“
How could you ever feel comfortable if no matter where you went you felt like you belonged someplace else?
”
”
Mark Peter Hughes (Lemonade Mouth)
“
And I was reminded once again how a song really can change the world.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
I sure would like to get kissed.
How would that feel on my mouth,
How different would I be after,
a changed climate down in my insides?
”
”
Virginia Euwer Wolff (True Believer (Make Lemonade, #2))
“
If it looks like a duck and quacks likes a duck, it's a duck, right?
”
”
Mark Peter Hughes (Lemonade Mouth)
“
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.
You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe.
When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself.
When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
”
”
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
“
You can't shake me. I'm not going nowhere.
”
”
Lemonade Mouth
“
The thing is, my father has about as much rhythm as a drunken octopus […]
”
”
Mark Peter Hughes (Lemonade Mouth)
“
She was like having our own nanny, the Sex Nanny Sent By Satan.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
Replaying her words in my head, I could feel my face redden again.
I wanted to flush my head down the toilet.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
BE HEARD! BE STRONG! BE PROUD! I WANNA MAKE SOME NOISE!
”
”
Lemonade Mouth
“
Just because you never look at me doesn't mean I'm not here.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
He made me pick a safe word." Nik peeked between his fingers. Sam's mouth was hanging open.
"Oh." Sam's voice was a whisper. More of the throat clearing. "What did you pick?"
Not the question he'd been expecting. Nik looked up at Sam from under his hand.
"Lemonade."
"Lemonade?" Nik nodded. "Do you like lemonade?"
"Does it matter? Yes, I like lemonade."
"Shouldn't you have picked something you didn't like, to make sure there were no, um, inadvertent exclamations at an important moment?"
He dropped his hand and stared at Sam. "Who screams out 'lemonade' in the middle of sex?"
Sam blushed. Nik was momentarily grateful for his dark skin. "You'd be surprised," Sam mumbled.
”
”
Anne Tenino (Whitetail Rock (Whitetail Rock, #1))
“
It felt like one of those perfect moments where everything comes together. But like I said, I don't believe in accidents. Even if this strange, musical moment, the final result of a long chain of unlikely events, never came to anything else, it was meant to be.
Something new had been born.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
...every now and then I watched him beam at Olivia. He obviously adored her. And I realized that meeting her father made me look at Olivia differently. She was somebody's little girl.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
Wen grinned and I felt a warm glow and an odd dizzy sensation. And then I remembered something my dad once wrote me about falling in love. He said the phrase was apt because falling is exactly what it can feel like, as if you've finally allowed yourself to let go of some safety bar you didn't even know you were clinging to, and suddenly you find yourself tumbling towards the exciting unknown.
”
”
Mark Peter Hughes (Lemonade Mouth)
“
B-but, Mr Jimson, I w-want to be an artist.'
'Of course you do,' I said, 'everybody does once. But they get over it, thank God, like the measles and the chickenpox. Go home and go to bed and take some hot lemonade and put on three blankets and sweat it out.'
'But Mr J-Jimson, there must be artists.'
'Yes, and lunatics and lepers, but why go and live in an asylum before you're sent for? If you find life a bit dull at home,' I said, 'and want to amuse yourself, put a stick of dynamite in the kitchen fire, or shoot a policeman. Volunteer for a test pilot, or dive off Tower Bridge with five bob's worth of roman candles in each pocket. You'd get twice the fun at about one-tenth of the risk.
”
”
Joyce Cary (The Horse's Mouth)
“
To friends, family, food and taking exams in comfortable, quiet areas without distractions or time restrictions!
”
”
Mark Peter Hughes (Lemonade Mouth)
“
In life things often go wrong, and the future rarely happens the way you think it will.
”
”
Mark Peter Hughes (Lemonade Mouth Puckers Up)
“
All year his mouth watered for the home-made Manoir Bellechasse lemonade. It tasted fresh and clean, sweet and tart. It tasted of sunshine and summer.
”
”
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
“
I wonder if the children of movie stars get this weird sense of disconnect I have now. The person on-screen looks like the woman who makes lemonade in our kitchen, but the words coming out of her mouth are alien.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
said, “You spelled lemonade wrong. It’s an o, not an i.” But she thought, Oh, good! A lemonade stand. My favorite thing to do! The boys didn’t say anything. Jessie saw Evan’s mouth tighten up. “You want me to make the lemonade?” she asked.
”
”
Jacqueline Davies (The Lemonade War (The Lemonade War Series Book 1))
“
So why haven’t you called?” I ask her now.
She looks uncomfortable. “I told you,” she says, twirling the end of her braid around her finger. “School stuff.”
“Bullshit.”
She looks at me and opens her mouth, probably to lie again. But then she changes her mind.
“I didn’t know what to say.” Her voice catches, so I know she’s telling the truth. “And besides, you didn’t call me, either.”
“Because you didn’t call me!” Doesn’t she know that the person who got kicked out of school (me) doesn’t have to call the one who didn’t(her)? She should have called to check up on me, to see how I was doing. She should have come over with lemonades and ice cream, keeping me company, helping me nurse my broken heart. That’s what best friends do. It’s so common it’s cliché.
”
”
Lauren Barnholdt
“
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
”
”
Toni Morrison (The Bluest Eye)
“
In the second week, more people appeared. Esme met a missionary couple returning to a place called Wells-next-the-Sea. ‘It’s next to the sea,’ the lady said, and Esme smiled and thought she must remember that, to tell Kitty later. She saw them both glance at the black band round her arm, then look away. They told her about the huge beach that stretched out below the town and how Norfolk was full of houses made of pebbles. They had never been to Scotland, they said, but they had heard it was very beautiful. They bought her some lemonade and sat with her on deck-chairs while she drank it. ‘My baby brother,’ Esme found herself saying, as she swirled the ice in the bottom of the glass, ‘died of typhoid.’ The lady put her hand to her throat, then rested it on Esme’s arm. She said she was very sorry. Esme didn’t mention that her ayah had also died, or that they had buried Hugo in the churchyard in the village and that this bothered her, that he was being left behind in India while they all went to Scotland, or that her mother hadn’t spoken to her or looked at her since. ‘I didn’t die,’ Esme said, because this still puzzled her, still kept her awake in her narrow bunk. ‘Even though I was there.’ The man cleared his throat. He gazed out to the lumped, greenish line of what he’d told Esme was the coast of Africa. ‘You will have been spared,’ he said, ‘for a purpose. A special purpose.’ Esme looked up from her empty glass and studied his face in wonder. A purpose. She had a special purpose ahead of her. His dog-collar was startling white against the brown of his neck, his mouth set in a serious downturn. He said he would pray for her.
”
”
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
“
The front door is locked—what’s up with that?”
“Logan fixed the lock,” I tell her.
Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.”
She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl.
Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.”
“Hey, Tommy.”
Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.”
The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?”
One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal.
I grab my ten-thousand-pound messenger bag from the corner.
“I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow.
Tommy and Logan couldn’t have synced up better if they’d practiced:
“No fucking way.”
Marlow holds up her hands, palms out. “Did I say banger?”
“Huge banger,” Tommy corrects.
“No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.”
I toy with my necklace and say, “That actually sounds like a good idea.”
Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never.
“It’s a terrible idea.” Logan scowls.
He looks kinda scary when he scowls. But still hot. Possibly, hotter.
Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.”
Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.”
“No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.”
“We could board up the fucking doors and windows,” Logan suggests.
’Cause that’s not overkill or anything.
I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.”
Tommy’s eyes bulge. “Suck what?”
I laugh, shaking my head. Boys are stupid.
“You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.”
Neither of them seems particularly impressed.
“I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.”
I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall.
“It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?”
Everything.
Everything goes fucking wrong.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
”
”
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
“
At the sight of the dozen assorted cupcakes, as bright and optimistic as party hats, Louise's eyes lit up.
"How wonderful!" she said, clapping her hands together again.
I handed her one of the red velvet cupcakes that I'd made in the old-fashioned style, using beets instead of food coloring. I'd had to scrub my fingers raw for twenty minutes to get the crimson beet stain off them, but the result was worth it: a rich chocolate cake cut with a lighter, nearly unidentifiable, earthy sweetness, and topped with cream cheese icing and a feathery cap of coconut shavings. For Ogden, I selected a Moroccan vanilla bean and pumpkin spice cupcake that I'd been developing with Halloween in mind. It was not for the faint of heart, and I saw the exact moment in Ogden's eyes that the dash of heat- courtesy of a healthy pinch of cayenne- hit his tongue, and the moment a split-second later that the sugary vanilla swept away the heat, like salve on a wound.
"Oh," he said, after swallowing. He looked at me, and I could see it was his turn to be at a loss for words.
I smiled.
Louise, on the other hand, was half giggling, half moaning her way through a second cupcake, this time a lemonade pound cake with a layer of hot pink Swiss meringue buttercream icing curling into countless tiny waves as festive and feminine as a little girl's birthday tiara.
"Exquisite!" she said, mouth full. And then, shrugging in her son's direction, her eyes twinkling. "What? I didn't eat lunch.
”
”
Meg Donohue (How to Eat a Cupcake)
“
I’d much rather have you under me on the mat than spare time.” His arm wraps around my waist, tugging me closer. “When it comes to the other marked ones, don’t risk trusting them. Not yet. They know they can’t kill you, but some of them would be happy to see you hurt given who your mother is.” “Back to that, are we?” I try to smile, but my lower lip trembles. I’m not actually upset about him leaving. That’s the lemonade talking. “Never left that,” he reminds me, keeping his voice low even though the others in the courtyard are now giving us more than enough privacy. “Keep yourself alive, and I’ll be back in seven days.” His hand slides to the side of my neck, and his thumb grazes my jawline as he lowers his mouth to only a breath above mine. “We managed to keep each other alive today. Trust me yet?” My heart jolts. I can almost taste his kiss, and gods, I want it. “With my life,” I whisper. “That’s all?” His mouth hovers above mine, all promise and no delivery. “That’s all.” Trust is earned, and he isn’t even trying. “Too bad,” he whispers, lifting his head. “But like I said, anticipation is a good thing.” Common sense crashes through the fog of lust with embarrassing ease. For fuck’s sake, what did I almost do? “No anticipation.” I outright glare, but my words lack bite. “We aren’t happening, remember? That’s your choice. I have every right to walk right back into the gathering hall and pick whomever I want to warm my bed. Someone a little more ordinary.” It’s a bluff. Maybe. Or alcohol. Or maybe I just want him to feel the same uncertainty I do. “You absolutely have every right, but you won’t.” He gives me a slow smile. “Because you’re impossible to replace?” It does not come out as a compliment. At least that’s what I tell myself. “Because you still love me.” The certainty in his eyes pricks every inch of my temper. “Fuck off and leave, Riorson.” “I would, but you’ve got a death grip on me.” He glances between our bodies. “Ugh!” I drop my hands from his waist and step back. “Go.” “See you in seven days, Violence.” He backs away, moving toward the tunnel that leads to the flight field. “Try not to burn the place down while I’m gone.
”
”
Rebecca Yarros (Iron Flame (The Empyrean, #2))
“
I’d rather be a dummy with a heart than a genius without a backbone!
”
”
Mark Peter Hughes (Lemonade Mouth: Adapted Movie Tie-In Edition)
“
The next thing we knew, Lemonade Mouth over there let loose!
”
”
Mark Peter Hughes (Lemonade Mouth: Adapted Movie Tie-In Edition)
“
And as weird as this family was, with everything that was going on with my messed up family at home, I was grateful to have this new one to fall back on.
”
”
Mark Peter Hughes (Lemonade Mouth: Adapted Movie Tie-In Edition)
“
The duke raises his arm and sort of flicks his wrist, and they swoop into action, coming at me with a platter full of food. The first guy is holding a tower of eggs.
Ew. I don’t do eggs. “Oh, um, no thank you, I’m not an egg person.”
All noise stops. Everyone stares at me.
Am I not supposed to talk to the servants?
I smile weakly at the duke and his mother as the servant walks away, and another approaches with ham.
I clamp my mouth shut as he plops a hearty portion down on my plate.
My mouth is suddenly very dry. I turn to the servant standing motionless behind me. “Can I get some water?”
Yeah. Definitely not supposed to talk to them. The guy’s eyes flicker over to the old lady, as if he needs permission to get me some water.
“There is lemonade in front of you,” the old lady says.
“Oh.” Is that what that is?
I take a quick swallow and try not to choke. This obviously is not Country Time, if you know what I mean.
I was starving ten minutes ago, but now that I’m sitting in the same room as these weird people, my appetite is gone. This breakfast needs to be over, stat. I can barely keep up with the glove and servant etiquette; I’m bound to screw something up. I need to maintain my fake identity, wrangle a ride to town, and say sayonara.
”
”
Mandy Hubbard (Prada & Prejudice)
“
Hello, Miss Emmie.” Bothwell smiled back at her, and to the earl’s watchful eye, there was just a bit too much longing and wistfulness in that smile. When the vicar brushed a kiss on the lady’s cheek, St. Just would have rolled his eyes, except Winnie was watching him too closely. Winnie rolled her eyes though, and that restored his humor. “Hullo, Miss Winnie.” The earl swung her up onto his shoulders. “You are the lookout, so spy me some of these cheese breads.” “Over there.” Winnie pointed. “On the bench near the lemonade.” The earl ambled over and bent at the knees to retrieve one. “Hold my gloves.” He held both hands up for Winnie to whisk off his gloves. “On second thought, you need to eat, too. I can barely tell you’re up there. Toss the gloves to the bench.” She complied and accepted a small, golden brown roll. As she munched, crumbs fell to the earl’s hair. “These are good,” the earl pronounced, taking a bite of his own cheese bread. “Aren’t you going to have one, Miss Farnum?” “I believe I will,” Emmie replied, avoiding his eyes. “Vicar?” “But of course.” “Lock your elbows, Winnie.” St. Just hefted her up and over his head, then set her on the ground. “You have crumbs in your hair,” Winnie said around a mouthful of bread. “I am starting the latest rage in bird feeders. May I have some lemonade, Miss Farnum?” “You may, but bend down.” He complied, bending his head so she could swat at his hair. Except she didn’t swat; she winnowed her fingers through his hair and sifted slowly, repeating the maneuver several times. The earl was left staring at her décolletage and inhaling the fresh, flowery scent wafting from her cleavage. “Now you are disheveled but no longer attractive to wildlife.” “Pity,” he murmured as he accepted a glass.
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
“
Bev made sure she served Wilson his standard tomato-and-grilled-cheese-with-french-fries personally, though Bev always called them chips, as if to make Wilson feel right at home. He thanked her and said everything looked absolutely “scrummy.” She giggled just like Chrissy used to do in history class. It was all I could do not to laugh right out loud.
“I think Bev has a crush on you, Wilson. I know you're probably used to that by now. Don't you have a fan club at school? The 'I Heart Wilson' club, or something?”
“Ha, ha, Blue. I have never been all that popular with the girls.”
“Wilson. Don't be an idiot. You were all Manny could talk about the whole first month of school.”
“Manny is not a girl,” Wilson remarked mildly.
I snickered. “True. But I think I was the only one who wasn't following you around with my tongue hanging out. It was disgusting. Now even Bev has joined the club. I saw a bumper sticker on her car that said British Butts Drive Me Nuts.”
Wilson choked on a mouthful of food, laughing, and grabbed at his lemonade to wash it down. I loved making him laugh, even if it was hazardous to his health.
”
”
Amy Harmon (A Different Blue)
“
I started seeing poetry from a strictly consumerist perspective as poets serving up beverages. Most, maybe like 97 percent or something, serve lemonade. You can consume their work and it will teach you nothing, and it will leave a sticky unpleasant feeling in your mouth and a slight nausea in your stomach. There are all kinds of home-made lemonades, milky lemonade, watery lemonade, some throw pepper in it or even puke in the lemonade, but its still lemonade, just a puky sort.
Then there are a few that offer stronger drinks. Some say the secret is the cellar, but I think that's just a propaganda story. If you leave a bottle of lemonade in the cellar for 10 years it won't turn into wine. But some of these fools are doing exactly that. Stinky old lemonade full of dust. And then there's those that think the problem is the Lemonade isn't smooth enough and they start filtering it with a sieve, imagining to be gold-diggers or something. No no no, the secret isn't cellars. The secret is rather a sincere hate for lemonade. As long as you don't hate lemonade with every pore in your body, as long as a part of you accepts the lemonade, then forget about the cellars. But if your soul says 'Fuck the Lemonade' then it starts to search.
You will find that a small percentage of poetry offered is like a strong beverage. Most then, again, are like cheap beer or wine. To find a wine that's actually good or even a decent whiskey you have to sift to tuns of poems, and then you find some. There are just a few people. Just a few. I dont know if the secret of the cellar applies here either. It might. It might not. I often suspect all these blokes with distilleries are fooling the hell out of everyone. Think about it. Twenty years on a barrel of whiskey and it will sell like gold. Anyone with a sense of business would want to speed that shit up. And yet they're all flaunting the secret of their cellars, I don't believe a word of it. There's simply too much whiskey in these world and too few cellars. So I sincerely believe that the road to great poetry is to say 'Fuck the Cellars' in your soul, and start to search.
There's a minute speck of poems out there that are beverages, but of a different, narcotic kind. They are almost impossible to find or create. Poetry clubs and societies do their utter best to ignore it, ban it, destroy it. These are poems that by nature make the reader say 'Fuck Beverages!' in his soul. I wish i never used this shit. Fucking hell, whats wrong with the guy who made this?
That's the sort of poetry I would call a honorable beverage. But you have to ditch Lemonade, Cellars, and Beverages to get there. And you can't do that because you have not enough thirst in your soul. That's what it all starts with: thirst. And the secret of thirst is very simple: it requires a desert in your heart.
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Martijn Benders
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It was a beautiful feeling, like I was giving back something for all they’d done for me.
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Mark Peter Hughes (Lemonade Mouth: Adapted Movie Tie-In Edition)
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Do we need something stronger than lemonade?” Cecily all but clapped her hands.
“He’s an American,” Belle continued against her own wishes.
“What?”
“He’s tall and kind and— his shoulders…” She pressed her cheek, as if to stop her rebellious mouth from moving. “He has a beard.”
“Oh my…”
"Definitely something stronger,” Cecily instructed Lena.
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Erin Langston (The Finest Print)
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It tasted different from the candies of my youth, not the standard fake lemon flavor but a brighter, more... puckery flavor. Like real lemonade. It reminded me of my mom, of how her hands always smelled. Perhaps these drops really did contain a little bit of kitchen magic. This thought made me smile.
I popped the candy in my mouth and got back into bed, then lay there staring up at the ceiling of my tiny dormer room, sucking on the hard ball, waiting for it to dissolve so I could go to sleep. It was the best lemon drop I'd ever had, the flavor just straddling sour and sweet. It tasted of bright July afternoons, of lemonade stands and paper cups and crunching ice cubes, of wading in the frigid water of Puget Sound, of laughter and a fizzle of joy in my chest for no reason at all.
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Rachel Linden (The Magic of Lemon Drop Pie)
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to her. Grandma had been over and Evan needed help with his math homework. He had that frustrated, screwed-up-mouth look that he sometimes got with math or spelling or writing reports. Mom called it his “he’s-a-gonna-blow!” look. But Grandma couldn’t help him
”
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Jacqueline Davies (The Lemonade War (The Lemonade War Series Book 1))