Saga Of The Volsungs Quotes

supernatural elements, including the schemes of one-eyed Odin, a ring of power, and the sword that was reforged, the tale was kept alive in oral tradition.

The sun knew not where she had housing; The moon knew not what Might he had; The stars knew not where stood their places. Thus was it ere the earth was fashioned.

Where is the chief abode or holy place of the gods?" Hárr answered: 'That is at the Ash of Yggdrasill; there the gods must give judgment everyday.

We call that the story of the Volsungs, the most famous and most stupid family in the history of Midgard

During the summers they traveled widely through the forests, killing men for booty.

Huginn and Muninn hover each day The wide earth over; I fear for Huginn lest he fare not back,-- Yet watch I more for Muninn.

How should one periphrase Vídarr? He maybe called the Silent God, Possessor of the Iron Shoe, Foe and Slayer of Fenris-Wolf, Avenger of the Gods, Divine Dweller in the Homesteads of the Fathers, Son of Odin, and Brother of the Aesir.

Even though great were this cruelty, oppression, and tyranny, though numerous were the oft-victorious clans of the many-familied Erinn; though numerous their kings, and their royal chiefs, and their princes; though numerous their heroes and champions, and their brave soldiers, their chiefs of valour and renown and deeds of arms; yet not one of them was able to give relief, alleviation, or deliverance from that oppression and tyranny, from the numbers and multitudes, and the cruelty and the wrath of the brutal, ferocious, furious, untamed, implacable hordes by whom that oppression was inflicted, because of the excellence of their polished, ample, treble, heavy, trusty, glittering corslets; and their hard, strong, valiant swords; and their well-riveted long spears, and their ready, brilliant arms of valour besides; and because of the greatness of their achievements and of their deeds, their bravery, and their valour, their strength, and their venom, and their ferocity, and because of the excess of their thirst and their hunger for the brave, fruitful, nobly-inhabited, full of cataracts, rivers, bays, pure, smooth-plained, sweet grassy land of Erinn"—(pp. 52-53).

Yea, and thy deeds shall thou know, and great shall thy gladness be; As a picture all of gold thy life-days shalt thou see, And know that thou too wert a God to abide through the hurry and haste; A God in the golden hall, a God on the rain-swept waste, A God in the battle triumphant, a God on the heap of the slain: And thine hope shall arise and blossom, and thy love shall be quickened again: And then shalt thou see before thee the face of all earthly ill; Thou shalt drink of the cup of awakening that thine hand hath holpen to fill; By the side of the sons of Odin shalt thou fashion a tale to be told In the hall of the happy Baldur: nor there shall the tale grow old Of the days before the changing, e'en those that over us pass. So harden thine heart, O brother, and set thy brow as the brass!

Beowulf spake then, Boast-words uttered—the latest occasion: He boasts of his youthful prowess, and declares himself still fearless. “I braved in my youth-days battles unnumbered; Still am I willing the struggle to look for, Fame-deeds perform, folk-warden prudent, If the hateful despoiler forth from his cavern Seeketh me out!

Beowulf is an honor to his race.

The Ash is greatest of all trees and best: its limbs spread out over all the world and stand above heaven. Three roots of the tree uphold it and stand exceeding broad: one is among the Aesir; another among the Rime-Giants, in that place where aforetime was the Yawning Void; the third stands over Niflheim, and under that root is Hvergelmir, and Nídhöggr gnaws the root from below. But under that root which turns toward the Rime-Giants is Mímir's Well, wherein wisdom and understanding are stored; and he is called Mímir, who keeps the well.

Urdr, Verdandi, Skuld; these maids determine the period of men's lives: we call them Norns; but there are many norns:

the male was called Askr, and the female Embla, and of them was mankind begotten, which received a dwelling-place under Midgard.

that the gods made a bridge from earth, to heaven, called Bifröst?

Vídarr is the name of one, the silent god. He has a thick shoe. He is nearly as strong as Thor; in him the gods have great trust in all struggles.

it is wiser counsel not to put your trust in a woman, because women always break their promises.

It is noteworthy that about the year 1200, the Nibelungenlied, with its poetic version of the Siegfried story, was written, probably in Austria. At approximately the same time or within seven decades, The Saga of the Volsungs was compiled in Iceland with far fewer chivalric elements than its German counterpart. Almost all the Old Norse narrative material that has survived—whether myth, legend, saga, history, or poetry—is found in Icelandic manuscripts, which form the largest existing vernacular literature of the medieval West. Among the wealth of written material is Snorri Sturluson’s Prose Edda, a thirteenth century Icelandic treatise on the art of skaldic poetry and a handbook of mythological lore. The second section of Snorri’s three-part prose work contains a short and highly readable summary of the Sigurd cycle which, like the much longer prose rendering of the cycle in The Saga of the Volsungs, is based on traditional Eddic poems (Jesse Byock)

No one can say exactly when the process of combining the different historical, legendary, and mythic elements into a Volsung cycle began, but it was probably at an early date. By the ninth century the legends of the Gothic Jormunrek and those of the destruction of the Burgundians had already been linked in Scandinavia, where the ninth-century “Lay of Ragnar” by the poet Bragi the Old treats both subjects. Bragi’s poem describes a shield on which a picture of the maiming of Jormunrek was either painted or carved and refers to the brothers Hamdir and Sorli from the Gothic section of the saga as “kinsmen of Gjuki,” the Burgundian father of King Gunnar. The “Lay of Ragnar” has other connections with the Volsung legend. The thirteenth-century Icelandic writer Snorri Sturluson identifies the central figure of the lay, whose gift inspired the poem in his honor, with Ragnar Hairy Breeches, a supposed ancestor of the Ynglings, Norway’s royal family. Ragnar’s son-in-law relationship to Sigurd through his marriage to Sigurd’s daughter Aslaug (mentioned earlier in connection with stave church carvings) is reflected in the sequence of texts in the vellum manuscript: The Saga of the Volsungs immediately precedes The Saga of Ragnar Lodbrok. Ragnar’s saga, in turn, is followed by Krákumál (Lay of the Raven), Ragnar’s death poem, in which Ragnar, thrown into the snakepit by the Anglo-Saxon King Ella, boasts that he will die laughing. The Volsung and Ragnar stories are further linked by internal textual references. It is likely that the The Saga of the Volsungs was purposely set first in the manuscript to serve as a prelude to the Ragnar material. The opening section of Ragnar’s saga may originally have been the ending of The Saga of the Volsungs. Just where the division between these two sagas occurs in the manuscript is unclear. Together these narratives chronicle the ancestry of the Ynglings—the legendary line (through Sigurd and Ragnar) and the divine one (through Odin). Such links to Odin, or Wotan, were common among northern dynasties; by tracing their ancestry through Sigurd, later Norwegian kings availed themselves of one of the greatest heroes in northern lore. In so doing, they probably helped to preserve the story for us.” (Jesse Byock)

Worthy.

Volsung straddles his daughter, putting his weight on her tailbone, and sets to grim work. With the knife from his waist, he cuts open her vest to reveal Sefi’s tattooed back. In a tender sawing motion, he carves off two long flaps of flesh from the shoulder blades to the tailbone, exposing her rib cage. She flails like a punctured fish. Then with a small axe from his hip, Volsung hacks at the ribs on either side of her spine. She jerks in agony, but no sound escapes her. He discards the hatchet and pries open her rib cage from behind to expose her lungs. Tears leak from her eyes. She gasps for air. As peaceful as a man cleaning a fish, Volsung takes a handful of salt from a pouch and throws it on the wounds.

Geri and Freki the war-mighty glutteth, The glorious God of Hosts; But on wine alone the weapon-glorious Odin aye liveth.