“
Ode to an Expiring Frog
Can I view thee panting, lying
On thy stomach, without sighing!
Can I unmoved see thee dying
On a log,
Expiring frog!
Say, have fiends in shape of boys,
With wild halloo and brutal noise,
Hunted thee from marshy joys,
With a dog,
Expiring frog?
”
”
Charles Dickens (The Pickwick Papers)
“
That one small noise brought back the old days to the children’s minds more than anything that had happened yet. All the battles and hunts and feasts came rushing into their heads together.
”
”
C.S. Lewis
“
What is that?” The question is inane. But, honestly, what the fuck am I supposed to do with this? Alex chuckles nervously. As is appropriate since I’m holding his dick and I’m clearly not sane. “I mean, I know what it is. Obviously. Do you have some kind of . . . disorder? Like elephantiasis of the penis or something?” I did not say that out loud. “It’s not that big.” His erection slides in my grip. I can’t stop staring. My thumb and middle finger must have a good inch or more before they can meet. I squeeze to see if it helps bring them closer together. It doesn’t. What it does is make Alex groan, and that, oh holy monster of cock, is one hot noise.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
We’re both making noises similar to the soundtrack of a porno—they’re coming from me because I’m finally touching his ridiculously huge dick again; and I assume it probably feels good for Alex, too.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
The result was enough noise to wake the dead, one of whom started hammering on the bathroom door.
“Miss Palmer. Are you all right?
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
I know your race. It is made up of sheep. It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong; but no matter, the crowd follows it. The vast majority of the race, whether savage or civilized, are secretly kind-hearted and shrink from inflicting pain, but in the presence of the aggressive and pitiless minority they don't dare to assert themselves. Think of it! One kind-hearted creature spies upon another, and sees to it that he loyally helps in iniquities which revolt both of them. Speaking as an expert, I know that ninety- nine out of a hundred of your race were strongly against the killing of witches when that foolishness was first agitated by a handful of pious lunatics in the long ago. And I know that even to-day, after ages of transmitted prejudice and silly teaching, only one person in twenty puts any real heart into the harrying of a witch. And yet apparently everybody hates witches and wants them killed. Some day a handful will rise up on the other side and make the most noise--perhaps even a single daring man with a big voice and a determined front will do it--and in a week all the sheep will wheel and follow him, and witch-hunting will come to a sudden end.
Monarchies, aristocracies, and religions are all based upon that large defect in your race--the individual's distrust of his neighbor, and his desire, for safety's or comfort's sake, to stand well in his neighbor's eye. These institutions will always remain, and always flourish, and always oppress you, affront you, and degrade you, because you will always be and remain slaves of minorities. There was never a country where the majority of the people were in their secret hearts loyal to any of these institutions.
”
”
Mark Twain (The Mysterious Stranger)
“
He enjoyed reading and writing. He liked words. Words didn't shout or make loud noises, which pretty much defined the rest of his family. They didn't involve getting muddy in the freezing cold. They didn't hunt inoffensive animals, either. They did what he told them to. So, he'd said, he wanted to write.
”
”
Terry Pratchett (The Truth: Stage Adaptation)
“
When she came back minutes later with a great, fat, skinned rabbit, Po had built a fire. The flames cast orange light on the horses and on himself. "It was the least I could do," Po said, drily, "and I see you've already skinned the hare. I'm beginning to think I won't have much responsibility as we travel through the forest together."
"Does it other you? You're welcome to do the hunting yourself. Perhaps I can stay by the fire and mend your socks, and scream if I hear strange noises.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
One day you woke up, looked around and started saying things like, “It was better back then,” or, “Music nowadays is just noise,” and when the words leave your lips, you’re stunned, thinking, man, when did this old guy appear?
”
”
John Hunt (Doll House)
“
So he was always in the town at one place or another, drinking, knocking about with the men he knew. It really wearied him. He talked to barmaids, to almost any woman, but there was that dark, strained look in his eyes, as if he were hunting something.
Everything seemed so different, so unreal. There seemed no reason why people should go along the street, and houses pile up in the daylight. There seemed no reason why these things should occupy the space, instead of leaving it empty. His friends talked to him: he heard the sounds, and he answered. But why there should be the noise of speech he could not understand.
”
”
D.H. Lawrence (Sons and Lovers)
“
Hunting Verse—"Feet that make no noise; eyes that can see in the dark; ears that can hear the winds in their lairs, and sharp white teeth, all
”
”
Rudyard Kipling (The Jungle Book)
“
Since well before the Kung's engine noise first penetrated the forest, a conversation of sorts has been unfolding in this lonesome hollow. It is not a language like Russian or Chinese but it is a language nonetheless, and it is older than the forest. The crows speak it; the dog speaks it; the tiger speaks it, and so do the men--some more fluently than others.
”
”
John Vaillant (The Tiger: A True Story of Vengeance and Survival)
“
What makes him successful is the way that he analyzes information. He is not just hunting for patterns. Instead, Bob combines his knowledge of statistics with his knowledge of basketball in order to identify meaningful relationships in the data.
”
”
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
“
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room.
It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong."
"Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all."
Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time."
There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..."
"A ruffian?" Daisy suggested innocently.
This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'"
"Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face.
Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems."
Cam's golden eyes narrowed into tigerish slits.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Everything about the hawk is tuned and turned to hunt and kill. Yesterday I discovered that when I suck air through my teeth and make a squeaking noise like an injured rabbit, all the tendons in her toes instantaneously contract, driving her talons into the glove with terrible, crushing force. This killing grip is an old, deep pattern in her brain, an innate response that hasn't yet found the stimulus meant to release it. Because other sounds provoke it: door hinges, squealing breaks, bicycles with unoiled wheels - and on the second afternoon, Joan Sutherland singing an aria on the radio. Ow. I laughed out loud at that. Stimulus: opera. Response: kill.
”
”
Helen Macdonald (H is for Hawk)
“
What makes him successful is the way that he analyzes information. He is not just hunting for patterns.
”
”
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
“
There isn't any point to it. I'm not getting anywhere. No start, middle, or end. The children scream and I scream, and the noise we make goes out and down and round and round and round.
”
”
Samantha Hunt (Mr. Splitfoot)
“
...when you’re property-hunting and you’re running out of patience it’s easy to make bad decisions. New York in particular has a way of making people twist reality in their heads. Who cares if the apartment is beneath a flamenco studio? I’ll get used to the noise! Yeah, I know the whole apartment has only one window facing a brick wall, but I’m never at home during the day.
”
”
Ben Ryder Howe (My Korean Deli: Risking It All for a Convenience Store)
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Sometimes I would sit in the park or get a coffee at the gallery café and just watch the women passing by, their flinty stares, their hunted way of moving around a room. I could feel the beats of their hearts. I could hear the dense, pink noise of their thoughts.
”
”
Lara Williams (Supper Club)
“
Yes?” Robin enquired, close to a snarl. “Do you have anything to say to me? Please do. Really. I’d be fascinated.” Sir Roger appeared to read Robin’s absolute lack of damns to give on his face, because he said, “Come, Lady A,” and urged his wife away with soothing noises.
”
”
K.J. Charles (The Gentle Art of Fortune Hunting)
“
H’sh. It is neither bullock nor buck he hunts to-night,” said Mother Wolf; “it is Man.” The whine had changed to a sort of humming purr that seemed to roll from every quarter of the compass. It was the noise that bewilders wood-cutters, and gipsies sleeping in the open, and makes them run sometimes into the very mouth of the tiger.
”
”
Rudyard Kipling (The Jungle Book)
“
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued.
“… have to find St. Vincent…” Marcus was saying.
“No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.”
“We need privacy.”
“I believe there is a small room nearby— more of a vestibule, actually…”
But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase.
St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust.
The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.”
Dazedly Lillian murmured, “Marcus, wait—”
She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters.
White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded.
“Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering.
“Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
She’d best get the hell outta here pretty damn quick.
Finally he stood and tossed some cash on the littered table then glanced at the pretty lady shifter. He frowned and gave Joe a look. “With the hunt going down tonight, it might be a good idea to give the little blonde a heads up. She needs to hit the road.”
When Joe nodded, Mad shrugged, determined to put some distance between himself and the sexy stranger. “Best take off and see what’s what, Joe. You take care now.”
He felt the woman’s eyes on him as he made his way to the door and stopped to return her stare.
A sound similar to white noise buzzed in his ears and fairly rattled his brain then stopped almost as soon as it started. Chills raced over his arms.
What the fuck?
”
”
Regina Carlysle (Mad Moon (High Plains Shifters, #6))
“
It was the least I could do,” Po said, drily, “and I see you’ve already skinned that hare. I’m beginning to think I won’t have much responsibility as we travel through the forest together.” “Does it bother you? You’re welcome to do the hunting yourself. Perhaps I can stay by the fire and mend your socks, and scream if I hear any strange noises.” He smiled then. “Do you treat Giddon like this, when the two of you travel? I imagine he finds it quite humiliating.” “Poor Po. You may content yourself with reading my mind, if you wish to feel superior.” He laughed. “I know you’re teasing me. And you should know I’m not easily humiliated. You may hunt for my food, and pound me every time we fight, and protect me when we’re attacked, if you like. I’ll thank you for it.
”
”
Kristin Cashore (Graceling (Graceling Realm #1))
“
His father had warned him before he’d died: ‘Be wary, for they are selfish and cruel and will hunt us to the last. Stay alert, Joel!’ his father had said. ‘They can kill you from a distance with their long sticks that make a noise, and traps that jump out of the ground. Beware of the smooth ground, Joel, and listen to the birds.’
Quote from Joel, the alpha grey wolf. A wise and cunning leader of the pack.
”
”
Jane H. Wood (The Whispering Mountain (GoldenEars, #1))
“
We're not looking for this soft, peaceful existence which allows us to think about our unfortunate condition, nor the dangers of war or the burden of office, but the bustle which distracts and amuses us—The reason why we prefer the hunt to the kill. That is why we like noise and activity so much. That is why imprisonment is such a horrific punishment. That is why the pleasure of being alone is incomprehensible.
”
”
Blaise Pascal
“
It commenced — ‘“Can I view thee panting, lying On thy stomach, without sighing; Can I unmoved see thee dying On a log Expiring frog!”’ ‘Beautiful!’ said Mr. Pickwick. ‘Fine,’ said Mr. Leo Hunter; ‘so simple.’ ‘Very,’ said Mr. Pickwick. ‘The next verse is still more touching. Shall I repeat it?’ ‘If you please,’ said Mr. Pickwick. ‘It runs thus,’ said the grave man, still more gravely. ‘“Say, have fiends in shape of boys, With wild halloo, and brutal noise, Hunted thee from marshy joys, With a dog, Expiring frog!
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
I hunted when I was younger, but after I moved to the country, I swore of making loud noises except in the case of emergencies. When a gun goes off, it alters everything in the immediate vicinity, and this effect lasts for a good half hour. Every sparrow, every field mouse, every spider in its web freezes in place. Shooting guns and setting off Fourth of July firecrackers are far too much of an imposition on the natural world. None of our fellow creatures has evolved far enough to accept guns or loud noises as part of the order of things. These days I only use my shotgun for occasional tree trimming.
”
”
Ted Kooser (Local Wonders: Seasons in the Bohemian Alps (American Lives))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Approaching the trail, he broke through the thicket a short distance ahead of the Empath. Causing the Empaths horse to startle as the surprised rider jerked on the reins. Cap was equally surprised to find a young girl before him instead of an older, experienced male Empath. Cap brought his horse to a quick halt. The young girl pulled a small knife from her boot and cautioned him. "I don't know where you came from, but I'm not easy prey.” Her voice shook slightly with fear as she raised the knife.
Not sure how to proceed, they stared silently at each other. Cap had always believed that Empaths didn't carry weapons. This pretty, chestnut haired girl couldn't be more than 18 years old. Her long straight tresses covered the spot on her jacket where the Empathic Emblem was usually worn, causing Cap to doubt she was the one he sought. Not wanting to frighten her any more than he already had, Cap tried to explain. "I'm Commander Caplin Taylor. I’m looking for an Empath that is headed for the Western Hunting Lodge.”
"My name is Kendra; I am the Empath you seek.” She answered cautiously, still holding the blade. A noise from the brush drew her attention as a small rodent pounced out, trying to evade an unseen predator. Cap was just close enough to lurch forward and snatch the dirk from her hand. Her head jerked back in alarm.
"Bosen May has been mauled by a Sraeb, his shoulder is a mass of pulp." Cap spoke quickly not wanting to hesitate any longer.
That was all Kendra needed to hear. She pushed her horse past him and headed quickly down the trail.
"Wait!" Cap called after her, turning his horse around. Reining in the horse, she turned back to face him annoyed by the delay. "Are you a good horseman?" Cap asked, as he stuffed her dirk in his jacket.
"I've been in the saddle since I was a child." She answered, abruptly.
"Okay so just a few years then?" Cap's rebuke angered her. Jerking the horse back toward the trail, she ignored him.
"Wait, I'm sorry!" Cap called after her. "It's just that I know a quicker way, if you can handle some rough terrain."
"Let’s go then." Kendra replied, gruffly, turning back to face him.
Without another word, Cap dove back into the brush and the girl followed.
”
”
Alaina Stanford (Tempest Rise (Treborel, #1))
“
When one speaks of solitaries, one always takes too much for granted. One supposes that people know what one is talking about. No, they do not. They have never seen a solitary, they have simply hated him without knowing him. They have been his neighbors who used him up, and the voices in the next room that tempted him. They have incited things against him, so that they made a great noise and drowned him out. Children were in league against him, when he was tender and a child, and with every growth he grew up against the grown-ups. They tracked him to his hiding place, like a beast to be hunted, and his long youth had no closed season. And when he refused to be worn out and got away, they cried out upon that which emanated from him, and called it ugly and cast suspicion upon it. And when he would not listen, they became more distinct and ate away his food and breathed out his air and spat into his poverty so that it became repugnant to him. They brought down disrepute upon him as upon an infectious person and cast stones at him to make him go away more quickly. And they were right in their ancient instinct: for he was indeed their foe.
But then, when he did not raise his eyes, they began to reflect. They suspected that with all this they had done what he wanted; that they had fortified him in his solitude and helped him to separate himself from them for ever. And now they changed about and, resorting to the final, the extreme, used that other resistance: fame. And at this clamor almost every one has looked up and been distracted.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
He told stories to help Two Mothers overcome childish fear. "Now,my son, why do you fear the storm? It is only the warriors of thunder and lightning. When you are tempted to be afraid, remember that God tells the lightning where it may go.Pretend that the noise and the light are from two warriors called Thunder and Lightning. They ride beautiful, swift ponies and carry lightning in their hands.As they race the wind,their ponies' hooves strike the clouds.That is the thunder.When they throw their lightning sticks, it flashes brightly in the sky.When God says 'Enough!' the warriors ride down to the earth, bringing the rain to water their ponies."
"Have you ever seen the ponies, Father?"
"Once, when I was hunting in the Black Hills, I thought I caught a glimpse of them. But before Wind and I could catch them, they rose again into the sky, taking the thunder and lightning with them to another place.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
Among the best shows were these, some of which have attained cult followings: The Most Dangerous Game (Oct. 1, 1947), a showcase for two actors, Paul Frees and Hans Conried, as hunted and hunter on a remote island; Evening Primrose (Nov. 5, 1947), John Collier’s too-chilling-to-be-humorous account of a misfit who finds sanctuary (and something else that he hadn’t counted on) when he decides to live in a giant department store after hours; Confession (Dec. 31, 1947), surely one of the greatest pure-radio items ever done in any theater—Algernon Blackwood’s creepy sleight-of-hand that keeps a listener guessing until the last line; Leiningen vs. the Ants (Jan. 17, 1948) and Three Skeleton Key (Nov. 15, 1949), interesting as much for technical achievement as for story or character development (soundmen Gould and Thorsness utilized ten turntables and various animal noises in their creation of Three Skeleton Key’s swarming pack of rats); Poison (July 28, 1950), a riveting commentary on intolerance wrapped in a tense struggle to save a man from the deadliest snake in the world—Jack Webb stars
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.
”
”
Richard Adams
“
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
”
”
Anonymous
“
You will wear what I choose, do what I choose," he said in a silken voice. "You know that, don't you?"
She wanted to agree. She wanted to do anything to get him to move away from her, release her from his impaling gaze. She felt like a hunted rabbit caught in a snare, facing the inexorable death in her hunter's eyes.
But she couldn't. She couldn't cower and waffle and let him know how very much he terrorized her. "And elf I refuse?" Her voice quavered slightly, but at least she fought.
The dress was very low-cut, exposing a great deal of her chest. Her tangled red hair lay around her shoulders, and he picked up a strand, running it between his long, bejeweled fingers like a merchant testing silk. And then he brushed it slowly across the exposed swell of her breast.
She couldn't control her start of shock at the subtle caress. It shouldn't have affected her, it was only her own lamentably red hair, yet the touch against her soft skin was shocking, arousing, and she made a frightened little noise.
"You won't refuse, Emma," he said softly, repeating the caress. "You're a very clever child, far too wise for your own good. You know when you can win a battle, and you know when the price of putting up a fight is too high. You'll wear what I want you to wear. Won't you?" For a third time the lock of hair danced across her breast, dipping below the décolletage to slip inside the bodice of the dress. Emma wanted to scream.
Instead she bit her lip. "For now," she said, amazed that her voice didn't shake. She kept her expression stonily unmoved, but he was too observant to miss the rapid rise and fall of her chest, the heightened color of her cheeks. Doubtless he would make of it what he wanted.
”
”
Anne Stuart (To Love a Dark Lord)
“
Every pine tree I walked beneath had its particular inflection, its needles hissing in frequencies subtly different from the ones before – the dictionary term is ‘psithurism’, the noise of wind passing through leaves – an evergreen language that sounded like whispered words.
”
”
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
“
As we sat together on a mid-river boulder, the shadows crossed the water and the sun sank lower. We looked into each other’s eyes and talked about all the things we loved. I realized then that there was no turning back: I had fallen in love with Steve. As the sun set, we made our way back across the boulders before it got dark.
“Nighttime is croc time,” Steve told me. “It’s important to get off the water before they are active and hunting.”
Back in camp, Steve started cooking. I asked if I could help. He waved me off. “My trip, my treat,” he said.
I sat with my lemonade and watched the river as it changed with darkness coming on, and enjoyed the smell of onions cooking and steaks frying. I could hear the soft flapping noise of the fruit bats overhead. At first there were just a few, then dozens, and finally hundreds, crossing above the crowns of paperbark trees and honey myrtles. In the last glimmer of light they looked surreal, spooky and beautiful, gliding across the darkening sky.
I felt pleasantly tired, but Steve seemed more energized the longer we stayed in the bush. I would see it again and again over the years. This was where Steve belonged, and where he seemed most alive.
We finished dinner, and Steve popped the dishes into the dishpan. “Right,” he said. “We’ll leave them to soak and come back to clean up later.”
We jumped into the boat and headed back up the river. This was Steve’s favorite time. I hadn’t understood what he was doing on our first trip earlier that afternoon. He had memorized where he had seen the slides. While during the day we hadn’t spotted a single croc, almost immediately after getting on the water, Steve shone his spotlight across the inky blackness and picked up the red eye-shine of crocs.
As we slowly idled the boat upstream, the red orbs would blink and then vanish as the crocodiles submerged on our approach. Suddenly I felt terribly exposed in the little dinghy. The beautiful melaleuca trees that had looked so spectacular during the day now hung eerily over the water, as their leaves dipped and splashed in the black water. Fish came alive too. Everything made more noise in the dark.
”
”
Terri Irwin (Steve & Me)
“
We returned to camp. Steve seemed calmer now that he’d gone up the river, gotten his bearings, and revisited familiar places. Just downstream from the camp, we hopped from one exposed boulder to the next, getting out into the middle of the river. I didn’t know what to expect. I still wasn’t completely sure of what crocodiles could do. I was pretty confident that they couldn’t fly, but beyond that, I didn’t know. I relied on Steve.
As we sat together on a mid-river boulder, the shadows crossed the water and the sun sank lower. We looked into each other’s eyes and talked about all the things we loved. I realized then that there was no turning back: I had fallen in love with Steve. As the sun set, we made our way back across the boulders before it got dark.
“Nighttime is croc time,” Steve told me. “It’s important to get off the water before they are active and hunting.”
Back in camp, Steve started cooking. I asked if I could help. He waved me off. “My trip, my treat,” he said.
I sat with my lemonade and watched the river as it changed with darkness coming on, and enjoyed the smell of onions cooking and steaks frying. I could hear the soft flapping noise of the fruit bats overhead. At first there were just a few, then dozens, and finally hundreds, crossing above the crowns of paperbark trees and honey myrtles. In the last glimmer of light they looked surreal, spooky and beautiful, gliding across the darkening sky.
I felt pleasantly tired, but Steve seemed more energized the longer we stayed in the bush. I would see it again and again over the years. This was where Steve belonged, and where he seemed most alive.
”
”
Terri Irwin (Steve & Me)
“
Agnus strode into the clearing, a cold glint in her gaze.
“I thought I was done reminding you that this is not your hunting ground, Kriegan. But once again you’ve let your feral stupidity get the better of you and it seems another lesson needs to be taught.” She closed her hand into a fist, which caused the roots to squeeze tighter and the werewolf uttered a painful whine.
Looming over her captive, Agnus continued. “Jo is my guest. She’s not sport or food for your pack of flea-bitten curs. Make the mistake of thinking her as prey again and neither of us will be so merciful next time. Understand?”
The werewolf made a garbled noise and the roots fell away. Bowing like a scolded dog, the werewolf loped back into the forest, a smudge of fur and muscle lost among the foliage.
”
”
Jamie Ryder (At the Dead of Dusk)
“
Bryce halted suddenly between two black obelisks, each engraved with a different array of those odd symbols. The obelisks—and dozens more beyond them—flanked what seemed to be a central walkway stretching into the mist. She drew the Starsword, and Hunt didn’t have time to stop her before she whacked it against the side of the closest obelisk. It clanked, its ringing echoing into the gloom. She did it again. Then a third time. “Ringing the dinner bell?” Hunt asked. “Worth a shot,” Bryce muttered back. And smarter than running around shouting Emile’s and Sofie’s names. Though if they were as survival-savvy as they seemed, Hunt doubted either would come running to investigate. As the noise faded, what remained of the light dimmed. What remained of the warmth turned to ice. Someone—something—had answered. The other being they sought here. Their breath hung in the air, and Hunt angled himself in front of Bryce, monitoring the road ahead. When the Under-King spoke, however, in a voice simultaneously ancient and youthful but cold and dry, the sound came from behind them. “This land is closed to you, Bryce Quinlan.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Whitestorm answered her. “I suspect ShadowClan is not as weak as we thought it would be. And Nightpelt seems to have more ambition than any cat expected.” “But why does RiverClan want to hunt WindClan’s grounds? They have always grown fat on the fish from their precious river!” yowled Willowpelt. “The uplands are a long way to go for a few windblown rabbits!” The once-beautiful queen, Dappletail, spoke up in a voice cracked with age. “At the Gathering, some of the RiverClan elders spoke of Twolegs taking over part of their river.” “That’s right,” added Frostfur. “They say Twolegs have been living in shelters beside the river, disturbing the fish. The RiverClan cats have had to hide in the bushes and watch them with empty stomachs!” Bluestar looked thoughtful. “For now, we must be careful to do nothing that may bring ShadowClan and RiverClan closer together. Go and rest now. Runningwind and Dustpaw, you will take the dawn patrol.” A cold breeze rattled the dying leaves in the trees overhead. The cats, still murmuring amongst themselves, went to their dens. For the second night in a row, Fireheart dreamed. He was standing in the dark. The roar and the stench of a Thunderpath was very close by. Fireheart felt himself buffeted and blinded by the monsters that roared up and down with glaring eyes. Suddenly, through the din, Fireheart heard the pitiful cry of a young cat. The desperate wail sliced through the thundering of the monsters. Fireheart awoke with a start. For a moment he thought that the cry had woken him. But the only noise was the muffled snores of
”
”
Erin Hunter (Fire and Ice)
“
We should hang on to the fact that the Mesnie Hellequin became synonymous with a great racket or din, a noise frequently compared to the tumult of a storm, and, according to Henry Guy, Gaston Raynaut, and Paul Sébillot, one is the personification of the other.28 In both thirteenth-century France and Germany, the Wild Hunt no longer traveled in silence, which distinguished it from other throngs of the dead.
”
”
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
“
Thus, drawing a circle around yourself or making the sign of the cross allowed you to remain safe. A scrutiny of nineteenth-century folk traditions that casually commingled the Wild Hunt, diabolical huntsman, and wild hunter, provides us with additional methods: when the demonic horde is heard, an individual should lie beneath a harrow; cover himself with dirt; stand or lie in the righthand rut of the road; keep quiet; avoid joining in with the noises; avoid clicking his tongue; avoid saying the name of the Furious Army on Mondays, Wednesdays, or Fridays, or even speaking about it; fold his handkerchief into the shape of a cross; place his head in a cart wheel; lay down on the ground with his arms in the shape of a cross; and so on.
”
”
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
“
the Wild Hunt is a band of the dead whose passage over the earth*3 at certain times of the year is accompanied by diverse phenomena. Beyond these elements, all else varies: the makeup of the troop; the appearance of its members; the presence or absence of animals; noise or silence; the existence of a male or female leader who, depending on the country and the region, bears different names—the devil, Wode, Mother Hulda, Dame Holle, Percht, Hennequin, and more.
”
”
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
“
Knew you'd come around," he mumbles into my mouth as I work my hand into his pants and grip his shaft until it's straining to be freed. Putting enough space between us for Riley to see me lick my lips seductively, he allows me to guide him towards the four-poster bed in the centre of the room. Before he sits, I wiggle his trousers down until I'm crouching before his dick. It's a pretty nice dick actually, girthy with a network of ribbed veins running along the length of it. Oh well. Whipping the specialised hunting pocket knife out of my boot, I grab the end of Riley's dick firmly and make a clean slice all the way through the base before his eyes are able to focus. The scream that leaves him is so high-pitched, it could have been mine and I panic at the noise. Someone is surely going to hear him so I shoot up, fumbling with his severed dick before stuffing it into his mouth. He sputters and gags on himself, which gives me a strange sense of satisfaction, until he passes out and flops onto the bed. Well, that stopped the noise issue but now I'm looking at a gaping, bleeding hole where Riley's dick should be and a body I can't just leave here.
”
”
Maddison Cole (Crushin’ Candy (I Love Candy, #1))
“
Emmeline made an impatient noise, her frustration clear. “You will come back to the Order and to the Lady’s service. We have need of you.” “No,” Max said, the word exploding out of her before she could stop it. The rejection rose from her toes all the way through her heart to the top of her head. “You sent me to the Order. The Order dismissed me. Neither you nor they have any claim on me,” she said, the words clipped, her own anger rising up in a clean, burning wave that chased some of her exhaustion away. “I have done my duty to you and to the Order. Now leave me alone,” she said.
”
”
Vanessa Nelson (Hunted (The Grey Gates, #3))
“
Boyfriend #11
Clark Barnyard, Age Twenty-Three
Still not over boyfriend #9 and humiliated by #10, Jane declared she would shed her victimhood and become the elusive predator--fierce, independent, solitary!...except there was this guy at work, Clark. He’d made her laugh during company meetings, he’d share his fries with her at lunch, declaring that she needed fattening up. He was in layout at the magazine, and she’d go to his cubicle and sit on the edge of his desk, chatting for longer than made her manager comfortable. He was a few years younger than her, so it seemed innocent somehow. When he asked her out at last, despite the dark stickiness of foreboding, she didn’t turn him down.
He cooked her dinner at his place and was goofy and tender, nuzzling her neck and making puppy noises. They started to kiss on the couch, and it was nice or approximately sixty seconds until his hand started hunting for her bra hooks. In the front. It was so not Mr. Darcy.
“Whoa, there, cowboy,” she said, but he was “in the groove” and had to be told to stop three or four times before he finally pried his fingers off her breasts and stood up, rubbing his eyes.
“What’s the problem, honey?” he asked, his voice stumbling on that last word.
She said he was moving too fast, and he said, then what in the hell had they been building up to over the past six months?
Jane sized up the situation to her own satisfaction: “You are no gentleman.”
Then Clark summed up in his own special way: “Hasta la vista, baby.”
”
”
Shannon Hale (Austenland (Austenland, #1))
“
The first of the tests is the overcoming of appetite. This involves their doing a two days’ walk or hunt without food, and then being brought suddenly before a fire on which some choice kangaroo steak or other native delicacy is being cooked. They are required to take only a small portion of this. The next is the test of pain. The young boys and girls submit to having their noses pierced, their bodies marked, and to being laid down upon hot embers thinly covered with boughs. The third is the test of fear. The young people are told awesome and hair-raising stories about ghosts and the muldarpe, the Evil Spirit or the Devil-devil. After all these tests they are put to sleep in a lonely place, or near the burial-place of the tribe. During the night the elders, who are made hideous with white clay and bark headdresses, appear, making weird noises. Those of the candidates who show no signs of having had a disturbed night are then admitted as fully initiated members of the tribe. No youth or maiden is allowed to marry without having passed these tests. A proposed marriage is talked over first by all the old members of the tribe. The uncle on the mother’s side is the most important relative, and it is he who finally selects the wife. The actual marriage ceremony takes place during the time of festivals. The husband does not look at or speak to his mother-in-law, although he is husband in name to all his sisters-in-law.
”
”
W. Ramsay Smith (Myths and Legends of the Australian Aborigines)
“
There is a wisdom to the appetite. If you clear out the white noise of processed food and listen, healthy and delicious are actually allies. We are animals, after all, hardwired to like what's good for us...that might have been the same part of me that first told me to love Mark. Don't be an idiot, it said. The man hunts, he grows, he's strapping and healthy and tall. He'll feed you, and his genes might improve the shrimpiness of your line. LOVE HIM.
”
”
Kristen Kimball
“
Be concentrated and leonine
in the hunt for what is your true nourishment.
Don’t be distracted by blandishment-noises,
of any sort.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
too. No barking dogs or meowing cats or distant traffic noise. Even the wind was still. Nestled between Washington Avenue and Memorial Drive on Croft Street, the area could charitably be described as a
”
”
Diane Capri (Get Back Jack (Hunt For Reacher #2))
“
Please,” she whispered, barely daring to hope. “Does that mean you’ll let me go? Will…will you take me back to Tranq Prime? Will you—” A grinding, shrieking noise, like metal being ripped apart, cut through her words. Xairn gave her a humorless smile. “I would, but it appears I won’t have to. Your warrior has arrived. Though the gods alone know how he found you.” The shrieking noise ended with a resounding clang—the sound of metal bouncing off metal. And then… “Sophia!” The deep, furious roar sounded like something that might come from a male lion on the African veldt. It was Sylvan’s voice—she was sure of that—but so thick with fury it was barely recognizable. Xairn
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
I didn’t know how long Paddy had been watching me. He’d smelled me first—possibly before I’d left the veranda. Maybe he’d only been curious about my girl-smell, or maybe he’d started hunting me then. It didn’t really matter, because he had already overpowered me. Paddy’s jaw closed on my thigh above the knee. I felt his dagger teeth and his wet tongue. The strangely cool feel of his mouth. My head swam as I smelled my own blood, and then he released me to bellow. It was everything I’d heard from the veranda and more—a vibrating black cave of noise that swallowed the earth and sky and swallowed me, too. I closed my eyes and tried to scream, but only released a puff of air. I felt Paddy’s mouth again and knew I had no chance at all. He would eat me here or drag me off to a glade or valley only he knew of, a place from which I’d never return. The last thought I remember having was This is how it feels, then. This is what it means to be eaten by a lion. When I came back to myself, Bishon Singh was carrying me in his arms, his face bent over mine.
”
”
Paula McLain (Circling the Sun)
“
GOLF (Men’s Journal, 1992) The smooth, long, liquid sweep of a three wood smacking into the equator of a dimpled Titleist … It makes a potent but slightly foolish noise like the fart of a small, powerful nature god. The ball sails away in a beautiful hip or breast of a curve. And I am filled with joy. At least that’s what I’m filled with when I manage to connect. Most of my strokes whiz by the tee the way a drunk passes a truck on a curve or dig into the turf in a manner that is more gardening than golf. But now and then I nail one, and each time I do it’s an epiphany. This is how the Australopithecus felt, one or two million years ago, when he first hit something with a stick. Puny hominoid muscles were amplified by the principles of mechanics so that a little monkey swat suddenly became a great manly engine of destruction able to bring enormous force to bear upon enemy predators, hunting prey, and the long fairway shots necessary to get on the green over the early Pleistocene’s tar pit hazards. Hitting things with a stick is the cornerstone of civilization. Consider all the things that can be improved by hitting them with a stick: veal, the TV, Woody Allen. Having a dozen good sticks at hand, all of them well balanced and expertly made, is one reason I took up golf. I also wanted to show my support for the vice president. I now know for certain that Quayle is smarter than his critics. He’s smart enough to prefer golf to spelling. How many times has a friend called you on a Sunday morning and said, “It’s a beautiful day. Let’s go spell potato”? I waited until I was almost forty-five to hit my first golf ball. When I was younger I thought golf was a pointless sport. Of course all sports are pointless unless you’re a professional athlete or a professional athlete’s agent, but complex rules and noisy competition mask the essential inanity of most athletics. Golf is so casual. You just go to the course, miss things, tramp around in the briars, use pungent language, and throw two thousand dollars’ worth of equipment in a pond. Unlike skydiving or rugby, golf gives you leisure to realize it’s pointless. There comes a time in life, however, when all the things that do have a point—career, marriage, exercising to stay fit—start turning, frankly, golflike. And that’s when you’re ready for
”
”
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
“
I won’t have much responsibility as we travel through the forest together.” “Does it bother you? You’re welcome to do the hunting yourself. Perhaps I can stay by the fire and mend your socks, and scream if I hear any strange noises.” He smiled then. “Do you treat Giddon like this, when the two of you travel? I imagine he finds it quite humiliating.” “Poor Po. You may content yourself with reading my mind, if you wish to feel superior.” He laughed. “I know you’re teasing me. And you should know I’m not easily humiliated. You may hunt for my food, and pound me every time we fight, and protect me when we’re attacked, if you like. I’ll thank you for it.” “But I’d never need to protect you, if we were attacked. And I doubt you need me to do your hunting, either.” “True. But you’re better than I am, Katsa. And it doesn’t humiliate me.” He fed a branch to the fire. “It humbles me. But it doesn’t humiliate me.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
It is then no acoustic hallucination from which I suffer; everywhere there are plots, I say to myself. But one day, as I go by chance into a shoemaker's shop, the noise instantaneously breaks out. It is no plot, then! It is the Devil himself! Hunted from hotel to hotel, pursued everywhere by electric wires even to my bed, attacked everywhere by electric currents which lift me from my chair, or out of bed, I deliberately set about planning my suicide. The weather is terrible, and in my depression I seek distraction in drinking bouts with friends.
”
”
August Strindberg (Inferno)
“
One night, when camping at the head of one of its branches, they heard a chorus of howls emanate from the surrounding woods. “When we were all asleep,” Lawson wrote,
in the Beginning of the Night, we were awaken’d with the dismall’st and most hideous Noise that ever pierc’d my Ears: This sudden Surprizal incapacitated us of guessing what this threatening Noise might proceed from; but our Indian Pilot, (who knew these parts well) acquainted us that it was customary to hear such Musick along the Swamp-Side, there being endless Numbers of Panthers, Tygers, Wolves, and other Beasts of Prey, which take this Swamp for their abode in the Day, coming in whole Droves to hunt the Deer in the Night, making their frightful Ditty ’til Day appears, then all is still in other Places.
”
”
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
“
An essay looks at ideas, but a sermon looks at people.”2 A purpose differs from the sermon idea, therefore, in the same way that a target differs from the arrow; as taking a trip differs from studying a map; as baking a pie differs from reading a recipe. Whereas the idea states the truth, the purpose defines what that truth should accomplish. Henry Ward Beecher appreciated the importance of purpose when he declared: “A sermon is not like a Chinese firecracker to be fired off for the noise it makes. It is a hunter’s gun, and at every discharge he should look to see his game fall.” That presupposes, of course, that the hunter knows what he is hunting.
”
”
Haddon W. Robinson (Biblical Preaching: The Development and Delivery of Expository Messages)
“
What does True Wireless Earbuds Mean
Where are my earphones? Ahh!! There they are….and they are tangled (with irksome scream inside your head). There is nothing more frustrating than going on a search operation for your headphones and finally finding them entangled. Well thanks to the advance technology these days one of your daily struggles is gone with the arrival of wireless earphones in the market. No wire means no entanglement. ‘Kill the problem before it kills you’, you know the saying. Right!
So what actually truly wireless earbuds are? Why should you replace your old headphones and invest in wireless ones?
Without any further delay let’s dig deep into it.
image
WHAT ARE TRUE WIRELESS EARBUDS?
A lot of people misunderstand true wireless earbuds and wireless earphones as the same thing. When it’s not. A true wireless earbuds which solely connects through Bluetooth and not through any wire or cord or through any other source.
While wireless earphones are the ones which are connected through Bluetooth to audio source but the connection between the two ear plugs is established through a cable between them.
Why true wireless earbuds?
Usability: Who doesn’t like freedom! With no wire restrictions, it’s easier to workout without sacrificing your music motivation. From those super stretch yoga asanas to marathon running, from weight training to cycling - you actually can do all those without worrying about your phone safety or the dilemma of where to put them. With no wire and smooth distance connection interface, you have the full freedom of your body movement. They also comes with a charging case so you don’t have to worry about it’s battery.
Good audio quality and background noise cancellation: With features like active noise cancellation, which declutter the unwanted background voice giving you the ultimate audio quality. These earbuds has just leveled up the experience of music and prevents you from getting distracted.
Comfort and design: These small ear buddies are friendly which snuggles into your ear canal and don’t put too much pressure on your delicate ears as they are light weight. They are style statement maker and are comfortable to use even when you are on move, they stick to your ear and don’t fall off easily. Apart from all that you can easily answer your call on go, pause your music or whatever you are listening, switch to next by just touching your earplugs.
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Convenience: You don’t necessarily have to have your phone on you like the wired ones. The farthest distance you could go was the length of the cable. But with wireless ones this is not the case, they could transmit sound waves from 8 meter upto 30 meters varying from model to model. Which allows you multi-task and make your household chores interesting. You can enjoy your podcasts or music or follow the recipe while cooking in your kitchen when your phone is lying in your living room.
Voice assistance: How fascinating was it to watch all those detective/ secret agent thriller movies while they are on run and getting directions from their computer savvy buddies. Ethan Hunt from Mission Impossible….. Remember! Many wireless earphones comes with voice assistance feature which makes it easy to go around the places you are new to. You don’t have to stop and look to your phone screen for directions which makes it easier to move either on foot or while driving.
Few things for you to keep in mind and compare before investing in a true wireless earphones :-
Sound Quality
Battery Life
Wireless Range
Comfort and design
Warranty
Price
Gone are those days when true wireless earbuds were expensive possession. They are quite economical now and are available with various features depending upon different brands in your price range.
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Hammer
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Everywhere, noise and elbows. Poets stand on boxes and declaim while pilgrims throw coins at their feet. Some bards speak rajaz verses, their four-syllable metre suggested, according to legend, by the walking pace of the camel; others speak the qasidah, poems of wayward mistresses, desert adventure, the hunting of the onager.
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Salman Rushdie (The Satanic Verses)
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Jack had a great respect for a man who could show good sport with a pack of hounds. Dillon obviously knew a great deal about hunting, and about horses; yet it was strange he should mind so little about the noise his dogs made, for the cry of a tuneful pack
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Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
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No, I said I wanted to come, too. I went to ask Mom.” “Sorry, I didn’t know.” I shrug. “Maybe next time. Come on. Let’s head home. I need to get that grease.” I start walking and glance back to be sure she’s following. She’s still standing on the trail staring at the huge stump. “Y’know, there’s bears up here,” I say. That gets her going. She trots down the trail after me and doesn’t slow down until we’re safely back on the road. As soon as we’re home, I go into the garage and make a bunch of noise hunting for the grease until I hear the front door slam and I’m sure Libby has gone into the house. Then I run back up the street and around the corner. I plop down under a tree and count to 100. While I’m counting, I study the tube of grease in my hand. I sure wish this was all my bike needed. I’m pretty sure it’s going to need a whole new front suspension fork. How much is that going to cost?
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Rachel Elizabeth Cole (The Rabbit Ate My Homework)