula. Remove the cookies from the oven and allow them to cool on the sheets for about 5 minutes. Place ½ cup of powdered sugar in a small bowl. Place wax paper or parchment paper under the wire racks. Roll the still-warm cookies in the powdered sugar. The sugar will stick to the warm cookies. Coat them evenly and then return them to the wire racks to cool completely. (You’ll notice that the powdered sugar will “soak” into the warm cookie balls. That’s okay. You’re going to roll them in powdered sugar again for a final coat when they’re cool.) When the cookies are completely cool, place another ½ cup powdered sugar in your bowl. Roll the cooled cookies in the powdered sugar again. Then transfer them to a cookie jar or another container and store them in a cool, dry place. Hannah’s 2nd Note: I tried putting a couple of miniature marshmallows or half of a regular-size marshmallow in the center of my cookies for the “treasure”. It didn’t work. The marshmallows in the center completely melted away. Lisa’s Note: I’m going to try my Treasure Chest Cookies with a roll of Rollo’s next time I make them. Herb just adores those chocolate covered soft caramels. He wants me to try the miniature Reese’s Pieces, too. Yield: 2 dozen delicious cookies that both kids and adults will love to eat.

Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡✹ ppt33 ✹ 〓 라인 ✹ pxp32 ✹ 홈피는 친추로 연락주세요 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... 발기부족으로 삽입시 조루증상 그리고 여성분 오르가즘늦기지 못한다 또한 페니션이 작다고 느끼는분들 이쪽으로 보세요 팔팔정,구구정,비닉스,센트립,네노마정,프릴리지,비맥스,비그알엑스 등 아주 많은 좋은제품들 취급하고 단골님 모시고 있는곳입니다.원하실경우 언제든 연락주세요 I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, 팔팔정구입,팔팔정구매,팔팔정판매,팔팔정처방,팔팔정가격,팔팔정후기,팔팔정파는곳,팔팔정팝니다,팔팔정구입방법,팔팔정구매방법,팔팔정복용법,팔팔정부작용,팔팔정약효,팔팔정효과 but, it seems that I cannot see through its true meaning forever... You don’t practice in the arena, that’s where your skills and your abilities are evaluated. This also means that you don’t practice solving problems and developing yourself when problems occur, you prepare yourself to face them long before you actually face them. Talent is good but training is even better. Back in college, one of my classmates in Political Science did not bring any textbook or notebook in our classes; he just listened and participated in discussions. What I didn’t understand was how he became a magna cum laude! Apparently, he was gifted with a great memory and analytical skills. In short, he was talented. If you are talented, you probably need less preparation and training time in facing life’s challenges. But for people who are endowed with talent, training and learning becomes even important. Avoid the lazy person’s maxim: “If it isn’t broken, why fix it?” Why wait for your roof to leak in the rainy season when you can fix it right away. Maybe, I do not just “absorb” your love; but because the love overpowers me and I am unable to dispute and refuse it... Do you know? It’s you who light up my life! And I stubbornly believe that such love can only be experienced once in my life. Because of love, we won’t be lonely anymore; because of yearning, we taste more loneliness.

Imagine you are walking in a pleasant meadow with someone you love, your mother. It's warm, and there's just enough of a breeze to cool you. You can smell earth and cut grass, and something of a herb garden. Lunch is a happy memory in your stomach and dinner awaits you - a three-course meal you have devised - all your comfort foods. The light is golden with a touch of blue, as if the sky were leaking. Suddenly, your mother steps into a patch of quicksand. The world continues to be idyllic and inviting for you but your mother is being sucked into the centre of the earth. She makes it worse by smiling bravely, by telling you to go on, to leave here there, the man with the broken leg on the Arctic expedition who says, 'Come back for me; it's my best chance,' because the lie allows everyone to believe that they are not abandoning him to die.

Cesena was delighted. Then his smile vanished. It was all too easy to imagine the pope’s reaction when news of Ockham’s opinion leaked

Hmm,” said Tammy, “and once more your naive optimism regarding the human species reveals its hopeless disconnect with reality. While it was well-established that prior to the Great EM Pulse following the Benefactors’ arrival in Earth orbit, virtually every human being on the planet had already become a drooling automaton with bloodshot eyes glued to a pixelated screen, even as the world melted around them in a toxic stew of air pollution, water pollution, vehicles pouring out carcinogenic waste gases, and leaking gas pipelines springing up everywhere along with earthquake-inducing fracking and oil spills in the oceans and landslides due to deforestation and heat waves due to global warming and ice caps melting and islands and coastlines drowning and forests dying and idiots building giant walls and—” “All right, whatever!” Hadrian snapped. “But don’t you see? This is the future!” “Yeah, that statement makes sense.” “The future from then, I mean. Now is their future, even if it’s our now, or will be, I mean—oh fuck it. The point is, Tammy, we’re supposed to have matured as a species, as a civilization. We’re supposed to have united globally in a warm gush of integrity, ethical comportment, and peace and love as our next stage of universal consciousness bursts forth like a blinding light to engulf us all in a golden age of enlightenment and postscarcity well-being.” “Hahahaha,” Tammy laughed and then coughed and choked. “Stop! You’re killing me!” Beta spoke. “I am attempting to compute said golden age, Captain. Alas, my Eternally Needful Consumer Index is redlining and descending into a cursive loop of existential panic. All efforts to reset parameters yield the Bluescreen of Incomprehension. Life without mindless purchase? Without pointless want? Without ephemeral endorphin spurts? Without gaming-induced frontal lobe permanent degradation resulting in short-tempered antisocial short-attention-span psychological generational profiles? Impossible.” “The EMP should have given us the breathing space to pause and reevaluate our value system,” said Hadrian. “Instead, it was universal panic. Riots in Discount Super Stores, millions trampled—they barely noticed the lights going out, for crying out loud.

Often Khaster heard noises in the night he could not identify. They were the sounds made by animals, but had a human resonance to them. Sometimes gouts of light would spurt into the sky-red, turquoise, gold-and some moments later thunder would come, but from beneath the earth rather than the heavens. Strange smells, bitter yet musky and sweet, would occasionally come in through an open window to haunt a room. Khaster knew that the priest-mages of Madragore employed a regiment of alchemists who worked in a shuttered citadel on the east of the city. Its huge domed roof, which was covered in flaky verdigis scales rose up from an area of factories and tanning shops. Stories leaked out of the citadel along with the fumes. Creatures were made there, homunculi, golems, beasts of war. Sometimes the creatures escaped or were let out to roam the city by their keepers. That accounted for the strange nocturnal noises. But perhaps these were only stories after all. Perhaps the citadel hid secrets of a more mundane yet brutal nature. Prisoners could be interrogated there, tortured with corrosive steams. The alchemists made killing perfumes for use on the battlefield. Khaster had heard tales of a liquid that when released into the air corroded all the flesh from anyone who smelled its delicate aroma. The alchemists made weapons; if not magical beasts, then mordant potions and poisons. They had to test them on someone.

There was battle far above in the high spaces of the air. The billowing clouds of Mordor were being driven back, their edges tattering as a wind out of the living world came up and swept the fumes and smokes towards the dark land of their home. Under the lifting skirts of the dreary canopy dim light leaked into Mordor like pale morning through the grimed window of a prison. ‘Look at it, Mr. Frodo!’ said Sam. ‘Look at it! The wind’s changed. Something’s happening. He’s not having it all his own way. His darkness is breaking up out in the world there. I wish I could see what is going on!

I spend most of my Mondays with blood. I am a hematologist by training. I study blood and treat blood diseases, including cancers and precancers of white blood cells. On Monday, I arrive much earlier than my patients, when the morning light is still aslant across the black slate of the lab benches. I close the shutters and peer through the microscope at blood smears. A droplet of blood has been spread across a glass slide, to make a film of single cells, each stained with special dyes. The slides are like previews of books, or movie trailers. The cells will begin to reveal the stories of the patients even before I see them in person. I sit by the microscope in the darkened room, a notepad by my side, and whisper to myself as I go through the slides. It’s an old habit; a passerby might well consider me unhinged. Each time I examine a slide, I mumble out the method that my hematology professor in medical school, a tall man with a perpetually leaking pen in his pocket, taught me: “Divide the main cellular components of blood. Red cell. White cell. Platelet. Examine each cell type separately. Write what you observe about each type. Move methodically. Number, color, morphology, shape, size.” It is, by far, the favorite time of my day at work. Number, color, morphology, shape, size. I move methodically. I love looking at cells, in the way that a gardener loves looking at plants—not just the whole but also the parts within the parts: the leaves, the fronds, the precise smell of loam around a fern, the way the woodpecker has bored into the high branches of a tree. Blood speaks to me—but only if I pay attention.

The purpose of a spending plan is to help you fatten your purse. It is to assist you in having the coins to pay for necessities and, as much as your income allows, your other desires. It is to enable you to fulfill your most cherished desires by defending them from your casual wishes. It is like a bright light in a dark cave that shows you the leaks in your purse so you can stop them, and control your expenditures so they are used to fulfill those desires that are most important to you.

It’s still watching; eyes like bullet holes, leaking inner light.

He could remember a time when darkness had been a quality of the world itself, a thing of the sky when the sun sagged below the horizon and the light leaked out; a thing of the sea when you dove deep enough for the weight of the salt water to smother the shine; a thing of castle keeps and caves after someone snuffed the last lamp and the great stone space went black. Even the darkness of Hull’s Hole, that absolute absence of light filling the cave’s snaking chamber: you went into it, then you came out. Or if you failed to come, if the slarn tore you apart, then you slid into the longer darkness of death. It had seemed an awful fate once, being stuck in that endless black. That was before the blade had taught Valyn hui’Malkeenian a greater, more terrible truth: the outer dark, for all its horrors - the old, cold dark of caverns or the bottomless dark of the dead - it was nothing when set beside the darkness carried inside, a darkness bled into poisoned flesh and carved across ruined eyes, a darkness of the self.

It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.

They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms have begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false - a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

The creature that stared out through Aelin’s eyes furled her fingers into a fist. Light leaked through her clenched fingers. Cold white light. Tendrils flickered—silver flame …

Come back to me,” he says. But Wren is silent and still. Oak let’s go of his power, cursing himself. He glanced up o helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead his touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he Carrie’s her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.

Come back to me,” he says. But Wren is silent and still. Oak lets go of his power, cursing himself. He glances up helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead is touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he carries her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.

long before the first light leaked in the east.

At the start of the seemingly enchanted, ink-blotched forest, light leaked through the treetops as rays, like tiny streams of water through a beaver dam. He would, on occasion, stop and stare through the opening to remind himself what the sky looked like. Unfortunately, where Holt found himself further, whatever leaked through the analogous dam that existed previously, had been patched up. He could not see rays, but only mere photons clinging to the rough surface of tree bark and the tips of pine needles. The bright specks resembled what he imagined fairies to look like, their wings somewhere hidden in the blurry light bubble that surrounded them. His slight astigmatism made the creature’s detail much more amorphous.

The teenager let out a deep, deep sigh, like he’d been holding it in for hours. “Dad’s gonna be so pissed.” “Yeah, but not at you,” I reassured him. The look he sent me was one that told me he wasn’t totally convinced that was going to be the case, but I knew it would. And I’d be nosey and eavesdrop. We headed into the house. I went to the table in the kitchen, picking up a hunting and fishing magazine stacked neatly in the middle as Amos went for the house phone and punched in some numbers. His face was gloomy as hell. I pretended not to look at him as he held the receiver and let out a deep breath. He winced right before saying, “Hey, Dad… uh, Ora and I think there’s a leak in the garage apartment… The ceiling has, like, pockets of water, and there’s drops—what? I don’t know how… I just went in there and saw it… Ora turned off the water. Then she turned off the power when the lights started flickering… Hold on.” The boy held the phone out. “He wants to talk to you.” I took it. “Hi, Rhodes, how’s your day going? How many people have you busted for not having a permit?” I flashed a grimace-like smile at Amos, who suddenly didn’t look so sick. Rhodes didn’t say anything for a heartbeat before coming on the line with “It’s going good now.” Excuse me? Was that flirting? “And only two hunters. How’s yours?” He was really asking me about my day. Who was this man and how could I buy him? “Pretty good. A customer brought me a Bundt cake. I gave Clara half when she gave me the stink eye. I’ll give Am half of my half so you can try it. It’s good.” Amos was giving me the funniest look, and I winked at him. We were in this together. “Thanks, Buddy,” he said almost softly. “You mind telling me what happened over there?

We are too often told that anger is an unhealthy emotion, but when someone or something has stolen your soul and destroyed your life, anger is a natural response. I am not talking about irrational rage, which can be disastrous and lead you down an even darker hole. I am talking about controlled anger, which is a natural source of energy that can wake you the fuck up and help you realize that what you went through wasn’t right. I have cracked open anger several times. It has warmed me when I was freezing, it has turned my fear into bravery, and it has given me fight when I had none. And it can do the same for you. Anger will snap you out of the spell you’re in until you are no longer willing to remain confined in your mental prison. You’ll be scratching and clawing at the walls, looking for cracks where the light leaks in. Your fingernails will be broken, the tips of your fingers bloody and raw, and you will continue to fight to expand those cracks because your anger will be purifying and the human mind loves progress. Keep at it, and eventually, those walls will tumble until you are free, standing in a debris field one more time, with your eyes wide open. That’ll work. Because destruction always breeds creation.

In a flash it came to me - might not people who were forced to spend their working hours between walls like to hear about what went on in a hill-top croft, of how it was possible to get an immense amount of fun and satisfaction out of lifting loads of mud into a cart, even though your boots were leaking and you knew there was not enough in the kitty to buy another pair? Would they like to know about the way light could stream down a blue hillside on a spring noon, how a lark could suddenly leap into a pale, washed skye after a night of storm and make the air ring with song, of how it was possible to get by every sort of difficulty as long as there was this knowledge that you were all in it together, this solidarity with rock and sun and bird? I believed they would.

You’re being very naughty,” Carrie whispers on the other end of the phone. A smile pops up on my face as I grab the base of my cock and begin to lightly stroke it. “Now tell me I’m a bad, bad boy.” She giggles, and it makes me even harder. “Stop. We can’t do this.” But she doesn’t sound like she means it. “We’re already doing this, Carrie. I’ve got my dick in my hand, and hearing you laugh is enough to make me rock hard.” “Maybe you can show me how hard you are.” I almost drop the phone in my lap. “Yes, ma’am!” “Wow.” Carrie lets out a low whistle of appreciation when I turn on the camera and point it at my member. “All that just for me?” “All for you, baby. Because you’re the only person I want to be with. You’re my fantasy,” I cut her off. “I don’t care about any of those women. I only want you.” “Prove it.” Her voice shakes, but that doesn’t change the message. “Show me how much you want me.” “I’d rather have you here with me,” I tell her. “I’d rather be on my knees in between your legs, licking your pussy until you can’t see straight.” “Tell me more,” Carrie whispers. “I’d lick every inch of you from your soft inner lips to your swollen clit. I’d lick up every drop of your sweet nectar and make you beg for more,” I continue, stroking myself even harder now. My head bulges, leaking precum onto my fingers. “And then, when you think you can’t take any more pleasure, I’d slide inside you—smooth and slow.

Someday the fish and the falcon, the fox and the owl, will tell tales, in their way, of this disembodied globe of light and what it contained, all the poison and all the grief that leaked out of it.

When I turned the light on, I jumped back into the hall! Roaches were scattering every damn where in that shit! I can promise you Gabe wasn't taking a leak in that shit. This bitch doesn't know she got a mutherfuckin’ insect problem.

Before them stood an old lady, carrying herself like a queen, and wearing a mackintosh that would have disgraced a tinker’s drab. She acknowledged Mrs. Leak’s curtsey with an inclination of the head, and turned to Laura. “I am Miss Larpent. And you, I think, must be Miss Willowes.” The voice that spoke was clear as a small bell and colorless as if time had bleached it of every human feeling save pride. The hand that rested in Laura’s was light as a bird’s claw; a fine glove encased it like a membrane, and through the glove Laura felt the slender bones and the sharp-faceted rings. “Long ago,” continued Miss Larpent, “I had the pleasure of meeting your great-uncle, Commodore Willowes.” Good heavens, thought Laura in a momentary confusion, was great-uncle Demetrius a warlock? For Miss Larpent was so perfectly witchlike that it seemed scarcely possible that she should condescend to ordinary gentlemen. Apparently Miss Larpent could read Laura’s thoughts. “At Cowes,” she added, reassuringly.

He liked being with other people. Too much time alone and he felt his colour leaking out.

In a degraded environment, however safe and rich our material lives, our spirits will sink. We take our cues from what the buildings around us ‘speak about’. If they speak of grace and charm, kindness and light, our mood will be buoyant; if, however, they seem to threaten and intimidate us, we will feel humiliated and cowed. Modernity has had little respect for our fragility. It has imagined that, so long as the roof didn’t leak, we could dwell among buildings of unsurpassed ugliness and not lose our will to live.

it is the fear of death and of what comes after death that makes men turn to religion as they advance in years but my own experience has given me the conviction that quite apart from any such terrors or imaginings the religious sentiment tends to develop as we grow older to develop because as the passions grow calm as the fancy and sensibilities are less excited and less excitable our reason becomes less troubled in its working less obscured by the images, desires and distraction in which it used to be absorbed whereupon god emerges a s from behind a cloud ;our should feel, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without we feel the need to lean on something that abides something that will never play us false a reality an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure so delightful to the soul that experiences it, that it makes up to us for all our other losses,

The sun lowered itself into the sea until it hung like a half-shut eye, leaking crimson tears of light.

Karban thought the usual view of plants at the whims of their environment couldn’t be right. He’d come up studying cicadas, which lay their eggs in trees. When the larvae hatch, they drop to the ground, burrow into the tree’s roots, and stay there for seventeen years, sucking its sap. To the tree, it’s a huge nuisance to have all that nutrition leak out of its lower parts before reaching its upper ones. As a young scientist, Karban read a paper by pioneering cicada researcher JoAnn White, who discovered that some trees were able to locate the place on their branch where the cicada eggs sat and grow a callus around them, suffocating them to death before they could hatch.

What am I?” Szeth whispered, a bit of Light leaking from his lips as he looked past the man down the long hallway. “I’m … sorry.

However, we’re not giving enough attention to the threat of normal American idiots. The kind of people who think it’s fun to sit in the backyard and point laser lights at the cockpits of incoming planes, or participate in a YouTube challenge that involves trying to snort a condom up one’s nose. The folks for whose benefit countless utility companies have written tips that include “don’t look for a gas leak with a candle or lighted match.

Ruxs gripped Green’s rigid length, slowly stroking the base while he licked around the head. Sucking and nibbling lightly on the sensitive nerves. “Damnit.” Green moaned, wanting to thrust deeper into Ruxs’ sexy mouth. He cupped his hand on Ruxs’ jaw, the other hand on the back of his head. He pushed, wanting Ruxs to take him deeper, wanting Ruxs to put in more work. He could feel the flat of that warm tongue sliding up and down his shaft, the noises Ruxs made while he sucked him driving him insane with desire. He pushed some more and heard Ruxs gag and Green almost came right then. “Fuck yeah.” He pushed Ruxs head down again. His lover didn’t fight him. He went down, trying to take as much in as he could, choking when he had taken only half of Green’s length. “Shit. Yes. Choke on my cock, baby.” Green watched Ruxs’ every move. Felt his throat working under his palm. “That’s it, deeper. Ahhh.” Ruxs couldn’t take Green all the way down, but how hard he was trying was making Green’s toes curl and his spine tingle. Ruxs choking and spitting on his dick was a crazy fuckin’ turn-on for him. Ruxs gagged hard, pulled off him coughing and cursing like he was angry. “Fuck. Chris. Big fuckin’ dick.” Ruxs jerked him fast and hard, bending back down and sucking on the head. “Gonna make me come, babe. Shit. Just like that.” Green’s thighs flexed and his balls drew up tight against him. He reached under Ruxs’ body and pinched both of his nipples, hard, twisting them, enjoying the sharp crying sound Ruxs made around his dick. Green squeezed his eyes shut, his orgasm ravaging his body as he threw his head back, cursing in a low, growling timber. “Fucking, coming.” The first jolt from him had white lights dancing behind his eyelids. He let go of Ruxs’ abused nipple, gripping the back of his neck with both hands, forcing him down again. A powerful tremor shook him as he released more and more into that sexy mouth. Ruxs gagged again and Green saw his come leaking out of Ruxs’ mouth. He took his thumb and shoved it back in. His thumb and cock, spreading Ruxs’ plump lips. He held back his shouts as much as he could. But damn. Ruxs had him crazy with lust. Seeing and hearing Ruxs gag trying to take him deep, watching his come flood his mouth. Fuck! He’d never seen anything more erotic. 

Syn kept his gaze on Furi when he stuck out his tongue and sloppily dragged it from Furi’s balls up his shaft to his leaking head. Syn pulled that delicious skin back, lightly nibbling on it before flicking his tongue on the cap and delving in the slit, driving Furi insane before licking back down again. “You’re

She rolls onto her back and looks up at the dark ceiling, at the tiny speck of orange light leaking through the curtains from the streetlamp outside, and she tries to decide. “Are

People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.

The throbbing in her jaw brought her back. The sky outside was brightening, the morning light highlighting the horrible mess in front of her. She must have been out for a while. Rising, she took in the scene. The man was collapsed on her game room floor, slowly leaking blood on her Berber carpet. She idly eyed the stain. “That’s going to be a bitch to get out.” She shook her head to clear the cobwebs. What an inane thing to say. Shock, she must be going into shock. How long had they fought? Had it been only five minutes? Half an hour? She felt like she had struggled against him for days; her body was tired and sore. Never mind the blood caked around her mouth and the gaping slash across her shin. She put her hand up to her face. Her nose was broken again. Damn.

Light was leaking out of the sky, and the fun was leaking out of the afternoon.

Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “’A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condi- tion is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.”’ Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ’You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.

Suddenly, like a fizzling light bulb, the sun seems to wither on its interstellar vine. Everything darkles. Shadows caper in the stands and behind Sansu’s leaking, sunken eyes. For a few seconds, he abandons his human disposition, and enters a cosmic cognition wherein thought and feeling are unified—hungry, endless avarice—an all-embracing degradation spanning atoms and afterlives, planets and the souls therein.

I wish all those involved in the Wikileaks matter in the spirit of truth (rather than as a cheap opportunity to screw with a .gov they dislike) the very best. I hope that they'll bear in mind that truth is not some pure thing that brings light and scatters rose petals wherever it goes. It can hurt people that don't deserve to be hurt. It has thorns. Treat it gently. (From an open letter.)

Over four weeks of autumn between my first novel being shortlisted and finally winning the Man Booker Prize, a curious thing happened in a downstairs bathroom of my house. Butterflies would appear and fly around my head when I went in for a crap. They would come out one by one. Strange, because their season was gone, there were none outside in nature, only in that toilet. But they wouldn't appear if I went in to take a leak. Now: the door was shut, they didn't come from outside. I couldn't see where they came from, and when left the room they would stay there, flying. but the next time I came in they would be gone; unless I came in for a crap, in which case they appeared again and flew around my head. It was a mystery. If I stayed there long enough, five would come out. It became predictable enough that I took a new pleasure in going to sit and think with the butterflies. If you believed in omens they seemed good ones. After the prize I returned home to find they had gone. One day, much later, I solved the mystery: an old toothbrush mug had been exiled to the top of the bathroom cabinet. They had lived in the mug, maybe attracted by toothpaste. When the light had been on long enough—not so quick as when I took a leak—they must have thought it was their day in the sun and come out to fly around. Poor bastards.

Time and time again she held Finn poised on that brink, stopping every time she felt his tension and that tightening of his sac. Knowing from the copious leaking of his cock that he was close now. So very close.  “Are you trying to kill me, Eva!” Finn finally groaned hoarsely, having reached that point of release, and then been brought back down again by Eva so many times now, that he no longer had any idea what his own name was.  Eva slowly released him before blowing lightly against that sensitive tip. “You can’t die from pleasure, Finn.”  Finn. That’s right, his name was Finn.  “I beg to differ,” he breathed raggedly as he looked down the length of his body at her.

Vaughn nodded. Lije steaded himself and looked into the woods. "Never could abide no roof." "Ours ain't the best," Vaughn said. "Leaks come spring." Lije pointed at Venus faint above the distant ridge. "only roof-hole I ever did crave." "Evening star ain't a hole." "Then how's that light get through?

They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

Lay your life out flat before us. We never could spot you before, halfway round the earth and tied to land so small. But now we possess the science and vision. Now you can speak to us down the telephone cords of time and terrain. Use scissors to slice off the right scenes; no need to reveal everything. Edit brutally. Soak the naked film in dye and roll it over the drum to dry it out. It is important that you get the tint exactly right. It is important that you show us exactly what you mean. You have grown up and grown old in the shadow of the great technologies; here is another to tell your story. We will stop up all that leaking light, filter it through until it burns clean and true. We will bottle you and keep you. We will sell your warnings like wishes.

Jeffrey Epstein gave $3.5 million to the Clinton Foundation in 2006, shortly after the FBI began investigating him for participating in the exploitation of underage girls as sex slaves. Flight logs show that in 2002–2003, Bill Clinton made more than a dozen trips on Epstein’s jet—nicknamed the “Lolita Express” because it apparently came equipped with teenage prostitutes. Somehow the Epstein investigation was concluded in 2008 with a secret settlement. Epstein pleaded guilty to one count of soliciting underage girls, for which he served a year in prison. All other charges were dropped, and all the records in the case were sealed. Only Swiss bank records leaked by a whistle-blower brought the incident to public light. Somewhat

A football is not pigskin. It’s made of cowhide. A baseball is not horsehide. It’s also made of cowhide. When Juliet asks, “Wherefore art thou, Romeo?”, she’s not asking where he is, but rather, in the meaning of the time, why he is doing what he’s doing. Bone china actually does contain bone. Calcified animal-bone ash adds to the durability of the product. Henry Ford is thought to be the innovator of mass production, but just before 1800, Eli Whitney, of cotton gin fame, found a way to manufacture muskets by machine, producing interchangeable parts. Bix Beiderbecke, the renowned jazz musician, did not play the trumpet. His instrument was the cornet. Lucrezia Borgia was not the wicked murderess she is reputed to have been. Her major fault, according to Bergen Evans, was “an insipid, almost bovine, good nature.” Contrary to much popular usage, hoi polloi does not refer to the elite; rather, it means the common people. Natural gas, the kind used for heating and cooking in the home, is odorless. Odiferous additives are put in to give the gas a recognizable smell as a measure to alert people to gas leaks. Muhammad Ali did not win the heavyweight gold medal at the 1960 Rome Olympics. His gold in 1960 was in the light heavyweight category. The heavyweight gold went to Franco De Piccoli of Italy. Sacrilegious means violating or profaning anything sacred. In spite of its frequent mispronunciation, the word is not related to religion or religious.

I have hazarded into a new corner of the world, an unknown spot, a Brigadoon. Before me extends a low hill trembling in yellow brome, and behind the hill, filling the sky, rises an enormous mountain ridge, forested, alive and awesome with brilliant blown lights. I have never seen anything so tremulous and live. Overhead, great strips and chunks of cloud dash to the northwest in a gold rush. At my back the sun is setting- how can I have not noticed before that the sun is setting? My mind has been a blank slab of black asphalt for hours, but that doesn’t stop the sun’s wild wheel. I set my coffee on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter, and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its sides; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillography on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world. This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am patting the puppy, I am watching the mountain. Version 1 (joy)

We live in a confused time, with democracy in apparent decline and with the church and Christian consciences increasingly at risk from governments, in various parts of the globe, that, having made a mess of almost everything else, decide to distract attention by stirring up anti-Christian sentiment and passing laws designed to make life difficult for those who want to be faithful followers of Jesus Christ. This is where faithfulness, loyalty, and trustworthiness will stand out, where that fourth meaning of rrionc is needed over against the shrinkage of "faith" to merely "my personal belief." The rhetoric of the Enlightenment has been extremely keen to squash "faith" into "private, personal belief," so that it can then insist that such "faith" should stay as a private matter and not leak out to infect the wider world. But since the Christian's personal belief is in the creator God who raised Jesus from the dead, this personal belief can never remain only a personal belief but, rooted in the trust that is the first meaning of rricrts, must grow at once into the loyalty, the public trustworthiness, that is the fourth meaning. This too is part of the virtue of "faith": to take the thousand small decisions to be loyal, even in public, even when it is dangerous or difficult, and so to acquire the habit of confessing this faith (sense 3) both when it is safe and when it is dangerous. Just as Mother Teresa spoke of recognizing Jesus in the Eucharist and then going out to recognize him in the poor and needy, so we need to learn the virtue of affirming our faith in our liturgical and prayer life so that we can then go out and affirm it on the street, in public debate, in pursuit of that freedom for which the second-century apologists argued. Christian faith, then, does indeed belong among the virtues. But we can only understand that in the light of the full biblical and eschatological narrative, in which God's eventual new creation, launched in Jesus' resurrection, will make all things new. Christian faith looks back to Jesus, and on to that eventual new day. It tastes in advance, in personal and public life, the freedom that we already have through Jesus and that one day we shall have in all its fullness. The practice of this "faith" is, on the one hand, the steady, grace-given entering into the habit by which our character is formed, a habit correlated with those resulting from the similar practice of hope and love. On the other hand, the practice of this faith is the genuine anticipation in the present of that trust, belief, and faithfulness that are part of the telos, the goal. That goal, already given in Jesus Christ, is the destination toward which we are now journeying in the power of the Spirit. Virtue is one of the things that happen in between, and because of, that gift and that goal.

Look around,” Jacob said. “You’re right, the shadows are getting longer, but, look at the light too. Look at what’s happening to the light. Shadows are dark, always dark, even when they leak out across the grass into the street. But what’s happened to the light?

I…I thought you were going to heal my lip.” Sylvan stroked her hair which had come loose from the knot at the back of her neck and now cascaded down her shoulders in soft chestnut waves. “I thought your heart needed healing first.” She shifted against him, getting more comfortable. “This is nice,” she admitted softly. “I…I’m sorry I freaked out on you.” “The fault is entirely mine,” Sylvan murmured. “The urlich aroused my protective rage. And then I got so completely focused on marking you I forgot to consider your feelings. Can you forgive me?” “I…I think so.” She looked up at him. “I guess you can’t help the way you get when there’s an enemy around. But please just…don’t come at me that way again.” “I won’t. I swear it.” He meant it from the bottom of his heart and Sophia seemed to sense his sincerity. “Thank you,” she whispered, her gaze still locked with his. “I…I appreciate that.” “I don’t want you to fear me.” Sylvan heard the break in his own voice but he couldn’t help it. “I would die to protect you, Sophia. To think you would believe I could hurt you in any way—especially that way…” But he couldn’t go on. “Sylvan…” She was looking at him with something like wonder on her face. “You…you’re crying,” she whispered. She sounded like she could hardly believe it. Sylvan didn’t believe it himself. “No, I’m not.” He had never given in to such emotion, never allowed himself such weakness before. Even after his father’s passing and Feenah’s betrayal, not so much as a single tear had come to his eyes. But Sophia was nodding. “Yes, you are. Or at least, you’re sort of leaking a little.” Reaching up, she brushed lightly at his cheek. “See?” She held out her hand. To his surprise her fingertips were wet. “I’m sorry,” he said stiffly. “Why?” Sophia sounded genuinely curious. He shook his head. “To show such weakness before one I am supposed to protect…it is unacceptable. Unforgivable.” “No, it’s not.” Suddenly she put her arms around his neck and hugged him. “It’s not, Sylvan,” she whispered in his ear, pressing her soft cheek against his. “Not at all, I promise you.” His heart swelled until he thought it might burst and he hugged her back carefully. He no longer cared if the urlich and the AllFather with all his hellish legions came upon him and killed him. At that moment, with Sophia willingly in his arms and her sweet feminine fragrance invading his senses, he knew he could die a happy and contented male.

The Pygmalion and Golem Effects are woven into the fabric of our world. Every day, we make each other smarter or stupider, stronger or weaker, faster or slower. We can't help leaking expectations, through our gazes, our body language and our voices. My expectations about you define my attitude towards you, and the way I behave towards you in turn influences your expectations and therefore your behaviour towards me. If you think about it, this gets to the very crux of the human condition. *Homo puppy* is like an antenna, constantly attuned to other people. Somebody else's finger gets trapped in the door and you flinch. A tightrope walker balances on a thin cord and you feel your own stomach lurch. Someone yawns and it's almost impossible for you not to yawn as well. We're hardwired to mirror one another. Most of the time, this mirroring works well. It fosters connections and good vibes, as when everybody's grooving together on the dance floor. Our natural instinct to mirror others tends to be seen in a positive light for precisely this reason, but the instinct works two ways. We also mirror negative emotions such as hatred, envy and greed. And when we adopt one another's bad ideas - thinking them to be ideas everybody around us holds - the results can be downright disastrous.

When it comes to feedback, there are two kinds of mirrors—Supportive Mirrors and Honest Mirrors. A supportive mirror shows us our best self, well rested and under flattering light. We go to a supportive mirror for reassurance. Yes, how we acted in that moment was not a pretty picture, but it’s not how we really look. It’s not a big deal. It’s a bad picture of you. Throw it away. You’re a good person. An honest mirror shows us what we look like right now, when we’re not at our best and our bedhead is bad. It’s a true reflection of what others saw today, when we were stressed and distracted and leaking our frustration. “Yes, you really did come across that way. It’s not a good thing.

People tend to wear the mask that shows them off in the best possible light - humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. [...] People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control--facial expressions, vocal inflections, tension in the body, and nervous gestures. [...] On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.

he was down in the main levels of the University library. It was an awe-inspiring place. Many of the books were magical, and the important thing to remember about grimoires is that they are deadly in the hands of any librarian who cares about order, because he’s bound to stick them all on the same shelf. This is not a good idea with books that tend to leak magic, because more than one or two of them together form a critical Black Mass.

Is capitalism inherently bad? I do not concur. Every system has its pros and cons. So why is the world shifting towards (democratic) socialism? Based on my observations, uncontrolled capitalism is too large of a nuisance to be ignored. We can see the wide inequity and inequality of wealth and standard of living in neoliberalist countries (ahem). Free market is like natural selection - it stirs up fierce competition without brakes. But what the world needs is more collaboration, not "devouring" one another! And by more collaboration, countries can keep each other in checks. Does this sound like a fantasy? Once again, I do not concur. You are more than disposable goods. Your self-worth should not be tied to how much you can afford. Allow the government to help you. Or if your government is corrupted, turn to local charities; that is how the light leaks through. Last note before I shut up and retreat, there are few governments which are uncorrupted, but one should not lose faith in humanity, or at least yourself. What if we achieve a higher self by wanting less and donating more? I think we would be partaking in socialism in ourselves, which, in other words, bypass the most often nasty institution and help reaching a more balanced state. Of course, cutting the middleman (the government) is the last straw when it is useless.

What … what are you?” The guard’s voice had lost its certainty. “Spirit or man?” “What am I?” Szeth whispered, a bit of Light leaking from his lips as he looked past the man down the long hallway. “I’m … sorry.

A thread of light leaked through the window, which was ajar, and he was able to make out the wide bed in which his father had died and his mother had slept every night since she was married. It was carved in black wood, with a canopy of angels in relief and a few scraps of red brocade that were frayed with age. His mother was propped up in a half-seated position. She was a block of solid flesh, a monstrous pyramid of fat and rags that came to a point in a tiny bald head with a pair of eyes that were sweet, blue, innocent, and surprisingly alive. Arthritis had transformed her into a monolithic being. She could no longer bend any of her joints or turn her head. Her fingers were clawed like the feet of a fossil, and in order to sit up in bed she had to be supported by a pillow at her back held in place by a wooden beam that, in turn, was propped against the wall. The passage of time could be read by the marks the beam had cut into the plaster: a path of suffering, a trail of pain. “Mama,” Esteban murmured, and his voice broke in his chest, exploding into a contained sobbing that erased in a single stroke his sad memories, the rancid smells, frozen mornings, and greasy soup of his impoverished childhood, his invalid mother and absent father, and the rage that had been gnawing at him ever since the day he first learned how to think, so that he forgot everything except those rare, luminous moments in which this unknown woman who now lay before him in her bed had rocked him in her arms, felt his forehead for fever, sung him lullabies, bent over to read the pages of a favorite book with him, had wept with grief to see him leave for work so early in the morning when he was still a boy, wept with joy when he returned at night, had wept. Mother, for me.

But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

Alone, he allowed his masks of smiles and pleasantries to slip. If anyone should have seen his face at that moment, they would have witnessed the truth of him; light leaked from his serpent eyes.

A great elk lay dead on the long worktable in the centre of the dark space, the arrow through its throat illumined by the watery light leaking through the small windows. Blood pooled on the grey stone floor, its drip the only sound. The only sound as Tamlin sat in a chair before it. Staring at the felled beast. 'Your dinner is leaking,' I told him by way of greeting, nodding toward the mess gathering on the floor. No reply. The High Lord of Spring didn't so much as up at me.

And it’s like it is all around me all the time, and it sucks away all the light and absorbs all the sound so everything is less bright . . . less fun . . .” She sighs, lowers her face, then lifts it again to return her gaze to the water. “Less, I don’t know, less everything.” Chloe’s eyes leak, tears rolling down her cheeks as she pinches her nose tight, trying to hold them in. “When I think about her,” Mo says, “like now, I try to be happy because I know that’s what she would want and that she is someplace really good, but it’s all the other times, when I’m not thinking about her, that it’s hard, because those are the moments I miss her the most, when I feel so alone it’s like I’m floating in this great big sea or drifting in outer space, like gravity has deserted me or like I’m going to run out of air.” Chloe sniffles, and Mo’s eyes snap to her. “Sorry, Clover,” she says quickly, suddenly realizing Chloe is crying. Chloe shakes her head. “No, it’s okay.” She blots her eyes and takes a deep breath. “I miss her too. All the time.” “I mean, I get it,” Mo says as her own eyes fill. “People die. And I get that I’m still here and that life goes on, and that eventually the hole will get smaller. At least that’s what everyone keeps saying.” “Don’t you wish everyone would just shut up?” Chloe says. Mo nods, looks up, almost smiles, looks back at the ocean. “Exactly. Because it’s not that I don’t get what they’re saying. I do. But right now, the hole, it’s really, really big, and it’s really, really lonely, and I really, really miss her.” For a moment they stand quiet, both of them looking out at the ocean and holding back their emotions, and as I watch them, both so sad, I

Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.

Like a bright light in a dark cave thy budget shows up the leaks from thy purse and enables thee to stop them and control thy expenditures for definite and gratifying purposes

I have cracked open anger several times. It has warmed me when I was freezing, it has turned my fear into bravery, and it has given me fight when I had none. And it can do the same for you. Anger will snap you out of the spell you’re in until you are no longer willing to remain confined in your mental prison. You’ll be scratching and clawing at the walls, looking for cracks where the light leaks in. Your fingernails will be broken, the tips of your fingers bloody and raw, and you will continue to fight to expand those cracks because your anger will be purifying and the human mind loves progress.

I had children, once. Radiation ate their insides, and they didn’t even give them pain meds. Didn’t even fix the leak. Said there weren’t enough resources. My husband just sat there and watched them die. In the end, the same thing took him. He was a good man. But good men die. To free them, to protect them, we must be savages. So give me evil. Give me darkness. Make me the bloodydamn devil if we can bring even the faintest ray of light.

dim light leaked into Mordor like pale morning through the grimed window of a prison.

Uh? How will a sobbed. "How will you find the people you lost? Her mother, who rarely cried, sobbed. "How will you find the people you lost?" At the sight of her mother's face cracked open, Margot rushed past her into the bathroom where she perched on the toilet, weeping about the impossibility of living with her mother, tyrannous but every now and then, unexpectedly transparent, leaking light from the disasters of her life--her single motherhood, her childhood as an orphan, the war, the hours and hours without a proper day off, without a vacation, that she put into the store. Margot never knew what to do with the bright flashes of who her mother was that would threaten to burn them all to the ground. She could hear the squeak of the carpeted floor as her mother stood outside the bathroom, listening to Margot cry. Margot imagined her now- her fingers pressed against the...

Too much time alone and he felt his colour leaking out.

People tend to wear the mask that shows them off in the best possible light—humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. If we take this appearance for reality, we never really know their true feelings, and on occasion we are blindsided by their sudden resistance, hostility, and manipulative actions. Fortunately, the mask has cracks in it. People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control—facial expressions, vocal inflections, tension in the body, and nervous gestures. You must master this language by transforming yourself into a superior reader of men and women. Armed with this knowledge, you can take the proper defensive measures. On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.

It was fucking awful,” I profess, the words spilling out of me like I’m an overfull levee. Rogan’s quiet as he runs a hand soothingly down my back while holding me tightly to him. “I tried so hard to keep her away from him, to focus on me, but…” “I know,” Rogan comforts, placing light kisses on the back of my hands. “Elon told me what happened. How you…” Emotion bleeds out of his words, and he pauses to try and rein it in. The vehemence leaking to me through the tether has me cracking my fingers so I can look at his face through them. “I fucked up so bad, Lennox. I thought I had to choose, that after everything Elon had been through, he needed to come first no matter what. I didn’t want to admit how I was feeling about you. If I did, it felt like I was betraying Elon. I mean, what kind of person finds happiness and hope when his brother is suffering?” he asks, anguish etched in his features. He shakes his head, ashamed, an indignant scoff sneaking out of his full lips. “I didn’t want to make room for you,” he admits, bringing his hand to his chest and placing it over his heart. “I didn’t want to see that you’d already sunk inside of me so deeply that there wasn’t a me without you anymore. It was the wrong time, too fast, too uncertain, but there you were all the same,” he tells me, gesturing to his heart. His last words coax a small smile to one corner of his mouth, but it’s gone in a blink. “That night when you were torn away from me. It was like I was back in that room with my uncle as he tortured Elon and tried to steal his birthright. I lost it completely. I probably would have taken out half the order if Marx hadn’t been there to stop me. They brought that Saxon fucker in to search your room for who could have planted the trap, and it hit me like a punch to the gut. You were gone. You were gone, and you didn’t know how I felt. I never let you see what you were starting to mean to me. “I knew wherever that portal was leading, it was going to be bad, and I hated myself for not giving you something to fight for, for failing to show you that we were worth fighting for. I’m never going to do that again, Lennox. Never.” Slowly, he pulls my hands from my face, lifting up a corner of the quilt to wipe the tears and snot away. “I love you, Lennox,” he tells me evenly with absolutely no hesitation. “I love you in the way that grows as we grow together. The kind of love worth fighting for, that has me waking up every day grateful and willing to do whatever it takes. I know what you did for Elon, because it’s the same thing you did for me. You’re the light in the darkness. The stars that guide you home when you’re lost. You carry the broken from battle and lift the drowning from the clawing cold that’s trying to claim them. You slay the demons.

An idea prevails here, which I have heard repeated in several parts of the Morea, that the swallows come in spring from Africa on the backs of the cranes. A person of good credit has assured me, that he has seen a crane light upon a ship at sea with swallows on its back. The storks arrive in the Morea at the same time as the cranes, but are not swallow carriers, whether from want of charity, or want of strength, I cannot learn.

Halfway down it she could see a slither of light on the floor of the otherwise gloomy passage, leaking from beneath the door of her parents’ chamber.

Someone approached from the other end, a smear of black against the gold and orange light. Shadows seemed to leak from him, flowing onto the stones and the windows and the walls like spilled ink.

Every time my pleasure seemed to plateau, another pinch, another squeeze, another thrust drove it higher to the point of being unbearable. My brain could no longer process the overwhelming sensations racking my body, and I seemed to slip out of myself for a second, seeing the filthy scene we presented to the world. My hair had fallen from its bun. Wisps of it stuck to my flushed skin, and drool leaked from beneath the duct tape as Xavier pistoned in and out of me, his deep groans sinking into me as deeply as anything else. I loved the sounds of his pleasure. I loved the way I felt right then, helpless and ravished yet so very safe. I— My entire body tensed. Pinpricks of light dotted the drifts of black clouds, and I shook uncontrollably as I climaxed, bucking and jerking against his cock. My pussy spasmed again and again, sending lightning bolts of pleasure through my stupefied brain.

The Zombie Firetruck by Stewart Stafford Sirens moan, grave duty's flash of red, A mortuary whiff of something dead, Hoses trained with brains they suck, Your friendly neighbourhood zombie firetruck! All that remained of the human fire team, From the zombie pandemic of 2017, Still in their uniforms, their only treasures, Apocalyptic times call for end-time measures. When they reached the fire, people did scoff, They lurched, staggered, body parts fell off, As they wandered around, fire hoses forlorn, These knightly living dead faced a blazing dawn. The chief, hat off to his skeleton crew, In a voice once alive, now croaky like flu: 'To the hydrant, my ghouls, let's save Gothik Town, Or they'll call Ghostbusters, we'll be the clowns!' A glowering inferno, a cremation scene, Zombie firefighters, brave and light green. Through smoke and ash, they gravely stand, Composed decomposition with skeletal hand. Axeman Bony Ed led their clattering charge, Into the smoke, his cadavers did barge, The townsfolk looked on in dead of night, And disbelief, tiredness and mild fright. There soon followed medic Cemetery Phil, Decaying Murphy, Old Salty, and Dead Drill, Slab Stevens, Madly Hyde and Molly Voodoo, Determined to shake their initial hoodoo. A mother and baby backed by burning drapes, Team Macabre charged up the fire escape, Saving both and getting everyone out, Drank Brainer Ade as they leaked like a spout. Somehow, undead teamwork saved the day, No lives were lost as the water sprayed, Doused the flames, cool flatlined heroes, Much zombie kudos, no longer scary zeroes. The crowd cheered, did they ever doubt it? High fives lost hands but new ones sprouted, Frankenstein proud in their flapping flesh, Sure to get medals at the HalloweenFest. With a final groan and a clatter of bones, The zombie firetruck headed back home. Rotten yet proud, in their reanimated way, The risen would fight fires another day. © 2024, Stewart Stafford. All rights reserved.

As Maxwell recognized, if atoms and molecules operated on the same principles as the Solar System, the world would be very different. Every atom would be different from every other, and every atom would change over time. Such a world wouldn't have chemistry as we know it, with definite substances and fixed rules. It is not immediately obvious what makes atomic systems behave so differently. In both cases we have a massive central body attracting several small ones. The forces in play, gravitational or electrical, are broadly similar-both decrease as the square of the distance. But there are three factors which make the physical outcome very different, giving us stereotyped atoms but individualized solar systems: 1. Whereas planets differ from one another (as do stars), all electrons have exactly the same properties (as do all nuclei of a given element, or more precisely a given isotope). 2. Atoms obey the rules of quantum mechanics. 3. Atoms are starved for energy. The first item in this explanation begs the question, of course. We're trying to explain why atoms can be the same as each other, and we start off by asserting that some other things, electrons, are all the same as each other! We'll come back to that later. But having the same parts doesn't guarantee the same outcome, by any means. Even if all planets were the same as one another, and all stars were the same as one another, there would still be many possible designs for solar systems, and they'd all be subject to change. We've seen how quantum mechanics brings discreteness, and fixed patterns, into the description of continuous objects that obey dynamical equations. It's the story you'll recall, that unfolds in figures 24 (page 172), 25 (page 174), and 26 (page 187), and plate CC. To close the loop, we need to understand why the electrons in atoms are usually found in just one among their infinite variety of patterns. That's where our third item comes in. The pattern with lowest energy-the so-called ground state-is the one we generally find, because atoms are starved for energy. Why are atoms starved for energy? Ultimately, it is because the Universe is big, cold, and expanding. Atoms can pass from one pattern to another by emitting light, and losing energy, or absorbing light, and gaining energy. If emission and absorption were balanced, many patterns would be in play. That's what would happen in a hot, closed system. Light emitted at one time would be absorbed later, and a balanced equilibrium would set in. But in a big, cold, expanding Universe, emitted light leaks into vast interstellar spaces, carrying away energy that is not returned. In this way we find that dynamical equations, which by themselves cannot impose structure, do so through jujitsu (gentle skill), focusing the power of other principles. They guide the constraining powers of quantum mechanics and cosmology. Cosmology explains their poverty of energy, and quantum mechanics shows how poverty of energy imposes structure.

Before I got there, however, a flash of light - like flames - caught my eye.

the chapel got a few shades brighter. He thought it was his imagination but Claire and Neti noticed it too. The three of them stood when the source of the extra light became clear. It was the Grail. Bright light was leaking through the seal of the box lid. Neti’s face changed. She seemed younger, more aggressive. “Open it!” she shouted. “Go ahead and open the box.” Arthur took a hesitant step forward and flipped the two latches. At that, the lid partly opened and the light was brighter still. “All the way! Open the lid,

Pads Leaking If students are having trouble with notes not speaking, especially as they go down the horn, chances are they have one or more leaky pads. A leak light will confirm this, and the work I’m going to describe here really can’t be done without a leak light. If one side of the pad is sealing and the other side is leaking, the key is slightly bent. First check the bases of the posts these keys are connected to, making sure there are no bends or dents causing the keys to be out of alignment. I also like to take the neckpiece off and look down the inside wall of the body. If the horn has been dropped or knocked off a chair, there may not be visible dents, but by looking down the inside you may see that the body is bending to one side or the other. In either case, the horn will need to be sent to a qualified repairman for some major work. If no damage is visible, you can adjust the key back to being flat with a couple of simple tools.

UV/IR vision: use AI to make sense of light invisible to humans • Perfect sound memory: every sound you hear is catalogued forever and searchable with a query • Sound triangulation: when you hear a boom or a pop, your visor or glasses will light up and tell you exactly where it is happening • Perfect recall of imagery: when you take a passing glance at a license plate, its numbers and letters will be permanently captured and searchable • Prompting: AI is always in your head suggesting ideas and integrated into a device like a Fitbit to augment physical goals • “God’s Eye” view: satellite imagery and completely autonomous pocket drones that can feed images directly to your headset, effectively giving you a pair of disembodied eyes in motion • LIDAR (light detection and ranging) sensing: remote-sensing methods that can use light in the form of a pulsed laser to measure ranges • Ability to predict exact motion and speed of any object nearby • Ability to see and detect radio waves: pull a radio wave that you perceive out of the ether with the gesture of a swipe and then decode it and catalog it permanently • X-ray vision: Look inside a building through the eyes of your autonomous robotic appendage to see if there is a leak or other technical malfunction

We met in the middle of a blackout. It was searing hot and there wasn’t any running water and New York City had lost its mind. People were sweaty and edgy, thronging the streets, leaking heat and anxiety. Traffic lights dangled dead over the intersections; taxis lurched through the dark. The ATMs didn’t work and bodegas were charging insane amounts for bottled water and I was thirsty, hungover, and almost out of cash. I felt defenseless every time I walked up the ten flights to my apartment, carrying a lit candle in the ghostly stairwell. I was nearing panic when a friend called and told me he had the water back on in his building down by City Hall, and a grill out on the balcony. As I walked there, on the cobblestone street just north of Washington Square Park, past an intersection where a woman in a sundress was directing traffic, down into the lighting district—window after window teaming with powerless, shimmering chandeliers, the people in the apartments above drinking beer on their fire escapes—the city seemed less like a nightmare and more like a carnival. My friend had said he had a houseguest in town, visiting from California: Lucy. She was golden-skinned and green-eyed in her white shirt, and she smiled with all the openness in the world when I walked in the door. She had the radiant decency of a sunflower.

They say that it is the fear of death and what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older: to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that have the world of sensations its life and charm has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false - a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.

THE S ON THE CHEST” SUPERWOMAN Walks around with A big S on her chest. Saving The Family, Friends and Foes. Sending Love and Light Wherever there’s a leak or a hole! Flying through LIFE, trying her best so that she doesn’t have to use her Superpowers twice! Yet, SUPERWOMAN has her Kryptonite! It’s has placed her in situations, where she forgets the the word “NO”! Suddenly, The S on her chest stood for stress! Until one day, she took off the costume and placed her crown upon her head instead! Remembered the words “NO” and “SILENCE “ and left those old people, places and things that was dead!

I didn’t want a particular job or a house or a car, anything that could be easily quantified. I wanted abstractions; a cut-glass sea with light leaking into it, burnt summer tarmac on a motorway at night. I wanted sensation, to go out in the world and let it rip through me, to learn the shape of my coastline, to see if I had any edges. I didn’t know what to do with all that want as it swelled in me like a river, rushing and churning, soaking everything in its path.

My memory is heavy or light, depending on the thickness of the paper. Sometimes ink can't leak through time. Sometimes everything is transparent, as if held up to sunlight.

She crept across the darkened temple-complex grounds to where the innermost, holiest of sanctuaries sprawled to the lip of the sea. Golden light leaked onto the rocky ground before the inner sanctum’s steps—light from the now-eternally-burning vats of flame to honor Brannon’s gift.

There comes a point where terrible things are funny. It's the point where the furnace is broken and the hot water heater is leaking and your dog comes in smelling of skunk and the check engine light has come on when you go to get the tomato juice. You stop crying and you stop being frustrated because none of that will help. All you can do is start laughing hysterically because that's the only thing that's left.

He was at the origin of things and I now had a meaning for my brother—he was a crack of light under the door, and yet the door was shut to him. Only bits and pieces of him would leak out and he would end up barricaded behind that which he had penetrated. Maybe it was entirely his own fault. Maybe he welcomed the complications: he had created them purely because he needed them to survive.

To feel the sun and see the orange light leak through the skin of my eyelids is copacetic-squared. Sight

A prince cannot be impeded by temporal distinctions: past, present, future. Nor can he excuse the past, just for being over and done. He can’t say, ‘all water under the bridges’; the past is always trickling under the soil, a slow leak you can’t trace. Often, meaning is only revealed retrospectively. The will of God, for instance, is brought to light these days by more skilful translators. As for the future, the king’s desires move swiftly and the law must run to keep up.

prince cannot be impeded by temporal distinctions: past, present, future. Nor can he excuse the past, just for being over and done. He can’t say, ‘all water under the bridges’; the past is always trickling under the soil, a slow leak you can’t trace. Often, meaning is only revealed retrospectively. The will of God, for instance, is brought to light these days by more skilful translators. As for the future, the king’s desires move swiftly and the law must run to keep up.

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My mind extends across this chamber that others call the Throne Room, upwards to the cloth-of-gold baldachin suspended above the Throne, a vast canopy embroidered with the contradictory yet intertwined principles of concordia and discordia that frames the electric-blue aura of my great lord’s light; outwards from the Throne’s massive plinth, carved from the psychoreactive material known on the craftworlds as wraithbone, and inset with psycurium and dark glass panels, tourmaline and aerolithic moldavite; past silent Uzkarel and Caecaltus at their posts, past the gleaming ranks of their Hetaeron companies at attention beyond them; out, like a rushing tide across the lustrous floor of sectile marble and ouslite; across the susurrating banks of stasis generators, archeotech regulators, and psykanic amplifiers that surround and feed the Throne, prophylactic mechanisms brought here in haste and urgently set to work when the folly of Magnus cracked the harmonised serenity of this adytum; past the diligent conclaves of the Adnector Concillium in their cowls and chasubles, standing amid the fat snakes and intestinal loops of power cables, ministering to the operation of these murmuring devices; then further out, along the frightful height and breadth of the cyclopean nave itself, a canyon turned upside down; between the soaring auramite columns rising like the trunks of mature Sequoiadendron giganteum, the Solomonic pillars of twisted bronze, the acanthus-headed colonettes, the gargantuan scissor arches; beneath the shining, ornate electro-flambeaux strung like stalactite pendants from the dizzying ceiling, and between the lumen orbs that float like infant suns; on, past echelons of burnished automata maintaining talismatic psycho-systems; past empty, scarlet-cushioned stalls where once the High Lords of the Council gathered, and the void-manic worthies of the Navis Nobilite awaited audience; past the golden pulpits of the cataleptic astropaths, adrift in algolagnic fugues; around the clattering dream-dynamos and stegosaurian oniero-looms; past the hypnostatic augury kilns breathing steam and dripping myrrh, and the affirmatrix prognometers leaking synthetic plasma, and exhaling the smell of industrially recovered nightmares; past the scriptorums of the noctuaries; past brass reliquaries and vitrodur grails; past mother-of-pearl loggia where bewitched diviners and incanting prognostipractors sift and read the ribbon-tapes of transcribed glossolalia spilled from the chattering indifference engines, searching for morsels of meaning; past prophesires swinging thuribles, and technoseers wheeling scrimshandered feretories; past mendicants in