Lantern Love Quotes

And if you couldn't be loved, the next best thing was to be let alone.

I look at you and see all the ways a soul can bruise, and I wish I could sink my hands into your flesh and light lanterns along your spine so you know that there's nothing but light when I see you.

I look out into the water and up deep into the stars. I beg the sparkling lanterns of light to cure me of myself — my past and the kaleidoscope of mistakes, failures and wrong turns that have stacked unbearable regret upon my shoulders.

Stop shining your lantern in my face." "It's such a lovely face.

Life, deal gently with her ... Love, never desert her

You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

A blaze of love and extinction, was better than a lantern glimmer of the same which should last long years.

In Venice in the Middle Ages there was once a profession for a man called a codega--a fellow you hired to walk in front of you at night with a lit lantern, showing you the way, scaring off thieves and demons, bringing you confidence and protection through the dark streets.

Learn from my mistakes, [...] and learn from my joys. Surround yourself with those who'll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone's lantern shine.

Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.

But in weakness, you find your strength. It takes no small amount of courage to open yourself up,” the Empress said gently. “You leave pieces of yourself in the ones you love. Is that not the greatest power, to endure in that way?

Now you’re going to get it,” I said, guessing Al was coming when the ones in the back scattered. “You should have been nice.” With a weird cry, the closest surface demon fell back, but it was too late. A flash of red light exploded overhead, smashing the buildings away as if I were at the center of an atomic explosion. The surface demons scattered like brown leaves, the remnants of their clothes and auras fluttering. It was Al, and he burst into existence in a grand mood, an old-fashioned lantern in his hand and a walking cane at his side. “Rachel Mariana Morgan!” he shouted enthusiastically, raising the lantern high, and I painfully rose from my crouch, breaking my bubble with a small thought. “I’ve come to save you, love!

So Aquila took his father’s service upon him. It wasn’t as good as love; it wasn’t as good as hate; but it was something to put into the emptiness within him; better than nothing at all.

I loved you without knowing it, and I looked for your memory. In empty houses I entered with a lantern to steal your portrait

I think that love is more like a light that you carry. At first childish happiness keeps it lighted and after that romance. Then motherhood lights it and then duty . . . and maybe after that sorrow. You wouldn't think that sorrow could be a light, would you, dearie? But it can. And then after that, service lights it. Yes. . . . I think that is what love is to a woman . . . a lantern in her hand.

Turn away from the world this year and begin to listen. Listen to the whispers of your heart. Look within. Your silent companion has lit lanterns of love to illuminate the path to Wholeness. At long last, the journey you were destined to take has begun.

When my trust was suspended from the fragile thread of justice and in the whole city they were chopping up my heart's lanterns when they would blindfold me with the dark handkerchief of Law and from my anxious temples of desire fountains of blood would squirt out when my life had become nothing nothing but the tic-tac of a clock, I discovered I must must must love, insanely.

Surround yourself with those who’ll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone’s lantern shine.

Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.

We love WWII because the cause was so obviously just, because you can't be a good person and say you wouldn't fight against an evil like that. It was so black and white on our side, and on our side so few died. (Our side meaning the lantern-jawed John Wayne Greatest Generation constantly canonized soldiers who strode in late to the graveyard that was Europe. Compared to Jewish, Russian, Roma, and other casualties, our losses were minimal.) We felt so strong. In some ways I think we're always trying to recapture that feeling of being a country of superheroes. With every war we invoke that one, we hope it will be that good. -from her blog

Abbie Deal went happily about her work, one baby in her arms and the other at her skirts, courage her lode-star and love her guide,—a song upon her lips and a lantern in her hand.

God loves us as we are, but He also loves. ... God doesn't care what roads we've traveled, only that our roads turn to Him.

How simple love would be, Younger Brother, if we only had to bestow it on those who deserved it. Yet what would it be worth? If you gave a poor man a silver coin then that would be a gift. If you expected him to pay you back, then that would make it a loan. We do not loan our love, Lantern. We give it freely.

If you are the lantern, I am the flame; If you are the lake, then I am the rain; If you are the desert, I am the sea; If you are the blossom, I am the bee; If you are the fruit, then I am the core; If you are the rock, then I am the ore; If you are the ballad, I am the word; If you are the sheath, then I am the sword.

But we didn’t, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we couldn’t see, let alone decipher, or in the dark glow that replaced the real darkness of night, a darkness already stolen from us, not with the skyline rising behind us while a city gradually decayed, not in the heat of summer while a Cold War raged, despite the freedom of youth and the license of first love—because of fate, karma, luck, what does it matter?—we made not doing it a wonder, and yet we didn’t, we didn’t, we never did.

We too can rise up, We too can float like lanterns To a better place.

The lighthouse lantern had been burning a lifetime, a beacon for love’s safe return. For a man who had, in fact, made it back home, just not alive.

There's nothing more important in this world than caring for a child.

Love is weakness. You open yourself up to choices you’d never make if you heart were your own.

It draws you in. You twist your mind into new shapes. You start to understand Caverna . . . and you fall in love with her. Imagine the most beautiful woman in the world, but with tunnels as her long, tangled, snake-like hair. Her skin is dappled in trap-lantern gold and velvety black, like a tropical frog. Her eyes are cavern lagoons, bottomless and full of hunger. When she smiles, she has diamonds and sapphires for teeth, thousands of them, needle-thin." "But that sounds like a monster!" "She is. Caverna is terrifying. This is love, not liking. You fear her, but she is all you can think about.

In Miamas, fairy tales are still produced around the clock, lovingly handmade one by one, and only the very, very finest of them are exported. Most are only told once and then they fall flat on the ground, but the best and most beautiful of them rise from the lips of their tellers after the last words have been spoken, and then slowly hover off over the heads of the listeners, like small, shimmering paper lanterns.

Thus bound together, they sheltered the child from the cold, dark night, enveloping him in warmth.

Standing naked on the beach with all of my secrets between my legs, I look out into the water and up deep into the stars. I beg the sparkling lanterns of light to cure me of myself…

Abbie would stop in her work and utter a prayer for him,—and, sent as it were from the bow of a mother's watchful care, bound by the cord of a mother's love, the little winged arrow on its flight must have reached Some one,—Somewhere.

Love killed your mother, Guma had always warned her. Give your heart and you lose your soul.

Love does not always come with marriage, Your Majesty. Marriage may strengthen a woman, but love weakens her. She has more to lose.

You leave pieces of yourself in the ones you love. It’s that not the greatest power, to endure in that way?

That’s what poems are for, unlivable love." epigraph to “In Lilac-Light

There exists a universal order that we each play a distinct role in carrying out. Light always struggles to emerge from darkness. Each of us is the bearer of our own lantern. We find ourselves when we realize our place in an interconnected world. The struggle to pierce the darkness that shrouds us from realizing a state of perceptive awareness is the biggest part of both our individual story and our communal storyline.

A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music. Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.

God seems to far away. Does He? Have you noted the splendid display of wildflowers? Have you listened to a child's laughter or watched a sunrise or a sunset? Have you seen peace on a person's face when they should be miserable? I want that for you. I want you to be able to face very moment of the day knowing God loves you.

Soon, she is dreaming:  I am reading a letter addressed to me by an unknown hand:  Dear Kate.  The moon rises over the tips of the mountain peaks as we sit here in the darkness thinking of you – and remembering.  Remembering the smells of flowers long ago dried and withered away, their faint fragrances hanging in the misty air.  Remembering whispers of times gone by.  As we have done in the past, we dig deep, looking for clues to your whereabouts.  Eyes peek out at us from within the stillness of the night – eyes filled with longing and desire – curious orbs floating like lanterns in the misty void.  Looking up from the letter still within her dream, Kate finds herself face to face with two golden beacons of love-filled radiance.

I didn’t believe you when you said there was a red statue that read “LOVE,” with the LO stacked on top of the VE. LO VE It sounded like something out of one of the old fairy tales you used to tell me when I was a little girl. I thought you were kidding when you said people in the past believed in love so much that they made statues to celebrate it, so they wouldn’t forget to LOVE… well, that seemed kind of ridiculous—but when we dove down and you shined the thermal lantern, and it turned out to be true, I felt like there were so many possibilities in the world—like I’m only beginning to discover what’s achievable. Maybe I will find a pure love—like what you and Mom have.

But when the self speaks to the self, who is speaking?—the entombed soul, the spirit driven in, in, in to the central catacomb; the self that took the veil and left the world—a coward perhaps, yet somehow beautiful, as it flits with its lantern restlessly up and down the dark corridors. 'I can bear it no longer,' her spirit says. 'That man at lunch—Hilda—the children.' Oh, heavens, her sob! It's the spirit wailing its destiny, the spirit driven hither, thither, lodging on the diminishing carpets—meagre footholds—shrunken shreds of all the vanishing universe—love, life, faith, husband, children, I know not what splendours and pageantries glimpsed in girlhood. Not for me—not for me.

Today Means Amen Dear you, whoever you are, however you got here, this is exactly where you are supposed to be. This moment has waited its whole life for you. This moment is your lover and you are a soldier. Come home, baby, it's over. You don't need to suffer anymore. Dear you, this moment is your surprise party. You are both hiding in the dark and walking through the door. This moment is a hallelujah. This moment is your permission slip to finally open that love letter you've been hiding from yourself, the one you wrote when you were little when you still danced like a sparkler at dusk. Do you remember the moment you realized they were watching? When you became ashamed of how much light you were holding? When you first learned how to unlove yourself? Dear you, the word today means amen in every language. Today, we made it. Today, I'm going to love you. Today, I'm going to love myself. Today, the boxcutter will rust in the garbage. The noose will forget how to hold you, today, today-- Dear you, and I have always meant you, nothing would be the same if you did not exist. You, whose voice is someone's favorite voice, someone's favorite face to wake up to. Nothing would be the same if you did not exist. You, the teacher, the starter's gun, the lantern in the night who offers not a way home, but the courage to travel farther into the dark. You, the lover, who worships the taste of her body, who is the largest tree ring in his heart, who does not let fear ration your love. You, the friend, the sacred chorus of how can I help. You, who have felt more numb than holy, more cracked than mosaic. Who have known the tiles of a bathroom by heart, who have forgotten what makes you worth it. You, the forgiven, the forgiver, who belongs right here in this moment. You, this clump of cells, this happy explosion that happened to start breathing, and by the grace of whatever is up there, you got here. You made it this whole way: through the nights that swallowed you whole, the mornings that arrived in pieces. The scabs, the gravel, the doubt, the hurt, the hurt, the hurt is over. Today, you made it. You made it. You made it here.

When I first thought about writing this book, I conceived of it as a book about moods, and an illness of moods, in the context of an individual life. As I have written it, however, it has somehow turned out to be very much a book about love as well: love as sustainer, as renewer, and as protector. After each seeming death within my mind or heart, love has returned to recreate hope and restore life. It has, at its best, made the inherent sadness of life bearable, and its beauty manifest. It has, inexplicably and savingly, provided not only cloak but lantern for the darker seasons and grimmer weather.

I had this sudden awareness, she continues, of how the moments of our lives go out of existence before we're conscious of having lived them. It's only a relatively few moments that we get to keep and carry with us for the rest of our lives. Those moments are our lives. Or maybe it's more like those moments are the dots in what we call our lives, or the lines we draw between them, connecting them into imaginary pictures of ourselves. You know, like those mythical pictures of constellations traced between stars. I remember how when I was a kid, I actually expected to be able to look up and see Pagasus spread out against the night. And when I couldn't, it seemed like a trick had been played on me, like a fraud. I thought, hey, if this is all there is to it, then I could reconnect the stars in any shape I wanted. I could create the Ken and Barbie constellations… I realize we can never predict when those few special moments will occur, she says. How... there are certain people, not that many, who enter one's life with the power to make those moments happen. Maybe that's what falling in love means…the power to create for each other the moments by which we define ourselves.

All my girlhood I always planned to do something big…something constructive. It’s queer what ambitious dreams a girl has when she is young. I thought I would sing before big audiences or paint lovely pictures or write a splendid book. I always had that feeling in me of wanting to do something worth while. And just think, Laura…now I am eighty and I have not painted nor written nor sung.” “But you’ve done lots of things, Grandma. You’ve baked bread…and pieced quilts…and taken care of your children.” Old Abbie Deal patted the young girl’s hand. “Well…well…out of the mouths of babes. That’s just it, Laura, I’ve only baked bread and pieced quilts and taken care of children. But some women have to, don’t they?...But I’ve dreamed dreams, Laura. All the time I was cooking and patching and washing, I dreamed dreams. And I think I dreamed them into the children…and the children are carrying them out...doing all the things I wanted to and couldn’t.

Night is never as dark as when one refuses to shine a lantern to see.

To love the creations of the Earth is to worship the Being who created them.

Save me, she thought. Save me from this love dark road.

Perhaps we are not really sinners in the hands of an angry God, after all. Perhaps we are all more like seedlings in the hands of a wise gardener.

And what a joy again when, in the center of the madness, you say unexpectedly something very deep, the sudden illuminations of living, the lantern never quite blown out—I love that too.

Love’s Not The Way To Treat a Friend" Love’s not the way to treat a friend. I wouldn’t wish that on you. I don’t want to see your eyes forgotten on a rainy day, lost in the endless purse of those who can remember nothing. Love’s not the way to treat a friend. I don’t want to see you end up that way with your body being poured like wounded marble into the architecture of those who make bridges out of crippled birds. Love’s not the way to treat a friend. There are so many better things for you than to see your feelings sold as magic lanterns to somebody whose body casts no light.

...it was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine.

Dusk had fallen. Outside the lanterns in the garden were being lit, a string of stars strewn across the grounds. She had missed this room, who Nikolai became in this room, the man who for a moment might let the mantle of king fall away, who trusted her enough to close his eyes and fall in to dreams as she stood watch. She needed to get back to the Little Palace, check on Princess Ehri, talk to Tamar, forge a plan. But this might be the last time she saw him this way. At last she rose and turned down the lights. "Don't go," he said, still half asleep. "I have to bathe. I smell like a forest fire." "You smell like wildflowers. You always do. What can I say to make you stay?" His words trailed off in to a drowsy mumble as he fell back asleep. Tell me it's more than war and worry that makes you speak those words. Tell me what they would mean if you weren't a king and I weren't a soldier. But she didn't want to hear any of that, not really. Sweet words and grand declarations were for other people, other lives. She brushed the hair back from his face, planted a kiss on his forehead. "I would stay forever if I could," she whispered. He wouldn't remember anyway.

la ilaha ilallah muhammadun rasulullah, alaihi salatullah wa alihi wal ahibba "shine your mercy like the sun, and be gracious as the earth let your kindness come like rain that cares not whom it falls upon and let ocean deep your wisdom be, your heart and lanterns spreading peace give yourself in love of him, be like al-habib...

You always hated my laugh.” “I loved your laugh, Nina. And your fierce warrior ’s heart. I might have loved you, too.” Might have. Once. Before she had betrayed him. Those words carved an ache into her chest. She knew she shouldn’t speak, but she couldn’t help herself. “And what did you do, Matthias? What did you do to me in your dreams?” The ship listed gently. The lanterns swayed. His eyes were blue fire. “Everything,” he said, as he turned to go. “Everything.

Surround yourself with those who’ll love you always through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone’s lantern shine.

You dreamt of me, I knew, And hence I couldn't sleep. The lantern flickered blue And there my path ran steep. [...] "This is a lake," you thought. "There is an island here..." Just then, on the darkened road, A little blue light appeared. By wretched sunlight severed, You stirred and moaned in pain, And for the first time ever, You called me by my name.

An accordion player who had no fingers on his right hand used little sticks tied to his wrist; the singer was blind; and almost all the others were horribly deformed, due to the nervous form of the disease very common in this area. With light from the lamps and the lanterns reflected in the river, it was like a scene from a horror movie. The place is lovely,

shine your mercy like the sun, and be gracious as the earth let your kindness come like rain that cares not whom it falls upon and let ocean deep your wisdom be, your heart and lanterns spreading peace give yourself in love of him, be like al-habib...

Wilhelm what is our world like without love? Like a magic lantern without a light. The moment you bring the little lamp into it, the brightest pictures shine on your white wall. And if it were no more than that, only passing phantoms, still it always makes us happy when we stand there like innocent boys enraptured by the wondrous visions. [...] Are they phantoms, Wilhelm, if they make us happy?

It's a loathsome tale, yet I'm proof of God's love. He seeks us out to be His very own. My life had been so horrible, but it all changed when I surrendered to Him. It's the most important decision you'll ever make, and I pray you will soon understand the power of God's unconditional love.

Can I make you happier with powder on my chest? Do you need a thousand movie shows? Sixteen million people to ride the bus with, hit the stop—I shoulda never let you go away from home—“ Rich lips brooded in my deaf ear. “The fog’ll fall all over you, Jacky, you’ll wait in fields—You’ll let me die—you wont come save me—I wont even know where your grave is—remember what you were like, where your house, what your life—you’ll die without knowing what happened to my face—my love—my youth—You’ll burn yourself out like a moth jumping in a locomotive boiler looking for light—Jacky—and you’ll be dead—and lose yourself from yourself—and forget—and sink—and me too—and what is all this then?” “I dont know—“ “Then come back to our porch of the river the night time the trees and you love stars—I hear the bus on the corner—where you’re getting off—no more, boy, no more—I saw, had visions and idees of you handsome my husband walking across the top of the America with your lantern... Out of her eyes I saw smoldering I’d like to rip this damn dress off and never see it again!

...But it was above all that fragmentation of Albertine into many parts, into many Albertines, that was her sole mode of existence in me. Moments recurred in which she had simply been kind, or intelligent, or serious, or even loving sport above all else. And was it not right, after all, that this fragmentation should soothe me? For if it was not in itself something real, if it arose from the continuously changing shape of the hours in which she had appeared to me, a shape which remained that of my memory as the curve of the projections of my magic lantern depended on the curve of the coloured slides, did it not in its own way represent a truly objective truth, this one, namely that none of us is single, that each of us contains many persons who do not all have the same moral value,...

Sonnet III: Black Coffin opened wide for all to See Black Coffin opened wide for all to See, The lifeless form of one I loved so dear. O, listen! mournful knells that soon shall be All night long tolling for the folk to hear. The lanterns overlight the old churchyard To watch the coffin lowered into the ground; Soon Frost shall grasp the turf already hard, Decay ye have to face without a sound. But years have pass'd herein do I relate My dear sweet mother's form within my mind. Still happiness fills all my heart and state, As I see my small family so kind. Love cannot be withheld by death or grave, It stays alive within the heart so brave.

We sat on low stools under time-darkened timbers, and the steam from our cups rose curling into a sunbeam. I had sailed once with Lark years ago. It sealed us forever, that trip, and also made the sea a thing I loved best at a distance. But safe ashore, who is immune to the warmth of rubbed teak, a gimbled bronze lantern, coffee steam rising in sunlight? I admired Erik. I liked his stories. It felt nice to imagine that I, too, wanted a sailboat. I didn't really. I wanted the twisting steam.

And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.

Love is the light that you see by.

Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.” My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. “So please, light your lanterns and help my kisses reach my girl.

Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.

Small wonder that love would break under circumstances like these. Standing there in the soddie door, she seemed two personalities. One argued bitterly that it was impossible for love to keep going when there was no hope for the future, suggested that there was no use trying to keep it going. The other said sternly that marriage was not the fulfillment of a passion, - marriage was the fulfillment of love. And love was sometimes pleasure and sometimes duty.

I've got two knives that are cast in bronze/ they pierce all the way to the soul/ they draw you in with the promise of sin/ like the moth to the flame to the coal I've got hair like the starless night / it sticks to my lips when I smile / I'll wind it with yours and we'll drift of course/ in a ship touching hearts all the while For they way I walk is a lantern lit/ that leads you into the night/ I'll hold you close and love you the most/ until our end is in sight

Surround yourself with those who'll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone's lantern shines.

Lexi became more than just a dog to me that summer. She was my confidant, a lantern in the darkness, an angel undercover. Whenever I think of her today, I realize just how fortunate I was to have her as a friend – to have know Lexi was to have known love.

The fact that you love your dad so much is a sure sign of how much he loved you. He’s not here now, but accept the love that comes from the people around you. Let them be his sky lantern back to you. Let them share their love, and let that be a reminder of his. No one will ever love you quite the way your father did, but many people will see in you some of the same qualities and beautiful bits that he did. Love is as strong as death. As inevitable, as powerful, as eternal. It can’t be escaped. It can’t be avoided. It won’t be forgotten. And when death is gone, love will remain.

I'm mad at the religion I grew up in. I'm mad that Catholic doctrine still swims in my mind, that I think in Bible stories, regard Sundays as sacred, and love when radio stations start playing Christmas carols in October. If "O Holy Night" comes on while I drive past the jack-o-lanterns still out on your porches, I will likely blast it, and get taken in by the comfort of things I grew up with. It's like rewatching "Back to the Future" or "Sixteen Candles" as an adult and being like "wait, I think that scene is actual sexual assault" as nostalgia turns into unsettling recognition.

I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short.

Wilhelm, what is the world to our hearts without love? What is a magic-lantern without light? You have but to kindle the flame within, and the brightest figures shine on the white wall; and, if love only show us fleeting shadows, we are yet happy, when, like mere children, we behold them, and are transported with the splendid phantoms.

Oh Florence, Florence, patroness of the lovely tyrannicides! Where the tower of the Old Palace pierces the sky like a hypodermic needle, Perseus, David and Judith, lords and ladies of the Blood, Greek demi-gods of the Cross, rise sword in hand above the unshaven formless decapitation of the monsters, tubs of guts, mortifying chunks for the pack. Pity the monsters! Pity the monsters! Perhaps, one always took the wrong side - Ah, to have known, to have loved too many David and Judiths! My heart bleeds for the monster. I have seen the Gorgon. The erotic terror of her helpless, big-bosomed body lay like slop. Wall-eyed, staring the despot to stone, her severed head swung like a lantern in the victor’s hand.

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Standing there in the soddie door, she seemed two personalities. One argued bitterly that it was impossible for love to keep going when there was no hope for the future, suggested that there was no use trying to keep it going. The other said sternly that marriage was not the fulfillment of a passion,—marriage was the fulfillment of love. And love was sometimes pleasure and sometimes duty.

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

There is an ancient prophecy within the Book of Oa called the Blackest Night. It warns of the dangers of allowing others to harness the power of the emotional spectrum -- the coalescence of emotions given off by all sentient beings and transformed into power. Cosmic Revelations, verse 6 reads-- "The light of the emotional spectrum will rise! The red throes of Rage, the orange light of Avarice, the yellow fire of Fear, the blue rays of Hope, the indigo glow of Compassion and the violet aura of Love-- and in the center of it all, the green might of Willpower. And as the light rises, so shall an unknown darkness! A darkness with no satiation. A darkness with no life." I know what the coming darkness is. I speak to it. I worship it. I do as it tells me to do. Today, it demands that I open the Book of the Black. And take part in the birth of the first Black Lantern.

Claire. It was the last candle left within the Indian Agent. The last glimmer. He curled himself around it to keep it alive, and when the storm inhaled he studied his right hand, could feel her beside him in the carriage that night and, as if he could insist on this, looked up the depression he was calling a road, for the cabman's blindered horse, huffing through the snow, its lanterns swinging. Claire waiting for him on the worn velvet seat.

The fortnight in Venice passed quickly and sweetly- perhaps too sweetly; I was drowning in honey, stingless. On some days life kept pace with the gondola, as we nosed through the side canals and the boatman uttered his plaintive musical bird-cry of warning; on other days with the speed-boat bouncing over the lagoon in a stream of sun-lit foam; it left a confused memory of fierce sunlight on the sands and cool, marble interiors; of water everywhere, lapping on smooth stone, reflected in a dapple of light on painted cielings; of a night at the Corombona palace such as Byron might have known, and another Byronic night fishing for scampi in the shallows of Chioggia, the phosphorescent wake of the little ship, the lantern swinging in the prow, and the net coming up full of weed and sand and floundering fishes; of melon and prosciutto on the balcony in the cool of the morning; of hot cheese sandwiches and champagne cocktails at Harrys Bar.

He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.

She gasps at the sight that greets her. The florists have gone to town. There are wild meadow flowers everywhere, in pinks and whites and blues, all lit by tiny fairy lights and soft pink lanterns. Yes. This will do. Ana is stunned. She whips around and gapes at me. "You wanted hearts and flowers." She stares at me in disbelief. "You have my heart." And I wave at the room. "And here are the flowers," she murmurs. "Christian, it's lovely." Her voice is hoarse and I know she's close to tears. Plucking up my courage, I lead her farther into the room. In the center of the arbor, I sink onto one knee. Ana catches her breath, and her hands fly to her mouth. From my inside jacket pocket, I pull out the ring and hold it up for her. "Anastasia Steele. I love you. I want to love, cherish, and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me." She is the love of my life. It will only ever be Ana. Her tears start to fall in earnest but her smile eclipses the moon, the stars, the sun, and all the flowers in the boathouse.

Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.

I do know,” she continued, “finches sing to us from March to October.” Leaning forward, her eyes picked up the lantern’s flame. “You should see them when they go a-wooing.” “A-wooing?” “Yes. The male springs into the air singing to his ladylove while going higher and higher.” Clasping her hands, she pressed them against her chest. “That’s when his song reaches its highest ecstasy. Why, I’ve seen him go fifteen—no, twenty feet above his mate before dropping exhausted at her side.” Raising a brow, he lowered his voice. “And did he get what he was going after?” She gave a soft smile. “He certainly did, Mr. Palmer. He most certainly did.

... and for the first time in his life the possibility of death presented itself, not in relation to the living world, or any effect it might have on other people, but purely in relation to himself and his own soul, and it seemed so vivid, almost a dependable certainty, stark and terrible. And from the heights of this vision everything that had once tormentingly preoccupied him seemed suddenly bathed in a cold, white light with no shadows, no perspective, no outline. His whole life seemed like a magic-lantern show that he had been staring at through glass by artificial light. Now suddenly the glass was gone, and he could see those awful daubings in the clear light of day. 'Yes, yes, here they are, these false images that I used to find so worrying, enthralling and agonizing,' he told himself, giving his imagination a free rein to run over the main pictures in the magic lantern of his life, looked anew in the cold, white daylight brought on by a clear vision of death. 'Here they are, these crudely daubed figures that used to seem so magnificent and mysterious. Honour and glory, philanthropy, love of a woman, love of Fatherland -- how grand these pictures used to seem, filled with such deep meanings! And now it all looks so simple, colourless and crude in the cold light of the morning I can feel coming upon me.

Raising the mic, I took a deep breath and said, ‘I won’t speak long. I’m not real good with speaking in public. I just wanted to thank you all for gathering here tonight…’ I trailed off. My words had dried up. I raked my hand through my hair and, gathering my composure, managed to say, ‘Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.’ My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. ‘So please, light your lanterns and help my kisses reach my girl.

After being conditioned as a child to the lovely never-never land of magic, of fairy queens and virginal maidens, of little princes and their rosebushes, of poignant bears and Eeyore-ish donkeys, of life personalized, as the pagans loved it, of the magic wand, and the faultless illustrations—the beautiful dark-haired child (who was you) winging through the midnight sky on a star-path in her mother’s box of reels—of Griselda in her feather-cloak, walking barefoot with the Cuckoo in the lantern-lit world of nodding mandarins, of Delight in her flower garden with the slim-limbed flower sprites … all this I knew, and felt, and believed. All this was my life when I was young. To go from this to the world of “grown-up” reality … To feel the sexorgans develop and call loud to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard), bread and butter, marriage, sex, compatibility, war, economics, death, and self. What a pathetic blighting of the beauty and reality of childhood. Not to be sentimental, as I sound, but why the hell are we conditioned into the smooth strawberry-and-cream Mother-Goose-world, Alice-in-Wonderland fable, only to be broken on the wheel as we grow older and become aware of ourselves as individuals with a dull responsibility in life? To learn snide and smutty meanings of words you once loved, like “fairy.” —From The Journals of Sylvia Plath

When You Reveal Those Rose-Colored Cheeks Ghazal 1711 1941 When you reveal those rose-colored cheeks (of yours),you make the stones whirl2 from joy. Put (your) head out from the veil once again, for the sake of amazed lovers-- So that knowledge may lose the way, (and) the intellectual may shatter (his) learning; So that water may become a pearl3 from your reflection, (and) fire may quit war. 1945 With (the presence of) your beauty, I don't desire the (lovely full) moon or those few little hanging lanterns (in the heavens). (And) with (the presence of) your face, I don't call the ancient rusty sky a "mirror." You breathed into and created this narrow world4 in another form once again. O Venus,5 make that harp melodious again, in desire for his Mars-like eyes!

The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!

The wind was blowing from the east and the cedars bent before it,—blowing from the east like the breath of the war god. And Fred and Stanley were waving their hats gayly back to her, while the cedars bent and the wind blew from the east. They were like her own boys marching off to war. Children of her children, she loved them as she had loved their parents. Did a woman never get over loving? Deep love brought relatively deep heartaches. Why could not a woman of her age, whose family was raised, relinquish the hold upon her emotions? Why could she not have a peaceful old age, wherein there entered neither great affection nor its comrade, great sorrow? She had seen old women who seemed not to care as she was caring, whose emotions seemed to have died with their youth. Could she not be one of them? For a long time she stood in the window and looked at the cedars twisting before the east wind, like so many helpless women under the call from the east.

The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.” He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.” “It isn’t necessary,” she was quick to insist, afraid for more reasons than one. “I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms. “You can’t take me upstairs!” she protested. “What if you’re seen?” The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.” “But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled. “Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?” “Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease. “Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.” He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.” “Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse. “I’m trying, madam. I’m really trying.” -Erienne & Christopher

Romance of the sleepwalker" Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea and the horse on the mountain. With her waist that’s made of shadow dreaming on the high veranda, green the flesh, and green the tresses, with eyes of frozen silver. Green, as I love you, greenly. Beneath the moon of the gypsies silent things are looking at her things she cannot see. Green, as I love you, greenly. Great stars of white hoarfrost come with the fish of shadow opening the road of morning. The fig tree’s rubbing on the dawn wind with the rasping of its branches, and the mountain cunning cat, bristles with its sour agaves. Who is coming? And from where...? She waits on the high veranda, green the flesh and green the tresses, dreaming of the bitter ocean. - 'Brother, friend, I want to barter your house for my stallion, sell my saddle for your mirror, change my dagger for your blanket. Brother mine, I come here bleeding from the mountain pass of Cabra.’ - ‘If I could, my young friend, then maybe we’d strike a bargain, but I am no longer I, nor is this house, of mine, mine.’ - ‘Brother, friend, I want to die now, in the fitness of my own bed, made of iron, if it can be, with its sheets of finest cambric. Can you see the wound I carry from my throat to my heart?’ - ‘Three hundred red roses your white shirt now carries. Your blood stinks and oozes, all around your scarlet sashes. But I am no longer I, nor is this house of mine, mine.’ - ‘Let me then, at least, climb up there, up towards the high verandas. Let me climb, let me climb there, up towards the green verandas. High verandas of the moonlight, where I hear the sound of waters.’ Now they climb, the two companions, up there to the high veranda, letting fall a trail of blood drops, letting fall a trail of tears. On the morning rooftops, trembled, the small tin lanterns. A thousand tambourines of crystal wounded the light of daybreak. Green, as I love you, greenly. Green the wind, and green the branches. They climbed up, the two companions. In the mouth, the dark breezes left there a strange flavour, of gall, and mint, and sweet basil. - ‘Brother, friend! Where is she, tell me, where is she, your bitter beauty? How often, she waited for you! How often, she would have waited, cool the face, and dark the tresses, on this green veranda!’ Over the cistern’s surface the gypsy girl was rocking. Green the bed is, green the tresses, with eyes of frozen silver. An ice-ray made of moonlight holding her above the water. How intimate the night became, like a little, hidden plaza. Drunken Civil Guards were beating, beating, beating on the door frame. Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea, and the horse on the mountain.

Caroline rose. She studied him for a moment before sitting on his knee. He wasn't quite sure exactly how it happened. If pressed, he would have asked for three or four hundred pages to write a description of the series of impossibly graceful bendings and movements that ended with her perched there with one hand on his shoulder. He didn't understand - and he was sure that it defied physics - how Caroline could be so light on that tiny patch of his legs, and yet so weighty in the way her presence affected him. Her gaze, for instance, probably clocked in at about fifty or sixty tons, to judge from the effect it was having on him. He never wanted to move. Never, ever, ever. Let the heat death of the universe come along and he'd be quite happy to still have Caroline Hepworth sitting just like that, on his knee, looking at him without speaking. The tiny light of the shaded lantern was irrelevant. He saw everything, as if it were the brightest of middays. It was so perfect, so hoped for, that Aubrey knew it couldn't last. He glanced around. 'What are you doing?' Caroline asked very, very softly. 'Looking for whoever is going to interrupt us.' 'That's a pessimistic outlook.' 'Wars, especially, have a habit of ignoring the lives of people.' 'If you follow that through, it suggests living for the moment is best.' 'Live without planning? Without dreams? That sounds rather limited.' 'And that sounds rather like Aubrey.