Keep Clicking Quotes

We've searched our database for all the quotes and captions related to Keep Clicking. Here they are! All 100 of them:

It's true. It's like the hidden secret that no one tells you. we can all be beautiful girls, Colie. it's so easy. it's like Dorothy clicking her heels to go home. You could do it all along.
Sarah Dessen (Keeping the Moon)
He put on his hat and wrapped his scarf around his jaw, but did without the wig and the sunglasses. He clicked his key chain and the car beeped and the doors locked. "That's it?" He looked up. "Sorry?" "Aren't you afraid it might get stolen? We're not exactly in a good part of town." "It's got a car alarm." "Don't you, like, cast a spell or something? To keep it safe?" "No. It's a pretty good car alarm.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
Why do you keep coming?" she asked. "Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It’s the only way to keep your heart beating as a photographer.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
but I want to tell them that all of this shit is just debris leftover when we finally decide to smash all the things we thought we used to be and if you can’t see anything beautiful about yourself get a better mirror look a little closer stare a little longer because there’s something inside you that made you keep trying despite everyone who told you to quit you built a cast around your broken heart and signed it yourself you signed it “they were wrong” because maybe you didn’t belong to a group or a click maybe they decided to pick you last for basketball or everything maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it you have to believe that they were wrong they have to be wrong
Shane L. Koyczan
As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can't imagine how it was without it there, even seconds ago.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I’ll miss the times. I’ll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
A.S. King (Glory O Brien's History of the Future)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Someday in the far future, when the Milky Way has turned another cosmic click, will someone carry a chair to your grave site and keep you company forever? Can you imagine someone loving you that much?
Jerry Spinelli (Stargirl (Stargirl, #1))
If you keep doing what you've always done, you'll keep getting what you've always gotten!
Marc Ostrofsky (Get Rich Click!: The Ultimate Guide to Making Money on the Internet)
Everybody goes through pain man…life is never going to be completely positive. It's never going to rain gummy bears, gumdrops, or skittles. Keep your mouth open anyway, and embrace those moments in the rain...at one point you just have to click reset.
M. Robinson (VIP (VIP, #1))
He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.
Sarah Dessen (Keeping the Moon)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
There are few things ever dreamed of, smoked or injected that have as addictive an effect on our brains as technology. This is how our devices keep us captive and always coming back for more. The definitive Internet act of our times is a perfect metaphor for the promise of reward: we search. And we search. And we search some more, clicking that mouse like – well, like a rat in a cage seeking another “hit”, looking for the elusive reward that will finally feel like enough.
Kelly McGonigal (Maximum Willpower)
Angel clicked on a few more pictures on the screen, and Alex made small talk about the place. Then he finally walked away. He stopped just before walking out. “Did Valerie say anything else to Sarah?” Angel glanced back at him. “About what?” “You know about that guy she’s seeing.” Angel turned his attention back to the computer. “No, not really.” Alex frowned. He wasn’t one of those guys, so he wasn’t about to keep asking. If Angel knew anything, he’d tell him. He’d just have to wait until the rehearsal dinner. He started back out when Angel spoke up. “I’m not sure, because she didn’t actually tell me, but I overheard Sarah on the phone last night. It sounded like Valerie was telling her about him.” “Yeah, what did you hear?” Angel looked up trying to remember. Something seemed to come to him but he hesitated. “I don’t think you wanna hear it, Alex. I know I wouldn’t.” Alex squeezed the doorway with his hand. What the hell could he have heard? “Tell me.” Angel shook his head and looked back at the monitor. “Only reason I caught my attentions was because I overheard Sarah ask her something about wearing lingerie.” Alex felt the hair on the back of his neck rise and his gut tightened. He banged his fist against the doorway. He didn’t need to hear any more. Angel had been right that’s the last thing he needed right now. He charged back out of the office, infuriated with himself. Why the fuck had he asked?
Elizabeth Reyes (Always Been Mine (The Moreno Brothers, #2))
People are very willing to click multiple times. In fact, they won’t even notice they’re clicking if they’re getting the right amount of information at each click to keep them going down the path. Think progressive disclosure; don’t count clicks.
Susan M. Weinschenk (100 Things Every Designer Needs to Know About People (Voices That Matter))
I see it all through the lens of my camera—the flurry of movement, the venue staff in black T-shirts, giving orders into their headsets. As I take it all in, my mind weighs the texture, the composition, the possibility of each changing scene, and I struggle to hold back, to keep my finger from pressing too soon. That’s my biggest flaw as a photographer. I’m impatient—trigger-happy. I want the shot now, now, now, click, click, click, and if I could just wait a second more, the moment would really flourish.
Emery Lord (Open Road Summer)
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?” I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.” “I swore an oath to Tamlin—” “I had no other choice! You think I’m going to trust you after everything you said to me at the manor?” “I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?” I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard. “Don’t you understand what Rhys is?” “I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.” Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I met Cat for the first time when I was six. Back then she was still infested with a life-threatening case of cooties and I was familiar enough with the virus to know to keep a safe distance away from her, but even so, I remember finding myself thinking that she was kind of cool, even if being with her could put me at risk for the disease as well.
L.M. Augustine (Click to Subscribe)
Outside, I clicked the padlock back in place, sealing the butterflies within. It seemed remarkable that they'd survived in there for so long in such fruitless and insubstantial conditions. But as I walked back up the drive to the front of the house, I thought about Jake and me, and I realized that was just what happens. The butterflies didn't have a choice, after all. That's what things do. Even in the toughest of circumstances, they keep living.
Alex North (The Whisper Man)
Someone ought to publish a book about the doomsayers who keep publishing books about the end of publishing.
Evgeny Morozov (To Save Everything, Click Here: The Folly of Technological Solutionism)
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
Barbara Kingsolver (Demon Copperhead)
All over Atlanta that fall, in the blue twilights, girls came clicking home from their jobs in their clunky heels and miniskirts and opened their apartment windows to the winesap air, and got out ice cubes, and put on Petula Clark singing 'Downtown', and sat down to wait. Soon the young men would come, drifting out of their bachelor apartments in Bermuda shorts and Topsiders, carrying beers and gin and tonics, looking for a refill and a a date and the keeping of promises that hung in the bronze air like fruit on the eve of ripeness.
Anne Rivers Siddons (Down Town)
Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water
Mike McGee
Time and task were both disorienting, for if you were to remove everything from our lives that depends on electricity to function, homes and offices would become no more than the chambers and passages of limestone caves- simple shelter from wind and rain, far less useful than the first homes at Plymouth Plantation or a wigwam. No way to keep out cold, or heat, for long. No way to preserve food, or to cook it. The things that define us, quiet as rock outcrops - the dumb screens and dials, the senseless clicks of on/off switches- without their purpose, they lose the measure of their beauty and we are left alone in the dark with countless useless things.
Jane Brox (Brilliant: The Evolution of Artificial Light)
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
Ray Bradbury (Fahrenheit 451)
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize? let me get under your skin. i want to know what your fears taste like. i want to consume.
Taylor Rhodes (calloused: a field journal)
the juice. All I’m asking is that you keep it away from this gossip woman, because if that story runs tomorrow and Ellen sees it—” There’s a click on my phone.
Brad Meltzer (The Book of Fate)
Own nothing! Possess nothing! Buddha and Christ taught us this, and the Stoics and the Cynics. Greedy though we are, why can't we seem to grasp that simple teaching? Can't we understand that with property we destroy our soul? So let the herring keep warm in your pocket until you get to the transit prison rather than beg for something to drink here. And did they give us a two-day supply of bread and sugar? In that case, eat it in one sitting. Then no one will steal it from you, and you won't have to worry about it. And you'll be free as a bird in heaven! Own only what you can always carry with you: know languages, know countries, know people. Let your memory be your travel bag. Use your memory! Use your memory! It is those bitter seeds alone which might sprout and grow someday. Look around you-there are people around you. Maybe you will remember one of them all your life and later eat your heartout because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear. Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this and then separate once and for all. Put your ear to their quiet humming and the steady clickety-clack beneath the car. After all, it is the spinning wheel of life that is clicking and clacking away there. What strange stories you can hear! What things you will laugh at!
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
Ours is an age of onrushing turbo-capitalism, wherein the present feels more abbreviated than it used to be – at least for the world's privileged classes who live surrounded by technological time-savers that often compound the sensation of not having enough time. Consequently, one of the most pressing challenges of our age is how to adjust rapidly eroding attention spans to the slow erosions of environmental justice. If, under neoliberalism, the gulf between the enclaved rich and outcast poor has become ever more pronounced, ours is also an era of enclaved time wherein for many speed has become self-justifying, propulsive ethic that renders "uneventful" violence (to those who live remote from its attritional lethality) a weak claimant on our time. The attosecond pace of our age, with its restless technologies of infinite promise and infinite disappointment, prompts us to keep flicking and clicking distractedly in an insatiable –often insensate– quest for quicker sensation".
Rob Nixon (Slow Violence and the Environmentalism of the Poor)
Maybe the concept of friendship is already too colonized by liberalism and capitalism. Under neoliberalism, friendship is a banal affair of private preferences: we hang out, we share hobbies, we make small talk. We become friends with those who are already like us, and we keep each other comfortable rather than becoming different and more capable together. The algorithms of Facebook and other social networks guide us towards the refinement of our profiles, reducing friendship to the click of a button. This neoliberal friend is the alternative to hetero- and homonormative coupling: "just friends" implies a much weaker and insignificant bond than a lover could ever be. Under neoliberal friendship, we don't have each other's backs, and our lives aren't tangled up together. But these insipid tendencies do not mean that friendships are pointless, only that friendship is a terrain of struggle. Empire works to usher its subjects into flimsy relationships where nothing is at stake and to infuse intimacy with violence and domination.
Carla Bergman (Joyful Militancy: Building Thriving Resistance in Toxic Times (Anarchist Interventions))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
I quite love memorizing lines, actually. I sort of enjoy... quoting them to narrate my own life in some ways." He laughs, self-conscious. "That sounds absurd, I'm sure. I promise you it makes more sense than it seems." "No, I think it makes perfect sense," Louis replies with a shrug. "That's what I enjoy about reading, you know? Remembering certain poignant lines. Spewing 'em out later and keeping them with you. Sometimes you'll be in a certain situation and you'll be a bit speechless almost? You know?" Harry nods, now watching him with light in his eyes, a smile barely hidden. "And suddenly this borrowed line will just pop into your head and it just clicks into place with you. Sometimes you need someone else to fill in your blanks, I reckon.
Velvetoscar (The Actor)
She could almost see the realization clicking in his head, could almost hear his mental berating. She couldn't keep from taunting him. "Scared if you help me, you won't be able to let go when you're done?" He gave a low, scoffing laugh. "Of course not.
Jody Hedlund (Falling for the Cowgirl (Colorado Cowboys, #4))
I close my eyes and try to find the sound of the clock in the living room. There it is, past all the voices, the plates and forks clicking, the feet walking from room to room. There is the clock, keeping up with everything as if nothing has changed at all.
Gigi Amateau (Claiming Georgia Tate)
Media traffic doesn’t care about right or wrong. Every click on a scandalous headline brings profit; every view of a condemning picture generates revenue. If you’re a big enough cash cow, the media companies will lobby and bribe every government connection they have to keep from losing you.
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.
Yuval Noah Harari (Homo Deus: ‘An intoxicating brew of science, philosophy and futurism’ Mail on Sunday)
What was shocking were the rewards my father's cousins had gathered in the intervening couple of decades. They farmed now on thousands of acres, not hundreds. They drove fancy pickup trucks, owned lakefront property and second homes. A simple Internet search offered the truth of where their riches had come from: good ol' Uncle Sam. Recently I clicked again on a database of farm subsidy payments, and found that five of my father's first cousins had been paid, all told, $3 million between 1995 and 2005 - and that on top of whatever they'd earned outright for the sale of their corn and soybeans. They worked hard, certainly. They'd saved and scrimped through the lean years. They were good and honorable yeoman, and now they'd come through to their great reward: a prime place at the trough of the welfare state. All that corn syrup guzzled down the gullets of America's overweight children, all that beef inefficiently fattened on cheap feed, all that ethanol being distilled in heartland refineries: all of it underwritten by as wasteful a government program as now exists this side of the defense industry. In the last ten years, the federal government has paid $131 million in subsidies and disaster insurance in just the county [in Minnesota] where I grew up. Corn is subsidized to keep it cheap, and the subsidies encourage overproduction, which encourages a scramble for ever more ways to use corn, and thus bigger subsidies - the perfect feedback loop of government welfare.
Philip Connors
You haven’t seen Tralse’s website today.” She said it as a statement, not a question. Without saying another word—apparently there were none to explain the coming horror—Robin surfed over to Tralse’s website. Aside from having posted videos from the concert last night of their new song, Kyle had posted a new blog. “Ten reasons why Virgin Val sucks?” I screeched. A couple walking past the store looked up, startled, so I bit my tongue to keep from spouting profanities of my own. I clicked on the blog. There was no way to make myself not click on it. The Top Ten Reasons Why Virgin Val Sucks 10. She called me a one-hit-wonder. 9. She doesn’t appreciate the endearing nickname I gave her. 8. She makes me write stupid blogs about her at four in the morning. 7. She’s encouraging people not to have sex. 6. She blew me off when I asked her out. 5. She has a crush on a douche bag. 4. She won’t answer any of my calls. 3. She’s such a tease with her look-but-don’t-touch policy. 2. I played a whole effing concert just for her and she didn’t come even though she told me she would. (You’re such a liar!) And the #1 reason why Virgin Val sucks? I still want her anyway.
Kelly Oram (V is for Virgin)
We can already see how algorithms competing to maximize our attention have the capacity to not only transform cultures but redefine the experience of existence. Algorithmically reinforced “engagement” lies at the heart of our outrage politics, call-out culture, selfie-induced vanity, tech addiction, and eroding mental well-being. Targeted users are soaked in content to keep them clicking.
Christopher Wylie (Mindf*ck: Cambridge Analytica and the Plot to Break America)
So can I ask you a question?” She wraps a strand of hair around her finger and examines the end of it before dropping it to look at me. “Sure.” I pass a slow-moving BMW and get comfortable, glancing at her to continue. “Does the FBI monitor Google searches? Like, um, randomly? For normal people?” “Normal people?” “Non-criminal people.” “What kind of a question is that?” “It’s a real question!” “But why are you asking it?” “Because I Google some weird shit,” she says, blowing out a breath and shaking her head. “I keep expecting someone to show up on my doorstep and ask what the heck I’m doing, but I’m just a really curious person and all the answers are right there, you know? Just click, click and there’s your answer.” “I think you’ll be okay,” I assure her.
Jana Aston (Trust (Cafe, #3))
Can you do it again tonight?" "The Catamounts were a wretched team," Andrew said. "They brought that ridicule on themselves." "Can you or can't you?" "I don't see why I should." Neil heard the click of a lock coming undone and knew the referees were opening the door. Andrew wasn't moving yet, but Neil still put an arm in his path to keep him where he was. He pressed his gloved hand to the wall and leaned in as close to Andrew as he could with all of his bulky gear on. "I'm asking you to help us," Neil said. "Will you?" Andrew considered it a moment. "Not for free." "Anything," Neil promised, and stepped back to take his place in line again. Neil didn't know what he'd gotten himself into, but he honestly didn't care, because Andrew delivered exactly what Neil wanted him to. Andrew closed the goal like his life depended on it and smashed away every shot. The Bearcat strikers took that challenge head-on. They feinted and swerved and threw every trick shot they had at Andrew. More than once Andrew used his glove or body to block a ball he couldn't get his racquet to in time. That might have been enough, except Andrew didn't stop there. For the first time ever he started talking to the defense line. Neil only understood him in snatches, since there was too much space and movement between them, but what he caught was enough. Andrew was chewing out the backliners for letting the strikers past them so many times and ordering them to pick up the pace. Neil worried for a moment what they'd do with Andrew's rude brand of teamwork at their backs, but the next time he got a good look at Matt, Matt was grinning like this was the most fun he'd had in years.
Nora Sakavic
These trigger-chains of moral retribution are beneficial to each of the propagators: They’re financially beneficial to news organizations, which can ensure ad clicks on a trending story. They are beneficial to the platforms that keep us cringing at Bob’s fate, because they keep us glued to our feeds. They’re beneficial for individual users who reshare the post, who increase their follower count and burnish their reputations.
Tobias Rose-Stockwell (Outrage Machine: How Tech Amplifies Discontent, Disrupts Democracy—And What We Can Do About It)
her small white dog Bouton hurrying at her heels to keep up. A far cry from the fluffy lapdogs so popular with the ladies of the Court, he looked vaguely like a cross between a poodle and a dachshund, with a rough, kinky coat whose fringes fluttered along the edges of a wide belly and stumpy, bowed legs. His feet, splay-toed and black-nailed, clicked frantically over the stones of the floor as he trotted after Mother Hildegarde, pointed muzzle almost touching the sweeping black folds of her habit. “Is that a dog?” I had asked one of the orderlies in amazement, when I first beheld Bouton, passing through the Hôpital at the heels of his mistress. He paused in his floor-sweeping to look after the curly, plumed tail, disappearing into the next ward. “Well,” he said doubtfully, “Mother Hildegarde says he’s a dog. I wouldn’t like to be the one to say he isn’t.
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
The story is at once very easy and very hard to explain. I’ve never tried to do it in person, but I imagine if I did, I would end up vomiting on someone’s shoes. Explaining something online is as simple as pasting a link and saying, “Here, read this.” They click. Read the intro page. If they like it, they keep reading. If not, oh well, at least I didn’t have to talk. If I did have to explain the story without the very handy reference of the story itself, I imagine it would sound something like this: “On distant planet Orcus, a girl and boy fight on opposite sides of a long war between the natives and colonists from Earth. The girl and boy are hosts to parasitic energy creatures whose only weakness is each other. There’s lots of ocean, and there are monsters in that ocean. Stuff happens. Colors are pretty.” There’s a reason I’m an artist and not a writer.
Francesca Zappia (Eliza and Her Monsters)
But why do you know this? How do you have this collection?” “I’ll refrain from making the comparison to a dog with a bone.” Jesiba closed her laptop with a soft click. Interlaced her fingers and set them upon the computer. “Quinlan knew when to keep her mouth shut, you know. She never asked why I have these books, why I have the Archesian amulets that the Parthos priestesses wore.” Ithan’s mouth dried out. He whispered, “What—who are you?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
He learned that people actually love it when he lies. He loves it because he gets stories about his prowess—whether it be sexual, business, or political—in the press. The media loves it because it keeps people reading the papers, watching their shows, and clicking their links. And his enemies love it because they keep thinking that this time will really, finally, truly be the time Trump does himself in with his jaw-dropping yarns. We’re all suckers.
Amanda Carpenter (Gaslighting America: Why We Love It When Trump Lies to Us)
Why do you keep coming?” she asked. “Because,” he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children’s psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. “Because,” he repeated. On
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
You think I'm wasting my time, " I accuse his flawless profile. "You think Sammy's dead." "How could I know that, Cassie?" "I'm not saying you know that. I'm saying you THINK that." "Does it matter what I think?" "No, so shut up." "I wasn't saying anything. YOU said--" "Don't... say... anything." "I'm not." "You just did." "I'll stop." "But you're not. You say you will, then you just keep going." He starts to say something, then shuts his mouth so hard, I hear his teeth click.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
We had so many happy days in the country that fall that from this vantage they merge into a sweet and indistinct blur. Around Halloween the last, stubborn wildflowers died away and the wind became sharp and gusty, blowing sbowers of yellow leaves on the gray, wrinkled surface of the lake. On those chill afternoons when the sky was like lead and the clouds were racing, we stayed in the library, banking huge fires to keep warm. Bare willows clicked on the windowpanes like skeleton fingers.
Donna Tartt (The Secret History)
Though witchcraft and science seem like they’re at odds, many who walk a green path have found that technology is an excellent tool for getting in touch with the natural world. You can use your favourite tech to keep a journal of your work with plants, identify flora and fauna in the wild, and do years-worth of research with the click of a button. Green technology like solar or wind power can connect you with the energy of the earth while working to protect the environment and that, to me, is magic.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond)
One of the jobs of a good trader is to imagine alternative scenarios. I try to form many different mental pictures of what the world should be like and wait for one of them to be confirmed. You keep trying them on one at a time. Inevitably, most of these pictures will turn out to be wrong—that is, only a few elements of the picture may prove correct. But then, all of a sudden, you will find that in one picture, nine out of ten elements click. That scenario then becomes your image of the world reality.
Jack D. Schwager (Market Wizards: Interviews with Top Traders)
You get to know a man, and down deep there’s something bothering him bad, and maybe you never find out what it is, but it’s what makes him do like he does, it’s what makes him look like he’s got secrets in his eyes. And you tell him, ‘Calm down, calm down, take it easy now.’ Or you ask him, ‘How come you keep doing the same crazy things over and over again, when you know they’re just going to get you in trouble again?’ Only you know there’s no sense arguing with him, on account of it’s the thing inside that’s making him go. [...] You’re working along, and all of a sudden you hear this click from him. You turn to look at him. He’s stopped working. He’s all calmed down. He looks real dumb. He looks real sweet. You look in his eyes, and the secrets are gone. He can’t even tell you his own name right then. He goes back to work, but he’ll never be the same. That thing that bothered him so will never click on again. It’s dead, it’s dead. And that part of that man’s life where he had to be a certain crazy way, that’s done!
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
He possessed uncanny instincts about how much time had to pass before precautions weakened. Keeping communities and victims uncertain about his presence gave him a strategic advantage, of course. The blindfolded victim tied up in the dark develops the feral senses of a savannah animal. The sliding glass door quietly shutting registers as a loud, mechanical click. She calculates the distance of ever fainter footsteps. Hope flickers. Still, she waits. Time passes in tense perception. She strains to hear breathing other than her own. Fifteen minutes go by. The dread sense of being watched, of being pinned down by a possessing gaze she can't see, is gone. Thirty minutes. Forty-five. She allows her body to slacken almost imperceptibly. Her shoulders fall. It's then, at the precipice of an exhale, that the nightmare snaps into action again - the knife grazes the skin, and the labored breathing resumes, grows closer, until she feels him settling in next to her, an animal waiting patiently for its half-dying quarry to still.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
AIDS orphans, and while she was there, she felt alive and full of purpose for the first time in years. When she returned, her fiancé wasn’t all that interested in hearing about it. All the things her friends had been saying for years clicked into place, and a few weeks later, she gave back the ring. She’s literally like a new person these days, full of bright energy, hope, clarity. And those things are worth a whole lot more than a diamond from the wrong man, even if he’s a really good man, like this one was. Twenty-five is also a great time to start counseling, if you haven’t already, and it might be a good round two of counseling if it’s been awhile. You might have just enough space from your parents to start digging around your childhood a little bit. Unravel the knots that keep you from living a healthy whole life, and do it now, before any more time passes. Twenty-five is the perfect time to get involved in a church that you love, no matter how different it is from the one you were a part of growing up. Be patient and prayerful, and
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
He hauled her against him and as his mouth crushed against hers, her brain clicked off, shut down… And her body came to life. After more than a year of existence, Dez felt like she was living again. His free hand gripped her hip, keeping her body pressed close to his while his other hand tangled in the short strands of her hair to yank her head back. This wasn’t just a kiss, she thought. It was…more. It was everything. He breathed her in, just as she breathed him in. After so much time apart from him, she felt complete again. Whole.
Shiloh Walker (The Departed (FBI Psychics, #2))
But storing magazines full of bullets was a bad idea. Leave them long enough, the spring in the magazine learns its compressed shape and won’t function right. More jams are caused by tired magazine springs than any other single reason. Better to keep the gun with a single shell locked in the chamber and all the other bullets loose. You can fire once right-handed while you thumb loose shells into an empty magazine with your left. Slower than the ideal, but a lot better than pulling the trigger and hearing nothing at all except a dull click. He closed the kitchen
Lee Child (Without Fail (Jack Reacher, #6))
Every now and then, a small plane arrives from nowhere – as tiny as the head of a match-stick – it flies around my head, buzzing, like a pesky little fly, then disappears into my ear. Later, it lands on my throbbing heart. Excited tourists get out of the plane, constantly clicking their cameras, watching the narrow chasms open-mouthed. After some time, the pilot tells the passengers to get back on the plane. The storms are unpredictable here, he warns. So the small plane flies out of my ear, and as I watch them leave, I wish I could go with them. But I know that's impossible. My fear of heights keeps me in the deep.
Zoltan Komor (Flamingos in the Ashtray: 25 Bizarro Short Stories)
When you carry conflict states around with you they can occupy and compete for your mental workspace and attentional resources. You’re so busy carrying that load that very few attentional resources remain to overcome automatic tendencies. Any salient thing will grab you—and keep you longer. So, if you’ve had a long and demanding day—say, you’re stressed, anxious, or preoccupied—you’re more likely to go for the bright shiny thing. You’ll grab the cookies instead of the carrots. You’ll click the flashing ad. You’ll spend the money you meant to save. You’ll spend something even more precious—your attention—in places you never intended to.
Amishi P. Jha (Peak Mind: Find Your Focus, Own Your Attention in Just 12 Minutes a Day)
My childhood dream came true, but now I have a new one. I dream that some of these young people, while they're out there clicking around, maybe they'll find out about this book and find a way to get their hands on it - and when they do, they'll know that even if you're a skinny kid from Long Island who's scared of heights, if you dream of walking among the stars you can do it. They'll know that finding a purpose, being dedicated to the service of others and to a calling higher than yourself, that is what's truly important in life. They'll be able to close their eyes and imagine what it's like in space, and when they open them again, they'll look up at the sun and the moon and the Milky Way and see them with the sense of awe and wonder that they deserve. And those young boys and girls, whatever their space dream is, they'll go for it. Whatever hurdles are in their way, they'll get past them. When they fall down, they'll get back up. They'll keep going and going, working harder and harder and running faster and faster until one day, before they know it, they'll find themselves flying through the air. The hand of a giant science fiction monster will reach down and grab them by the chest and hurl them up and up and up, out to the furthest limits of the human imagination, where they'll take the next giant leap of the greatest adventure mankind has ever known.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits - of opening windows, for instance, to throw out a wadded paper towel - made us wonder if our vigilance had been only the fingerprinting of phantoms. Our talismans ceased to work. Lux’s tartan, when touched, summoned only a hazy memory of her wearing it in class - one bored hand fiddling with the silver kilt pin, undoing it, leaving the folds unfastened on her bare knees, about to fall open any minute but never… We had to rub the skirt for minutes to see it clearly. And every other slide in our carousel began to fade in the same way, or we clicked and absolutely nothing fell into the projection slot, leaving us staring at goose bumps on a white wall.
Jeffrey Eugenides (The Virgin Suicides)
the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.
Petr Ginz (The Diary of Petr Ginz, 1941–1942)
and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Let me help you rinse your hair." His voice had deepened and it made a shock go through her, low in her belly. He rose and crossed to where a pitcher stood on the hearth. She didn't turn, but she could hear him moving behind her, and it struck her that she'd seldom been waited upon before in her life- and never by a gentleman. "Sit a little forward." He was suddenly close. "Close your eyes and tilt your head back." The water flowed over her scalp, warm and soothing, but her skin was prickled with goose bumps nonetheless. "Once more, I think," he said, his voice so near, his hands large and sure, and he poured again. "There." She sat back, wringing the water from her hair with fingers that trembled. She could hear him setting down the pitcher and she wasn't sure what to do. This was so far outside any experience she'd ever before had or imagined... Bridget cleared her throat, but her voice was husky when she spoke. "Can you hand me a cloth for my hair?" "Let me." He expertly wrapped a cloth around her head, keeping her clean hair out of the water. "Now you look like an Ottoman sultana." His fingers lingered on the back of her neck, stroking. She closed her eyes, feeling her nipples throb. Oh, God, he'd barely touched her yet. She inhaled and tried to smile, but found she was too tense. "Is... is there another cloth with which to dry myself?" The fingers left as he reseated himself, his cheek propped on his knuckles. "But you haven't washed yourself, sweet Brid-get." He snapped off the t of her name with a click of his tongue. "I'm sure you wouldn't want to miss..." His gaze seemed to penetrate the now-clouded water before rising and meeting her own eyes with a devilish gleam. "Well, everything.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
For a moment, I thought I heard laughter, the click of one croquet ball striking another, a dog barking. I stared at the empty yard, trying hard to see what Great-grandfather saw, but nothing shifted, nothing changed. If the Tylers were playing croquet, they were visible to him and him alone. The only dog in sight was Binky. Running across the lawn to meet him, I took the stick he carried and threw it as hard as I could. It sailed across the sky, and Binky dashed after it. As the dog disappeared into the bushes, I looked up at the attic window and remembered the flash of white I’d seen the day I arrived--my first glimpse of Andrew. Funny to think I’d been scared. Nothing stirred in the attic now. No one watched, no one waited. Deep in my pocket, I touched the red bull’s-eye, warm as blood and twice as lucky. The marbles were mine for keeps. They were safe, and so was Andrew.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
You want to know who you really are?’ asks Dataism. ‘Then forget about mountains and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
I don't care if you use this phone tomorrow. I don't care if you never use it again. But you are going to keep it on you because one day you might need it." Andrew put a finger to the underside of Neil's chin and forced Neil's head up until they were looking at each other. "On that day you're not going to run. You're going to think about what I promised you and you're going to make the call. Tell me you understand." Neil's voice had left him, but he managed a nod. Andrew let go and snapped his phone shut. Neil closed his own with a quiet click. After looking down at it for another endless minute, he leaned over and put it in his messenger bag. Andrew watched with hooded eyes until Neil sat upright. Neil didn't want to look at him when he wasn't sure he'd gotten his expression back under control, but he couldn't help it. Andrew considered him a minute longer, then sighed and straightened out of Neil's space.
Nora Sakavic (The Raven King (All for the Game, #2))
One bitcoin block is expected to be produced around every ten minutes. Every 210,000 blocks, or roughly four years, the protocol halves the number of coins produced with each block. This means that the daily bitcoin production on any given day is half of what it was four years earlier. Four more years of successful operation will likely increase people’s awareness of bitcoin and increase the chances they place on its continued survival, thus increasing their subjective valuation and demand for it. So as long as bitcoin continues to operate, and its supply drops by half every four years, it is highly likely that marginal demand for it will be higher, and the marginal supply lower, than four years previously. This monetary time bomb keeps clicking with each new block, and it is time for economists to begin to seriously contemplate what its continued clicking means for the world’s monetary and financial system.
Saifedean Ammous (The Fiat Standard: The Debt Slavery Alternative to Human Civilization)
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
The nurse brought out some knitting, and clicked her needles sharply. She turned to me, very bright, very cheerful. “How are you liking Manderley, Mrs. de Winter?” “Very much, thank you,” I said. “It’s a beautiful spot, isn’t it?” she said, the needles jabbing one another. “Of course we don’t get over there now, she’s not up to it. I am sorry, I used to love our days at Manderley.” “You must come over yourself sometime,” I said. “Thank you, I should love to. Mr. de Winter is well, I suppose?” “Yes, very well.” “You spent your honeymoon in Italy, didn’t you? We were so pleased with the picture-postcard Mr. de Winter sent.” I wondered whether she used “we” in the royal sense, or if she meant that Maxim’s grandmother and herself were one. “Did he send one? I can’t remember.” “Oh, yes, it was quite an excitement. We love anything like that. We keep a scrapbook you know, and paste anything to do with the family inside it. Anything pleasant, that is.
Daphne du Maurier (Rebecca)
Here are some practical Dataist guidelines for you: ‘You want to know who you really are?’ asks Dataism. ‘Then forget about mountains and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.’ But where do these great algorithms come from? This is the mystery of Dataism. Just as according to Christianity we humans cannot understand God and His plan, so Dataism declares that the human brain cannot fathom the new master algorithms. At present, of course, the algorithms are mostly written by human hackers. Yet the really important algorithms – such as the Google search algorithm – are developed by huge teams. Each member understands just one part of the puzzle, and nobody really understands the algorithm as a whole. Moreover, with the rise of machine learning and artificial neural networks, more and more algorithms evolve independently, improving themselves and learning from their own mistakes. They analyse astronomical amounts of data that no human can possibly encompass, and learn to recognise patterns and adopt strategies that escape the human mind. The seed algorithm may initially be developed by humans, but as it grows it follows its own path, going where no human has gone before – and where no human can follow.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm [...]. [...] Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending. [...] Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet [...] was a one-page digest in a book that claimed: "now at least you can read all the classics; keep up with your neighbors". Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more. [...] Speed up the film, Montag, quick. Click? Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters, that the centrifuge flings off all unnecessary, time-wasting thought! [...] School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts? [...] The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour. [...] Life becomes one big pratfall, Montag; everything bang, boff, and wow!
Ray Bradbury (Fahrenheit 451)
I see a man.” Rose bit back a sigh. Of course she did. She seemed to see a man in every cup. And here she’d actually hoped that Sadie Moon might be as unusually talented as her appearance suggested. “He hides himself. A mask. He keeps to the shadows.” Rose’s heart rolled over her chest. “What else?” “You want him,” Sadie said, turning the cup in her palms. “You do not understand what you feel for him, or why he pushes you away.” “No.” Rose was breathless. “I don’t.” Those fey eyes locked with hers. “Because he loves you enough to give you up. He is all about duty and honor, but he is ruled by fear.” She was on the very edge of her seat now. “Yes. He’s afraid of coming out of the shadows.” Sadie shook her head, the feathers on her hat bobbing. “That’s only part of it. He’s afraid for you.” “For me?” Rose’s teeth clicked together. “Why?” The fortune teller shrugged. “For that answer, you will have to go to him. You have many men in your cup, Lady Rose.” Disappointed, Rose sagged a little. “For all the good it does me.” A bright grin flashed beneath that amazing hat. “The man who wants you but will not take you. Another who would take everything you offer and give what he can of himself-but it will not be enough. Another who wants nothing from you at all.” Grey. Kellan? And probably Archer.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Your success with that initial group, the number that clicks on the video, determines how far and wide YouTube will promote it further. If many of your subscribers click on the video, YouTube will send it out to more subscribers and to some non-subscribers that have watched similar content. If that group of non-subscribers also clicks to watch the video, the platform will expand the reach even further. The platform keeps doing this, continuously using data from who is clicking and how much of the video they watch, to determine how much further to expand your video’s reach. So what does this mean to your niche and why is it important? Think about it from the perspective of someone with no definable niche, a person that posts videos with no clear content strategy. People that subscribe to their channel may do so because they like the creator’s personality but they aren’t likely to be interested in a lot of the content. That means there might not be many of your subscribers from that initial test group that will be interested in the new video. They won’t click through and it will be a negative signal to YouTube…even the subscribers aren’t interested so why push it out to more people? That’s going to make it difficult to grow a channel in the first place if your videos aren’t being promoted much by YouTube. Now think of it in terms of someone that posts videos only
Joseph Hogue (Crushing YouTube: How to Start a YouTube Channel, Launch Your YouTube Business and Make Money)
So!” Jack said, clapping his hands and grinning at me. “We ready to go? What’s the transportation plan?” “I guess I’ll go with Reth, and—” Lend shouted, “No, you’re not going anywhere alone with Reth.” “Fine, I’ll go with Jack, and—” “That doesn’t work for me either.” I laughed drily. “Okay then, I’ll click my heels together three times and say, ‘There’s no place like the Center, there’s no place like the Center,’ and then magically appear there!” He was quiet for a few seconds. “You’ll probably be safer with Reth.” It sounded like he was speaking through clenched teeth. “And I can keep a better eye on Jack.” “Well, I for one am thrilled to spend more time with Lend. That’s the top of my Fun Things to Do list. We should come up with a secret handshake!” Jack said, pushing me to the side and throwing the door open, which resulted in Lend falling to the floor immediately unconscious. “Oh, whoops.” Jack smiled, his eyes gleaming. “Too bad, I like him so much when he’s talking.” “Very funny. Keep him safe, okay? I don’t Raquel’s in the Iron Wing—she would have heard me shouting. Look anywhere you can think of. They might have her in a random room somewhere. We’ll meet in Raquel’s old office in two hours, whether we’ve found anything or not.” He nodded, not looking at me as he poked Lend repeatedly with his foot. “And, Jack? That threat Reth made about your hands? I’m going to apply it to Lend, too. Keep him safe. Or else.
Kiersten White (Endlessly (Paranormalcy, #3))
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
Harper Lee (Go Set a Watchman)
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The issue is not merely one of false stories, incorrect facts, or even election campaigns and spin doctors: the social media algorithms themselves encourage false perceptions of the world. People click on the news they want to hear; Facebook, YouTube, and Google then show them more of whatever it is that they already favor, whether it is a certain brand of soap or a particular form of politics. The algorithms radicalize those who use them too. If you click on perfectly legitimate anti-immigration YouTube sites, for example, these can lead you quickly, in just a few more clicks, to white nationalist sites and then to violent xenophobic sites. Because they have been designed to keep you online, the algorithms also favor emotions, especially anger and fear. And because the sites are addictive, they affect people in ways they don't expect. Anger becomes a habit. Divisiveness becomes normal. Even if social media is not yet the primary news source for all Americans, it already helps shape how politicians and journalists interpret the world and portray it. Polarization has moved from the online world into reality. The result is a hyper-partisanship that adds to the distrust of "normal" politics, "establishment" politicians, derided "experts," and "mainstream" institutions--including courts, police, civil servants--and no wonder. As polarization increases, the employees of the state are invariably portrayed as having been "captured" by their opponents. It is not an accident that the Law and Justice Party in Poland, the Brexiteers in Britain, and the Trump administration in the United States have launched verbal assaults on civil servants and professional diplomats. It is not an accident that judges and courts are now the object of criticism, scrutiny, and anger in so many other places too. There can be no neutrality in a polarized world because there can be no nonpartisan or apolitical institutions.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Come here, you flea-ridden hair wad. You’ll have all the sugar biscuits you want, if you’ll give your new toy to me.” He whistled softly and clicked. But the blandishments did not work. Dodger merely regarded him with bright eyes and stayed at the threshold, clutching the vial in his tiny paws. “Give him one of your garters,” Leo said, still staring at the ferret. “I beg your pardon?” Miss Marks asked frostily. “You heard me. Take off a garter and offer it to him as a trade. Otherwise we’ll be chasing this damned animal all through the house. And I doubt Rohan will appreciate the delay.” The governess gave Leo a long-suffering glance. “Only for Mr. Rohan’s sake would I consent to this. Turn your back.” “For God’s sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?” But Leo complied, facing the opposite direction. He heard a great deal of rustling as Miss Marks sat on a bedroom chair and lifted her skirts. It just so happened that Leo was positioned near a full-length looking glass, the oval cheval style that tilted up or down to adjust one’s reflection. And he had an excellent view of Miss Marks in the chair. And the oddest thing happened—he got a flash of an astonishingly pretty leg. He blinked in bemusement, and then the skirts were dropped. “Here,” Miss Marks said gruffly, and tossed it in Leo’s direction. Turning, he managed to catch it in midair. Dodger surveyed them both with beady-eyed interest. Leo twirled the garter enticingly on his finger. “Have a look, Dodger. Blue silk with lace trim. Do all governesses anchor their stockings in such a delightful fashion? Perhaps those rumors about your unseemly past are true, Marks.” “I’ll thank you to keep a civil tongue in your head, my lord.” Dodger’s little head bobbed as it followed every movement of the garter. Fitting the vial in his mouth, the ferret carried it like a miniature dog, loping up to Leo with maddening slowness. “This is a trade, old fellow,” Leo told him. “You can’t have something for nothing.” Carefully Dodger set down the vial and reached for the garter. Leo simultaneously gave him the frilly circlet and snatched the vial.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Cataract Treatment Advanced by Laser Eye Surgery It is estimated that half of individuals aged 65 and above will grow a cataract at some period in their life. A cataract is an eye condition that may be hazardous to your eyesight. In a healthy eye, there's a clear lens which enables you to focus. For those who have a cataract, the lens slowly deteriorates over a long period of time. Your vision can be blurry as the cataract develops, until the whole-of the lens is muddy. Your sight will slowly get worse, becoming blurry or misty, which makes it tough to see clearly. Cataracts can occur at any age but generally develop as you get older. Cataract surgery involves removing the cataract by emulsifying the lens by sonography and replacing it with a small plastic lens. This artificial lens is then stabilised within your natural lens that was held by the same lens capsule. The results restore clear vision and generally wholly remove the significance of reading glasses. However, years following the surgery, patients can occasionally experience clouding of their sight again. Vision can become blurred and lots of patients have issues with glare and bright lights. What is truly happening is a thickening of the lens capsule that holds the artificial lens. Medically this is known as Posterior Lens Capsule Opacification. This thickening of the lens capsule occurs in the back, meaning natural lens cells develop across the rear of the lens. These cells are sometimes left behind subsequent cataract surgery, causing problems with the light entering the-eye and hence problems with your vision. Laser Eye getlasereyesurgery.co.uk y Treatment Lasers are beams of power which may be targeted quite correctly. Nowadays the technology will be used increasingly for the purpose of rectifying the vision of patients after cataract operation. The YAG laser is a focused laser with really low energy levels and can be used to cut away a small circle shaped area in the lens capsule which enables light to once again pass through to the rear of the artificial lens. A proportion of the lens capsule is retained in order to keep the lens in place, but removes enough of the cells to let the light to the retina. If you want to read more information, please Click Here
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The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.
Neal Stephenson (Snow Crash)
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
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Ron bouster
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Facebook provides numerous examples of variable social rewards. Logging-in reveals an endless stream of content friends have shared, comments from others, and running tallies of how many people have “liked” something (figure 21). The uncertainty of what users will find each time they visit the site creates the intrigue needed to pull them back again. While variable content gets users to keep searching for interesting tidbits in their Newsfeeds, a click of the “Like” button provides a variable reward for the content’s creators. “Likes” and comments offer tribal validation for those who shared the content, and provide variable rewards that motivate them to continue posting.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
Facebook Facebook provides numerous examples of variable social rewards. Logging-in reveals an endless stream of content friends have shared, comments from others, and running tallies of how many people have “liked” something (figure 21). The uncertainty of what users will find each time they visit the site creates the intrigue needed to pull them back again. While variable content gets users to keep searching for interesting tidbits in their Newsfeeds, a click of the “Like” button provides a variable reward for the content’s creators. “Likes” and comments offer tribal validation for those who shared the content, and provide variable rewards that motivate them to continue posting.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
ARE MY CHILDREN still alive?" Sara Prague asked the question in a quiet, steady voice that he heard very clearly despite the noise around her. Cops coming and going, keyboards clicking, phones ringing. She looked haggard. Hard. She hadn't always, Vince figured. The worry lines bracketing her eyes, her mouth, the dry skin, the chapped lips, the sense that she really didn't give a damn what she looked like—those things had been strangers to her that first day. The day her kids hadn't come home from school. Now those lines, that hardness, had made themselves at home. It looked as if they planned to stay awhile. This shouldn't have happened to Sara Prague, a PTA mom whose world revolved around her kids. It shouldn't have happened to her husband. Mike, full-time plumber and part-time Little League coach. It shouldn't happen to anyone. Ever. Vince walked around his desk and eased Sara Prague into a cracked vinyl chair, ignoring the chaos around them. He poured her some stale coffee from the pot on the nearby stand, just as he had every day for the past three weeks. She came in here like clockwork—something the Center for Missing and Exploited Children had probably told her to do. He thought she would keep doing it, too. For years, if necessary. It wouldn't be necessary, though. She took the foam cup and sipped automatically. It was all part of their daily
Maggie Shayne (Gingerbread Man: The Ivy Newman Story (A Brown and de Luca Novel Book 8))
Rill Rill" Have a heart, have a heart, have a heart Sixteen six six six and I know the part You are the river flow And we can never know We're just a weatherman You make the wind blow Keep thinking about every straight face yes Wonder what your boyfriend thinks about your braces What about them I'm all about them Six such straight As Cut 'em in the bathroom So this is it then? You're here to win, friend Click, click saddle up see you on the moon then You're all alone friend Pick up the phone then Ring, ring call them up Tell them about the new trends So this is it then? You're here to win, friend Click, click saddle up see you on the moon then You're all alone, friend Pick up the phone then Ring, ring call them up Tell them about the new trends Have a heart, have a heart, have a heart Sixteen six six six and we fell apart We form a tarot pack And I'm aware of that But we could fist fight drunk like the parent trap Keep thinking about every straight face yes Wonder what your boyfriend thinks about your braces We never blink see And you can see me We fell asleep in the middle of the fury So this is it then? You're here to win, friend Click, click, saddle up, see you on the moon then You're all alone, friend Pick up the phone then Ring, ring call them up Tell them about the new trends So this is it then? You're here to win, friend Click, click, saddle up, see you on the moon then You're all alone, friend Pick up the phone then Ring, ring call them up Tell them about the new trends Have a heart, have a heart, have a heart Sixteen six six six and I know the part You are the river flow And we can never know We're just a weatherman You make the wind blow Keep thinking about every straight face yes Wonder what your boyfriend thinks about your braces What about them I'm all about them Six such straight As Cut 'em in the bathroom So this is it then? You're here to win, friend Click, click, saddle up, see you on the moon then You're all alone, friend Pick up the phone then Ring, ring call them up Tell them about the new trends So this is it then? You're here to win, friend Click, click, saddle up, see you on the moon then And all alone, friend Pick up the phone then Ring, ring call them up Tell them about the new trends
Sleigh Bells
We must hide it; do you know of a good place?” Michael asked as he took up the poles and slid them through the rings, Gabriel and Michael each picked up a side as the Seraphim glowed between them. The first thought I had, was of a cave at the Place of the Skull this time there was a click of blue static in the air as the air grew cool and damp. We were in the very cave I thought of. “This is hardly a good place to hide the Mercy Seat.” Gabriel said. “We can collapse the caves mouth,” I suggested. “That should keep it from view until a more suitable place can be found.
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
They go in slowly and carefully, covering each other. Parks drops down on one knee, rifle set to full auto, ready to do a kneecapping sweep. Gallagher gets out his torch and shines it into the corners of the room. Which is empty. Clean. Nothing for anyone to hide behind, and no scope at all for nasty surprises. “All good,” Parks mutters. “Okay, this will do just fine. Go get them.” Gallagher shepherds the civilians inside and Parks shuts the door, the lock now fully engaged so it closes with a solid click. The civilians are less enthusiastic than Parks was when they see the confined space and inhale its stale, spent air, but they’re not inclined to mount much of an argument. Truth is, the two women aren’t used to keeping up a quick march, and none of them–including Parks himself, unless you go back a while–are used to being outside of a fence as night comes on. They’re freaked and exhausted and starting at shadows. So is he, except that he does his freaking and starting mostly inside, so it doesn’t notice as much. The only sticking point is the girl, which comes as no surprise. Parks suggests that she sleep in the church, and Justineau countersuggests that Parks go fuck himself. “Same point as before,” she tells him, getting all pissed off again, which he’s thinking now is pretty much Justineau’s default setting. And truth to tell, he likes it a lot. If you’re going to let yourself feel anything at all, anger’s better than most of the alternatives. “Even if hungries were the only threat here,” she’s saying now, “all of this–all of it–is as strange to Melanie as it is to us. And as scary. We can’t leave her tied up in an empty building by herself all night.” “Then stay out there with her,” Parks says. Which
M.R. Carey (The Girl With All the Gifts)
I didn’t do it. How can you think so? I can’t stand what I’ve already done!” Neither of us says anything else. We don’t even move. Anna is pissed off and trying very hard not to cry. As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can’t imagine how it was without it there, even seconds ago. “I’m sorry,” I hear myself whisper. “It’s just that— I don’t know what’s happening.” Anna’s eyes soften, and the stubborn tears begin to recede. The way she stands, the way she breathes, I know she wants to come closer. New knowledge fills up the air between us and neither of us wants to breathe it in. I can’t believe this. I’ve never been the type. “You saved me, you know,” Anna says finally. “You set me free. But just because I’m free, doesn’t mean—that I can have the things that—” She stops. She wants to say more. I know she does. But just like I know that she does, I know that she won’t.
Kendare Blake (Anna Dressed in Blood (Anna, #1))