“
The farther you go...the harder it is to return. The world has many edges and it's easy to fall off.
”
”
Anderson Cooper (Dispatches from the Edge: A Memoir of War, Disasters, and Survival)
“
The farther you go, however, the harder it is to return. The world has many edges, and it's easy to fall off.
”
”
Anderson Cooper
“
Every time you do a good deed you shine the light a little farther into the dark. And the thing is, when you're gone that light is going to keep shining on, pushing the shadows back.
”
”
Charles de Lint
“
You can go a long way with a smile. You can go a lot farther with a smile and a gun.
”
”
Al Capone
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Sin will take you farther than you want to go, keep you longer than you want to stay, and cost you more than you want to pay. –
”
”
R Zaccharias
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
Best of an island is once you get there - you can't go any farther...you've come to the end of things...
”
”
Agatha Christie (And Then There Were None)
“
When I take you to the Valley, you’ll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe you’ll say, “There it is, that’s it!” But I’ll say. “A little farther.” We’ll go on, I hope, and you’ll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe you’ll say, “Let’s stop here, this is it!” But I’ll say, “A little farther yet.” We’ll go on, and you’ll hear the quail calling on the mountain by the springs of the river, and looking back you’ll see the river running downward through the wild hills behind, below, and you’ll say, “Isn’t that the Valley?” And all I will be able to say is “Drink this water of the spring, rest here awhile, we have a long way yet to go and I can’t go without you.
”
”
Ursula K. Le Guin (Always Coming Home)
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Funny thing is, until I met you all I wanted to do was to get as far away from here as I could. Kind of ironic, isn't it? Can't get much farther away than where I"m going, and now I'd give anything to stay.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
Philosophy is the toil which can never tire persons engaged in it. All ways are strewn with roses, and the farther you go, the more enchanting objects appear before you and invite you on.
”
”
Mary Wortley Montagu
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
...He kissed me again, farther up my neck, and I pushed him back against the wall.
My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other."
Luke released me. "How long does it take to know someone?"
I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about-- it went against everything I'd ever been told. So why was it so hard to say no?
He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless.
"I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
Just as your car runs more smoothly and requires less energy to go faster and
farther when the wheels are in perfect alignment, you perform better when your
thoughts, feelings, emotions, goals, and values are in balance.
”
”
Brian Tracy (Focal Point: A Proven System to Simplify Your Life, Double Your Productivity, and Achieve All Your Goals)
“
ʺYour hair was beautiful too. All of you. You were amazing
when we first met, and somehow, inexplicably, youʹve come even farther. Youʹve always
been pure, raw energy, and now you control it. Youʹre the most amazing woman Iʹve ever
met, and Iʹm glad to have had that love for you in my life. I regret losing it.ʺ He grew
pensive. ʺI would give anything—anything—in the world to go back and change history.
To run into your arms after Lissa brought me back. To have a life with you. Itʹs too late,
of course, but Iʹve accepted it.ʺ
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
It's all right. It's like stumbling on a rock on the roadside. It's petty...a small thing. The place you want to go...is more distant farther off. So...it's all right. You'll stand up. And you'll start walking. Soon...
”
”
Kentaro Miura (Berserk, Vol. 8 (Berserk, #8))
“
It doesn't matter where or how far you go - the farther commonly the worse - the important thing is how alive you are. Writing of every kind is a way to wake oneself up and keep as alive as when one has just fallen in love.
”
”
Pico Iyer
“
I will love you as we find ourselves farther and farther from one another, where we once were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Go as far as you can see; when you get there, you'll be able to see farther.
”
”
John D. Rockefeller
“
But Lila went to Kell’s side. She knelt beside his sleeping body, and whispered something in his ear, and if Tes had been standing farther back, she’d never have heard it. But she did.
“There is nowhere you go,” said the Antari to her prince, “that I cannot follow.
”
”
Victoria Schwab (The Fragile Threads of Power (Threads of Power, #1))
“
Go as far as you can see; when you get there, you’ll be able to see farther.
”
”
J.P. Morgan
“
son," Mr. P said. "You're going to find more and more hope the farther and farther you walk away from this sad, sad, sad reservation.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
Holding on will not make something come back. In my experience, it actually pushes it farther away. You cannot go back and undo what’s done, my friends. You can only move forward. And if your deepest compulsions and instincts tell you that you’re meant to be with that person or doing that thing, you should let go and move forth and see how life takes you there. Clearly, things aren’t going according to your desired plan already, so why not throw caution to the wind and see where you end up.
”
”
Brianna Wiest
“
There are always those perfect times with the people we love, those moments of joy and equality that sustain us later on...These moments are the foundation upon which we build the house that will shelter us into our final years, so that when love calls out, "How far would you go for me?" you can look it in the eye and say truthfully, "Farther than you would ever have thought was possible.
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
The guest is inside you, and also inside me;
you know the sprout is hidden inside the seed.
We are all struggling; none of us has gone far.
Let your arrogance go, and look around inside.
The blue sky opens out farther and farther,
the daily sense of failure goes away,
the damage I have done to myself fades,
a million suns come forward with light,
when I sit firmly in that world.
I hear bells ringing that no one has shaken,
inside "love" there is more joy than we know of,
rain pours down, although the sky is clear of clouds,
there are whole rivers of light.
The universe is shot through in all parts by a single sort of love.
How hard it is to feel that joy in all our four bodies!
Those who hope to be reasonable about it fail.
The arrogance of reason has separated us from that love.
With the word "reason" you already feel miles away.
”
”
Kabir (The Kabir Book: Forty-four of the Ecstatic Poems of Kabir)
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six
million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that."
Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet
his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
And as the ground gets farther and farther away you swear to yourself that you're going to tell someone how bad it is, you're gonna stop pretending like none of these things are happening, but by the time the ground is coming toward you again you are already polishing your story.
”
”
Carmen Maria Machado (In the Dream House)
“
A sense that you had gone beyond yourself and could go farther still.
”
”
Stephen King (Elevation)
“
As Ravi Zacharias said, “Sin will take you farther than you want to go, keep you longer than you want to stay, and cost you more than you want to pay.
”
”
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
“
I don't really care if people forget me. My legacy wasn't about me. It was about everything I could do for another. When that sinks in...well you try a little harder. You dream a little broader. Your heart stretches a little farther and you find that you can't go back to the same place and make it fit. You become a person of ideas and seek out your own kind. And then it happens: One day you discover that staying the same is scary and changing has become your new home.
”
”
Shannon L. Alder
“
Are you too frightened to go any farther?" asked the silk-monkey, who found all this very easy, having four legs herself.
"I'm never afraid," answered Sniff. "But I think the view is better from here.
”
”
Tove Jansson (Comet in Moominland (The Moomins, #2))
“
One cannot prove anything here, but it is possible to be convinced.'
How? By what?'
By the experience of active love. Try to love your neighbors actively and tirelessly. The more you succeed in loving, the more you'll be convinced of the existence of God and the immortality of your soul. And if you reach complete selflessness in the love of your neighbor, then undoubtedly you will believe, and no doubt will even be able to enter your soul. This has been tested. It is certain...
Active love is a harsh and fearful thing compared with love in dreams. Love in dreams thirsts for immediate action, quickly performed, and with everyone watching. Indeed, it will go as far as the giving even of one's life, provided it does not take long but is soon over, as on stage, and everyone is looking on and praising. Whereas active love is labor and perseverance, and for some people, perhaps, a whole science...in that very moment when you see with horror that despite all your efforts, you not only have not come nearer your goal but seem to have gotten farther from it, at that very moment...you will suddenly reach your goal and will clearly behold over you the wonder-working power of the Lord, who all the while has been loving you, and all the while has been mysteriously guiding you.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Leaning down onto his arms, he prowled up the bed to her body, his eyes fixated on her secret skin as if he'd never seen anything like it. When he got in range, wide hands smoothed their way up the insides of her thighs, opening them even farther.
But then he frowned and looked up at her. "Wait, I'm supposed to kiss you on the mouth first, aren't I? I mean, males start at the top and work their way down, don't they?"
What and odd question... like he'd never done this at all?
Before she could reply he began to move back, so she sat up and captured his face in her hands.
"You can do whatever you like to me."
His eyes flashed and he held his position for a split second.
Then he lunged at her, taking her down onto the bed. His tongue shot into her mouth and his hands tangled in her hair, pulling on her, arching her, trapping her head. The hunger in him was ferocious, a warrior's thick-blooded need for sex. He was going to take her with all the strength he had, and she was going to be sore when he was through using her. Sore and utterly blissed out. She couldn't wait.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Sin always takes you further than you meant to go and keeps you longer than you meant to stay.
”
”
Tiffany L. Warren (Farther Than I Meant To Go, Longer Than I Meant To Stay)
“
He smiled. "You’re into me, I can tell."
"I’m not into you," I said hotly. Hotly, because as soon as the words left my lips, sparklers erupted on top of my head.
Hudson looked at them, and a grin spread across his face. The baby cooed and reached out, trying to grab the flaring light. Hudson moved farther away. "Don’t touch. Just look at Mommy’s pretty liar hat."
He was enjoying this way too much. "Okay," I said. "Maybe I like you a little."
The sparklers dimmed, but didn’t go out.
Hudson raised an eyebrow.
"All right," I said, nervously eyeing the area to make sure no one saw us. "I’m into you."
The sparklers died, but I didn’t wait around for more commentary. I headed to the inn. Behind me I heard Hudson still talking to the baby. "Yes, we like Mommy’s flaming hairdo, don’t we?
”
”
Janette Rallison (My Unfair Godmother (My Fair Godmother, #2))
“
You already made it this far and God is still going to take you way farther.
”
”
Joena San Diego (Letters of Solana)
“
Not a wind, not even a high, exactly, but an elevation. A sense that you had gone beyond yourself and could go farther still.
”
”
Stephen King (Elevation)
“
TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back -
"I thought you were dead," he's saying, his breath on my neck. "I thought you were dead."
"Todd," I say and I'm crying and the only thing I can say is his name. "Todd.
”
”
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
“
It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don't fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all - nothing real, not one scrap of what there ought to be. And others - others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don't you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences - eternal differences, planted by God in a single family, so that there may always be colour; sorrow, perhaps, but colour in the daily grey.
”
”
E.M. Forster (Howards End)
“
It’s fine to go offline. You won’t lose your place in the world. And once you practice it and get good at it, I predict you’ll move a step farther from thinking, “It’s fine,” to realizing, “It’s divine!” The more you log off, the more you’ll realize how fabulously freeing it truly is.
”
”
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
“
As Henry David Thoreau, one of the great explorers of his time, reminded himself in his journal, “It matters not where or how far you travel—the farther commonly the worse—but how much alive you are.” Two
”
”
Pico Iyer (The Art of Stillness: Adventures in Going Nowhere (TED Books))
“
because sometimes, to find home, you must first go farther afield.
”
”
Roxane Gay (An Untamed State)
“
The longer you live a comfortable lie, the farther you drift from your purpose, and the harder will be to gather the courage to go back to your heart.
”
”
Dragos Bratasanu (The Pursuit of Dreams: Claim Your Power, Follow Your Heart, and Fulfill Your Destiny)
“
The people making you feel guilty for going your own way and choosing your own life are simply saying, ‘Look at me. I’m better than you because my chains are bigger.’ It takes courage to break those chains and define your own life.” So dare to live your precious days on Earth to their fullest, true to yourself, with open heart and thoughtful mind, and with the courage to change what doesn’t work and accept the consequences. You may find that you can fly farther than you ever imagined.
”
”
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
“
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
”
”
Annie Proulx (Brokeback Mountain)
“
Don't know. Don't care. I'm hopping on a bus and going until I can't go any farther. Until I find a place that feels like home.'
He's quiet for a long time. 'How will you know what home feels like?'
It hangs in the air between us, as frozen as our breaths. I don't have an answer.
”
”
Holly Black (My True Love Gave to Me: Twelve Holiday Stories)
“
Realize that time will never stop. NEVER. You will never be younger again. It's like being on a train with no stops that's always leading you father and farther from home... or closer to home, depending on how you look at it. You can never get off the train. You can never board a train going the opposite direction. If you missed a stop, tough shit. If there was this great thing even just two miles back that you decided not to do, you can't change your mind and go do it. That place is gone forever.
”
”
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.I don't mean to imply imply I felt as if I stood on brittle ice about to give way beneath me. No. I felt like the ice itself, suddenly shattered, with cracks spiraling out from where she had touched my chest. The only reason I held together was because my thousand pieces were all leaning together. If i moved, i feared I would fall apart.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
I'm going to be everything you never wanted,' I warn on a gruff breath, 'nothing that you need.'
I slide my other hand farther up her thigh.
'Sometimes my work will take me away, and I won't call, and I'll piss you off.'
I graze my longest finger over the silky V covering her sex.
'I'll be selfish. I'll take everything I want, whenever I want it. I'm not the man of your dreams, Melanie, I'm your worst nightmare.
”
”
Katy Evans (Rogue (Real, #4))
“
Our television signals leave this planet and go out into space...the signals spread out from the earth in spherical waves, a little like ripples in a pond. They travel at the speed of light, 186,000 miles a second, and essentially go on forever. The better some other civilizations receivers are, the farther away they could be and still pick up our tv signals. Even we could detect a strong tv transmission from a planet going around the nearest star.' President: 'You mean everything? You mean to say all that crap on television - the car crashes, wrestling, the porno channels, the evening news?
”
”
Carl Sagan (Contact)
“
Think you've got the guts to actually go through with it this time?" (Puck)
I responded by slashing at his face, barely missing him as he ducked. (Ash)
"Oooh, that had a bit of temper behind it." He sneered, eyes gleaming as he circled back. "But don't think I'll go easy on you, just because of our history. I'm not like my other half - weak, pathetic, restrained...."
"Loud, obnoxious, immature," I added
"Hey!" The real Puck called from farther down, dodging as Other Ash slashed at him. "I'm standing right here, you two!
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
No," he says, taking us both in. "No, no, no. You've come farther than most people on this planet will in their lifetimes. You've overcome obstacles and dangers and things that should've killed you. You've outrun an army and a madman and deadly illness and seen things most people will never see. How do you think you could have possibly come this far if you didn't have hope?
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
Running efficiently demands good technique, and running efficiently for 100 miles demands great technique. But the wonderful paradox of running is that getting started requires no technique. None at all. If you want to become a runner, get onto a trail, into the woods, or on a sidewalk or street and run. Go 50 yards if that's all you can handle. Tomorrow, you can go farther.
”
”
Scott Jurek (Eat & Run: My Unlikely Journey to Ultramarathon Greatness)
“
You suspect, Stephen retorted with a sort of a half laugh, that I may be important because I belong to the fauborgh Saint Patrice called Ireland for short.
—I would go a step farther, Mr Bloom insinuated.
—But I suspect, Stephen interrupted, that Ireland must be important because it belongs to me.
”
”
James Joyce (Ulysses)
“
-NONREADING-
Bookstores don't provide
a remote control for Proust,
you can't switch
to a soccer match,
or a quiz show, win a Cadillac.
We live longer
but less precisely
and in shorter sentences.
We travel faster, farther, more often,
but bring back slides instead of memories.
Here I am with some guy.
There I guess that's my ex.
Here everyone's naked
so this must be a beach.
Seven volumes—mercy.
Couldn't it be cut or summarized,
or better yet put into pictures.
There was that series called "The Doll,"
but my sister-in-law says that's some other P.*
And by the way, who was he anyway.
They say he wrote in bed for years on end.
Page after page
at a snail's pace.
But we're still going in fifth gear
and, knock on wood, never better.
”
”
Wisława Szymborska
“
The children you don’t especially need, you have always with you, like the poor. But the bright ones get away from you. They have their own way to make in the world. Seems like the brighter they are, the farther they go.
”
”
Willa Cather (The Song Of The Lark (Prairie Trilogy #2))
“
Stand up; Grow up and Climb up. The reason why you can’t see farther and further is because you didn’t climb higher. Be willing to explore and be informed!
”
”
Israelmore Ayivor (Daily Drive 365)
“
Think of how far you've come," Maggie said softly. "And then ask yourself how much farther you wish to go
”
”
Thrity Umrigar (The Story Hour)
“
Earlier in my life, I have to admit, I was often guilty of this error. I wanted to take an idea from seed thought to solution before sharing it with anyone, even the people it would most impact. I did this both at work and at home. But over the years, I have learned that you can go much farther with a team than you can go alone.
”
”
John C. Maxwell (How Successful People Think: Change Your Thinking, Change Your Life)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
Hapi?" I asked.
"Why, yes, I am happy!" Hapi beamed. "I'm always happy because I'm Hapi! Are you happy?"
Zia frowned up at the giant. "Does he have to be so big?"
The god laughed. Immediately he shrank down to human size, though the crazy cheerful look on his face was still pretty unnerving.
"Oh, Setne!" Hapi chuckled and pushed the ghost playfully. "I hate this guy. Absolutely despise him!"
Hapi's smile became painfully wide. "I'd love to rip off your arms and legs, Setne. That would be amazing!"
Setne ... drifted a little farther away from the smiling god.
"Oh!" Hapi clapped excitedly. "The world is going to end tomorrow. I forgot!"
"You'd never get to Memphis without my help. You'd get torn into a million pieces!"
He seemed genuinely pleased to share that news.
”
”
Rick Riordan
“
My thoughts are free to roam back to the way she leaned her head on my arm for a split second, as if wishing she could let herself go, let herself lean farther. But she didn't, and I can’t help but respect her for that, even I know her strength is false, propped up by the shaky girders of Old Man Jack. One day soon, those girders will collapse, and her world will crumble, and I know I have to be there when that happens.
”
”
Jasinda Wilder (Falling Into You (Falling, #1))
“
You’re getting sloppy, killing so close to home, leaving the bodies spread throughout the back streets of the capital, like Hansel and Gretel dropping more and more bread crumbs the farther into the forest they go.
”
”
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
“
Gods of all the world, say something," she cried, and Talat startled beneath her.
"I love you," said Luthe. "I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for I cannot bear this."
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat's hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Everybody warns about bad influences, but it’s these things already inside you that are going to take you down. The restlessness in your gut, like tomcats gone stupid with their blood feuds, prowling around in the moon-dead dark. The hopeless wishes that won’t quit stalking you: some perfect words you think you could say to somebody to make them see you, and love you, and stay. Or could say to your mirror, same reason. Some people never want like that, no reaching for the bottle, the needle, the dangerous pretty face, all the wrong stars. What words can I write here for those eyes to see and believe? For the lucky, it’s simple. Like the song says, this little light of mine. Don’t let Satan blow it out. Look farther down the pipe, see what’s coming. Ignore the damn tomcats. Quit the dope.
”
”
Barbara Kingsolver (Demon Copperhead)
“
Never leave your life plan to be determined by people who are not going where you are going. For the sake of your dreams and also for the sake of the people God created to benefit from your God-give talents, stay away from toxic people. Mount the shoulder giants and see farther ahead!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
Go as far as you can see; when you get there you'll be able to see farther.
”
”
Thomas Carlyle
“
He thought: Best of an island is once you get there—you can’t go any farther … you’ve come to the end of things…. He knew, suddenly, that he didn’t want to leave the island. VI
”
”
Agatha Christie (And Then There Were None)
“
Go away,” I say. He raises his hands in surrender and takes a step back. “This far?” “Farther.” Another step. “Better?” “Yes,” I smart. Silas grins. “I don’t know myself well, but I can tell I have a lot of game.” “Oh, please,” I say. “If you were a game, Silas, you’d be Monopoly. You just go on and on and everyone ends up cheating just to be over with it.” He’s quiet for a minute. I feel bad for saying something so awkward even if it was a joke. “You’re probably right,” he laughs. “That’s why you cheated on me with that asshat, Brian. Lucky for you, I’m not Monopoly Silas anymore. I’m Tetris Silas. All my pieces and parts are going to fit into all of your pieces and parts.
”
”
Colleen Hoover (Never Never (Never Never, #1))
“
Mischief twinkled in his eyes. "'Okay' isn't even close. Kissing you is like a roller-coaster ride to outer space. The farther we go, the more I'm lost and the more I want to explore new territory
”
”
Sherrilyn Kenyon
“
You don’t have to go out the door to know what goes on in the world. You don’t have to look out the window to see the way of heaven. The farther you go, the less you know. So the wise soul doesn’t go, but knows; doesn’t look, but sees; doesn’t do, but gets it done.
”
”
Lao Tzu (Tao Te Ching: A Book about the Way and the Power of the Way)
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
The farther right you go on the curve, the more you will encounter the clients and customers who may need what you have, but don't necessarily believe what you believe. As clients, they are the ones for whom, no matter how hard you work, it's never enough. Everything usually boils down to price with them. They are rarely loyal. They rarely give referrals and sometimes you may even wonder out loud why you still do business with them. "They just don't get it," our gut tells us. The importance of identifying this group is so that you can avoid doing business with them.
”
”
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
“
I keep thinking grief feels like climbing a staircase while looking down,” she said. “You won’t forget where you’ve been, but you’ve got to keep rising. It all gets farther away, but it’s all still there. And you’ve only got one way to go and you don’t really want to go on rising, but you’ve got to. And that tightness in your chest doesn’t go away, but you somehow go on breathing that thinner, higher air. It’s like you grow a third lung. Like you’ve somehow gotten bigger when you thought you were only broken.
”
”
Kassandra Montag (After the Flood)
“
He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people’s saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Today Means Amen
Dear you, whoever you are, however you got here,
this is exactly where you are supposed to be.
This moment has waited its whole life for you.
This moment is your lover and you are a soldier.
Come home, baby, it's over. You don't need
to suffer anymore. Dear you, this moment
is your surprise party. You are both hiding
in the dark and walking through the door.
This moment is a hallelujah. This moment
is your permission slip to finally open that love
letter you've been hiding from yourself,
the one you wrote when you were little
when you still danced like a sparkler at dusk.
Do you remember the moment you realized
they were watching? When you became
ashamed of how much light you were holding?
When you first learned how to unlove yourself?
Dear you, the word today means amen
in every language. Today, we made it. Today,
I'm going to love you. Today, I'm going
to love myself. Today, the boxcutter will rust
in the garbage. The noose will forget
how to hold you, today, today--
Dear you, and I have always meant you,
nothing would be the same if you
did not exist. You, whose voice is someone's
favorite voice, someone's favorite face
to wake up to. Nothing would be the same
if you did not exist. You, the teacher,
the starter's gun, the lantern in the night
who offers not a way home, but the courage
to travel farther into the dark. You, the lover,
who worships the taste of her body, who is
the largest tree ring in his heart, who does not
let fear ration your love. You, the friend,
the sacred chorus of how can I help.
You, who have felt more numb than holy,
more cracked than mosaic. Who have known
the tiles of a bathroom by heart, who have
forgotten what makes you worth it.
You, the forgiven, the forgiver, who belongs
right here in this moment. You, this clump
of cells, this happy explosion that happened
to start breathing, and by the grace of whatever
is up there, you got here. You made it
this whole way: through the nights
that swallowed you whole, the mornings
that arrived in pieces. The scabs, the gravel,
the doubt, the hurt, the hurt, the hurt
is over. Today, you made it. You made it.
You made it here.
”
”
Sierra DeMulder (Today Means Amen)
“
those at the very top of the class—are going to face a burden that they would not face in a less competitive atmosphere. Citizens of happy countries have higher suicide rates than citizens of unhappy countries, because they look at the smiling faces around them and the contrast is too great. Students at “great” schools look at the brilliant students around them, and how do you think they feel? The phenomenon of relative deprivation applied to education is called—appropriately enough—the “Big Fish–Little Pond Effect.” The more elite an educational institution is, the worse students feel about their own academic abilities. Students who would be at the top of their class at a good school can easily fall to the bottom of a really good school. Students who would feel that they have mastered a subject at a good school can have the feeling that they are falling farther and farther behind in a really good school. And that feeling—as subjective and ridiculous and irrational
”
”
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
“
That public men publish falsehoods
Is nothing new. That America must accept
Like the historical republics corruption and empire
Has been known for years.
Be angry at the sun for setting
If these things anger you. Watch the wheel slope and tum.
They are all bound on the wheel, these people, those warriors,
This republic, Europe, Asia.
Observe them gesticulating,
Observe them going down. The gang serves lies, the passionate
Man plays his part; the cold passion for truth
Hunts in no pack.
You are not CatulIus, you know,
To lampoon these crude sketches of Caesar. You are far
From Dante’s feet, but even farther from his dirty
Political hatredS.
Let boys want pleasure, and men
Struggle for power, and women perhaps for fame,
And the servile to serve a Leader and the dupes to be duped.
Yours is not theirs.
”
”
Robinson Jeffers (Selected Poems)
“
Heroin makes you sick the first try. Cigarette smoking too if you're lucky. But if you're not lucky, and you develop a taste, if you're one who senses that cocaine gets better with time, or you're one who jumps out of a plane and becomes an adrenaline junky, or you're one who loves the feel of grease melting over your tongue in the form of pecan pie or thick clam chowder or a fat porterhouse or just plain ol' Doritos by the bagful, and you want to repeat the same comfort and recognizable surprise of that first go, that first indulgence, and yet with each succeeding bite the small hope of true satisfaction slides farther away, then you understand Celeste, at least a little.
”
”
Amanda Boyden (Pretty Little Dirty)
“
There are seven incarnations (and six correlates) necessary to becoming an Artist: 1. Explorer (Courage) 2. Surveyor (Vision) 3. Miner (Strength) 4. Refiner (Patience) 5. Designer (Intelligence) 6. Maker (Experience) 7. Artist. First, you must leave the safety of your home and go into the dangers of the world, whether to an actual territory or some unexamined aspect of the psyche. This is what is meant by 'Explorer.' Next, you must have the vision to recognize your destination once you arrive there. Note that a destination may sometimes also be the journey. This is what is meant by 'Surveyor.' Third, you must be strong enough to dig up the facts, follow veins of history, unearth telling details. This is what is meant by 'Miner.' Fourth, you must have the patience to winnow and process your material into something rare. This may take months or even years. And this is what is meant by 'Refiner.' Fifth, you must use your intellect to conceive of your material as something meaning more than its origins. This is what is meant by 'Designer.' Six, you must fashion a work independent of everything that has gone before it including yourself. This is accomplished though experience and is what is meant by 'Maker.' At this stage, the work is acceptable. You will be fortunate to have progressed so far. It is unlikely, however, that you will go any farther. Most do not. But let us assume you are exceptional. Let us assume you are rare. What then does it mean to reach the final incarnation? Only this: at every stage, from 1 thru 6, you will risk more, see more, gather more, process more, fashion more, consider more, love more, suffer more, imagine more and in the end know why less means more and leave what doesn't and keep what implies and create what matters. This is what is meant by 'Artist.
”
”
Mark Z. Danielewski
“
It's a laughable lock—one that you would use only to guard a graveyard. Not that anyone would trouble themselves invading a timber hut in a mangrove forest farther away from the Bay of Bengal. Still, how can someone live with a lock like that? Made of ancient iron, reeking of rust. It would need a primordial key to be twisted and turned, going through several moments of mechanical trouble until the old lock opens. Good luck if you can do that without breaking the key.
Oh! The key … Well, the owner of the hut has left the key right beside the lock, including instructions. The Monk, Yuan Yagmur—revealing his muscled arms from under his wide, dark shawl—takes the note (the one with instructions):
Please, scan your CRAB first before touching the key. For your own safety.
From what, you ask? It’s a surprise.
Enter without scanning if you want to find out.
—Mee-Hae Ra
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
The farther afield you go, the more you are going home ... as if the gods put us down with a certain arbitrary glee in the wrong place and what we seek is who we had really ought to be.
”
”
Diane Arbus
“
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving.
This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love.
This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages.
I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit.
The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
”
”
Clementine von Radics (Mouthful of Forevers)
“
I suddenly remembered that Murray Gell-Mann and I were supposed to give talks at that conference on the present situation of high-energy physics. My talk was set for the plenary session, so I asked the guide, "Sir, where would the talks for the plenary session of the conference be?"
"Back in that room that we just came through."
"Oh!" I said in delight. "Then I'm gonna give a speech in that room!"
The guide looked down at my dirty pants and my sloppy shirt. I realized how dumb that remark must have sounded to him, but it was genuine surprise and delight on my part.
We went along a little bit farther, and the guide said, "This is a lounge for the various delegates, where they often hold informal discussions." They were some small, square windows in the doors to the lounge that you could look through, so people looked in. There were a few men sitting there talking.
I looked through the windows and saw Igor Tamm, a physicist from Russia that I know. "Oh!" I said. "I know that guy!" and I started through the door.
The guide screamed, "No, no! Don't go in there!" By this time he was sure he had a maniac on his hands, but he couldn't chase me because he wasn't allowed to go through the door himself!
”
”
Richard P. Feynman
“
Perfect! Now we’re being chased by hoards of monkeys! Perhaps you would care to name their species as we’re attacked, just so I can appreciate the special traits of said monkey as it kills me!”
He ran along beside me. “At least when the monkeys are harassing you, you don’t have time to harass me!”
The monkeys were getting close. I almost tripped over one as it darted in front of my legs. Ren leapt over a fountain with his tiger power. Show-off.
“Ren, you’re holding back. Just get out of here! Take the backpack and go.”
He laughed acerbically as he ran ahead of me; then, he turned to look at me while jogging backward. “Ha! You wish you could get rid of me that easily!”
He ran a bit farther ahead of me and switched to the tiger. Then he barreled back toward me and actually leapt over my running body into the throng of monkeys to slow them down.
I shouted back at him while still running, “Hey! Careful where you jump, Mister! You almost took my head off!
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Unless you put prayer with your fasting, there is no need to fast. If it doesn't mean anything to you, it won't mean anything to God.
I can do without a lot of things, but I cannot do anything without Jesus.
Moses fasted. Elijah fasted forty days. Paul fasted fourteen days. Jesus fasted forty days. If the children of God do not fast, how will we ever fit into the armor of God?
Fasting is not a requirement; it is a choice. It is a vow you choose to make to pursue God on a deeper level. The entire time that you are on a fast you are acknowledging God. When you are feeling hungry, empty, and weak, you connect with God without all the clutter. In that way fasting is a time vow. It is also a discipline vow. Fasting, especially a longer fast, strengthens your character in every area of your life.
If you do not have the power of a made-up mind to honor God with your body, you will be at the mercy of the lust of your flesh.
If failure is not a possibility, then success doesn’t mean anything.
Prayer and fasting were a big part of Jesus’s life. Why should it be such a small part of yours? If Jesus needed to fast, how much greater is our need to fast?
If we are not drawing closer to God, we are drifting farther from Him.
I am not in this for what I can get out of Jesus. I’m in this because He loved me first and gave Himself for me. I have nothing to go back to. I crossed that bridge a long time ago. The enemy, this world, difficult circumstances—it doesn’t matter. I’ll still be in church. I am never going to walk away from God.
”
”
Jentezen Franklin (The Fasting Edge)
“
Do you imagine, Peter, that your Carpe Diem boots would look any less deluded to them than that guy's Tony Lamas do to you? There's a comeuppance for everyone, wherever you are, and the farther you go from your own fiefdom, the more ludicrous are your haircut, your clothes, your opinions, your life. Within easy walking distance of home are neighborhoods that might as well be in Saigon.
”
”
Michael Cunningham (By Nightfall)
“
here is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees - that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail - and farther.
”
”
Henry Lawson (The Drover's Wife)
“
You cannot escape that you are a woman,” she began.
“I wish I could,” Firekeeper muttered, but Elise continued as if she hadn’t heard.
“Since you cannot, you cannot escape the expectations that our society and our class places upon women.”
“Why?” Firekeeper said querulously.
“...Consider,” she offered, “what you told me about learning to see at night so that you could hunt with the wolves. Learning to wear a gown, to walk gracefully, to eat politely…”
“I do that!”
“You’re learning,” Elise admitted, “but don’t change the subject. All of these are ways of learning to see in the dark.”
“Maybe,” Firekeeper said, her tone unconvinced.
“Can you climb a tree?”
“Yes.”
“Swim?”
“Yes!” This second affirmative was almost indignant.
“And these skills let you go places that you could not go without them.”
Stubborn silence. Elise pressed her point.
“Why do you like knowing how to shoot a bow?”
“It lets me kill farther,” came the answer, almost in a growl.
“And using a sword does the same?”
“Yes.”
“Let me tell you, Firekeeper, knowing a woman’s arts can keep you alive, let you invade private sanctums, even help you to subdue your enemies. If you don’t know those arts, others who do will always have an advantage over you.”
“All this from wearing a gown that tangles your feet?
”
”
Jane Lindskold (Through Wolf's Eyes (Firekeeper Saga, #1))
“
It was an unbroken network of causality leading back to the first human who wasn't a chimp. And farther back, to the coalescing of the planets around the sun. If you wish to call that God, go ahead.
”
”
Orson Scott Card (Shadow of the Giant (The Shadow #4))
“
You spend so much time being upset about being in the hospital in the first place that it is almost jarring to realize how many people don’t ever leave. I could have been just like his sister. I could have never woken up. But I did. I’m one of the ones who did. I consider for a moment what would have happened if I’d been standing just a little bit farther in the road or a little bit off to the side. What if I’d been thrown to the left instead of to the right? Or if the car had been going five miles per hour faster? I might not have ever woken up. Today could have been my funeral. How weird is that? How absolutely insane is that? The difference between life and death could be as simple and as uncomfortably slight as a step you take in either direction. Which means that I am here today, alive today, because I made the right choices, however brief and insignificant they felt at the time. I made the right choices.
”
”
Taylor Jenkins Reid (Maybe in Another Life)
“
I don’t care how fast and how far you run, I’ll run faster and farther. I’m not letting you go. Ever,” I say, between brushes of my mouth on hers. “Run to me, Livvy, not away. I can’t live without you again.
”
”
K.L. Kreig (Forsaking Gray (The Colloway Brothers #1))
“
We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is to bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill.
”
”
Peter Watts (Echopraxia (Firefall, #2))
“
Peregrine,” Molly said sometime later, when the group had fallen quiet. Talon snored softly with his head in her lap. “Sable made an announcement to us earlier. He told us this place was going to be called Cape Rim. I think we can do better.”
“I know we can,” he said. “What would you call it, Molly?”
“I’ve been thinking about it, and it seems to me we wouldn’t be here if it weren’t for Cinder.”
“Oh . . .,” Marron said. “That’s lovely.”
Aria looked up, her violet scent filling him with steadiness. “What do you think?”
Perry looked down to the waves, and then farther out to the dark horizon, where he saw only stars. “I think it’s a great name.
”
”
Veronica Rossi
“
If you watch the curve of science and everything we know, it shoots up like a rocket. We’re on this rocket and we’re going perfectly vertical into the stars. But the emotional intelligence of humankind is equally if not more important than our intellectual intelligence. We’re just as emotionally illiterate as we were 5,000 years ago; so emotionally our line is completely horizontal. The problem is the horizontal and the vertical are getting farther and farther apart. And as these things grow apart, there’s going to be some kind of consequence of that.
”
”
Kevin Kelly (What Technology Wants)
“
Offering
I made a poem going
to sleep last night, woke
in sunlight, it was clean forgotten.
If it was any good, gods
of the great darkness
where sleep goes and farther
death goes, you not named,
then as true offering
accept it.
”
”
Ursula K. Le Guin (Finding My Elegy: New and Selected Poems 1960-2010)
“
The younger you are, the more likely you will give your attention to many things. That’s good because if you’re young you’re still getting to know yourself, your strengths and weaknesses. If you focus your thinking on only one thing and your aspirations change, then you’ve wasted your best mental energy. As you get older and more experienced, the need to focus becomes more critical. The farther and higher you go, the more focused you can be—and need to be.
”
”
John C. Maxwell (How Successful People Think: Change Your Thinking, Change Your Life)
“
Reading it feels like going out to the sea from the sands: at first, the waves are gentle and shy against my feet on the shoreline, lukewarm and sweet; but as I go farther and farther into the waters, the waves crash over me, cold and unrelenting, submerging me, leaving me gasping for breath, until finally, I am drowning in the story. It’s a bit like falling in love.
”
”
Aamna Qureshi (If I Loved You Less)
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
I don’t know,” he says. “I guess so. In space, everything has its relative position. Space is an entity, right, but also limitless. It’s less dense the farther out you go, but you can always keep going. There’s no definitive border between the start and the end. We’ll never fully understand or know it. We can’t.” “You don’t think?” “Dark matter makes up the majority of all matter, and it’s still a mystery.” “Dark matter?” “It’s invisible. It’s all the extra mass we can’t see that makes the formation of galaxies and the rotational velocities of stars around galaxies mathematically possible.” “I’m glad we don’t know everything.
”
”
Iain Reid (I’m Thinking of Ending Things)
“
Bit if you look too long at the small rights, Jake - the ones that lie close at hand - it's easy to lose sight of the big ones that stand farther off. Things are out of joint - going wrong and getting worse. We see it all around us, but the answers are still ahead.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
He stood at the table, looking down at the handkerchief case and stud box, and was afraid. Upstairs was a girl who was a person. That he loved her seemed unimportant compared to what she was. He only loved her, which really made him a lot less than a friend or an acquaintance. Other people saw her and talked to her when she was herself, her great, important self. It was wrong, this idea that you know someone better because you have shared a bed and a bathroom with her. He knew, and not another human being knew, that she cried “I” or “high” in moments of great ecstasy. He knew, he alone knew her when she let herself go, when she herself was not sure whether she was wildly gay or wildly sad, but one and the other. But that did not mean that he knew her. Far from it. It only meant that he was closer to her when he was close, but (and this was the first time the thought had come to him) maybe farther away than anyone else when he was not close. It certainly looked that way now.
”
”
John O'Hara (Appointment in Samarra)
“
Girl Without Hands
Walking through the ruins
on your way to work
that do not look like ruins
with the sunlight pouring over
the seen world
like hail or melted
silver, that bright
and magnificent, each leaf
and stone quickened and specific in it,
and you can't hold it,
you can't hold any of it. Distance surrounds you,
marked out by the ends of your arms
when they are stretched to their fullest.
You can go no farther than this,
you think, walking forward,
pushing the distance in front of you
like a metal cart on wheels
with its barriers and horizontals.
Appearance melts away from you,
the offices and pyramids
on the horizon shimmer and cease.
No one can enter that circle
you have made, that clean circle
of dead space you have made
and stay inside,
mourning because it is clean.
Then there's the girl, in the white dress,
meaning purity, or the failure
to be any colour. She has no hands, it's true.
The scream that happened to the air
when they were taken off
surrounds her now like an aureole
of hot sand, of no sound.
Everything has bled out of her.
Only a girl like this
can know what's happened to you.
If she were here she would
reach out her arms towards
you now, and touch you
with her absent hands
and you would feel nothing, but you would be
touched all the same.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
You were running through me like water
Now the feeling's leaving me dry
These days we couldn't be farther
So how's it feel to be on the other side?
When it was good, we were on fire
Now I'm breathing ashes and dust
I always wanna get higher
I never know when enough is enough
We used to be close, but people can go
From people you know to people you don't
And what hurts the most is people can go
From people you know to people you don't
”
”
EJR
“
She went through her memory for the time, for the day, she and and her husband told him all about what he should and should not do. No goin out into them woods without Papa or me knowin about it. No steppin foot out this house without them free papers, not even to go to the well or the privy. Say your prayers every night...Pick the blueberries close to the ground, son. Them the sweetest, I find. If a white man say the trees can talk, can dance, you just say yes right along, that you done seen em do it plenty of times. Don't look them people in the eye. You see a white woman riding toward you, get way off the road and go stand behind a tree. The uglier the white woman, the farther you go and the broader the tree. But where, in all she taught her son, was it about thou shall own no one, havin been owned once your own self. Don't go back to Egypt after God done took you outa there.
”
”
Edward P. Jones (The Known World)
“
But the evil people do, that's their responsibility. The burden they have to carry. Sure, when we see 'em starting on causing some hurt, we've got to try and stop 'em, but mostly what the rest of us should be concerning ourselves with is doing right by others. Every time you do a good turn, you shine the light a little farther into the dark. And the thing is, even when we're gone, that light's going to keep shining on, pushing the shadows back.
”
”
Charles de Lint (Someplace to Be Flying)
“
Even though Tom wasn't moving, he seemed to be a little farther away. For the first time Benny realized that there were other people in the hallways. They were indistinct, more of a sense of movement in the gray light rather than specific shapes. He thought he recognized one of them, though.
"Chong?"
The figure stopped moving, but he stood with his back to Benny.
"Tom-is that Chong?"
"Is that Chong?" Benny asked again. "Is...is he going with you?
”
”
Jonathan Maberry (Flesh & Bone (Rot & Ruin, #3))
“
back to pin the whole mess on Taleniekov. They kept repeating the words “enemy” and “Commie bastard” to the point where I could have wasted them. They wanted to paint Vasili as the whole evil empire, all by himself, when nothing could have been farther from the truth.’ ‘Only the hotheads, Brandon, only the hotheads. The rest of us didn’t say those things or believe them.’ ‘Then you cooler fellows should have put out the fires! When I told them that Taleniekov had to get out of Moscow because he was under a death sentence, they kept saying “a setup” and “a double agent” and other stupid clichés they knew nothing about!’ ‘But you knew that if you told the whole truth, Taleniekov would go down in history as the madman who brought the superpowers to the edge
”
”
Robert Ludlum (The Matarese Countdown)
“
…he started out with his eyes firmly on the guiding star, his feet planted on the path, but that’s the thing about the life you walk—you start out pointed true North, but you vary one degree off, it doesn’t matter for maybe one year, five years, but as the years stack up you’re just walking farther and farther away from where you started out to go, you don’t even know you’re lost until you’re so far from your original destination you can’t even see it anymore
”
”
Don Winslow (The Force)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Will, have you been paying attention to the number of times we had to go one passage farther than the first left?"
"I've been trying to. Why?"
"This place is really getting to me. I don't like the idea of spending the rest of my life down here."
Will sighed. "Relax, Sarah. Just lie down and go to sleep."
"Humor me and tell me how many times."
"Okay. Three. We've hit three dead ends."
"It's four, Will."
"I knew that. I was just checking to see if you were on your toes.
”
”
Gary Paulsen (The Legend of Red Horse Cavern (World of Adventure, #1))
“
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ...
The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells.
He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
”
”
James Joyce
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
No, I assure you that I’m farther gone than most. And I wasn’t even a soldier. All I did was, as you said, stitch people up. What right do I have to—” “No.” Page laid a hand on his shoulder. “What you’re not going to do is talk about shell shock or combat fatigue or brain fuckery as if it’s a special treat that you haven’t earned.
”
”
Cat Sebastian (Hither, Page (Page & Sommers, #1))
“
I don’t want to go through it all again. All that time without you, always waiting, my foolish optimism that someday it would be different-“
“Your optimism was justified! Look at me. Look at us! This is different. I know it is, Daniel. I saw us in Helston and Tibet and Tahiti. We were in love, sure, but it was nothing like what we have now.”
They’d dropped back farther, out of earshot of the others. They were just Luce and Daniel, two lovers talking in the sky. “I’m still here,” she said. “I’m here because you believed in us. You believed in me.”
“I did-I do believe in you.”
“I believe in you, too.” She heard a smile enter her voice. “I always have.”
They were not going to fail.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love..
When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them.
Live for the life you always wanted but were too scared to pursue.
Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today.
Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.
”
”
M.K. excerpt from "The Twelve-Step Program for Life"
“
Then his lungs seemed to open up again, each breath going deeper than the one before. His sneakers (not blinding white Adidas, just ratty old Pumas) seemed to shed the lead coating they had gained. His previous lightness of body came rushing back. It was what Milly had called the following wind, and what pros like McComb no doubt called the runner's high. Scott preferred that. He remembered that day in his yard, flexing his knees, leaping, and catching the branch of the tree. He remembered running up and down the bandstand steps. He remembered dancing across the kitchen floor as Stevie Wonder sang "Superstition." This was the same. Not a wind, not even a high, exactly, but an elevation. A sense that you had gone beyond yourself and could go farther still.
”
”
Stephen King (Elevation)
“
My life only has a meaning insofar as I lack one: oh, but let me be mad! Make something of all this he who is able to, understand it he who is dying, and there the living self is, knowing not why, its teeth chattering in the lashing wind: the immensity, the night engulfs it and, all on purpose, that living self is there just in order … ‘not to know’. But as for GOD? What have you got to say, Monsieur Rhetorician? And you, Monsieur Godfearer? — GOD, if He knew, would be a swine. I said ‘GOD, if He knew, would be a swine.’ He (He would I suppose be, at that particular moment, somewhat in disorder, his peruke would sit all askew) would entirely grasp the idea … but what would there be of the human about him? Beyond, beyond everything … and yet farther, and even farther still … HIMSELF, in an ecstasy, above an emptiness … And now? I TREMBLE. O Thou my Lord [in my distress, I call out unto my heart], O deliver me, make them blind! The story — how shall I go on with it?
But I am done.
From out of the slumber which for so short a space kept us in the taxi, I awoke, the first to open his eyes … The rest is irony, long, weary waiting for death …
”
”
Georges Bataille (Madame Edwarda seguido de El muerto)
“
The master always keeps a piece of learning--that is to say, a piece of the student's ignorance--up his sleeve. I understood that, says the satisfied student. You think so, corrects the master. in fact, there's a difficulty here that I've been sparing you until now. We will explain it when we get to the corresponding lesson. What does this mean? asks the curious student. I could tell you, responds the master, but it would be premature: you wouldn't understand at all. It will be explained to you next year. The master is always a length ahead of the student, who always feels that in order to go farther he must have another master, supplementary explications. Thus does the triumphant Achilles drag Hector's corpse, attached to his chariot, around the city of Troy.
”
”
Jacques Rancière (The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation)
“
There's a thing that happens when we start to believe the lies about ourselves, and when we think other people believe them too. Those lies become our prison. The bars we see through. They hold us captive. It's like some giant hand holding our head beneath the surface of the water, Every few minutes it'll let us up, only to sink us farther the next go-round. A vicious cycle. In my experience, only one thing on planet earth breaks the power of that hand and flings open wide the prison doors....And until you speak it [the truth] with your mouth, out loud, you're bound.
[Murphy Shepherd]
”
”
Charles Martin (The Letter Keeper (Murphy Shepherd, #2))
“
I … had ambition not only to go farther than anyone had done before,” wrote Captain James Cook, the eighteenth-century explorer of the Pacific, “but as far as it was possible for man to go.” Two centuries later, Yuri Romanenko, on returning to Earth after what was then the longest space flight in history, said “The Cosmos is a magnet … Once you’ve been there, all you can think of is how to get back.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
He’s ruined that magic,” this aide said of Trump. “The disdain he shows for our country’s foundation and its principles. The disregard he has for right and wrong. Your fist clenches. Your teeth grate. The hair goes up on the back of your neck. I have to remind myself I said an oath to a document in the National Archives. I swore to the Constitution. I didn’t swear an oath to this jackass.” As this aide saw it, there has been a silent understanding within the national security community that diplomatic, military, and intelligence officers were doing the right thing, quietly risking their lives to protect the American way of life. This aide saw Trump’s move against Brennan as one of the first steps of undercutting America’s democratic system of government and the belief system upon which it was founded. According to the aide, it was the president declaring, “It’s not okay to disagree with me. I can remove you from this work and your career. “If he wanted to, how far could he push this?” this aide asked. “Look back. Did people in the 1930s in Germany know when the government started to turn on them? Most Americans are more worried about who is going to win on America’s Got Talent and what the traffic is going to be like on I-95. They aren’t watching this closely. “I like to believe [Trump] is too self-engrossed, too incompetent and disorganized to get us to 1930,” this aide added. “But he has moved the bar. And another president that comes after him can move it a little farther. The time is coming. Our nation will be tested. Every nation is. Rome fell, remember. He is opening up vulnerabilities for this to happen. That is my fear.” —
”
”
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
“
Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.
”
”
Haruki Murakami (After Dark)
“
Back in Georgia everybody we knew had an automobile."
A bu, don't tell stories. That is not possible."
Well, not everybody. I don't mean babies and children. But every single family."
Not possible."
Yes, it is! Some families even have two!"
What is the purpose of so many automobiles at the same time?"
Well, because everybody has someplace to go every day. To work or to the store or something."
And why is nobody walking?"
It's not like here, Anatole. Everything's farther apart. People live in big towns and cities. Bigger cities than Leopoldville, even."
Beene, you are lying to me. If everyone lived in a city they could never grow enough food."
Oh, they do that in the country. In big, big fields. Peanuts and soybeans and corn, all that. The farmers grow it, then they put it on big trucks and take it all to the city, where people buy it from the store."
From the market."
No, it isn't a bit like the big market. It's a great big house kind of thing, with bright lights and all these shelves inside. It's open every day, and just one person sells all the different things."
One farmer has so many things?"
No, not a farmer. A storekeeper buys it all from the farmers, and sells it to the city people."
And so you don't even know whose fields this food came from? That sounds terrible. It could be poisoned!"
It's not bad, really. It works out."
How can there be enough food, Beene? If everyone lives in a city?"
There just is. Things are different from here.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Where did this whole thing begin? If what we think of as reality is just a pattern that somebody brought Outside, and the universe just popped into bring, then whoever it was is probably still wandering around giving off universes wherever she goes So where did she come from? And what was there before she started doing it? And how did Outside come to exist, for that matter?”
That's Inspace thinking,” said Olhado. “That's the way you conceive of things when you still believe in space and time as absolutes. You think of everything starting and stopping, of things having origins, because that's the way it is in the observable universe. The thing is, Outside there's no rules like that at all. Outside was always there and always will be there. The number of philotes there is infinite, and all of them always existed. No mater how many of them you pull out and put into organized universes, there'll be just as many left as there always were”
But somebody had to start making universes.”
Why?” asked Olhado.
Because-because I-“
Nobody ever started. It's always been going on. I mean, if it weren’t already going on, it couldn’t start. Outside where there weren’t any patterns, it would be impossible to conceive of a pattern. They can’t act, by definition, because they literally can’t even find themselves.”
But how could it have always been going on?”
Think of it as this moment in time, the reality we live in at this moment, this condition of the entire universe-of all the universes-”
You mean now.”
Right. Think of it as if now were the surface of a sphere. Time is moving forward through the chaos of Outside like the surface of an expanding sphere, a balloon inflating. On the outside, chaos. On the inside, reality. Always growing-like you said, Valentine. Popping up new universes all the time.”
But where did this balloon come from?”
OK, you’ve got the balloon. The expanding sphere. Only now think of it as a sphere with an infinite radius.”
Valentine tried to think of what that would mean. “The surface would be completely flat.”
That’s right”
And you could never go all the way around it”
That’s right, too. Infinitely large. Impossible even to count all the universes that exist on the reality side. And now, starting from the edge, you get on a starship and start heading inward toward the center. The farther in you go, the older everything is. All the old universes back and back. When do you get to the first one?”
You don’t” said Valentine. “Not it you’re traveling at a finate rate.”
You don’t reach the center of a sphere on infinite radius, if you’re starting at the surface, because no matter how far you go, no matter how quickly, the center, the beginning, is always infinitely far away.”
And that’s where the universe began.
”
”
Orson Scott Card (Xenocide (Ender's Saga, #3))
“
When a person is hurt the important thing isn’t sympathy for the pain, but somebody to stop the bleeding, disinfect the wound, and sew it up. You have to treat the injured person not like a human being with a wound, but like a human wound. For a doctor who’s used to such relationships, nothing is more maddening than a patient who acts like a goddam human being. To keep from arousing his doctor’s anger, the patient tries to stop being human. The doctor becomes more and more alone, his nerves go on edge, and he drifts farther and farther from humanity. I guess you could even say a prejudice against patients is one requirement for a great doctor.
”
”
Kōbō Abe (Secret Rendezvous)
“
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting.
A room intended for lovemaking.
She took a step farther inside. Behind her, the door closed softly on its own.
No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood.
“For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.”
Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them.
“When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.”
“Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.”
She shook her head. “What would be the use?”
A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.”
“For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours.
“I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
”
”
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
“
The thought of your disembodied network repulses me, but I look at you, Red, and see much of myself: a desire to be apart, sometimes, to understand who I am without the rest. And what I return to, the me-ness that I know as pure, inescapable self . . . is hunger. Desire. Longing, this longing to possess, to become, to break like a wave on a rock and reform, and break again, and wash away. This is a necessary part of any ecosystem, but it unsettles others, this inability to be satisfied. It is difficult—it is very difficult, to befriend where you wish to consume, to find those who, when they ask Do I have you still, when they end a letter with Yours, mean it in any substantive way.
So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
Imagine that a career is like a marathon—a long, grueling, and ultimately rewarding endeavor. Now imagine a marathon where both men and women arrive at the starting line equally fit and trained. The gun goes off. The men and women run side by side. The male marathoners are routinely cheered on: “Lookin’ strong! On your way!” But the female runners hear a different message. “You know you don’t have to do this!” the crowd shouts. Or “Good start—but you probably won’t want to finish.” The farther the marathoners run, the louder the cries grow for the men: “Keep going! You’ve got this!” But the women hear more and more doubts about their efforts. External voices, and often their own internal voice, repeatedly question their decision to keep running. The voices can even grow hostile. As the women struggle to endure the rigors of the race, spectators shout, “Why are you running when your children need you at home?
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
What do they think has happened, the old fools,
To make them like this ? Do they somehow suppose
It's more grown-up when your mouth hangs open and drools
And you keep on pissing yourself, and can't remember
Who called this morning ? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September ?
Or do they fancy there's really been no change,
And they've always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching light move ? If they don't (and they can't), it's strange:
Why aren't they screaming ?
At death, you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It's only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can't pretend
There'll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they're for it:
Ash hair, toad hands, prune face dried into lines-
How can they ignore it ?
Perhaps being old is having lighted rooms
Inside your head, and people in them, acting.
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a Iamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun' s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
This is why they give
An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction' s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet.
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end ? Not at night?
Not when the strangers come ? Never, throughout
The whole hideous inverted childhood? Well,
We shall find out.
”
”
Philip Larkin
“
Since my grandmother died, I have dreamed about her every night. I go back to The Neighborhood and I find her again. Her death was just a misunderstanding. She is better now, walking and laughing, telling me stories. She doesn't need me to take care of her anymore, and she has not come back to take care of me. We are simply together and glad for it. There are always those perfect times with the people we love, those moments of joy and equality that sustain us later on. I am living that time with my husband now. I try to study our happiness so that I will be able to remember it in the future, just in case something happens and we find ourselves in need. These moments are the foundation upon which we build the house that will shelter us into our final years, so that when love calls out, "How far would you go for me," you an look it in the eye and say truthfully, "Farther than you would ever have thought was possible.
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
a desire to be apart, sometimes, to understand who I am without the rest. And what I return to, the me-ness that I know as pure, inescapable self . . . is hunger. Desire. Longing, this longing to possess, to become, to break like a wave on a rock and reform, and break again, and wash away. This is a necessary part of any ecosystem, but it unsettles others, this inability to be satisfied. It is difficult—it is very difficult, to befriend where you wish to consume, to find those who, when they ask Do I have you still, when they end a letter with Yours, mean it in any substantive way.
So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd
”
”
Amal El-Mohtar
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you’ll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me. I don’t mean to imply I felt as if I stood on brittle ice about to give way beneath me. No. I felt like the ice itself, suddenly shattered, with cracks spiraling out from where she had touched my chest. The only reason I held together was because my thousand pieces were all leaning together. If I moved, I feared I would fall apart.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
You make plans and decisions assuming randomness and chaos are for chumps. The illusion of control is a peculiar thing because it often leads to high self-esteem and a belief your destiny is yours for the making more than it really is. This over-optimistic view can translate into actual action, rolling with the punches and moving ahead no matter what. Often, this attitude helps lead to success. Eventually, though, most people get punched in the stomach by life. Sometimes, the gut-punch doesn’t come until after a long chain of wins, until you’ve accumulated enough power to do some serious damage. This is when wars go awry, stock markets crash, and political scandals spill out into the media. Power breeds certainty, and certainty has no clout against the unpredictable, whether you are playing poker or running a country. Psychologists point out these findings do not suggest you should throw up your hands and give up. Those who are not grounded in reality, oddly enough, often achieve a lot in life simply because they believe they can and try harder than others. If you focus too long on your lack of power, you can slip into a state of learned helplessness that will whirl you into a negative feedback loop of depression. Some control is necessary or else you give up altogether. Langer proved this when studying nursing homes where some patients were allowed to arrange their furniture and water plants—they lived longer than those who had had those tasks performed by others. Knowing about the illusion of control shouldn’t discourage you from attempting to carve a space for yourself out of whatever field you want to tackle. After all, doing nothing guarantees no results. But as you do so, remember most of the future is unforeseeable. Learn to coexist with chaos. Factor it into your plans. Accept that failure is always a possibility, even if you are one of the good guys; those who believe failure is not an option never plan for it. Some things are predictable and manageable, but the farther away in time an event occurs, the less power you have over it. The farther away from your body and the more people involved, the less agency you wield. Like a billion rolls of a trillion dice, the factors at play are too complex, too random to truly manage. You can no more predict the course of your life than you could the shape of a cloud. So seek to control the small things, the things that matter, and let them pile up into a heap of happiness. In the bigger picture, control is an illusion anyway.
”
”
David McRaney (You Are Not So Smart)
“
Advice? Fail constantly. Because the word doesn't mean what you think it means, especially when you're an artist. I use the word artist to mean everything from songwriting to writing a novel to even writing video games. Anything that tells a story, which is almost any medium. Gotta take risks, you gotta go through multiple drafts which means you have to FAIL, a lot. So you won't always get the reaction you always want from every single person, so when you lose that fear of failure, when you stop even thinking of it as failure, and you push yourself farther, you'll take bigger risks, and eventually, after about six or seven hundred rejections, you'll find success. And you'll find a way of conveying what you really want to say, in the best manner.
”
”
Victor Giannini
“
Presently, struck by a sudden thought, Charles said-- "Captain Wentworth, which way are you going? Only to Gay Street, or farther up the town?" "I hardly know," replied Captain Wentworth, surprised. "Are you going as high as Belmont? Are you going near Camden Place? Because, if you are, I shall have no scruple in asking you to take my place, and give Anne your arm to her father's door. She is rather done for this morning, and must not go so far without help, and I ought to be at that fellow's in the Market Place.
”
”
Jane Austen (Persuasion)
“
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
”
”
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
“
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice.
“Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart.
“You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire.
As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode.
“Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly.
“Fuck me, Erik. Oh God. Fuck me.”
“Fuck me.”
“Harder.” I begged.
“Who owns you, baby girl? Who fucking owns you?” he almost screamed.
“Oh God, you do. You own me. You.”
“Don’t forget it, do you hear me?” he said in a loud, stern tone.
“Yes, I am yours. You own me,” I responded...I loved this.
In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode.
“Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
Living like this means you don't have a container anymore for the different days, can't hold in a little twenty-four-hour-sized box set of events that constitute a unit, something you can compartmentalize, something with a beginning and an end, something to fill with a to-do list. Living like this means that it all runs together, a cold and bright December morning with your father or a lazy evening in late August, one of those sunsets that seem to take longer than is possible, where the sun just refuses to go down, where the hour seems to elongate to the point that it doesn't seem like it can stretch any farther without detaching completely from the hour before it, like a piece of taffy, like under sea molten lava forming a new island, a piece of time detaching from the seafloor and floating up to the surface.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
If you make certain assumptions about the force of gravity, and how the weight of an object diminishes as it gets farther away, it’s not improbable at all,” Isaac said. “It just happens. You would keep going round and round forever.” “In a circle?” “An ellipse.” “An ellipse…” and here the bomb finally went off in his head, and Daniel had to sit down on the ground, the moisture of last year’s fallen apples soaking through his breeches. “Like a planet.” “Just so—if only we could jump fast enough, or had a strong enough wind at our backs, we could all be planets.
”
”
Neal Stephenson (The Baroque Cycle: The Complete New York Times Bestselling Trilogy of Historical Intrigue and Adventure)
“
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour.
Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear.
Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration.
Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain?
Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week.
But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why?
Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats).
So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one.
Believe me in this; I've tried all the tricks of the lonely man.
”
”
David Marusek (Counting Heads (Counting Heads, #1))
“
There Peter was, looking straight into the very eyes of God, walking the Sea of Galilee and then all of the sudden up to his neck in water. Some would argue he lacked the true believing, I say he had enough faith to go it a ways, and when he couldn't go farther Christ fetched him up.
What am I saying? I'm saying that the walk to God ain't easy for the best of us. Now some would say, Preacher, if Peter had misdoubts there in the very glory of the Lord, what of us left here that ain't seen the dead raised nor the leper folk healed. All we seen is hard trial and sorrows. I'd not deny it.
Burdens are plenty in this world and they can pull us down in the lamentation. But the good Lord knows we need to see at least the hem of the robe of glory, and we do. Ponder a pretty sunset or the dogwoods all ablossom. Every time you see such it's the hem of the robe of glory. Brothers and sister, how do you expect to see what you don't seek?
Some claim heaven has streets of gold and all such things, but I hold a different notion. When we’re there, we’ll say to the angels, why, a lot of heaven’s glory was in the place we come from. And you know what them angels will say? They’ll say yes, pilgrim, and how often did you notice? What did you seek?
”
”
Ron Rash
“
Once, when he had just lulled her to sleep but she had gone no farther than dream's antechamber and was therefore still responsive to him, he said to her, "Good-bye, I'm going now." "Where?" she asked in her sleep. "Away," he answered sternly. "Then I'm going with you," she said, sitting up in bed. "No, you can't. I'm going away for good," he said, going out into the hall. She stood up and followed him out, squinting. She was naked beneath her short nightdress. Her face was blank, expressionless, but she moved energetically. He walked through the hall of the flat into the hall of the building (the hall shared by all the occupants), closing the door in her face. She flung it open and continue to follow him, convinced in her sleep that he meant to leave her for good and she had to stop him. He walked down the stairs to the first landing and waited for her there. She went down after him, took him by the hand, and led him back to bed.
Tomas came to this conclusion: Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
We should have talked…” “Maybe,” I said. Of all the things I could have uttered that morning, this insignificant “maybe” was the cruelest. “Did you hate it?” No, I didn’t hate it at all. But what I felt was worse than hate. I didn’t want to remember, didn’t want to think about it. Just put it away. It had never happened. I had tried it and it didn’t work for me, now I wanted my money back, roll back the film, take me back to that moment when I’m almost stepping out onto the balcony barefoot, I’ll go no farther, I’ll sit and stew and never know—better to argue with my body than feel what I was feeling now. Elio, Elio, we warned you, didn’t we?
”
”
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
“
By the time the human stuck his key in the lock of his third-floor apartment door and pushed it open, Dante was shoving him into the dark, tossing the guy across the spartan living room.
“Motherfu—” Sullivan came up out of his crash on one knee, then froze, his face caught in a wedge of light from the bare bulb glowing in the hall outside.
Something flashed in the human’s eyes, something beneath his immediate fear. Recognition, Dante thought, figuring he probably remembered them from the club the other night. But there was anger there too. Pure male animosity. Dante could smell it seeping out of the human’s pores.
He slowly got to his feet. “What the fuck’s going on?”
“How about you tell us,” Dante said, willing a lamp to come on as he strode farther into the place. Behind him, Chase closed and locked the door. “I’m pretty sure you can guess this isn’t a social call.”
“What do you want?”
“We’ll start with information. It’ll be up to you how we go about getting it.”
“What kind of information?” His gaze swung anxiously between Dante and Chase. “I don’t know who you guys are, and I don’t have any idea what you’re talking abou—”
“Now, see,” Dante said, cutting him off with a chuckle, “that kind of bullshit answer puts us off to a real bad start.” As the human’s right hand slid into the deep pocket of his down-filled vest, Dante smirked. “You wanna convince me you’re an idiot, go ahead and pull that gun out. Just so we’re clear, I really hope you do.”
Ben Sullivan’s face blanched as white as his apartment’s unpainted walls. He pulled his hand back out, nice and slow. “How did you—”
“You expecting somebody besides us tonight?
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
WALTER (Gathering him up in his arms) You know what, Travis? In seven years you going to be seventeen years old. And things is going to be very different with us in seven years, Travis. … One day when you are seventeen I’ll come home—home from my office downtown somewhere— TRAVIS You don’t work in no office, Daddy. WALTER No—but after tonight. After what your daddy gonna do tonight, there’s going to be offices—a whole lot of offices.… TRAVIS What you gonna do tonight, Daddy? WALTER You wouldn’t understand yet, son, but your daddy’s gonna make a transaction … a business transaction that’s going to change our lives. … That’s how come one day when you ’bout seventeen years old I’ll come home and I’ll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do … ’cause an executive’s life is hell, man—(The more he talks the farther away he gets) And I’ll pull the car up on the driveway … just a plain black Chrysler, I think, with white walls—no—black tires. More elegant. Rich people don’t have to be flashy … though I’ll have to get something a little sportier for Ruth—maybe a Cadillac convertible to do her shopping in. … And I’ll come up the steps to the house and the gardener will be clipping away at the hedges and he’ll say, “Good evening, Mr. Younger.” And I’ll say, “Hello, Jefferson, how are you this evening?” And I’ll go inside and Ruth will come downstairs and meet me at the door and we’ll kiss each other and she’ll take my arm and we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. … All the great schools in the world! And—and I’ll say, all right son—it’s your seventeenth birthday, what is it you’ve decided? … Just tell me where you want to go to school and you’ll go. Just tell me, what it is you want to be—and you’ll be it. … Whatever you want to be—Yessir! (He holds his arms open for TRAVIS) YOU just name it, son … (TRAVIS leaps into them) and I hand you the world!
”
”
Lorraine Hansberry (A Raisin in the Sun)
“
The kiss comes hotter and faster than before. Our lips move quickly, a hunger grows between us that can’t seem to be quenched. There’s a rhythm, a dance, and somehow, I know the steps. An instinct tells me to follow his lead, to explore even further, to touch.
My hands drift down his back and when I feel scorching skin near the hem of his shirt, I gasp for air. Isaiah moans, and his lips leave mine to travel along my throat. My heart picks up speed as my entire body becomes one live electrical current.
His tongue swirls against the sensitive skin right where my jaw meets my neck. I shiver and press my body closer to his. When he meets my lips again, Isaiah loops his arm around my waist and pulls me farther onto the bed. On our sides, his body heat penetrates past my clothes, past my skin, creating an inferno in my blood.
A sudden coldness causes my eyes to flash open. Kneeling beside me, Isaiah’s hands go behind his head and he yanks off his shirt, tossing it to the floor. A flutter of excitement and nerves trembles in my stomach.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
How much farther?” Derek asked.
“Patience is a virtue,” Ghastek advised.
“Lecturing a wolf about patience is unwise." That was the first time Derek condescended to addressing Ghastek directly, and his face plainly showed he felt quite soiled by having to stoop so low.
“Should I find myself speaking to an animal for some bewildering reason, I'll take it under advisement.”
The magic hit, so thick my heart skipped a beat. Derek clenched his teeth. His face strained, muscles on his forearms bulged, and his eyes flooded with yellow.
The hair on the back of my arms rose. The intense cold fire of those eyes chilled me. He was on the verge of going furry.
“You okay?”
His lips quivered. The fire in his eyes died to its usual soft brown. “Yeah,” he said. “Took me by surprise.”
The vampire kept galloping as if nothing had happened.
“Ghastek, you okay?”
He offered Derek a smile. “Never better. Unlike Pack members, the People don't tolerate losses of control.”
Derek's eyes flashed gold. “If I lose control, you'll be the first to know.”
“I'm quite perturbed by the idea.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
While he washed his hands in spirits he took a look at Querry over his shoulder. The dispenser was shepherding the lepers out and they were alone. He said, ‘Are you wanted by the police? You needn’t be afraid of telling me–or any of us. You’ll find a leproserie just as safe as the Foreign Legion.’ ‘No. I’ve committed no crime. I assure you there’s nothing of interest in my case. I have retired, that’s all. If the fathers don’t want me here, I can always go on.’ ‘You’ve said it yourself–the boat goes no farther.’ ‘There’s the road.’ ‘Yes. In one direction. The way you came. It’s not often open though. This is the season of rains.’ ‘There are always my feet,’ Querry said. Colin looked for a smile, but there was none on Querry’s face.
”
”
Graham Greene (A Burnt Out Case)
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What else can you do with the law of gravitation? If we look at the moons of Jupiter we can understand everything about the way they move around that planet. Incidentally, there was once a certain difficulty with the moons of Jupiter that is worth remarking on. These satellites were studied very carefully by Rømer, who noticed that the moons sometimes seemed to be ahead of schedule, and sometimes behind. (One can find their schedules by waiting a very long time and finding out how long it takes on the average for the moons to go around.) Now they were ahead when Jupiter was particularly close to the earth and they were behind when Jupiter was farther from the earth. This would have been a very difficult thing to explain according to the law of gravitation—it would have been, in fact, the death of this wonderful theory if there were no other explanation. If a law does not work even in one place where it ought to, it is just wrong. But the reason for this discrepancy was very simple and beautiful: it takes a little while to see the moons of Jupiter because of the time it takes light to travel from Jupiter to the earth. When Jupiter is closer to the earth the time is a little less, and when it is farther from the earth, the time is more. This is why moons appear to be, on the average, a little ahead or a little behind, depending on whether they are closer to or farther from the earth. This phenomenon showed that light does not travel instantaneously, and furnished the first estimate of the speed of light. This was done in 1676.
”
”
Richard P. Feynman (The Feynman Lectures on Physics, Vol. I: The New Millennium Edition: Mainly Mechanics, Radiation, and Heat (Volume 1))
“
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate.
When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again.
That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
I reached down and squeezed his hand. "You are a good brother." He nodded. I could see in the gray light that he was crying a little. "Thanks", he said. "i kind of just want to stay here in this particular instant for a really long time." "Yeah", I said. We settled into silence and I felt the sky's bigness above me, the unimaginable vastness of it all - looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out. And I knew I would remember that feeling, underneath the split-up sky, back before the machinery of fate ground us into one thing or another, back when we could still be everything. I thought, lying there, that I might love him for the rest of my life. We did love each other - maybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again and I will be stuck missing him, and isn't that so terrible.
But it turn out not to be terrible, because i know the secret that the me lying beneath that sky could not imagine: I know that girl would go on, that she would grow up, have children and love them, that despite loving them she would get too sick to care for them, be hospitalized, get better, and then get sick again. I know a shrink would say, write it down, how you got here. So you would, and in writing it down you realize, love is not a tragedy or a failure, but a gift. You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person, and why. - But underneath those skies, your hand - no, my hand, no - our hand - in his, you don't know yet. You don't know that the spiral painting is in that box on your dining room table, with a Post-it note stuck to the back of the frame. You don't know that you will make a life, see it unbuilt and rebuilt.
”
”
John Green (Turtles All the Way Down)
“
Mecca is a lot farther away than the Pyramids. When I was young, all I wanted to do was put together enough money to start this shop. I thought that someday I’d be rich, and could go to Mecca. I began to make some money, but I could never bring myself to leave someone in charge of the shop; the crystals are delicate things. At the same time, people were passing my shop all the time, heading for Mecca. Some of them were rich pilgrims, traveling in caravans with servants and camels, but most of the people making the pilgrimage were poorer than I. “All who went there were happy at having done so. They placed the symbols of the pilgrimage on the doors of their houses. One of them, a cobbler who made his living mending boots, said that he had traveled for almost a year through the desert, but that he got more tired when he had to walk through the streets of Tangier buying his leather.” “Well, why don’t you go to Mecca now?” asked the boy. “Because it’s the thought of Mecca that keeps me alive. That’s what helps me face these days that are all the same, these mute crystals on the shelves, and lunch and dinner at that same horrible café. I’m afraid that if my dream is realized, I’ll have no reason to go on living.
”
”
Paulo Coelho (The Alchemist)
“
The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love..
When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them.
Live for the life you always wanted but were too scared to pursue.
Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today.
Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther.
Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.
”
”
M.K.
“
No contrivance can prevent the effect of this distance in weakening government. Seas roll, and months pass, between the order and the execution, and the want of a speedy explanation of a single point is enough to defeat a whole system. You have, indeed, winged ministers of vengeance, 27 who carry your bolts in their pounces to the remotest verge of the sea. But there a power steps in that limits the arrogance of raging passions and furious elements, and says, SO FAR SHALL THOU GO, AND NO FARTHER. Who are you, that you should fret and rage, and bite the chains of nature? Nothing worse happens to you than does to all nations who have extensive empire; and it happens in all the forms into which empire can be thrown. In large bodies the circulation of power must be less vigorous at the extremities. Nature has said it.
”
”
Edmund Burke (THOUGHTS ON THE CAUSE OF THE PRESENT DISCONTENTS VOL 1 CL)
“
I think they call that parallas: being able to know the distance of something because you're seeing it from two separate points - and the farther apart those two points are, the more accurate you can be. Put one eye here and one eye fourteen feet away, and you know a whole lot more about the world you're seeing.
The thing is, if you go through life with just your own point of view, you're like that kid with glass eye. If there's something that's right up in your face, it looks really big - overwhelming even. But if you've got that parallax - if you've got that other point of view - you realize that there are bigger, much more important things that are far off toward the horizon. Once you focus on those things rather than the way up close, that close-up stuff becomes nothing more than a nuisance blocking the view.
”
”
Neal Shusterman (Ship Out of Luck (Antsy Bonano, #3))
“
Now there's a place I didn't cover. Maybe I should."
"Maybe you should---oh!" She gasped and bucked as I leaned down and lapped at her breast, flicking her nipple. God, she tasted good, sweet woman and creamy lemon. I sucked her deep into my mouth, loving the way she groaned and writhed.
Not letting go, I pulled back, tugging at her breast until her nipple freed with a decadent pop. Then moved on to her other breast, taking my time, nuzzling and licking until my lips were covered in cream, and she begged and whimpered for more.
A dollop of lemony confection slid down the plump curve of her pretty tit, and I chased it with my tongue, slurping it up, licking her nipple once more because I could. And then I did it again.
Her arm wound around my neck, urging me farther down. "Get messy with me, Lucian."
She was beautiful, flushed and fevered with her need.
"Yes, ma'am." I eased over her, my dick finding her waiting sex, and pushed into that perfect spot. We both groaned, our bodies sliding on slick buttercream. My mouth found hers, and she devoured me, her thighs clasping my hips, body working with mine.
I thrust deep and steady, reveling in the feel of her. It felt so good my body flared hot and cold and hot again. "I fucking love fucking you.
”
”
Kristen Callihan (Make It Sweet)
“
Cam reached for her left hand. Taking the signet ring between his fingers, he drew it off easily and gave it to her. “Here. Although I’d rather you left it on.”
Amelia’s mouth fell open. She examined her hand, then the ring, and hesitantly pushed it back on the same finger. It slid over her knuckle and back again with ease. “How did you do that?”
“I helped you to relax.” He ran a coaxing hand along her spine. “Put it back on, Amelia.”
“I can’t. That would mean I’ve accepted your proposal, and I haven’t.”
Stretching like a cat, Cam rolled her flat again, his weight partially supported on his elbows. Amelia drew in a quick breath as she felt him still firm within her. “You can’t lie with me twice and then refuse to marry me.” Cam lowered his head to kiss her ear. “I’ll be ruined.” He worked his way to the soft place behind her earlobe. “And I’ll feel so cheap.”
Despite the seriousness of the matter, Amelia had to bite back a smile. “I’m doing you a great favor by refusing you. You’ll thank me for it someday.”
“I’ll thank you right now if you’ll put the damned ring back on.”
She shook her head.
Cam pushed a bit farther inside her, making her gasp. “What about my personal endowments? Who’s going to take care of them?”
“You can take care of them”— she squirmed to the side to set the ring on the bedside table—“ all by yourself.”
Cam moved with her obligingly. “It’s much more satisfying when you’re involved.”
As he reached to retrieve the ring, his body shifted higher in hers. She tensed in surprise. He felt harder inside her, thicker, his desire gaining new momentum. “Cam,” she protested, glancing at the closed door. She grabbed for his wrist, trying to keep his hand away from the ring. He grappled with her playfully, turning until they had completed a full revolution across the mattress and she was under him again.
He was rampantly aroused now, teasing her with slow lunges. Twisting beneath him, Amelia pushed at his dark head as he began to kiss her breasts. “But … we just finished…”
Cam lifted his head. “Roma,” he said, as if by way of explanation, and settled back over her.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.”
“You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.”
“I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.”
“I shall practice them—while—I shall practice, that I may dazzle you when next we meet.”
There was a little silence, and Luthe said, “You need not try to dazzle me.”
“I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.”
Luthe nodded.
She almost could not say the words: “But it will be a long time—long and long.”
Luthe nodded again.
“But we shall meet.”
Luthe nodded a third time.
“Gods of all the worlds, say something,” she cried, and Talat startled beneath her.
“I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.”
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
The caretaking has to be done. “Somebody’s got to be the mommy,” Individually, we underestimate this need, and as a society we make inadequate provision for it. Women take up the slack, making the need invisible as we step in to fill it. The ethologist Konrad Lorenz used to talk about the number of eggs laid by the same species of songbird when nesting at different latitudes. As you go farther north, the hours of daylight in summer are longer, so a given parental pair could gather food adequate for a larger number of fledglings. As you go south, the available daylight decreases, as does the average number of eggs. For the songbirds, surviving and raising the next generation fill the entire day. What is amazing about humans is that we seem able to do so much else; yet much of what we do is caretaking in another form or involves tasks that would be done better if they were understood in that way.
”
”
Mary Catherine Bateson (Composing a Life)
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
The summer stretch had come into the evenings: it was gone seven, but the sky was a soft clear blue and the light flooding through the open windows was pale gold. All around us the Place was humming like a beehive, shimmering with a hundred different stories unfurling. Next door Mad Johnny Malone was singing to himself, in a cheerful cracked baritone: “Where the Strawberry Beds sweep down to the Liffey, you’ll kiss away the worries from my brow . . .” Downstairs Mandy shrieked delightedly, there was a tumble of thumping noises and then an explosion of laughter; farther down, in the basement, someone yelled in pain and Shay and his mates sent up a savage cheer. In the street, two of Sallie Hearne’s young fellas were teaching themselves to ride a robbed bike and giving each other hassle—“No, you golf ball, you’ve to go fast or you’ll fall off, who cares if you hit things?”—and someone was whistling on his way home from work, putting in all the fancy, happy little trills. The smell of fish and chips came in at the windows, along with smart-arse comments from a blackbird on a rooftop and the voices of women swapping the day’s gossip while they brought in their washing from the back gardens. I knew every voice and every door-slam; I even knew the determined rhythm of Mary Halley scrubbing her front steps. If I had listened hard I could have picked out every single person woven into that summer-evening air, and told you every story.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
But it was while discussing SpaceX’s grandest missions that Shotwell really came into her own and seemed to inspire the interns. Some of them clearly dreamed of becoming astronauts, and Shotwell said that working at SpaceX was almost certainly their best chance to get to space now that NASA’s astronaut corps had dwindled. Musk had made designing cool-looking, “non–Stay Puft” spacesuits a personal priority. “They can’t be clunky and nasty,” Shotwell said. “You have to do better than that.” As for where the astronauts would go: well, there were the space habitats, the moon, and, of course, Mars as options. SpaceX has already started testing a giant rocket, called the Falcon Heavy, that will take it much farther into space than the Falcon 9, and it has another, even larger spaceship on the way. “Our Falcon Heavy rocket will not take a busload of people to Mars,” she said. “So, there’s something after Heavy. We’re working on it.” To make something like that vehicle happen, she said, the SpaceX employees needed to be effective and pushy. “Make sure your output is high,” Shotwell said. “If we’re throwing a bunch of shit in your way, you need to be mouthy about it. That’s not a quality that’s widely accepted elsewhere, but it is at SpaceX.” And, if that sounded harsh, so be it. As Shotwell saw it, the commercial space race was coming down to SpaceX and China and that’s it. And in the bigger picture, the race was on to ensure man’s survival. “If you hate people and think human extinction is okay, then fuck it,” Shotwell said. “Don’t go to space. If you think it is worth humans doing some risk management and finding a second place to go live, then you should be focused on this issue and willing to spend some money. I am pretty sure we will be selected by NASA to drop landers and rovers off on Mars. Then the first SpaceX mission will be to drop off a bunch of supplies, so that once people get there, there will be places to live and food to eat and stuff for them to do.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
Zenosyne.
It's actually just after you're born that life flashes before your eyes.
Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by.
At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year,
Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity.
You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year.
We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns.
But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend.
Life is short. And life is long. But not in that order.
”
”
Sébastien Japrisot
“
Here is another saying of Epicurus: ‘If you shape your life according to nature, you will never be poor; if according to people’s opinions, you will never be rich.’ Nature’s wants are small, while those of opinion are limitless. Imagine that you’ve piled, up all that a veritable host of rich men ever possessed, that fortune has carried you far beyond the bounds of wealth so far as any private individual is concerned, building you a roof of gold and clothing you in royal purple, conducting you to such a height of opulence and luxury that you hide the earth with marble floors – putting you in a position not merely to own, but to walk all over treasures – throw in sculptures, paintings, all that has been produced at tremendous pains by all the arts to satisfy extravagance: all these things will only induce in you a craving for even bigger things. Natural desires are limited; those which spring from false opinions have nowhere to stop, for falsity has no point of termination. When a person is following a track, there is an eventual end to it somewhere, but with wandering at large there is no limit. So give up pointless, empty journeys, and whenever you want to know whether the desire aroused in you by something you are pursuing is natural or quite unseeing, ask yourself whether it is capable of coming to rest at any point; if after going a long way there is always something remaining farther away, be sure it is not something natural. LETTER XVIII IT is the month of December, and yet the whole city is in a sweat! Festivity
”
”
Seneca (Letters from a Stoic)
“
Come to the bit about soft silk shirts for evening wear?" I asked carelessly.
"Yes, sir," said Jeeves, in a low, cold voice, as if he had been bitten in the leg by a personal friend. "And if I may be pardoned for saying so - "
"You don't like it?"
"No, sir. I do not. Soft silk shirts with evening costume are not worn, sir."
"Jeeves," I said, looking the blighter diametrically in the centre of the eyeball, "they're dashed well going to be. I may as well tell you now that I have ordered a dozen of those shirtings from Peabody and Simms, and it's no good looking like that, because I am jolly well adamant."
"If I might - "
"No, Jeeves," I said, raising my hand, "argument is useless. Nobody has a greater respect than I have for your judgment in socks, in ties, and - I will go farther - in spats; but when it comes to evening shirts your nerve seems to fail you. You have no vision. You are prejudiced and reactionary. Hidebound is the word that suggests itself. It may interest you to learn that when I was at Le Touquet the Prince of Wales buzzed into the Casino one night with soft silk shirt complete."
"His Royal Highness, sir, may permit himself a certain licence which in your own case - "
"No, Jeeves," I said, firmly, "it's no use. When we Woosters are adamant, we are - well, adamant, if you know what I mean."
"Very good, sir."
I could see the man was wounded, and, of course, the whole episode had been extremely jarring and unpleasant; but these things have to be gone through. Is one a serf or isn't one? That's what it all boils down to.
”
”
P.G. Wodehouse
“
Did you ever think much about jobs? I mean, some of the jobs people land in? You see a guy giving haircuts to dogs, or maybe going along the curb with a shovel, scooping up horse manure. And you think, now why is the silly bastard doing that? He looks fairly bright, about as bright as anyone else. Why the hell does he do that for living?
You kind grin and look down your nose at him. You think he’s nuts, know what I mean, or he doesn’t have any ambition. And then you take a good look at yourself, and you stop wondering about the other guy…
You’ve got all your hands and feet. Your health is okay, and you make a nice appearance, and ambition-man! You’ve got it. You’re young, I guess: you’d call thirty young, and you’re strong. You don’t have much education, but you’ve got more than plenty of other people who go to the top. And yet with all that, with all you’ve had to do with this is as far you’ve got And something tellys you, you’re not going much farther if any.
And there is nothing to be done about it now, of course, but you can’t stop hoping. You can’t stop wondering…
…Maybe you had too much ambition. Maybe that was the trouble. You couldn’t see yourself spending forty years moving from office boy to president. So you signed on with a circulation crew; you worked the magazines from one coast to another. And then you ran across a little brush deal-it sounded nice, anyway. And you worked that until you found something better, something that looked better. And you moved from that something to another something. Coffee-and-tea premiums, dinnerware, penny-a-day insurance, photo coupons, cemetery lots, hosiery, extract, and God knows what all. You begged for the charities, You bought the old gold. You went back to the magazines and the brushes and the coffee and tea. You made good money, a couple of hundred a week sometimes. But when you averaged it up, the good weeks with the bad, it wasn’t so good. Fifty or sixty a week, maybe seventy. More than you could make, probably, behind agas pump or a soda fountain. But you had to knock yourself out to do it, and you were standing stil. You were still there at the starting place. And you weren’t a kid any more.
So you come to this town, and you see this ad. Man for outside sales and collections. Good deal for hard worker. And you think maybe this is it. This sounds like a right town. So you take the job, and you settle down in the town. And, of course, neither one of ‘em is right, they’re just like all the others. The job stinks. The town stinks. You stink. And there’s not a goddamned thing you can do about it. All you can do is go on like this other guys go on. The guy giving haircuts to dogs, and the guy sweeping up horse manute Hating it. Hating yourself.
And hoping.
”
”
Jim Thompson (A Hell of a Woman)
“
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth. DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century anew generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on”—without getting us a step farther. And yet you want to leave this paradise!
”
”
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
“
I don’t understand,” she said at last. She understood very well, but she no longer wished to be absolutely truthful. “How are you going to stop him talking about it?” “I have a feeling that talk is a thing he will never do.” “I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves.” “Exploits?” cried Lucy, wincing under the horrible plural. “My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?” “Yes,” said Lucy, whom at the time the argument had pleased. “Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?” An idea rushed across Lucy’s brain, which, had she thought of it sooner and made it part of her, might have proved victorious. “I propose to speak to him,” said she. Miss Bartlett uttered a cry of genuine alarm.
”
”
E.M. Forster (A Room with a View)
“
She tightened her grip on his wrist and slowly pulled it towards her. His index finger slid in farther and she gasped at how it felt. She paused, pulled again. Deeper. Deeper. Her pussy throbbed and she took him as far in to her body as she could. His hand was flat against her pulsing lips, his palm pressing on her clit.
“Oh!” she said. “Oh, Chris… oh, God.”
“It feels good, baby?”
“Yes… it feels amazing.”
She withdrew his finger slowly, feeling the suction of her body, then pulled him in again, using both her hands this time. He groaned as her pussy muscles tightened on him, and he felt the answering burst of wetness between her lips. Jenny pulled his finger in and out of her, slowly at first, then faster, and Chris felt her body start to tremble.
I’m going to come myself if this goes on much longer.
She pulled him out of her heat completely, unfolded his middle finger to join his index one. The she pulled both of them in to her, giving a small cry at the renewed sensation.
“Touch my clit,” she begged. “Use your thumb… Chris, please.”
He did as she asked, swirling around her hard nub every time she pulled his fingers in to her body. She plunged his fingers faster, every pull in going deeper and harder. His thumb pushed down consistently, not breaking the contact, and she closed her eyes as the wave of pleasure rose and rose, became larger and stronger than she’d expected.
She released his hand now. “I trust you,” she breathed. “I want you to do it. I want you to make me come…”
He groaned and kissed her, hard, his fingers moving in and out of her at a steady pace. Her hands gripped the headboard above her, her toes curled, she threw her head back.
“So close, sweetheart,” he said, his voice almost a growl against her mouth. “You’re going to love it. Let go. Let me see you.
”
”
Marysol James (Enemy Mine (Unseen Enemy, #3))
“
I looked up, my eyes pouring with tears of pain and understanding. I had to look away. I let my other hand slip from the rock and hang loose. “Don’t, Violet!” Lincoln’s voice was strong and unwavering. It caught me by surprise. “Don’t. You. Dare. Look at me!” It wasn’t compulsion, but I still couldn’t stop myself. I had to see him one last time. I opened my mouth to tell him good-bye, but he didn’t let me speak. “If you let go, I’m jumping in there after you!” My hand slipped in his hold and I did little to stop it, but he clung on. “It’s better this way, Linc! You can fight him without me and then you’ll be free!” He looked at me like I was mad until his jaw set with determination. “You smell of winter dew at the first crack of dawn and when you use your power, it feels like being submerged in the most intoxicating vanilla cream that I lose myself in it every time and…and you were beautiful,” he blurted out, catching us both by surprise. But he went on, ignoring the fact my hand was still slipping. “So stunning in that dress the other night, I could hardly look at you it hurt so much. You are the thing I dread the most in myself, Violet, because…I love you so much that I can’t trust myself. I’d die for you, give up all my power for you. I’d give you my soul in an instant, even if it meant I had to spend eternity in torment—just for one moment with you as mine. Wanting you consumes me. I dread you because I know the risk, but I’m so selfish, I want you anyway. I’d take you even though it could kill you.” I cried out again, the pain now so much worse, inside and out. My hand continued to slip as I looked into his eyes, intense with want, and I knew he was telling the truth. He would jump in after me. I forced my loose arm up and he grabbed it, leaning farther into the opening. He lifted me out and as he did, the severity of my burns became apparent. I couldn’t hold back the screams and he placed me belly down on the ground.
”
”
Jessica Shirvington (Emblaze (The Embrace Series, #3))
“
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman.
Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side.
When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman."
As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib.
Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax.
But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it.
Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob."
Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
”
”
Marcel Proust (Jean Santeuil)
“
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders.
He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand.
St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..."
Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise.
Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics."
"Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place.
Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..."
He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!"
Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car.
Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow.
The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag.
"I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors."
"I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance.
"Hey, I offered to carry you," Sage offered.
"No, thank you."
I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time.
After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked.
"We're here."
There was nothing in front of us but more trees.
"Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed.
"You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest."
"Thank you," Sage said.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
He smiled, and some of the knots in my stomach loosened. He would keep my secret.
Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching.
“Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.”
“Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?”
I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets.
“How do you know about my mom?” I croaked out.
“I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.”
I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears.
“It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.”
His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him.
“I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.”
“Do you really mean that?” he whispered.
“I do.”
Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat.
Then I pulled my hand out from under his and stepped away.
Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him.
But I couldn’t.
Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!"
Carlyle waited and her words came with a rush.
“Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?"
He handed one over and held a match for her silently.
"Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?"
"Sort of. You never were beaten and you never apologized."
"Never!"
She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below.
Her voice floated up to him again.
"And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things."
She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level.
"All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless."
She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock.
"I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male."
"But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?"
Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above.
"Why," she called back, "then I'd have won!
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes.
"Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery."
"I know, Papa."
He picks her up and spins her around three times. "Now," he says, "you're going to take us home."
Her mouth drops open.
"I want you to think of the model, Marie."
"But I can't possibly!"
"I'm one step behind you. I won't let anything happen. You have your cane. You know where you are."
"I do not!"
"You do."
Exasperation. She cannot even say if the gardens are ahead or behind.
"Calm yourself, Marie. One centimeter at a time."
"I'm far, Papa. Six blocks, at least."
"Six blocks is exactly right. Use logic. Which way should we go first?"
The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. "Papa?"
"I'm here."
Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass.
Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest.
"It's so big," she whispers.
"You can do this, Marie."
She cannot.
”
”
Anthony Doerr (All the Light We Cannot See)
“
I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
”
”
Robert McCammon (Boy's Life)
“
Look at me, woman,” Lor growled.
I turned my head and met his gaze coolly.
“If he tells you anything about us, we’ll kill you. Do you understand that? One word, you die. So if you’re walking around feeling cocky and protected because Barrons likes to fuck you, think again. The more he likes to do you, the more likely it is that one of us will kill you.”
I looked up at Ryodan.
The owner of Chester’s nodded.
“Nobody killed Fiona.”
“She was a doormat.”
I pushed the arm away from my neck. “Get out of my way.”
“I would suggest you cure him of his little problem if you want to survive,” Lor said.
“Oh, I’ll survive.”
“The farther away from him you get, the safer you are.”
“Do you want me to find the Book or not?”
Ryodan answered. “We don’t give a fuck if the Book is out there. Or that the walls are down. Times change, we go on.”
“Then why are you helping with the ritual? V’lane said Barrons asked you and Lor to handle the other stones.”
“For Barrons. But if he breathes one word about himself, you’re dead.”
“I thought he was the boss of you guys.”
“He is. He made the rules we live by. We’ll still take you from him.”
Take you from him. Sometimes I was so dense. “And he knows that.”
“We’ve had to do it before,” Lor said. “Kasteo hasn’t said a word to us since. I say get over it already. It’s been a thousand fucking years. What’s a woman worth?”
I inhaled slow and deep as the full ramifications of what they’d just told me sunk in. This was why Barrons never answered any of my questions and never would. He knew what they would do to me if he told me—whatever they’d done to Kasteo’s woman a thousand years ago. “You don’t need to worry about it. He hasn’t told me anything.”
“Yet,” Lor said.
“But more importantly,” I said, looking at Ryodan. “I won’t ask. I don’t need to know.” I realized it was true. I was no longer obsessed with having a name and an explanation for Jericho Barrons. He was what he was. No name, no reasons, would alter anything about him. Or how I felt.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window.
It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul.
"Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them."
My soul does not answer.
"Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?"
My soul remains silent.
Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics.
Not a word. Can my soul be dead?
"Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!"
At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!
”
”
Charles Baudelaire
“
On undetached people who are full of self-will.4 People say: ‘O Lord, I wish that I stood as well with God and that I had as much devotion and peace with God as other people, and that I could be like them or could be as poor as they are.’ Or they say: ‘It never works for me unless I am in this or that particular place and do this or that particular thing. I must go to somewhere remote or live in a hermitage or a monastery.’ Truly, it is you who are the cause of this yourself, and nothing else. It is your own self-will, even if you don’t know it or this doesn’t seem to you to be the case. The lack of peace that you feel can only come from your own self-will, whether you are aware of this or not. Whatever we think – that we should avoid certain things and seek out others, whether these be places or people, particular forms of devotion, this group of people or this kind of activity – these are not to blame for the fact that you are held back by devotional practices and by things; rather it is you as you exist in these things who hold yourself back, for you do not stand in the proper relation to them. Start with yourself therefore and take leave of yourself. Truly, if you do not depart from yourself, then wherever you take refuge, you will find obstacles and unrest, wherever it may be. Those who seek peace in external things, whether in places or devotional practices, people or works, in withdrawal from the world or poverty or self-abasement: however great these things may be or whatever their character, they are still nothing at all and cannot be the source of peace. Those who seek in this way, seek wrongly, and the farther they range, the less they find what they are looking for. They proceed like someone who has lost their way: the farther they go, the more lost they become. But what then should they do? First of all, they should renounce themselves, and then they will have renounced all things. Truly, if someone were to renounce a kingdom or the whole world while still holding on to themselves, then they would have renounced nothing at all. And indeed, if someone renounces themselves, then whatever they might keep, whether it be a kingdom or honour or whatever it may be, they will still have renounced all things. St Peter said, ‘See, Lord, we have left everything’ (Matt. 19:27), when he had left nothing more than a mere net and his little boat, and a saint5 comments that whoever willingly renounces what is small, renounces not only this but also everything which worldly people can possess or indeed even desire. Whoever renounces their own will and their own self, renounces all things as surely as if all things were in that person’s possession to do with as they pleased, for what you do not wish to desire, you have given over and given up to God. Therefore our Lord said, ‘Blessed are the poor in spirit’ (Matt. 5:3), which is to say those who are poor in will. Let no one be in any doubt about this: if there were a better way, then our Lord would have told us, who said, ‘If anyone would follow me, he must first deny himself’ (Matt 16:24). This is the point which counts. Examine yourself, and wherever you find yourself, then take leave of yourself. This is the best way of all.
”
”
Meister Eckhart (Selected Writings)
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard."
"That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting."
The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath.
"Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself."
"Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?"
I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it."
I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words.
"Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
”
”
Kaitlyn Hill (Love from Scratch)
“
It was an amazing experience,” I said. “By remembering the love I felt I was able to open up. I sat up there all day simmering in it. I didn’t reach the state I experienced on the ridge but I got close.” Sanchez looked more serious. “The role of love has been misunderstood for a long time. Love is not something we should do to be good or to make the world a better place out of some abstract moral responsibility, or because we should give up our hedonism. Connecting with energy feels like excitement, then euphoria, and then love. Finding enough energy to maintain that state of love certainly helps the world, but it most directly helps us. It is the most hedonistic thing we can do.” I agreed, then noticed he had moved his chair back several more feet and was looking at me intensely, his eyes unfocused. “So what does my field look like,” I asked. “It is much larger,” he said. “I think you feel very good.” “I do.” “Good. That is what we do here.” “Tell me about that,” I said. “We train priests to go farther into the mountains and work with the Indians. It is a lonely job and the priests must have great strength. All of the men here have been screened thoroughly and all have one thing in common: each has had one experience he calls mystical. “I have been studying this kind of experience for many years,” he continued, “even before the Manuscript was found, and I believe that when one has already encountered a mystical experience, getting back into this state and raising one’s personal energy level comes much easier. Others can also connect but it takes longer. A strong memory of the experience, as I think you learned, facilitates its re-creation. After that, one slowly builds back.” “What does a person’s energy field look like when this is happening?” “It grows outward and changes color slightly.” “What color?” “Normally from a dull white toward green and blue. But the most important thing is that it expands. For instance, during your mystical encounter on the ridge top, your energy flashed outward into the whole universe. Essentially you connected and drew energy from the entire cosmos and in turn your energy swelled to encompass everything, everywhere. Can you remember how that felt?” “Yeah,” I said. “I felt as though the entire universe was my body and I was just the head, or perhaps more accurately, the eyes.” “Yes,” he said, “and at that moment, your energy field and that of the universe were the same. The universe was your body.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
If you’re going to give me the third degree,” she tells him, “let’s get it over with. Best to withhold food or water; water is probably best. I’ll get thirsty before I get hungry.”
He shakes his head in disbelief. “Do you really think I’m like that? Why would you think that?”
“I was taken by force, and you’re keeping me here against my will,” she says, leaning across the table toward him. She considers spitting in his face, but decides to save that gesture as punctuation for a more appropriate moment. “Imprisonment is still imprisonment, no matter how many layers of cotton you wrap it in.” That makes him lean farther away, and she knows she’s pushed a button. She remembers seeing those pictures of him back when he was all over the news, wrapped in cotton and kept in a bombproof cell.
“I really don’t get you,” he says, a bit of anger in his voice this time. “We saved your life. You could at least be a little grateful.”
“You have robbed me, and everyone here, of their purpose. That’s not salvation, that’s damnation.”
“I’m sorry you feel that way.”
Now it’s her turn to get angry. “Yes, you’re sorry I feel that way, everyone’s sorry I feel that way. Are you going to keep this up until I don’t feel that way anymore?”
He stands up suddenly, pushing his chair back, and paces, fern leaves brushing his clothes. She knows she’s gotten to him. He seems like he’s about to storm out, but instead takes a deep breath and turns back to her.
“I know what you’re going through,” he says. “I was brainwashed by my family to actually want to be unwound—and not just by my family, but by my friends, my church, everyone I looked up to. The only voice who spoke sense was my brother Marcus, but I was too blind to hear him until the day I got kidnapped.”
“You mean see,” she says, putting a nice speed bump in his way.
“Huh?”
“Too blind to see him, too deaf to hear him. Get your senses straight. Or maybe you can’t, because you’re senseless.”
He smiles. “You’re good.”
“And anyway, I don’t need to hear your life story. I already know it. You got caught in a freeway pileup, and the Akron AWOL used you as a human shield—very noble. Then he turned you, like cheese gone bad.”
“He didn’t turn me. It was getting away from my tithing, and seeing unwinding for what it is. That’s what turned me.”
“Because being a murderer is better than being a tithe, isn’t that right, clapper?”
He sits back down again, calmer, and it frustrates her that he is becoming immune to her snipes.
“When you live a life without questions, you’re unprepared for the questions when they come,” he says. “You get angry and you totally lack the skills to deal with the anger. So yes, I became a clapper, but only because I was too innocent to know how guilty I was becoming.”
...
“You think I’m like you, but I’m not,” Miracolina says. “I’m not part of a religious order that tithes. My parents did it in spite of our beliefs, not because of ii.”
“But you were still raised to believe it was your purpose, weren’t you?”
“My purpose was to save my brother’s life by being a marrow donor, so my purpose was served before I was six months old.”
“And doesn’t that make you angry that the only reason you’re here was to help someone else?”
“Not at all,” she says a little too quickly. She purses her lips and leans back in her chair, squirming a bit. The chair feels a little too hard beneath her. “All right, so maybe I do feel angry once in a while, but I understand why they did it. If I were them, I would have done the same thing.”
“Agreed,” he says. “But once your purpose was served, shouldn’t your life be your own?”
“Miracles are the property of God,” she answers.
“No,” he says, “miracles are gifts from God. To calthem his property insults the spirit in which they are given.”
She opens her mouth to reply but finds she has no response, because he’s right. Damn him for being right—nothing about him should be right!
“We’ll talk again when you’re over yourself,” he says.
”
”
Neal Shusterman (UnWholly (Unwind, #2))
“
God, Jane, you’re exactly as I imagined. Only better.”
“You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.”
That got his attention. He drew back to stare at her. “Are you all right?”
She forced a smile. “Now I’m rethinking the seduction.”
He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.”
When she did, the pressure eased some, and she let out a breath.
“Better?” he rasped.
She nodded.
Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.”
Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured.
She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit.
A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?”
“I never guessed that…this would feel…so odd.”
“You’ll get used to it.”
The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt.
Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice.
His gaze burned into her as he drove deep. “Less odd now?” he managed.
“Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.”
He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun.
As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring.
“Dom…oh, Dom…oh my…”
“Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.”
“Only you,” she echoed.
She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun.
When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again.
Because it was too late to go back now. This time, he had her for better or worse.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
I push my eye farther into the crack, smushing my cheek. The door rattles.
Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall.
“Leidah?”
I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?”
I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore.
It has happened again.
I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her.
I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me.
But it’s not under me. It is me.
I have become the floor.
I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down.
How is this possible?
I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out.
That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor.
Seven, soon to be eight… it’s time, time’s up, time to go.
The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix—
Seven. Seven what? And why is it time to go?
Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her.
It’s then that I feel it.
Something is happening to Mamma. Something neither Pappa nor I have noticed.
She is becoming dust.
She is drier than the wood I have become.
- Becoming Leidah
Quoted by copying text from the epub version using BlueFire e-reader.
”
”
Michelle Grierson (Becoming Leidah)
“
Ella.”
The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway.
A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap.
I knew the set of those shoulders, the way he moved.
Jack.
My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast.
“Is it you?” I choked.
“Yes. Yes. God, Ella . . .”
I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough.
He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .”
But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages.
Don’t let go.
I’m right here.
Tremors kept running along my entire frame.
My teeth chattered, making it hard to talk. “I th-thought you might not come back.”
Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse.
I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine.
“Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage.
His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.”
We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—”
“I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes.
“You did?” I sniffled.
He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.”
He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?”
My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?”
Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.”
“You just left when you’re supposed to be having more tests?”
“I had to find you.” His voice was quiet but unyielding.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
”
”
Jonathan Littell (The Kindly Ones)