Hugo Movie Quotes

Fairy tales only happen in movies." -George Melies from The Invention of Hugo Cabret

You can make up your own story when you look at a photo.

Do you hear the people sing? Singing a song of angry men

The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.

Here’s the thing about Hollywood. It’s both a place and a feeling. If you run there, you can run toward Southern California, where the sun always shines and the grimy buildings and dirty sidewalks are replaced by palm trees and orange groves. But you also run toward the way life is portrayed in the movies. You run toward a world that is moral and just, where the good guys win and the bad guys lose, where the pain you face is only in an effort to make you stronger, so that you can win that much bigger in the end.

He often took me to the studio where the movies were made and I remember it as if it were yesterday. I remember how the sun shone through all the windows. I thought it looked like a fairytale palace. One afternoon your husband appeared and shook my hand. And he told me something I never forgot. He crouched on one knee and whispered to me, "If you ever wanted to know where dreams come from when you're sleeping at night, you just have to look around you, that's where they are made.

If poor doomed Olly’s a Radio 4 play, what am I?”” “You, Hugo,” she kisses my earlobe, “are a sordid, low-budget French film. The sort you’d stumble across on TV at night. You know you’ll regret it in the morning, but you keep watching anyway.

Is it because Evelyn can’t handle the fact that Celia received the Most Promising Female Personality Award that night? Or is it that Celia’s been nominated for an Oscar for Best Supporting Actress for their movie Little Women, and Evelyn didn’t get a mention

The parts I’m being offered are shit. I have the Oscar on my mantel. I have a spectacular daughter. I have Harry. I’m a household name. They will write about my movies for years to come. What more do I want? A gold statue in my honor?

You’ll shoot your movie. You’ll marry my brother. And we’ll all move to Spain.

You didn’t love me for one goddamn day,” I said. “You loved having a movie star on your arm. You loved getting to be the one who slept in my bed. That’s not love. That’s possession.

Later on, people would say that Don and I were really having sex in the movie. There were all sorts of rumors that the sex was unsimulated. But those rumors were complete and utter bullshit.

I had a fascination with 3D that goes back to the View-Master. I'd always dreamed of making a film in 3D. It's like a combination of theatre and film. There's something 3D gives to a movie that takes you to another land. Working with RealD creatively was a liberating experience. Thank you RealD for allowing us to make something like Hugo.

Movie stars are movie stars are movie stars. Sure, we all fade after a while. We are human, full of flaws like anyone else. But we are the chosen ones because we are extraordinary. And there is nothing an extraordinary person likes more than someone else extraordinary.

To this day, I have no idea if either of us is actually any good in it. It is the only movie I’ve ever shot that I cannot bring myself to watch.

You didn't love me for one goddamn day," I said. "You loved having a movie star on your arm. You loved getting to be the one who slept in my bed. That's not love. That's possession.

I told her every single day that her life had been the world’s greatest gift to me, that I believed I was put on earth not to make movies or wear emerald-green gowns and wave at crowds but to be her mother.

There was the studio game, with studio actors and studio dynasties. And then there was the New Hollywood making its way into the hearts of audiences, Method actors in gritty movies with antiheroes and untidy endings.

A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it. You do want a family someday. You truly do. You’re just not sure how you’re going to manage it with your movies. But you should have been more clear. The next morning, he apologizes and brings you flowers. He gets down on his knees. The third time, it’s a disagreement about whether to go out to Romanoff’s or stay in. Which, you realize when he pushes you into the wall behind you, is actually about the image of your marriage to the public. The fourth time, it’s after you both lose at the Oscars. You are in a silk, emerald-green, one-shoulder dress. He’s in a tux with tails. He has too much to drink at the after-parties, trying to nurse his wounds. You’re in the front seat of the car in your driveway, about to go inside. He’s upset that he lost. You tell him it’s OK. He tells you that you don’t understand. You remind him that you lost, too. He says, “Yeah, but your parents are trash from Long Island. No one expects anything from you.” You know you shouldn’t, but you say, “I’m from Hell’s Kitchen, you asshole.

I kissed her forehead like she was my baby again, because she was forever my baby. I told her every single day that her life had been the world's greatest gift to me, that I believed I was put on this earth not to make movies or wear emerald-green gowns and wave at crowds but to be her mother.

A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it. You do want a family someday. You truly do. You’re just not sure how you’re going to manage it with your movies. But you should have been more clear. The next morning, he apologizes and brings you flowers. He gets down on his knees. The third time, it’s a disagreement about whether to go out to Romanoff’s or stay in. Which, you realize when he pushes you into the wall behind you, is actually about the image of your marriage to the public.

If I’m going to tell you about my life, if I’m going to tell you what really happened, the truth behind all of my marriages, the movies I shot, the people I loved, who I slept with, who I hurt, how I compromised myself, and where it all landed me, then I need to know that you understand me. I need to know that you will listen to exactly what I’m trying to tell you and not place your own assumptions into my story.

You can make quite a life for yourself hosting charity dinners and collecting art. You can find a way to be happy with whatever the truth is. Until your daughter dies. Connor was diagnosed with late-stage breast cancer two and a half years ago, when she was thirty-nine. She was given months to live. I knew what it was like to realize that the one you love would leave this earth well before you. But nothing could prepare me for the pain of watching my child suffer. I held her when she puked from the chemo. I wrapped her in blankets when she was so cold she was crying. I kissed her forehead like she was my baby again, because she was forever my baby. I told her every single day that her life had been the world’s greatest gift to me, that I believed I was put on earth not to make movies or wear emerald-green gowns and wave at crowds but to be her mother. I sat next to her hospital bed. “Nothing I have ever done,” I said, “has made me as proud as the day I gave birth to you.” “I know,” she said. “I’ve always known that.” I had made a point of not bullshitting her ever since her father died. We had the sort of relationship where we believed each other, believed in each other. She knew she was loved. She knew that she had changed my life, that she had changed the world. She made it eighteen months before she passed away. And when they put her in the ground next to her father, I broke like I have never broken before. The devastating luxury of panic overtook me. And it has never left.

Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated. Regardless of why Evelyn has chosen her to write her biography, Monique is determined to use this opportunity to jump-start her career. Summoned to Evelyn’s Upper East Side apartment, Monique listens as Evelyn unfurls her story: from making her way to Los Angeles in the 1950s to her decision to leave show business in the late ’80s, and, of course, the seven husbands along the way. As Evelyn’s life unfolds—revealing a ruthless ambition, an unexpected friendship, and a great forbidden love—Monique begins to feel a very a real connection to the actress. But as Evelyn’s story catches up with the present, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.

In a widely viewed documentary titled Singularity or Bust, Hugo de Garis, a renowned researcher in the field of AI and author of The Artilect War, speaks of this phenomenon. He says: In a sense, we are the problem. We’re creating artificial brains that will get smarter and smarter every year. And you can imagine, say twenty years from now, as that gap closes, millions will be asking questions like ‘Is that a good thing? Is that dangerous?’ I imagine a great debate starting to rage and, though you can’t be certain talking about the future, the scenario I see as the most probable is the worst. This time, we’re not talking about the survival of a country. This time, it’s the survival of us as a species. I see humanity splitting into two major philosophical groups, ideological groups. One group I call the cosmists, who will want to build these godlike, massively intelligent machines that will be immortal. For this group, this will be almost like a religion and that’s potentially very frightening. Now, the other group’s main motive will be fear. I call them the terrans. If you look at the Terminator movies, the essence of that movie is machines versus humans. This sounds like science fiction today but, at least for most of the techies, this idea is getting taken more and more seriously, because we’re getting closer and closer. If there’s a major war, with this kind of weaponry, it’ll be in the billions killed and that’s incredibly depressing. I’m glad I’m alive now. I’ll probably die peacefully in my bed. But I calculate that my grandkids will be caught up in this and I won’t. Thank God, I won’t see it. Each person is going to have to choose. It’s a binary decision, you build them or you don’t build them.

Sean Penn mourned the death of the fifty-eight-year-old socialist creep. Sean wrote in a statement sent to the Hollywood Reporter: “Today the people of the United States lost a friend it never knew it had. And poor people around the world lost a champion.” He added: “I lost a friend I was blessed to have.” Penn needs to tell you that he knew the guy. A world leader. That’s cool. I guess playing Jeff Spicoli and marrying Madonna wasn’t enough (one made your career, the other ruined your urinary tract). Yeah, this is the same chap who told Piers Morgan that Ted Cruz should be institutionalized. Talk about the pot calling the kettle batshit crazy. If Penn got any nuttier, he’d be a Snickers bar. Of course it would be uncool to point out to Penn that Chávez was no champion of the poor. Under his rule people became far poorer in Venezuela. And in the midst of an oil boom, Chávez engineered a murder boom. The murder rate in his country tripled during Chávez’s tyrannical tenure, hitting a high of 67 per 100,000 residents in 2011, compared with a murder rate of less than 5 per 100,000 in the United States (and that includes Baltimore). And about 10 or 20 less than the last Penn movie. Penn was joined, per usual, by director Oliver Stone, who said, solemnly, somewhere: “I mourn a great hero to the majority of his people and those who struggle throughout the world for a place.” He added: “Hated by the entrenched classes, Hugo Chávez will live forever in history. “My friend, rest finally in a peace long earned.” This is from an adult, mind you. And no list of apologists for evil is complete without Michael Moore. This nugget comes from the Michigan Live website, which reports Moore praising Chávez in a feeble collection of Twitter messages, on the night the Venezuelan viper expired. Hugo Chávez declared the oil belonged 2 the ppl. He used the oil $ 2 eliminate 75% of extreme poverty, provide free health & education 4 all. That made him dangerous. US

As I write this, I’m sitting in a café in Paris overlooking the Luxembourg Garden, just off of Rue Saint-Jacques. Rue Saint-Jacques is likely the oldest road in Paris, and it has a rich literary history. Victor Hugo lived a few blocks from where I’m sitting. Gertrude Stein drank coffee and F. Scott Fitzgerald socialized within a stone’s throw. Hemingway wandered up and down the sidewalks, his books percolating in his mind, wine no doubt percolating in his blood. I came to France to take a break from everything. No social media, no email, no social commitments, no set plans . . . except one project. The month had been set aside to review all of the lessons I’d learned from nearly 200 world-class performers I’d interviewed on The Tim Ferriss Show, which recently passed 100,000,000 downloads. The guests included chess prodigies, movie stars, four-star generals, pro athletes, and hedge fund managers. It was a motley crew. More than a handful of them had since become collaborators in business and creative projects, spanning from investments to indie film. As a result, I’d absorbed a lot of their wisdom outside of our recordings, whether over workouts, wine-infused jam sessions, text message exchanges, dinners, or late-night phone calls. In every case, I’d gotten to know them well beyond the superficial headlines in the media. My life had already improved in every area as a result of the lessons I could remember. But that was the tip of the iceberg. The majority of the gems were still lodged in thousands of pages of transcripts and hand-scribbled notes. More than anything, I longed for the chance to distill everything into a playbook. So, I’d set aside an entire month for review (and, if I’m being honest, pain au chocolat), to put together the ultimate CliffsNotes for myself. It would be the notebook to end all notebooks. Something that could help me in minutes but be read for a lifetime.

Sarah,’ Hugo smirked, ‘we’re only making movies here, not inciting a Marxist uprising. I mean, there’s only room in history for one film-maker like Tarkovsky, right?

I'd gone to see every single one of Celia's movies, even though I was loath to admit it. So i had seen her. But no medium can capture what it is to be in someone's presence, certainly not someone like her. Someone who makes you feel important simply because she's choosing to look at you. There was something stately about her, at the age of twenty-eight. She was mature and dignified. She looked like the kind of person who knew exactly who she was.

[Cinema]… obeys the laws of the mind rather than those of the outer world.

As melodramatic as Hugo sounded, the three of us all bought it. We had just devoted five years to making a movie which someone might see for ninety minutes and promptly forget. To us,

It was a car racing movie, my brother’s favorite kind of movie, and one of the characters picked up a sledgehammer, using it to destroy the hood of his friend’s car. The boys groaned. Hugo even covered his mouth and sat up. I rolled my eyes. Boys. “Dude,” my brother said. Wes exhaled. “You don’t do that to your bro’s car.