Joy Inside Out 2 Quotes

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Instructions for freedom": 1. Life's metaphors are God's instructions. 2. You have just climbed up and above the roof, there is nothing between you and the Infinite; now, let go. 3. The day is ending, it's time for something that was beautiful to turn into something else that is beautiful. Now, let go. 4. Your wish for resolution was a prayer. You are being here is God's response, let go and watch the stars came out, in the inside and in the outside. 5. With all your heart ask for Grace and let go. 6. With all your heart forgive him, forgive yourself and let him go. 7. Let your intention be freedom from useless suffering then, let go. 8. Watch the heat of day pass into the cold night, let go. 9. When the Karma of a relationship is done, only Love remains. It's safe, let go. 10. When the past has past from you at last, let go.. then, climb down and begin the rest of your life with great joy.
Elizabeth Gilbert (Eat, Pray, Love)
He pulled her close and kissed her. Happiness and joy settled around them like a warm cloak. And gentleness spurred passion. His kiss deepened and a soft, low moan eased out of his throat. He wiggled on the bed beneath her, letting her feel the resurgence of his passion inside her. "I'm ready to do it again," he said plainly. "You can't do it twice," she answered, giggling. "Why not?" "You just can't," Althea told him. "Men do it one time and then they rest up for a day or two." "I think I'm rested up enough," he told her. "Jesse, I know what I'm talking about," she said with confidence. "I was married for over two years. And I know all about it. You can't be ready to do it again." He proved her wrong.
Pamela Morsi (Simple Jess (Tales from Marrying Stone, #2))
Love is intimacy, Eli. Love is feeling protected, trusted, secure with yourself. Love is feeling like you’re home. Like there is nowhere else you want to be than in your person’s arms. Love is feeling this unbridled connection with another human, a connection so strong that when they’re not around, you feel . . . empty, incomplete. And love grows with intensity as your relationship grows. It starts small, like this tiny kernel needling at your back, bringing awareness to your brain that something is taking over and that an emotion is growing inside you. And as time passes, that kernel blooms into something bigger, something that eclipses your heart and takes up room in your chest, so when you see your person, all you can do is let out a deep breath of relief because they’re there. With you. For you. And if that person is the right person, if they’re truly the match to your soul, then they will make sure that nothing bad ever happens to you. That no matter what life throws at you—death, joy, heartache—they will be there, by your side, holding your hand, and reminding you that despite what you might be going through, there is always a home in their arms.
Meghan Quinn (Those Three Little Words (The Vancouver Agitators, #2))
You need a battle plan,” Matt advised. “I never left the base without detailed reconnaissance and a battle plan. It’s why I came home alive.” Tate chuckled in spite of himself. “She’s a woman, not an enemy stronghold.” “That’s what you think,” Matt said, pointing a spoon in the other man’s direction before he lowered it into his cup. “Most women are enemy strongholds,” he added, with a wicked glance at his smiling wife. “You have to storm the gates properly.” “He knows all about storming gates, apparently,” Leta said with faint sarcasm. “Otherwise, we wouldn’t be expecting a grandchild…” She gasped and looked at Matt. “A grandchild. Our grandchild,” she emphasized with pure joy. Matt glanced at Tate. “That puts a whole new face on things, son,” he said, the word slipping out so naturally that it didn’t even seem to surprise Tate, who smiled through his misery. “You go to Tennessee and tell Cecily she’s marrying you,” Leta instructed her son. “Sure,” Tate said heavily. “After all the trouble I’ve given her in the past weeks, I’m sure she can’t wait to rush down the aisle with me.” “Honey catches more flies than vinegar,” Matt said helpfully. “If I go down there with any honey, I’ll come home wearing bees.” Leta chuckled. “You aren’t going to give up?” Matt asked. Tate shook his head. “I can’t. I have to get to her before Gabrini does, although I’m fairly sure he has no more idea where she really is than I did until today. I just have to find a new approach to get her back home. God knows what.” He sipped more coffee and glanced from one of his parents to the other. He felt as if he belonged, for the first time in his life. It made him warm inside to consider how dear these two people suddenly were to him. His father, he thought, was quite a guy. Not that he was going to say so. The man was far too arrogant already.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Muscles contract somewhere above the roof of my mouth, pumping venom into her bloodstream. Kelly cries out, a gasp of pain that turns suddenly to moans of euphoria as the carotids rush the narcotic serum directly to her brain. Her knees buckle, and I reach down to steady her — one arm over her breasts, the other around her waist as I hold her tightly to myself. Then the blood begins to flow, seeping out of the wounds I have made, and I put my lips to her skin and drink. There are no words adequate to describe it. My mind explodes with a wash of light and color, swirling and dancing before my eyes. Then the Sharing truly begins, and I can see inside her: images of her memories, her thoughts, her hopes and dreams, the way she remembers her past and how she imagines her future. Her joys; her grief; that which she loves and that she despises, what stirs her fire and chills her bones. And through it all, I feel the touch of her presence, and I know that she sees the same things inside of me. Blood is more than matter, more than plasma and hemoglobin. Blood is life, the river on which the spirit flows. And as Kelly's blood flows into me, it carries her life with it, until my soul entwines with hers. She has given a part of herself to me, and from this day forth we are bound to each other.
Chris Lester (Huntress (Metamor City, #2))
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out. The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone’s consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
Vasily Grossman (Life and Fate (Stalingrad, #2))
As she descends the staircase, I’m rooted to the spot, staring up at her. Instead of walking down the stairs, I see her walking down an aisle toward me. Instead of an evening gown, I see her in a white wedding dress. I see what Nessa would look like if she were my bride. It’s like a vision. Time slows, sound fades away, and all I can see is this girl—a little shy, a little nervous, but radiating a sort of joy that can never be snuffed out of her. Because it doesn’t come from circumstance or situation. It comes from the goodness inside of her.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
Don’t worry about your schedule, your business, your family, or your friends. Just focus with me and really open your mind. In your mind’s eye, see yourself going to the funeral of a loved one. Picture yourself driving to the funeral parlor or chapel, parking the car, and getting out. As you walk inside the building, you notice the flowers, the soft organ music. You see the faces of friends and family you pass along the way. You feel the shared sorrow of losing, the joy of having known, that radiates from the hearts of the people there. As you walk down to the front of the room and look inside the casket, you suddenly come face-to-face with yourself. This is your funeral, three years from today. All these people have come to honor you, to express feelings of love and appreciation for your life. As you take a seat and wait for the services to begin, you look at the program in your hand. There are to be four speakers. The first is from your family, immediate and also extended—children, brothers, sisters, nephews, nieces, aunts, uncles, cousins, and grandparents who have come from all over the country to attend. The second speaker is one of your friends, someone who can give a sense of what you were as a person. The third speaker is from your work or profession. And the fourth is from your church or some community organization where you’ve been involved in service. Now think deeply. What would you like each of these speakers to say about you and your life? What kind of husband, wife, father, or mother would you like their words to reflect? What kind of son or daughter or cousin? What kind of friend? What kind of working associate? What character would you like them to have seen in you? What contributions, what achievements would you want them to remember? Look carefully at the people around you. What difference would you like to have made in their lives? Before you read further, take a few minutes to jot down your impressions. It will greatly increase your personal understanding of Habit 2.
Stephen R. Covey (The 7 Habits of Highly Effective People: Revised and Updated: Powerful Lessons in Personal Change)
Before then stood Lessa Craier. “Mother,” said Inara, her breath catching in her throat. Behind her, rather worse for wear, was another dead woman: Kissen. “Ina?” the godkiller said, her voice hoarse and breaking. She looked terrible. Worse than Inara felt. But Lessa Craier looked wonderful: her blade out and bloody, poised. Her mother’s long hair was slicked in a perfect braid, her tabard edged in Craier green and silver, embroidered with birds and leaves, and her leather chest plate was the same one she had kept in her armoury in their manor. Their burned manor. It took hearing Kissen call Ina’s name for Lessa’s mouth to tighten in recognition. No wonder: Inara must look very different to the soft little girl who had never left her home. Her mother’s colours fractured out into white, pure panic, then shifted into a fountain of golden foam, love or relief, before disappearing once more. Pulled back inside her frame. Hidden. Kissen moved. Inara didn’t have time to think before the veins charged past Lessa and pulled Inara away from the fire and into her arms, far from Arren’s blade. “Kissen,” Inara said tentatively. She was real. She was completely real. No dream could smell so bad. Inara grabbed her back, holding in for safety, for terror and grief. “You’re…you’re alive.” She held her, tightly, as tight as she could hold a thing, and Kissen held her back as if she could use her body to shield her from the world. Lessa didn’t come to her, Lessa didn’t move. “And kicking,” Kissen said. “Barely. I’m so sorry, I tried…I tried to come back to you.” “Kissen!” Joy was on Elo’s face and in his colours, shining the mellow hues of fresh-baked bread with the reds of Kissen’s hair. “Quiet,” said Arren, holding him tighter, but even the knife to his throat couldn’t dim Elo’s utter relief. “Elogast,” said Kissen, her voice gruff with emotion, her eyes going from the knife, to Arren, and back to Elo, calculating. She covered it with a joke: “Looks like you’re in trouble again.” Elo huffed out a breath of a laugh. “I should have known…” he said, his voice cracking with exhaustion and wonder. He grinned. “I should have known you were too stubborn to die.
Hannah Kaner (Sunbringer (Fallen Gods, #2))
Before them stood Lessa Craier. “Mother,” said Inara, her breath catching in her throat. Behind her, rather worse for wear, was another dead woman: Kissen. “Ina?” the godkiller said, her voice hoarse and breaking. She looked terrible. Worse than Inara felt. But Lessa Craier looked wonderful: her blade out and bloody, poised. Her mother’s long hair was slicked in a perfect braid, her tabard edged in Craier green and silver, embroidered with birds and leaves, and her leather chest plate was the same one she had kept in her armoury in their manor. Their burned manor. It took hearing Kissen call Ina’s name for Lessa’s mouth to tighten in recognition. No wonder: Inara must look very different to the soft little girl who had never left her home. Her mother’s colours fractured out into white, pure panic, then shifted into a fountain of golden foam, love or relief, before disappearing once more. Pulled back inside her frame. Hidden. Kissen moved. Inara didn’t have time to think before the veiga charged past Lessa and pulled Inara away from the fire and into her arms, far from Arren’s blade. “Kissen,” Inara said tentatively. She was real. She was completely real. No dream could smell so bad. Inara grabbed her back, holding in for safety, for terror and grief. “You’re…you’re alive.” She held her, tightly, as tight as she could hold a thing, and Kissen held her back as if she could use her body to shield her from the world. Lessa didn’t come to her, Lessa didn’t move. “And kicking,” Kissen said. “Barely. I’m so sorry, I tried…I tried to come back to you.” “Kissen!” Joy was on Elo’s face and in his colours, shining the mellow hues of fresh-baked bread with the reds of Kissen’s hair. “Quiet,” said Arren, holding him tighter, but even the knife to his throat couldn’t dim Elo’s utter relief. “Elogast,” said Kissen, her voice gruff with emotion, her eyes going from the knife, to Arren, and back to Elo, calculating. She covered it with a joke: “Looks like you’re in trouble again.” Elo huffed out a breath of a laugh. “I should have known…” he said, his voice cracking with exhaustion and wonder. He grinned. “I should have known you were too stubborn to die.
Hannah Kaner (Sunbringer (Fallen Gods, #2))
God Is Miserable When His People Sin. It grieves the heart of God when His people follow false gods. This misery is compassionate because He knows that sin destroys from the inside out. He knows that sin cannot make us happy or fulfilled. When He sees us choose what will destroy us, He suffers. Eli Gautreaux points out that “when a child is lost, it is the father who suffers.”2 Anyone who has lost a child in a shopping mall or other public place can identify with the agony of the heavenly Father when His children wander away foolishly.
Dick Brogden (Live Dead Joy: 365 Days of Living and Dying with Jesus)
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
She kissed me and I thought I was going to rip into nothing, the joy carving me into pieces from the inside out.
Laekan Zea Kemp (The Boy In Her Dreams (The Girl In Between, #2))
Love is feeling protected, trusted, secure with yourself. Love is feeling like you’re home. Like there is nowhere else you want to be than in your person’s arms. Love is feeling this unbridled connection with another human, a connection so strong that when they’re not around, you feel . . . empty, incomplete. And love grows with intensity as your relationship grows. It starts small, like this tiny kernel needling at your back, bringing awareness to your brain that something is taking over and that an emotion is growing inside you. And as time passes, that kernel blooms into something bigger, something that eclipses your heart and takes up room in your chest, so when you see your person, all you can do is let out a deep breath of relief because they’re there. With you. For you. And if that person is the right person, if they’re truly the match to your soul, then they will make sure that nothing bad ever happens to you. That no matter what life throws at you—death, joy, heartache—they will be there, by your side, holding your hand, and reminding you that despite what you might be going through, there is always a home in their arms.
Meghan Quinn (Those Three Little Words (The Vancouver Agitators, #2))
If I see…, you’ll…. Permanently. Now leave. …. You wish. You couldn’t look horrible if you tried. In public, you’re my princess, but in private, you’re my whore. I was pure sensation, fire inside and out, and the last coherent I had before another volcano erupted, melted me into nothing. You don’t need a crown to be a queen, princess. She wasn’t mine to take, but I was taking her anyway. Her laughs, her fears, her joy and her pain. Every inch of her body and beat of her heart. All mine. It’s not that I didn’t believe in love before. It’s that I was saving it all for you.
Ana Huang (Twisted Games (Twisted, #2))
• If I see…, you’ll…. Permanently. Now leave. • …. You wish. • You couldn’t look horrible if you tried. • In public, you’re my princess, but in private, you’re my whore. • I was pure sensation, fire inside and out, and the last coherent I had before another volcano erupted, melted me into nothing. • You don’t need a crown to be a queen, princess. • She wasn’t mine to take, but I was taking her anyway. Her laughs, her fears, her joy and her pain. Every inch of her body and beat of her heart. All mine. • It’s not that I didn’t believe in love before. It’s that I was saving it all for you.
Ana Huang (Twisted Games (Twisted, #2))
The Bible tells us, “the young woman was lovely and beautiful….” Not just lovely, not just beautiful, but lovely AND beautiful — that’s Esther. In the King James translation, she is described as “fair and beautiful”. The word “fair” comes from the word “to’ar”. This word, when literally translated, means lovely on the outside. Esther’s outward appearance was very pleasing.2 The word “beautiful” comes from the word “tobe”. This word, literally translated, goes far beyond external beauty. It means “good in the widest sense, used as a noun…. also as an adverb: beautiful, cheerful, at ease, fair, in favor, glad, good….. gracious, joyful, kindly…. loving, merry, most pleasant, precious, prosperity, ready, sweet, well.”3 These words give us a much more accurate view of Esther: she is more than beautiful! Please take note that Esther’s circumstance did not dictate her attitude. Esther’s life does not sound easy by any means. First, she is living in a city that has not been entirely friendly to Jewish people, even though the captivity is over. On top of that, she has lost her parents and any other family other than Mordecai. In spite of these hardships, she is described as lovely and beautiful — inside and out! Esther has not allowed herself to become bitter over circumstances that were out of her control. This is a wonderful example for us to follow: as we are faithful to God, He is faithful to us. Rather than allowing situations to make us disagreeable, we need to keep our focus on the Lord. Allow Him to move through everything that comes to you, both good and bad. In the end, you are a child of the true King! Though great times and hard times, God is working out a perfect plan for you! These inner strengths and qualities in Esther are about to become necessary for her very survival. If the hardships of life in Persia could not make Esther bitter, another test of her character is about to come: Ahasuerus’ servants are out collecting young women as potential candidates to be queen. At first, such an opportunity may seem exciting, but consider that these young women are being given no choice in the matter. Possibly afraid, definitely alone, each were taken from their homes and families by force. So it was, when the king’s command and decree were heard, and when many young women were gathered at Shushan the citadel, under the custody of Hegai, that Esther also was taken to the king’s palace, into the care of Hegai the custodian of the women. Esther 2:8 NJKV After the virgins in the kingdom are gathered, they are taken to Hegai “the custodian of the women”. Hegai is going to “weed out” any women whom he thinks will not be suitable for the king. He will look them over and if they are pretty enough to keep around, he orders their beauty preparations. What will Hegai think when he meets Esther? Now the young woman pleased him, and she obtained his favor; so he readily gave beauty preparations to her, besides her allowance. Then seven choice maidservants were provided for her from the king’s palace, and he moved her and her maidservants to the best place in the house of the women. Esther 2:9 Esther impressed Hegai from the first, and he immediately agreed to begin her beauty preparations as well as her diet (“her allowance”). Esther is going on to “round two” in this “pageant”! Initially this may sound glamorous, but this is truly a “fish out of water” situation for Esther. Remember the description of the palace in chapter 1? Esther has never seen anything like the excess in Ahasuerus’ palace and, considering her background, is probably very uncomfortable. She has been raised to have a simple faith in God, and this palace may feel to her like one huge tribute to a man: Ahasuerus (and knowing him, it probably is!). Add this to her already isolated and lonely feeling that must have
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here! —2 Corinthians 5:17 (NIV) It’s amazing what a few gallons of butter-yellow paint can do for your soul. As I stepped out of a difficult year that included financial hardship and a painful divorce, I wanted my home to reflect not only my survival, but also my hope and renewed joy. I got rid of every painting and hung up blank white canvases waiting for colors and inspiration. Old photos were taken down and new ones were framed. My dingy linoleum floors were covered by bright laminate wood, and the dining room chairs were newly dressed in dark, childproof upholstery. As my home was undergoing its slow rebirth, I asked advice from carpenters who had come to my church on a missions trip from North Carolina. “I’m thinking of building a loft bed for my boys,” I said. I wanted them to have space for all their toys. “Is it safe to use my old bed frame to build it?” “Why don’t you wait till we get back to New York City next month?” they responded. I waited and painted my sons’ walls the color of sunny skies, and when the team finally returned they had a surprise waiting for me: the loft bed! I was overwhelmed by their generosity and love. As they installed the bed, I could feel God’s hand in it. He’d done so much to transform me on the inside and now He was helping me transform everything else. Lord, thank You for the gift of renewal. —Karen Valentin Digging Deeper: Rom 12:2; 1 Pt 1:13
Guideposts (Daily Guideposts 2014)
God takes everyone he loves through a desert. It is his cure for our wandering hearts, restlessly searching for a new Eden. Here’s how it works. The first thing that happens is we slowly give up the fight. Our wills are broken by the reality of our circumstances. The things that brought us life gradually die. Our idols die for lack of food. That is what happened to Emily in Guatemala. That is what happened to Jill with Kim. The still, dry air of the desert brings the sense of helplessness that is so crucial to the spirit of prayer. You come face-to-face with your inability to live, to have joy, to do anything of lasting worth. Life is crushing you. Suffering burns away the false selves created by cynicism or pride or lust. You stop caring about what people think of you. The desert is God’s best hope for the creation of an authentic self. Desert life sanctifies you. You have no idea you are changing. You simply notice after you’ve been in the desert awhile that you are different. Things that used to be important no longer matter. For instance, before Kim was born, we used to have one of the kids comb the fringes of the living-room rug so it was perfect. Now we are lucky to find a comb for our own hair. After a while you notice your real thirsts. While in the desert David writes, O God, you are my God; earnestly I seek you; my soul thirsts for you; my flesh faints for you, as in a dry and weary land where there is no water. PSALM 63:1 The desert becomes a window to the heart of God. He finally gets your attention because he’s the only game in town. You cry out to God so long and so often that a channel begins to open up between you and God. When driving, you turn off the radio just to be with God. At night you drift in and out of prayer when you are sleeping. Without realizing it, you have learned to pray continuously. The clear, fresh water of God’s presence that you discover in the desert becomes a well inside your own heart. The best gift of the desert is God’s presence. We see this in Psalm 23. In the beginning of the psalm, the Shepherd is in front of me—“he leads me beside still waters” (verse 2); at the end he is behind me—“goodness and faithful love will pursue me” (verse 6, HCSB); but in the middle, as I go through “the valley of the shadow of death,” he is next to me—“I will fear no evil, for you are with me” (verse 4). The protective love of the Shepherd gives me the courage to face the interior journey. YOU CRY OUT TO GOD SO LONG AND SO OFTEN THAT A CHANNEL BEGINS TO OPEN UP BETWEEN YOU AND GOD.
Paul E. Miller (A Praying Life: Connecting with God in a Distracting World)
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She pressed against him, the thrust of her hips no longer moving in a measured circular motion, but a jagged, erratic, desperate motion. She was near the edge. "August, August," she repeated over and over like she was in a trance. He twisted his fingers inside her and ground the palm of his hand against her, right against her clit. He pinched her nipple with his other hand. Her back arched as she came against his fingers, her body shaking, her eyes dazed with wonder and joy as a loud, prolonged cry spilled from her lips. Watching Sloane come was one of the top highlights of his life. But they weren't done. Once again, he turned their bodies. This time, Sloane landed underneath him. He hastily procured a condom from the nightstand drawer, donned it, and covered Sloane's warm, tempting body in less than ten seconds. She welcomed him back with open arms. He wasted no time, thrusting inside her in one smooth glide. He burrowed his head in her shoulder as his skin buzzed with lust. How had he denied himself for this long? Being with her like this left nirvana in the dust. Then she twined her legs around his waist and lifted her hips. "Oh, shit." How was it possible that this position felt even better? "August, please. Move." "Yes, ma'am." Her wish would always be his command. Her cries of harder, faster urged him on. She liked hard, long strokes. He could do this for the rest of his life if that's what she wanted. Each time she whimpered when he retreated, only to cry out in ecstasy when he returned, made his heart soar. Made his determination to make it even better for her to soar. The tingle started at the base of his spine and spread to his extremities. He wouldn't last much longer. But not without her. Never without her. He kissed her again and found her clit. When she got close, she liked him to press hard against the bundle of nerves. With her cries ringing in his ears, he came, stars shooting across his eyes, shaking with the intensity of the orgasm.
Jamie Wesley (A Legend in the Baking (Sugar Blitz, #2))
When lunchtime comes, as always, I run to Library 1.2. I run my fingers along the edges of the books and follow the path to the romance section, looking for the seventeenth book in the ninth row of the third shelf. This is my routine and I adore every moment of it. One of the pages of the book is different from the rest; it was glued in to replace the original page, which had been torn out. On the patched page, I find my favorite passage from the story. I sit on the floor and read. “How’s the patient?” he asked Derby. “Dead to the world.” “But not actually dead.” “No.” “How nice—to feel nothing, and still get full credit for being alive.” I close the book and think of my best friend. How I wish he were here to see everything we achieved together. So he could see how our mission changed the lives of hundreds of thousands of people. I wanted to see the look of joy in his eyes as we admired together the demolition of the Wall. Of all the wishes, I wanted to talk to him about rhymes and metrics, sonnets and quatrains, about all the things I’ve been learning at school. Sometimes, the longing hits so hard that I feel as if part of me died with him. As if part of my soul went with Mário, because I’ve never felt complete, whole, again. I feel broken, old scrap. I know Mário wanted to bring change to Redentor, but there are times when I feel it wasn’t worth it. I know it’s selfish, but I would trade all this sea of smiles on strangers’ faces to have a life by my friend’s side. I know he sacrificed himself for the good of all, but I allow myself to be a little selfish. Just a little. Two of the few things I asked for after my participation in the revolution were Firstborn's box and Mário’s chip. At first, many came to me, trying to convince me to engage in political struggle, to be a poster boy, but my mother didn’t allow it. He’s going to school, she said. His mission is over. Now, he’s going to be a child. I like that my mother protects me from the adult world. And all I want is to be a normal boy and live my days peacefully. I no longer want to be involved in shootouts, explosions, and revolutions, of that I’m sure. But she’s wrong about one thing: my mission is not over yet. It all began with Mário by my side, and it will only end with him by my side again. Every night, before sleeping, I fiddle and tinker with the insides of that computer, just waiting to see that red light turn on and the sides of the lenses spin in processing. So far, all I’ve gotten are some light shocks. Even old Jeremias has already said the chip is completely broken, beyond repair. I refuse to give up. – Today’s the day – I say to myself as I unscrew the computer. I replace the old wiring with new ones, clean the processor and run the chip through an advanced recovery system. I work for two hours hunched over the table. I plug the machine in and press the button. Nothing. Zero. Absolutely nothing. I sigh. I don’t let discouragement or despair take hold of me. Tomorrow, I will continue. And if tomorrow the red light doesn’t turn on, I’ll try the day after tomorrow. And after that, and after that, and after that. I will work until there’s no more tomorrow. “Everything works out in the end. If it’s not right, it’s because it’s not the end yet.” It was a robot who liked poetry who taught me: That's how life works.
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