Intriguing Love Quotes

We've searched our database for all the quotes and captions related to Intriguing Love. Here they are! All 100 of them:

We are told that people stay in love because of chemistry, or because they remain intrigued with each other, because of many kindnesses, because of luck. But part of it has got to be forgiveness and gratefulness.
Ellen Goodman
He was now in that state of fire that she loved. She wanted to be burnt.
Anaïs Nin (Delta of Venus)
You are enough to drive a saint to madness or a king to his knees.
Grace Willows (To Kiss a King)
Intrigued by that enigma, he dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her.
Gabriel García Márquez (One Hundred Years of Solitude)
Plenty of people are good-looking. That doesn't make them interesting or intriguing or cool.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
He was done with politics and intrigue. He loved her, and no empire, no king, and no earthly fear would keep him from her. No, if they tried to take her from him, he'd rip the world apart with his bare hands. And for some reason, that didn't terrify him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Fiction has been maligned for centuries as being "false," "untrue," yet good fiction provides more truth about the world, about life, and even about the reader, than can be found in non-fiction.
Clark Zlotchew
Holly's theory about the army," Sharon explained. And what is it?" Denise asked, intrigued. Oh, that fighting for peace is like screwing for virginity.
Cecelia Ahern (PS, I Love You)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
Only someone watching him closely like Celena would have noticed his intense preoccupation, and that something in a split second had happened to him.  She wondered where he had gone when he should have been listening to the sermon, where his soul had gone went it had left his body.
Barbara Sontheimer (Victor's Blessing)
Is it still a fish cart when there’s no fish in it? When its false bottom is filled with children?
Andri E. Elia (Borealis: A Worldmaker of Yand Novel)
Violence was a slippery slope, lubricated by a lot of blood, if history had any lessons to teach.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
One thing, though, was for sure – here I was, alive, healthy but as unquiet in my way as they were in theirs. Transcendent equality. You’ve got to love it.
Michael Wyndham Thomas (The Erkeley Shadows: A novel)
How can the word love, the word life, even fit in the mouth?
Jandy Nelson (The Sky Is Everywhere)
Hungry stomachs growl the same tune.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
The optimism was like the sun after a long spell of clouds and rain, a euphoric rush which produced both envy and awe in anyone who had become jaded, resigned, who had given up on their dreams.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath. I need one of those chapter breaks. I just want to catch my breath, but I have no idea how.
Colleen Hoover (Hopeless (Hopeless, #1))
Even adults who were stiffened by the starch of their miserable lives, for whom breaking the stony discipline of austere and judgmental intolerance was usually off the table, melted in the magical luminescence and energetic charm of the pre-pubescent Ruka.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
I want to propose a toast!" Taking a spoon he noisily tapped it against the crystal glass.  "Everyone!" He thundered, the large amount of whiskey he had consumed making him reckless.  "To Victor,  Ste. Genevieve's own inventor and my best friend, all the happiness in the world!"  The happy crowd shouted their approval.  "And to the ever, ever fair beauty Celena..." His voice cracking under the strain, and he wondered if he should stop now, before he embarrassed himself, before he made some horrible declaration.
Barbara Sontheimer (Victor's Blessing)
Let me tell you, you either have chemistry or you don't, and you better have it, or it's like kissing some relative. But chemistry, listen to me, you got to be careful. Chemistry is like those perfume ads, the ones that look so interesting and mysterious but you dont even know at first what they're even selling. Or those menues without the prices. Mystery and intrigue are gonna cost you. Great looking might mean something ve-ry expensive, and I don't mean money. What I'm saying is, chemistry is a place to start, not an end point.
Deb Caletti (The Secret Life of Prince Charming)
Of course, Emily, of course. I know. But here in Holland, we live first, work second. We truly appreciate life and make it our highest priority to enjoy it.
Steven Decker (Projector for Sale)
Emily was beginning to realize that the word hope had a different meaning than the word dream.
Steven Decker (Projector for Sale)
It was the fundamental bifurcation of the masses of human meat into two starkly opposite classes: the haves and the have-nots. The have-nots had barely anything. The haves had it all. The haves had everything except concern and compassion for the have-nots, who they regarded as little more than cockroaches.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
The regular choreography, entrances and exits of blooms in stages such that the garden looked like an ever-evolving carousel of swirling rainbows and radiant butterflies, seemed condensed. All of the flowers still obeyed some silent urgent command to make their debut. But this year, it definitely unfolded more quickly, as if racing to meet a new compelling deadline.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
It's a good sign but rare instance when, in a relationship, you find that the more you learn about the other person, the more you continue to desire them. A sturdy bond delights in that degree of youthful intrigue. Love loves its youth.
Criss Jami (Killosophy)
Hannah knelt to get a closer look at the trail of holes. “Last night’s vandal wore stilettos.” The two men stared at her, confused. “English, please. You’re talking to country boys.
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
If parents want to give their children a gift, the best thing they can do is to teach their children to love challenges, be intrigued by mistakes, enjoy effort, and keep on learning. That way, their children don’t have to be slaves of praise. They will have a lifelong way to build and repair their own confidence.
Carol S. Dweck
Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
When Hannah’s life hangs in the balance, is Trace willing to face his greatest fear to rescue the woman he loves?
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
Strangeness is a necessary ingredient in beauty.
Krystal Sutherland (Our Chemical Hearts)
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride
Grace Willows
When Hannah Hudson finds herself abandoned on a Rocky Mountain ranch, even a lottery win doesn’t change her bad-luck life.
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
I know you don’t believe me, but you’re here for you own fucking protection, Kara. If I have to tie you to my bed to keep you safe, don’t think I won’t.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
He’d turned the Melbourne Bratva into a legal multi-million-dollar conglomerate, and he had no intentions of looking back.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
Would you like to hear more romance of the evening? He told me that the Guard should be reduced by half, and I threw an ink jar at his head." "Is that when he cried?" "He ducked," Attolia said dryly. Grown more confident of the queen's humor, Relius said, "I had not pictured you for a fishwife." "Lo, the transforming power of love.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Sorry to hear that, baby." he kissed the palm of her hand. Wow, her mom and husband both killed in tragic accidents, he thought.
Sharon Carter (Love Auction: Too Risky to Love Again)
She put all of her weight against the sill of the balcony, her lovesick heart ready and willing to join the man she loved.  She closed her eyes and pushed herself forward.  From three stories high, she plummeted to the earth.  Before hitting the ground, she swore she saw him, racing down from the heavens and lifting her up towards God’s domain where lovers never ceased to rule.
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
True forgiveness is letting go of something and moving forward with your life. I was stuck in the past, drowning in misery.
Sharon Carter (Love Auction: Too Risky to Love Again)
Oh my God, kidnapped!" she roared. "Now she's gone from missing to kidnapped. Who would want to take her? She's such a sweet person. Vanna wouldn't hurt a fly.
Sharon Carter (Love Auction II: Love Designs)
Hey Aiden! Look!  She’d worn low-cut blouses before and didn’t get any response from him. Most men loved her beautiful breasts. What does a girl have to do to get his attention? Jump off a cliff? she realized.
Sharon Carter (Love Auction II: Love Designs)
Sage could barely move, fastened in the wrecked car by her seatbelt. She was coughing and barely able to breathe. The acrid taste of smoke and the gas fumes overwhelmed her and the pain was excruciating.
Sharon Carter (Love Auction: Too Risky to Love Again)
Life can change in the flash of a shooting star, and the people we love can be out of our reach forever.
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
They aren't sure who killed the little girl's mother yet. So you should be in the clear. But they have this cop living in the building. He's a detective. The kind that sneaks around, not minding his own damn business.
Sharon Carter (Love Auction: Too Risky to Love Again)
This was a moment Alberon had dreamed of, and he gave no thought to his lost and banished lover, although he did at times wonder about the child. Did he have a bastard son or a daughter? But it really did not matter any more. It was simply the mistake of a love struck youth.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
Parents think they can hand children permanent confidence—like a gift—by praising their brains and talent. It doesn’t work, and in fact has the opposite effect. It makes children doubt themselves as soon as anything is hard or anything goes wrong. If parents want to give their children a gift, the best thing they can do is to teach their children to love challenges, be intrigued by mistakes, enjoy effort, and keep on learning. That way, their children don’t have to be slaves of praise. They will have a lifelong way to build and repair their own confidence.
Carol S. Dweck (Mindset: How You Can Fulfil Your Potential)
I was seventeen all over again, falling into intrigue with the boy who was an exquisite contradiction.
Blakney Francis (Someone I Used to Know)
It's me, Aiden," Parker responded. "I have some bad news. I've found out Maxwell Turner and two other inmates have broken out of prison. I'm heading to Bayville Federal Prision to get more information about the prision break.
Sharon Carter (Love Auction II: Love Designs)
At the end of one of the bookshelves she picked up a very old book. It was truly ancient, and woven into the cover was a motif of joined hands which merged into three words: Aonaibh Ri Chéile. The dedication on the inside cover was simply “To Elbeth with Love.” The author was someone called Angus Ferguson
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
Max was gloating about his relationship with Sage," Nick said, closing the door. "Says he's taking her out dancing. He also mentioned he planned on marrying her, but he doesn't want Nicki as part of the deal." Nick frowned. "I just don't understand why Sage would be into a guy like Max, but apparently she is.
Sharon Carter
He was a boy in love with another man’s woman and took on a job bigger than he was.
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
Thievery was the most authentic form of flattery. What could be more satisfying than knowing the things you possessed were intriguing, captivating, or valuable enough to provoke another man to risk everything to obtain them? This was Kelsier’s purpose in life, to remind people of the value of the things they loved. By taking them away.
Brandon Sanderson (Secret History (Mistborn, #3.5))
I'm enjoying two beautiful visions tonight. Watching you stand there against a marvelous background has to be the most intriguing sunset I have ever experienced.
K.S. Collier
One’s child is the great treasure one will ever admire, but never own. You are the part of me that transcends time and carries my love with it.
M.R. Noble (Dark Eyes: White Lies (The Dark Eyes #2))
In my headphones, I led a life of romance and incident and intrigue, none of which had anything to do with the world outside my Walkman.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
It isn't about the looks; gorgeous women get dumped every day. It isn't about intelligence. Women of all types, from brilliant women to women with the IQ equivalent of plant life, pull it off every day. It's about mystery and learning how to create intrigue.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
Hi, Anya. Can I join you?" Anya looked up from her meal with a dour expression. "I'm not a blond." An obvious statement, it made no sense without a context. She added, "I'm not a twig." "You're not a twig, that's also true." He gave her a smile, curious where this was going.
Dennis K. Hausker (Anya)
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
He paused, gazing down at her in amusement, "Do you know when I first fell in love with you?" "No, when?" she asked, intrigued. "When you got out of your SUV looking hotter than a firecracker and madder than hell, and you said, 'Don't they stop at red lights where you're from, Forest Gump"'" --Zack to Cori after their first "I love you's
Jo Davis
Nothing will get you anywhere with me," I exclaimed. "I don't know about that." He put on an introspective look that was both unexpected and intriguing. "You're not as much of a lost cause as she was. I mean, with her, I had to overcome her deep, epic love with a Russian warlord. You and I just have to overcome hundreds of years' worth of deeply ingrained prejudice and taboo between our two races. Easy.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
the best thing they can do is to teach their children to love challenges, be intrigued by mistakes, enjoy effort, and keep on learning.
Carol S. Dweck (Mindset: The New Psychology of Success)
Don’t worry. It’s only a story. A clever succession of words and mirrors. There’s no reason at all to believe it is real. But you want to.
Katie Hall-May (Puck's Legacy)
I love re-creating myself. Change means you get to choose again. Become something new. -Dani
Karen Marie Moning (Iced (Fever, #6))
I'm damn sure Matt can do about anything once he gets his mind set on somehting," he boasted. "Now let's get inside, boys.
Sharon Carter (Love Auction II: Love Designs)
Ignore him and he is intrigued. Make him the center of attention all the time and he runs.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
I Love You! Three words that mean nothing if not followed through with actions. It seems to be more relevant in the terms of showing verses saying. Anyone can say it, because there are different kinds of love. But, few are willing to actually show it. Saying is one thing. Living proof is another.
Amaka Imani Nkosazana (Sweet Destiny)
I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated, the ones who are so intriguing that new men fall in love with them every day, at every meal where there's a waiter, in every taxi and on every train they board, in any instance where someone can get to know them just a little bit, just enough to get completely gone. But most men in the end don't quite have the stomach for that much person.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
If energy never died, I now knew that love didn’t either; it could only be transformed.
M.R. Noble (Dark Eyes: White Lies (The Dark Eyes #2))
I would give anything to hear him say my name one more time. And anything not to.
Katie Hall-May (Puck's Legacy)
Yep, that's the right place. His cousin is loaded. He told me it was one of his daddy's properties," he whispered. "Don't go doing anything foolish, Sam. You drop those prisoners off and hightail it out of there. We've been paid for delivery only," he cautioned. 
Sharon Carter (Love Auction II: Love Designs)
When they reached their ship, Ed gazed out at the bay. It was black. The sky was black, but the bay was even blacker. It was a slick, oily blackness that glowed and reflected the moonlight like a black jewel. Ed saw the tiny specks of light around the edges of the bay where he knew ships must be docked, and at different points within the bay where vessels would be anchored. The lights were pale and sickly yellow when compared with the bright blue-white sparkle of the stars overhead, but the stars glinted hard as diamonds, cold as ice. Pg. 26.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
The Great Spirit had shown mercy and had given him access to the most powerful weapon of all—love.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
...they can make up their own mind. Kle loved that expression. "'Make up' as in fabricating as in creating your own mind. Pretty radical phrase if you give it a moment.
Mark Z. Danielewski (Into the Forest (The Familiar, #2))
This is better than a romance novel." P.J. said with a wistful sigh. "You read that stuff?" Cole demanded. "Why the hell do you ask the question like that?" P.J. said, annoyance evident in her tone and expression. "You just didn't seem the type," Cole mumbled. She flipped him the bird, and Shea had to bite her lip to keep from laughing. P.J. was easily half Cole's size but she also looked like she had the confidence to take on the much larger man. She might even kick his ass. The idea intrigued Shea greatly. "I'm tempted to shove one of my romance novels up your ass." P.J. said sharply. "But I love my books too much to desecrate them like that, I'll settle for my boot." Cole held up his hands in surrender. "I won't say another word. Romance novels are great. I love romance novels. I think everyone should read them.
Maya Banks (Whispers in the Dark (KGI, #4))
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
I love you with an awful intensity. Sometimes when I just sit in a trance staring at a piece of paper, pen poised and immovable, longing for you and remembering you and imagining you. I love you horribly and beautifully.
Marlene Wagman-Geller (Once Again to Zelda: The Stories Behind Literature's Most Intriguing Dedications)
I tell my story as well to let the Israeli people know that there is hope. If I, the son of a terrorist organization dedicated to the extinction of Israel, can reach a point where I not only learned to love the Jewish people but risked my life for them, there is a light of hope.
Mosab Hassan Yousef (Son of Hamas: A Gripping Account of Terror, Betrayal, Political Intrigue, and Unthinkable Choices)
Reading's ability to beam you up to a different world is a good part of the reason why people like me do it in the first place---because dollar for dollar, hour per hour, it's the most expedient way to get from our proscribed little "here" to an imagined, intriguing there". Part time machine, part Concorde, part ejector seat, books are our salvation.
Sara Nelson (So Many Books, So Little Time: A Year of Passionate Reading)
I do not possess the ability to draw or paint. I can’t sing or dance. I can’t knit or sew. But I am an artist. I have the ability to put onto paper, words that tell an intriguing story. I am a writer. A writer is someone who, with just words, can paint a beautiful picture. A writer can open up a world of imagination you didn’t realize was possible. When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels, That’s the art of a writer. I am an artist. My inspiration is the world around me. My paintbrush is my words. My easel is my computer. My canvas is the mind of my reader.
Bri Justine (Heinous Crimes, Immoral Minds)
But in the end it doesn't matter what Roman wants to do. I'm beginning to learn that this is the exhilarating and puzzling and, frankly, the frustrating thing about love. Things that matter to the other person start to seem intriguing, even if they are actually quite trite when you really think about them.
Jasmine Warga (My Heart and Other Black Holes)
it is real, all of it, he thought, the wars, the intrigues, the great bloody game, and me in the center of it... me, the dwarf, the monster, the one they scorned and laughed at, but now i hold it all, the power, the city, the girl. this was what i was made for, and gods forgive me, but i do love it... and her. and her." (tyrion lannister)
George R.R. Martin
Hearts In Me If I look to the world with hearts in my eyes Then surely I’ll be intrigued and inspired. If I touch the world with hearts in my hands Then surely I’ll learn how to understand. If I listen to the world with hearts in my ears Then surely I’ll truly be able to hear. If I speak with the world with hearts in my mouth Then surely I’ll be kind and gentle enough. If I think of the world with hearts in my mind Then surely I’ll be awake to all life. If I reach for the world with hearts in my palms Then surely its love will flow through my arms
Jay Woodman
Adventure is important in life. Making memories matters. It doesn’t have to be a secret sea plane and an historic sports moment. But to have a great life, you need great memories. Grab any intriguing offer. Say yes to a challenge, and to the unknown. Be creative in adding drama and scope to your own life. Work at it, like a job. Money from effort comes and goes. But effort from imagination and following adventure creates stories that you keep forever. And anyone can do it.
Rob Lowe (Love Life)
She was within me like the blood was within me in each and every fibre. I talked to her, but she never spoke back. It was just like talking to God, I never knew what either one of them thought about the words I spoke. It did not make her unreal. It did not make God unreal. It just made me want to connect with them even more.
Eli Wilde (My Unbeating Heart)
We are designed to dance. To use our bodies as weapons of grace, beauty and intrigue. We are designed to stretch until we master growth. To replace old dead cells and be physically renewed each moment. So challenges don’t destroy us, they just should make us dance more swiftly and passionately. For when we dance we please God. Especially when we dance in brokenness.
Phindiwe Nkosi (Behind the Hospital)
She told herself, finally, that she must face it or die . . . But this was just a whisper in the self, that flutter within which starts as a tiny plea and fights to grow in strength and resonance. So, she stood by it and fought for it, but not before her life and her love took the losses redemption almost always exacts from the redeemed.
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
There's something about houses that intrigues me. I mean, they're the place where families spend all their time together, making the house filled with love, life, and laughter. I always look at houses and wonder what's going on inside. Without the people who lived in them, they're just a shell, but once they're filled, they become sacred ground, the place where memories are made.
Taylor Dean (I Have People)
I could need you in many ways yet I don’t; I love you in many ways. It is peculiar. I need you only in the sense that you need yourself. I don’t expect anything to be mutually intense among us. I somehow like the thought of being the one who is feeling already more than one should. But I need you to believe that you are distinctively refreshing. And uncommon. And intriguing. It is an extreme oddity of mine but I need you to believe that. Call it a form of paranoia; I know that I am feeding your ego right now. Call it self-defense; I am putting in words your uniqueness in an attempt to explain to my own self why is it that I adore you. The truth is: You shine out like the sun shines out and you melt away all my intentions of a fatal, whatsoever, description regarding what is it exactly that you do. There is no exactness. See, it takes suns and miraculous imagery to slightly sketch you in words whereas you probably are as complex as an impressionist painting of impeccable quality. You continually provoke my blatantly awful poetical instincts; that is for sure.
Katherine Mansfield (Selected Stories)
What hideous luck to be wretchedly stuck on this miserable blockading duty! What I need is a ship I can capture and strip to sequester my share of the booty. Oh, the treasure I’d net would remit all my debt and buy an estate with a gold coronet. Oh, captain who’s wise has his eye on the prize while he’s serving his country and King, oh sing, of a well-deserved rest in a well-feathered nest and the riches that duty can bring!
James Allen Moseley (The Duke of D.C.: The American Dream)
Confusing being mortal with being threatened can occur in any realm. The fact that something could go wrong does not mean that we are in danger. It means we are alive. Mortality is the sign of life. In the most intimate and personal of arenas, many of us have love and trusted someone who violated that trust. So when someone else comes along who intrigues us, whose interests we share, who we enjoy being with, with whom there could be some mutual enrichment and understanding, that does not mean that we are being violated again. Experiencing anxiety does not mean that anyone is doing anything to us that is unjust.
Sarah Schulman (Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair)
The world may or may not need another cookbook, but it needs all the lovers – amateurs – it can get. It is a gorgeous old place, full of clownish graces and beautiful drolleries, and it has enough textures, tastes, and smells to keep us intrigued for more time than we have. Unfortunately, however, our response to its loveliness is not always delight: It is, far more often than it should be, boredom. And that is not only odd, it is tragic; for boredom is not neutral – it is the fertilizing principle of unloveliness. In such a situation, the amateur – the lover, the man who thinks heedlessness is a sin and boredom a heresy – is just the man you need. More than that, whether you think you need him or not, he is a man who is bound, by his love, to speak. If he loves Wisdom or the Arts, so much the better for him and for all of us. But if he loves only the way meat browns or onions peel, if he delights simply in the curds of his cheese or the color of his wine, he is, by every one of those enthusiasms, commanded to speak. A silent lover is one who doesn't know his job.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Intriguing isn't it? One day you are the king of your world. And the next day, you stand aside, watching it all burn. Ashes slipping out of your hand, you just stand and stare, your glassy gaze fixed on something no one else could see, no one else could know... People will talk as people do talk. And they will walk over the ashes. And the ashes will dance in front of you, reminding you every second of what was and what might have been. And you will almost give in. But my advice is, don’t give in. Because one day, you will decide to turn the corner. Put it all behind you. Just stand strong and still as the great wind comes and takes all the ashes away with with it, leaving fresh air behind. Fresh for you to make a new world, a better world.
Aleena Yasin
So...Now that we got that over with, let's get back to love at first sight, Evan said. Not infatuation at first sight...Love. With a capital L, he clarified. Love? Heeb asked, playfully pretending not to know the concept. Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her. You've experienced that? Only once. And I haven't stopped thinking about it ever since. Tell me more. Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing...No one can possibly compare.... Who is she? Delilah, Evan said wistfully. Delilah?, asked Heeb, intrigued Delilah Nakova, Evan replied, with a hint of awe and reverence in his voice.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
Alexandra Adornetto
The Love I Gave You Once My beloved, My own, Do not demand the love I gave you once. For a moment, I really believed That you alone gave meaning To my withered life; That the accelerating pain Of my unrequited love, Would make me forget All other torments Of this troubled world; That your face lent stability To the restless spring; That nothing else mattered In this empty world But your deep, seductive eyes. For a moment, I really believed That if I could only possess you, I could conquer Fate itself. But all that was false, A mere illusion. This world of ours bleeds With more pains than just the pain of love; And many more pleasures beckon us all the time Than just the fleeting pleasures of a reunion with you. For untold centuries, The affluent have always woven many webs of intrigue, Dark and cruel and mysterious, And dressed them up in silks and brocades. And for all those years, On every street and in every bazaar, Human bodies have been brazenly sold, Dressed in dust and bathed in blood, Malnourished, misshapen and baked by disease. Time and time again, My eyes are diverted To this tragic scene, Your beauty is alluring as ever, Your arms inviting as always: But how can I ever ignore All this ugliness, all this pain? Yes, my love, This world of ours bleeds With more pains that just the pain of love; And many more pleasures beckon us all the time Than just the fleeting pleasure of a reunion with you. My beloved, My own, Do not demand the love I gave you once.
Faiz Ahmad Faiz
According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
Mr. Severin, may I ask something personal?" "Of course." "Why did you offer to be my oyster?" A hot blush climbed her face. "Is it because I'm pretty?" His head lifted. "Partly," he admitted without a hint of shame. "But I also liked what you said- that you never nag or slam doors, and you're not looking for love. I'm not either." He paused, his vibrant gaze holding hers. "I think we would be a good match." "I didn't mean I don't want love," Cassandra protested. "I only meant I'd be willing to let love grow in time. To be clear, I want a husband who could also love me back." Mr. Severin took his time about replying. "What if you had a husband who, although not handsome, was not altogether bad-looking and happened to be very rich? What if he were kind and considerate, and gave you whatever you asked for- mansions, jewels, trips abroad, your own private yacht and luxury railway carriage? What if he were exceptionally good at..." He paused, appearing to think better of what he'd been about to say. "What if he were your protector and friend? Would it really matter so much if he couldn't love you?" "Why couldn't he?" Cassandra asked, intrigued and perturbed. "Is he missing a heart altogether?" "No, he has one, but it's never worked that way.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I write because… I write because I love the art and the magic of Literature. I write because it keeps me safe, sane, and connected to you. I write because it takes me to the places I want to go and those who wish to join me in the journey; may grasp my hand and my heart; in this stroll through this moment of time. I write because when no one was there, the word was there: The word has always been and always will be the preeminent being in my universe. I write because it allows me; to allow you to be understood and we are joined for a moment in time. I do not write because it comes from a place of grammatical perfection; free of line breaks in perfected poetry; for my history is one of line breaks and imperfections. I do not come to you from a place of polished and perfected; educated and critiqued. No! I come to you from a place of raw, real, gutsy, and riveting. What I give you is raw, real, gutsy and riveting; with all of its imperfections and inconsistencies. You have been touched, you have been curious, and you have been intrigued; you have come back looking, longing, expecting or not… But then suddenly you were surprised; surprised that you could be moved; surprised that your preconceived ideas had been shattered by one who writes because…
Suzanne Steele (Glazov's Legacy (Born Bratva #2))
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)