Life Maestro Quotes

Do you truly believe that life is fair, Senor de la Vega? -No, maestro, but I plan to do everything in my power to make it so.

Keep in mind that life produces no maestros, only students of varying shades of ineptitude.

The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present. The Mahabharata is not a work of religious instruction. It is much greater. It is a work of art. It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served. It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress. But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing. And doing is life. Doing is karma. Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known. The greatest book in the world rescues volition from religion and gives it back to man. Religion is the disciplinarian fantasy of a schoolmaster. The Mahabharata is the joyous song of life of a maestro. In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles. It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.

The Maestro spoke again. "When we are not, at what point do we become?" I could not reply. For I had grasped no shape of his thoughts. I understood neither what he said nor his intent behind it.

Mi padre suele decir que los mejoeres maestros no siempre son los que usan pizarra

The maestro of the orchestra of life is the genetic material which directs the proteins, sugars and minerals. It receives signals about the external environment, decides the speed and timing of the reactions and communicates this information to all cells. It breaks down sugars, clears waste, repairs the membrane and reproduces.

Nuestra juventud de ahora ama el lujo. Tiene malos modales, desprecia la autoridad; le falta el respeto a sus mayores y le encanta charlar en lugar de trabajar; ya no se levanta cuando un adulto entra en la sala; contradice a sus padres, charla ante las visitas, engulle la comida y tiraniza a sus maestros

Why do the strings make different sounds, Maestro?” “It is simple. They work like life.” “I don’t understand.” “The first string is E. It is high pitched and quick like a child. “The second string is B. It is pitched slightly lower, like the squeaky voice of a teenager. “The third string, G, is deeper, with the power of a young man. “The fourth string, D, is robust, a man at full strength. “The fifth string, A, is solid and loud but unable to reach high tones, like a man who can no longer do what he did.” “And the sixth string, Maestro?” “The sixth is the low E, the thickest, slowest, and grumpiest. You hear how deep? Dum-dum-dum. Like it is ready to die.” “Is that because it is closest to heaven?” “No, Francisco. It is because life will always drag you to the bottom.” Frankie

He found himself thinking about his childhood. "Why do you drink so much, Maestro?" "This is not a music question." "Are you sad, Maestro?" "Again, not a music question." "I am sad sometimes, Maestro." "Practice more. Speak less. You'll be happier." "Yes, Maestro." Everyone joins a band in this life. Sometimes, they are the wrong ones.

Life is short. Life is tenuous. Life is uncertain. Time is precious. I have nothing to lose. Everything to lose.

Make sure you have control over your life. Some dictated it for years, but moving forward, be the conductor of your own life.

Be maestro of your life and you will hear music in the silence.

Tristo è quel discepolo che non avanza il suo maestro.

Writers have come to master nearly every trade. They are inventors and entrepreneurs of character, plot, and dialogue. They are the eager scientists that can’t wait to try out their new experiment. They are the maestros of the symphony that plays in their head, conducting what happens, where, and at what precise moment. They are engineers and architects that design the structure of their piece so it stands the test of time and continues to fire on all cylinders. They play mechanics and doctors in their revisions, hoping they prescribe the correct diagnosis to fix the piece’s 'boo boos'. They are salesmen who pitch not an idea or a product, but themselves, to editors, publishers, and more importantly, their readers. They are teachers who through their craft, preach to pupils about what works and what doesn’t work and why. Writers can make you feel, can make you think, can make you wonder, but they can also grab your hand and guide you through their maze. Similar to what Emerson stated in 'The Poet,' writers possess a unique view on life, and with their revolving eye, they attempt to encompass all. I am a writer.

I did not have an answer for the maestro that day. Instead my answer has been the labor of my life, principally my Discourses on the First Decade of Titus Livy but also my little Prince. Despite what so many say, I did not embark upon this voyage to show men how evil can triumph, but to demonstrate that evil surely will triumph if good men do not strive to learn well its lessons. And now that my usefulness, if not my life itself, has ended, I can say before God and man that I have met the challenge of the great maestro of revered memory issued on the road to Cesenatico. For in my life's work, I crossed the unknown sea and charted a route for all men to follow, should they wish to live in peace and security.

If he stretches to care about something else – like what the Maestro thinks of him or how he fails at school or what he really wants to do with his life – he’ll be pulled too thin. His skin will part like old paper and the world will see how his skeleton is made of dark wishes and macabre dreams. They’ll know his heart thumps to the beat of the Maestro’s metronome because it’s too scared to do otherwise. But worst? They’ll see the emptiness inside him.

El Maestro: Do not attack the strings, Francisco. Francisco Presto: No, Maestro. El Maestro: Coax them. Francisco Presto: Yes, Maestro. El Maestro: Make them hunger for your next note. Same as in life. Francisco Presto: In life, Maestro? El Maestro: When you want someone to listen to you, will you attack them? Francisco Presto: No, Maestro. El Maestro: No, you will not. you will make them hear the beauty of what you are offering, and they will want it for themselves.

I hate Toscanini. I’ve never heard him in a concert hall, but I’ve heard enough of his recordings. What he does to music is terrible in my opinion. He chops it up into a hash and then pours a disgusting sauce over it. Toscanini ‘honoured’ me by conducting my symphonies. I heard those records, too, and they’re worthless. I’ve read about Toscanini’s conducting style and his manner of conducting a rehearsal. The people who describe this disgraceful behaviour are for some reason delighted by it. I simply can’t understand what they find delightful. I think it’s outrageous, not delightful. He screams and curses the musicians and makes scenes in the most shameless manner. The poor musicians have to put up with all this nonsense or be sacked. And they even begin to see ‘something in it’. (…) Toscanini sent me his recording of m Seventh Symphony and hearing it made me very angry. Everything is wrong. The spirit and the character and the tempi. It’s a sloppy, hack job. I wrote him a letter expressing my views. I don’t know if he ever got it; maybe he did and pretended not to – that would be completely in keeping with his vain and egoistic style. Why do I think that Toscanini didn’t let it be known that I wrote to him? Because much later I received a letter from America: I was elected to the Toscanini Society! They must have thought that I was a great fan of the maestro’s. I began receiving records on a regular basis: all new recordings by Toscanini. My only comfort is that at least I always have a birthday present handy. Naturally, I wouldn’t give something like that to a friend. But to an acquaintance-why not? It pleases them and it’s less trouble for me. That’s one of life’s most difficult problems- what to give for a birthday or anniversary to a person you don’t particularly like, don’t know very well, and don’t respect. Conductors are too often rude and conceited tyrants. And in my youth I often had to fight fierce battles with them, battles for my music and my dignity.

He’s focused on something—or someone—over her shoulder. The harmonious warbling of the rainforest morphs into organized disarray, as if a primitive maestro has thrown conducting to the wind and let Mother Nature take over. Birds trill a warning as the breeze rustles the plant life. Wings flutter overhead. A crescendo of stridulation changes tempo, the insects seemingly performing a sonata as the rhythm shifts yet again. “What—who is it?” Summer asks in a strained whisper. His gaze lands on her, his brows furrowing. “The Forsaken.

Desire radiated from him. It radiated out into the darkness and seemed to find the four walls of this enclosing place, and he turned around waiting, waiting. "Love you?" came Guido's voice. It was so low Tonio strained forward, as if yearning for it. "Love you?" Yes..."Tonio answered. "I am in a hell of desire for you! Have you never guessed? Have you never looked beneath the coldness? Are you so blind to this suffering? In all my life I have never wooed and suffered as I have over you. But there is love and love, and I am spent trying to separate the one from the other..." "Dont' separate them!" Tonio whispered. And he reached out like a child, grasping for what he wanted. "Give it to me! Where are you? Maestro, where are you?" There seemed a rush of air, a soft shuffling of garments and steps, and he felt the near smarting touch of Guido's hands hands that in the past had only struck him, and then those arms enclosing him. And in this moment, he understood everything. But that was but the last glimmer of thought, and he knew just how it had been and how it would be, and he felt Guido's chest, and then Guido's mouth tore at him.

Brunelleschi’s successor as a theorist of linear perspective was another of the towering Renaissance polymaths, Leon Battista Alberti (1404 –1472), who refined many of Brunelleschi’s experiments and extended his discoveries about perspective. An artist, architect, engineer, and writer, Alberti was like Leonardo in many ways: both were illegitimate sons of prosperous fathers, athletic and good-looking, never-married, and fascinated by everything from math to art. One difference is that Alberti’s illegitimacy did not prevent him from being given a classical education. His father helped him get a dispensation from the Church laws barring illegitimate children from taking holy orders or holding ecclesiastical offices, and he studied law at Bologna, was ordained as a priest, and became a writer for the pope. During his early thirties, Alberti wrote his masterpiece analyzing painting and perspective, On Painting, the Italian edition of which was dedicated to Brunelleschi. Alberti had an engineer’s instinct for collaboration and, like Leonardo, was “a lover of friendship” and “open-hearted,” according to the scholar Anthony Grafton. He also honed the skills of courtiership. Interested in every art and technology, he would grill people from all walks of life, from cobblers to university scholars, to learn their secrets. In other words, he was much like Leonardo, except in one respect: Leonardo was not strongly motivated by the goal of furthering human knowledge by openly disseminating and publishing his findings; Alberti, on the other hand, was dedicated to sharing his work, gathering a community of intellectual colleagues who could build on each other’s discoveries, and promoting open discussion and publication as a way to advance the accumulation of learning. A maestro of collaborative practices, he believed, according to Grafton, in “discourse in the public sphere.” When Leonardo was a teenager in Florence, Alberti was in his sixties and spending much of his time in Rome, so it is unlikely they spent time together. Alberti was a major influence nonetheless.

God. God has no religion. God does not care if you're rich or poor, if you're black, white, Hispanic, Arabic or Asian. God does not care if you go to the temple on a full moon day or if you missed your weekly Sunday church mass. God does not care if you walk around in a bikini or Hijab. God is not moved by the man or woman who takes a moment off every day to be religious or fasts in his name for weeks at a time. God dwells within a being's mind, body and soul. God cares about their intentions. God is indeed almighty; he is a maestro of logic and a brilliant multi-tasker who dwells within billions of minds at a time. But that is only the big picture. So is there a smaller picture? Why yes, there is. But, it’s not so simple. In fact it may be the most denied fact in human life. You see, we humans are of dependent nature. We depend on the earth's soil and animals for food, we depend on its water, light and oxygen. We are a civilization of dependents. Someone once said that our biggest fear is not that we are inadequate but that we are powerful beyond measure. That is indeed true. We refuse to believe that God lives within us. We refuse to believe that our intelligence is God himself. We refuse to believe that we have all the power in the world within ourselves. We refuse to believe that we are stronger than our fears, larger than our limits and more than just a name. We would rather praise our successes and blame our ill fates to an external God. We refuse to take responsibility for our fate or what we do with it. We'd rather have someone to blame it all on. Maybe the thought of having so much power within ourselves scares us. Maybe we are too irresponsible to have such authority over our own lives. Maybe we are cowards. So we look for God in an outer space that we can't reach.

Consideremos nuevamente este punto. Eso es aquí, Es nuestro hogar. Eso somos nosotros. En él están todos los que amamos, todo los que conoces, todos de quiénes haz oído hablar, y todos los seres humanos, quiens fueran que han vivido sus vidas. La suma de nuestra alegría y sufrimiento, miles de confiadas religiones, ideologías y doctrinas económicas, cada cazador y recolector, cada héroe y cobarde, cada creador y destructor de la civilizaciones, cada rey y cada campesino, cada joven pareja de enamorados, cada madre y padre, cada esperanzado niño, inventor y explorador, cada maestro de moral, cada político corrupto, cada “superestrella”, cada “líder supremo”, cada santo y pecador en la historia de nuestra especie vivió ahí: en una mota de polvo suspendida en un rayo de Sol. La Tierra es un muy pequeño escalón en una vasta arena cósmica. Piensa en los ríos de sangre derramados por todos esos generales y emperadores, para que, en gloria y triunfo, pudieran convertirse en amos momentáneos de una fracción de un punto. Piensa en las interminables crueles visitas que los habitantes de una esquina de ese pixel hicieron contra los apenas distinguibles habitantes de alguna otra esquina; la frecuencia de sus malentendidos, la impaciencia por matarse unos a otros, la generación de fervientes odios. Nuestras posturas, nuestra imaginada auto-importancia, la falsa ilusión de tener una posición privilegiada en el Universo, son desafiadas por este pálido punto de luz. Nuestro planeta es una mota solitaria en la inmensa oscuridad cósmica. En nuestra oscuridad, en toda esta vastedad, no hay ni un indicio de que la ayuda llegará desde algún otro lugar para salvarnos de nosotros mismos. La Tierra es el único mundo conocido hasta ahora que alberga vida. No hay ningún otro lugar, al menos en el futuro cercano, al cual nuestra especie pudiera migrar. ¿Visitar?, Sí. Establecerse, ¿aún no?. Nos guste o no, por el momento la Tierra es donde tenemos que quedarnos. Se ha dicho que la astronomía es una experiencia de humildad y construcción de carácter. Quizá no hay mejor demostración de la tontería de la soberbia humana que ésta imagen distante de nuestro minúsculo mundo. Para mí, subraya nuestra responsabilidad de tratarnos los unos a los otros más amablemente, y de preservar y cuidar el pálido punto azul, el único hogar que jamás hemos conocido

this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no

I will, I know, because in my grief the first time, when I thought these friends lost, my love lost, my life lost, I came to understand the truth: that the road will roll beneath your feet whether you step lightly with hope and swiftly with determination, or whether you plod in misery, scraping the dirt with heavy boots. Because the perspective of that journey is a choice, and I choose happiness, and I choose to climb the next mountain.

It is so good to be among people who understand that life is more complex than darkness and light,” Lord Parise remarked.

Still, it is the journey of life that matters, and not the goal,” said Lord Parise. “And this journey will prove exhilarating, I expect.

Cultural Diplomacy—and an Accolade Among Piazzolla’s tasks during his first summer at the Chalet El Casco was the composition of “Le Grand Tango,” a ten-minute piece for cello and piano commissioned by Efraín Paesky, Director of the OAS Division of Arts, and dedicated to Mstislav Rostropovich, to whom Piazzolla sent the score. Rostropovich had not heard of Piazzolla at the time and did not look seriously at the music for several years.7 Written in ternary form, the work bears all Piazzolla’s hallmarks: tight construction, strong accents, harmonic tensions, rhythmic complexity and melodic inspiration, all apparent from the fierce cello scrapes at the beginning. Piazzolla uses intervals not frequently visited on the cello fingerboard. Its largely tender mood, notably on display in the cello’s snaking melodic line in the reflective middle section, becomes more profoundly complex in its emotional range toward the end. With its intricate juxtapositions of driving rhythms and heart-rending tags of tune, it is just about the most exciting music Piazzolla ever wrote, a masterpiece. Piazzolla was eager for Rostropovich to play it, but the chance did not come for eight years. Rostropovich, having looked at the music, and “astounded by the great talent of Astor,” decided he would include it in a concert. He made some changes in the cello part and wanted Piazzolla to hear them before he played the piece. Accordingly, in April 1990, he rehearsed it with Argentine pianist Susana Mendelievich in a room at the Teatro Colón, and Piazzolla gently coached the maestro in tango style—”Yes, tan-go, tan-go, tan-go.” The two men took an instant liking to one another.8 It was, says Mendelievich, “as if Rostropovich had played tangos all his life.” “Le Grand Tango” had its world premiere in New Orleans on April 24, 1990. Sarah Wolfensohn was the pianist. Three days later, they both played this piece again at the Gusman Cultural Center in Miami. [NOTE C] Rostropovich performed “Le Grand Tango” at the Teatro Colón, Buenos Aires, in July 1994; the pianist was Lambert Orkis. More recently, cellist Yo-Yo Ma has described “Le Grand Tango” as one of his “favorite pieces of music,” praising its “inextricable rhythmic sense...total freedom, passion, ecstasy.

And then I understood: only then, sipping nettle soup, tasting the green shoots, the force of life itself that had pushed the young nettles up through paving stones, cobbles, packed mud. Ugolino had flavored his dishes with this. With everything: our food. The steam that drifted, invisible, through the streets. The recipes, written in books or whispered on deathbeds. The pots people stirred every day of their lives: tripe, ribollita, peposo, spezzatino, bollito. Making circles with a spoon, painting suns and moons and stars in broth, in battuta. Writing, even those who don't know their letters, a lifelong song of love. Tessina dipped her spoon, sipped, dipped again. I would never taste what she was tasting: the alchemy of the soil, the ants which had wandered across the leaves as they pushed up towards the sun; salt and pepper, nettles; or just soup: good, ordinary soup. And I don't know what she was tasting now, as the great dome of the cathedral turns a deeper red, as she takes the peach from my hand and steals a bite. Does she taste the same sweetness I do? The vinegar pinpricks of wasps' feet, the amber, oozing in golden beads, fading into warm brown, as brown as Maestro Brunelleshi's tiles? I don't know now; I didn't then. But there was one thing we both tasted in that good, plain soup, though I would never have found it on my tongue, not as long as I lived. It had no flavor, but it was there: given by the slow dance of the spoon and the hand which held it. And it was love.

If your life could be transcribed into a song, the rights and wrongs, the ups and downs, the good and the bad, and the periods of turmoil and challenges, as much as the moments in which you felt high in the clouds, in love, in awe for all the good things happening to you, mesmerized with disbelief for the joys you were experiencing, all those things would be just and only sounds, perfectly arranged to formulate your own song, the song of your life. In the same way, you must see your friends, and enemies, and loved ones and strangers. For everything is made of frequencies, and everything comes to you in precise moments, to match other frequencies. Everything that happens to you is in a perfect arrangement of vibrations and coincidences. And the maestro of this song is you. You are creating all of that with your mind.

The new leadership structure in the quarter revealed the complexity of intra- (and inter-) plantation politics and economies. Diverse origins and competing ambitions fractured plantations and neighborhoods as often as they created new solidarities. Differences among slaves fueled powerful and often deadly disputes - rivalries rooted in petty accumulations of wealth or the other small rewards of plantation life. Still other conflicts arose between older residents and new arrivals. Slaveholders became maestros at recognizing and manipulating these rivalries, seizing upon their slaves' diverse personalities, abilities, aspirations, and petty jealousies to promote one individual, family, or faction at the expense of others. Planters understood that small privileges distributed to slaves could reap large advantages for themselves. But, if masters appreciated the strategy of divide and conquer, slaves also understood that, despite their internal differences, they had a common foe whose power knew few bounds and whose compunctions about using it had even fewer limitations. Fear from above, as well as common experience, compelled slaves to stand together, and as they did, the terrain of struggle between master and slave shifted once again.

So, you’re a beginner in meditation? Awesome! Welcome to the calm club. Think of meditation as a mental workout—no sweat, just serenity. Find your comfy spot, close your eyes, and focus on your breath. When your thoughts wander (and they will), gently steer them back like herding cats on caffeine. Keep at it, and you’ll be zenning out like a guru in no time. Remember, even the Dalai Lama started somewhere. So, stick with it, and enjoy your journey to becoming a meditation maestro!

Being a lover is part of the warrior’s life, maestro. You would do well to consider that. A lover must stay alert and prepared for action.

When he was conductor of the New York Philharmonic Orchestra, Artur Rodzinski said: “In our orchestra we have many nationalities, types, and temperaments. We have learned to forget individual likes, dislikes, and differences of temperament for the sake of music to which we have dedicated our lives. I often wonder if we could not solve the world’s problems on a similar basis of harmony.” “Think what a single individual in a symphony orchestra can accomplish,” the famous maestro continued, “by giving up his individual traits and ambitions in the service of music…. Suppose that in life you had the same all-embracing love for the whole of mankind and for your neighbor in particular. Only when every one of us and every nation learns the secret of love for all mankind will the world become a great orchestra, following the beat of the Greatest Conductor of all.

I could set from memory a replica of the perfect Still Life she laid out on the table each morning: the carefully folded Advertiser, the two canary yellow hemispheres of grapefruit in their bowls, separated by a more richly yellowed cube of butter; the sky blue milk-jug and matching sugar bowl filled to the brim with their differently textured whitenesses; the pot of tea snug in its knitted navy blue cosy, the steam that rose invisibly from its spout suddenly rendered visible, swirling, where it entered the slanting morning light.

Do you know the real secret of how Presidents become Presidents?” Before I can answer, he explains, “It’s because they’re good at getting people to do things for them. In fact, they’re not just good at it. They’re maestros. Virtuosos. To get that title of President, you need thousands of people doing thousands of different things, all for your benefit. It’s a massive churning machine. And y’know what feeds that machine?” he asks. “People like you, Beecher. It’s fed with your life, and your family, and your reputation. Because when things go wrong…and they always go wrong…the President isn’t allowed to have that skunk smell around him. So when that happens, he doesn’t just replace you. He crumples you up, tosses you out back, and…chomp goes the woodchipper.

Gangsta Rap Made Me Do It" [Female Insert] Maestro!!! [Ice Cube] Blame me [Intro: Ice Cube] You niggas know my pyroclastic flow You niggas know my pyroclastic flow flow You niggas know my pyroclastic flow it's R-A-W, R-A-W [Ice Cube] You looking at the grand wizard, war lord vocal chord so vicious And I don't have to show riches to pull up pull off with some bad bitches And it ain't about chivalry It's about dope lyrics and delivery It's about my persona ain't nothing like a man that can do what he wanna Ain't nothing like man on that you knew on the corner See 'em come up and fuck up the owner See 'em throw up Westside California Nigga I'm hot as Phoenix Arizona I'm Utah I got multiple bitches It's a new law keep a hold of yo riches Dumb nigga don't spend it as soon as you get it And recognize I'm a captain and you a lieutenant [Chorus 1] I can say what I want to say ain't nothing to it gangsta rap made me do it If I call you a nigga ain't nothing to it gangsta rap made me do it I can act like an animal ain't nothing to it gangsta rap made me do it If I eat you like a cannibal ain't nothing to it gangsta rap made me do it [Ice Cube] I'm raw as a dirty needle Choke an eagle Just to feed all my people Lyrically I'm so lethal Plant thoughts in they mind just to defeat you Ice Cube is a saga y'all spit saliva And I spit lava I got the fearless flow Don't get near this ho If you sacred to go I keep it gangsta and why should change that fuck you all you motherfuckers trying to change rap But aren't you the same cat that sat back when they brought cocaine back I'm trying to get me a Maybach how you motherfuckers gonna tell me don't say that you the ones that we learned it from I heard nigga back in 1971 [Chorus 2] So if I act like a pimp ain't nothing to it gangsta rap made me do it If I call you a nappy headed ho ain't nothing to it gangsta rap made me do it If I shoot up your college ain't nothing to it gangsta rap made me do it If I rob you of knowledge ain't nothing to it gangsta rap made me do it [Ice Cube] Thank God when I bless the mic You finally get to hear the shit that you like A nigga talking bout real life so you can try to get this shit right Use your brain not your back use your brain not a gat It's a party not a jack (for real) Don't be scared of them people Walk up in there and show them that you equal (fuck them fuck them) Don't be material a nigga grew up on milk and cereal I never for got vaness and imperial Look at my life Ice Cube is a miracle It could be you if you was this lyrical It could be her if she was this spiritual Cause me and Allah go back like cronies I don't got to be fake cause he is my homie [Chorus 3] If I sell a little crack ain't nothing to it gangsta rap made me do it If I die in Iraq ain't nothing to it gangsta rap made me do it If I take you for granted ain't nothing to it gangsta rap made me do it If I fuck up the planet ain't nothing to it gangsta rap made me do it [Intro] [Ice Cube] Oh yeah and another thing For all ya niggas that don't do gangsta rap Don't get on TV talking about gangsta rap Cause 9 times at a 10 you don't know the fuck you talk about Talk about that bullshit rap you do Stay the fuck out of mine

BEETHOVEN should by no means be offered as a model for directors of orchestras. The performers under him were obliged cautiously to avoid being led astray by their conductor, who thought only of his composition, and constantly laboured to depict the exact expression required by the most varied gesticulations. Thus, when the passage was loud, he often beat time downwards, when his hand should have been up. A diminuendo he was in the habit of making by contracting his person, making himself smaller and smaller; and when a pianissimo occurred, he seemed to slink, if the word is allowable, beneath the conductor's desk. As the sounds increased in loudness, so did he gradually rise up, as if out of an abyss; and when the full force of the united instruments broke upon the ear, raising himself on tiptoe, he looked of gigantic stature, and, with both his arms floating about in undulating motion, seemed as if he would soar to the clouds. He was all motion, no part of him remained inactive, and the entire man could only be compared to a perpetuum mobile. When his deafness increased, it was productive of frequent mischief, for the maestro's hand went up when it ought to have descended. He contrived to set himself right again most easily in the piano passages, but of the most powerful fortes he could make nothing. In many cases, however, his eye afforded him assistance, for he watched the movements of the bows, and, thus discovering what was going on, soon corrected himself.

Elizabeth Jayne Anderson, the maestro of graphic design, dances on the edge of imagination. Her innovative designs breathe life into brands, telling stories that resonate. A relentless pursuer of perfection, she brings passion and precision to every pixel.

Success Decoded! Maestro of Masteries: "Lear to transform adversities into raw materials" Once mastered, no one can match you. Greatness Portal: "Never doubt your instincts" Underestimating them could cost your winning moment. Fast-Track Formula: "Just trace the footprints of giants" Success will follow you. Now watch your life transform.

¿Qué os admira? ¿Qué os espanta? si fue mi maestro el sueño, y estoy temiendo en mis ansias, que he de despertar, y hallarme otra vez en mi cerrada prisión, y cuando no sea el soñarlo solo basta: pues así llegué a saber que toda la dicha humana en fin pasa como sueño; y quiero hoy aprovecharla el tiempo que me durare, pidiendo de nuestras faltas perdón, pues de pechos nobles es tan propio el perdonarlas.

You want your love to fulfill his dreams and have the best possible life, even if you’re playing a different role in it.

The adaptability of our brain is remarkable. By simply adjusting our mindset, we can rewire our neural pathways, leading us to a more harmonious life-work balance.” - Marlene Gonzalez, Author of Brain Boost “Your brain is an intricate maestro, orchestrating everything from your heartbeat to your decisions. It's pivotal in determining how you balance emotions with the demands of work and life.” - Marlene Gonzalez, Author of Brain Boost “The brain's incredible ability for neuroplasticity reminds us that we can always learn, adapt, and find equilibrium in our work-life balance.” - Marlene Gonzalez, Author of Brain Boost “While emotional intelligence and personality types offer insights into behavioral prowess, understanding how the brain functions adds depth, guiding us towards more effective leadership and a balanced life.” - Marlene Gonzalez, Author of Brain Boost “Consider your brain as a trainable muscle. By nurturing it, you not only strengthen resilience against stress but also pave the way for a balanced life and work journey.” - Marlene Gonzalez, Author of Brain Boost

Pregnancy Skincare: Nurturing Your Glow with Expert Care – Motherhood Chaitanya Hospital Pregnancy – a wondrous journey that transforms your world in every conceivable way. As you prepare to welcome a new life into the world, your body takes center stage, and so does your skincare routine. Amidst the excitement and anticipation, the canvas of your skin undergoes its own set of changes. But fret not, for the guidance of best gynecologist obstetricians in Chandigarh and the expert care at Motherhood Chaitanya Hospital can help you navigate the realm of pregnancy skincare with grace and confidence. The Glow and the Challenges Ah, the famed pregnancy glow! While it’s true that many expectant mothers experience a certain radiance, it’s also a time when your skin decides to throw a few curveballs. Hormones like estrogen and progesterone, the maestros behind many pregnancy changes, might lead to increased oil production. This could result in unexpected acne or that elusive “glow” turning into a somewhat excessive shine. And let’s not forget about the infamous melasma, often referred to as the “mask of pregnancy.” This uneven pigmentation might make an appearance on your face, especially if you’re basking in the sun’s rays without proper protection. But worry not, for the guidance of the best gynaecologist in Chandigarh, you can take steps to manage these challenges and let your true radiance shine through. Dos and Don’ts In this symphony of pregnancy skincare, it’s crucial to compose a harmonious routine that nurtures both your skin and the life growing within you. First and foremost, let’s talk hydration. Drinking water is like giving your skin a refreshing dose of vitality, ensuring that it remains supple and resilient. As you venture into the world of skincare products, remember that less is more. Opt for gentle, pregnancy-safe cleansers that cleanse without stripping away your skin’s natural moisture. Ingredients like hyaluronic acid and glycerin can be your skin’s best friends, offering hydration without clogging pores. Ah, the allure of sunscreen! Now more than ever, shielding your skin from the sun’s rays is of paramount importance. Look for a broad-spectrum SPF and ensure that it’s pregnancy-safe. A hat and sunglasses can also join the ensemble of sun protection. Now, as you scan the beauty aisles, you might come across a wide array of products promising miracles. But be cautious – not all ingredients are pregnancy-friendly. Best gynecologist in Sector44C would advise steering clear of retinoids, salicylic acid, and benzoyl peroxide. Instead, embrace the calming embrace of ingredients like chamomile and aloe vera. Treating Yourself with Care Amidst the whirlwind of preparations, don’t forget to treat yourself to moments of self-care. A gentle exfoliation once or twice a week can help slough away dead skin cells and keep your complexion radiant. Opt for exfoliants with natural granules to ensure that your skin is treated with the gentleness it deserves. Expert Support for Your Glow The journey of pregnancy is as unique as a fingerprint, and so is your skin’s response to it. That’s why seeking guidance from the best obstetricians in Chandigarh can make all the difference. As you navigate the realms of pregnancy skincare, remember that the changes your skin undergoes are a testament to the incredible journey you’re on. It’s a journey of growth, transformation, and the anticipation of new beginnings. With the guidance of experts, a touch of self-care, and the support of Motherhood Chaitanya Hospital, you can stride through this journey with confidence, letting your inner glow shine as brightly as your dreams.

El bien no está en la naturaleza, tampoco en los sermones de los maestros religiosos ni de los profetas, no está en las doctrinas de los grandes sociólogos y líderes populares, no está en la ética de los filósofos. Son las personas corrientes las que llevan en sus corazones el amor por todo cuanto vive; aman y cuidan de la vida de modo natural y espontáneo. Al final del día prefieren el calor del hogar a encender hogueras en las plazas. Así, además de ese bien grande y amenazador, existe también la bondad cotidiana de los hombres. Es la bondad de una viejecita que lleva un mendrugo de pan a un prisionero, la bondad del soldado que da de beber de su cantimplora al enemigo herido, la bondad de los jóvenes que se apiadan de los ancianos, la bondad del campesino que oculta en el pajar a un viejo judío. Es la bondad del guardia de una prisión que, poniendo en peligro su propia libertad, entrega las cartas de prisioneros y reclusos, con cuyas ideas no congenia, a sus madres y mujeres. Es la bondad particular de un individuo hacia, otro, es una bondad sin testigos, pequeña, sin ideología. Podríamos denominarla bondad sin sentido. La bondad de los nombres al margen del bien religioso y social. Pero si nos detenemos a pensarlo, nos damos cuenta de que esa bondad sin sentido, particular, casual, es eterna. Se extiende a todo lo vivo, incluso a un ratón O a una rama quebrada que el transeúnte, parándose un instante, endereza para que cicatrice y se cure rápido. En estos tiempos terribles en que la locura reina en nombre de la gloria de los Estados, las naciones y el bien universa I, en esta época en que los hombres ya no parecen hombres y sólo se agitan como las ramas en los árboles, como piedras que arrastran a otras piedras en una avalancha que llena los barrancos y las fosas, en esta época de horror y demencia, la bondad sin sentido, compasiva, esparcida en la vida como una partícula de radio, no ha desaparecido.

Many articles speculate about Tom’s retreat from public life. He’s an organization helmed by committee, a criminal, a group of women. Much has been written about why he won’t permit interpretation of Parakeet. That he believes in time-capsule art, that he is a misogynist maestro. They’re all wrong. Baffled companies who want to produce this odd, violent heart of a play are not being held to the specifications of a playwright, but of a little girl. We were hypersensitive, sickly kids, constantly made fun of in school. Every day my classmates reminded me I was different though there was little chance I’d forget. They’d mark my out-loud face as if doing me a favor: Your eyebrows are joined, they’d say. Your calves are not shaped the way mine are. Your mother looks like an Arab spy. My mother demanded silence, but when we were together Tom and I were feral. One night, frustrated by our noise, she booted the door down and hurled handfuls of my stuffed animals into trash bags. Tom stood between her and them and widened his stance so he could not be moved. My mother backhanded him against the corner of a bureau.

Y al maestro que ama no le importa que todos tengan la misma respuesta, le importa preparar para la vida de tal manera que lo importante no es que coincidan con la respuesta, que la vida les va a aplaudir como hoy les aplauden sus compañeros porque son capaces de explicar lo que hacen. Yo creo que esta es la grandeza de ese buen maestro, el que entiende la explicación, la argumentación, la contrastación, el aplauso de lo diferente, que mañana no puedo hacer una asamblea diciendo que lo diferente es bueno cuando aplaudo lo que es igual.

The propaganda maestro of the Third Reich, Joseph Goebbels, famously declared that the capital would be gay and happy—or else. Orders from Berlin specified that the Hôtel Ritz would be the only luxury hotel of its kind in occupied Paris.

I wanted to curse. I had no control, but he was a maestro and like an unwilling instrument, I came to life.

George Washington was always the maestro of eloquent silences.

Hay tres maestros en la vida: un estómago hambriento, un bolsillo vacío y un corazón roto.