Touching Birthday Quotes

We've searched our database for all the quotes and captions related to Touching Birthday. Here they are! All 100 of them:

Abby touched her palm to my cheek. "You know what, Mr. Maddox?" "What, baby?" Her expression turned serious. "In another life, I could love you." I watched her for a moment, staring into her glassed over eyes. She was drunk, but just for a moment it didn't seem wrong to pretend that she meant it. "I might love you in this one.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
Hearing him say it now, that is was my birthday present, touched me in the last place I wanted him to touch me. My heart.
Jenny Han (We'll Always Have Summer (Summer #3))
Humans are the only animals that have children on purpose, keep in touch (or don't), care about birthdays, waste and lose time, brush their teeth, feel nostalgia, scrub stains, have religions and political parties and laws, wear keepsakes, apologize years after an offense, whisper, fear themselves, interpret dreams, hide their genitalia, shave, bury time capsules, and can choose not to eat something for reasons of conscience. The justifications for eating animals and for not eating them are often identical: we are not them.
Jonathan Safran Foer (Eating Animals)
i thank You God for most this amazing day:for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes (i who have died am alive again today, and this is the sun's birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth) how should tasting touching hearing seeing breathing any--lifted from the no of all nothing--human merely being doubt unimaginable You? (now the ears of my ears awake and now the eyes of my eyes are opened)
E.E. Cummings
Never touch my brother on his fucking birthday.
Jim Butcher (Many Bloody Returns)
For instance, I never complained that my birthday was overlooked; people were even surprised, with a touch of admiration, by my discretion on this subject. But the reason for my disinterestedness was even more discreet: I longed to be forgotten in order to be able to complain to myself... Once my solitude was thoroughly proved, I could surrender to the charms of a virile self-pity.
Albert Camus (The Fall)
I invited a few people to help celebrate your birthday," Cameron said sheepishly. She threw up her hands. "Surprise." "We sort of come with the package," Collin explained. "Think of it as a collective gift from all of us to you: five bona fide annoying and overly intrusive new best friends." "It's the gift that keeps on giving," Wilkins said. Jack grinned. "I'm touched. Really. And since it appears I'm going to be moving in, let me be the first to say that all of you are always welcome at my and Cameron's house. Subject to a minimum of forty-eight hours prior notification.
Julie James (Something About You (FBI/US Attorney, #1))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Happy birthday," he sighed, and leaned down to touch his lips to mine. I reached up on my toes to make the kiss last longer when he pulled away. He smiled my favorite crooked smile, and then he disappeared into the darkness.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Cakes have gotten a bad rap. People equate virtue with turning down dessert. There is always one person at the table who holds up her hand when I serve the cake. No, really, I couldn’t she says, and then gives her flat stomach a conspiratorial little pat. Everyone who is pressing a fork into that first tender layer looks at the person who declined the plate, and they all think, That person is better than I am. That person has discipline. But that isn’t a person with discipline; that is a person who has completely lost touch with joy. A slice of cake never made anybody fat. You don’t eat the whole cake. You don’t eat a cake every day of your life. You take the cake when it is offered because the cake is delicious. You have a slice of cake and what it reminds you of is someplace that’s safe, uncomplicated, without stress. A cake is a party, a birthday, a wedding. A cake is what’s served on the happiest days of your life. This is a story of how my life was saved by cake, so, of course, if sides are to be taken, I will always take the side of cake.
Jeanne Ray
i thank You God for most this amazing day: for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes (i who have died am alive again today, and this is the sun's birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth) how should tasting touching hearing seeing breathing any---lifted from the no of all nothing---human merely being doubt unimaginably You? (now the ears of my ears awake and now the eyes of my eyes are opened)
E.E. Cummings (100 Selected Poems)
I’ll get over him. And very soon, every memory will fade, all his words and how every touch felt. It’ll all fade.
Penelope Douglas (Birthday Girl)
You belong to me now, and I'll be back to get yo after your twenty-first birthday, when the time is right. No one else can touch you until then and I'll always be around to make sure.
Michelle A. Valentine (Demon at My Door (Demon at My Door, #1))
I closed my eyes under the fluroescent lights and tried to make another birthday wish, a onetime do-over, a rebate, a trade-in on the kitchen sink kiss that started everything, offered up for just one last miracle.
Sarah Ockler (Twenty Boy Summer)
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
Touch all of your scars and remember their birthdays, remind yourself how far you’ve come.
Key Ballah (Preparing My Daughter For Rain)
Day by day his sister grew Paler with the wound She could not see or touch or feel, as I dressed it Each day with her blue Breton jacket. - from Life After Death
Ted Hughes (Birthday Letters)
I took a steadying breath. “Listen, I know we have a full night ahead of us, but I wanted to give you your birthday present.” “Oh, darling, you didn’t need to get me anything. Every day with you is a gift.” He leaned in and kissed me. “Well, I hadn’t planned on getting you a gift, but then something presented itself, so here we are.” “All right then,” he said, placing his glass on the ground. “I’m ready. Where is it?” “That’s the only problem,” I started. I felt my hands begin to shake. “It won’t actually arrive for another seven or eight months.” He smiled but squinted. “Eight months? What in the world could take . . .” As his words drifted away, so did his eyes, leaving my face and making their way to my stomach. He seemed to expect me to look different, for me to be as big as a house already. But I’d done my best to hide everything: the tiredness, the nausea, the sudden distaste for foods. He stared on and on, and I waited for him to smile or laugh or jump up and down. But he sat there, frozen to the point that it started to frighten me. “Maxon?” I reached out and touched his leg. “Maxon, are you all right?” He nodded, still watching my stomach.
Kiera Cass (The One (The Selection, #3))
I'm speechless.I think at the rooftops of Paris. he touches my cheek,pulling my gaze back to him.I suck in my breath. "Anna.I'm sorry for what happened in Luxembourg Gardens.Not because of the kiss-I've never had a kiss like that in my life-but because I didn't tell you why I was running away.I chased after Meredith because of you." Touch me again. Please,touch me again. "All I could think about was what that bastard did to you last Christmas. Toph never tried to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie's,but I was so anxious to just end it,once and for all,that I wasn't thinking straight." I reach for him. "St. Clair-" He pulls back. "And that.Why don't you call me Etienne anymore?" "But...no one else calls you that.It was weird.Right?" "No.It wasn't." His expression saddens. "And every time you say 'St. Clair,' it's like you're rejecting me again." "I have never rejected you." "But you have.And for Dave." His tone is venomous. "And you rejected me for Ellie on my birthday. I don't understand.If you liked me so much,why didn't you break up with her?" He gazes at the river. "I've been confused. I've been so stupid." "Yes.You have." "I deserve that." "Yes.You do." I pause. "But I've been stupid,too.You were right.About...the alone thing.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
Melissa Bank (The Wonder Spot)
But whether I touch him or I run, whether I'm dreaming or I'm awake, on his birthday or on all other days, my whole life has been contaminated with the fact that he is dead.
Jean Hegland (Into the Forest)
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
I told her if she really cared about me, then she’d let me do whatever I wanted for my birthday, just like Mom did when I was twelve.” “What happened when you were twelve?” “Oh, Mom offered to take us all out for dinner—us girls, Dad was out of town—to celebrate, but I didn’t want to. This book I’d been waiting for had just come out, and the only thing I wanted to do was read it all night.” “My God,” I said, touching the top of her nose. “You’re adorable.” She swatted me away. “Anyway, Carly and Zoe really wanted to go out so that they could score a meal, but Mom just said, ‘It’s her birthday. Let her do whatever she wants.’” “Your mom is cool.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Time is so subjective, its measure totally dependent upon the means by which we mark its passage. When we follow the conventional milestones, meting out our lives with birthdays and graduations and anniversaries and funerals, we are left with voids along the way-vast stretches of empty space lost forever, never to be filled. As time grows short, the significance of each moment increases, until finally every heartbeat is of monumental importance. Or so it seems at first. I have discovered, almost too late, that time is not just arbitrary, but of no great consequence after all. She has taught me that a touch is a lifetime, a kiss forever, and that passion will transcend the limitations of fragile existence to span eternity. I no longer worry about the beat of my heart-I need only the memory of her to live on. My soul, my very being, pulses with wonder at the places within me that she has filled, with gratitude for the wounds she has healed, and with everlasting devotion for the love she has given. In her arms, I found passion and peace and a place to rest. No matter where I travel or what road I take to reach my detestation, I will always have the comfort of her hand in my and the soft whisper of her voice reminding me that I do not need to be afraid. This, this has always been my secret desire, and now I need search no further. I am Loved, and I am content,
Radclyffe (Love's Masquerade)
More likely, and more complicated, is the thought that she’s just gone, and that this letter is the last part of her I’ll ever see or touch, and the only afterlife she or anyone ever gets is the ripples their lives make in the world around them—heaven in the hearts of those who live on, love branching out like roots in an old-growth forest.
Meredith Russo (Birthday)
Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head. Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?
Patrick Ness (A Monster Calls)
It was your birthday, we had drunk and dined Half of the night with our old friend Who’d showed us in the end To a bed I reached in one drunk stride. Already I lay snug, And drowsy with the wine dozed on one side. I dozed, I slept. My sleep broke on a hug, Suddenly, from behind, In which the full lengths of our bodies pressed: Your instep to my heel, My shoulder-blades against your chest. It was not sex, but I could feel The whole strength of your body set, Or braced, to mine, And locking me to you As if we were still twenty-two When our grand passion had not yet Become familial. My quick sleep had deleted all Of intervening time and place. I only knew The stay of your secure firm dry embrace.
Thom Gunn
He went on, “I don’t know how much time we have left. Could be fifty years. Could be one more week. But I do know that we’re not going to get cheated out of one second of being together. We’re going to share everything and feel everything together. And I am going to let you know, in the way I touch you, and the way I kiss you”—as he said it, he touched her, and kissed her—“that you are the best thing in my life. And I’m a selfish man, and I want every inch of you, and every minute of your life I can have. There’s no my life anymore. And no your life. Just our life, and we’re going to have it our way. I want birthday cake every day and you naked in bed every night. And when it’s time to be done, we’ll have that our way, too.
Joe Hill (The Fireman)
I gave up drinking before my twentieth birthday. I haven’t touched the stuff since. And I’ve discovered that not everyone who does horrible things is a horrible person.
Brent Jones (The Fifteenth of June)
Education is not a steady process of accrual, but a touch-and-go contest between learning and forgetting, like frantically trying to fill a sink faster than it can empty through an open drain—which
Lionel Shriver (The Post-Birthday World)
We've decided that your birthday present will be a car", said Marion. Danny was touched. "But the thing I can't figure out is, why would I need a new car?" "You can't very well gate a girl to the movies, Danny," Leslie replied. "I think you're overlooking the biggest point here," said Danny. "I don't need a CAR so I can date. I need a GIRL.
Orson Scott Card (The Lost Gate (Mither Mages, #1))
Alan had by this time developed a skilful technique for dealing with his family, and his mother in particular. They all thought of him as devoid of common sense, and he in turn would rise to the role of absent-minded professor. ‘Brilliant but unsound’, that was Alan to his mother, who undertook to keep him in touch with all those important matters of appearance and manners, such as buying a new suit every year (which he never wore), Christmas presents, aunts’ birthdays, and getting his hair cut.
Andrew Hodges (Alan Turing: The Enigma)
And as I lay there next to him, his arm still around me, as we shared a pillow, I realized that I liked him. Of course, I liked him as a friend. But this was different. This was more than that. This was wanting to reach over and touch his cheek, lightly, so as not to wake him. This was what had been bouncing around somewhere in my mind ever since the night of his birthday when I'd looked at him just a little too long in the moonlight. It was what I'd felt when we'd danced at the wedding. It was why I'd felt so awkward, going to pick up Lissa. It was why I wanted to stay exactly where I was, but why I also knew I needed to go.
Morgan Matson (Since You've Been Gone)
But one of the things you lose in the wisdom of age is the wisdom of youth. Education is not a steady process of accrual, but a touch-and-go contest between learning and forgetting, like frantically trying to fill a sink faster than it can empty through an open drain...
Lionel Shriver (The Post-Birthday World)
Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air. And I have to admit that at times I do not know anymore.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
We drove in silence for a while. Then out of nowhere, Nancy quietly said, 'I'm going to die very soon. Before my twenty-first birthday. I won't live to be twenty-one. I'm never gonna be old. I don't ever want to be ugly and old. I'm an old lady now anyhow. I'm eighty. There's nothing left. I've already lived a whole lifetime. I'm going out. In a blaze of glory.' Then she was quiet. Her words just lay there like a bombshell. No one wanted to touch them. She hadn't issued a threat, simply made a flat statement. We all believed her. Even Sid. [...] 'I honestly can't understand her,' David [Nancy's brother] said as we drove home. 'She's dying. She knows it. Why won't she stop herself?' 'She doesn't want to,' Frank [Nancy's father] ]said sadly. 'She wants to die. She has for a long, long time. It's been her goal.' 'But why?' asked David. 'She hates being alive,' I said. 'She hates her pain. She hates herself. She wants to destroy herself.' 'Isn't there anything you guys can do?' asked David. 'Yes,' I said. 'What?' 'Watch her die.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Happy birthday,” he sighed, and leaned down to touch his lips to mine.
Stephenie Meyer (New Moon (Twilight, #2))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
Except it wasn’t just dinner. It was dinner with a man whose touch made me tingle. It was dinner with a man who seemed to bust right through my defenses. It was dinner with a man who stirred feelings I’d reserved for my husband alone.
Devney Perry (The Birthday List (Maysen Jar, #1))
This database enabled Johnson to keep in touch with all his customers, at all times, and to keep them all feeling special. He sent them Christmas cards. He sent them birthday cards. He sent them notes of congratulation after they completed a big race or marathon.
Phil Knight (Shoe Dog)
Tate gave me your birthday present when you were here before,” she confessed. “I put it on top of the cabinet in the dining room and forgot to give it to you. Here, I’ll fetch it!” Cecily felt as if she’d had the wind knocked out of her just at the sound of his name. She could almost taste him on her mouth, feel the fierce hunger of his body as he pressed her into the wall… “He remembered my birthday,” she said faintly, touched. “He always remembers it, but he said you weren’t speaking then.” She handed the small box to Cecily. “Go on,” she said when the younger woman hesitated. “Open it.” Cecily’s hands went cold and trembled as she tore off the wrappings. It was a jewelry box. I wasn’t a ring, of course, she told herself as she forced up the hinged lid. He certainly wouldn’t buy her a… “The beast!” she exclaimed. “Oh, how could he?” Leta looked over her shoulder at what was in the box and dissolved into gales of laughter. Cecily glared at her. “It isn’t funny.” “Oh, yes it is!” Cecily looked back down at the silver crab with its ruby eyes and pearl claws, and one corner of her mouth tugged up. “He is pretty, isn’t he?” She took the pin out of the box and studied it. It wasn’t silver. It was white gold. Those were real rubies and pearls, too. This hadn’t been an impulse purchase. He’d had this custom-made for her. Tears stung her eyes. It was the sort of present you gave to someone who meant something to you. She remembered his passionate kisses, and wished with all her heart that he’d meant those, too. She pinned the small crab onto the collar of her blouse and knew that she’d treasure it as long as she lived.
Diana Palmer (Paper Rose (Hutton & Co. #2))
If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
I’d received countless gifts in my life. A customized Audi for my sixteenth birthday; a limited-edition Vacheron Constantin watch when I was accepted into Oxford; a penthouse atop the Peak in Hong Kong when I graduated from Cambridge with my master’s. None of them touched me as much as a flimsy paperback of velociraptor erotica.
Ana Huang (King of Pride (Kings of Sin, #2))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.
Alan Cohen (A Course in Miracles Made Easy: Mastering the Journey from Fear to Love)
Chris explained. Beginning on the day after Regan’s birthday—and following Howard’s failure to call—she had noticed a sudden and dramatic change in her daughter’s behavior and disposition. Insomnia. Quarrelsome. Fits of temper. Kicked things. Threw things. Screamed. Wouldn’t eat. In addition, her energy seemed abnormal. She was constantly moving, touching, turning
William Peter Blatty (The Exorcist)
You’re right, okay? But, Jordan, men will get ideas. They’ll think they have a free pass and they can touch what belongs to my son. You’re embarrassing him.” “Your son?” she mocks, laughing. “Well, you just missed him, actually. He already saw me, and he doesn’t care, Pike. He thought I looked good, and then he left with his friends. He doesn’t care!” “Well, I care!
Penelope Douglas (Birthday Girl)
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
As a first-generation Ethiopian immigrant, Sheba had lived in Charleston since she turned five years of age. She was Ethiopian by birth, but American by preference. She had worked hard, studied and sacrificed plenty to get where she was today, no easy feat for someone who had just celebrated her twenty-sixth birthday. According to her friends, Sheba was a beauty, though when she looked in the mirror, she saw inevitable flaws; her cheekbones were too pronounced, her mouth a little too wide, her nose with that perturbing slant to it. Still, she accepted compliments gratefully, especially from her roommate, Janelle. Janelle was the true beauty, Sheba thought, with dark ebony skin so smooth that she could be a walking ad for Ghirardelli Dark Chocolate.
Joanna Hynes (My Song Of Songs: Solomon's Touch (Interracial Romance))
It was a garden, a walled garden. Overgrown but with beautiful bones visible still. Someone had cared for this garden once. The remains of two paths snaked back and forth, intertwined like the lacing on an Irish dancing shoe. Fruit trees had been espaliered around the sides, and wires zigzagged from the top of one wall to the top of another. Hungry, wisteria branches had woven themselves around to form a sort of canopy. Against the southern wall, an ancient and knobbled tree was growing. Cassandra went closer. It was the apple tree, she realized, the one whose bough had reached over the wall. She lifted her hand to touch one of the golden fruit. The tree was about sixteen feet high and shaped like the Japanese bonsai plant Nell had given Cassandra for her twelfth birthday.
Kate Morton (The Forgotten Garden)
And there she is. I touch my jaw and she touches hers. I watch her lips part in awe and, for the first time in a long time, it’s not in a tight frown. She blinks slowly. I blink slowly. Because this is me. All I can do is stare. At some point the stretched-out neckline of my ratty thrift-store shirt slipped off my shoulder. A strand of hair falls across my face. A girl who could be my sister stares back at me—it’s not even that I did a good job with the makeup, because I didn’t, but she’s there. There’s a surge of vertigo as I realize this is what it’s like to bridge the gap between me-the-body and me-the-self. Or the start of it. It feels like waves are crashing in my ears, warm foam rising up to envelop me. I wrap my arms around my stomach and take a long, clean breath. And that’s really it—I feel clean for the first time in years.
Meredith Russo (Birthday)
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
Vladimir Nabokov
Cakes have gotten a bad rap. People equate virtue with turning down dessert. There is always one person at the table who holds up her hand when I serve the cake. No, really, I couldn’t, she says, and then gives her flat stomach a conspiratorial little pat. Everyone who is pressing a fork into that first tender layer looks at the person who declined the plate, and they all think, That person is better than I am. That person has discipline. But that isn’t a person with discipline, that is a person who has completely lost touch with joy. A slice of cake never made anybody fat. You don’t eat the whole cake. You don’t eat a cake every day of your life. You take the cake when it is offered because the cake is delicious. You have a slice of cake and what it reminds you of is someplace that’s safe, uncomplicated, without stress. A cake is a party, a birthday, a wedding. A cake is what’s served on the happiest days of your life.
Jeanne Ray (Eat Cake)
I don’t know how much time we have left. Could be fifty years. Could be one more week. But I do know that we’re not going to get cheated out of one second of being together. We’re going to share everything and feel everything together. And I am going to let you know, in the way I touch you, and the way I kiss you”—as he said it, he touched her, and kissed her—“that you are the best thing in my life. And I’m a selfish man, and I want every inch of you, and every minute of your life I can have. There’s no my life anymore. And no your life. Just our life, and we’re going to have it our way. I want birthday cake every day and you naked in bed every night. And when it’s time to be done, we’ll have that our way, too. We’ll open that bottle of wine we bought in France and listen to our favorite music and have some laughs and take some happy pills and go to sleep. Die pretty after the party is over, instead of going down screaming
Joe Hill (The Fireman)
Well then. Let us begin with essentials. Are you free to marry me?” He exhaled slowly, in a pointed effort not to hold his breath. “Of course. When I come of age, that is.” “Tell me your birthday.” She smiled. “The first of February.” “It will be our wedding day.” He traced the shape of the birthmark on her hip. “Very convenient for me, for your birthday and our anniversary to coincide. I’ll be more likely to remember both.” “I wish you would stop touching me there.” “Do you? Why?” “Because it is ugly. I hate it.” He tilted his head, surprised. “I quite adore it. It reminds me that you are imperfectly perfect and entirely mine.” He slid down her body and bent to kiss the mark to prove the point. “There’s a little thrill in knowing no one else has seen it.” “No other man, you mean.” He kissed her there again, this time tracing the shape with his tongue. She squirmed and laughed. “When I was a child, I would scrub at it in the bath. My nursemaid used to tell me, God gives children birthmarks so they won’t get lost.” Her mouth curled in a bittersweet smile. “Yet here I am, adrift on the ocean on the other side of the world. Don’t they call that irony?” “I believe they call it Providence.” He tightened his hands over her waist. “You’re here, and I’ve found you. And I take pains not to lose what’s mine.” He kissed her hip again, then slid his mouth toward her center as he settled between her thighs. “Gray,” she protested through a sigh of pleasure. “It’s late. We must rise.” “I assure you, I’ve risen.” “I’ve work to do.” She writhed in his grip. “The men will be wanting their breakfast.” “They’ll wait until the captain has finished his.” “Gray!” She gave a gasp of shock, then one of pleasure. “What a scoundrel you are.” He came to his knees and lifted her hips, sinking into her with a low groan. “Sweet,” he breathed as she began to move with him, “you would not have me any other way.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
more than anything else was … CHOCOLATE. Walking to school in the mornings, Charlie could see great slabs of chocolate piled up high in the shop windows, and he would stop and stare and press his nose against the glass, his mouth watering like mad. Many times a day, he would see other children taking bars of creamy chocolate out of their pockets and munching them greedily, and that, of course, was pure torture. Only once a year, on his birthday, did Charlie Bucket ever get to taste a bit of chocolate. The whole family saved up their money for that special occasion, and when the great day arrived, Charlie was always presented with one small chocolate bar to eat all by himself. And each time he received it, on those marvellous birthday mornings, he would place it carefully in a small wooden box that he owned, and treasure it as though it were a bar of solid gold; and for the next few days, he would allow himself only to look at it, but never to touch it.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Humans are the only animals that have children on purpose, keep in touch (or don't), care about birthdays, waste and lose time, brush their teeth, feel nostalgia, scrub stains, have religions and political parties and laws, wear keepsakes, apologise years after an offence, whisper, fear themselves, interpret dreams, hide their genitalia, shave, bury time capsules, and can choose not to eat something for reasons of conscience. The justifications for eating animals and for not eating them are often identical: we are not them.
Jonathan Safran Foer (Eating Animals)
Fred had first come to Fire Island Pines when he was thirty. He wasn’t ready for such beauty, such potential, such unlimited choice. The place scared him half to death. It was a warm and sunny weekend and there were one thousand bathing-suited handsomenesses on The Botel deck at Tea Dance. They all seemed to know each other and to touch and greet and smile at each other. And there he was, alone. Though he had acquired his 150-pound body for the first time (of his so-far three: the first for himself, the second for Feffer, number three, with muscles, for Dinky), he still felt like Mrs. Shelley’s monster, pale, and with a touch of leprosy thrown in. Not only had he no one to talk to, not only did the overwhelmingness of being confronted by so much Grade A male flesh, most of which seemed superior to his, which would make it difficult to talk to, even if he could utter, which he could not, floor him, but everyone else seemed so secure, not only with their bodies (all thin and no doubt well-defined since birth), tans, personalities, their smiles and chat, but also with that ability to use their eyes, much like early prospectors must have looked for gold, darting them hither and yon, seeking out the sparkling flecks, separating the valued from the less so, meaning, he automatically assumed, him. Their glances his way seemed like disposable bottles, no deposit, no return. He felt like Mr. Not Wanted On The Voyage, even though it was, so be it, his birthday. Many years would pass before he would discover that everybody else felt exactly the same, but came out every weekend so to feel, thus over the years developing more flexible feelings in so feeling.
Larry Kramer (Faggots)
She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters: Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy." Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times. She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier." At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again. Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.
Delia Owens (Where the Crawdads Sing)
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Very often, when she had shut herself in her room for the night, Ottilie would kneel in front of the open chest and look at her birthday presents. She had touched none of them. Very often she would hurry out of the house at daybreak, out of the place where she had formerly found all her happiness, into the open, into the country which had formerly had no attraction for her. She would even want to get off the land itself, she would leap into the boat and row to the middle of the great lake, and there she would take out a travel-book and let herself be rocked by the waves and read and dream herself into a far country; and there she would always discover her friend, he would tell her she had always been close to his heart, she would tell him he had always been close to hers.
Johann Wolfgang von Goethe (Elective Affinities)
For my thirtieth birthday, I was given a watch by a dear one who assumed with cheerful lovingness that, since I had never worn a watch, I would now like to start. I smiled and appreciated, but deep down I felt uneasy. Wear a watch? Early on in my adult life I tried to wear a watch, but I didn't lke the feel of time ticking itself away on my wrist, as if in a mortal race with my own pulse. I tried to tell time by the length of light, but I was always late. I resorted to keeping the watch in my pocket, where it was easy to forget. Even now, I only wear a watch to travel and to keep appointment with friends...Fortunately, not long after I received the time piece I developed an allergy to metal and broke out in red bumps where the watch touched my wrist. Perhaps it is true I'm allergic to time itself
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
My dearest Violet, A belated birthday gift along with my regrets for not celebrating as we should have. All my love, C Tears filled her eyes as she touched her chest where the locket rested beneath her clothing. She wore it still because she couldn't forget the morning he had given it to her, nor how she had felt, dumbstruck and silly with her love for him. A terrible but true way to describe the sheer bliss that had surrounded them. Blinking away the tears, she unwrapped the package revealing four books: Jane Eyre, Wuthering Heights, Agnes Gray, and The Tenant of Windfell Hall. A quick examination revealed them to be all first editions. Dropping into the chair, she read his note again two more times. Her finger traced the C. As much as she despised what he had done, she couldn't stop herself from missing him.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
What can I tell you that you do not know Of the life after death? Your son’s eyes, which had unsettled us With your Slavic Asiatic Epicanthic fold, but would become So perfectly your eyes, Became wet jewels, The hardest substance of the purest pain As I fed him in his high white chair. Great hands of grief were wringing and wringing His wet cloth of face. They wrung out his tears. But his mouth betrayed you — it accepted The spoon in my disembodied hand That reached through from the life that had survived you. Day by day his sister grew Paler with the wound She could not see or touch or feel, as I dressed it Each day with her blue Breton jacket. By night I lay awake in my body The Hanged Man My neck-nerve uprooted and the tendon Which fastened the base of my skull To my left shoulder Torn from its shoulder-root and cramped into knots — I fancied the pain could be explained If I were hanging in the spirit From a hook under my neck-muscle. Dropped from life We three made a deep silence In our separate cots. We were comforted by wolves. Under that February moon and the moon of March The Zoo had come close. And in spite of the city Wolves consoled us. Two or three times each night For minutes on end They sang. They had found where we lay. And the dingos, and the Brazilian-maned wolves — All lifted their voices together With the grey Northern pack. The wolves lifted us in their long voices. They wound us and enmeshed us In their wailing for you, their mourning for us, They wove us into their voices. We lay in your death, In the fallen snow, under falling snow, As my body sank into the folk-tale Where the wolves are singing in the forest For two babes, who have turned, in their sleep, Into orphans Beside the corpse of their mother.
Ted Hughes (Birthday Letters)
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
However that may be, after prolonged research on myself, I brought out the fundamental duplicity of the human being. Then I realized, as a result of delving in my memory, that modesty helped me to shine, humility to conquer, and virtue to oppress. I used to wage war by peaceful means and eventually used to achieve, through disinterested means, everything I desired. For instance, I never complained that my birthday was overlooked; people were even surprised, with a touch of admiration, by my discretion on this subject. But the reason for my disinterestedness was even more discreet: I longed to be forgotten in order to be able to complain to myself. Several days before the famous date (which I knew very well) I was on the alert, eager to let nothing slip that might arouse the attention and memory of those on whose lapse I was counting (didn’t I once go so far as to contemplate falsifying a friend’s calendar?). Once my solitude was thoroughly proved, I could surrender to the charms of a virile self-pity.
Albert Camus (The Fall)
To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
What if—” I stopped, swallowing hard. Nope. I couldn’t even say it aloud. We’d figure something else out because we had to. Time for a subject change before I lost it. “What did your mom say?” “Mostly that she thinks my hair is getting too long and I should cut it.” “That’s not helpful.” “That’s my mom for you.” He was trying for humor but his voice caught, and I wondered if he was thinking about how if she left and he didn’t, he’d never ever see her again. “So,” I said, sitting on the floor against the wall as close to the kitchen doorway as I could get without Lend dropping like a rock, “do you want your Christmas present?” “You got me something?” He sounded surprised. “I’ve been working on it for a while.” “I, uh, didn’t find you anything yet. I was actually setting up for your party, not Christmas shopping like I said.” “Being kidnapped by the Dark Queen and then cursed gets you off the hook for a lot. Besides, my birthday party totally counted.” “This isn’t how I wanted our first Christmas to go. We were going to go all out, pick out a Christmas tree on Christmas Eve, decorate it, watch cheesy holiday movies, drink hot chocolate, let my dad make his eggnog and then complain about how disgusting it was, then I was going to deck out my entire room in mistletoe . . .” “Wait, you mean you didn’t plan for us to be stuck in different rooms for the holidays?” “Well, that part’s kind of nice.” I heard his head bang against the wall where he was sitting right on the other side of it from me. “I mean, who wants to actually be able to touch their super hot girlfriend? Overrated.” “I know, right?” I tried to laugh, but it came out choked. I swallowed, forcing my one to come out light. “And I totally dig watching people sleep. It’s so sexy.
Kiersten White (Endlessly (Paranormalcy, #3))
A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Betsy didn’t want to be at the party any more than Cole did. She’d met the birthday girl in a spin class a couple of years earlier and had been declining her Evites ever since. In an effort to meet new people, however, this time Betsy replied “Yes.” She took a cab to the party, wondering why she was going at all. When Betsy met Cole there was a spark, but she was ambivalent. Cole was clearly smart and well educated, but he didn’t seem to be doing much about it. They had some nice dates, which seemed promising. Then, after sleeping over one night and watching Cole wake up at eleven a.m. and grab his skateboard, Betsy felt less bullish. She didn’t want to help another boyfriend grow up. What Betsy didn’t know was that, ever since he’d started spending time with her, Cole had regained some of his old drive. He saw the way she wanted to work on her sculptures even on the weekend, how she and her friends loved to get together to talk about their projects and their plans. As a result, Cole started to think more aspirationally. He eyed a posting for a good tech job at a high-profile start-up, but he felt his résumé was now too shabby to apply. As luck would have it—and it is often luck—Cole remembered that an old friend from high school, someone he bumped into about once every year or two, worked at the start-up. He got in touch, and this friend put in a good word to HR. After a handful of interviews with different people in the company, Cole was offered the position. The hiring manager told Cole he had been chosen for three reasons: His engineering degree suggested he knew how to work hard on technical projects, his personality seemed like a good fit for the team, and the twentysomething who vouched for him was well liked in the company. The rest, the manager said, Cole could learn on the job. This one break radically altered Cole’s career path. He learned software development at a dot-com on the leading edge. A few years later, he moved over and up as a director of development at another start-up because, by then, the identity capital he’d gained could speak for itself. Nearly ten years later, Cole and Betsy are married. She runs a gallery co-op. He’s a CIO. They have a happy life and gladly give much of the credit to Cole’s friend from high school and to the woman with the Evites.
Meg Jay (The Defining Decade: Why Your Twenties Matter—And How to Make the Most of Them Now)
Jamie guessed he wasn’t sure if calling it a homeless shelter when it was filled with homeless people was somehow offensive. He’d had two complaints lodged against him in the last twelve months alone for the use of ‘inappropriate’ language. Roper was a fossil, stuck in a by-gone age, struggling to stay afloat. He of course wouldn’t have this problem if he bothered to read any of the sensitivity emails HR pinged out. But he didn’t. And now he was on his final warning. Jamie left him to flounder and scanned the crowd and the room for anything amiss.  People were watching them. But not maliciously. Mostly out of a lack of anything else to do. They’d been there overnight by the look of it. Places like this popped up all over the city to let them stay inside on cold nights. The problem was finding a space that would house them. ‘No, not the owner,’ Mary said, sighing. ‘I just rent the space from the council. The ceiling is asbestos, and they can’t use it for anything, won’t get it replaced.’ She shrugged her shoulders so high that they touched the earrings. ‘But these people don’t mind. We’re not eating the stuff, so…’ She laughed a little. Jamie thought it sounded sad. It sort of was. The council wouldn’t let children play in there, wouldn’t let groups rent it, but they were happy to take payment and let the homeless in. It was safe enough for them. She pushed her teeth together and started studying the faded posters on the walls that encouraged conversations about domestic abuse, about drug addiction. From when this place was used. They looked like they were at least a decade old, maybe two. Bits of tape clung to the paint around them, scraps of coloured paper frozen in time, preserving images of long-past birthday parties. There was a meagre stage behind the coffee dispenser, and to the right, a door led into another room. ‘Do you know this boy?’ Roper asked, holding up his phone, showing Mary a photo of Oliver Hammond taken that morning. The officers who arrived on scene had taken it and attached it to the central case file. Roper was just accessing it from there. It showed Oliver’s face at an angle, greyed and bloated from the water.  ‘My God,’ Mary said, throwing a weathered hand to her mouth. It wasn’t easy for people who weren’t exposed to death regularly to stomach seeing something like that.  ‘Ms Cartwright,’ Roper said, leaning a little to his left to look in her eyes as she turned away. ‘Can you identify this person? I know it’s hard—’ ‘Oliver — Ollie, he preferred. Hammond, I think. I can check my files…’ She turned and pointed towards the back room Jamie had spotted. ‘If you want—’ Roper put the phone away.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
You can marry Denny, and I’ll still catch you stealing those starry looks at me across drawing rooms, ten years from now. You can share a bed with him, but I’ll still haunt your dreams. Perhaps once a year on your birthday— or perhaps on mine— I’ll contrive to brush a single fingertip oh-so-lightly between your shoulder blades, just to savor that delicious tremor.” He demonstrated, and she hated her body for responding just as he’d predicted. An ironic smile crooked his lips. “You see? You can marry anyone or no one. But you’ll always be mine.” “I will not,” she choked out, pulling away. “I will put you out of my mind forever. You are not so very handsome, you know, for all that.” “No, I’m not,” he said, chuckling. “And there’s the wonder of it. It’s nothing to do with me, and everything to do with you. I know you, Cecily. You may try to put me out of your mind. You may even succeed. But you’ve built a home for me in your heart, and you’re too generous a soul to cast me out now.” She shook her head. “I—” “Don’t.” With a sudden, powerful movement, he grasped her waist and brought her to him, holding her tight against his chest. “Don’t cast me out.” His mouth fell on hers, hard and fast, and when her lips parted in surprise, he thrust his tongue deep into her mouth. He kissed her hungrily, thoroughly, without finesse or restraint, as though he hadn’t kissed a woman in years and might not survive to kiss another tomorrow. Raw, undisguised need shuddered through his frame as he took from her everything he could— her inhibitions, her anger, her very breath. And still she yearned to give him more. Arching on tiptoe, she threaded her hands into his hair and boldly touched her tongue to his. She’d been afraid to, the last time. But she wasn’t afraid now, and she wasn’t satisfied with a timid, schoolgirl kiss. Her body bowed into his, and he moaned as he kissed her deeper still. This was what she’d been dreaming of, for so long. His taste, his warmth, his strength surrounding her. This was Luke. This was Luke.
Tessa Dare (The Legend of the Werestag)
The Christmas Key The key hangs untouched For 364 days For the day after Christmas Is the day I put it away It’s getting on to the Yule Tide The one that comes every year Where smiling eyes are all around And hearts that count are here Each year is more of a struggle Still we reach the journeys end To find that we’re not just family We are also the best of friends The holiday gift is not a package No price tag to cut and hide It’s a celebration of a birthday Shared with loved ones by your side We remember the unforgettable Give thanks to all that’s new Once again, savor the innocence Of a child’s dream come true One more memory to add to the last Of love, warmth, and joy One more feeling of what was That still touches this little boy When the day is over The memories are locked away And the key put back in its place
Thomas K. Hunt
Nathaniel said, “Allow me to help.” She kept pacing. “What can you do?” “I can marry you.” She whirled, incredulous. “Marry me?” He flinched as though she’d slapped him. “I know it was Lewis you wanted. If that is still the case, I will do everything in my power to convince him. In fact, he may be more amenable, now he knows of your inheritance.” She frowned. “I don’t want to marry Lewis. How would marrying anybody help my sister?” “If Marcus has proposed to your sister to force you from hiding . . . and still hopes to marry you for your inheritance . . .” “My birthday is only two weeks away. If I can remain unwed until I receive my inheritance I will grant Caroline a generous dowry and she can marry someone worthy of her. And I can marry, or not, as I wish.” He shook his head. “You have been living under our roof for months now, Margaret. A gentleman in such a situation, unusual as this one is, has a certain duty, a certain obligation.” A chill ran through her. She lifted her chin. “I assure you there is no obligation, Mr. Upchurch. You and your brother did not know I was here, though I suspect your sister knew all along. You need not worry. You are under no compunction to uphold my honor, such as it is after all this.” “It would be no burden, Miss Macy, I promise you.” He took a step nearer, a grin touching his mouth. “In fact, I can think of no other woman I would rather be shackled to.” She stiffened, anger flaring. “I don’t want you to be shackled to me. I don’t want anyone to have to marry me. Not Marcus Benton, not Lewis, and not you.” “Margaret, I was only joking. Don’t—” She whipped opened the door and whispered harshly, “Now I must ask you to leave, sir, this very moment.” Nathaniel hesitated. Then, with a look of pained regret, he complied.
Julie Klassen (The Maid of Fairbourne Hall)
Shawn rested his head against the seat then turned to talk to Sarah. "It's your birthday tomorrow." "Ruby Tuesday's thought it was three months ago." "Ruby Tuesday's has a touch of dementia.
Nina Post (Danger Returns in Pairs (Shawn Danger Mysteries Book 2))
Tree was lonesome, and the adjustment to campus life was not proving to be an easy one for her. She missed the intimacy of her neighborhood back in Columbia, where she knew everyone she passed on the street. She had the typical freshman sensation of being overwhelmed. The lectures were hard to follow, a lot of the terms and subjects were new to her, and she struggled to take notes at the collegiate pace. She tried to keep up as best she could, but it seemed like she was always behind. She studied for two weeks for her first biology test. She was afraid of failing. Semeka Randall, in the next bed, heard Tree weeping. Semeka slid out of bed and padded back to Tamika and Ace’s room—she was about to cry herself. She said, “Tree’s crying and it’s her birthday. We have to do something.” The three of them spent all afternoon planning a surprise. They bought a vanilla cake with white icing; they blew up eighteen balloons and decorated the back bedroom with them; they strung crepe paper, and ordered pizzas. Word got back to me that Tree was having a hard day. In the afternoon, I called the freshmen suite. I sang “Happy Birthday” to Tree, in my voice that was hoarse from yelling at her. That cheered her up some. That evening, Ace, Semeka, and Tamika acted like it was just another night in their dorm room. They talked about going out, and decided against it. Semeka said, “Let’s just eat pizzas.” Tree thought, “There goes my birthday.” When the pizza arrived, Tamika told Tree to stay in the front room. After a minute, they called Tree into the back. She walked into a room darkened except for a flaming birthday cake. It was the final icebreaker. Tree beamed. The three freshmen circled Tree, and began to sing. Semeka started first. But she didn’t sing “Happy Birthday.” She sang their favorite song from the film Waiting to Exhale. As Semeka sang a verse, the others joined in. “Count on Me,” they sang. Tree, touched, started crying again.
Pat Summitt (Raise the Roof: The Inspiring Inside Story of the Tennessee Lady Vols' Groundbreaking Season in Women's College Basketball)
Deep In The Woods" The woods eats the woman And dumps her honey body in the mud Her dress floats down the well And it assumes the shape of the body of a little girl Yeah I recognize that girl She stumbled in some time last loneliness But I could not stand to touch her now My one and onliness Deep in the woods Deep in the woods Deep in the woods A funeral is swinging Worms make their cruel design Saying D I E into her skin Saying dead into belly and death into shoulder Well last night she kissed me but then death was upon her Deep in the woods Deep in the woods, yeah Deep in the woods A funeral is swinging Now the killed waits for the killer And the trees all nod their heads, they are agreed This knife feels like a knife, feels like a knife That feels like it's feed Yeah I recognize that girl I took her from rags right through to the stitches Oh pray for me now Oh baby, tonight we sleep in separate ditches Deep in the woods Deep in the woods, yeah Deep in the woods A funeral is swinging Love is for fools and all fools are lovers It's raining on my house and none of the others Love is for fools and God knows I'm still one The sidewalks are full of love's lonely children The sidewalks are full of love's lonely children The sidewalks are full of love's lonely children The sidewalks are full of love's ugly children Oh baby let's go, ah pray for me baby, yeah pray for me baby The sidewalk regrets that we had to kill them and
The Birthday Party
Tania,” Alexander said amiably, “I promise, I will just feed you and send you home. Let me feed you, all right?” Holding the bags in one hand, he placed the other hand on her hair. “It’s for your birthday. Come on.” She couldn’t go, and she knew it. Did Alexander know it, too? That was even worse. Did he know what a bind she found herself in, what unspeakable flux of feeling and confusion? They crossed the Field of Mars on their way to the Summer Garden. Down the street the river Neva glowed in the sunlight, though it was nearly nine o’clock in the evening. The Summer Garden was the wrong place for them. Alexander and Tatiana couldn’t find an empty bench amid the long paths, the Greek statues, the towering elms, and the intertwined lovers, like tangled rose branches all. As they walked, her head was lowered. They finally found a spot near the statue of Saturn. It was not the ideal place for them to sit, Tatiana thought, since Saturn’s mouth was wide open and he was stuffing a child into it with derelict zeal. Alexander had brought a little vodka and some bologna ham and some white bread. He had also brought a jar of black caviar and a bar of chocolate. Tatiana was quite hungry. Alexander told her to have all the caviar. She protested at first, but not vigorously. After she had eaten more than half, scooping the caviar out with the small spoon he had brought, she handed him the rest. “Please,” she said, “finish it. I insist.” She had a gulp of vodka straight from the bottle and shuddered involuntarily; she hated vodka but didn’t want him to know what a baby she was. Alexander laughed at her shuddering, taking the bottle from her and having a swig. “Listen, you don’t have to drink it. I brought it to celebrate your birthday. Forgot the glasses, though.” He was spread out all over the bench and sitting conspicuously close. If she breathed, a part of her would touch a part of him. Tatiana was too overwhelmed to speak, as her intense feelings dropped into the brightly lit well inside her. “Tania?” Alexander asked gently. “Tania, is the food all right?” “Yes, fine.” After a small throat clearing, she said, “I mean, it’s very nice, thank you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
they had all met their personal Whites, those who had committed criminal obscenities on their watch and then walked away untouched by justice, leaving their obsessed ex-WG hunters heading into retirement with pilfered case files to pore over in their offices and basements at night, still making the odd unsanctioned follow-up call: to the overlooked counterman in the deli where the killer had had a coffee the morning of the murder, to the cousin upstate who had never been properly interviewed about that last phone conversation he had with the victim, to the elderly next-door neighbor who left on a Greyhound to live with her grandchildren down in Virginia two days after the bloodbath on the other side of the shared living room wall—and always, always, calling the spouses, children, and parents of the murdered: on the anniversary of the crime, on the victims’ birthdays, at Christmas, just to keep in touch, to remind those left behind that they had promised an arrest that bloody night so many years ago and were still on it.
Richard Price (The Whites)
s a child, I was so shy I once hid in a closet at my own birthday party! But again and again, over the years, God has confronted me with opportunities to step outside of myself to touch others. And you know what? Saying yes to God is always a hopeful endeavor. If someone asked me 40 years ago whether I'd ever write a book or speak in front of a large audience, I'd have told her she was crazy. But that's what my ministry became! And as I've matured in the Lord, my hope has grown too. These days I'm far from a hopeless romantic. I'm not a hopeless anything. I'm a wide-eyed child of God eagerly waiting to see what He has in mind for me next. hese troubling days are the perfect time to enjoy the company of old and dear friends. You can share your sorrows, rejoice at God's love, and reminisce about good times. Through all life's seasons friends add so much depth and meaning. Don't think you have to fill every minute with activities. Spend time talking, listening, and enjoying companionship. Gather around a table of great food and soak up the warmth of years of friendship. Share a verse of Scripture and a time of prayer. The Bible says, "Be joyful always; pray continually; give thanks in all circumstances, for this is God's will for you in Christ Jesus" (1 Thessalonians 5:16-18). ver the years I've put together a "This Is Your Life" scrapbook for every one of my children. The books are filled with birth announcements, birthday party pictures, graduation memories-everything imaginable. Report cards, favorite Bible verses, photos of friends, even letters they wrote from camp. My kids have so enjoyed their special books-their own personal history. I love the scripture in Proverbs that says: "The
Emilie Barnes (365 Things Every Woman Should Know)
•    Be an intentional blessing to someone. Devote yourself to caring for others. Even when your own needs begin to dominate your attention, set aside time daily to tune in to others. Pray for their specific needs and speak blessings to those you encounter each day. Make them glad they met you.     •    Seek joy. Each morning ask yourself, “Where will the joy be today?” and then look for it. Look high and low—in misty sunbeams, your favorite poem, the kind eyes of your caretaker, dew-touched spiderwebs, fluffy white clouds scuttling by, even extra butterflies summoned by heaven just to make you smile.     •    Prepare love notes. When energy permits, write, videotape, or audiotape little messages of encouragement to children, grandchildren, and friends for special occasions in their future. Reminders of your love when you won’t be there to tell them yourself. Enlist the help of a friend or family member to present your messages at the right time, labeled, “For my granddaughter on her wedding day,” “For my beloved friend’s sixty-fifth birthday,” or “For my dear son and daughter-in-law on their golden anniversary.”     •    Pass on your faith. Purchase a supply of Bibles and in the front flap of each one, write a personal dedication to the child or grandchild, friend, or neighbor you intend to give it to. Choose a specific book of the Bible (the Gospels are a great place to start) and read several chapters daily, writing comments in the margin of how this verse impacted your life or what that verse means to you. Include personal notes or prayers for the recipient related to highlighted scriptures. Your words will become a precious keepsake of faith for generations to come. (*Helpful hint: A Bible with this idea in mind might make a thoughtful gift for a loved one standing at the threshold of eternity. Not only will it immerse the person in the comforting balm of scripture, but it will give him or her a very worthwhile project that will long benefit those he or she loves.)     •    Make love your legacy. Emily Dickinson said, “Unable are the loved to die. For love is immortality.” Ask yourself, “What will people remember most about me?” Meditate on John 15:12: “Love each other as I have loved you” (NIV). Tape it beside your bed so it’s the last thing you see at night and the first thing you see in the morning.     •    “Remember that God loves you and will see you through it.
Debora M. Coty (Fear, Faith, and a Fistful of Chocolate: Wit and Wisdom for Sidestepping Life's Worries)
Fully 36 percent of parents who answered a recent survey said their children had “touched or scrolled a screen” before they had celebrated their first birthday. An additional 33 percent of parents said their children had done so when they were 1 year old.
Anonymous
Birthday parties have never been so graceful as they are now with the magical touch by Daniel Clement. Check our packages here.
Magic Birthdays
He started touching me. 'How old are you?' He ran his hands over my nose, my mouth, my eyes. I was paralysed. 'Nine. What about you?' 'Nine.' 'When's your birthday?' 'The twelfth of September. And yours?' 'The Twentieth of November.' 'What's your name?' 'Michele. Michele Amitrano. What year are you in at school?' 'The fourth. What about you?' 'The fourth.' 'Same.' 'Same' 'I'm thirsty.' I gave him the bottle
Niccolò Ammaniti (I'm Not Scared)
Life expectancy rose only modestly between the Neolithic era of 8500 to 3500 BC and the Victorian era of 1850 to 1900.13 An American born in the late nineteenth century had an average life expectancy of around forty-five years, with a large share never making it past their first birthdays.14 Then something remarkable happened. In countries on the frontier of economic development, human health began to improve rapidly, education levels shot up, and standards of living began to grow and grow. Within a century, life expectancies had increased by two-thirds, average years of schooling had gone from single to double digits, and the productivity of workers and the pay they took home had doubled and doubled and then doubled again. With the United States leading the way, the rich world crossed a Great Divide—a divide separating centuries of slow growth, poor health, and anemic technical progress from one of hitherto undreamed-of material comfort and seemingly limitless economic potential. For the first time, rich countries experienced economic development that was both broad and deep, reaching all major segments of society and producing not just greater material comfort but also fundamental transformations in the health and life horizons of those it touched. As the French economist Thomas Piketty points out in his magisterial study of inequality, “It was not until the twentieth century that economic growth became a tangible, unmistakable reality for everyone.”15 The mixed economy was at the heart of this success—in the United States no less than in other Western nations. Capitalism played an essential role. But capitalism was not the new entrant on the economic stage. Effective governance was. Public health measures made cities engines of innovation rather than incubators of illness.16 The meteoric expansion of public education increased not only individual opportunity but also the economic potential of entire societies. Investments in science, higher education, and defense spearheaded breakthroughs in medicine, transportation, infrastructure, and technology. Overarching rules and institutions tamed and transformed unstable financial markets and turned boom-bust cycles into more manageable ups and downs. Protections against excessive insecurity and abject destitution encouraged the forward-looking investments and social integration that sustained growth required. At every level of society, the gains in health, education, income, and capacity were breathtaking. The mixed economy was a spectacularly positive-sum bargain: It redistributed power and resources, but as its impacts broadened and diffused, virtually everyone was made massively better off.
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
 1 Sweet notes from my husband make me feel good. A I love my husband’s hugs. E  2 I like to be alone with my husband. B I feel loved when my husband washes my car. D  3 Receiving special gifts from my husband makes me happy. C I enjoy long trips with my husband. B  4 I feel loved when my husband helps with the laundry. D I like it when my husband touches me. E  5 I feel loved when my husband puts his arm around me. E I know my husband loves me because he surprises me with gifts. C  6 I like going most anywhere with my husband. B I like to hold my husband’s hand. E  7 I value the gifts my husband gives to me. C I love to hear my husband say he loves me. A  8 I like for my husband to sit close to me. E My husband tells me I look good, and I like that. A  9 Spending time with my husband makes me happy. B Even the smallest gift from my husband is important to me. C 10 I feel loved when my husband tells me he is proud of me. A When my husband helps clean up after a meal, I know that he loves me. D 11 No matter what we do, I love doing things with my husband. B Supportive comments from my husband make me feel good. A 12 Little things my husband does for me mean more to me than things he says. D I love to hug my husband. E 13 My husband’s praise means a lot to me. A It means a lot to me that my husband gives me gifts I really like. C 14 Just being around my husband makes me feel good. B I love it when my husband gives me a massage. E 15 My husband’s reactions to my accomplishments are so encouraging. A It means a lot to me when my husband helps with something I know he hates. D 16 I never get tired of my husband’s kisses. E I love that my husband shows real interest in things I like to do. B 17 I can count on my husband to help me with projects. D I still get excited when opening a gift from my husband. C 18 I love for my husband to compliment my appearance. A I love that my husband listens to me and respects my ideas. B 19 I can’t help but touch my husband when he’s close by. E My husband sometimes runs errands for me, and I appreciate that. D 20 My husband deserves an award for all the things he does to help me. D I’m sometimes amazed at how thoughtful my husband’s gifts to me are. C 21 I love having my husband’s undivided attention. B I love that my husband helps clean the house. D 22 I look forward to seeing what my husband gives me for my birthday. C I never get tired of hearing my husband tell me that I am important to him. A 23 My husband lets me know he loves me by giving me gifts. C My husband shows his love by helping me without me having to ask. D 24 My husband doesn’t interrupt me when I am talking, and I like that. B I never get tired of receiving gifts from my husband. C 25 My husband is good about asking how he can help when I’m tired. D It doesn’t matter where we go, I just like going places with my husband. B 26 I love cuddling with my husband. E I love surprise gifts from my husband. C 27 My husband’s encouraging words give me confidence. A I love to watch movies with my husband. B 28 I couldn’t ask for any better gifts than the ones my husband gives me. C I love it that my husband can’t keep his hands off me. E 29 It means a lot to me when my husband helps me despite being busy. D It makes me feel really good when my husband tells me he appreciates me. A 30 I love hugging and kissing my husband after we’ve been apart for a while. E I love hearing my husband tell me that he missed me. A A:_____ B:_____ C:_____ D:_____ E:_____   A=Words of Affirmation B=Quality Time C=Receiving Gifts D=Acts of Service E=Physical Touch Interpreting and Using Your Profile Score
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
A day and a half ago I was at work playing browser games on the PC and trying to think of what to get Amy for her birthday. Suddenly it’s the freaking apocalypse.
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
You're No Good" (feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin) [Intro] You’re no good for me But the way you movin at me, oh it might be You want a Jamaican one [Verse] She say she love me and I’m nice Nothing after he return, nothing at the night She say it’s loving, make this down No time at all, she don’t wanna line She touch me, it all become nice She love me, for the rest of her life D drop it down, round kiss on mi spine Touch and make a sweet song, on top of all things My uh uh uh uh uh My ee ee ee ee ee My uh uh uh uh uh (my baby) My ee ee ee ee ee [Chorus] My aa aa aa aa me My melodea My L L L LSD I know you’ll come back around My aa aa aa aa me My melodea My L L L LSD You want a Jamaican one I know you’ll come back around [Verse] If I had you back I’ll never let you go another way Not for the life of me How could you imagine that? Well my mistake that send you on your way Well nothing I can say To you like drops of water Don’t ask me what went wrong Can’t turn back the damage I’ve done Can’t take em back after I’m gone A fool to keep on trying Can’t make me walk away ‘Cause baby I’m back and as I’m getting strung that you’ll be back one day [Chorus] [Verse] Girl you think you love me baby And you know so mi love is for my lady Deserve no faith to deserve no Slim Shady Go Shawty, it’s yo birthday No if and no maybe Take and attack it, you’re the thing, ordinary Me as boyfriend, girl come on and come save me Me and you’re tinking me, com e with me Surely inside the long shorty Til it wind, pan the flow and wind, pan the flow And if you want to get girls that do me Come here, lick it more, lick it more Mean everything, as I me love you So no one kill how I ever want Any time, get chug upon the doorway Man rest assured, pan the girl next door Oh yes I did did My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around now You’re no good for me But the way you movin at me, oh it might be No one ever made me feel so sweet Now you got me begging on my knees Baby get it for me It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [x2] It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [Chorus x2] My aa aa aa aa me
Major Lazer
It’s funny, when you’re younger, you think your friendships are everlasting, you think you’ll always be there for each other, that nothing will ever change no matter what. And day to day, nothing changes. But then one day you wake up and realize priorities shifted, people got married, took jobs across the country, started families. You keep in touch online at first, chatting and sending messages for hours on end when you catch each other online at the same time. But eventually life gets in the way of that too and you might be lucky to get a “happy birthday” text once a year.
Winter Renshaw (The Cruelest Stranger)
Sharon Somerville Beloved daughter of Jonathan & Daisy-Jane Lost but not forgotten 1837-1842 “She died the day before her fifth birthday,” Sharon says, reaching out and touching the cold marble.
Peter Cawdron (Alien Space Tentacle Porn)
Part 2 - Now the problem is India is with multiple cultures, context specific reasons and languages - so protecting value of India means protecting each and every cultural values in India, but when these people turn arrogant their values getting down, that is the problem, you have to withstand the pain to show you are capable, if you are capable then the culture you belong is also capable - this is applicable for anyone, and once your character and your cultural identities are analyzed you will be easily estimated to be fit for something. But in my case, it is totally complicated, First I am Ganapathy K (Son of Krishnamoorthy not Shiv), that born on 14- April 1992 (Approximate Birth day of Lord Rama and Tamil New year and Dr Ambedkar birthday), My family name is Somavarapu (Which means clans of Chandra - Or Monday - Or cold place) My family origin is from Tenali - Guntur, but permanently settled in TN, born in agricultural family (Kamma Naidu (General caste in AP and Telangana) but Identified as Vadugan Naidu (OBC) for reservation benefits as OBC Non Creamy - as made by my ancestors - I did not make this. And Manu smiriti varna system did not take place in south India much like UP or Rajasthan even in ancient times. Even in ancient times, north rulers did not rule south india at all, rather they made friendship sometimes or they made leaders for south people by selecting best fit model. So whomever are said to be kshatriyas in South are Pseudo Kshatriyas or deemed Kshatriyas which means there are no real Kshatriyas in South India - and it was not required much in south. tribal people and indigenous people in south were very strong in ancient time, that they prayed and worshiped only forest based idolizers. they do not even know these Hindustani or Sanskrit things, and Tamil was started from Sangam literature (As per records - And when sangam literature was happening - Lord shiva and Lord Karthikeya was present on the hall - As mentioned on Tholkappiam ) - So ethically Tamil also becomes somehow language of God, Krishnadevraya once said Telugu was given by Lord shiva. And Kannada is kind of poetic language which is mixture of Dravidian style languages with some sanskrit touch and has remarkable historical significance from Ramayana period. My caste (Kamma) as doing agriculture work was regarded as upper sudra by British people but since they knew sanskrit, they were taking warrior roles ( Rudramadevi, munsuri naidu clan, pemmasani clan, kandi nayaka (Srilanka clan ) As Kamma also has interactions with Kapu, Balija, Velama, Telaga and Reddy clans - they were considered as land lords/Zamindari system - later in some places given chowdary and Rao title too. And my intellactual property in Bio sciences and my great granpa wrtings, my family knowledge which includes (Vattelzhuthu - Tamil + Malayalam mixture) sanskrit notes about medicinal plants in western ghats which my great grandpa wrote, my previous incarnation in Rajput family and European family.
Ganapathy K Siddharth Vijayaraghavan
I’m in the middle of my fantasy when I hear Him, loud and clear in my mind. “Jennette, I, the spirit of the Holy Ghost, command you to cross your name out on the sign-in sheet, go to the restroom, touch your underwear band five times in a row, twirl on one foot, unlock and relock the bathroom door five times, come back, and re-sign in on the sign-in sheet.” I’m elated. He has spoken. The Holy Ghost, aka my Still Small Voice, has finally spoken to me. I’ve been waiting for Him to speak to me since my eighth birthday when I had my baptism.
Jennette McCurdy (I'm Glad My Mom Died)
He was like the knife that wounds, and like the wound. Everybody treated Luis with a difference, respectfully, liking him but not trying to get close to him. Only she knew that he was also the touch that heals the wound.
Ursula K. Le Guin (The Birthday of the World and Other Stories)