“
He sounds exactly like Moody," said Harry quietly, tucking the letter away again inside his robes. "'Constant vigilance!' You'd think I walk around with my eyes shut, banging off the walls....
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
His mouth went dry and for a split second he had a metallic taste on the sides of his tongue. He stood, turned, and gulped. A vision had appeared from somewhere. Was she real? She was tall, with long, glossy light-gold hair surrounding a perfectly shaped face. The front of her silk white robe was open down to a delightful cleavage where a long silver cross hung. As she walked slowly past Alec to sit at the desk, the robe parted for a fleeting glimpse of her leg. A scent of lily of the valley meandered over him. A hand with long graceful fingers indicated for him to sit again in his chair. She was real!
She was, without doubt, the most beautiful woman Alec had ever seen.
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
Like This
If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "God’s fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.
Like this.
When lovers moan,
they’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Joseph’s scent come to Jacob?
Huuuuu.
How did Jacob’s sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us
Like this.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
When I am in the darkness, I want to think of it in the light, with you," he said, and straightened, and turned to walk toward the door. The parchment robes of the Silent Brothers moved around him as he moved, and Tessa watched him, paralyzed, every pulse of her heart beating out the words she could not say: Good-bye. Good-bye. Good-bye.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
For over a thousand years Roman conquerors returning from the wars enjoyed the honor of triumph, a tumultuous parade. In the procession came trumpeteers, musicians and strange animals from conquered territories, together with carts laden with treasure and captured armaments. The conquerors rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children robed in white stood with him in the chariot or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering in his ear a warning: that all glory is fleeting.
”
”
George S. Patton Jr.
“
Many wear the robes, but few walk the Way.
”
”
Rudyard Kipling
“
I've never walked home wearing just a pink robe and a pair of slippers.
”
”
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
“
You have been walking the ocean's edge,
holding up your robes to keep them dry.
You must dive naked under and deeper under,
a thousand times deeper. Love flows down.
The ground submits to the sky and suffers what comes.
Tell me, is the earth worse for giving in like that?
Do not put blankets over the drum.
Open completely.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Big Red Book)
“
You put on a bishop's robe and miter, he pondered, and walk around in that, and people bow and genuflect and like that, and try to kiss your ring, if not your ass, and pretty soon you're a bishop. So to speak. What is identity? he asked himself. Where does the act end? Nobody knows.
”
”
Philip K. Dick (A Scanner Darkly)
“
The Garden
En robe de parade.
- Samain
Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
of a sort of emotional anaemia.
And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.
In her is the end of breeding.
Her boredom is exquisite and excessive.
She would like some one to speak to her,
And is almost afraid that I
will commit that indiscretion.
”
”
Ezra Pound
“
Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst.
At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears.
Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young.
And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights.
A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes.
“Go get the boss,” says one guardsman to another. “This bunch looks like trouble.”
And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
”
”
Nicholas Eames (Kings of the Wyld (The Band, #1))
“
Let him kill himself,” I said finally. “As long as he is dead, that is all that matters to me.” That’s something I think peasants understand better than nobles. For them, the way down matters, whether you are skewered by a dozen guardsmen or thrown in a silk sack to drown or allowed to remove your robe and walk down to the shores of the lake before you gut yourself. Peasants understand that dead is dead.
”
”
Nghi Vo (The Empress of Salt and Fortune (The Singing Hills Cycle, #1))
“
In all your course, walk with God and follow Christ as a little, poor, helpless child, taking hold of Christ’s hand, keeping your eye on the mark of the wounds on his hands and side, whence came the blood that cleanses you from sin and hiding your nakedness under the skirt of the white shining robe of his righteousness.
”
”
Jonathan Edwards (Jonathan Edwards Resolutions: and Advice to Young Converts)
“
Truth came home one day, naked and wounded, having been beaten and cursed by the people who did not wish to hear, while his brother Falsehood went dressed in the brightest garments and feasted with every household.
“What shall I do?” cried Truth to the gods. “No man wishes to hear me and all beat me and throw things at me; look, I am covered with dung.”
“You are naked” said the goddess Maat, sympathetically. “No naked one can command respect. Therefore take these robes and you will walk without fear and all men will sit at your feet to hear your stories.” And she dressed Truth in Fable’s garments, and he was welcome at every house.
”
”
Kerry Greenwood (Out of the Black Land)
“
I am no Christian. These days it does no good to confess that, for the bishops and abbots have too much influence and it is easier to pretend to a faith than to fight angry ideas. I was raised a Christian, but at ten years old, when I was taken into Ragnar’s family, I discovered the old Saxon gods who were also the gods of the Danes and of the Norsemen, and their worship has always made more sense to me than bowing down to a god who belongs to a country so far away that I have met no one who has ever been there. Thor and Odin walked our hills, slept in our valleys, loved our women and drank from our streams, and that makes them seem like neighbours. The other thing I like about our gods is that they are not obsessed with us. They have their own squabbles and love affairs and seem to ignore us much of the time, but the Christian god has nothing better to do than to make rules for us. He makes rules, more rules, prohibitions and commandments, and he needs hundreds of black-robed priests and monks to make sure we obey those laws. He strikes me as a very grumpy god, that one, even though his priests are forever claiming that he loves us. I have never been so stupid as to think that Thor or Odin or Hoder loved me, though I hope at times they have thought me worthy of them.
”
”
Bernard Cornwell (Lords of the North (The Saxon Stories, #3))
“
Three hard, loud bangs, followed by a bellow of “Open this door!” had her jumping in the next second, startled.
“What the hell?” Spade muttered, letting her go to fling the door open with a scowl.
Ian stood on the other side.
“What is wrong with you, banging on like that?” Spade demanded.
Ian cast a wicked look at Spade, who wore only his shirt, and then one at Denise as she hastily closed her robe.
“Paybacks,” Ian said succinctly. Then he walked away, whistling.
”
”
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
“
And what is all this life but a kind of comedy, wherein men walk up and down in one another's disguises and act their respective parts, till the property-man brings them back to the attiring house. And yet he often orders a different dress, and makes him that came but just now off in the robes of a king put on the rags of a beggar. Thus are all things represented by counterfeit, and yet without this there was no living.
”
”
Erasmus (Praise of Folly)
“
She was made after the time of ribs and mud. By papal decree there were to be no more people born of the ground or from the marrow of bones. All would be created from the propulsions and mounts performed underneath bedsheets- rare exception granted for immaculate conceptions. The mixing pits were sledged and the cutting tables, where ribs were extracted from pigs and goats, were sawed in half. Although the monks were devout and obedient to the thunder of Rome, the wool of their robes was soaked not only by the salt of sweat but also by that of tears. The monks rolled down their heavy sleeves, hid their slaughter knives in the burlap of their scrips, and wiped the hoes clean. They closed the factory down, chained the doors with Vatican-crested locks, and marched off in holy formation. Three lines, their faces staring down in humility, closing their eyes when walking over puddles, avoiding their unshaven reflections.
”
”
Salvador Plascencia (The People of Paper)
“
In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity! Imagination is busy sketching rose-tinted pictures of joy. In fancy, the voluptuous votary of fashion sees herself amid the festive throng, 'the observed of all observers.' Her graceful form, arrayed in snowy robes, is whirling through the mazes of the joyous dance; her eye is brightest, her step is lightest in the gay assembly. "In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance into the Elysian world, of which she has had such bright dreams. How fairy-like does everything appear to her enchanted vision! Each new scene is more charming than the last. But after a while she finds that beneath this goodly exterior, all is vanity, the flattery which once charmed her soul, now grates harshly upon her ear; the ball-room has lost its charms; and with wasted health and imbittered heart, she turns away with the conviction that earthly pleasures cannot satisfy the longings of the soul!
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
You don’t have to wander around in silk robes burning sage with crystals tied to your head to find the power within.
”
”
Jessica Marie Baumgartner (Walk Your Path: A Magical Awakening)
“
And yet, death was still there, everywhere. We had adopted her. She lived in us and we in her. She’d emerge from our red eyes and our clenched fists for brief sallies. She’d walk in white robes on the ruins of our shanty town and return to curl up inside us. We were the house she rested in and we’d find peace leaning on her.
”
”
Mahi Binebine (Horses of God)
“
In India, where there are no passports or identity discs, and where religions counts for so much- except among those few who have crossed the 'black water' - I believe that a man wearing a saffron robe, or carrying a beggar's bowl , or with silver crosses on his headgear and chest, could walk from Khyber Pass to Cape Comorin without once being questioned about his destination, or the object of his journey,
”
”
Jim Corbett (Man-eating Leopard of Rudraprayag)
“
Seven hundred years ago, Tersa had told [Daemon] the living myth was coming. Seven hundred years of waiting, watching, searching, hoping. Seven hundred heartbreaking, exhausting years. He refused to give up, refused to wonder if she’d been mistaken, refused because his heart yearned too much for that strange, wonderful, terrifying creature called Witch.
In his soul, he knew her. In his dreams, he saw her. He never envisioned a face. It always blurred if he tried to focus on it. But he could see her dressed in a robe made of dark, transparent spidersilk, a robe that slid from her shoulders as she moved, a robe that opened and closed as she walked, revealing bare, night-cool skin. And there would be a scent in the room that was her, a scent he would wake to, burying his face in her pillow after she was up and attending her own concerns.
It wasn’t lust—the body’s fire paled in comparison to the embrace of mind to mind—although physical pleasure was part of it. He wanted to touch her, feel the texture of her skin, taste the warmth of her. He wanted to caress her until they both burned. He wanted to weave his life into hers until there was no telling where one began and the other ended. He wanted to put his arms around her, strong and protecting, and find himself protected; possess her and be possessed; dominate her and be dominated. He wanted that Other, that shadow across his life, who made him ache with every breath while he stumbled among these feeble women who meant nothing to him and never could.
Simply, he believed that he had been born to be her lover.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
God abides in men"
"God abides in men,
These are men who are simple,
they are fields of corn...
Such men have minds
like wide grey skies,
they have the grandeur
that the fools call emptiness.
God abides in men.
Some men are not simple,
they live in cities
among the teeming buildings,
wrestling with forces
as strong as the sun and the rain.
Often they must forgo dream upon dream...
Christ walks in the wilderness
in such lives.
God abides in men,
because Christ has put on
the nature of man, like a garment, and worn it to his own shape.
He has put on everyone's life...
to the workman's clothes to the King's red robes,
to the snowy loveliness of the wedding garment...
Christ has put on Man's nature,
and given him back his humanness...
God abides in man.
”
”
Caryll Houselander (Flowering Tree (Prayer & Practice))
“
Now I will walk, as if I had an end in view, across the room, to the balcony under the awning. I see the sky, softly feathered with its sudden effulgence of moon. I also see the railings of the square, and two people without faces, leaning like statues against the sky. There is then a world immune from change. When I have passed through this drawing room flickering with tongues that cut me like knives, making me stammer, making me lie, I find faces rid of features, robed in beauty.
”
”
Virginia Woolf (The Waves)
“
Oh, but once my memories had pulsed with the blood-heat of life. In desperation, I forced myself to recall that once, I had walked with kings and conversed in languages never heard in this land. Once I had stood at the prow of a Sea Wolf ship and sailed oceans unknown to seamen here. I had ridden horses through desert lands, and dined on exotic foods in Arab tents. I had roamed Constantinople’s fabled streets, and bowed before the Holy Roman Emperor’s throne. I had been a slave, a spy, a sailor. Advisor and confidant of lords, I had served Arabs, Byzantines, and barbarians. I had worn captive’s rags, and the silken robes of a Sarazen prince. Once I had held a jeweled knife and taken a life with my own hand. Yes, and once I had held a loving woman in my arms and kissed her warm and willing lips...Death would have been far, far better than the gnawing, aching emptiness that was now my life.
”
”
Stephen R. Lawhead (Byzantium)
“
I slowly came to recognize individual monks within the crowds of interchangeable orange robes and shaved heads. There were flirtatious and daring monks who stood on each other's shoulders to peek over the temple at you and call out "Hello, Mrs. Lady!" as you walked by. There were novices who snuck cigarettes at night outside the temple walls, the embers of their smokes glowing as orange as their robes. I saw a buff teenage monk doing push-ups, and I spotted another one with an unexpectdely gangsterish tattoo of a knife emblazoned on one golden shoulder. One night I'd eavesdropped while a handful of monks sang Bob Marley songs to each other underneath a tree in a temple garden, long after they should have been asleep. I'd even seen a knot of barely adolescent novices kickboxing each other - a display of good-natured competition, that like boys' games all over the world, carried the threat of turning truly violent at a moment's notice.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
The gracefulness of the slender fishing boats that glided into the harbor in Dakar was equaled only by the elegance of the Senegalese women who sailed through the city in flowing robes and turbaned heads. I wandered through the nearby marketplace, intoxicated by the exotic spices and perfumes. The Senegalese are a handsome people and I enjoyed the brief time that Oliver and I spent in their country. The society showed how disparate elements-- French, Islamic, and African-- can mingle to create a unique and distinctive culture.
”
”
Nelson Mandela (Long Walk to Freedom)
“
You have been walking the water's edge, holding up your robes to keep them dry. You must dive naked under, deeper, under a thousand times deeper. Love flows down.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air."
"My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe."
"I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself."
"I'd also like to have a little spending money and a charge account at Wormser's," she said.
"Good night, Maiden Who Walks Like a Duck."
"Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
”
”
Richard Bradford (Red Sky at Morning)
“
The room behind me was dark. "Thief," intoned a lovely voice in the blackness.
"You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre."
I panted, holding the door open, making sure they couldn't see me on the other side.
"You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you."
Outside, Ianthe and the guard grew closer. Closer and closer.
Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me.
"What are you," the Weaver breathed.
"Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help."
The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?"
Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it.
"Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle.
Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room.
Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her.
I was already hurtling for the trees when the guards and Ianthe began screaming.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone.
”
”
J.R.R. Tolkien (The Silmarillion)
“
I walked past the lady in yellow robes and the maid bringing her a letter, past the soldier with a magnificent hat and the girl smiling at him, thinking of warm lips, brown eyes, blue eyes. Her brown eyes stopped me.
It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright.
I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!"
I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!"
...
She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her.
This time I read the title of the painting: Girl Interrupted at Her Music.
Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
I had something to tell her now "I see you," I said.
My boyfriend found me crying in the hallway.
"What's the matter with you?" he asked.
"Don't you see, she's trying to get out," I said, pointing at her.
”
”
Susanna Kaysen (Girl, Interrupted)
“
what is all this life but a kind of comedy, wherein men walk up and down in one another's disguises and act their respective parts, till the property-man brings them back to the attiring house. And yet he often orders a different dress, and makes him that came but just now off in the robes of a king put on the rags of a beggar. Thus are all things represented by counterfeit, and yet without this there was no living.
”
”
Erasmus (Praise of Folly)
“
Yet there is no gainsaying but that it must have been somewhat sweeter in that dewy morning of creation, when it was young and fresh, when the feet of the tramping millions had not trodden its grass to dust, nor the din of the myriad cities chased the silence forever away. Life must have been noble and solemn to those free-footed, loose-robed fathers of the human race, walking hand in hand with God under the great sky. They lived in sunkissed tents amid the lowing herds. They took their simple wants from the loving hand of Nature. They toiled and talked and thought; and the great earth rolled around in stillness, not yet laden with trouble and wrong. Those days are past now. The quiet childhood of Humanity, spent in the far-off forest glades and by the murmuring rivers, is gone forever; and human life is deepening down to manhood amid tumult, doubt, and hope. Its age of restful peace is past. It has its work to finish and must hasten on. What that work may be—what this world's share is in the great design—we know not, though our unconscious hands are helping to accomplish it. Like the tiny coral insect working deep under the dark waters, we strive and struggle each for our own little ends, nor dream of the vast fabric we are building up for God.
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city. Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance.
”
”
Ursula K. Le Guin (The Ones Who Walk Away from Omelas)
“
What do you see to the south?" Tanis asked abruptly.
Raistilin glanced at him. "What do I ever see with these eyes of mine Half-Elf?" the mage whispered bitterly. "I see death, death and destruction. I see war." He gestured up above. "The constellations have not returned. The Queen of Darkness is not defeated."
"We may have not won the war," Tanis began, "but surely we have won a major battle---"
Raistlin coughed and shook his head sadly.
"Do you see no hope?"
"Hope is the denial of reality. It is the carrot dangled before the draft horse to keep him plodding along in the vain attempt to reach it."
"Are you saying we should just give up?" Tanis asked, irritably tossing the bark away.
"I'm saying we should remove the carrot and walk forward with our eyes open," Raistin answered. Coughing he drew his robes more closely around him.
”
”
Margaret Weis
“
You get them in and out again, shadowsinger,' Rhys said to Azriel as I walked to the spymaster's side, getting a feel for the weight of the weapons and the flow of the heavy robe. 'I don't care how many of them you have to kill to do it. They both come out.'
Azriel gaze a grave, steady nod. 'I swear it, High Lord.'
Formal words, formal titles.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
When a judge walks into the room, and everybody stands up, you’re not standing up to that guy, you’re standing up to the robe that he’s wearing and the role that he’s going to play. What makes him worthy of that role is his integrity, as a representative of the principles of that role, and not some group of prejudices of his own. So what you’re standing up to is a mythological character. I imagine some kings and queens are the most stupid, absurd, banal people you could run into, probably interested only in horses and women, you know. But you’re not responding to them as personalities, you’re responding to them in their mythological roles. When someone becomes a judge, or President of the United States, the man is no longer that man, he’s the representative of an eternal office; he has to sacrifice his personal desires and even life possibilities to the role that he now signifies.
”
”
Joseph Campbell (The Power of Myth)
“
Then de Montfort, resplendent in liturgical robes as well as his own arrogance, walked back to the altar where the mass continued.
”
”
Paul Doherty (The Angel of Death (Hugh Corbett, #4))
“
She held the robe together with both hands—there was so much to cover that it took both hands—and stepped aside as I walked
”
”
Richard S. Prather (Squeeze Play (A Noir Masters Triple Threat))
“
In the first chapter, for example, when Job first gets all the bad news about the deaths of his children and the loss of his estate, we are told that “Job got up and tore his robe” and then he “fell to the ground” (Job 1:20), but then the author adds, “In all this Job sinned not” (Job 1:22). Here is a man already behaving in a way that many pious Christians would consider at least unseemly or showing a lack of faith. He rips his clothes, falls to the ground, cries out. He does not show any stoical patience. But the biblical text says, “In all this Job sinned not.” By the middle of the book, Job is cursing the day he is born and comes very close to charging God with injustice in his angry questions. And yet God’s final verdict on Job is surprisingly positive. At the end of the book, God turns to Eliphaz, the first of Job’s friends, and says: “I am angry with you and your two friends, because you have not spoken the truth about me, as my servant Job has. So now take seven bulls and seven rams and go to my servant Job and sacrifice a burnt offering for yourselves. My servant Job will pray for you, and I will accept his prayer and not deal with you according to your folly. You have not spoken the truth about me, as my servant Job has.” So Eliphaz the Temanite, Bildad the Shuhite and Zophar the Naamathite did what the Lord told them; and the Lord accepted Job’s prayer (Job 42:7–9). Job’s grief was expressed with powerful emotion and soaring rhetoric. He did not “make nice” with God, praying politely. He was brutally honest about his feelings. And while God did—as we will see later—forcefully call Job to acknowledge his unfathomable wisdom and majesty, nevertheless God ultimately vindicated him. A Bruised Reed He Will Not Break It is not right, therefore, for us to simply say to a person in grief and sorrow that they need to pull themselves together. We should be more gentle and patient with them. And that means we should also be gentle and patient with ourselves. We should not assume that if we are trusting in God we won’t weep, or feel anger, or feel hopeless.
”
”
Timothy J. Keller (Walking with God through Pain and Suffering)
“
Kingsley got up, and as he did so, he flashed me the goods. Whether he meant to or not, I don’t know...but holy sweet Jesus. Did I really just see that? My God, how did he walk around with that thing? Kingsley, defense attorney, werewolf—and now, apparently, pervert—sat next to me and gave no indication that he had just given me the mother of all peep shows. “I’m going to let you in on a little secret,” he said, and knocked back the rest of his wine like it was booze-flavored Kool-Aide. “It’s not a secret,” I said. “And it ain’t little.” “Excuse me?” “Never mind.” But I caught the smallest of shit-eating grins on his face. “Go on,” I said, shaking my head. “And this time try to keep the robe closed.
”
”
J.R. Rain (American Vampire (Vampire for Hire #3))
“
Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.
”
”
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
“
They followed through the double doors and along the narrow corridor beyond, which was lined with more portraits of famous Healers and lit by crystal bubbles full of candles that floated up on the ceiling, looking like giant soapsuds. More witches and wizards in lime-green robes walked in and out of the doors they passed; a foul-smelling yellow gas wafted into the passageway as they passed one door, and every now and then they heard distant wailing. They climbed a flight of stairs and entered the “Creature-Induced Injuries” corridor, where the second door on the right bore the words “DANGEROUS” DAI LLEWELLYN WARD: SERIOUS BITES. Underneath this was a card in a brass holder on which had been handwritten Healer-in-Charge: Hippocrates Smethwyck, Trainee Healer: Augustus Pye.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
The moment we walk into the suite, Tommy descends on us. “The Queen’s on the line. On Skype, Your Grace.” Anxiety rings in his voice like the ping of a tapped crystal glass. “She’s been waiting. She does’na like to be kept waiting.”
I nod briskly. “Have David bring me a scotch.”
“Oh, me too!” Henry pipes up.
“He’ll have coffee,” I tell Tommy.
And I think Henry sticks his tongue out at me behind my back.
I head into the library and he follows, seeming marginally closer to sober—at least he’s walking straight and unassisted now. I sit behind the desk and open the laptop. On the screen, my grandmother looks back at me, wearing a pale pink robe, hair in rollers and a hairnet, gray eyes piercing, her expression as friendly as the grim reaper’s.
This should be fun.
“Nicholas.” She greets me without emotion.
“Grandmother,” I return, just as flat.
“Granny!” Henry calls, like a child, coming around the desk into view. Then he proceeds to hug the computer and kiss the screen.
“Mwah! Mwah!”
“Henry, oh, Hen—” My grandmother swats the air with her hands, like he’s actually there kissing her.
And I do my damnedest not to laugh at them.
“Mwah!”
“Henry! Remember yourself! My gracious!”
“Mmmmmwah!” He perches, grinning like a fool, on the arm of my chair, forcing me to shift over. “I’m sorry, Grandmother—it’s just so good to see you
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
My head had been shaved, I was wearing Indian cotton robes, and my skin had turned a deep, chocolate brown-red from the sun,” he recalled. “So I’m sitting there and my parents walked past me about five times and finally my mother came up and said ‘Steve?’ and I said ‘Hi!
”
”
Walter Isaacson (Steve Jobs)
“
In the midst of this display of statesmanship, eloquence, cleverness, and exalted ambition, Alcibiades live d a life full of prodigious luxury, drunkenness, debauchery, and insolence. He was effeminate in his dress and would walk through the market-place trailing his long purple robes, and he spent extravagantly. He had the decks of his trireme scut away to allow him to sleep more comfortably, and his bedding was slung on cords, rather than spread on the hard planks. He had a golden shield made for him, which was emblazoned not with any ancestral device, but with the figure of Eros armed with a thunderbolt. The leading men of Athens watched all this with disgust and indignation and they were deeply disturbed by his contemptuous and lawless behavior, which seemed to them monstrous and suggested the habits of the tyrant. The people's feelings towards him have been very aptly expressed by Aristophanes in the line: "They long for him, they hate him, they cannot do without him..." The fact was that his voluntary donations, the public shows he supported, his unrivaled munificence to the state, the fame of his ancestry, the power of his oratory and his physical strength and beauty... all combined to make the Athenians forgive him everything else, and they were constantly finding euphemisms for his lapses and putting them down to youthful high spirits and honorable ambition.
”
”
Plutarch
“
I am totally lost in the folds of Love,
totally free of worry and care.
I have passed beyond the four qualities.
My heart has torn away the veil of pretense.
There was a time I circled with the nine spheres, rolling with the stars across the sky.
There was a time I stayed by his side—
I lived in his world
and he gave me everything.
With the best of intentions
I became a prisoner in this form.
How else did I get here?
What crime did I commit?
But I’d rather be in a prison with my Friend
than in a rosegarden all alone.
I came to this world
To have a sight of Joseph’s purity.
Like a baby born of its mother’s womb,
I was brought here with blood and tears.
People think they are born only once
But they have been here so many times.
In the cloak of this ragged body
I have walked countless paths.
How many times I have worn out this cloak!
With ascetics in the desert
I watched night turn into day.
With pagans in the temple
I slept at the foot of idols.
I’ve been a charlatan and a king;
I’ve been a healer, and fraught with disease.
I’ve been on my death-bed so many times. . . . Floating up like the clouds
Pouring down like the rain.
As a darvish I sought the dust of annihilation
but it never touched my robe.
So I gathered armfuls of roses
in this faded garden of existence.
I am not of wind nor fire
nor of the stormy seas.
I am not formed out of painted clay.
I am not even Shams-e Tabriz—
I am the essence of laughter,
I am pure light.
Look again if you see me—
It’s not me you have seen!
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
There Peter was, looking straight into the very eyes of God, walking the Sea of Galilee and then all of the sudden up to his neck in water. Some would argue he lacked the true believing, I say he had enough faith to go it a ways, and when he couldn't go farther Christ fetched him up.
What am I saying? I'm saying that the walk to God ain't easy for the best of us. Now some would say, Preacher, if Peter had misdoubts there in the very glory of the Lord, what of us left here that ain't seen the dead raised nor the leper folk healed. All we seen is hard trial and sorrows. I'd not deny it.
Burdens are plenty in this world and they can pull us down in the lamentation. But the good Lord knows we need to see at least the hem of the robe of glory, and we do. Ponder a pretty sunset or the dogwoods all ablossom. Every time you see such it's the hem of the robe of glory. Brothers and sister, how do you expect to see what you don't seek?
Some claim heaven has streets of gold and all such things, but I hold a different notion. When we’re there, we’ll say to the angels, why, a lot of heaven’s glory was in the place we come from. And you know what them angels will say? They’ll say yes, pilgrim, and how often did you notice? What did you seek?
”
”
Ron Rash
“
Callie rises up inside me, wearing my skin like a loose robe. She sticks her little hands into the baggy sleeves of my arms. She inserts her chimp’s feet through the trousers of my legs. On the sidewalk I’ll feel her girlish walk take over, and the movement brings back a kind of emotion, a desolate and gossipy sympathy for the girls I see coming home from school. This continues for a few more steps. Calliope’s hair tickles the back of my throat. I feel her press tentatively on my chest—that old nervous habit of hers—to see if anything is happening there. The sick fluid of adolescent despair that runs through her veins overflows again into mine.
”
”
Jeffrey Eugenides (Middlesex)
“
Before the other angels a man might sink: before this he might die, but if he lived at all, he would laugh.
If you had caught one breath of the air that came from him, you would have felt yourself taller than before. Though you were a cripple, your walk would have become stately: though a beggar, you would worn your robes magnanimously.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
Paddy Booz tells of meeting a Taoist Grand Master on the streets of a provincial Chinese city. The man was wearing his Grand Master’s blue robes and high hat. He and his young disciple had walked the length and breadth of China.
'But what', Paddy asked him, 'did you do during the Cultural Revolution?'
'I went for a walk in the Kun L’ung Mountains.
”
”
Bruce Chatwin (The Songlines)
“
Callie rises up inside me, wearing my skin like a loose robe. She sticks her little hands into the baggy sleeves of my arms. She inserts her chimp’s feet through the trousers of my legs. On the sidewalk I’ll feel her girlish walk take over, and the movement brings back a kind of emotion, a desolate and gossipy sympathy for the girls I see coming home from school.
”
”
Jeffrey Eugenides (Middlesex)
“
On the first day of filming, I walked out of my dressing room, and Tim was in the hallway in his robe. He opened his robe and flashed me quickly—completely naked underneath. He said it was only fair, because he had seen me naked. Now we’re even. I laughed uncomfortably. It was the first of many bizarre encounters where people felt they knew me enough to make absolute fools out of themselves.
”
”
Pamela Anderson (Love, Pamela: A Memoir)
“
In the night I was asleep,’ Christophe says. ‘It was some old ghost, I suppose.’ ‘Surely not,’ Riche says. ‘I never heard of ghosts that walk in June.’ There’s something in that. It was the veiled ladies—living women, as far as one knows—who attended him, till dawn came and they faded into the wall. He remembers the dappling of their garments, the streaks of darkness where they had wiped the queen’s blood on their robes.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
When Harry told of Wormtail piercing his arm with the dagger, however, Sirius let out a vehement exclamation; and Dumbledore stood up so quickly that Harry started. Dumbledore walked around the desk and told Harry to stretch out his arm. Harry showed them both the place where his robes were torn, and the cut beneath them.
‘He said my blood would make him stronger than if he’d used someone else’s,' Harry told Dumbledore. ‘He said the protection my – my mother left in me – he’d have it, too. And he was right – he could touch me without hurting himself, he touched my face.'
For a fleeting instant, Harry thought he saw a gleam of something like triumph in Dumbledore’s eyes. But next second, Harry was sure he had imagined it, for when Dumbledore had returned to his seat behind the desk, he looked as old and weary as Harry had ever seen him.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
So then one may sketch her spending her morning in a China robe of ambiguous gender among her books; then receiving a client or two (for she had many scores of suppliants) in the same garment; then she would take a turn in the garden and clip the nut trees - for which knee breeches were convenient; then she would change into a flowered taffeta which best suited a drive to Richmond and a proposal of marriage from some great nobleman; and so back again to town, where she would don a snuff-coloured gown like a lawyer's and visit the courts to hear how her cases were doing - for her fortune was wasting hourly and the suits seemed no nearer consummation than they had been a hundred years ago; and so, finally, when night came, she would more often than not become a nobleman complete from head to toe and walk the streets in search of adventure.
”
”
Virginia Woolf (Orlando)
“
In wonder return to the journey, avail yourself of the path and walk ahead. In light there is darkness; where it operates no traces remain. With the hundred grass tips in the busy marketplace graciously share yourself. Wide open and accessible, walking along, casually mount the sounds and straddle the colors while you transcend listening and surpass watching. Perfectly unifying in this manner is simply a patch-robed monk's appropriate activity.
”
”
Hongzhi Zhengjue (Cultivating the Empty Field: The Silent Illumination of Zen Master Hongzhi)
“
I’ve looked over what I wrote yesterday and I see it wasn’t as clear as it should be. It’s perfectly clear for any of us, I mean. But who knows? Maybe you unknown people who’ll get my notes when the INTEGRAL brings them—maybe you’ve read the great book of civilization only up to the page our ancestors reached about 900 years ago. Maybe you don’t even know the basics—like the Table of Hours, Personal Hours, Maternal Norm, Green Wall, Benefactor. It feels funny to me, and at the same time it’s very hard to talk about all this. It’s just as if a writer of the twentieth century, for instance, had to explain in his novel what he meant by “jacket” or “apartment” or “wife.” Still, if his novel was translated for savages, there’s no way he could write “jacket” without putting in a note.
...
But what of that? After man’s tail fell off, it was probably some little while before he learned to shoo away the flies without a tail. I don’t doubt that during that first time he probably missed his tail. But now—can you even imagine yourself with a tail? Or: Can you imagine yourself walking down the street naked—without your “jacket”? (Maybe you still run around in “jackets.”) Well, it’s the same here: I can’t imagine a city that isn’t girdled about with a Green Wall. I can’t imagine a life that isn’t clad in the numerical robes of the Table.
”
”
Yevgeny Zamyatin (We)
“
Malfoy glanced around. Harry knew he was checking for signs of teachers. Then he looked back at Harry and said in a low voice, “You’re dead, Potter.”
Harry raised his eyebrows. “Funny,” he said, “you’d think I’d have stopped walking around….”
Malfoy looked angrier than Harry had ever seen him. He felt a kind of detached satisfaction at the sight of his pale, pointed face contorted with rage.
“You’re going to pay,” said Malfoy in a voice barely louder than a whisper. “I’m going to make you pay for what you did to my father….”
“Well, I’m terrified now,” said Harry sarcastically. “I s’pose Lord Voldemort’s just a warm-up act compared to you three — what’s the matter?” he said, for Malfoy, Crabbe, and Goyle had all looked stricken at the sound of the name. “He’s your dad’s mate, isn’t he? Not scared of him, are you?”
“You think you’re such a big man, Potter,” said Malfoy, advancing now, Crabbe and Goyle flanking him. “You wait. I’ll have you. You can’t land my father in prison —“
“I thought I just had,” said Harry.
“The dementors have left Azkaban,” said Malfoy quietly. “Dad and the others’ll be out in no time….”
“Yeah, I expect they will,” said Harry. “Still, at least everyone knows what scumbags they are now —“
Malfoy’s hand flew toward his wand, but Harry was too quick for him. He had drawn his own wand before Malfoy’s had even entered the pocket of his robes.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
I tried to count a pinch of sand knowing there are as many worlds as the sands in all the oceans. -- O honored of the worlds! for just then an old robed Bodhisattva, an old robed bearded realized of the greatness of wisdom came walking by with a staff and a shapeless skin bag and a cotton pack and a basket on his back, with white cloth around his hoary brown brow. -- I saw him coming from miles away down the beach -- the shrouded Arab by the sea. -- We didnt even nod to each other -- it was too much, we'd known each other too long ago.
”
”
Jack Kerouac (Lonesome Traveler)
“
In one corner of the square is a manger scene with two live sheep, a bed of hay, a couple of cows. The baby Jesus is a brown-faced doll lying in his crib, but Mary and Joseph are real and dressed in period garb. Joseph hoists a staff, Mary sports her virginal blue robes. As I walked by the other day, Joseph balanced on the crib, light bulb in hand, reaching toward an electrical socket. Mary, I guess, was taking a break. She sat on the edge of the crib. Her blue robes were hiked high enough to reveal Doc Marten boots beneath. She sipped a can of Coke and smoked.
”
”
Laura Kelly (Dispatches from the Republic of Otherness)
“
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes.
As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’
So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from.
Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet.
‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’
In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful.
But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it.
Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns.
And then he desired sex.
He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together.
Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet.
But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied.
He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.”
And the booming voice from above replied, “And where do you think you are?
”
”
Rabih Alameddine
“
The Buddha went on his way, modestly and deep in his thoughts, his calm face was neither happy nor sad, it seemed to smile quietly and inwardly. With a hidden smile, quiet, calm, somewhat resembling a healthy child, the Buddha walked, wore the robe and placed his feet just as all of his monks did, according to a precise rule. But his face and his walk, his quietly lowered glance, his quietly dangling hand and even every finger of his quietly dangling hand expressed peace, expressed perfection, did not search, did not imitate, breathed softly in an unwhithering calm, in an unwhithering light, an untouchable peace.
”
”
Hermann Hesse (Siddhartha)
“
It put out its strong hand as it spoke, and clasped him gently by the arm. “Rise! and walk with me!”It would have been in vain for Scrooge to plead that the weather and the hour were not adapted to pedestrian purposes; that bed was warm, and the thermometer a long way below freezing; that he was clad but lightly in his slippers, dressing-gown, and nightcap; and that he had a cold upon him at that time. The grasp, though gentle as a woman’s hand, was not to be resisted. He rose: but finding that the Spirit made towards the window, clasped his robe in supplication. “I am a mortal,”Scrooge remonstrated, “and liable to fall.
”
”
Charles Dickens (A Christmas Carol)
“
Early risers strolling along the Thames would see the toshers wading through the muck of low tide, dressed almost comically in flowing velveteen coats, their oversized pockets filled with stray bits of copper recovered from the water’s edge. The toshers walked with a lantern strapped to their chest to help them see in the predawn gloom, and carried an eight-foot-long pole that they used to test the ground in front of them, and to pull themselves out when they stumbled into a quagmire. The pole and the eerie glow of the lantern through the robes gave them the look of ragged wizards, scouring the foul river’s edge for magic coins.
”
”
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
“
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
”
”
Louis Sachar (Holes)
“
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
...mist lifted its curtain off the lower galleries, uncovering the hazy robed figures of monks walking where dancing girls and warriors once served a king. Shadows shifted from gray to gold. Out of sight, sunlight scaled the temple's back walls, curving up from the east. Light traced the massive bud-shaped towers. Simone had been right, this was Irene's arrival in Cambodia, her entire being narrowed to a single pinpoint of expectation as the pinnacles atop the towers sparked and burst into flame. She leaned forward,watching a city rise fro the depths of the planet. In an instant the fire was extinguished and the sun owned the sky. Angkor Wat exposed its colossal sandstone expanse, revealing itself for what it was - the largest temple in the world.
”
”
Kim Fay
“
From generation to generation kings would come and go some served the Lord some were self-serving. Through His prophets, Iam conveyed:“I tire of the haughtiness of Israel, Because the daughters of Zion are haughty and walk with necks outstretched, glancing wantonly with their eyes, mincing along as they go tinkling with their feet; the Lord will afflict with scabs the heads of the daughters of Zion, and the Lord will lay bare their secret parts. I will take away the finery of the anklets, the headbands, and the crescent; the pendants, the bracelets, and the scarves; the headdresses, the armlets, the sashes, the perfume boxes, and the amulets, the signet rings and nose rings; the festal robes, the mantles, the cloaks, and the hand bags, the garments of gauze, the linen garments, the turbans and the veils.
”
”
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Oh, sure, they all went through the motions. For almost two weeks, they paraded out witnesses and experts and walked us through a chain of custody and exhibits A to Z, all of which I guess gave legitimacy to what was already a foregone conclusion. I was guilty. Hell, as far as the police and the prosecutor and the judge and even my own defense attorney were concerned, I was born guilty. Black, poor, without a father most of my life, one of ten children—it was actually pretty amazing I had made it to the age of twenty-nine without a noose around my neck. But justice is a funny thing, and in Alabama, justice isn't blind. She knows the color of your skin, your education level, and how much money you have in the bank. I may not have had any money, but I had enough education to understand exactly how justice was working in this trial and exactly how it was going to turn out. The good old boys had traded in their white robes for black robes, but it was still a lynching.
”
”
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
“
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off."
It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair.
"You're spilling the coffee," he muttered, then stuck his hands in his pockets.
"Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up."
"Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea."
Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place."
"Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you."
Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold."
"Damned inconvenient," he muttered.
"You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you."
"Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here."
"You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room.
"Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled."
"It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-"
"I don't."
"Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Alec Kirkbride later graphically described the events in Amman on 18 July:
"A couple of thousand Palestinian men swept up the hill toward the main [palace] entrance... screaming abuse and demanding that the lost towns should be reconquered at once... The king[of Jordan] appeared at the top of the main steps of the building; he was a short dignified figure wearing white robes and headdress. He paused for a moment, surveying the seething mob before, then walked down the steps to push his way through the line of guardsmen into the thick of the demonstrators. He went up to a prominent individual, who was shouting at the top of his voice, and dealt him a violent blow to the side of the head with the flat of his hand. The recipient of the blow stopped yelling... and the king could be heard roaring: 'so you want to fight the Jews, do you? Very well, there is a recruiting office for the army at the back of my house... go there and enlist! The rest of you, get the hell down the hillside!'
Most of the crowd got the hell down the hillside, indeed...
”
”
Benny Morris (1948: The First Arab-Israeli War)
“
Snake,” Wyatt announced. “A big black one.”
“There’s dozens of them,” Royce explained.
“Where?” Alric asked.
“Mostly behind you on the walls.”
“What?” the king said, aghast. “Why didn’t you say something?”
“Knowing would only make traveling slower.”
“Are they poisonous?” Mauvin asked.
They could all see the silhouetted shoulders of Royce’s shadow on the far wall shrug.
“I demand you inform me of such things in future!” Alric declared.
“Do you want to know about the giant millipedes, then too?”
“Are you joking?”
“Royce doesn’t make jokes,” Arista told him as she looked around, anxiously hugging herself. Immediately her robe brightened and she spotted two snakes on the walls, but they were a safe distance away.
“He must be joking,” Alric muttered quietly. “I don’t see any.”
“You aren’t looking up,” the thief said.
Arista did not want to. Some instinct, a tiny voice, warned her to fight the impulse, but in the end she just could not help herself. On the low ceiling, illuminated brightly by the robe, slithered a mass of wormlike bugs with an uncountable number of hairlike feet. Each was nearly five inches in length and close to the width of a man’s finger. There were so many that they swarmed over each other until it was hard to tell if the ceiling was rock at all. Arista felt a chill run down her back. She clenched her teeth, forced her eyes to the floor, and focused on walking forward as quickly as possible.
She promptly passed Alric and Mauvin, both moving quicker than normal. She reached Royce, who stood outside the corridor on a boulder at the entrance to a larger passage.
“I guess I was wrong. Looks like I should have told you earlier,” Royce said, watching them race forward.
“Are there…?” she asked, pointing upward without looking.
Royce glanced up and shook his head.
“Good,” she replied. “And please, if Alric wants to know these things, fine, but don’t tell me. I could have gone the rest of my life not knowing they were there.” She shivered.
Everyone scurried out of the corridor except Myron, who lingered, staring up at the ceiling and smiling in fascination. “There are millions.
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
Sorry,’ said Harry nervously. ‘I – I didn’t know the time had been changed.’ ‘That is not the Wizengamot’s fault,’ said the voice. ‘An owl was sent to you this morning. Take your seat.’ Harry dropped his gaze to the chair in the centre of the room, the arms of which were covered in chains. He had seen those chains spring to life and bind whoever sat between them. His footsteps echoed loudly as he walked across the stone floor. When he sat gingerly on the edge of the chair the chains clinked threateningly, but did not bind him. Feeling rather sick, he looked up at the people seated at the bench above. There were about fifty of them, all, as far as he could see, wearing plum-coloured robes with an elaborately worked silver ‘W’ on the left-hand side of the chest and all staring down their noses at him, some with very austere expressions, others looks of frank curiosity. In the very middle of the front row sat Cornelius Fudge, the Minister for Magic. Fudge was a portly man who often sported a lime-green bowler hat, though today he had dispensed with it; he had dispensed, too, with
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
His eyes fell instead on the girl next to Krum. His jaw dropped. It was Hermione. But she didn’t look like Hermione at all. She had done something with her hair; it was no longer bushy but sleek and shiny, and twisted up into an elegant knot at the back of her head. She was wearing robes made of a floaty, periwinkle-blue material, and she was holding herself differently, somehow — or maybe it was merely the absence of the twenty or so books she usually had slung over her back. She was also smiling — rather nervously, it was true — but the reduction in the size of her front teeth was more noticeable than ever; Harry couldn’t understand how he hadn’t spotted it before. “Hi, Harry!” she said. “Hi, Parvati!” Parvati was gazing at Hermione in unflattering disbelief. She wasn’t the only one either; when the doors to the Great Hall opened, Krum’s fan club from the library stalked past, throwing Hermione looks of deepest loathing. Pansy Parkinson gaped at her as she walked by with Malfoy, and even he didn’t seem to be able to find an insult to throw at her. Ron, however, walked right past Hermione without looking at her.
”
”
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
“
She covered his mouth with her hand. Then she kissed him. For a long silent moment no words were necessary. She pushed away, a dangerous half-smile on her face. Shaking her head in the negative, she spoke softly. “No. Say nothing more. I’ll not have you fog my mind again with honeyed words.” She slowly walked to the door and opened it. “Guards!” she called and in an instant a pair appeared. Pointing at an astonished Laurie, she said, “Don’t let him move! If he tries to leave, sit on him!” Carline vanished from sight down the hall, and the guards turned amused expressions on Laurie. He sighed and sat down quietly upon his bed. A few minutes later the Princess was back, an irritated Father Tully in tow. The old prelate had his night robe hastily gathered about him, as he had been almost ready for sleep. Lyam, looking equally inconvenienced, followed his sister. Laurie fell backward onto the bed with an audible groan as Carline marched into the room and pointed at him. “He told me he wants to marry me!” Laurie sat up. Lyam regarded his sister with an astonished expression. “Should I congratulate him or have him hung? From your tone it’s difficult to tell.
”
”
Raymond E. Feist (Silverthorn (The Riftwar Saga, #3))
“
head no longer weeps and she seems to never tire, while Omeir has to rest every hour or so, fatigue sunk into his marrow, and sometimes as he walks he hears the creak of the wagons and the bellowing of animals, and senses Moonlight and Tree beside him, huge and docile beneath the beam of their yoke. By their fourth morning together, they grow dangerously hungry. Even the girl stumbles every few steps and he knows they cannot go much farther without food. At midday he spies dust rising behind them and they crouch off the road in a little brake of thorns and wait. First come two banner men, blades knocking against their saddles, the very image of conquerors returning. Then drivers with pack camels loaded with plunder: rolled carpets, bulging sacks, a torn Greek ensign. Behind the camels in loose double-file through the dust march twenty bound women and girls. One howls with grief while the others shuffle in silence, their hair uncovered, and their faces betray a wretchedness that makes Omeir look away. Behind the women a rawboned ox pulls a wagon crowded with marble statuary: the torsos of angels; a robed and curly headed philosopher with his nose flaked off; a single enormous
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
What is this strange touch?"
With a start, Jesse realized that Rides the Wind had awakened. He lay watching her closely.Feeling shy she pulled the buffalo robe up under her chin, answering softly, "My people say 'kiss.'"
"And who gives this 'kiss'?"
"Parents to children, husband to wife."
"Show me." As he said it he leaned toward her. Jesse obediently placed a kiss upon the wind-hardened cheek.
He kept his face near hers and the dark eyes searched hers.Then a knowing smile curled up the edges of his mouth. "When Marcus Whitman met with Running Bear and the traders,Rides the Wind was there.I saw many things.I saw this touch you call 'kiss' between man and woman.It was not here," he tapped his cheek, "but here." His finger indicated his mouth.
Jesse felt her face flush and wondered if the early morning light revealed her embarrassment. She assented, "Yes,for some it is so."
"Did Jesse King and Homer King touch in this ay?"
Jesse looked hard into the searching eyes.They returned her stare with honest interest. "My people do not speak of these things."
Rides the Wind was quiet for a moment, pondering her response. "If the white man speaks not of what is here," he laid a hand flat upon the tawny chest, "he must be very sad.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
MAY 20 WHEN YOUR SINS WEIGH HEAVILY upon you, come to Me. Confess your wrongdoing, which I know all about before you say a word. Stay in the Light of My Presence, receiving forgiveness, cleansing, and healing. Remember that I have clothed you in My righteousness, so nothing can separate you from Me. Whenever you stumble or fall, I am there to help you up. Man’s tendency is to hide from his sin, seeking refuge in the darkness. There he indulges in self-pity, denial, self-righteousness, blaming, and hatred. But I am the Light of the world, and My illumination decimates the darkness. Come close to Me and let My Light envelop you, driving out darkness and permeating you with Peace. But if we walk in the light, as he is in the light, we have fellowship with one another, and the blood of Jesus, his Son, purifies us from all sin. —1 JOHN 1:7 I delight greatly in the LORD; my soul rejoices in my God. For he has clothed me with garments of salvation and arrayed me in a robe of righteousness, as a bridegroom adorns his head like a priest, and as a bride adorns herself with her jewels. —ISAIAH 61:10 When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.” —JOHN 8:12
”
”
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
“
Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore.
You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe.
“He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
A pool game mixes ritual with geometry. The slow spaciousness of the green felt mirrors some internal state you get to after a few beers. Back at school, I’d been trying to read the philosophy of art, which I was grotesquely unequipped to do but nonetheless stuck on. I loved the idea that looking at a painting or listening to a concerto could make you somehow “transcend” the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger. In those days the drug culture was pimping “expanded consciousness,” a lie that partly descended from the old postindustrial lie of progress: any change in how your head normally worked must count as an improvement. Maybe my faith in that lie slid me toward an altered state that day. Or maybe it was just the beer, which I rarely drank. In any case, walking around the pool table, I felt borne forward by some internal force or fire. My first shot sank a ball. Then I made the most unlikely bank shot in history to drop two balls at once after a wild V trajectory. Daddy whistled. The sky through the window had gone the exact blue of the chalk I was digging my cue stick in, a shade solid and luminous at once, like the sheer turquoise used for the Madonna’s robe in Renaissance paintings. Slides from art history class flashed through my head. For a second, I lent that color some credit, as if it meant something that made my mind more buoyant. But that was crazy.
”
”
Mary Karr (The Liars' Club)
“
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
Marlboro Man looked up at me and smiled, apparently pleased that I’d shown such assertiveness. An outgoing middle child all my life, with him I’d become quiet, shy--an unrecognizable version of myself. He’d captured my heart so unexpectedly, so completely, I’d been rendered utterly incapable of speaking. He had this uncanny way of sucking the words right out of me and leaving nothing but pure, unadulterated passion in their place.
He grabbed me even more tightly. “Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body.
Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come.
There was nothing mediocre about Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was
not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they
would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one?
If the fish became poisoned and the water unfit to drink, we would know which face they wore.
And for their actions the zaaganaash
came to be known instead as chimokman—Vne long-knife people.
The prophecies described what eventually became history. They warned the people of those who would come among them with
black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children
were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the
plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told
that it is their spiritual lives that will keep them strong.
They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads.
The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay
scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along
the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to
the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
“
After the assembly I’m getting my chem book out of my locker when Peter comes over and leans his back against the locker next to mine. Through his mask he says, “Hey.”
“Hey,” I say. And then he doesn’t say anything else; he just stands there. I close my locker door and spin the combination lock. “Congratulations on winning best group costume.”
“That’s it? That’s all you’re going to say?”
Huh? “What else am I supposed to say?”
Just then Josh walks by with Jersey Mike, who’s dressed up as a hobbit, hairy feet and all. Walking backward, Josh points his wand at me and says, “Expelliarmus!”
Automatically I point my wand back at him and say, “Avada Kedavra!”
Josh clutches his chest like I’ve shot him. “Way harsh!” he calls out, and he disappears down the hallway.
“Uh…don’t you think it’s weird for my supposed girlfriend to wear a couples costume with another guy?” Peter asks me.
I roll my eyes. I’m still mad at him from this morning. “I’m sorry, I can’t talk to you when you look like this. How am I supposed to have a conversation with a person in head-to-toe latex?”
Peter pushes his mask up. “I’m serious! How do you think it makes me look?”
“First of all, it wasn’t planned. Second of all, nobody cares what my costume is! Who would even notice something like that?”
“People notice,” Peter huffs. “I noticed.”
“Well, I’m sorry. I’m very sorry that a coincidence like this would ever occur.”
“I really doubt it was a coincidence,” Peter mutters.
“What do you want me to do? Do you want me to pop over to the Halloween store during lunch and buy a red wig and be Mary Jane?”
Smoothly Peter says, “Could you? That’d be great.”
“No, I could not. You know why? Because I’m Asian, and people will just think I’m in a manga costume.” I hand him my wand. “Hold this.” I lean down and lift the hem of my robe so I can adjust my knee socks.
Frowning, he says, “I could have been someone from the book if you’d told me in advance.”
“Yes, well, today you’d make a really great Moaning Myrtle.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
”
”
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
“
DREAMLAND BY a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime Out of SPACE—out of TIME. Bottomless vales and boundless floods, And chasms, and caves, and Titan woods With forms that no man can discover For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead, Their still waters—still and chilly With the snows of the lolling lily. By the lakes that thus outspread Their lone waters, lone and dead,— Their sad waters, sad and chilly With the snows of the lolling lily,— By the mountains—near the river Murmuring lowly, murmuring ever,— By the grey woods,—by the swamp Where the toad and the newt encamp,— By the dismal tarns and pools Where dwell the Ghouls,— By each spot the most unholy— In each nook most melancholy,— There the traveller meets aghast Sheeted Memories of the Past— Shrouded forms that start and sigh As they pass the wanderer by— White-robed forms of friends long given, In agony, to the Earth—and Heaven. For the heart whose woes are legion ’Tis a peaceful, soothing region— For the spirit that walks in shadow ’Tis—oh, ’tis an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fringèd lid; And thus the sad Soul that here passes Beholds it but through darkened glasses. By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have wandered home but newly From this ultimate dim Thule.
”
”
Edgar Allan Poe (The Poems of Edgar Allan Poe)
“
I think about that often.
I think about the boots and the bones, and how I didn't want to be so lowly as to stoop down and help another human being take off their layers of mud. to wind up with their dirt on my hands.
I think that's because for a long time I believed freedom looked like getting to a place where none of the people were muddy. Where everyone was shiny and clean and took care of their own front yards. Where everywhere you looked, there were white picket fences and perfectly manicured pansies lining the front walkway.
...
And then I think about God and what neighborhood He would live in.
I think about Jesus washing the feet of the disciples. Those dusty busted-up, sandal-blistered feet they rolled up with to His supper table. I think about the Savior of the world kneeling there at His last meal, before His body was broken and His blood was poured out, first making sure that none of them had to walk around with muddy feet.
At this I picture Jesus kneeling at the feet of my father.
I think about the conversation those two might have. I think about the care Jesus would take in removing those heavy weights from around Dad's ankles. how He would hold all those broken parts in His light-filled hands and weep with Dad for all the pain he'd been walking around with. I think He would tell him that He sees how hard he's been fighting to hold it all together, sees all the sacrifices that he's made. I think Jesus would sit with him there for a while in the mud, not even caring about Dad's boots leaving marks all up and down His crisp, white robes.
There comes a time when every person who believes in God also has to decide what kind of character they believe He has.
Is He a cold and distant God, withholding every good thing, just waiting for the chance to take back what little He has given?
Is He a God who only gives out begrudging scraps of joy after first putting you in very hot water, His red-letter way of ensuring that you've been washed clean?
Or is He a God who sits with you in the mud, who stoops to serve before the sacrifice?
I used to think freedom looked a lot like being around people who aren't muddy.
Now I realize we're all pretty muddy and maybe just a little bit broken too, no matter what kind of place we call home.
And when it comes right down to it, getting each other's mud on our hands--this serving one another in love--that's what true freedom has always been about anyway.
Because love, like integrity, is also about what we do when no one else is looking.
And how we do anything is how we do everything.
”
”
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
“
A few hours later, Jane came out of her boudoir to find her husband in his dressing gown, stretched out across the bed reading the newspaper and idly petting their spaniel Little Archer, a pup from Mrs. Patch’s brood.
Seizing the moment, Little Archer leapt off the bed and into her dressing room, where he could chew up slippers to his heart’s content. Dom, however, didn’t even look up as she entered.
“They’re calling this the most elegant coronation in history.” He snorted. “I noticed there’s no mention of its being the most interminable.”
“Dom,” she purred as she closed the dog into the dressing room for the moment.
“All that pomp and circumstance is so tedious.” Still reading, he turned the page of the newspaper. “Ravenswood told me that King William is determined to make sure that parliamentary reform is enacted.”
She walked languidly forward. “Dom.”
He snapped the paper to straighten it. “It’s about bloody time. I should think--”
“Dom!” she practically shouted.
“Hmm?” He glanced up, then frowned. “Why are you wearing your coronation robe?”
“I was cold,” she said with a teasing smile. She let the robe fall open. “Since I have nothing on underneath.”
Dom stared, then gulped. Unsurprisingly, his staff jerked instantly to attention. “If you’re trying to torture me,” he said hoarsely, “you’re doing a good job of it.”
She sashayed toward the bed, letting the velvet and ermine robe swing about her. “No torture intended.” She put one knee on the bed. “Dr. Worth said I may resume relations with my husband whenever I am ready.”
He blinked, then rose to his knees and seized her about the waist. “May I assume that you’re ready?” he rasped as he brushed a kiss to her cheek.
“You have no idea.” She met his mouth with hers.
They kissed a long moment, a hot, heavenly kiss that reminded her of how very talented her husband was at this aspect of marriage. She untied his dressing gown and shoved it off his shoulders. He had just finished tearing off his drawers when she shoved him down onto the bed.
His eyes lit up as she hovered over him. “Ah, so it’s to be like that, my wicked little seductress?”
“Oh, yes.” She grinned at him. “I do so enjoy having a viscount fall before me.”
She started to remove her robe, but he stayed her with his hand. “Don’t.” He raked her with a heated glance. “Next session of parliament, I’ll endure the boredom of the endless speeches by imagining you seducing me in all your pomp and circumstance.”
“My pomp is nothing to yours, my love,” she murmured as she caught his rampant flesh in her hand. “Yours is quite…er…pompous.”
“That’s what happens if the viscount falls.” He thrust against her hand. “His pomp always rises.”
And as she laughed, they created a pomp and circumstance all their own.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?"
Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend."
Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..."
Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?"
Jesse shook her head.
Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons."
"Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water.
Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort.
"I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her.
Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman.
Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind."
Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk.
"I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual.
Still, she told herself, there is a perfectly good explanation for everything he has done.
Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question.
"How is it among the whites?How does a man gain a wife?"
Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully.
"He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms.
"But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota."
When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?"
"A man who belives in the Bible and teaches his people about God from the Bible."
"What if there is no minister and a man and a woman wish to be married?"
Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)