Lean Hog Quotes

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As Blake leaned down to accept her hug she whispered, “Remember when you and Livia tried to hog the spotlight at my wedding? Just when you and Livia get to the good part, Cole and I are going to have porno sex right there.” She pointed discreetly at the spot to Blake’s right, and he couldn’t help but laugh.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
And, most vivid of all, there was the dramatic epic of the rats - the scampering army of obscene vermin which had burst forth from the castle three months after the tragedy that doomed it to desertion - the lean, filthy, ravenous army which had swept all before it and devoured fowl, cats, dogs, hogs, sheep, and even two hapless human beings before its fury was spent.
H.P. Lovecraft (Tales of H.P. Lovecraft)
One of the best advertising people ever was Carl Ally. He said the true creative person wants to be a know-it-all. They want to know about all kinds of things: ancient history, nineteenth-century mathematics, modern manufacturing techniques, flower arranging, and lean hog futures. Because they never know when these ideas might come together to form a new idea. It may happen six minutes later or six years down the road, but they know it will happen.
Dave Trott (One Plus One Equals Three: A Masterclass in Creative Thinking)
Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart's desire; each was full of self- confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it— it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
Flannery O'Connor (The Complete Stories)
It is not upon you alone the dark patches fall, The dark threw its patches down upon me also, The best I had done seem’d to me blank and suspicious, My great thoughts as I supposed them, were they not in reality meagre? Nor is it you alone who know what it is to be evil, I am he who knew what it was to be evil, I too knitted the old knot of contrariety, Blabb’d, blush’d, resented, lied, stole, grudg’d, Had guile, anger, lust, hot wishes I dared not speak, Was wayward, vain, greedy, shallow, sly, cowardly, malignant, The wolf, the snake, the hog, not wanting in me, The cheating look, the frivolous word, the adulterous wish, not wanting, Refusals, hates, postponements, meanness, laziness, none of these wanting, Was one with the rest, the days and haps of the rest, Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Play’d the part that still looks back on the actor or actress, The same old role, the role that is what we make it, as great as we like, Or as small as we like, or both great and small." -from "Crossing Brooklyn Ferry
Walt Whitman (Leaves of Grass)
Good lord, look at you!" he cried, delighted at my grubbiness. "What have you been doing? You're filthy!" He looked me up and down admiringly, then said in a more solemn tone: "You haven't been screwing hogs again, have you, Bryson?" "Ha ha ha." "They're not clean animals, you know, no matter how attractive they may look after a month on the trail. And don't forget we're not in Tennessee anymore. It's probably not even legal here - at least not without a note from the vet." He patted the chair beside him, beaming all over, happy with his quips. "Come and sit down and tell me all about it. So what was her name - Bossy?" He leaned closely and confidentially. "Did she squeal a lot?
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
As Blake leaned down to accept her hug she whispered, “Remember when you and Livia tried to hog the spotlight at my wedding? Just when you and Livia get to the good part, Cole and I are going to have porno sex right there.”She and John took one small step at a time. She was obviously much more concerned about tripping than Kyle had been. During her descent, Blake just looked. Her white gown fit her frame perfectly, and the strapless dress revealed the gentle, tempting curves of her shoulders. Her bouquet contained the paper-napkin roses he’d made for her, combined with baby’s breath. A flowing train cascaded down the stairs behind Livia, and an even longer veil billowed in the gentle breeze like a blown wish.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)