Leather Journals With Quotes

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The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Neil Gaiman (American Gods (American Gods, #1))
Florence has a passion for books. When she saw the one she was seeking, she would recognize it, as if the volume had belonged to her in a previous life.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
We are living now. We shall not live long. No one should tell us we shall live again. This is our little while. This is our chance.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
How I love - writing, acting, breathing the atmosphere- and one day I'll have it. If I cannot write, I shall die.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
She's clutching the worn leather journal. It's ironic how it now seems like a safety blanket for her, yet to him, it represents a tragic nightmare.
Ella Frank (Blind Obsession)
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored. For the most part it is uninspected, unimagined, unthought, a representation of the thing, and not the thing itself.
Neil Gaiman (American Gods)
Three pairs of socks, one pair of trousers, an extra shirt. One canteen. A tin cup and plate. A cylindrical slide rule, a chronometer, a jar of spruce sap, my collection of anticorrosives -” “You were only supposed to pack what you need.” David gave an empathetic nod. “Exactly.” “Please tell me you didn’t bring all of Morozova’s journals,” I said. “Of course I did.” I rolled my eyes. There had to be at least fifteen leather-bound books. “Maybe they’ll make good kindling.” “Is she kidding?” David asked, looking concerned. “I can never tell if she’s kidding.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Read until my eyes ached--- it was hardly important---but proof again that there is always an escape.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
Manhattan was kaleidoscopic. Cubist. Just when she was feeling one way, the seasons changed, and so did she.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
When he reached his own room again, he found Khloe curled up on his bed, asleep. He stood over her, watching her sleep peacefully for a few moments before taking a deep breath and moving to the other side of the bed. He sat down on top of the covers next to her and watched the rise and fall of her chest as she slept. He withdrew a leather bond journal from the nightstand drawer and tried to push Hecate’s words from his mind. Khloe is yours to deal with.
Lia Davis (Death's Storm (The Divinities, #2))
Falco wagged her journal in front of her. "This is yours, I presume." A slow smile spread across his face. "Let's find out exactly what you've been doing, shall we?" "Give it back!" Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. "Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul." This time, Cass managed to snatch the book out of his hands. "That is not what it says." "I guess that means you won't be keeping me warm tonight?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
When I left, I took everything with me...I reached under my bed where there were two leather-bound journals that had gold lettering on the front covers and that fastened with a flimsy lock. I read the lettering out loud to myself and gingerly placed the books into my backpack. Diary.
Tanya Marquardt (Stray: Memoir of a Runaway)
books standing up and other books lying down on top of them; plump, resplendent foreign books stretching themselves comfortably, and other wretched books that peered at you from cramped and crowded conditions, lying like illegal immigrants crowded on bunks aboard ship. Heavy, respectable books in gold-tooled leather bindings, and thin books bound in flimsy paper, splendid portly gentlemen and ragged, shabby beggars, and all around and among and behind them was a sweaty mass of booklets, leaflets, pamphlets, offprints, periodicals, journals, and magazines, that noisy crowd that always congregates around any public square or marketplace.
Amos Oz (A Tale of Love and Darkness)
A scythe’s journal is traditionally made of lambskin parchment and kid leather.” “I assume you mean ‘kid’ as in ‘goat,’” Rowan said, “and not ‘kid’ as in ‘kid.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored. For
Neil Gaiman (American Gods)
Rhage glared over the top of the Caldwell Courier Journal. From his vantage point on V and Butch’s leather sofa, he had more view than he wanted of a shirtless Lassiter playing with himself. Foosball, that was. The fallen angel was working V’s table like a pro, flashing back and forth between the two sides—and hurling insults at himself. “Question,” Rhage muttered, as he rearranged his injured leg. “Are either of your personalities aware that you’re schizo-freakin’-phrenic?
J.R. Ward
I went to the North-Eastern Corner and climbed up to the Statue of an Angel caught on a Rose Bush. I fetched out my brown leather messenger bag. I took all of my Journals out of it. There were nine of them. Just nine. I did not find twenty others that I had inexplicably overlooked until this moment.
Susanna Clarke (Piranesi)
And please, whatever you do, don’t tell us that what we do, either in love or lust, is unnatural. For one thing if what you mean by that is that animals don’t do it, then you are quite simply in factual error. There are plenty of activities or qualities we could list that are most certainly unnatural if you are so mad as to think that humans are not part of nature, or so dull-witted as to believe that ‘natural’ means ‘all natures but human nature’: mercy, for example, is un¬natural, an altruistic, non-selfish care and love for other species is unnatural; charity is unnatural, justice is unnatural, virtue is unnatural, indeed — and this surely is the point — the idea of virtue is unnatural, within such a foolish, useless meaning of the word ‘natural’. Animals, poor things, eat in order to survive: we, lucky things, do that too, but we also have Abbey Crunch biscuits, Armagnac, selle d’agneau, tortilla chips, sauce béarnaise, Vimto, hot buttered crumpets, Chateau Margaux, ginger-snaps, risotto nero and peanut-butter sandwiches — these things have nothing to do with survival and everything to do with pleasure, connoisseurship and plain old greed. Animals, poor things, copulate in order to reproduce: we, lucky things, do that too, but we also have kinky boots, wank-mags, leather thongs, peep-shows, statuettes by Degas, bedshows, Tom of Finland, escort agencies and the Journals of Anaïs Nin — these things have nothing to do with reproduction and everything to do with pleasure, connoisseurship and plain old lust. We humans have opened up a wide choice of literal and metaphorical haute cuisine and junk food in many areas of our lives, and as a punishment, for daring to eat the fruit of every tree in the garden, we were expelled from the Eden the animals still inhabit and we were sent away with the two great Jewish afflictions to bear as our penance: indigestion and guilt.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.
Natalie Merchant
Eventually he stood and pulled a slim volume off his bookshelf. About halfway through the thin leather journal he found the most often cited quote of the Third Age Imperial omnimancer Salam Abdus. Note, dear reader, that destiny is like a cat that you wish to call to you. Give it your attention, try to coax it into place, and it shall have naught to do with you. Play coy as a maiden, and it shall surely come running. Yet turn your back on the bastard at your deepest peril. Jynn took a deep breath. Regrettably little remained of Adbus’ teachings; he was most famous for this observation being quoted in Nove’s Lex Infortunii, wherein the great philosopher-scientist noted that shortly after writing the quote, Abdus was eaten by a Dire Ocelot.
J. Zachary Pike (Dragonfired (The Dark Profit Saga #3))
I told such a man the other day that I had got a Canada lynx here in Concord, and his instant question was, “Have you got the reward for him?” What reward? Why, the ten dollars which the State offers. As long as I saw him he neither said nor thought anything about the lynx, but only about this reward. “Yes,” said he, “this State offers ten dollars reward.” You might have inferred that ten dollars was something rarer in his neighborhood than a lynx even, and he was anxious to see it on that account. I have thought that a lynx was a bright-eyed, four-legged, furry beast of the cat kind, very current, indeed, though its natural gait is by leaps. But he knew it to be a draught drawn by the cashier of the wildcat bank on the State treasury, payable at sight. Then I reflected that the first money was of leather, or a whole creature (whence pecunia, from pecus, a herd), and, since leather was at first furry, I easily understood the connection between a lynx and ten dollars, and found that all money was traceable right back to the original wildcat bank.
Henry David Thoreau (The Journal, 1837-1861)
To live in books is cowardly---but people are not worth investigation.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
Am reading the life of Mozart and cannot help thinking that one's capacity for suffering is in direct proportion to one's greatness.
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
Where did all the creativity go?' she wondered aloud as she pondered the newly rediscovered story of her youth. 'If I was true to myself, would I have ended up living this ordinary life?
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
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BN (Typewriter Letters Italian Printed Leather Journal (6x8))
May 24th, 1543 Frombork, Poland 1015 hours   The man lay on his deathbed waiting for the sweet release into nothingness. He coughed so hard and so deep that his chest ached. Sweat covered his brow as well as his sheets, which were damp and cold, causing an uncontrollable shiver to tickle his spine. The fever had consumed him for nearly two days and he knew these would be his last words. With one last gasp of his raspy voice he spoke, “Hear this, my friend, above all else you must ensure that this journal,” he placed a frail hand on a leather bound book beside him, “gets to the New World. Once there, you know what to do.
Vincent Pauletti (The Copernicus Connection (Donovan Stone #2))
Find comprehensive information about the leather journals crafted by the experts with only the finest leather and paper. At Top 10 Leather Journals we have the best collection of the top 10 journals in one place.
Rebecca Watson
BLACK LEATHER ITALIAN DOMINATION CALLING AFTER HE SAID BLACK EYES HIT HARD
Keith Haring (Journals)
we are born into this world on the tailcoats of a scream. born into gritted teeth and a shock of red across the pristine. born into a solemn hush. are you evil? you, who tore into this world on a steed of crimson… are you a monster? we are born as angels, toothless, a mouth a gurgling brook. and as we grow, so do our wings, until we are high enough to see that our church is no more than a small forest and the altar a tree. are you a monster, angel with fangs? all teeth, thick with teeth, you can’t even close your mouth anymore. it rains and it’s like drowning. corn husk skin and we’re born again. into a time of being tied down, to a person, to a bed. a time of clipped wings. of holy cries out to a void. your wildness a convenience store in the desert, pale pink, dusty, arid. your wildness staring longingly at the screaming horizon and flicking another cigarette butt into the dirt, a lone oscillating fan its only company. we’re born into this concrete world, where sanctuary is to be alone or to pretend to like it. this world of broken bottles instead of leaf crunch. roadside motels proclaiming vacancies. inside and out. that pluck your heartstrings. a new church, a fresh sin. the altar now a white railing against a muted matte pink wall. you lean against it, hips jutted to the side. some of the eighties still lingers. you see a man in a leather jacket kissing a girl’s neck purple. he looks up. teeth are everywhere. hundreds of glistening teeth. you turn away. your wings shush against an old telephone booth, door forced closed. you’re calling your mother to say you’re sorry for hurting her, but when she answers you hang up.
Taylor Rhodes (calloused: a field journal)
Journals are, to a writer, deeply personal things. The moment we put our first thoughts on their pages they become a piece of our souls. My own favorite brown leather journal is where I always turn to give my fledgling ideas flesh; I have shaped entire lives and worlds between its covers before pushing them out into the world. That book (whose cover is still hanging on by sheer miracle) became my confidant, my talisman, my security blanket, and eventually my inspiration for Alice and her own journal. When I first started brainstorming her story in its pages, I thought I was going to be telling a story about a little girl whose journal was enchanted with the ability to transform the world around her into her most secret desires. I thought it would be a story about the dangers inherent in actually getting what we want and in learning to temper our desires with the needs of others. In a way, it still is. But eventually, it was writing in my journal that changed me instead of the other way around. Now Alice Will is also about laughing at ourselves and the empty traditions we value without knowing why. It’s about taking stock in our instincts before we let our fickle brains over-rationalize us out of the right choice. It’s about learning the hard way that maturity, at any age, is no match for experience. And finally, it’s about remembering that the right thing to do is still the right thing to do when no one is looking.
Ashley Chappell (Alice Will: Dreams of Chaos Book 1)
Top 10 Leather Journals is a perfect place to find information about quality leather journals, their various designs and where to buy them. Compare quality, features, designs, and value of various journal notebooks and find your ideal deal.
Rebecca Watson
No worn, ink-drenched leather journal for the period from October 11 through December 23, 1900, could be found.
Graham Moore (The Sherlockian)
He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like. Calla would’ve flipped him off, but Blue just stuffed her hands in her apron pockets. As President Cell Phone headed back to his table and picked up a fat leather journal that seemed incongruous with the rest of him, the soldier boy let out a derisive laugh and she heard him mimic, “… ‘not a prostitute.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
All Russell had was a leather journal in the pocket of his suit and every page was filled with reminders of murders, drop-off dates and destinations.
Nako (The Sentencing : The Underworld Finale)
God did not create you to fulfill the expectations of others!
Rick Warren (The Purpose Driven Life (40 Days of Purpose Campaign Edition) + A Six Week Study of 40 Days of Purpose - Six CD Video-Based Lessons (Video's & Study Guide) + Leather The Purpose Driven Life Deluxe Journal)
I pulled out a small, leather-bound journal I always carried with me, flipped
Blake Crouch (Upgrade)
On a plinth in the centre of a glass display case, in between large photographic journals and leather-bound antiques, I saw Jung’s Red Book. It was about a foot high, lit from beneath, and open at the first pages. I read those pages and felt my breathing change; something in the language was calling to me. I had been feeling so out of sorts and close to the edge. I didn’t want to get up and do a reading in a bookstore and answer questions about my novel. I just wanted to sit in the park and talk to my friend until it was time to fly to the next place. But seeing that book and reading that page, I felt myself rediscovered. Speak then of sick delusion when the spirit of the depths can no longer stay down and forces a man to speak in tongues instead of in human speech, and makes him believe that he himself is the spirit of the depths. But also speak of sick delusion when the spirit of this time does not leave a man and forces him to see only the surface, to deny the spirit of the depths and to take himself for the spirit of the times. The spirit of this time is ungodly, the spirit of the depths is ungodly, balance is godly.
Kae Tempest (On Connection)
Pride of place in my wardrobe is an Edwardian-style Norfolk Jacket in Derby Tweed. It is silk-lined with leather-clad buttons and has a smell that reminds me of wet moss and fallen leaves.
Fennel Hudson (A Meaningful Life - Fennel's Journal - No. 1)
My room leads directly from Reception, where old fosters new, modern, light and airy but still entirely intimate. The colours are cool yet warm, shades of white, pale blues and citrus-fruit seasonings. Natural oak shelving engulfs the walls; heavy with journals and books, some receding to my undergraduate and training days. Two hardbacks take precedence on the top shelf. One of these, an extremely worn leather-bound Complete Works of William Shakespeare. The other being The Meaning of Dreaming, my early allure to the workings of the human mind.
Sarah Simpson (Her Greatest Mistake)
p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot. I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years. I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer!
Jacqueline Wilson (My Secret Diary)
Did I interrupt something? A sordid little tryst, perhaps?” “You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day. “Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.” Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze. “We should get out of here,” she said. “It’s not safe.” “Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.” Cass furrowed her brow. “Reading?” Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?” “Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.” This time, Cass managed to snatch the book out of his hands. “That is not what it says.” “I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?” Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them. “Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))