Judith Wright Quotes

Feelings or Emotions are the universal language and are to be honored. They are the authentic expression of who you are in your deepest place.

The song is gone; the dance is secret with the dancers in the earth, the ritual useless, and the tribal story lost in an alien tale. Only the grass stands up to mark the dancing-ring; the apple-gums posture and mime a past corroboree, murmur a broken chant. The hunter is gone; the spear is splintered underground; the painted bodies a dream the world breathed sleeping and forgot. The nomad feet are still. Only the rider's heart halts at a sightless shadow, an unsaid word that fastens in the blood of the ancient curse, the fear as old as Cain.

When we are most, then we are least alone; for are these faces not identical?

I saw our golden years on a black gale, our time of love spilt in the furious dust. "O we are winter-caught, and we must fail," said the dark dream, "and time is overcast." -And woke into the night; but you were there, and small as seed in the wild dark we lay. Small as seed under the gulfs of air is set the stubborn heart that waits for day. I saw our love the root that holds the vine in the enduring earth, that can reply, "Nothing shall die unless for me it die. Murder and hate and love alike are mine"; and therefore fear no winter and no storm while in the knot of earth that root lies warm.

So here, twisted in steel, and spoiled with red your sunlight hide, smelling of death and fear, they crushed out your throat the terrible song you sang in the dark ranges. With what crying you mourned him! - the drinker of blood, the swift death-bringer who ran with you so many a night; and the night was long. I heard you, desperate poet, Did you hear my silent voice take up the cry? - replying: Achilles is overcome, and Hector dead, and clay stops many a warrior's mouth, wild singer. Voice from the hills and the river drunken with rain, for your lament the long night was too brief. Hurling your woes at the moon, that old cleaned bone, till the white shorn mobs of stars on the hill of the sky huddled and trembled, you tolled him, the rebel one. Insane Andromache, pacing your towers alone, death ends the verse you chanted; here you lie. The lover, the maker of elegies is slain, and veiled with blood her body's stealthy sun.

Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.

Two Songs For The World's End I Bombs ripen on the leafless tree under which the children play. And there my darling all alone dances in the spying day. I gave her nerves to feel her pain, I put her mortal beauty on. I taught her love that hate might find, its black work the easier done. I sent her out alone to play; and I must watch, and I must hear, how underneath the leafless tree, the children dance and sing with Fear. II Lighted by the rage of time where the blind and dying weep, in my shadow take your sleep, though wakeful I. Sleep unhearing while I pray - Should the red tent of the sky fall to fold your time away, wake to weep before you die. Die believing all is true that love your maker said to you Still believe that had you lived you would have found love, world, sight, sound, sorrow, beauty - all true. Grieve for death your moment - grieve. The world, the lover you must take, is the murderer you will meet. But if you die before you wake never think death sweet.

Now my five senses gather into a meaning all acts, all presences; and as a lily gathers the elements together, in me this dark and shining, that stillness and that moving, these shapes that spring from nothing, become a rhythm that dances, a pure design. While I'm in my five senses they send me spinning all sounds and silences, all shape and colour as thread for that weaver, whose web within me growing follows beyond my knowing some pattern sprung from nothing- a rhythm that dances and is not mine.

Tunnelling through the night, the trains pass in a splendour of power, with a sound like thunder shaking the orchards, waking the young from a dream, scattering like glass the old mens' sleep, laying a black trail over the still bloom of the orchards; the trains go north with guns. Strange primitive piece of flesh, the heart laid quiet hearing their cry pierce through its thin-walled cave recalls the forgotten tiger, and leaps awake in its old panic riot; and how shall mind be sober, since blood's red thread still binds us fast in history? Tiger, you walk through all our past and future, troubling the children's sleep'; laying a reeking trail across our dreams of orchards. Racing on iron errands, the trains go by, and over the white acres of our orchards hurl their wild summoning cry, their animal cry…. the trains go north with guns.

The eastward spurs tip backward from the sun. Nights runs an obscure tide round cape and bay and beats with boats of cloud up from the sea against this sheer and limelit granite head. Swallow the spine of range; be dark. O lonely air. Make a cold quilt across the bone and skull that screamed falling in flesh from the lipped cliff and then were silent, waiting for the flies. Here is the symbol, and climbing dark a time for synthesis. Night buoys no warning over the rocks that wait our keels; no bells sound for the mariners. Now must we measure our days by nights, our tropics by their poles, love by its end and all our speech by silence. See in the gulfs, how small the light of home. Did we not know their blood channelled our rivers, and the black dust our crops ate was their dust? O all men are one man at last. We should have known the night that tidied up the cliffs and hid them had the same question on its tongue for us. And there they lie that were ourselves writ strange. Never from earth again the coolamon or thin black children dancing like the shadows of saplings in the wind. Night lips the harsh scarp of the tableland and cools its granite. Night floods us suddenly as history that has sunk many islands in its good time.

The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.

We come into this world through women: a woman who is spent, broken open, in awe. No wonder women have been worshiped ever since men first saw the crowning of a head, here, legs spread, a brushstroke of light. We are fire. We are water. We are earth. We are air. We are all things elemental. The world begins with "Yes," Changing women: we begin again like the moon. We can no longer deny the destiny that is ours by becoming women who wait: waiting to love, waiting to speak, waiting to act. This is not patience, but pathology. We are sensual, sexual beings, intrinsically bound to both heaven and earth, our bodies a hologram. In our withholding of power, we abrogate power, and that creates war. The Australian poet Judith Wright says, "Our dream was the wrong dream, our strength was the wrong strength. Wounded, we cross the desert's emptiness and must be false to what would make us whole.

What’s this to me? • What about this bothers me so much? • What feels familiar about this? • When did I feel this way before? • Who does this remind me of? • What mistaken belief is triggered?

In these instances, take a step back and say to yourself, Whoa, what’s going on with me? Why am I so triggered (angry, enraged, freaked out, frozen, numb, shut down, or charged up)? Ah, that’s it; I’m in an amygdala hijack. If you can have this type of self-awareness and learn how to act differently in these situations, you can reveal and eventually liberate yourself from this reactive loop. You will give yourself the option of choosing a new and better behavior. Don’t doubt you can do this; students as early as third grade are identifying hijacks to avert conflict.

«Los sentimientos o emociones son el lenguaje universal y deben ser honrados. Son la expresión auténtica de quienes somos.» — Judith Wright

We with our quick dividing eyes measure, distinguish and are gone. The forest burns, the tree frog dies, yet one is all and all are one.

What’s on your heart and mind? What’s going well? Where are you struggling? What are you afraid of? What do you yearn for? What are you looking forward to? What are you feeling? What were your hopes today? Your dreams? How are you living toward

Salt blood like tears freshens the crowd’s dry veins, and moving in its web of time and harm and unloved heart asks, “Where is my reply, my kin, my answer? I am driven and alone.” Their serene eyes seek nothing. They walk by. They move into the future and are gone.

Who will gather the dust to a sphere, who will build us a world? Who will join atom to atom, the waiting seed to the seed? Who will give the heat of the sun to death’s great grave of cold, and deliver the countries of the heart, in the womb of a dust grain furled?