“
The farther you go...the harder it is to return. The world has many edges and it's easy to fall off.
”
”
Anderson Cooper (Dispatches from the Edge: A Memoir of War, Disasters, and Survival)
“
The farther you go, however, the harder it is to return. The world has many edges, and it's easy to fall off.
”
”
Anderson Cooper
“
Every time you do a good deed you shine the light a little farther into the dark. And the thing is, when you're gone that light is going to keep shining on, pushing the shadows back.
”
”
Charles de Lint
“
You can go a long way with a smile. You can go a lot farther with a smile and a gun.
”
”
Al Capone
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Sin will take you farther than you want to go, keep you longer than you want to stay, and cost you more than you want to pay. –
”
”
R Zaccharias
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
Best of an island is once you get there - you can't go any farther...you've come to the end of things...
”
”
Agatha Christie (And Then There Were None)
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
When I take you to the Valley, you’ll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe you’ll say, “There it is, that’s it!” But I’ll say. “A little farther.” We’ll go on, I hope, and you’ll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe you’ll say, “Let’s stop here, this is it!” But I’ll say, “A little farther yet.” We’ll go on, and you’ll hear the quail calling on the mountain by the springs of the river, and looking back you’ll see the river running downward through the wild hills behind, below, and you’ll say, “Isn’t that the Valley?” And all I will be able to say is “Drink this water of the spring, rest here awhile, we have a long way yet to go and I can’t go without you.
”
”
Ursula K. Le Guin (Always Coming Home)
“
Funny thing is, until I met you all I wanted to do was to get as far away from here as I could. Kind of ironic, isn't it? Can't get much farther away than where I"m going, and now I'd give anything to stay.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
Philosophy is the toil which can never tire persons engaged in it. All ways are strewn with roses, and the farther you go, the more enchanting objects appear before you and invite you on.
”
”
Mary Wortley Montagu
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
...He kissed me again, farther up my neck, and I pushed him back against the wall.
My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other."
Luke released me. "How long does it take to know someone?"
I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about-- it went against everything I'd ever been told. So why was it so hard to say no?
He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless.
"I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
Just as your car runs more smoothly and requires less energy to go faster and
farther when the wheels are in perfect alignment, you perform better when your
thoughts, feelings, emotions, goals, and values are in balance.
”
”
Brian Tracy (Focal Point: A Proven System to Simplify Your Life, Double Your Productivity, and Achieve All Your Goals)
“
ʺYour hair was beautiful too. All of you. You were amazing
when we first met, and somehow, inexplicably, youʹve come even farther. Youʹve always
been pure, raw energy, and now you control it. Youʹre the most amazing woman Iʹve ever
met, and Iʹm glad to have had that love for you in my life. I regret losing it.ʺ He grew
pensive. ʺI would give anything—anything—in the world to go back and change history.
To run into your arms after Lissa brought me back. To have a life with you. Itʹs too late,
of course, but Iʹve accepted it.ʺ
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
It doesn't matter where or how far you go - the farther commonly the worse - the important thing is how alive you are. Writing of every kind is a way to wake oneself up and keep as alive as when one has just fallen in love.
”
”
Pico Iyer
“
It's all right. It's like stumbling on a rock on the roadside. It's petty...a small thing. The place you want to go...is more distant farther off. So...it's all right. You'll stand up. And you'll start walking. Soon...
”
”
Kentaro Miura (Berserk, Vol. 8 (Berserk, #8))
“
I will love you as we find ourselves farther and farther from one another, where we once were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
But Lila went to Kell’s side. She knelt beside his sleeping body, and whispered something in his ear, and if Tes had been standing farther back, she’d never have heard it. But she did.
“There is nowhere you go,” said the Antari to her prince, “that I cannot follow.
”
”
Victoria E. Schwab (The Fragile Threads of Power (Threads of Power, #1))
“
Go as far as you can see; when you get there, you'll be able to see farther.
”
”
John D. Rockefeller
“
Go as far as you can see; when you get there, you’ll be able to see farther.
”
”
J.P. Morgan
“
son," Mr. P said. "You're going to find more and more hope the farther and farther you walk away from this sad, sad, sad reservation.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
There are always those perfect times with the people we love, those moments of joy and equality that sustain us later on...These moments are the foundation upon which we build the house that will shelter us into our final years, so that when love calls out, "How far would you go for me?" you can look it in the eye and say truthfully, "Farther than you would ever have thought was possible.
”
”
Ann Patchett (This is the Story of a Happy Marriage)
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six
million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that."
Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet
his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
The guest is inside you, and also inside me;
you know the sprout is hidden inside the seed.
We are all struggling; none of us has gone far.
Let your arrogance go, and look around inside.
The blue sky opens out farther and farther,
the daily sense of failure goes away,
the damage I have done to myself fades,
a million suns come forward with light,
when I sit firmly in that world.
I hear bells ringing that no one has shaken,
inside "love" there is more joy than we know of,
rain pours down, although the sky is clear of clouds,
there are whole rivers of light.
The universe is shot through in all parts by a single sort of love.
How hard it is to feel that joy in all our four bodies!
Those who hope to be reasonable about it fail.
The arrogance of reason has separated us from that love.
With the word "reason" you already feel miles away.
”
”
Kabir (The Kabir Book: Forty-four of the Ecstatic Poems of Kabir)
“
Holding on will not make something come back. In my experience, it actually pushes it farther away. You cannot go back and undo what’s done, my friends. You can only move forward. And if your deepest compulsions and instincts tell you that you’re meant to be with that person or doing that thing, you should let go and move forth and see how life takes you there. Clearly, things aren’t going according to your desired plan already, so why not throw caution to the wind and see where you end up.
”
”
Brianna Wiest
“
And as the ground gets farther and farther away you swear to yourself that you're going to tell someone how bad it is, you're gonna stop pretending like none of these things are happening, but by the time the ground is coming toward you again you are already polishing your story.
”
”
Carmen Maria Machado (In the Dream House)
“
A sense that you had gone beyond yourself and could go farther still.
”
”
Stephen King (Elevation)
“
I don't really care if people forget me. My legacy wasn't about me. It was about everything I could do for another. When that sinks in...well you try a little harder. You dream a little broader. Your heart stretches a little farther and you find that you can't go back to the same place and make it fit. You become a person of ideas and seek out your own kind. And then it happens: One day you discover that staying the same is scary and changing has become your new home.
”
”
Shannon L. Alder
“
Are you too frightened to go any farther?" asked the silk-monkey, who found all this very easy, having four legs herself.
"I'm never afraid," answered Sniff. "But I think the view is better from here.
”
”
Tove Jansson (Comet in Moominland (The Moomins, #2))
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
He smiled. "You’re into me, I can tell."
"I’m not into you," I said hotly. Hotly, because as soon as the words left my lips, sparklers erupted on top of my head.
Hudson looked at them, and a grin spread across his face. The baby cooed and reached out, trying to grab the flaring light. Hudson moved farther away. "Don’t touch. Just look at Mommy’s pretty liar hat."
He was enjoying this way too much. "Okay," I said. "Maybe I like you a little."
The sparklers dimmed, but didn’t go out.
Hudson raised an eyebrow.
"All right," I said, nervously eyeing the area to make sure no one saw us. "I’m into you."
The sparklers died, but I didn’t wait around for more commentary. I headed to the inn. Behind me I heard Hudson still talking to the baby. "Yes, we like Mommy’s flaming hairdo, don’t we?
”
”
Janette Rallison (My Unfair Godmother (My Fair Godmother, #2))
“
One cannot prove anything here, but it is possible to be convinced.'
How? By what?'
By the experience of active love. Try to love your neighbors actively and tirelessly. The more you succeed in loving, the more you'll be convinced of the existence of God and the immortality of your soul. And if you reach complete selflessness in the love of your neighbor, then undoubtedly you will believe, and no doubt will even be able to enter your soul. This has been tested. It is certain...
Active love is a harsh and fearful thing compared with love in dreams. Love in dreams thirsts for immediate action, quickly performed, and with everyone watching. Indeed, it will go as far as the giving even of one's life, provided it does not take long but is soon over, as on stage, and everyone is looking on and praising. Whereas active love is labor and perseverance, and for some people, perhaps, a whole science...in that very moment when you see with horror that despite all your efforts, you not only have not come nearer your goal but seem to have gotten farther from it, at that very moment...you will suddenly reach your goal and will clearly behold over you the wonder-working power of the Lord, who all the while has been loving you, and all the while has been mysteriously guiding you.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Leaning down onto his arms, he prowled up the bed to her body, his eyes fixated on her secret skin as if he'd never seen anything like it. When he got in range, wide hands smoothed their way up the insides of her thighs, opening them even farther.
But then he frowned and looked up at her. "Wait, I'm supposed to kiss you on the mouth first, aren't I? I mean, males start at the top and work their way down, don't they?"
What and odd question... like he'd never done this at all?
Before she could reply he began to move back, so she sat up and captured his face in her hands.
"You can do whatever you like to me."
His eyes flashed and he held his position for a split second.
Then he lunged at her, taking her down onto the bed. His tongue shot into her mouth and his hands tangled in her hair, pulling on her, arching her, trapping her head. The hunger in him was ferocious, a warrior's thick-blooded need for sex. He was going to take her with all the strength he had, and she was going to be sore when he was through using her. Sore and utterly blissed out. She couldn't wait.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Sin always takes you further than you meant to go and keeps you longer than you meant to stay.
”
”
Tiffany L. Warren (Farther Than I Meant To Go, Longer Than I Meant To Stay)
“
As Ravi Zacharias said, “Sin will take you farther than you want to go, keep you longer than you want to stay, and cost you more than you want to pay.
”
”
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
“
TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back -
"I thought you were dead," he's saying, his breath on my neck. "I thought you were dead."
"Todd," I say and I'm crying and the only thing I can say is his name. "Todd.
”
”
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
“
You already made it this far and God is still going to take you way farther.
”
”
Joena San Diego (Letters of Solana)
“
It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don't fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all - nothing real, not one scrap of what there ought to be. And others - others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don't you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences - eternal differences, planted by God in a single family, so that there may always be colour; sorrow, perhaps, but colour in the daily grey.
”
”
E.M. Forster (Howards End)
“
It’s fine to go offline. You won’t lose your place in the world. And once you practice it and get good at it, I predict you’ll move a step farther from thinking, “It’s fine,” to realizing, “It’s divine!” The more you log off, the more you’ll realize how fabulously freeing it truly is.
”
”
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
“
As Henry David Thoreau, one of the great explorers of his time, reminded himself in his journal, “It matters not where or how far you travel—the farther commonly the worse—but how much alive you are.” Two
”
”
Pico Iyer (The Art of Stillness: Adventures in Going Nowhere (TED Books))
“
The people making you feel guilty for going your own way and choosing your own life are simply saying, ‘Look at me. I’m better than you because my chains are bigger.’ It takes courage to break those chains and define your own life.” So dare to live your precious days on Earth to their fullest, true to yourself, with open heart and thoughtful mind, and with the courage to change what doesn’t work and accept the consequences. You may find that you can fly farther than you ever imagined.
”
”
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
“
Don't know. Don't care. I'm hopping on a bus and going until I can't go any farther. Until I find a place that feels like home.'
He's quiet for a long time. 'How will you know what home feels like?'
It hangs in the air between us, as frozen as our breaths. I don't have an answer.
”
”
Holly Black (My True Love Gave to Me: Twelve Holiday Stories)
“
Realize that time will never stop. NEVER. You will never be younger again. It's like being on a train with no stops that's always leading you father and farther from home... or closer to home, depending on how you look at it. You can never get off the train. You can never board a train going the opposite direction. If you missed a stop, tough shit. If there was this great thing even just two miles back that you decided not to do, you can't change your mind and go do it. That place is gone forever.
”
”
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
”
”
Annie Proulx (Brokeback Mountain)
“
I'm going to be everything you never wanted,' I warn on a gruff breath, 'nothing that you need.'
I slide my other hand farther up her thigh.
'Sometimes my work will take me away, and I won't call, and I'll piss you off.'
I graze my longest finger over the silky V covering her sex.
'I'll be selfish. I'll take everything I want, whenever I want it. I'm not the man of your dreams, Melanie, I'm your worst nightmare.
”
”
Katy Evans (Rogue (Real, #4))
“
Our television signals leave this planet and go out into space...the signals spread out from the earth in spherical waves, a little like ripples in a pond. They travel at the speed of light, 186,000 miles a second, and essentially go on forever. The better some other civilizations receivers are, the farther away they could be and still pick up our tv signals. Even we could detect a strong tv transmission from a planet going around the nearest star.' President: 'You mean everything? You mean to say all that crap on television - the car crashes, wrestling, the porno channels, the evening news?
”
”
Carl Sagan (Contact)
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.I don't mean to imply imply I felt as if I stood on brittle ice about to give way beneath me. No. I felt like the ice itself, suddenly shattered, with cracks spiraling out from where she had touched my chest. The only reason I held together was because my thousand pieces were all leaning together. If i moved, i feared I would fall apart.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
No," he says, taking us both in. "No, no, no. You've come farther than most people on this planet will in their lifetimes. You've overcome obstacles and dangers and things that should've killed you. You've outrun an army and a madman and deadly illness and seen things most people will never see. How do you think you could have possibly come this far if you didn't have hope?
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
Running efficiently demands good technique, and running efficiently for 100 miles demands great technique. But the wonderful paradox of running is that getting started requires no technique. None at all. If you want to become a runner, get onto a trail, into the woods, or on a sidewalk or street and run. Go 50 yards if that's all you can handle. Tomorrow, you can go farther.
”
”
Scott Jurek (Eat & Run: My Unlikely Journey to Ultramarathon Greatness)
“
You suspect, Stephen retorted with a sort of a half laugh, that I may be important because I belong to the fauborgh Saint Patrice called Ireland for short.
—I would go a step farther, Mr Bloom insinuated.
—But I suspect, Stephen interrupted, that Ireland must be important because it belongs to me.
”
”
James Joyce (Ulysses)
“
Think you've got the guts to actually go through with it this time?" (Puck)
I responded by slashing at his face, barely missing him as he ducked. (Ash)
"Oooh, that had a bit of temper behind it." He sneered, eyes gleaming as he circled back. "But don't think I'll go easy on you, just because of our history. I'm not like my other half - weak, pathetic, restrained...."
"Loud, obnoxious, immature," I added
"Hey!" The real Puck called from farther down, dodging as Other Ash slashed at him. "I'm standing right here, you two!
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
-NONREADING-
Bookstores don't provide
a remote control for Proust,
you can't switch
to a soccer match,
or a quiz show, win a Cadillac.
We live longer
but less precisely
and in shorter sentences.
We travel faster, farther, more often,
but bring back slides instead of memories.
Here I am with some guy.
There I guess that's my ex.
Here everyone's naked
so this must be a beach.
Seven volumes—mercy.
Couldn't it be cut or summarized,
or better yet put into pictures.
There was that series called "The Doll,"
but my sister-in-law says that's some other P.*
And by the way, who was he anyway.
They say he wrote in bed for years on end.
Page after page
at a snail's pace.
But we're still going in fifth gear
and, knock on wood, never better.
”
”
Wisława Szymborska
“
Earlier in my life, I have to admit, I was often guilty of this error. I wanted to take an idea from seed thought to solution before sharing it with anyone, even the people it would most impact. I did this both at work and at home. But over the years, I have learned that you can go much farther with a team than you can go alone.
”
”
John C. Maxwell (How Successful People Think: Change Your Thinking, Change Your Life)
“
Hapi?" I asked.
"Why, yes, I am happy!" Hapi beamed. "I'm always happy because I'm Hapi! Are you happy?"
Zia frowned up at the giant. "Does he have to be so big?"
The god laughed. Immediately he shrank down to human size, though the crazy cheerful look on his face was still pretty unnerving.
"Oh, Setne!" Hapi chuckled and pushed the ghost playfully. "I hate this guy. Absolutely despise him!"
Hapi's smile became painfully wide. "I'd love to rip off your arms and legs, Setne. That would be amazing!"
Setne ... drifted a little farther away from the smiling god.
"Oh!" Hapi clapped excitedly. "The world is going to end tomorrow. I forgot!"
"You'd never get to Memphis without my help. You'd get torn into a million pieces!"
He seemed genuinely pleased to share that news.
”
”
Rick Riordan
“
My thoughts are free to roam back to the way she leaned her head on my arm for a split second, as if wishing she could let herself go, let herself lean farther. But she didn't, and I can’t help but respect her for that, even I know her strength is false, propped up by the shaky girders of Old Man Jack. One day soon, those girders will collapse, and her world will crumble, and I know I have to be there when that happens.
”
”
Jasinda Wilder (Falling into You (Falling, #1))
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
Go away,” I say. He raises his hands in surrender and takes a step back. “This far?” “Farther.” Another step. “Better?” “Yes,” I smart. Silas grins. “I don’t know myself well, but I can tell I have a lot of game.” “Oh, please,” I say. “If you were a game, Silas, you’d be Monopoly. You just go on and on and everyone ends up cheating just to be over with it.” He’s quiet for a minute. I feel bad for saying something so awkward even if it was a joke. “You’re probably right,” he laughs. “That’s why you cheated on me with that asshat, Brian. Lucky for you, I’m not Monopoly Silas anymore. I’m Tetris Silas. All my pieces and parts are going to fit into all of your pieces and parts.
”
”
Colleen Hoover (Never Never (Never Never, #1))
“
Gods of all the world, say something," she cried, and Talat startled beneath her.
"I love you," said Luthe. "I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for I cannot bear this."
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat's hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
The farther right you go on the curve, the more you will encounter the clients and customers who may need what you have, but don't necessarily believe what you believe. As clients, they are the ones for whom, no matter how hard you work, it's never enough. Everything usually boils down to price with them. They are rarely loyal. They rarely give referrals and sometimes you may even wonder out loud why you still do business with them. "They just don't get it," our gut tells us. The importance of identifying this group is so that you can avoid doing business with them.
”
”
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
“
Today Means Amen
Dear you, whoever you are, however you got here,
this is exactly where you are supposed to be.
This moment has waited its whole life for you.
This moment is your lover and you are a soldier.
Come home, baby, it's over. You don't need
to suffer anymore. Dear you, this moment
is your surprise party. You are both hiding
in the dark and walking through the door.
This moment is a hallelujah. This moment
is your permission slip to finally open that love
letter you've been hiding from yourself,
the one you wrote when you were little
when you still danced like a sparkler at dusk.
Do you remember the moment you realized
they were watching? When you became
ashamed of how much light you were holding?
When you first learned how to unlove yourself?
Dear you, the word today means amen
in every language. Today, we made it. Today,
I'm going to love you. Today, I'm going
to love myself. Today, the boxcutter will rust
in the garbage. The noose will forget
how to hold you, today, today--
Dear you, and I have always meant you,
nothing would be the same if you
did not exist. You, whose voice is someone's
favorite voice, someone's favorite face
to wake up to. Nothing would be the same
if you did not exist. You, the teacher,
the starter's gun, the lantern in the night
who offers not a way home, but the courage
to travel farther into the dark. You, the lover,
who worships the taste of her body, who is
the largest tree ring in his heart, who does not
let fear ration your love. You, the friend,
the sacred chorus of how can I help.
You, who have felt more numb than holy,
more cracked than mosaic. Who have known
the tiles of a bathroom by heart, who have
forgotten what makes you worth it.
You, the forgiven, the forgiver, who belongs
right here in this moment. You, this clump
of cells, this happy explosion that happened
to start breathing, and by the grace of whatever
is up there, you got here. You made it
this whole way: through the nights
that swallowed you whole, the mornings
that arrived in pieces. The scabs, the gravel,
the doubt, the hurt, the hurt, the hurt
is over. Today, you made it. You made it.
You made it here.
”
”
Sierra DeMulder (Today Means Amen)
“
I keep thinking grief feels like climbing a staircase while looking down,” she said. “You won’t forget where you’ve been, but you’ve got to keep rising. It all gets farther away, but it’s all still there. And you’ve only got one way to go and you don’t really want to go on rising, but you’ve got to. And that tightness in your chest doesn’t go away, but you somehow go on breathing that thinner, higher air. It’s like you grow a third lung. Like you’ve somehow gotten bigger when you thought you were only broken.
”
”
Kassandra Montag (After the Flood)
“
those at the very top of the class—are going to face a burden that they would not face in a less competitive atmosphere. Citizens of happy countries have higher suicide rates than citizens of unhappy countries, because they look at the smiling faces around them and the contrast is too great. Students at “great” schools look at the brilliant students around them, and how do you think they feel? The phenomenon of relative deprivation applied to education is called—appropriately enough—the “Big Fish–Little Pond Effect.” The more elite an educational institution is, the worse students feel about their own academic abilities. Students who would be at the top of their class at a good school can easily fall to the bottom of a really good school. Students who would feel that they have mastered a subject at a good school can have the feeling that they are falling farther and farther behind in a really good school. And that feeling—as subjective and ridiculous and irrational
”
”
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
“
Heroin makes you sick the first try. Cigarette smoking too if you're lucky. But if you're not lucky, and you develop a taste, if you're one who senses that cocaine gets better with time, or you're one who jumps out of a plane and becomes an adrenaline junky, or you're one who loves the feel of grease melting over your tongue in the form of pecan pie or thick clam chowder or a fat porterhouse or just plain ol' Doritos by the bagful, and you want to repeat the same comfort and recognizable surprise of that first go, that first indulgence, and yet with each succeeding bite the small hope of true satisfaction slides farther away, then you understand Celeste, at least a little.
”
”
Amanda Boyden (Pretty Little Dirty)
“
He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people’s saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
That public men publish falsehoods
Is nothing new. That America must accept
Like the historical republics corruption and empire
Has been known for years.
Be angry at the sun for setting
If these things anger you. Watch the wheel slope and tum.
They are all bound on the wheel, these people, those warriors,
This republic, Europe, Asia.
Observe them gesticulating,
Observe them going down. The gang serves lies, the passionate
Man plays his part; the cold passion for truth
Hunts in no pack.
You are not CatulIus, you know,
To lampoon these crude sketches of Caesar. You are far
From Dante’s feet, but even farther from his dirty
Political hatredS.
Let boys want pleasure, and men
Struggle for power, and women perhaps for fame,
And the servile to serve a Leader and the dupes to be duped.
Yours is not theirs.
”
”
Robinson Jeffers (Selected Poems)
“
There are seven incarnations (and six correlates) necessary to becoming an Artist: 1. Explorer (Courage) 2. Surveyor (Vision) 3. Miner (Strength) 4. Refiner (Patience) 5. Designer (Intelligence) 6. Maker (Experience) 7. Artist. First, you must leave the safety of your home and go into the dangers of the world, whether to an actual territory or some unexamined aspect of the psyche. This is what is meant by 'Explorer.' Next, you must have the vision to recognize your destination once you arrive there. Note that a destination may sometimes also be the journey. This is what is meant by 'Surveyor.' Third, you must be strong enough to dig up the facts, follow veins of history, unearth telling details. This is what is meant by 'Miner.' Fourth, you must have the patience to winnow and process your material into something rare. This may take months or even years. And this is what is meant by 'Refiner.' Fifth, you must use your intellect to conceive of your material as something meaning more than its origins. This is what is meant by 'Designer.' Six, you must fashion a work independent of everything that has gone before it including yourself. This is accomplished though experience and is what is meant by 'Maker.' At this stage, the work is acceptable. You will be fortunate to have progressed so far. It is unlikely, however, that you will go any farther. Most do not. But let us assume you are exceptional. Let us assume you are rare. What then does it mean to reach the final incarnation? Only this: at every stage, from 1 thru 6, you will risk more, see more, gather more, process more, fashion more, consider more, love more, suffer more, imagine more and in the end know why less means more and leave what doesn't and keep what implies and create what matters. This is what is meant by 'Artist.
”
”
Mark Z. Danielewski
“
It's a laughable lock—one that you would use only to guard a graveyard. Not that anyone would trouble themselves invading a timber hut in a mangrove forest farther away from the Bay of Bengal. Still, how can someone live with a lock like that? Made of ancient iron, reeking of rust. It would need a primordial key to be twisted and turned, going through several moments of mechanical trouble until the old lock opens. Good luck if you can do that without breaking the key.
Oh! The key … Well, the owner of the hut has left the key right beside the lock, including instructions. The Monk, Yuan Yagmur—revealing his muscled arms from under his wide, dark shawl—takes the note (the one with instructions):
Please, scan your CRAB first before touching the key. For your own safety.
From what, you ask? It’s a surprise.
Enter without scanning if you want to find out.
—Mee-Hae Ra
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving.
This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love.
This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages.
I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit.
The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
”
”
Clementine von Radics (Mouthful of Forevers)
“
Perfect! Now we’re being chased by hoards of monkeys! Perhaps you would care to name their species as we’re attacked, just so I can appreciate the special traits of said monkey as it kills me!”
He ran along beside me. “At least when the monkeys are harassing you, you don’t have time to harass me!”
The monkeys were getting close. I almost tripped over one as it darted in front of my legs. Ren leapt over a fountain with his tiger power. Show-off.
“Ren, you’re holding back. Just get out of here! Take the backpack and go.”
He laughed acerbically as he ran ahead of me; then, he turned to look at me while jogging backward. “Ha! You wish you could get rid of me that easily!”
He ran a bit farther ahead of me and switched to the tiger. Then he barreled back toward me and actually leapt over my running body into the throng of monkeys to slow them down.
I shouted back at him while still running, “Hey! Careful where you jump, Mister! You almost took my head off!
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Unless you put prayer with your fasting, there is no need to fast. If it doesn't mean anything to you, it won't mean anything to God.
I can do without a lot of things, but I cannot do anything without Jesus.
Moses fasted. Elijah fasted forty days. Paul fasted fourteen days. Jesus fasted forty days. If the children of God do not fast, how will we ever fit into the armor of God?
Fasting is not a requirement; it is a choice. It is a vow you choose to make to pursue God on a deeper level. The entire time that you are on a fast you are acknowledging God. When you are feeling hungry, empty, and weak, you connect with God without all the clutter. In that way fasting is a time vow. It is also a discipline vow. Fasting, especially a longer fast, strengthens your character in every area of your life.
If you do not have the power of a made-up mind to honor God with your body, you will be at the mercy of the lust of your flesh.
If failure is not a possibility, then success doesn’t mean anything.
Prayer and fasting were a big part of Jesus’s life. Why should it be such a small part of yours? If Jesus needed to fast, how much greater is our need to fast?
If we are not drawing closer to God, we are drifting farther from Him.
I am not in this for what I can get out of Jesus. I’m in this because He loved me first and gave Himself for me. I have nothing to go back to. I crossed that bridge a long time ago. The enemy, this world, difficult circumstances—it doesn’t matter. I’ll still be in church. I am never going to walk away from God.
”
”
Jentezen Franklin (The fasting Edge)
“
You cannot escape that you are a woman,” she began.
“I wish I could,” Firekeeper muttered, but Elise continued as if she hadn’t heard.
“Since you cannot, you cannot escape the expectations that our society and our class places upon women.”
“Why?” Firekeeper said querulously.
“...Consider,” she offered, “what you told me about learning to see at night so that you could hunt with the wolves. Learning to wear a gown, to walk gracefully, to eat politely…”
“I do that!”
“You’re learning,” Elise admitted, “but don’t change the subject. All of these are ways of learning to see in the dark.”
“Maybe,” Firekeeper said, her tone unconvinced.
“Can you climb a tree?”
“Yes.”
“Swim?”
“Yes!” This second affirmative was almost indignant.
“And these skills let you go places that you could not go without them.”
Stubborn silence. Elise pressed her point.
“Why do you like knowing how to shoot a bow?”
“It lets me kill farther,” came the answer, almost in a growl.
“And using a sword does the same?”
“Yes.”
“Let me tell you, Firekeeper, knowing a woman’s arts can keep you alive, let you invade private sanctums, even help you to subdue your enemies. If you don’t know those arts, others who do will always have an advantage over you.”
“All this from wearing a gown that tangles your feet?
”
”
Jane Lindskold (Through Wolf's Eyes (Firekeeper Saga, #1))
“
Everybody warns about bad influences, but it’s these things already inside you that are going to take you down. The restlessness in your gut, like tomcats gone stupid with their blood feuds, prowling around in the moon-dead dark. The hopeless wishes that won’t quit stalking you: some perfect words you think you could say to somebody to make them see you, and love you, and stay. Or could say to your mirror, same reason. Some people never want like that, no reaching for the bottle, the needle, the dangerous pretty face, all the wrong stars. What words can I write here for those eyes to see and believe? For the lucky, it’s simple. Like the song says, this little light of mine. Don’t let Satan blow it out. Look farther down the pipe, see what’s coming. Ignore the damn tomcats. Quit the dope.
”
”
Barbara Kingsolver (Demon Copperhead)
“
You spend so much time being upset about being in the hospital in the first place that it is almost jarring to realize how many people don’t ever leave. I could have been just like his sister. I could have never woken up. But I did. I’m one of the ones who did. I consider for a moment what would have happened if I’d been standing just a little bit farther in the road or a little bit off to the side. What if I’d been thrown to the left instead of to the right? Or if the car had been going five miles per hour faster? I might not have ever woken up. Today could have been my funeral. How weird is that? How absolutely insane is that? The difference between life and death could be as simple and as uncomfortably slight as a step you take in either direction. Which means that I am here today, alive today, because I made the right choices, however brief and insignificant they felt at the time. I made the right choices.
”
”
Taylor Jenkins Reid (Maybe in Another Life)
“
We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is to bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill.
”
”
Peter Watts (Echopraxia (Firefall, #2))
“
I suddenly remembered that Murray Gell-Mann and I were supposed to give talks at that conference on the present situation of high-energy physics. My talk was set for the plenary session, so I asked the guide, "Sir, where would the talks for the plenary session of the conference be?"
"Back in that room that we just came through."
"Oh!" I said in delight. "Then I'm gonna give a speech in that room!"
The guide looked down at my dirty pants and my sloppy shirt. I realized how dumb that remark must have sounded to him, but it was genuine surprise and delight on my part.
We went along a little bit farther, and the guide said, "This is a lounge for the various delegates, where they often hold informal discussions." They were some small, square windows in the doors to the lounge that you could look through, so people looked in. There were a few men sitting there talking.
I looked through the windows and saw Igor Tamm, a physicist from Russia that I know. "Oh!" I said. "I know that guy!" and I started through the door.
The guide screamed, "No, no! Don't go in there!" By this time he was sure he had a maniac on his hands, but he couldn't chase me because he wasn't allowed to go through the door himself!
”
”
Richard P. Feynman
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
He stood at the table, looking down at the handkerchief case and stud box, and was afraid. Upstairs was a girl who was a person. That he loved her seemed unimportant compared to what she was. He only loved her, which really made him a lot less than a friend or an acquaintance. Other people saw her and talked to her when she was herself, her great, important self. It was wrong, this idea that you know someone better because you have shared a bed and a bathroom with her. He knew, and not another human being knew, that she cried “I” or “high” in moments of great ecstasy. He knew, he alone knew her when she let herself go, when she herself was not sure whether she was wildly gay or wildly sad, but one and the other. But that did not mean that he knew her. Far from it. It only meant that he was closer to her when he was close, but (and this was the first time the thought had come to him) maybe farther away than anyone else when he was not close. It certainly looked that way now.
”
”
John O'Hara (Appointment in Samarra)
“
Girl Without Hands
Walking through the ruins
on your way to work
that do not look like ruins
with the sunlight pouring over
the seen world
like hail or melted
silver, that bright
and magnificent, each leaf
and stone quickened and specific in it,
and you can't hold it,
you can't hold any of it. Distance surrounds you,
marked out by the ends of your arms
when they are stretched to their fullest.
You can go no farther than this,
you think, walking forward,
pushing the distance in front of you
like a metal cart on wheels
with its barriers and horizontals.
Appearance melts away from you,
the offices and pyramids
on the horizon shimmer and cease.
No one can enter that circle
you have made, that clean circle
of dead space you have made
and stay inside,
mourning because it is clean.
Then there's the girl, in the white dress,
meaning purity, or the failure
to be any colour. She has no hands, it's true.
The scream that happened to the air
when they were taken off
surrounds her now like an aureole
of hot sand, of no sound.
Everything has bled out of her.
Only a girl like this
can know what's happened to you.
If she were here she would
reach out her arms towards
you now, and touch you
with her absent hands
and you would feel nothing, but you would be
touched all the same.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ...
The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells.
He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
”
”
James Joyce
“
The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love..
When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them.
Live for the life you always wanted but were too scared to pursue.
Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today.
Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.
”
”
M.K. excerpt from "The Twelve-Step Program for Life"
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
He’s ruined that magic,” this aide said of Trump. “The disdain he shows for our country’s foundation and its principles. The disregard he has for right and wrong. Your fist clenches. Your teeth grate. The hair goes up on the back of your neck. I have to remind myself I said an oath to a document in the National Archives. I swore to the Constitution. I didn’t swear an oath to this jackass.” As this aide saw it, there has been a silent understanding within the national security community that diplomatic, military, and intelligence officers were doing the right thing, quietly risking their lives to protect the American way of life. This aide saw Trump’s move against Brennan as one of the first steps of undercutting America’s democratic system of government and the belief system upon which it was founded. According to the aide, it was the president declaring, “It’s not okay to disagree with me. I can remove you from this work and your career. “If he wanted to, how far could he push this?” this aide asked. “Look back. Did people in the 1930s in Germany know when the government started to turn on them? Most Americans are more worried about who is going to win on America’s Got Talent and what the traffic is going to be like on I-95. They aren’t watching this closely. “I like to believe [Trump] is too self-engrossed, too incompetent and disorganized to get us to 1930,” this aide added. “But he has moved the bar. And another president that comes after him can move it a little farther. The time is coming. Our nation will be tested. Every nation is. Rome fell, remember. He is opening up vulnerabilities for this to happen. That is my fear.” —
”
”
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
“
Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.
”
”
Haruki Murakami (After Dark)
“
Back in Georgia everybody we knew had an automobile."
A bu, don't tell stories. That is not possible."
Well, not everybody. I don't mean babies and children. But every single family."
Not possible."
Yes, it is! Some families even have two!"
What is the purpose of so many automobiles at the same time?"
Well, because everybody has someplace to go every day. To work or to the store or something."
And why is nobody walking?"
It's not like here, Anatole. Everything's farther apart. People live in big towns and cities. Bigger cities than Leopoldville, even."
Beene, you are lying to me. If everyone lived in a city they could never grow enough food."
Oh, they do that in the country. In big, big fields. Peanuts and soybeans and corn, all that. The farmers grow it, then they put it on big trucks and take it all to the city, where people buy it from the store."
From the market."
No, it isn't a bit like the big market. It's a great big house kind of thing, with bright lights and all these shelves inside. It's open every day, and just one person sells all the different things."
One farmer has so many things?"
No, not a farmer. A storekeeper buys it all from the farmers, and sells it to the city people."
And so you don't even know whose fields this food came from? That sounds terrible. It could be poisoned!"
It's not bad, really. It works out."
How can there be enough food, Beene? If everyone lives in a city?"
There just is. Things are different from here.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Where did this whole thing begin? If what we think of as reality is just a pattern that somebody brought Outside, and the universe just popped into bring, then whoever it was is probably still wandering around giving off universes wherever she goes So where did she come from? And what was there before she started doing it? And how did Outside come to exist, for that matter?”
That's Inspace thinking,” said Olhado. “That's the way you conceive of things when you still believe in space and time as absolutes. You think of everything starting and stopping, of things having origins, because that's the way it is in the observable universe. The thing is, Outside there's no rules like that at all. Outside was always there and always will be there. The number of philotes there is infinite, and all of them always existed. No mater how many of them you pull out and put into organized universes, there'll be just as many left as there always were”
But somebody had to start making universes.”
Why?” asked Olhado.
Because-because I-“
Nobody ever started. It's always been going on. I mean, if it weren’t already going on, it couldn’t start. Outside where there weren’t any patterns, it would be impossible to conceive of a pattern. They can’t act, by definition, because they literally can’t even find themselves.”
But how could it have always been going on?”
Think of it as this moment in time, the reality we live in at this moment, this condition of the entire universe-of all the universes-”
You mean now.”
Right. Think of it as if now were the surface of a sphere. Time is moving forward through the chaos of Outside like the surface of an expanding sphere, a balloon inflating. On the outside, chaos. On the inside, reality. Always growing-like you said, Valentine. Popping up new universes all the time.”
But where did this balloon come from?”
OK, you’ve got the balloon. The expanding sphere. Only now think of it as a sphere with an infinite radius.”
Valentine tried to think of what that would mean. “The surface would be completely flat.”
That’s right”
And you could never go all the way around it”
That’s right, too. Infinitely large. Impossible even to count all the universes that exist on the reality side. And now, starting from the edge, you get on a starship and start heading inward toward the center. The farther in you go, the older everything is. All the old universes back and back. When do you get to the first one?”
You don’t” said Valentine. “Not it you’re traveling at a finate rate.”
You don’t reach the center of a sphere on infinite radius, if you’re starting at the surface, because no matter how far you go, no matter how quickly, the center, the beginning, is always infinitely far away.”
And that’s where the universe began.
”
”
Orson Scott Card (Xenocide (Ender's Saga, #3))
“
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting.
A room intended for lovemaking.
She took a step farther inside. Behind her, the door closed softly on its own.
No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood.
“For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.”
Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them.
“When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.”
“Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.”
She shook her head. “What would be the use?”
A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.”
“For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours.
“I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
”
”
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
“
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
”
”
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
“
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice.
“Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart.
“You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire.
As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode.
“Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly.
“Fuck me, Erik. Oh God. Fuck me.”
“Fuck me.”
“Harder.” I begged.
“Who owns you, baby girl? Who fucking owns you?” he almost screamed.
“Oh God, you do. You own me. You.”
“Don’t forget it, do you hear me?” he said in a loud, stern tone.
“Yes, I am yours. You own me,” I responded...I loved this.
In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode.
“Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
You make plans and decisions assuming randomness and chaos are for chumps. The illusion of control is a peculiar thing because it often leads to high self-esteem and a belief your destiny is yours for the making more than it really is. This over-optimistic view can translate into actual action, rolling with the punches and moving ahead no matter what. Often, this attitude helps lead to success. Eventually, though, most people get punched in the stomach by life. Sometimes, the gut-punch doesn’t come until after a long chain of wins, until you’ve accumulated enough power to do some serious damage. This is when wars go awry, stock markets crash, and political scandals spill out into the media. Power breeds certainty, and certainty has no clout against the unpredictable, whether you are playing poker or running a country. Psychologists point out these findings do not suggest you should throw up your hands and give up. Those who are not grounded in reality, oddly enough, often achieve a lot in life simply because they believe they can and try harder than others. If you focus too long on your lack of power, you can slip into a state of learned helplessness that will whirl you into a negative feedback loop of depression. Some control is necessary or else you give up altogether. Langer proved this when studying nursing homes where some patients were allowed to arrange their furniture and water plants—they lived longer than those who had had those tasks performed by others. Knowing about the illusion of control shouldn’t discourage you from attempting to carve a space for yourself out of whatever field you want to tackle. After all, doing nothing guarantees no results. But as you do so, remember most of the future is unforeseeable. Learn to coexist with chaos. Factor it into your plans. Accept that failure is always a possibility, even if you are one of the good guys; those who believe failure is not an option never plan for it. Some things are predictable and manageable, but the farther away in time an event occurs, the less power you have over it. The farther away from your body and the more people involved, the less agency you wield. Like a billion rolls of a trillion dice, the factors at play are too complex, too random to truly manage. You can no more predict the course of your life than you could the shape of a cloud. So seek to control the small things, the things that matter, and let them pile up into a heap of happiness. In the bigger picture, control is an illusion anyway.
”
”
David McRaney (You Are Not So Smart)
“
What do they think has happened, the old fools,
To make them like this ? Do they somehow suppose
It's more grown-up when your mouth hangs open and drools
And you keep on pissing yourself, and can't remember
Who called this morning ? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September ?
Or do they fancy there's really been no change,
And they've always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching light move ? If they don't (and they can't), it's strange:
Why aren't they screaming ?
At death, you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It's only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can't pretend
There'll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they're for it:
Ash hair, toad hands, prune face dried into lines-
How can they ignore it ?
Perhaps being old is having lighted rooms
Inside your head, and people in them, acting.
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a Iamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun' s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
This is why they give
An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction' s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet.
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end ? Not at night?
Not when the strangers come ? Never, throughout
The whole hideous inverted childhood? Well,
We shall find out.
”
”
Philip Larkin
“
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour.
Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear.
Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration.
Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain?
Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week.
But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why?
Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats).
So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one.
Believe me in this; I've tried all the tricks of the lonely man.
”
”
David Marusek (Counting Heads (Counting Heads, #1))
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))