“
The more this guy talked, the more he sounded like a fortune cookie.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
CALVIN:
This whole Santa Claus thing just doesn't make sense. Why all the secrecy? Why all the mystery?
If the guy exists why doesn't he ever show himself and prove it?
And if he doesn't exist what's the meaning of all this?
HOBBES:
I dunno. Isn't this a religious holiday?
CALVIN:
Yeah, but actually, I've got the same questions about God.
”
”
Bill Watterson
“
Plus, you're the last Dragomir. You're always going to be in the spotlight. Who’s she? Just another Ivashkov. There are tons of them.'
'Probably because all the guys like Adrian and have all sorts of illegitimate children.'
'Adrian doesn’t have any children.'
'That we know of,' I said mysteriously.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Where’s my uncle?” she asked.
“I don’t know who your uncle is, but if it as the guy who owned this place before I bought it, then he’s pushing up daisies.”
“But it can’t be, he’s still young.
”
”
Max Nowaz (The Three Witches and the Master)
“
Are you kidding? That guy was a mystery wrapped in an enigma and crudely stapled to a ticking fucking time bomb. He was either going to hit somebody or start a blog.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
The hot-o-meter started ringing like crazy as hot guys descended on me, my car and Tack from two directions.
Boy was I glad I curled my hair.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
Nothing looked disturbed…yet everything felt that way. The guy was on the bed, calmness itself, as though he’d decided on a moment’s lie-down and just zizzed off.
”
”
Michael Wyndham Thomas (The Erkeley Shadows)
“
Conversation. What is it? A Mystery! It's the art of never seeming bored, of touching everything with interest, of pleasing with trifles, of being fascinating with nothing at all.
”
”
Guy de Maupassant
“
Okay, sure, he’s a great fucking guy,” Michaels didn’t try to hide his frustration. “Except for the killing everybody part.
”
”
William Kely McClung (Black Fire)
“
I think there's something so attractive about mystery. There's something so attractive about the chase. And the bad guy ... bad boys know how to keep the chase going throughout an entire relationship because you never know if you completely have them or not. That's why they're so hard to get over.
”
”
Taylor Swift
“
Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.
”
”
Guy de Maupassant (The Complete Short Stories of Guy de Maupassant, Part One)
“
You’re going to fuck everything up if you act like some crazed guy with an infatuation. This is not the guy she fell in love with. She fell in love with dark mysterious Dank Walker. She fell in love with Death. Be that guy. Stop being this broken, pitiful, obsessed stalker dude.
”
”
Abbi Glines (Ceaseless (Existence, #3))
“
I told myself: 'I am surrounded by unknown things.' I imagined man without ears, suspecting the existence of sound as we suspect so many hidden mysteries, man noting acoustic phenomena whose nature and provenance he cannot determine. And I grew afraid of everything around me – afraid of the air, afraid of the night. From the moment we can know almost nothing, and from the moment that everything is limitless, what remains? Does emptiness actually not exist? What does exist in this apparent emptiness?
”
”
Guy de Maupassant (Complete Works)
“
You're our honorary sixth member with mysterious abilities and visions of the future. The Snow White to our motley group of dwarfs. Plus, you're way better looking than the rest of these guys.
”
”
Michelle Rowen (Dark Kiss (Nightwatchers, #1))
“
Could you say something, please? When a guy tells a girl he loves her, he doesn’t want silence in response. Was I too late? Are you over me?”
“Are you wearing the underwear I got you?”
Laughter cracked out of him. “Sometimes, the way your mind works is a complete mystery to me.
”
”
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
“
Ugh! only she could meet a gorgeous new guy and make a fool of herself. Remy thought.
”
”
Hope Worthington (Shifting Moon: Shifting Moon Saga, Book 1)
“
Here’s a tip. The good guys ask you to get in the truck. The bad guys put a black bag over your head and throw you in the truck. I’m asking.
”
”
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
“
When all along... well, what I was hoping you'd realize...'
'My mystery guy was you,' I finish in a whisper.
'Well, yeah,' he says. He reaches out and touches my chin-once, gently. 'I really like you, Julia. A lot. I-I want to be with you.
”
”
Lauren Morrill (Meant to Be)
“
I have an immoderate passion for water; for the sea, though so vast, so restless, so beyond one's comprehension; for rivers, beautiful, yet fugitive and elusive; but especially for marshes, teeming with all that mysterious life of the creatures that haunt them. A marsh is a whole world within a world, a different world, with a life of its own, with its own permanent denizens, its passing visitors, its voices, its sounds, its own strange mystery.
”
”
Guy de Maupassant (The House of Madame Tellier and Other Stories (32 stories))
“
Well, there's this new girl who just moved in on floor three. Her family's re-opening the cafe. I hear she likes to lie, and hit people."
"Oh yeah? Well, there's that strange goth guy, the one who's always lurking around Five C."
"Strangely hot in a mysterious way, though, right?
”
”
Victoria E. Schwab (The Archived (The Archived, #1))
“
He shifted over without comment, lifting the blankets, and I scrambled into the warm sheets beside him. He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
A long walk. A very long walk. Sand between my toes. The rough surf at times reaching and washing away my footprints. About a mile down the beach, I sat down and started thinking back through everything Vance had told me so far. Thought about what my next moves would be. Seeing the Asian guy tomorrow and having him snoop would settle one thing in my mind. Did Vance do it or not? Crucial. Until I knew that, I didn’t want to go any further.
”
”
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
“
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“
Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity.
"May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?”
More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir."
A number of people in the class laughed outright.
"Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“
The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named.
"Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Who knows why you kids do any of the crap you do?"
"And who knows why you guys are such assholes?" Lex countered, taking a sip of her soda. "Life is just full of little mysteries, isn't it?
”
”
Gina Damico (Scorch (Croak, #2))
“
Daddy had a strict rule about firearms. Anything we killed we had to eat. No amount of barbecue sauce would make a hairy guy like you palatable.
”
”
Diane Kelly (Death, Taxes, and a French Manicure (Tara Holloway, #1))
“
Bina, thank you. Bina, listen, this guy. His name wasn't Lasker. This guy-'
She puts a hand to his mouth. She has not touched him in three years. It probably would be too much to say that he feels the darkness lift at the touch of her fingertips against his lips. But it shivers, and light bleeds in among the cracks.
”
”
Michael Chabon (The Yiddish Policemen's Union)
“
Yes. Have…have you ever been shot?”
“Yep, more than once. But I was never shot by the same guy twice. If you know what I mean.
”
”
Michael Deeze (The Deathbed Confessions (Thomas Quinn Mysteries Book 1))
“
The Fibonacci Sequence turns out to be the key to understanding how nature designs... and is... a part of the same ubiquitous music of the spheres that builds harmony into atoms, molecules, crystals, shells, suns and galaxies and makes the Universe sing.
”
”
Guy Murchie (The Seven Mysteries Of Life: An Exploration of Science and Philosophy)
“
Those of us who write, who sing, who paint, must remember that to a child a song may glow like a nightlight in a scary bedroom. It may be the only thing holding back the monsters. That story may be the only beautiful, true thing that makes it through all the ugliness of a little girl’s world to rest in her secret heart. May we take that seriously. It is our job, it is our ministry, it is the sword we swing in the Kingdom, to remind children that the good guys win, that the stories are true, and that a fool’s hope may be the best kind.
”
”
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
“
In Rome, I really wanted an Audrey Hepburn Roman Holiday experience, but the Trevi Fountain was crowded, there was a McDonald's at the base of the Spanish Steps, and the ruins smelled like cat pee because of all the strays. The same thing happened in Prague, where I'd been yearning for some of the bohemianism of The Unbearable Lightness of Being. But no, there were no fabulous artists, no guys who looked remotely like a young Daniel Day-Lewis. I saw this one mysterious-looking guy reading Sartre in a cafe, but then his cell phone rang and he started talking in aloud Texan twang.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
How is your love life, Minz?” she would ask hungrily, hoping to be entertained by raunchy details.
I had none. “Um, you know. So hard to meet guys,” I answered vaguely, hoping my lack of a sex life would seem mysterious and not pathetic.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Guys don't want women with good taste, guys want women who taste good.
”
”
Sheryl J. Anderson (Killer Cocktail (Molly Forrester Mystery, #2))
“
She was the temptress who had ensnared the first man, and who still continued her work at damnation; she was the being who is feeble, dangerous, mysteriously troubling. And even more than her body of perdition, he hated her loving soul.
”
”
Guy de Maupassant
“
Everybody trusts a guy in a raincoat. I don't know why. It's just one of those mystery facts.
”
”
Stephen King (Just After Sunset)
“
Guy was saying, “What the hell is it about you that attracts murder and mayhem?"
"Something in my body language?"
He groaned. “That was bad—even for you.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
I been working for Cabe Delgado for seven years. When I walked my ass into this place to interview for the job, I thought I'd died and gone to heaven. Hot guys everywhere. So much fine ass, shit! I woulda worked here for nothin'. First day, thirty minutes in, these boys, they became a pain in my ass. Sortin' their shit out is like herdin' cats. Luckily eye candy provides job satisfaction.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story.
”
”
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
“
It’s probably a pretty safe bet to stay away from anyone who brags about their skills in bed. They are typically only well versed in their own pleasure and who wants a dude like that anyway? No mystery, no class, and almost always: all talk. The Talker is a Regular Guy with a marketing plan.
”
”
Roberto Hogue (Real Secrets of Sex: A Women's Guide on How to Be Good in Bed)
“
I’ve been at this a long time. The good guys don’t always win. You take what you can get...
”
”
A.G. Russo (Bangtails, Grifters, and a Liar's Kiss (O'Shaughnessy Investigations Inc. 2))
“
My mom used to say, before, I met your father, that it's not about meeting the right guy - there are hundreds, thousands, of right guys in the world- it's figuring out the right one for you.
”
”
Ellie Alexander (Meet Your Baker (A Bakeshop Mystery, #1))
“
You're not very good at being contemplative," Milo said. "You always sound like some bad caricature of a philosopher, like those fortune cookies with 'Confucius say' or the Nietzsche guy from Mystery Men that's always saying 'when you walk on the ground, the ground walks on you.
”
”
Amanda Hocking (Fate (My Blood Approves, #2))
“
That guy was a mystery wrapped in an enigma and crudely stapled to a ticking fucking time bomb. He was either going to hit somebody or start a blog.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
Madeleine in her turn stared at him steadily, straight into his eyes, in a profound, strange way, as if seeking to read something there, as if seeking to discover there that hidden part of a human being which can never be fathomed but may perhaps be glimpsed for a fleeting instant, in those moments of unguardedness or surrender or inattention, that are like doors left ajar onto the mysterious depths of the spirit... they stood for a few seconds, each gazing into the other's eyes, each striving to reach the impenetrable secret of the other's heart, to probe each other's thoughts to the quick. They tried, in a mute and passionate questioning, to see the other's conscience in its essential truth: the intimate struggles of two beings who, living side by side, never really know one another, who suspect and sniff around and spy on one another, but cannot plumb the miry depths of one another's soul.
”
”
Guy de Maupassant (Bel-Ami)
“
So, sometimes it’s necessary to level the board. Sometimes when the bad guy keeps winning, the questions of right and wrong get a little cloudy. When that situation is created then it becomes necessary to do the right thing even if it’s technically the wrong thing or there’s no justice. And there are people that do that. The Baba Yaga’s of the world.
”
”
Michael Deeze (The Deathbed Confessions (Thomas Quinn Mysteries Book 1))
“
Akshay is charming and stylish minus the oomph quotient. He is sexy and good looking, minus the killer instinct. He was good at teamwork and presentations, minus the fire in the belly kind of guy.
”
”
Kumar Kinshuk (Ritualistic Murder (The Kanke Killings Trilogy #0))
“
Mysteries in books were the best kind. The real world was absolutely full of boring mysteries, questions that never got answered and lost things that never got found. That wasn't allowed, in books. In books, mysteries were always interesting and exciting, packed with daring and danger, and in the end, the good guys found the clues and the bad guys got their comeuppance. Best of all, nothing was ever lost forever. If something mattered enough for the author to write it down, it would always come back before the last page was turned. It would always come back.
”
”
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
“
Snowden said carefully, 'I've been unable to get in touch with the person I thought might know about our mutual friend's difficulty.'
The guy sounded like he worked for the CIA. Or Charles Dickens.
”
”
Josh Lanyon (The Hell You Say (The Adrien English Mysteries, #3))
“
But had it been the wine? Maybe it was something else. I was no math expert, but this was an intoxicating equation: Hot Guy with Mysterious Past + Way With Pretty Words x Chivalry at Beach / His Aloofness at Coffee Shop (Immunity to My Face & Flirty Efforts) + Innuendo at Hardware Store x Honest Confession about OCD Struggles —> Curiosity + Arousal (Belly Flutters + Pulse Quickening)=ATTACKISS.
”
”
Melanie Harlow (Some Sort of Happy (Happy Crazy Love, #1))
“
He said you were on the scene when that Laurel Canyon homicide went down.”
“I’m lucky that way,” I said.
“So are you two square again?”
I halted, mid-ripping open the cookies, and stared at him. “Well, he’s pretty square,” I said. “I’m just a rectangular guy.” With latent triangular tendencies.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
After all, guys are always telling us to smile. Truth is, they should be really nervous when we do.
”
”
Misha Popp (Magic, Lies, and Deadly Pies (Pies Before Guys Mystery, #1))
“
If you were ever dumped after knitting a guy a sweater, consider the possibility that the problem was with the sweater, not you. The recipient probably took one look at the thing, imagined a lifetime of having to pretend to like (and wear) this sweater and others of its like, and saw no choice but to flee into the night
”
”
Stephanie Pearl-McPhee (Knitting Rules!: The Yarn Harlot Unravels the Mysteries of Swatching, Stashing, Ribbing & Rolling to Free Your Inner Knitter)
“
Somhow those Ten Men -- at the time they were called Recruiters, of course -- discovered that Constance had been at the library. Most likely one of their informants saw her come out, because it was on that very day that the brutes showed up and threatened the librarians. Who told them nothing, incidentally.'
'The same thing happened in Holland,' Kate reflected. 'You'd think these guys would learn their lesson -- librarians know how to keep quiet.'
'It helps to ask politely,' said Mr. Benedict
”
”
Trenton Lee Stewart (The Mysterious Benedict Society and the Prisoner's Dilemma (The Mysterious Benedict Society, #3))
“
For the first time in his life, he was a hot mess over a guy. Then again, Sloane Brodie wasn't just any guy. He was rolling thunder and a sweet summer breeze. Passionate, complex, and intense. Mysterious and brooding. He made Dex laugh, beg, and want to scream. With one look he could crush Dex's heart, with one whisper have him on his knees.
”
”
Charlie Cochet (Rise & Fall (THIRDS, #4))
“
There are a number of things a woman can tell about a man who is roughly twenty-nine years old,
sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific,
writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but
regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's
capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because
it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any
kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In
general, if nothing else, guys my age with dogs are going to be work.
Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup
truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard
while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging
someone for forgiveness. But if he's writing real words, not just a job estimate or something
business-y, then more likely than not this guy has something emotional going on, which could
mean he has a soul.
”
”
Douglas Coupland (Hey Nostradamus!)
“
Why do you guys want to take all the mystery away? Isn't the mystery an exciting part of sex?
”
”
John Irving (In One Person)
“
We live among mysteries. Love is one, there are others. We must not imagine we understand all there is to know about the world.
”
”
Guy Gavriel Kay (Children of Earth and Sky)
“
The previous night he was in an accident. Ran over a homeless guy. She listens to a man fabricating at least some of the things he’s telling her. The human frailty of lying.
”
”
M.F. Kelleher (Olivia Streete and the Parisian Contract)
“
Billions of people online and millions of businesses with countless applications, data sources, chat rooms, bloggers, gamers, and hackers all interacting in a great experiment of anarchism.
”
”
Guy Morris (Swarm)
“
Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers....and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man.
”
”
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
“
That guy was a mystery wrapped in an enigma and crudely stapled to a ticking fucking time bomb. He was either going to hit somebody or start a blog. To tell you the truth I’m kind of glad he hit you.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
Next time she’d have to ask him to keep the light on while he did it, so she could watch his face. That was the best part of the whole thing as far as she was concerned, the way a guy’s face contorted so violently and then relaxed, as if some terrible mystery had just been solved.
”
”
Tom Perrotta (The Leftovers)
“
Music, this complex and mysterious act, precise as algebra and vague as a dream, this art made out of mathematics and air, is simply the result of the strange properties of a little membrane. If that membrane did not exist, sound would not exist either, since in itself it is merely vibration. Would we be able to detect music without the ear? Of course not. Well, we are surrounded by things whose existence we never suspect, because we lack the organs that would reveal them to us. [Was He Mad?]
”
”
Guy de Maupassant
“
Why do I feel the longing to rub my palms on my jeans? That perverted guy didn’t touch me, yet I crave a shower. Instead, I go to the kitchen to wash my hands and drink some water. The acrid taste in my mouth will go away, as it always does, in a minute or so.
”
”
Jordan Night (I, Outlawed (Santina, #1))
“
He smelled familiar. Not the dèjà vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow - or wanting back something you should never have given away.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
So then, a test for singularity would be the point at which an AI can create another viable and conscious AI. Singularity must include not only intelligence, but also self-awareness, self-determination, and self-conception.
”
”
Guy Morris (Swarm)
“
It's always cool to find out immediately if a cute guy is a gay or not. Trying to solve that mystery yourself isn't fun and rarely pays off.
”
”
Becky Albertalli (What If It's Us (What If It's Us, #1))
“
he’d somehow got the notion in his head that life was supposed to be a heap of fun. He wrote poetry and cried an awful lot for a grown guy.
”
”
Daisy Pettles (Ghost Busting Mystery (Shady Hoosier Detective Agency, #1))
“
I gave a helpless laugh. “Damned if I know. I think…we seem to have reached impasse.
I feel betrayed by your friendship with Verlane. I realize that’s not logical. I realize that if I’d made the mistakes Verlane has made, I’d want my friends to stand by me, hope that someone would help me when the time came. I just…”
“What?”
I met his eyes. “I just need to come first for someone, Guy.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
O sleep! ridiculous mystery which makes faces appear so grotesque, you are the revealer of human ugliness. You uncover all shortcomings, all deformities and all defects. You turn every face touched by you into a caricature.
”
”
Guy de Maupassant (88 Short Stories)
“
Even the brightest human minds require a mentor to guide them. The assumption that an AI can teach itself by simply absorbing random information is ludicrous. If we want a computer to think like a human, we should train them as one.
”
”
Guy Morris (Swarm)
“
The fact was that despite himself, without knowing why or how it had happened and very much against his better judgement, he had fallen hopelessly in love. He had fallen as if into some deep and muddy hole. By nature he was a delicate and sensitive soul. He had had ideals and dreamed of an exquisite and passionate affair. And now he had fallen for this little cricket of a creature. She was as stupid as every other woman and not even pretty to make up for it. Skinny and foul-tempered, she had taken possession of him entirely from tip to toe, body and soul. He had fallen under the omnipotent and mysterious spell of the female. He was overwhelmed by this colossal force of unknown origin, the demon in the flesh capable of hurling the most rational man in the world at the feet of a worthless harlot. There was no way he could explain its fatal and total power.
”
”
Guy de Maupassant (Femme Fatale)
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
You were brave to do what you did," he said slowly. "And I know you did it out of live for our friends. But if you ever do something like this again, I can promise you that Ten Men and Executives are going to be the least of your worries- do you understand?" His espression was very severe, his jaw was set, and his words were clipped and terse as if spoken with much suppressed anger. Kate burst out laughing. "Milligan," she said, "I'll bet you scare the wits out of bad guys, but as a dad you don't scare anyone very much." "She's right." Constance said. "I can tell you aren't really angry." Milligan frowned and looked at Reynie, but Reynie averted his eyes to avoid disappointing him- for he, too, had been unfazed by Milligan's stern admonition. Only Sticky, furiously polishing his spectacles in the back seat, showed the effect Milligan had hoped for. But Sticky was easily unnerved and could hardly be used as a measure. "Well," Milligan said, his face relaxing. "At least I tried."
"... Speaking of which, the boys weren't actually touching the breifcases in the trunk, I hope?" Wondering how Milligan knew, Kate stuck her head out the office door and gave Reynie and Sticky a warning look. They nodded and tried to close the trunk as quietly as possible. "They aren't now anyway." "Good," Milligan said, picking up his duffel bag. "I'd hate to have to speak sternly to them again. It embarasses me to be so ineffective.
”
”
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
“
Passionate kisses, the intoxicating exchange of breath and saliva - and something more intimate - something there was no real name for, like a spark catching between us and taking light.
How had I forgotten this? How had I been satisfied with anything else?
Guy...Mel...it was like choosing celluloid kisses over the real thing. The real thing was raw and powerful and dangerous...but it was the real thing. Had I really believed I could make do with safe substitutes?
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
He’d set down his drink and leaned in. “Fine. You want me to elaborate, I will. Here’s the deal: I’m a guy. Generally speaking, we’re pretty simple folk. I know women always want to think we have these deep, romantic, and emotionally angsty thoughts going on in our heads, but in reality? Not so much. You women have layers and you’re complicated and mysterious and you say one thing, but you really mean another, and it’s this whole tricky package that intrigues us and scares us and challenges us all at the same time. But men aren’t like that. You talk about me not letting you in, but maybe what you don’t realize is this: there is no in.” He pointed to himself. “It’s all right here on the surface, Jessica. What you see is what you get.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
How fathomless the mystery of the Unseen is! We cannot plumb its depths with our feeble senses - with eyes which cannot see the infinitely small or the infinitely great, nor anything too close or too distant, such as the beings who live on a star or the creatures which live in a drop of water... with ears that deceive us by converting vibrations of the air into tones that we can hear, for they are sprites which miraculously change movement into sound, a metamorphosis which gives birth to harmonies which turn the silent agitation of nature into song... with our sense of smell, which is poorer than any dog's... with our sense of taste, which is barely capable of detecting the age of a wine!
Ah! If we had other senses which would work other miracles for us, how many more things would we not discover around us!
”
”
Guy de Maupassant (Le Horla et autres contes fantastiques (Classiques hachette))
“
As anyone who regularly reads newspapers or true-crime books knows, a significant percentage of violent crime, from kidnappings to shooting sprees, is the result of the frustrated sexual impulses and desires of males. By socializing guys like Sasha, Mystery and I were making the world a safer place.
”
”
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
“
She went on, “Yes, Porter and I did discuss divorce, and we realized we loved each other too much to do anything so silly.”
“That’s got to be a comfort to you now,” I said. “I can imagine how painful it would be to have someone you care for die with a lot of unresolved --”
“Yes!” she exclaimed. “That is exactly right!” She gave me an approving lashless gaze.
“See, gay guys always understand these things!”
“We’re born with that understanding gene,” I said.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like... the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
Hours may have passed before I heard a throat clear behind us, saw Dad appear. His frame blocked out the sun, casting a cool shadow over where we lay.
I registered only once he was there that I had slowly shifted so I was lying with my head on Elliot’s stomach, in our secluded stretch of sand. I pushed to sit up, awkwardly.
“What are you guys doing?”
“Nothing,” we said in unison.
I could hear immediately how guilty our joined answer made us sound.
“Really?” Dad asked.
“Really,” I answered, but he wasn’t looking at me anymore. He and Elliot were having some kind of male Windtalker exchange that included prolonged eye contact, throat clearing, and probably some mysterious form of direct communication between their Y chromosomes.
“We were just reading,” Elliot said finally, his voice shifting deeper midway through the sentence. I’m not sure if this sign of his impending manliness was reassuring or damning as far as my dad was concerned.
“Seriously, Dad,” I said.
His eyes flickered to mine.
“Okay.” Finally he seemed to relax and squatted down next to me. “What are you reading?”
“A Wrinkle in Time.”
“Again?”
“It’s so good.
”
”
Christina Lauren (Love and Other Words)
“
In other words there is something otherworldly about our existence here --something more than matter, more than the body and mind we have been discussing -- in short, something fundamentally and profoundly abstract. And I mention this aspect because it is not at all obvious, indeed scarcely notices by the great majority of us as we go about our daily lives.
”
”
Guy Murchie (The Seven Mysteries Of Life: An Exploration of Science and Philosophy)
“
So you're like a ... an amateur sleuth?"
"God no. I'm more like the hapless guys in those film-noir flicks we used to watch. I keep getting tangled up in bizarro events."
"Oh yes?” His eyes lit with enthusiasm. I was speaking his language now. “Guy Pearce in L.A. Confidential or William Hurt in Body Heat?"
"I was thinking more like Woody Allen in Play It Again, Sam.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”.
And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
”
”
Jess Walter (Beautiful Ruins)
“
Luke Ellis was the guy who went out of his way to be social so people wouldn’t think he was a weirdo as well as a brainiac. He checked all the correct interaction boxes and then went back to his books. Because there was an abyss, and books contained magical incantations to raise what was hidden there: all the great mysteries. For Luke, those mysteries mattered. Someday, in the future, he might write books of his own.
”
”
Stephen King (The Institute)
“
Subtle cues in your behavior will set the frame that you are a selective, high-value guy. She will pick up on this and gain interest. She expects that a guy with potential will be selective. Here are some standards worth considering:
An attractive woman who takes care of herself
A woman who is sociable and has friends
A woman who has a real thirst for life
A woman who has a great energy and a positive outlook
A woman who is not a flake
”
”
Erik Von Markovik (The Mystery Method: How to Get Beautiful Women Into Bed)
“
Russ decided the best defense was a good offense. "I'm Russell Van Alstyne, Millers Kill chief of police." He held out his hand. She shook firm, like a guy.
"Clare Fergusson," she said. "I'm the new priest at Saint Alban's. That's the Episcopal Church. At the corner of Elm and Church." There was a faint testiness in her voice. Russ relaxed a fraction. A woman priest. If that didn't beat all.
"I know which it is. There are only four churches in town." He saw the fog creeping along the edges of his glasses again and snatched them off, fishing for a tissue in his pocket. "Can you tell me what happened, um..." What was he supposed to call her? "Mother?"
"I go by Reverend, Chief. Ms. is fine, too."
"Oh. Sorry. I never met a woman priest before."
"We're just like the men priests, except we're willing to pull over and ask directions.
”
”
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
“
I hate you," she said.
I felt her hatred. I could smell it, even hear it coming out of her, but I sneered again. "I hope so," I said. "Because there must be something pretty fine about a guy who rates your hatred."
Then she said a strange thing; I remember it clearly. "I hope you die of heart failure," she said. "Right there in that chair."
It gave her keen satisfaction, even though I laughed. She walked away smiling. She stood at the bar again, waiting for more beer, and her eyes were fastened on me, brilliant with her strange wish, and I was unconfortable but still laughing. Now she was dancing again, gliding from table to table with her tray, and every time I looked at her she smiled her wish, until it had a mysterious effect on me, and I became conscious of my inner organism, of the beat of my heart and the flutter of my stomach. I felt that she would not come back to my table again, and I remember that I was glad of it, and that a strange restlessness came over me, so that I was anxious to get away from that place, and away from the range of her persistent smile.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
Quoting geneticists, Guy Murcia says we’re all family. You have at least a million relatives as close as tenth cousin, and no one on Earth is further removed than your fiftieth cousin. Murcia also describes out kinship though an analysis of how deeply we share the air. With each breath, you take into your body 10 sextillion atoms, and-owing to the wind’s ceaseless circulation- over a year’s time you have intimate relations with oxygen molecules exhaled by every person alive, as well as everyone who ever lived. (The Seven Mysteries of Life)
”
”
Rob Brezsny (Pronoia is the Antidote for Paranoia: How the Whole World is Conspiring to Shower You With Blessings)
“
We know what you are thinking. It is not girls who need lessons in how to talk on the telephone.
We are experts at it.
Some of us could even medal in it.
The problem is the boys. And they need to shape up.
True, true, true.
However.
The boys are not going to shape up. They are not going to read magazines or informational textbooks such as this one that tell them how to talk to girls on the telephone. And they are not going to magically figure out how to converse either. It is a demonstrated fact that even bona fide boyfriends such as Finn and Jackson and Kaleb are hit with paralyzing stupidity and boringness on the telephone, and you, my girlfriends, you are the only ones who can do anything about it.
Some tried-and-true tips
1. No feelings. Not if you can possibly avoid it. Feelings in person only.
2. No long silences. The male of the species hates long silences. If he is silent, say, “I gotta go, I’ll see you later.” And hang up. This is mysterious and alluring. And if it is not, at least you don’t have any more awkwardness.
3. Some people will tell you that you shouldn’t call guys, you should wait for them to call you. Hello? This is the twenty-first century. We can call them.
4. But have a reason. Don’t call “just to talk,” because they have nothing to talk about. Have a story to tell them, or ask if they watched some TV show just now, or ask about homework, or make a plan for the weekend.
”
”
E. Lockhart (The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them (Ruby Oliver, #2))
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
His cellphone alarm beeped. Now. Who would he nail?
A single target tonight. So, a single bullet in the gun.
David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face.
What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound.
The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other.
David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away.
David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now.
When he pulled the trigger, he orgasmed. Always did.
David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc.
Yes, that was better.
He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded.
They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
”
”
Michael Grigsby
“
The question that lingers is, how much was I a factor in my own survival, and how much was science, and how much miracle?
I don't have the answer to that question. Other people look to me for the answer, I know. But if I could answer it, we would have the cure for cancer, and what's more, we would fathom the true meaning of our existences. I can deliver motivation, inspiration, hope, courage, and counsel, but I can't answer the unknowable. Personally, I don't need to try. I 'm content with simply being alive to enjoy the mystery.
Good Joke:
A man is caught in a flood, and as the water rises he climbs to the roof of his house and waits to be rescued. A guy in a motorboat comes by, and he says, "Hop in, I'll save you."
"No thanks," the man on the rooftop says. "My Lord will save me."
But the floodwaters keep rising. A few minutes later, a rescue plane flies overhead and the pilot drops a line.
"No, thanks," the man on the rooftop says. "My Lord will save me."
But the floodwaters rise ever higher, and finally, they overflow the roof and the man drowns.
When he gets to heaven, he confronts God.
"My Lord, why didn't you save me?" he implores.
"You idiot," God says. "I sent a boat, I sent you a plane."
I think in a way we are all just like the guy on the rooftop. Things take place, there is a confluence of events and circumstances, and we can't always know their purpose, or even if there is one. But we can take responsibility for ourselves and be brave.
”
”
Lance Armstrong (It's Not About The Bike: My Journey Back To Life)
“
If you tell a guy in the street you're hungry you scare the shit out of him, he runs like hell. That's something I never understood. I don't understand it yet. The whole thing is so simple - you just say Yes when some one comes up to you. And if you can't say Yes you can take him by the arm and ask some other bird to help you out. Why you have to don a uniform and kill men you don't know, just to get that crust of bread, is a mystery to me. That's what I think about, more than about whose trap it's going down or how much it costs. Why should I give a fuck about what anything costs ? I'm here to live, not to calculate. And that's just what the bastards don't want you to do - to live! They want you to spend your whole life adding up figures. That makes sense to them. That's reasonable. That's intelligent. If I were running the boat things wouldn't be so orderly perhaps, but it would be gayer, by Jesus! You wouldn't have to shit in your pants over trifles. Maybe there wouldn't be macadamized roads and streamlined cars and loudspeakers and gadgets of a million-billion varieties, maybe there wouldn't even be glass in the windows, maybe you'd have to sleep on the ground, maybe there wouldn't be French cooking and Italian cooking and Chinese cooking, maybe people would kill each other when their patience was exhausted and maybe nobody would stop them because there wouldn't be any jails or any cops or judges, and there certainly wouldn't be any cabinet ministers or legislatures because-there wouldn't be any goddamned laws to obey or disobey, and maybe it would take months and years to trek from place to place, but you wouldn't need a visa or a passport or a carte d'identite because you wouldn't be registered anywhere and you wouldn't bear a number and if you wanted to change your name every week you could do it because it wouldn't make any difference since you wouldn't own anything except what you could carry around with you and why would you want to own anything when everything would be free?
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening: 'And then the Master of the house came to him and said: "I won't let you go, I'll tie you up and bind you tight and you'll rot under the fallen branches!"' That's the way to make people wary of anomalous phenomena! Kids sense that, you know–it's no wonder they love telling stories about the Black Han and the Coffin on Wheels. But modern literature, and especially the movies, it all just dilutes that instinctive horror. How can you feel afraid of Dracula, if he's been killed a hundred times? How can you be afraid of aliens, if our guys always squelch them? Yes, Hollywood is the great luller of human vigilance. A toast–to the death of Hollywood, for depriving us of a healthy fear of the unknown!
”
”
Sergei Lukyanenko (Twilight Watch (Watch, #3))
“
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it.
Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do?
In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work.
We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back.
A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
”
”
Douglas Adams
“
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...]
"So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could. . ." Fenchurch thought about it.
"I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .'
Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine."”
"We went through the whole packet like this. Him, me, him, me . . ."
"The whole packet?"
"Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time."
"Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling."
"There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course.
"As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ."
"Yes?"
"Were my biscuits."
"What?" said Fenchurch. "What?"
"True."
"No!
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
In the beginning, there’s a blank mind. Then that mind gets an idea in it, and the trouble begins, because the mind mistakes the idea for the world. Mistaking the idea for the world, the mind formulates a theory and, having formulated a theory, feels inclined to act. Because the idea is always only an approximation of the world, whether that action will be catastrophic or beneficial depends on the distance between the idea and the world. Mass media’s job is to provide this simulacra of the world, upon which we build our ideas. There’s another name for this simulacra-building: storytelling. Megaphone Guy is a storyteller, but his stories are not so good. Or rather, his stories are limited. His stories have not had time to gestate—they go out too fast and to too broad an audience. Storytelling is a language-rich enterprise, but Megaphone Guy does not have time to generate powerful language. The best stories proceed from a mysterious truth-seeking impulse that narrative has when revised extensively; they are complex and baffling and ambiguous; they tend to make us slower to act, rather than quicker. They make us more humble, cause us to empathize with people we don’t know, because they help us imagine these people, and when we imagine them—if the storytelling is good enough—we imagine them as being, essentially, like us. If the story is poor, or has an agenda, if it comes out of a paucity of imagination or is rushed, we imagine those other people as essentially unlike us: unknowable, inscrutable, inconvertible. Our venture in Iraq was a literary failure, by which I mean a failure of imagination. A culture better at imagining richly, three-dimensionally, would have had a greater respect for war than we did, more awareness of the law of unintended consequences, more familiarity with the world’s tendency to throw aggressive energy back at the aggressor in ways he did not expect. A culture capable of imagining complexly is a humble culture. It acts, when it has to act, as late in the game as possible, and as cautiously, because it knows its own girth and the tight confines of the china shop it’s blundering into. And it knows that no matter how well-prepared it is—no matter how ruthlessly it has held its projections up to intelligent scrutiny—the place it is headed for is going to be very different from the place it imagined. The shortfall between the imagined and the real, multiplied by the violence of one’s intent, equals the evil one will do.
”
”
George Saunders (The Braindead Megaphone)
“
Tell me the story," said Fenchurch firmly. "You arrived at the station."
"I was about twenty minutes early. I'd got the time of the train wrong."
"Get on with it." Fenchurch laughed.
"So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee."
"You do the crossword?"
"Yes."
"Which one?"
"The Guardian usually."
"I think it tries to be too cute. I prefer The Times. Did you solve it?"
"What?"
"The crossword in the Guardian."
"I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee."
"All right then. Buy the coffee."
"I'm buying it. I am also," said Arthur, "buying some biscuits."
"What sort?"
"Rich Tea."
"Good Choice."
"I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round."
"All right."
"So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he look like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine.
”
”
Douglas Adams
“
Tabula Rasa can make you feel like you’ve taken a train to Bizarro world. I remember my very first night here—and this is goin’ on fifteen years ago—I was takin’ a walk downtown, tryin’ to get a feel for the place. And I’m walkin’ through a construction site—and it was all construction sites back then, you understand—and I come across this hole in the ground, ’bout ten feet in diameter. I look down and I can’t see a bottom, so I pull a quarter out of my pocket and toss it down, and listen for a clink or a splash. Nothin’. Coin just tumbles into the darkness and disappears. So now I’m real curious, and I look around for somethin’ else to throw down there. And teeterin’ right on the edge of the hole is an old refrigerator. So, I circle around and I give it a good kick and it tumbles down into the hole. I hear it bang off the side a few times but once again, there’s no crash, no splash, like it just kept fallin’ forever. It was the strangest thing. So I figure this is the first of this city’s many unknowable mysteries and I start to go on about my way. But then I see the second strange thing—this goat, it goes flying past me, in midair. Like it was fired from a cannon. And now I think I’m losin’ my mind, like maybe it’s not just tobacco in my cigar, if you know what I’m sayin’. So I walk along and I come across a guy sittin’ on the curb and I say, ‘Holy cow, partner, did you see that goat?’ And the fella says, ‘Well, that’s my goat.’ And I say, ‘Well, I hate to tell ya, but I think it’s gone. It took off flyin’.’ And the fella says, ‘That’s impossible. I had him chained to a refrigerator.’” Zoey stared for a moment, then snorted a laugh that almost caused her to choke on her sandwich.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))