Lava Love Quotes

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I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
When they (the men, the scavengers) come for you, do not give yourself to them so easily. Wear your strength like armour, fight like a beast. Do not let them tell you that you belong to them. Be fearless. Be a lion. Be like lava. Rip them apart, and burn their bones. And when you are done, tell the world that you belong to no man. That you are a lady, a warrior, a tsunami, and you belong only to yourself.
Zaeema J. Hussain (The Sky Is Purple)
When you spent your entire career on the fringes of violence, the dogs helped remind you that you were still human
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
Why wasn't my time spent helping people instead of a puppy? I don't know and I don't care but at least I saved something.
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
I’d rather fall in molten lava than fall in love. But I suppose that’s just the romantic me.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I have seen many amazing things in my long and troubled life history. I have seen a series of corridors built entirely out of human skulls. I have seen a volcano erupt and send a wall of lava crawling towards a small village. I have seen a women I loved picked up by an enormous eagle and flown to its high mountain next. But I still cannot imagine what it was like to watch Aunt Josephine's house topple into Lake Lachrymose.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
إنّ العالم بأسره يشدنا نحو الأسفل، لكن أيدي مَن يحبّوننا تدفعنا نحو الأعلى، دون كلل
Afonso Cruz (O Pintor Debaixo do Lava-Loiças)
"Whoaaaaa–AARRRGGGGGGGHHHH...shove two fingers down my throat and pull out my heart...to prove that you love meeee...!" Clutching her iPod, Nellie emerged from the hatch ad lurched towards them, like creature put together from spare parts–a motion that Dan and Amy recognized as dancing. Pulling out her earbuds, she raised her face to the sky and let the rain pelt her for a few seconds. "Whoo-hoo, that is better than a facial!" she cried, running to join Dan and Amy under the overhang. "Stick around," Dan said, "for a lava treatment.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.
Robin Wasserman (Girls on Fire)
Wind is what happens when air falls in love with itself.
Barry Webster (The Lava in My Bones)
we met one strange summer in a regular tangle of sticky webs you had the air of angels sweet but I-- drowned with the damned spirits in lava oceans fearing your-- foreign static frequency and grey-green eyes (I swear they are even if you-- think otherwise): storms calm ones, calmer than my-- raging coals, empty and dead you speak of souls like you believe always an optimist in pessimistic skin of ivory and titanium mesh...
Moonie
Take the pain and grow beauty...You know I've always loved volcanoes. I love how they spew searing, deadly lava that goes on to nurture the most beautiful landscapes on earth. It's from searing pain that the deepest beauty can sprout
Carrie Firestone (The Loose Ends List)
I can see the exact moment he realizes what I've been doing. His torso stiffens as his hands, pressed against the mattress, curl into big fists. He makes a low, approving sound and speaks in a voice that sounds like molten lava. "That’s so sexy.
Ella James (Selling Scarlett (Love Inc., #1))
That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.
Leopold von Sacher-Masoch (Venus in Furs)
To hell, to hell with balance! I break glasses; I want to burn, even if I break myself. I want to live only for ecstasy. Nothing else affects me. Small doses, moderate loves, all the demi-teintes – all these leave me cold. I like extravagance, heat… sexuality which bursts the thermometer! I’m neurotic, perverted, destructive, fiery, dangerous - lava, inflammable, unrestrained. I feel like a jungle animal who is escaping captivity.
Anaïs Nin (Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934)
The dragon bracelet that Humongous created, out of misplaced love and gratitude, in the hellish nightmare of the Lava-Lout Jail-Forges is exquisitely made, for he was a far better goldsmith than he was a singer. It curls around my arm, its shining wings folded back, as if about to unfurl and take off, and now that its ruby eyes are set into the gold, you cannot see their tear shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at their darkest.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
At first, you fall in love. You wake in the morning woozy and your twilight is lit with astral violet light. You spelunk down into each other until you come to possess some inner vision of each other that becomes one thing. Us. Together. And time passes. Like the forming of Earth itself, volcanoes rise and spew lava. Oceans appear. Rock plates shift. Sea turtles swim half the ocean to lay eggs on the mother island; songbirds migrate over continents for berries from a tree. You evolve--cosmically and geologically. You lose each other and find each other again. Every day. Until love gathers the turtles and the birds of your world and encompasses them, too.
Michael Paterniti (Driving Mr. Albert: A Trip Across America with Einstein's Brain)
Thank you, Obvious Warning Labels. Without you I might have stuck my kid in a washing machine, lit a match near an open gas line, used my hair dryer while sleeping, or, God forbid, not realized eggs may contain—wait for it—eggs. I have no idea how I ever function without you. (I almost ingested the contents of a lava lamp just yesterday, but your label made another quick save. God bless.)
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
Luis Alberto Urrea (The House of Broken Angels)
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
Dylan Thomas (Under Milk Wood)
... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!
Leopold von Sacher-Masoch (Venus in Furs)
Little symbols of love are like molten lava, there's something even hotter below the surface.
Dixie Waters
Okay, okay!” she said. “I get it, you love lava. Maybe we should call you Lavaboy.”  “Only if I get to call you Sharkgirl,” Jack stuck out his tongue.
Pixel Ate (The Accidental Minecraft Family: Book 8)
Stories end in a rush. One minute, Will and Lyra are in love on their bench. The next they’re in separate worlds. One minute the Pevensie’s are kings and queens. The next, they’re back through the wardrobe. One minute, the One ring is lava-dissolving in Gollum’s hand, the next…well, that example doesn’t work. The return of the king has like seven ending scenes, but for good reason.
Cory McCarthy (Now a Major Motion Picture)
How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough. But
Glennon Doyle Melton (Love Warrior)
Is now a good time to tell you my dad’s fluent in four languages?” I went perfectly still, my hand tight around the oral wand and my face so hot I thought my head would split and spill lava. “Is…ah, Spanish…one of them?” I croaked. “Sí,” Mr. Moore answered. Once more the vent alarms blared in nuclear-meltdown mode. It took all I had not to kick Brody in the ribs when he fell to the floor in hysterics.
Cecy Robson (Once Loved (Shattered Past, #2))
Off the Santorini cliff on a dark, starless night, I tossed a message in a bottle and love found me washed up on the black lava sand of the Aegean shore. As with my previous loves, volcanic in nature. Almost destructive before it started.
Melody Lee (Moon Gypsy)
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
Thomas Wolfe ate the world and vomited lava. Dickens dined at a different table every hour of his life. Molière, tasting society, turned to pick up his scalpel, as did Pope and Shaw. Everywhere you look in the literary cosmos, the great ones are busy loving and hating.
Ray Bradbury (Zen in the Art of Writing)
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
She had the feeling that life ran thick and slow inside her, bubbling like a hot sheet of lava. Maybe she loved herself . . . And what if she thought distantly, a bugle suddenly cut through that mantle of night with its sharp sound and left the plains free, green and vast . . . And then nervous white horses with rebellious neck and leg movements, almost flying, crossed rivers, mountains, valleys . . . Thinking of them, she felt the cool air circulate inside herself as if it had come out of a cool, moist, hidden grotto in the middle of the desert.
Clarice Lispector (Near to the Wild Heart)
I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. . . . I belong to the earth! . . . And I join my slime, my excrement, my madness,my ecstasy to the great circuit which flows through the subterranean vaults of the flesh. . . . Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists. . . . Out of the dead compost and the inert slag they breed a song that contaminates. . . . “I love everything that flows,” said the great blind Milton of our times [Joyce]. I was thinking of him this morning . . . of his rivers and trees and all that world of night that he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. . . . I love the urine that pours out scalding and the clap that runs endlessly.
Henry Miller (Tropic of Cancer (Tropic, #1))
Podría dar la fórmula química de la lágrima. Pero sería una tontería. Todos sabemos que la lágrima no es nada más que unas letras mayúsculas y unos números chiquititos, un líquido que sirve para lavar el globo ocular. La lágrima lava también otras cosas. A veces es una pregunta. A veces es una respuesta. Pero siempre es un mensaje. Y nace lejos de los ojos.
Poldy Bird (Cuentos De Amor/Love Stories (Spanish Edition))
Obsidian rests around your neck as if you are carrying the history of every night sky in one stone Smile young girl Your eyes are moonless, grimmer than the rock revolved around your throat Your voice is weak when you speak of the things you love You do not love things properly Your jaw was battered against the ceramic when your father screamed of your selfishness and slapped you with all the anger your grandfather bred in him You conduct yourself in spite of his judgement In spite of being just like him But while you chase after reckless habits and restless bodies you are mirroring his tantrums Drain the anger from your blood, young girl Do not make this tempered interpretation a trio Your Obsidian is the cooling heat of lava and only pure when it maintains its darkness But there is more power in your will than in the frozen anger of the stone Your body does not have to erupt when you feel the heat of an outrage bubbling at the rim Keep your composure, you are not a volcano You do not have to hang around someone’s neck like a chunk of lava wishing to explode
Alessia Di Cesare
Presiding over the skies of Earth at the time of the origin of life was a huge Moon, its familiar surface features being etched by mighty collisions and oceans of lava. If tonight´s Moon looks about as large as a nickel at arm´s lenght, that ancient Moon might have seemed as big as a saucer. It must have been heartbreakingly lovely. But it was billions of years to the nearest lovers.
Carl Sagan (Shadows of Forgotten Ancestors)
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme. Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you. You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
Kate Lister (A Curious History of Sex)
I heard a few men in a restaurant talking about a bayou legend," Savannah said suddenly.She leaned ont he side of the boat,presenting him with an intriguing view of her tight jeans. They clung lovingly to every curve. Gregori moved, a flowing of his body, gliding silently, and his large frame was blanketing Savannah's, blocking out the captain's enticing view.Gregori leaned into her,his arms coming down on either side of the railing to imprison her against him. You are doing it again. His words brushed softly in her mind even as his warm breath teased the tendrils of hair at her neck. Savannah leaned back into him, fitting her bottom into the cradle of his hips. She was happy, free of the oppressive weight of the hunt,of death and violence. THere were only the two of them. Three, he reminded her,his teeth scraping her sensitive pulse.He could feel the answering surge of her blood, the molten lava spreading in his. My mother thinks my father is a cave man.I'm beginning to think you could give him a run for his money. Disrespectful little thing. "Which legend?There are so many," Beau said. "About an old alligator that lies in wait to eat hunting dogs and little children," Savannah said. Gregori tugged at her long braid so that she tilted her head back.His mouth brushed the line of her throat. I could be a hungry alligator, he offered softly.
Christine Feehan (Dark Magic (Dark, #4))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
I love everything that flows,” said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.
Henry Miller (Tropic of Cancer (Tropic, #1))
hoped that would be the last time they would see that one. He blew out a breath. “I think I know why those goats ran right off the cliff into the lava.”  “Oh? Why?” Mom asked.  “Because they didn’t see the ewe-turn sign.” He wiggled his eyebrows.  “OH NO!” Kate groaned. “Not again!”  “Don’t mind me, I’m only kid-ding,” Dad said, wiggling his eyebrows even harder.  “Oh maaaaan,” Jack said. “Honey,” Mom said, “I don’t think the kids are interested in your jokes right now.”  “Okay, I’ll stop,” Dad said with a sigh. Mom patted him on the shoulder and Dad looked at her. “I would hate to butt heads with you over it.”  Jack and Kate both burst out laughing and Mom rolled her eyes. “Now kids, no butting in!” Dad said, pointing his finger at them. The kids laughed even harder and Mom chuckled too. Dad put his hands on his hips. “You have goat to be kidding me! I said NO butting in!”  The kids were laughing bigly now, and Mom had a big grin on her face. Their spirits had been lifted, even if only a little. Mom squeezed Dad’s hand. “I love you, honey.”  Dad squeezed hers back. “We already did the bee jokes, dear.” He winked.
Pixel Ate (The Accidental Minecraft Family: Book 13)
Phoenix Blood There are only two things I am sure of in this world: the first is, one day, this life will come to its final destination in death The second: people will try to obliterate you, and believe me, even the ones that once promised you forever will betray you, it never fails to happen when love turns dark. Do yourself a favour when this happens; reclaim yourself from them. I know you have been taught to slice out your own heart, hand it over again and again to selfish hands, because it is all you have known since you were a child. You are an open wound looking for someone to cure you. And when they see that, they will scratch at it, steal your voice, thinking your magic will go with it, hoping your core swallows itself up. This is where you remember the lava of the volcano you come from, your ancestors were made from fire and it runs like hum that sings through your own vein-rivers of blood. You are not an open wound, they just want you to think you are. They have done this to every woman before you, yet women were made to endure; they become the earth, they adapt like water, they turn into diamonds to survive as who they are. This is how we become magic, we walk through fire and become more holy. They try to break us, we do not accept defeat. They try to devastate us, we still discover how to be happy. They banish us to the depths of hell, we just absorb and master the heat.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough.
Glennon Doyle Melton (Love Warrior)
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)
The Devil loved watching children pour down the front steps of the high school like lava from a volcano. Trolling for souls. He posed in one of his favorite guises today, a school bus driver.
Serena Schreiber
I head someone say once that passionate people live violent lives. At the time I didn't really get it but if what they meant was the way love waits in ambush traps your well trained sense of control and tortures you into a confession you'd just as soon not make I now understand.
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
Secret Minecraft Tricks 41-48 Who Turned Out The Lights -If you're in a room lit up only by lava, it's a good idea to place a few torches around before you extinguish it. The View Up Here Is Great -Tree houses are fun to build, but sometimes hard to find, be sure to remember their location. I Love Fishing -Since fish are unlimited in quantity, it's always a good time to go fishing. Just Like My Neighborhood -Watch out when you're killing zombie pigmen, whenever you attack one, you will find others will quickly close in, and gang up against you. Ouch, Ouch, Ouch! Hot Foot -When
Masters of Minecraft (Minecraft: 100 Top Secret Minecraft Tricks (2014 Minecraft Books))
This man of his, yes, this man. Now Sam accepts his own desire. “I’m a gayrod,” he shouts marching through crowded plazas. “I’m in love with a man, and I want men. That’s what I want. I want man, man, man!
Barry Webster (The Lava in My Bones)
In the evenings, Sam performs exercises to prepare his body for love-making with Franz. He practices kissing (something he’d once hated) by smooching deer lips, antelope ears, frog anuses, and the great, whiskered muzzles of sleeping bison. He improves his petting skills by necking with juniper bushes and pine tree trunks with such passion that the bark snaps and sap runs, or with such tenderness that the whole forest goes silent and swallows nest in his hair.
Barry Webster (The Lava in My Bones)
For so long, she had remained the sleeping volcano, her passion and pain and anger roiling quietly as lava within. She’d buried her love deep within her core; with heat and pressure she made diamonds of it all, gemstones precious and beautiful, glittering and indestructible and of no use but to be hoarded in her heart.
Julia DeBarrioz (Cazadora (Dakota del Toro, #1))
If you get on your hands and knees in one of the offices and press a little red button, you can crawl into the “Love Lounge,” originally a ventilating shaft that’s about five feet wide and that now sports leopard-skin wallpaper, Barry White music, and a red lava lamp. Steve signed the wallpaper: “This is why we built this building, Steve Jobs.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
I face Charlemagne and then gaze down at the mineral that swirls with lovely fading shades of green. Fuming hot lava cools over time to create such beauty, and I often think that Char is not unlike this stone.
J.P. Cianci (The Last Tears of a Phoenix)
Lava-like anger was erupting inside of me. I was ready to let the white trash out.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
She stares at it for several moments before taking it out from underneath the plastic film that covers it. Then she holds it with the affection of a mother for her new-born child, tender and loving; Preeti’s eyes soften briefly just for that moment. The lava of hurt makes way into her throat, setting ablaze all that she has held within. As memories meet sentience, the apartment echoes with her muffled cries. The photograph, a silent spectator, drenches in her grief as the tears start their descent.
Faraaz Kazi (More Than Just Friends)
He loved the shop, the smells of the naphthas and benzenes, the ammonias, all the alkalis and fats, all the solvents and gritty lavas, the silken detergents and ultimate soaps, like the smells, he decided of flesh itself, of release, the disparate chemistries of pore and sweat—a sweat shop—the strange wooly-smelling acids that collected in armpits and atmosphered pubic hair, the flameless combustion of urine and gabardine mixing together to create all the body’s petty suggestive alimentary toxins. The sexuality of it. The men’s garments one kind, the women’s another, confused, deflected, masked by residual powders, by the oily invisible resins of deodorant and perfume, by the concocted flower and the imagined fruit—by all fabricated flavor. And the hanging in the air, too—where would they go?—dirt, the thin, exiguous human clays, divots, ash and soils, dust devils of being.
Stanley Elkin
When le dessert finally arrives, it looks like an innocent upside-down chocolate cupcake, accompanied by a small cloud of freshly whipped cream. But when my spoon breaks the surface, the chocolate center flows like dark lava onto the whiteness of the plate. The last ounce of stress drains from my body. I feel my spine soften in the chair. The menu says Moelleux au Chocolat "Kitu." "'Kitu' is a pun," says Gwendal, with his best Humphrey Bogart squint. "It means 'which kills.'" I have discovered the French version of "Death by Chocolate.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
Cayla nodded. “I think that would be best. Besides, this platform idea resolves the issue. What are you going to build it out of?” “Stone, I guess,” I said with a shrug, and I scanned the rocky cliffs jutting up behind us. “Ooo, do lava again!” Aurora gasped. “Please?” Cayla begged, and she dropped onto a boulder to get a front row seat. “I love watching you work with lava.” “It’s so incredible,” the half-elf agreed. “You look like a god.” Shoshanne furrowed her brow. “Mason can work with lava?” “Apparently,” I muttered. “Those huts you saw in the lair were part of a drunken rebuild I performed last time we were here, but I don’t remember any of it.” “Well, I remember it,” Aurora snorted. “You called yourself the Infamous Lava Man of Illaria, and you did that thing where you throw your arms out to the side and laugh like a villain whenever you said it.” “How many times did he say it?” Shoshanne chuckled. “Too many to count,” Cayla giggled. “It was cute.” “At least I’m not as drunk this time,” I mumbled as I shook my head. “I think I’m not, anyways. I can’t remember how much I drank in there, but I do feel like my head isn’t attached to my neck anymore.
Eric Vall (Metal Mage 13 (Metal Mage, #13))
Something convulsed. Something changed. It was about language again. Not a writer's private language, but a country's public language, its public imagination of itself. Suddenly, things that would have been unthinkable to say in public became acceptable. Officially acceptable. Virile national pride, which had more to do with hate than love, flowed like noxious lava on the streets.
Arundhati Roy
jerked so hard the move almost made them lose their connection. “Fuck!” Green felt the large muscles of Ruxs’ back grow ridged and tighten like he was on his one hundredth pull-up. God he fucking loved this man. Ruxs inhaled hard, took what was given him. Green kept the same intensity in his thrust, but he slowed the fucking down, made it precious. Ruxs made a sound like he was in pain. Large hands came up and grabbed a fist full of Green’s hair. Ruxs tightened his hold on him, now it was Green’s turn to make a painful sound. When Ruxs’ ass clamped down on his cock, Green dropped his head back to the pillow. He pinched harder and Ruxs’ body went still and then hard as stone. His come burst from him. Long streams of white lava erupted over Ruxs’ rippled stomach. He heard him, felt Ruxs growl and jolt with each release. Green barked a startled cry as his orgasm dug its claws in and roared through his core, to settle in his balls, consuming them with heat. He freed Ruxs’ tortured nipples and pulled the tight ass down on his cock, pressing it firmly into his pelvis just in time for his cock to thicken and shoot deep inside that throbbing channel. Deep enough for Ruxs to feel it in his soul. And he knew he did because the affectionately whispered, “Chris” that left his lover’s lips told him their bonding was sealed.
A.E. Via (Here Comes Trouble (Nothing Special #3))
I hate you," I whisper. I feel it in my gut, and I can't deny it. I can't ignore it. I'm so angry, so hurt, so consumed that the hate feels like lava, settling in the pit of my stomach. My world was a sunny sky before him, a pretty picture my mother drew for me, and he painted it all black with the truth, splattering it with red from the bloodshed. I hate it. I hate him. "I know," he says quietly. "You said you wouldn't… you said you meant it… but I know you do." "But I love you, too… I don't know how I still can. I hate you, but I still love you somehow. It's just… how can I feel both ways?" "Easily," he says. "The opposite of love isn't hate, Karissa. It's indifference. You're a passionate person, and love and hate… it's not a far stretch from one to the other. They both take passion, someone getting under your skin and consuming you. And I ate you alive, sweetheart. You never had a chance.
J.M. Darhower
Our landscapes are marked by the presence of grand trees. And what are trees, but love stories written by terra firma in praise of all the heavens offer? There are hundreds of ways to scribe your love story to reach a Sublime Result. Just ask the oak. All 600 species. III. Our own story will not be written in chronological order. Love was never meant to keep you in your comfort zone. It was designed- to feed, challenge, grow, and sustain you. To fracture you gently, drown you in small increments. Continental drift you into Pure Consciousness. And I am learning: to have the patience of geologic processes. My blood turns to lava, my breath to ash, my love to eons, to measures of time and movement imperceptible at most moments.
Marie Anzalone (Non-Utilitarian Living: Poems in English and Spanish)
Annabeth knit her eyebrows. “We’ll have to talk to Tantalus, get approval for a quest. He’ll say no.” “Not if we tell him tonight at the campfire in front of everybody. The whole camp will hear. They’ll pressure him. He won’t be able to refuse.” “Maybe.” A little bit of hope crept into Annabeth’s voice. “We’d better get these dishes done. Hand me the lava spray gun, will you?” That night at the campfire, Apollo’s cabin led the sing-along. They tried to get everybody’s spirits up, but it wasn’t easy after that afternoon’s bird attack. We all sat around a semicircle of stone steps, singing halfheartedly and watching the bonfire blaze while the Apollo guys strummed their guitars and picked their lyres. We did all the standard camp numbers: “Down by the Aegean,” “I Am My Own Great-Great-Great-Great-Grandpa,” “This Land is Minos’s Land.” The bonfire was enchanted, so the louder you sang, the higher it rose, changing color and heat with the mood of the crowd. On a good night, I’d seen it twenty feet high, bright purple, and so hot the whole front row’s marshmallows burst into the flames. Tonight, the fire was only five feet high, barely warm, and the flames were the color of lint. Dionysus left early. After suffering through a few songs, he muttered something about how even pinochle with Chiron had been more exciting than this. Then he gave Tantalus a distasteful look and headed back toward the Big House. When the last song was over, Tantalus said, “Well, that was lovely!” He came forward with a toasted marshmallow on a stick and tried to pluck it off, real casual-like. But before he could touch it, the marshmallow flew off the stick. Tantalus made a wild grab, but the marshmallow committed suicide, diving into the flames. Tantalus turned back toward us, smiling coldly. “Now then! Some announcements about tomorrow’s schedule.” “Sir,” I said. Tantalus’s
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
See, orders just came down and the Department of Defense hired contractors to kill all nonmilitary dogs found on American bases in Iraq. Seems word got out about the stray dogs eating dead bodies, and while it’s perfectly okay for us to make the bodies dead in the first place, it’s not quite cool to have dogs walking around eating them. There’s some fine line there I guess we’re not supposed to notice. Maybe it has to do with cooties. Anyway, it also turns out that I’m not the only loon who wants to get a dog out of Iraq.
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
Madam Lou, known as the “Queen of the Lava Beds,” had created “a discreet establishment for the silk-top-hat-and-frock-coat set to indulge in good drink, lively political discussions, and, upstairs, ribald pleasures—all free to government representatives.
Jamie Ford (Love and Other Consolation Prizes)
Prijateljstva koja se zasnivaju na pokojem odlasku na večeru nikad neće imati ostu dubinu kao ona stečena na putovanjima ili za vrijeme studija. Dvoje ljudi koji na nekoj čistini u džungli spaze lava ostat će, u slučaju da netko od njih ne bude pojeden, do kraja povezani onim što su doživjeli.
Alain de Botton (On Love)
Annnd my love lips just filled with lady lava. He releases my finger and leans back with a triumphantly smug look on his face. Whatever expression he sees on mine makes him chuckle darkly. “Whatever you do to me, I’ll match and raise you, Scratch. Remember that.” Gods, I hope that’s a promise.
Raven Kennedy (Signs of Cupidity (Heart Hassle, #1))
Tears, glistening like crystals under the dazzle of bright lights, appeared on her almost lifeless eyes – eyes that have not yet dried up, despite the copious amount that had flowed through them over the years. When life gives you certain experiences, it creates in you a volcano of unending grief. All that you wish is for this volcano to erupt once, so violently and uncontrollably that it would eventually turn into an island of tranquillity amidst the unhappy seas of your heart. But in a world that loves to shackle even your tears, these dormant volcanoes erupt only in spurts, forcing from their depths an uncontrollable flow of molten lava, or at times milder geyser springs, in the rare silences of your private space.
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
For the last two years, my New Year’s resolutions have been to eat things with more sprinkles on them. I read mostly romance novels, followed closely by middle grade fantasy. I love my friends, but we do stupid shit like see if we can fit in the fridge, or buy a single grape from the grocery store, or play The Floor Is Lava for an entire Saturday.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Advice to Myself from Chelsea to Chelsea Be reckless when it matters most. Messy incomplete. Belly laugh. Love language. Be butterfly stroke in a pool of freestylers. Fast & loose. You don’t need all the right moves all the time. You just need limbs wild. Be equator. Lava. Ocean floor, the neon of plankton. Be unexpected. The rope they lower to save the other bodies. Be your whole body. Every hiccup & out of place. Elastic girl. Be stretch moldable. Be funk flexible. Free fashionable. Go on. Be hair natural. Try & do anything, woman. What brave acts like on your hips. Be cocky at school. Have a fresh mouth. Don’t let them tell you what’s prim & proper. Not your ladylike. Don’t be their ladylike. Their dress-up girl. Not their pretty. Don’t be their bottled. Saturated. Dyed. Squeezed. SPANXed. Be gilded. Gold. Papyrus. A parakeet’s balk & flaunt. Show up uninvited. Know what naked feels like. Get the sweetness. Be the woman you love. Be tight rope & expanse. Stay hungry. Be a mouth that needs to get fed. Ask for it. Stay alert—lively—alive & unfettered. Full on it all. Say yes when it matters. Be dragonfish. Set all the fires. Be all the woman they warned you against being. Be her anyway.
Renée Watson (Watch Us Rise)
He reaches down to my hand and touches it so softly it's as if he's aware he's made of lava and I'm not." pg 98
Colleen Hoover (Ugly Love)
You will never overhear the following conversation in a fine-dining establishment. WAITER: Today’s specials. We have Chilean sea bass, which is sautéed in a lemon beurre blanc, and we have a Hot Pocket that is cooked in a dirty microwave. And that comes with a side of Pepto. PATRON: Is your Hot Pocket cold in the middle? WAITER: It’s frozen. But it can be served boiling-lava hot. PATRON: Will it burn my mouth? WAITER: It will destroy your mouth. Everything will taste like rubber for a month. PATRON: Oh, I’ll get the Hot Pocket.
Jim Gaffigan (Food: A Love Story)
CHAPTER ONE The Secret Stronghold CHAPTER TWO Dave on the Road CHAPTER THREE Porkins CHAPTER FOUR Carl CHAPTER FIVE Captured by Zombies CHAPTER SIX The Portal CHAPTER SEVEN The Nether CHAPTER EIGHT The Pigmen CHAPTER NINE Caught CHAPTER TEN Entering the Fortress CHAPTER ELEVEN Blazes CHAPTER TWELVE Swords at the Ready CHAPTER THIRTEEN The King of the Pigmen CHAPTER FOURTEEN Escape CHAPTER FIFTEEN Snow EPILOGUE -- BOOK TWO -- PROLOGUE CHAPTER ONE Nothing but Snow CHAPTER TWO Bear! CHAPTER THREE Finding Shelter CHAPTER FOUR Under the Igloo CHAPTER FIVE Phillip and Liz CHAPTER SIX The Wither CHAPTER SEVEN Ripley CHAPTER EIGHT The Underground Room CHAPTER NINE Zombie Attack! CHAPTER TEN Steve Turns to the Dark Side CHAPTER ELEVEN Ripley's Plan CHAPTER TWELVE Statue Fight CHAPTER THIRTEEN Robo-Steve's Last Stand CHAPTER FOURTEEN Goodbye Again CHAPTER FIFTEEN Return to the Nether CHAPTER SIXTEEN Dave vs Enderman CHAPTER SEVENTEEN The Ender Hunters CHAPTER EIGHTEEN Hunting Trip CHAPTER NINETEEN Pearls CHAPTER TWENTY The Witch CHAPTER TWENTY-ONE Bedrock CHAPTER TWENTY-TWO Lava CHAPTER TWENTY-THREE Giant Lava Herobrine CHAPTER TWENTY-FOUR Return to the Nether (Again!) CHAPTER TWENTY-FIVE Nothing but Water EPILOGUE -- BOOK THREE -- CHAPTER ONE Water, Water, Everywhere... CHAPTER TWO Carl Gets Left Behind CHAPTER THREE Bubbles and Zombies CHAPTER FOUR Locked Up CHAPTER FIVE The Floating Dead CHAPTER SIX The Underwater Pyramid CHAPTER SEVEN Dave Alone CHAPTER EIGHT The Pirates CHAPTER NINE Aquatropolis CHAPTER TEN The Mysterious Island CHAPTER ELEVEN Carl the Pirate CHAPTER TWELVE Princess Alicia CHAPTER THIRTEEN The Kraken Attacken CHAPTER FOURTEEN Reunited CHAPTER FIFTEEN Drowned CHAPTER SIXTEEN Carl's Big Decision CHAPTER SEVENTEEN The Kraken Returns CHAPTER EIGHTEEN Aftermath EPILOGUE -- BOOK FOUR -- CHAPTER ONE Cool Island CHAPTER TWO Cool City CHAPTER THREE Derek Cool CHAPTER FOUR The Opening Ceremony CHAPTER FIVE Battle Royale! CHAPTER SIX A Lovely Walk CHAPTER SEVEN Thag CHAPTER EIGHT Carl Steps Up CHAPTER NINE Gammon CHAPTER TEN I Can Smell You! CHAPTER ELEVEN Carl the Golem CHAPTER TWELVE Curly CHAPTER THIRTEEN What Now? CHAPTER FOURTEEN Metal in the Moonlight CHAPTER FIFTEEN Critical Error CHAPTER SIXTEEN A Trio of Cool Dudes CHAPTER SEVENTEEN The Purple Pearl CHAPTER EIGHTEEN Totally Cool! EPILOGUE -- BOOK FIVE -- CHAPTER ONE Land Ahoy! CHAPTER TWO The Mine CHAPTER THREE Greenleaf CHAPTER FOUR The Secret Base CHAPTER FIVE Dave Makes a Plan CHAPTER SIX The Plan Begins CHAPTER SEVEN Porkins's Dilemma CHAPTER EIGHT The Night Before CHAPTER NINE Little Bacon CHAPTER TEN Elder Crispy CHAPTER ELEVEN Attack! CHAPTER TWELVE Once More Into the Nether CHAPTER THIRTEEN The Pit CHAPTER FOURTEEN Zombie Potion CHAPTER FIFTEEN Goodbyes EPILOGUE Thank You Newsletter Dave is on Facebook!
Dave Villager (The Legend of Dave the Villager Books 1–5: a collection of unofficial Minecraft books (Dave the Villager Collections Book 1))
Shea lifted her emerald gaze to the disturbing intensity of Jacques’ black eyes. He was so close that she could feel the heat of his skin reaching out to her. His fingertips brushed the curve of her cheek, her mouth. His need of her was as elemental as the storm itself. It burned in him like the hot sizzle of electricity, like the slowly spreading heat of molten lava. “Need me, Shea.” His voice ached with it. “Need me the same way I need you. I would give my life for you. Live for me. Find a way to live for me. Love me that much.
Christine Feehan (Dark Desire (Dark, #2))
The person's worst nightmares cannot be imagined or dreamed when childhood trauma rips them to pieces and cannot be restored. They have no where to go and they are trapped underwater left to drown. Their self-esteem, trust, love, hearts, souls, personalities, hope, faith, and ways to make friends are shattered/destroyed and left in billion of scars and would never ever be fully healed. The blood-thirstiness and hatred for the people who destroyed our lives and shattered us can never be stopped. Having compassion is even more harder. They feel hopeless and not worth to the world. The mistreatment leaving the person into the dark and in the lava pit. Abuse is the worst thing you can do to a child.
Logan Walwanis
Because the truth is that I no longer hate Tobias King. I’m in love with him. My insatiable need for him flows like lava through my veins spurring the ache, one I know, soul-deep he’s the only one capable of sating.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Oh man I love lava!
Pixel Ate (The Accidental Minecraft Family: MegaBlock Edition (Books 1-4) (The Accidental Minecraft Family Megablock Book 1))
I love my friends, but we do stupid shit like see if we can fit in the fridge, or buy a single grape from the grocery store, or play The Floor Is Lava for an entire Sunday.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
There are two ways to look at human history, I have concluded. One way is to focus on the wars and violence, the squalor, the pain and tragedy and death. From such a point of view, Easter seems a fairy-tale exception, a stunning contradiction in the name of God. That gives some solace, although I confess that when my friends died, grief was so overpowering that any hope in an after-life seemed somehow thin and insubstantial. There is another way to look at the world. If I take Easter as the starting point, the one incontrovertible fact about how God treats those whom he loves, then human history becomes the contradiction and Easter a preview of ultimate reality. Hope then flows like lava beneath the crust of daily life.
Philip Yancey (The Jesus I Never Knew)
I forget that we’re outside, that it’s cold, that the coffee shop served us lava hot chocolate. All I care is that Dani’s fingers are around my neck and her tender lips are taking over mine, causing every muscle in my body to buckle under her touch.
Ebony LaDelle (Love Radio)
O pious of the heart, I am lost in a love, so great O pain the hidden secrets will become open debate. Shipwrecked we just float, O favorable wind arise, May we one more time gaze upon that familiar trait. Passage of time and the stars, are but what we fantasize For compassion and kindness, it is never too late. In the circle of wine and roses, nightingale’s song is prize With the aroma and the wine your senses satiate. O Thou compassionate one, life giver and the wise One day bestow thy grace upon this mendicant’s state. For peace of this world and the next, understand what I advise Magnanimity the lot of friends, and with foes try to relate. In the land of repute, our passage they will dispute If this will not suit, don’t stay mute, and transmute dictates of fate. When destitute and in need, let your love and passion breed Life’s alchemy, essence and seed, unimagined wealth shall create. If unruly with pride, with a candle’s zeal your flame will rise Beloved turns stone to lava, and molten wax manipulate. The Grail contains but wine, if only you realize Then the Kingdom of the world, at your feet prostrate. The good and wise Magi, forgivers of lives and lies Bearer bring good news, drunkards’ wine consecrate. With this wine stained robe, Hafiz would never disguise O untainted pure Master, exempt us from this fate
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We can ignore the pain. We can say it's not there. We can say it doesn''t hurt. It doesn't exist. Until will go out in tears, like an inner lava. Find the cure. Embrace your inner child with love. Supreme love. And heal it. And move on...
Viorica Dragotel
We can ignore the pain. We can say it's not there. We can say it doesn't hurt. It doesn't exist. Until it will go out in tears, like an inner lava. Find the cure. Embrace your inner child with love. Supreme love. And heal it. And move on...
Viorica Dragotel
Our next stop was Terceira’s surest shot for a tourist attraction: Algar do Carvão, probably the only known place in the world where you can walk inside the cone of a volcano. There was an initial explosion some three thousand two hundred years ago, and then two thousand years ago another eruption at the same site spewed molten lava inside the mountain. When the lava drained, it left chambers whose rock walls were as varied in colors of bronzes and golds as the cloak of the lover in the Gustav Klimt painting The Kiss.
Diana Marcum (The Tenth Island: Finding Joy, Beauty, and Unexpected Love in the Azores)
Something convulsed. Something changed. It was about language again. Not a writer’s private language, but a country’s public language, its public imagination of itself. Suddenly, things that would have been unthinkable to say in public became acceptable. Officially acceptable. Virile national pride, which had more to do with hate than love, flowed like noxious lava on the streets.
Arundhati Roy