β
Can you be a girl for a few seconds?"
"I'm always a girl" I frown.
"You know what I mean. Like a silly, annoying girl"
I twirl my hair around my finger. "Kay.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
There are no wrong turnings. Only paths we had not known we were meant to walk.
β
β
Guy Gavriel Kay (Tigana)
β
Aerodynamically, the bumble bee shouldn't be able to fly, but the bumble bee doesn't know it so it goes on flying anyway.
β
β
Mary Kay Ash
β
I have seen the best of you, and the worst of you, and I choose both.
β
β
Sarah Kay
β
It isn't ever delicate to live.
β
β
Kay Ryan
β
Because thereβs nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times itβs sent away.
β
β
Sarah Kay
β
I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
β
β
Shel Silverstein
β
The day misspent,
the love misplaced,
has inside it
the seed of redemption.
Nothing is exempt
from resurrection.
β
β
Kay Ryan (Say Uncle)
β
If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Life is a blank canvas, and you need to throw all the paint on it you can.
β
β
Danny Kaye
β
If a man is not faithful to his own individuality, he cannot be loyal to anything.
β
β
Claude McKay
β
Im okay Im okay now.
But you really need to listen to me
'cause im telling you the truth
I mean this im okay
Trust me...
Im not okay
...Well okay im not okay.
Im not o-f cking-kay
β
β
Gerard Way
β
Life is too short to wake up with regrets. So love the people who treat you
right. Forget about those who donβt. Believe everything happens for a reason. If you get a chance, take it. If it changes your life, let it. Nobody said life would be easy, they just promised it would most likely be worth it.
β
β
Harvey MacKay
β
Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.
β
β
Sarah Kay
β
Others imply that they know what it is like to be depressed because they have gone through a divorce, lost a job, or broken up with someone. But these experiences carry with them feelings. Depression, instead, is flat, hollow, and unendurable. It is also tiresome. People cannot abide being around you when you are depressed. They might think that they ought to, and they might even try, but you know and they know that you are tedious beyond belief: you are irritable and paranoid and humorless and lifeless and critical and demanding and no reassurance is ever enough. You're frightened, and you're frightening, and you're "not at all like yourself but will be soon," but you know you won't.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
None of us can choose where we shall love...
β
β
Susan Kay (Phantom)
β
You can only fit so many words in a postcard, only so many in a phone call, only so many into space before you forget that words are sometimes used for things other than filling emptiness.
β
β
Sarah Kay
β
I compare myself with my former self, not with others. Not only that, I tend to compare my current self with the best I have been, which is when I have been midly manic. When I am my present "normal" self, I am far removed from when I have been my liveliest, most productive, most intense, most outgoing and effervescent. In short, for myself, I am a hard act to follow.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
If I should have a daughterβ¦βInstead of βMomβ, sheβs gonna call me βPoint B.β Because that way, she knows that no matter what happens, at least she can always find her way to me. And Iβm going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say βOh, I know that like the back of my hand.β
Sheβs gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isnβt coming, Iβll make sure she knows she doesnβt have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, Iβve tried.
And βBaby,β Iβll tell her βdonβt keep your nose up in the air like that, I know that trick, youβre just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.β
But I know that she will anyway, so instead Iβll always keep an extra supply of chocolate and rain boats nearby, βcause there is no heartbreak that chocolate canβt fix. Okay, thereβs a few heartbreaks chocolate canβt fix. But thatβs what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because thatβs how my mom taught me. That thereβll be days like this, βThereβll be days like this my momma saidβ when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and youβll be up to your knees in disappointment and those are the very days you have all the more reason to say βthank you,β βcause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times itβs sent away.
You will put the βwindβ in win some lose some, you will put the βstarβ in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but donβt be afraid to stick your tongue out and taste it.
βBaby,β Iβll tell her βremember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.β
Remember that good things come in threes and so do bad things and always apologize when youβve done something wrong but donβt you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but donβt ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
β
β
Sarah Kay
β
Kaye: You know what the sun looks like?
Janet: No, What?
Kaye: Like he slit his wrists in a bathtub and the blood is all over the water.
Janet: That's gross, Kaye.
Kaye: And the moon is just watching. She's just watching him die. She must have driven him to it.
β
β
Holly Black (Tithe (Modern Faerie Tales, #1))
β
No amount of love can cure madness or unblacken one's dark moods. Love can help, it can make the pain more tolerable, but, always, one is beholden to medication that may or may not always work and may or may not be bearable
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
You are a woman. Skin and bones, veins and nerves, hair and sweat. You are not made of metaphors. Not apologies, not excuses.
β
β
Sarah Kay
β
Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night
β
β
Sarah Kay (No Matter the Wreckage: Poems)
β
Which of my feelings are real? Which of the me's is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
She knew what it felt like to tremble like that before touching someone -- desire so acute that it became despair.
β
β
Holly Black (Ironside (Modern Faerie Tales, #3))
β
Me quota ang pag-ibig. Sa bawat limang umiibig, isa lang ang magiging maligaya. Ang iba, iibig sa di sila iniibig. Iibig nang di natututo. O iibig sa wala. O di iibig kailanman.
β
β
Ricky Lee (Para Kay B (o kung paano dinevastate ng pag-ibig ang 4 out of 5 sa atin))
β
I am tired of hiding, tired of misspent and knotted energies, tired of the hypocrisy, and tired of acting as though I have something to hide.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
rain slowly slides down the glass as if the night is crying.
β
β
Patricia Cornwell (Trace (Kay Scarpetta, #13))
β
Still now I send letters into space
Hoping that some mailman somewhere will track you down
And recognise you from the descriptions in my poems
That he will place the stack of them in your hands and tell you,
There is a girl who still writes you, she doesn't know how not to
β
β
Sarah Kay
β
Ang great love mo, hindi mo makakatuluyan. Ang makakatuluyan mo ay yung correct love.
β
β
Ricky Lee (Para Kay B (o kung paano dinevastate ng pag-ibig ang 4 out of 5 sa atin))
β
In this world, where we find ourselves, we need compassion more than anything, I think, or we are all alone.
β
β
Guy Gavriel Kay (Tigana)
β
Oh, man there's a marathon of Beaches running tomorrow night. Can we go after ten so I can see it once all the way through?"
Everyone in the room turned to the blond-and-black haired guy, who was propped in the corner, massive arms over his chest.
What," he said. "Look, it's not Mary Tyler Moore, 'kay? So you can 't give me shit."
Vishous, the one with the black glove on his hand, glared across the room. "It's worse than Mary Tyler Moore. And to call you and idiot would be an insult to half-wits around the world."
Are you kidding me? Bette Midler rocks. And I love the ocean. Sue me."
Vishous glanced at the king. "You told me I could beat him. You promised."
As soon as you come home," Wrath said as he got to his feet, "we'll hang him up by his armpits in the gym and you can use him as a punching bag."
Thank you, baby Jesus."
Blond-and-Black shook his head. "I swear, one of these days I'm going to leave."
As one, the Brothers all pointed to the open door and let silence speak for itself.
You guys suck.
β
β
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
β
The greatest battles of life are fought out daily in the silent chambers of the soul.
β
β
David O. McKay
β
Mother, who has an absolute belief that it is not the cards that one is dealt in life, it is how one plays them, is, by far, the highest card I was dealt.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
But I have seen the best of you and the worst of you, and I choose both. I want to share every single one of your sunshines and save them for later. I will tuck them into my pockets so I can give them back to you when the rain falls hard. Friend, I want to be the mirror that reminds you to love yourself. I want to be the air in your lungs that reminds you to breath. When the walls come down, when the thunder rumbles, when nobody else is home, hold my hand, and I promise I wonβt let go.
β
β
Sarah Kay
β
It does not matter how strong your gravity is, we were always meant to fly.
β
β
Sarah Kay
β
Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, one by one.
β
β
Charles Mackay (Extraordinary Popular Delusions and the Madness of Crowds)
β
We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this--through love, work, family, faith, friends, denial, alcohol, drugs, or medication, we build these walls, stone by stone, over a lifetime.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
The best way to predict the future is to invent it.
β
β
Alan Kay
β
No matter what you do, someone always knew you would.
β
β
Ami McKay (The Birth House)
β
Time is free, but it's priceless. You can't own it, but you can use it. You can't keep it, but you can spend it. Once you've lost it you can never get it back.
β
β
Harvey MacKay
β
When people are suicidal, their thinking is paralyzed, their options appear spare or nonexistent, their mood is despairing, and hopelessness permeates their entire mental domain. The future cannot be separated from the present, and the present is painful beyond solace. βThis is my last experiment,β wrote a young chemist in his suicide note. βIf there is any eternal torment worse than mine Iβll have to be shown.
β
β
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
β
I inhale hope with every breath I take.
β
β
Sharon Kay Penman (When Christ and His Saints Slept (Plantagenets #1; Henry II and Eleanor of Aquitaine, #1))
β
Suicide is not a blot on anyoneβs name; it is a tragedy
β
β
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
β
My world was the size of a crayon box, and it took every colour to draw her
β
β
Sarah Kay (No Matter the Wreckage: Poems)
β
Common sense will nearly always stand you in better stead than a slavish adherence to the conventions.
β
β
M.M. Kaye (Shadow of the Moon)
β
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Love, like life, is much stranger and far more complicated than one is brought up to believe.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
β¦she remembered watching a summer sunset from this very spot. Not so long ago; just a lifetime.
β
β
Sharon Kay Penman (When Christ and His Saints Slept (Plantagenets #1; Henry II and Eleanor of Aquitaine, #1))
β
Such a little thing really, a kiss... most people don't give it a moment's consideration. They kiss on meeting, they kiss on parting, that simple touching of flesh is taken entirely for granted as a basic human right.
β
β
Sarah Kay
β
I will love you with too many commas,
but never any asterisks.
β
β
Sarah Kay (No Matter the Wreckage: Poems)
β
I can give her no greater power than she has already, said the woman; don't you see how strong that is? How men and animals are obliged to serve her, and how well she has got through the world, barefooted as she is. She cannot receive any power from me greater than she now has, which consists in her own purity and innocence of heart. If she cannot herself obtain access to the Snow Queen, and remove the glass fragments from little Kay, we can do nothing to help her.
β
β
Hans Christian Andersen (The Snow Queen (Everyman's Library Children's Classics Series))
β
Is there a word for the moment you win tug-of-war? When the weight gives, and all that extra rope comes hurtling towards you, how even though you've won, you still end up with muddy knees and burns on your hands? Is there a word for that? I wish there was.
β
β
Sarah Kay (No Matter the Wreckage: Poems)
β
I love...that elevator,β she said.
With a sleepy smile and a full heart, he turned his head and kissed into her soft hair. βAw, Red. I love that elevator, too.
β
β
Laura Kaye (Hearts in Darkness (Hearts in Darkness, #1))
β
I look back over my shoulder and feel the presence of an intense young girl and then a volatile and disturbed young woman, both with high dreams and restless, romantic aspirations
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
β
β
Sarah Kay
β
True education does not consist merely in the acquiring of a few facts of science, history, literature, or art, but in the development of character.
β
β
David O. McKay
β
Kakabog ang dibdib mo, kikiligin ang kalamnan mo at kikirot ang puso mo. Kabog, kilig, kirot. Kapag naramdaman mo ang tatlong K, umiibig ka.
β
β
Ricky Lee (Para Kay B (o kung paano dinevastate ng pag-ibig ang 4 out of 5 sa atin))
β
But money spent while manic doesn't fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you're given excellent reason to be even more so.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
We all move uneasily within our restraints.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
I wouldn't want to assume that all men are like you. If I did, I know I would give them up entirely
β
β
Patricia Cornwell (The Body Farm (Kay Scarpetta, #5))
β
Pretend that every single person you meet has a sign around his or her neck that says, "Make me feel important." Not only will you succeed in sales, you will succeed in life.
β
β
Mary Kay Ash
β
Some people read palms to tell your future, but I read hands to tell your past. Each scar makes a story worth telling. Each callused palm, each cracked knuckle is a missed punch or years in a factory.
β
β
Sarah Kay
β
Oh, Brother. No matter your wreckage. There will be someone to find you beautiful, despite the cruddy metal. Your ruin is not to be hidden behind paint and canvas. Let them see the cracks.
β
β
Sarah Kay (No Matter the Wreckage)
β
Love has, at its best, made the inherent sadness of life bearable, and its beauty manifest.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
So I told them the truth: the hours are terrible, the pay is terrible, the conditions are terrible; youβre underappreciated, unsupported, disrespected and frequently physically endangered. But thereβs no better job in the world.
β
β
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
β
My youngest brother had a wonderful schtick from some time in high school, through to graduating medicine. He had a card in his wallet that read, βIf I am found with amnesia, please give me the following books to read β¦β And it listed half a dozen books where he longed to recapture that first glorious sense of needing to find out βwhat happens nextβ β¦ the feeling that keeps you up half the night. The feeling that comes before the plotβs been learned.
β
β
Guy Gavriel Kay
β
Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I've tried.
β
β
Sarah Kay (B)
β
The deeds of men, as footprints in the desert.
Nothing under the circling moons is fated to last.
Even the sun goes down.
β
β
Guy Gavriel Kay (The Lions of Al-Rassan)
β
Each way to suicide is its own: intensely private, unknowable, and terrible. Suicide will have seemed to its perpetrator the last and best of bad possibilities, and any attempt by the living to chart this final terrain of life can be only a sketch, maddeningly incomplete
β
β
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
β
It is December, and nobody asked if I was ready.
β
β
Sarah Kay
β
How strange, that when you are away, I reach for my cell phone's buzz as if it were your hand. Each shiver in my pocket, a way to find you.
β
β
Sarah Kay (No Matter the Wreckage: Poems)
β
I should like to freeze in time all those I do love...Rather like flowers pressed between the pages of a book!
β
β
Sharon Kay Penman
β
Somehow, like so many people who get depressed, we felt our depressions were more complicated and existentially based than they actually were.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
How we remember changes how we have lived.
Time runs both ways. We make stories of our lives.
β
β
Guy Gavriel Kay (Under Heaven (Under Heaven, #1))
β
Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
But, with time, one has encountered many of the monsters, and one is increasingly less terrified of those still to be met.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
No pill can help me deal with the problem of not wanting to take pills; likewise, no amount of psychotherapy alone can prevent my manias and depressions. I need both. It is an odd thing, owing life to pills, one's own quirks and tenacities, and this unique, strange, and ultimately profound relationship called psychotherapy
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Dangerous as a lightning strike, as lethal as a pair of crisscrossing short swords, William whispered, βYouβre about to find out how your liver tastes, my friend.β
βI have tasted it already,β Zacharel said, his voice its usual monotone. The snowflakes began to fall in earnest, tiny at first, but growing in diameter. An arctic wind blustered around him. βIt was a bit salty.β
How the hell was a guy supposed to respond to that?
Apparently William didnβt know, either, because he gaped at the angel. Then, βMaybe if you added a little pepper?β
O-kay. It was official. William had an answer for everything.
β
β
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
β
Instead of communicating "I love you, so let me make life easy for you," I decided that my message needed to be something more along these lines: "I love you. I believe in you. I know what you're capable of. So I'm going to make you work.
β
β
Kay Wills Wyma (Cleaning House: A Mom's Twelve-Month Experiment to Rid Her Home of Youth Entitlement)
β
Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
β
β
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
β
The home is the first and most effective place to learn the lessons of life: truth, honor, virtue, self control, the value of education, honest work, and the purpose and privilege of life. Nothing can take the place of home in rearing and teaching children, and no worldly success can compensate for failure in the home.
β
β
David O. McKay
β
Her extremely posh eight year-old asks her a question about the economy (!), and before she answers it, she asks her extremely posh five year-old "Do you know what the economy is, darling?"
"Yes mummy, it's the part of the plane that's terrible".
This is how revolutions start.
β
β
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
β
Donβt be ashamed for liking them. The backlash against the PSL is a perfect example of how toxic masculinity permeates even the most mundane things in life. If masses of women like something, our society automatically begins to mock them. Just like romance novels. If women like them, they must be a joke, right?
β
β
Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
β
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
They'll be days like this" my momma said.
When you open your hands to catch, and wind up with only blisters and bruises.
When you try to step out of the phone booth and try to fly , and the very people you want to save, are the ones standing on your cape.
When your boots will fill with rain, and you'll be up to your knees with disappointment
And those are the very days you have all the more reason to say "Thank you".
β
β
Sarah Kay
β
It is tempting when looking at the life of anyone who has committed suicide to read into the decision to die a vastly complex web of reasons; and, of course, such complexity is warranted. No one illness or event causes suicide; and certainly no one knows all, or perhaps even most, of the motivations behind the killing of the self. But psychopathology is almost always there, and its deadliness is fierce. Love, success, and friendship are not always enough to counter the pain and destructiveness of severe mental illness
β
β
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
β
Hindi mo pwedeng mahalin ang isang tao nang hindi mo minamahal ang hilaga, silangan, timog at kanluran ng kanyang paniniwala. Kapag nagmahal kaβy dapat mong tanggapin bawat letra ng kanyang birth certificate. Kasama na doon ang kanyang libag, utot at bad breath. Pero me limit. Pantay-pantay ang ibinibigay na karapatan sa lahat ng tao upang lumigaya, o masaktan, o magpakagago, pero kapag sumara na ang mga pinto, nawasak na ang mga puso, nawala na ang mga kaluluwa at ang bilang ay umabot na sa zero, goodbye na. Pero, the memory of that one great but broken love will still sustain you, tama nga na mas matindi ang mga alaala.
β
β
Ricky Lee (Para Kay B (o kung paano dinevastate ng pag-ibig ang 4 out of 5 sa atin))
β
Happiness consists not of having, but of being; not of possessing, but of enjoying. It is a warm glow of the heart at peace with itself. A martyr at the stake may have happiness that a king on his throne might envy. Man is the creator of his own happiness. It is the aroma of life, lived in harmony with high ideals. For what a man has he may be dependent upon others; what he is rests with him alone.
β
β
David O. McKay (Pathways to Happiness)
β
My mother taught me this trick: if you repeat something over and over again it loses its meaning, for example homework homework homework homework homework homework homework homework homework, see? Nothing. Our existence she said is the same way. You watch the sunset too often it just becomes 6 pm you make the same mistake over and over you stop calling it a mistake. If you just wake up wake up wake up wake up wake up wake up one day youβll forget why.
β
β
Phil Kaye
β
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Depression is awful beyond words or sounds or images...it bleeds relationships through suspicion, lack of confidence and self-respect, the inability to enjoy life, to walk or talk or think normally, the exhaustion, the night terrors, the day terrors. There is nothing good to be said for it except that it gives you the experience of how it must be to be old, to be old and sick, to be dying; to be slow of mind; to be lacking in grace, polish and coordination; to be ugly; to have no belief in the possibilities of life, the pleasures of sex, the exquisiteness of music or the ability to make yourself and others laugh.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
So what are you really wearing?" The words left her mouth before she could consider them. She winced.
He didn't seem to mind; in fact, he flashed her one of his brief smiles. "And if I said nothing at all?"
"Then I would point out that sometimes, if you look at something out of the corner of your eye, you can see right through glamour," she returned.
That brought surprised laughter. "What a relief to us both then that I am actually wearing exactly what you saw me in this afternoon. Although one might point out that in that outfit, your last concern should be my modesty.
β
β
Holly Black (Tithe (Modern Faerie Tales, #1))
β
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
β
β
Sarah Kay
β
We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do thisβthrough love, work, family, faith, friends, denial, alcohol, drugs, or medicationβwe build these walls, stone by stone, over a lifetime. One of the most difficult problems is to construct these barriers of such a height and strength that one has a true harbor, a sanctuary away from crippling turmoil and pain, but yet low enough, and permeable enough, to let in fresh seawater that will fend off the inevitable inclination toward brackishness.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
The Type
Everyone needs a place. It shouldn't be inside of someone else. -Richard Siken
If you grow up the type of woman men want to look at,
you can let them look at you. But do not mistake eyes for hands.
Or windows.
Or mirrors.
Let them see what a woman looks like.
They may not have ever seen one before.
If you grow up the type of woman men want to touch,
you can let them touch you.
Sometimes it is not you they are reaching for.
Sometimes it is a bottle. A door. A sandwich. A Pulitzer. Another woman.
But their hands found you first. Do not mistake yourself for a guardian.
Or a muse. Or a promise. Or a victim. Or a snack.
You are a woman. Skin and bones. Veins and nerves. Hair and sweat.
You are not made of metaphors. Not apologies. Not excuses.
If you grow up the type of woman men want to hold,
you can let them hold you.
All day they practice keeping their bodies upright--
even after all this evolving, it still feels unnatural, still strains the muscles,
holds firm the arms and spine. Only some men will want to learn
what it feels like to curl themselves into a question mark around you,
admit they do not have the answers
they thought they would have by now;
some men will want to hold you like The Answer.
You are not The Answer.
You are not the problem. You are not the poem
or the punchline or the riddle or the joke.
Woman. If you grow up the type men want to love,
You can let them love you.
Being loved is not the same thing as loving.
When you fall in love, it is discovering the ocean
after years of puddle jumping. It is realizing you have hands.
It is reaching for the tightrope when the crowds have all gone home.
Do not spend time wondering if you are the type of woman
men will hurt. If he leaves you with a car alarm heart, you learn to sing along.
It is hard to stop loving the ocean. Even after it has left you gasping, salty.
Forgive yourself for the decisions you have made, the ones you still call
mistakes when you tuck them in at night. And know this:
Know you are the type of woman who is searching for a place to call yours.
Let the statues crumble.
You have always been the place.
You are a woman who can build it yourself.
You were born to build.
β
β
Sarah Kay
β
Salaar Sikandar nay pichlay aath saalon mai Imama Hashim kay liye her jazba mehsoos kiya tha. Hiqaarat,tazheek,pachtaawa,nafrat,mohabbat sab kuch......Magar aaj wahan bethay pehli baar ussay Imama Hashim say hasad horaha tha.Thi kiya woh......?Aik aurat.....Zara si aurat....Asmaan ki hoor nahi thi....Salaar Sikandar jesay aadmi kay saamnay kiya auqaat thi uss ki. Kiya mera jesa I.Q Level tha uss
ka?Kiya meray jesi kamiyaabiyaan theen us ki?Kiya meray jesa kaam karsakti thi woh?Kiya meray jesa naam kama sakti thi?Kuch bhi nahi thi woh aur uss ko sab kuch plate mai rakh kar day diya aur main......Main jis ka I.Q Level 150+ hai mujhay saamnay ki cheezain dekhnay kay qaabil nahi rakha?Woh ab aankhon mai nami liye andheray mai wind screen say baahar dekhtay hue barbara raha tha."Mujhay bus iss qaabil kardiya kay main baahar nikloon aur duniya fatah kar loon.Woh duniya jis ki koi wuq'at hi nahi hai aur woh....woh...."Woh ruk gaya.Ussay Imama per ghussa araha tha.Aath saal pehlay ka waqt hota tu woh ussay "Bitch" kehta,tab Imama per ghussa anay per woh ussay yehi kaha karta tha magar aath saal kay baad aaj woh zabaan per uss kay liye gaali nahi la sakta tha.Woh Imama Hashim kay liye koi bura lafz nikalnay ki jurrat nahi kar sakta tha.Siraat-e-Mustaqeem per khud say bohat aagay khari uss aurat kay liye kaun zabaan say bura lag nikaal sakta tha?Apnay glasses utaar kar uss nay apni aankhain masleen.Uss kay andaaz mai shikast khoordagi thi."Pir-e-Kamil(S.A.W.W)......Siraat-e-Mustaqeem....Aath saal lagay thay,magar talash khatam hogayi thi.Jawab mil chuka tha.
β
β
Umera Ahmed
β
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, βhey daddy could i be a hand modelβ
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you couldβve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
β
β
Sarah Kay
β
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we werenβt careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled βprivate partsβ when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didnβt tell him, there was no moment I didnβt share - and we didnβt grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another womanβs arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
β
β
Sarah Kay
β
Let my assure you, Brethren, that some day you will have a personal Priesthood interview with the Savior, Himself. If you are interested, I will tell you the order in which He will ask you to account for your earthly responsibilities.
First, He will request an accountability report about your relationship with your wife. Have you actively been engaged in making her happy and ensuring that her needs have been met as an individual?
Second, He will want an accountability report about each of your children individually. He will not attempt to have this for simply a family stewardship but will request information about your relationship to each and every child.
Third, He will want to know what you personally have done with the talents you were given in the pre-existence.
Fourth, He will want a summary of your activity in your church assignments. He will not be necessarily interested in what assignments you have had, for in his eyes the home teacher and a mission president are probably equals, but He will request a summary of how you have been of service to your fellowmen in your Church assignments.
Fifth, He will have no interest in how you earned your living, but if you were honest in all your dealings.
Sixth, He will ask for an accountability on what you have done to contribute in a positive manner to your community, state, country, and the world.
β
β
David O. McKay