Copyright Infringement Quotes

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When you have wit of your own, it's a pleasure to credit other people for theirs.
Criss Jami (Killosophy)
If you put your hand in my pocket, you’ll drag back six inches of bloody stump.
Harlan Ellison
Rather than, say, Toni Morrison, who called basing a character on a real person an infringement of copyright. A person owns his life, she says. It’s not for another to use it for fiction.
Sigrid Nunez (The Friend)
If someone contacts you and asserts that you’re infringing on their patent, you’ll need a lawyer to shield you from the accusation that you are willfully infringing. Never, ever respond yourself. At the same time, you’re not left with whatever your lawyer tells you to do. If you have patents of your own (which you should), disputes don’t have to come to litigation, damages, and bankruptcy. In my experience, the best way to settle IP infringement suits out of the courtroom is through cross-licensing—an agreement between all parties to give each other a license to use their patents.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Every piece of data ingested by a model plays a role in determining its behavior. The fairness, transparency, and representativeness of the data reflect directly in the LLMs' outputs. Ignoring ethical considerations in data sourcing can inadvertently perpetuate harmful stereotypes, misinformation, or gaps in knowledge. It can also infringe on the rights of data creators.
I. Almeida (Introduction to Large Language Models for Business Leaders: Responsible AI Strategy Beyond Fear and Hype)
I’m calling this place the Tardis,” she said, continuing to scan the different locations. “We’re not calling it the Tardis,” I said. Of course, if she knew what it could really do, I’d never change her mind. “Why the hell not?” she asked. “Copyright infringement.
H.D. Smith (Dark Forsaken (The Devil's Assistant, #3))
few days after the anniversary, Judge Jackson ordered the sheriff's department to release its report to the public by May 15. He also released more evidence, including a video that drew a lot of heat. For months, Jeffco had referred to it as a "training video" created by the Littleton Fire Department. It was based on footage shot in the library shortly after the bodies were removed. It would be the families' first look at the gruesome scene. It would be "difficult" to watch, Jackson's ruling stated, but that was no reason to suppress it. "There is no compelling public interest consideration that requires that the video or any part of it not be disclosed under the Open Records Act," Jackson wrote. The next day, Jeffco began duplicating the tape and selling copies for $25. Spokesmen said the fee was to defray copying costs. The families were aghast. Then they saw the tape. There was no instruction, no narration, no attempt at "training." It was someone's ghastly attempt at commemoration: grisly crime scene footage set to pop music, Sarah McLachlan's "I Will Remember You." McLachlan's record company threatened to sue for copyright infringement. Jeffco removed the music. Sales remained strong.
Dave Cullen (Columbine)
Not sure. Anyway, if his spirit shows up, torture him for me. Something cool…like Zeus did with Prometheus. Except not with an eagle. Maybe vultures, or something.” “Vultures, or something?” Hades asked. “Yeah! Perfect!” Hades must not have been feeling very creative, because he followed Apollo’s suggestion exactly. When the spirit of Tityos turned up, the giant was convicted of assaulting Leto. He was sent to the Fields of Punishment, where he was chained down, given a regenerating liver, and cut open so that vultures could feast on it forever. (I think Prometheus filed a copyright infringement suit later on.)
Rick Riordan (Percy Jackson's Greek Gods)
eBooks are not transferrable. They cannot be sold, shared or given away as it is an infringement on the copyright of these works. This book is an original publication of the author who wrote the story herein contained. This is a work of fiction. Names, characters, places and incidents are either the product of the authors’ imaginations or are used fictitiously,
Rhonda Nelson (Double Dare)
The content industries like to portray fair use as a narrow and grudging defense against an otherwise valid case for copyright infringement—as if the claim were, “Yes, I trespassed on your land, which was wrong, I admit. But I was starving and looking for food. Please give me a break.” This is simply inaccurate. True, fair use is asserted as “an affirmative defense”; that is the way it is brought up in a copyright case. But in U.S. law, fair uses are stated quite clearly to be limitations on the exclusive rights of the copyright holder—uses that were never within the copyright holder’s power to prohibit. The defense is not “I trespassed on your land, but I was starving.” It is “I did not trespass on your land. I walked on the public road that runs through it, a road you never owned in the first place.
Anonymous
the editors, having to meet a publishing deadline, copied the information off the back of a packet of breakfast cereal, hastily embroidering it with a few footnotes in order to avoid prosecution under the incomprehensibly tortuous Galactic Copyright laws. It is interesting to note that a later and wilier editor sent the book backward in time through a temporal warp, and then successfully sued the breakfast cereal company for infringement of the same laws.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
The simplistic style is partly explained by the fact that its editors, having to meet a publishing deadline, copied the information off the back of a packet of breakfast cereal, hastily embroidering it with a few foot notes in order to avoid prosecution under the incomprehensibly torturous Galactic Copyright Laws. It’s interesting to note that a later and wilier editor sent the book backwards in time, through a temporal warp, and then successfully sued the breakfast cereal company for infringement of the same laws.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong. But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects. But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood. Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal. This stuff generates wealth for those who practice it. It enriches the country and improves our lives. And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist. The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile. What country do you want to live in?
Cory Doctorow (Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future)
the “safe harbor” provisions of the Digital Millennium Copyright Act (DMCA), which Bill Clinton had signed into law just weeks after Google went live on the Web. The statute protected online service providers (OSPs) such as Google and YouTube from copyright infringement prosecution provided that the OSP not have the requisite level of knowledge of the infringing activity… not receive a financial benefit directly attributable to the infringing activity [and] upon receiving proper notification of claimed infringement… expeditiously take down or block access to the material. Since Hurley’s 2005 email, this has been YouTube’s strategy: pretend not to know there is infringing material being uploaded by users and take down the content when notified by the copyright owner. But this of course neglects one crucial provision of the DMCA—does YouTube receive financial benefit directly attributable to the presence of infringing content on the site? The answer, of course, is yes: in fact you could argue that YouTube achieved success in a crowded field precisely because of its laxity toward pirated content.
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
the Battle of the Book, which took place in the kingdom of Cairbre Drom Cliabh in north-west Ireland between 555 and 561, two clans went to war after St. Columba had illegally copied a version of the Psalms belonging to St. Finnian, most likely the only war to even begin over copyright infringement.
Ed West (Saxons vs. Vikings: Alfred the Great and England in the Dark Ages)
The author and publisher have provided this e-book to you without Digital Rights Management software (DRM) applied so that you can enjoy reading it on your personal devices. This e-book is for your personal use only. You may not print or post this e-book, or make this e-book publicly available in any way. You may not copy, reproduce, or upload this e-book, other than to read it on one of your personal devices. Copyright infringement
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
7 Outstanding Tips for Banner Printing Choosing to produce a printed banner is a fantastic way to maximize your promotional requirements, it helps you to give maximum stand out and showcase your brand. There are a range of options from large PVC banners to simple roller banner solutions to suit all purposes of banner printing. Let’s look at some important points that can help you to make the most out of your printed banner. 1. Use High resolution images While going for banner printing, having good quality images is imperative. If you carry your own camera, then your camera should be able to take decent quality images, but be careful with images from the internet. Not only could you infringe copyright law but the quality is usually quite poor. 2. Clever use of color Your banner printing should be such that maximizes the use of color. Imagine the environment, where will your banner be positioned? What does your competition look like? Then, you can use color to ensure that you stand out from the crowd. If you are an established business, be sure to use your brand colors and clearly position your logo towards the top of the banner, this will make sure you develop a consistent brand identity throughout your marketing material. 3. Count your words Using a large amount of written text can look busy, messy and be off putting to your audience. Try to work out on your key message or brand values and make the banner big and bold. A short & striking message or a graphic will work a hundred times better than a hundred words. The banner printing is meant to grab attention of the viewer, not bore them. 4. Reveal your benefit Succinctly convey your key benefit in your banner headline. Do you have the best price? The best service? The best quality product? Whatever it is, make your banner printing known, specific to your audience and make it centralized. 5. Include an offer Make a time – limited offer to motivate customers to respond quickly. Your offer might even be included in your headline to simplify your banner. 6. Create a memorable call to action Make it clear what customers should do next in order to take advantage of your special offer. Your call to action should be succinct as well as memorable, such as an easy-to-remember URL or phone number. Remember that potential customers will only have a few seconds to digest your banner, so they must be able to retain the action step at a glance. 7. Less is more It is a simple rule but one that makes all the difference. It is very tempting to use a banner to get across every possible message and cram it full of content and images, however from an end user perspective big, bold and simple messaging and graphics is the most effective way to grab attention as well as looking professional and confident.
printfast
Kill Piracy; Save Creativity
Kalyan C. Kankanala (Fun IP, Fundamentals of Intellectual Property)
There is a Pirate in every one of us
Kalyan C. Kankanala (Fun IP, Fundamentals of Intellectual Property)
this has been YouTube’s strategy: pretend not to know there is infringing material being uploaded by users and take down the content when notified by the copyright owner. But this of course neglects one crucial provision of the DMCA—does YouTube receive financial benefit directly attributable to the presence of infringing content on the site? The answer, of course, is yes: in fact you could argue that YouTube achieved success in a crowded field precisely because of its laxity toward pirated content. Competitors such as Yahoo and RealNetworks were thinking they were in a boxing match, where there were rules, while YouTube was performing in a professional wrestling match, where there are no rules.
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
That person is a failure who steals the science of a scientist and claims that he is the owner.
Kamaran Ihsan Salih
a leading copyright commentator concludes—with good reason—that if Shakespeare’s Romeo and Juliet were protected by copyright today, the Broadway musical West Side Story might well be found to infringe.
Neil Weinstock Netanel (Copyright's Paradox)
All rights reserved. This work is not transferable. No part of this work can be sold, shared, copied, scanned, or given away as it is an infringement on the copyright. Thank you for respecting the work of this author.
Laurie LeClair (If the Shoe Fits (Once Upon A Romance, #1))
Mindfulness and the 12 Steps Thérèse Jacobs-Stewart HaZeLDeN® Hazelden Center City, Minnesota 55012 hazelden.org © 2010 by Thérèse Jacobs-Stewart All rights reserved. Published 2010 Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, scanning, or otherwise—without the express written permission of the publisher. Failure to comply with these terms may expose you to legal action and damages for copyright infringement. Library of Congress Cataloging-in-Publication
Thérèse Jacobs-Stewart (Mindfulness and the 12 Steps: Living Recovery in the Present Moment)
The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism.
Jonathan Lethem
Print ISBN: 978-1-5400-3780-0 ePub ISBN: 978-1-5400-4787-8 Kindle ISBN: 978-1-5400-4788-5 For all works contained herein: Unauthorized copying, arranging, adapting, recording, Internet posting, public performance, or other distribution of music in this publication is an infringement of copyright.
Ariana Grande (Ariana Grande - Sweetener Songbook)
Sell yourself, else another person will steal and sell you at a heavy cost.
Utibe Samuel Mbom (The Event Usher’s Handbook)
My mother got pregnant without my father’s consent, and when she refused to have an abortion he sued her for copyright infringement.
Allan Kaster (The 2020 Look at Space Opera Book)
Middle School is such a perfect name for middle school. If I were told that there was a commission for nationwide title submissions for the grades between elementary and high and a committee was appointed to boil down the entries in search of a name that was simple, public friendly, easy to spell, syllabically chantable (Mid-dle-school! Mid-dle-school!) devoid of possible copyright infringement, and most importantly, evocative of the emotion of being In Limbo, and Middle School was the out and out winner, I would believe that.
Ani Baker (Handsome Vanilla)
The internet makes it extremely easy to plagiarize, and even easier to get caught.
@Mokokoma Mokhonoana
But hardball players are not copycats. They are not plagiarists or knock-off artists. They don’t infringe on copyrights or steal patents. When they identify a good idea, they find a way to improve it. The founder of Kmart claimed that Sam Walton, founder of Wal-Mart, “not only copied our concepts, he strengthened them. Sam took the ball and ran with it.”1
George Stalk Jr. (Hardball: Are You Playing to Play or Playing to Win?)
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Google famously funded a project to “solve death.”6 This is such a precisely religious pretension that I’m surprised the religions of the world didn’t serve Google with a copyright infringement take-down notice.
Jaron Lanier (Ten Arguments For Deleting Your Social Media Accounts Right Now)
FRAUD! STOLE MY BOOK and BADLY TRANSLATED IT! FAKE! DO NOT BUY PERSIAN EDITION OR ANYTHING FROM THIS PERSON! COPYRIGHT INFRINGEMENT! FRAUD!!!! YOU RUINED MY BOOK FOR A YEAR NOW!
نجمه سالاری
What if you kill a man who was plotting to shoot up a McDonald's? What if you commit one murder to prevent a dozen murders? The "obviously correct" judgment of the law starts to sound more and more like an opinion when a new variable is introduced, doesn't it? And okay, these "what if this?" exercises may feel like cerebral game play, but you don't even need to look to extreme examples to see the tenuous, opinion-based nature of laws. Abortion. Gay marriage. Determining fair use in a copyright infringement case. Every time a law is applied, it is applied as a matter of opinion. And those are the laws -- the biggest and baddest rules we have.
Johnny B. Truant (Disobey)
It's nice to think my ideas can still entertain and challenge people after I'm gone, but I would like the royalties for them while I'm alive.
Stewart Stafford
Business people who are otherwise meticulous in their observance of the law seem to regard copyright infringement about as seriously as they regard jaywalking.
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
Successful is one whose imitators are successful.
Raheel Farooq (Kalam)
There is no Generative AI, there is only Plagiarative AI.
Abhijit Naskar (Iftar-e Insaniyat: The First Supper)
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Generative AI is the biggest cybercrime since the invention of the internet. Imagine stealing creative works from everyone, then setting up your own pirated industry!
Abhijit Naskar (Neurosonnets: The Naskar Art of Neuroscience)
Using copyrighted material without consent to train commercial AI models, is like robbing a bank to start a business.
Abhijit Naskar (Azad Earth Army: When The World Cries Blood)
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