Inspirational Computer Quotes

We can only see a short distance ahead, but we can see plenty there that needs to be done.

Having the entire world's resources right at your computer yet not using them is like having a body without a brain.

There are few sources of energy so powerful as a procrastinating college student.

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.

Man is a slow, sloppy, and brilliant thinker; computers are fast, accurate, and stupid.

‎By 2100, our destiny is to become like the gods we once worshipped and feared. But our tools will not be magic wands and potions but the science of computers, nanotechnology, artificial intelligence, biotechnology, and most of all, the quantum theory.

I'm not afraid of computers taking over the world. They're just sitting there. I can hit them with a two by four.

It's often a matter of sitting in front of the computer and worrying. It's what writing comes down to--worrying that things aren't going to work out.

No matter which field of work you want to go in, it is of great importance to learn at least one programming language.

We must design for the way people behave, not for how we would wish them to behave.

You know what I noticed when I was with Jacob? In your world, people can reach each other in an instant. There's the telephone, and the fax - and on the computer you can talk to someone all the way around the world. You've got people telling their secrets on TV talk shows, and magazines that publish pictures of movie stars trying to hide their homes. All those connections, but everyone there seems so lonely.

Having the entire world's resources right at your computer yet not using them is like having a body without a brain.

On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer.

A society where feminine beauty is defined not by the human self on genuine intellectual and sentimental grounds, but by a computer software on the grounds of economic interest, is more dead than alive. It is a society of human bodies, not human beings.

If you can keep hope and worry balanced, they will drive a project forward the same way your two legs drive a bicycle forward.

I did not become a runner to lose weight, I did it to escape my computer

This idea comes to you, you can see it, but to accomplish it you need what I call a "setup." For example, you may need a working shop or a working painting studio. You may beed a working music studio. Or a computer room where you can write something. It's crucial to have a setup, so that, at any given moment, when you get an idea, you have the place and the tools to make it happen. If you don't have a setup, there are many times when you get the inspiration, the idea, but you have no tools, no place to put it together. And the idea just sits there and festers. Overtime, it will go away. You didn't filfill it--and that's just a heartache.

If Apple were to grow the iPod into a cell phone with a web browser, Microsoft would be in big trouble.

You are not reading this book because a teacher assigned it to you, you are reading it because you have a desire to learn, and wanting to learn is the biggest advantage you can have.

Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.

I do not possess the ability to draw or paint. I can’t sing or dance. I can’t knit or sew. But I am an artist. I have the ability to put onto paper, words that tell an intriguing story. I am a writer. A writer is someone who, with just words, can paint a beautiful picture. A writer can open up a world of imagination you didn’t realize was possible. When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels, That’s the art of a writer. I am an artist. My inspiration is the world around me. My paintbrush is my words. My easel is my computer. My canvas is the mind of my reader.

People often try to distinguish between personal and professional life, but they end failing - Cord 8 : Are we Computers?

The ocean is a Turing machine, the sand is its tape; the water reads the marks in the sand and sometimes erases them and sometimes carves new ones with tiny currents that are themselves a response to the marks.

There is nothing to writing, all you have to do is, sit on the computer and bleed your thoughts.

Public education does not serve a public. It creates a public. And in creating the right kind of public, the schools contribute toward strengthening the spiritual basis of the American Creed. That is how Jefferson understood it, how Horace Mann understood it, how John Dewey understood it, and in fact, there is no other way to understand it. The question is not, Does or doesn't public schooling create a public? The question is, What kind of public does it create? A conglomerate of self-indulgent consumers? Angry, soulless, directionless masses? Indifferent, confused citizens? Or a public imbued with confidence, a sense of purpose, a respect for learning, and tolerance? The answer to this question has nothing whatever to do with computers, with testing, with teacher accountability, with class size, and with the other details of managing schools. The right answer depends on two things, and two things alone: the existence of shared narratives and the capacity of such narratives to provide an inspired reason for schooling.

I live in nature where everything is connected, circular. The seasons are circular. The planet is circular, and so is the planet around the sun. The course of water over the earth is circular coming down from the sky and circulating through the world to spread life and then evaporating up again. I live in a circular teepee and build my fire in a circle. The life cycles of plants and animals are circular. I live outside where I can see this. The ancient people understood that our world is a circle, but we modern people have lost site of that. I don’t live inside buildings because buildings are dead places where nothing grows, where water doesn’t flow, and where life stops. I don’t want to live in a dead place. People say that I don’t live in a real world, but it’s modern Americans who live in a fake world, because they have stepped outside the natural circle of life. Do people live in circles today? No. They live in boxes. They wake up every morning in a box of their bedrooms because a box next to them started making beeping noises to tell them it was time to get up. They eat their breakfast out of a box and then they throw that box away into another box. Then they leave the box where they live and get into another box with wheels and drive to work, which is just another big box broken into little cubicle boxes where a bunch of people spend their days sitting and staring at the computer boxes in front of them. When the day is over, everyone gets into the box with wheels again and goes home to the house boxes and spends the evening staring at the television boxes for entertainment. They get their music from a box, they get their food from a box, they keep their clothing in a box, they live their lives in a box. Break out of the box! This not the way humanity lived for thousands of years.

It’s not Bill Gates’s passion for computers that inspires us, it’s his undying optimism that even the most complicated problems can be solved.

We don’t put up with having our computers hacked for the benefit of others, so why cede control of our minds and our very being to anyone else?

Experience, common sense, and intuition are not obsolete in the computer age. In fact, they could very well be more crucial now than ever.

Meditation is interacting with truth inside and scientific research is interacting with truth outside. Both are required for human evolution, emancipation and empowerment.

if you can write "hello world" you can change the world

If there's a will, there's a way! I feel larger than LIFE--and look up to the stars who shine down on me and have become my own personal cheerleaders....as my fingers tap on my computer late into the night..

In the early days, computers inspired widespread awe and the popular press dubbed them giant brains. In fact, the computer’s power resembled that of a bulldozer; it did not harness subtlety, though subtlety went into its design.

If your leg is in a cast, it's really dumb to sit in front of your computer doing unnecessary stuff with it hanging down. Your leg will swell and heal slower, if at all. When you go to your doctor, he/she will give you one of those "you're really dumb and self destructive" looks. Also, "Why didn't you follow my orders and rest?" Your doctor will be right, and so will mine at my next office visit. Elevate, folk! Elevate your mind, your soul, and your leg, in the order needed!

The Timeline of a Life being Long or Short, is Computed on the Benchmark of How You Live It...

Computers themselves, and software yet to be developed, will revolutionize the way we learn.

This is not education my friend. It is a process of manufacturing computation devices that look like Homo sapiens, and thereby falsely labeled as Education.

What's in your hands I think and hope is intelligence: the ability to see the machine as more than when you were first led up to it that you can make it more.

This is not Education. It is a process of manufacturing computation devices that look like Homo sapiens.

Whatever it is you want to be good at, you have to make sure you continue to read, and learn, and seek joy elsewhere, because you never know where inspiration will strike.

Practice silence and you will acquire silent knowledge. In this silent knowledge is a computing system that is far more precise and far more accurate and far more powerful than anything that is contained in the boundaries of rational thought.

It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever.

We're humans, not machines. We have bad days. We have mental difficulties. We are inspired, yet we fail. We are not linear. We have hearts that break and souls we don't know what to do with. We kill and destroy but we build and make possible too. We've been to the moon and invented computers. We outsource most things but we still have to live with ourselves. We're pessimists who believe it's too late so what the hell? We're the comeback kids in love with second chances. And every New Year is another chance.

I think that it’s extraordinarily important that we in computer science keep fun in computing. When it started out it was an awful lot of fun. Of course the paying customers got shafted every now and then and after a while we began to take their complaints seriously. We began to feel as if we really were responsible for the successful error-free perfect use of these machines. I don’t think we are. I think we’re responsible for stretching them setting them off in new directions and keeping fun in the house. I hope the field of computer science never loses its sense of fun. Above all I hope we don’t become missionaries. Don’t feel as if you’re Bible sales-men. The world has too many of those already. What you know about computing other people will learn. Don’t feel as if the key to successful computing is only in your hands. What’s in your hands I think and hope is intelligence: the ability to see the machine as more than when you were first led up to it that you can make it more.

We can beat our swords into plowshares, and we can beat our plowshares into swords, but as far as computers go, a hammer can only change the shape of the junk, not it's function.

The world needs more love and Twitter just figured out a way to send 'hearts all over the world'.

Some even “peek through” their computer screens to see themselves on FB as others see them, in order to be sure of who they really are. In effect, they have become self-voyeurs!

Rather than the kind of change that takes what we already have and augments it, like power to our cars and speed to our computers, I believe the kind of change we need now is a change of direction.

Our metaphors for the operation of the brain are frequently drawn from the production line. We think of the brain as a glorified sausage machine, taking in information from the senses, processing it and regurgitating it in a different form, as thoughts or actions. The digital computer reinforces this idea because it is quite explicitly a machine that does to information what a sausage machine does to pork. Indeed, the brain was the original inspiration and metaphor for the development of the digital computer, and early computers were often described as 'giant brains'. Unfortunately, neuroscientists have sometimes turned this analogy on its head, and based their models of brain function on the workings of the digital computer (for example by assuming that memory is separate and distinct from processing, as it is in a computer). This makes the whole metaphor dangerously self-reinforcing.

Meditation is a mysterious method of self-restoration. It involves “shutting” out the outside world, and by that means sensing the universal “presence” which is, incidentally, absolute perfect peace. It is basically an existential “time-out”—a way to “come up for a breath of air” out of the noisy clutter of the world. But don’t be afraid, there is nothing arcane or supernatural or creepy about the notion of taking a time-out. Ball players do it. Kids do it, when prompted by their parents. Heck, even your computer does it (and sometimes not when you want it to). So, why not you? A meditation can be as simple as taking a series of easy breaths, and slowly, gently counting to ten in your mind.

Broad-Based Education: Reed College at that time offered perhaps the best calligraphy instruction in the country.… I decided to take a calligraphy class to learn how to do this.… It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. —Commencement address, Stanford University, June 12, 2005

It is the inability to bear dark emotions that causes many of our most significant problems, in other words, not the emotions themselves. When we cannot tolerate the dark, we try all kinds of artificial lights, including but not limited to drugs, alcohol, shopping, shallow sex, and hours in front of the television set or computer. There are no dark emotions, Greenspan says – just unskillful ways of coping with emotions we cannot bear. The emotions themselves are conduits of pure energy that want something from us: to wake us up, to tell us something we need to know, to break the ice around our hearts, to move us to act.

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day.... To me, it's all art, inside the studio and out. At least it is if we approach our lives that way.

A thought expressed is a falsehood." In poetry what is not said and yet gleams through the beauty of the symbol, works more powerfully on the heart than that which is expressed in words. Symbolism makes the very style, the very artistic substance of poetry inspired, transparent, illuminated throughout like the delicate walls of an alabaster amphora in which a flame is ignited. Characters can also serve as symbols. Sancho Panza and Faust, Don Quixote and Hamlet, Don Juan and Falstaff, according to the words of Goethe, are "schwankende Gestalten." Apparitions which haunt mankind, sometimes repeatedly from age to age, accompany mankind from generation to generation. It is impossible to communicate in any words whatsoever the idea of such symbolic characters, for words only define and restrict thought, but symbols express the unrestricted aspect of truth. Moreover we cannot be satisfied with a vulgar, photographic exactness of experimental photoqraphv. We demand and have premonition of, according to the allusions of Flaubert, Maupassant, Turgenev, Ibsen, new and as yet undisclosed worlds of impressionability. This thirst for the unexperienced, in pursuit of elusive nuances, of the dark and unconscious in our sensibility, is the characteristic feature of the coming ideal poetry. Earlier Baudelaire and Edgar Allan Poe said that the beautiful must somewhat amaze, must seem unexpected and extraordinary. French critics more or less successfully named this feature - impressionism. Such are the three major elements of the new art: a mystical content, symbols, and the expansion of artistic impressionability. No positivistic conclusions, no utilitarian computation, but only a creative faith in something infinite and immortal can ignite the soul of man, create heroes, martyrs and prophets... People have need of faith, they need inspiration, they crave a holy madness in their heroes and martyrs. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")

The question is not, Does or doesn't public schooling create a public? The question is, What kind of public does it create? A conglomerate of self-indulgent consumers? Angry, soulless, directionless masses? Indifferent, confused citizens? Or a public imbued with confidence, a sense of purpose, a respect for learning, and tolerance? The answer to this question has nothing whatever to do with computers, with testing, with teacher accountability, with class size, and with the other details of managing schools. The right answer depends on two things and two things alone: the existence of shared narratives and the capacity of such narratives to provide an inspired reason for schooling.

Forrest Gander: "Maybe the best we can do is try to leave ourselves unprotected. To keep brushing off habits, how we see things and what we expect, as they crust around us. Brushing the green flies of the usual off the tablecloth. To pay attention.

The human mind isn’t a computer; it cannot progress in an orderly fashion down a list of candidate moves and rank them by a score down to the hundredth of a pawn the way a chess machine does. Even the most disciplined human mind wanders in the heat of competition. This is both a weakness and a strength of human cognition. Sometimes these undisciplined wanderings only weaken your analysis. Other times they lead to inspiration, to beautiful or paradoxical moves that were not on your initial list of candidates.

There are too many famous Steve Jobs anecdotes to count, but several of them revolve around one theme: his unwillingness to leave well enough alone. His products had to be perfect; they had to do what they promised, and then some. And even though deadlines loomed and people would have to work around the clock, he would regularly demand more from his teams than they thought they could provide. The result? The most successful company in the history of the world and products that inspire devotion that is truly unusual for a personal computer or cell phone.

Other people will not always see our worth the way we wish they would. Sometimes our own loved ones won’t be able to compute our true value. That doesn’t mean you are of less value or worth. It means that they’re unable to see you for the amazing wonder that you are and that’s their loss.

I'm not sure if people understand what it means to be a writer. It's not like it feels so great. I mean, most of the time you are sitting at your desk and bleeding out onto your computer screen, your notepad, your notebook... there's a lot of bleeding that goes on when you're a writer! You don't just work to sell books, you work to bind your wounds and put your skin back together again after opening yourself up all over the place! I don't know how other writers write... but this is how I write.

We all program our gadgets- computers, mobiles; but we don't program our Mind in such a way that we can REJOICE and BE HAPPY.

I can’t control who follows me, but I can control who I follow.[Social Media]

I was a computer guy with an expensive dream.

Take my television. Take my computer. Take my cellphone. Take my music. But don't ever touch my books.

I was just the one who upgraded her software and made sure that nothing broke down. If anyone was equipped for the job, it was me, the professional computational linguist.

Do it daily. Make it a habit.

Solitary walks are great for getting new ideas. It's like you're in a video game and you pick up idea coins on the way.

We are constantly tied to our phones, computers, televisions, tablets, and any other device imaginable. Dedicate some time to disconnect.

You are a computer. If you become front-end you'll count the likes on social media. If you become back-end you'll be breathing deep on a mountain. Listen! one life man. Become a Full-stack.

There were no laptops or handheld devices in class. Ilgauskas didn't exclude them; we did, sort of, unspokenly. Some of us could barely complete a thought without touch pads or scroll buttons, but we understood that high-speed data systems did not belong here. They were an assault on the environment, which was defined by length, width, and depth, with time drawn out, computed in heartbeats.

Creativity is a living, breathing, ever new inspiration that no computer can match. Why not take full advantage of it? For the brain has the miraculous ability to give more, the more you ask of it.

You can buy a clock, but you cannot buy time. You can buy a bed, but you cannot buy sleep. You can buy excitement, but you cannot buy bliss. You can buy luxuries, but you cannot buy satisfaction. You can buy pleasure, but you cannot buy peace. You can buy possessions, but you cannot buy contentment. You can buy entertainment, but you cannot buy fulfillment. You can buy amusement, but you cannot buy happiness. You can buy books, but you cannot buy intelligence. You can buy degrees, but you cannot buy wisdom. You can buy fame, but you cannot buy honor. You can buy a reputation, but you cannot buy character. You can buy a priest, but you cannot buy a miracle. You can buy a doctor, but you cannot buy health. You can buy a scientist, but you cannot buy discoveries. You can buy a leader, but you cannot buy power. You can buy acceptance, but you cannot buy friendship. You can buy companions, but you cannot buy loyalty. You can buy allies, but you cannot buy dependability. You can buy partners, but you cannot buy fidelity. You can buy clothes, but you cannot buy class. You can buy toys, but you cannot buy youth. You can buy women, but you cannot buy love. You can buy houses, but you cannot buy homes. You can buy a computer, but you cannot buy intellect. You can buy makeup, but you cannot buy beauty. You can buy a pen, but you cannot buy imagination. You can buy a paintbrush, but you cannot buy inspiration. You can buy opinions, but you cannot buy truth. You can buy assumptions, but you cannot buy facts. You can buy evidence, but you cannot buy faith. You can buy fantasies, but you cannot buy reality.

It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever.

The ”Dean of science fiction writers” Robert A. Heinlein once said: “A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyse a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialisation is for insects.

If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.

Why do I write? Because, I am able to create wonders with a click of my keyboard. I turn my computer on, and suddenly, I’m whisked into a world full of wonder and amazement. The universe bends to my will and defies physics. But when the afternoon arrives, I must return to my duties. I leave the comfort of my home and crawl through the elementary school carpool line. When I see the brightened faces of my children, my heart flutters, and I realize I can live with a few straggling toys … as long as I can escape into the shower later.

Perhaps we are all living inside a giant computer simulation, Matrix-style. That would contradict all our national, religious and ideological stories. But our mental experiences would still be real. If it turns out that human history is an elaborate simulation run on a super-computer by rat scientists from the planet Zircon, that would be rather embarrassing for Karl Marx and the Islamic State. But these rat scientists would still have to answer for the Armenian genocide and for Auschwitz. How did they get that one past the Zircon University’s ethics committee? Even if the gas chambers were just electric signals in silicon chips, the experiences of pain, fear and despair were not one iota less excruciating for that. Pain is pain, fear is fear, and love is love – even in the matrix. It doesn’t matter if the fear you feel is inspired by a collection of atoms in the outside world or by electrical signals manipulated by a computer. The fear is still real. So if you want to explore the reality of your mind, you can do that inside the matrix as well as outside it.

But the Esquire passage I found most poignant and revealing was this one: Mister Rogers' visit to a teenage boy severely afflicted with cerebral palsy and terrible anger. One of the boys' few consolations in life, Junod wrote, was watching Mister Rogers Neighborhood. 'At first, the boy was made very nervous by the thought that Mister Rogers was visiting him. He was so nervous, in fact, that when Mister Rogers did visit, he got mad at himself and began hating himself and hitting himself, and his mother had to take him to another room and talk to him. Mister Rogers didn't leave, though. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. He just waited patiently, and when the boy came back, Mister Rogers talked to him, and then he made his request. He said, 'I would like you to do something for me. Would you do something for me?' On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said: I would like you to pray for me. Will you pray for me?' And now the boy didn't know how to respond. He was thunderstruck... because nobody had ever asked him for something like that, ever. The boy had always been prayed for. The boy had always been the object of prayer, and now he was being asked to pray for Mister Rogers, and although at first he didn't know how to do it, he said he would, he said he'd try, and ever since then he keeps Mister Rogers in his prayers and doesn't talk about wanting to die anymore, because he figures if Mister Rogers likes him, that must mean that God likes him, too. As for Mister Rogers himself... he doesn't look at the story the same way the boy did or I did. In fact, when Mister Rogers first told me the story, I complimented him on being smart - for knowing that asking the boy for his prayers would make the boy feel better about himself - and Mister Rogers responded by looking at me first with puzzlement and then with surprise. 'Oh heavens no, Tom! I didn't ask him for his prayers for him; I asked for me. I asked him because I think that anyone who has gone through challenges like that must be very close to God. I asked him because I wanted his intercession.

It doesn’t matter if the fear you feel is inspired by a collection of atoms in the outside world or by electrical signals manipulated by a computer. The fear is still real. So if you want to explore the reality of your mind, you can do that inside the matrix as well as outside it.

One of the first people I interviewed was Alvy Ray Smith, a charismatic Texan with a Ph.D. in computer science and a sparkling resume that included teaching stints at New York University and UC Berkeley and a gig at Xerox PARC, the distinguished R&D lab in Palo Alto. I had conflicting feelings when I met Alvy because, frankly, he seemed more qualified to lead the lab than I was. I can still remember the uneasiness in my gut, that instinctual twinge spurred by a potential threat: This, I thought, could be the guy who takes my job one day. I hired him anyway.

the course of time, all of Apple’s competitors lost their WHY. Now all those companies define themselves by WHAT they do: we make computers. They turned from companies with a cause into companies that sold products. And when that happens, price, quality, service and features become the primary currency to motivate a purchase decision. At that point a company and its products have ostensibly become commodities. As any company forced to compete on price, quality, service or features alone can attest, it is very hard to differentiate for any period of time or build loyalty on those factors alone.

Spurred on by both the science and science fiction of our time, my generation of researchers and engineers grew up to ask what if? and what’s next? We went on to pursue new disciplines like computer vision, artificial intelligence, real-time speech translation, machine learning, and quantum computing.

try to inspire them to consider the power and implications of such potential. I tell them that no computer network on earth can come close to the capacity of the average human brain. This resource that each one of us has is a tremendous gift from God—the most complex organ system in the entire universe.

You're never lost. You always know exactly where you are. You're right here. It's just that sometimes you've misplaced your destination. Brian W. Porter 2005 Have you ever wondered how the computer you're using got to the store? How about your medicines, the food you eat, the clothes you wear, the furniture, the plants in the garden center? Do they have a railroad right there? Does merchandise magically appear? Only if you grow your own food, make your own clothes, make your own tools, cut your own wood, and make your own furniture, can you get away from trucking. Everything you see, even the nature outside in some places, has been on at least one truck.

You don’t need to tell a bunch of computer whizzes that they possess superior knowledge and skills that uniquely qualify them to act independently and make decisions on behalf of their fellow citizens without any oversight or review. Nothing inspires arrogance like a lifetime spent controlling machines that are incapable of criticism.

You may have no computer, but thank The Divine One for giving you a brain. You may have no television, but thank The Divine One for giving you an imagination. You may have no counselor, but thank The Divine One for giving you a conscience. You may have no binoculars, but thank The Divine One for giving you eyes. You may have no megaphone, but thank The Divine One for giving you a mouth. You may have no defender, but thank The Divine One for giving you hands. You may have no food, but thank The Divine One for giving you teeth. You may have no car, but thank The Divine One for giving you feet. You may have no degrees, but thank The Divine One for giving you talents. You may have no job, but thank The Divine One for giving you potential. You may have no career, but thank The Divine One for giving you inspiration. You may have no money, but thank The Divine One for giving you ambition. You may have no possessions, but thank The Divine One for giving you character. You may have no titles, but thank The Divine One for giving you honor. You may have no magic, but thank The Divine One for giving you intuition. You may have no friends, but thank The Divine One for giving you angels.

Because despite the undeniable knowledge that I wasn't human—or mostly human, anyway—despite the proof the computer screen had show in the repair room, I still picture my interior just the same as any other sixteen-year-old girl's. Blood and guts and bones. A brain, and a functioning heart. Hopes and dreams, fears and sorrow. They could tell me the truth, but they couldn't force me to accept it.

To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren

We live in the era of the search engine. Gone is the era of finding things on your own. If you want to find something, you can use your computer or phone to easily google it. You can find popular restaurants, movies, novels, and fashion anywhere in the world with no challenge. Ours is now a life of passive acquisition. But the joy of finding is gone, as is the catharsis of going to great trouble in searching for something and finding it.

Brightbill had been Roz's son from the moment she picked up his egg. She had saved him from certain death, and then he had saved her. He was the reason Roz had lived so well for so long. And if she wanted to continue living, if she wanted to be wild again, she needed to be with her family and her friends on her island. So, as Roz raced through the sky, she began computing a plan. She would get the repairs she needed. She would escape from her new life. She would find her way back home.

I think that it's extraordinarily important that we in computer science keep fun in computing. When it started out, it was an awful lot of fun. Of course, the paying customers got shafted every now and then, and after a while we began to take their complaints seriously. We began to feel as if we really were responsible for the successful, error-free perfect use of these machines. I don't think we are. I think we're responsible for stretching them, setting them off in new directions, and keeping fun in the house. I hope the field of computer science never loses its sense of fun. Above all, I hope we don't become missionaries. Don't feel as if you're Bible salesmen. The world has too many of those already. What you know about computing other people will learn. Don't feel as if the key to successful computing is only in your hands. What's in your hands, I think and hope, is intelligence: the ability to see the machine as more than when you were first led up to it, that you can make it more.

I made a record called Island in the Sun about the planet Earth and invited David over to hear it at the house I had rented in Hawaii. We was not impressed with it and asked me to do something else. That was the first time that had ever happened to me. It was a good record, and I liked it. To accommodate David, I thought I would do a record that was a combination of that one and one that I was already hearing in my head to follow up. The second one, Trans , was inspired by my son Ben and his communication challenges. Because of Ben's quadriplegia, he couldn't talk or communicate in a way that most people could understand, so I made a record where I sang through a machine and most people couldn't understand what I was saying, either. I felt like it was art, an expression of something deeply personal. I called it Trans, meaning trying to get across from one world to another, being locked in a body without an intelligible voice, trying to communicate through the use of machines, computers, switches and other devices. It was a very deep and inaccessible concept

... the reason why we find some things intuitively easy to grasp and others hard, is that our brains are themselves evolved organs: on-board computers, evolved to help us survive in a world (...) where the objects that mattered to our survival were neither very large nor very small; a world where things either stood still or moved slowly compared with the speed of light; and where the very improbable could safely be treated as impossible. Our mental burka window is narrow because it didn't need to be any wider in order to assist our ancestors to survive.

Blaming his students for being uninspired was so much easier than doing the work required to inspire them. And on any given day, it was so much easier to settle in front of his computer than to face his stagnant life, to actually face in a real way the hole inside him that his mother left when she abandoned him, and if you make the easy choice every day, then it becomes a pattern, and your patterns become your life. He sank into Elfscape like a shipwreck into the water. Years can go by in this manner, just as they had for Pwnage, who, at this moment, is finally opening

Regardless of the propaganda espoused by large corporations, governments, religions, and other institutions, we can all follow this simple path in creating the seemingly elusive “world that works for everyone” right here and right now. Only we individuals can think and take action. No corporation will ever generate a single thought—much less invent the next great app, computer program, or ground transportation vehicle. No religion will ever come up with a single inspirational aphorism. And no government will ever shut down a single military facility. These things are all initiated and accomplished by individuals.

a simple, inspiring mission for Wikipedia: “Imagine a world in which every single person on the planet is given free access to the sum of all human knowledge. That’s what we’re doing.” It was a huge, audacious, and worthy goal. But it badly understated what Wikipedia did. It was about more than people being “given” free access to knowledge; it was also about empowering them, in a way not seen before in history, to be part of the process of creating and distributing knowledge. Wales came to realize that. “Wikipedia allows people not merely to access other people’s knowledge but to share their own,” he said. “When you help build something, you own it, you’re vested in it. That’s far more rewarding than having it handed down to you.”111 Wikipedia took the world another step closer to the vision propounded by Vannevar Bush in his 1945 essay, “As We May Think,” which predicted, “Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified.” It also harkened back to Ada Lovelace, who asserted that machines would be able to do almost anything, except think on their own. Wikipedia was not about building a machine that could think on its own. It was instead a dazzling example of human-machine symbiosis, the wisdom of humans and the processing power of computers being woven together like a tapestry.

How do we learn? Is there a better way? What can we predict? Can we trust what we’ve learned? Rival schools of thought within machine learning have very different answers to these questions. The main ones are five in number, and we’ll devote a chapter to each. Symbolists view learning as the inverse of deduction and take ideas from philosophy, psychology, and logic. Connectionists reverse engineer the brain and are inspired by neuroscience and physics. Evolutionaries simulate evolution on the computer and draw on genetics and evolutionary biology. Bayesians believe learning is a form of probabilistic inference and have their roots in statistics. Analogizers learn by extrapolating from similarity judgments and are influenced by psychology and mathematical optimization.

In theory, if some holy book misrepresented reality, its disciples would sooner or later discover this, and the text’s authority would be undermined. Abraham Lincoln said you cannot deceive everybody all the time. Well, that’s wishful thinking. In practice, the power of human cooperation networks depends on a delicate balance between truth and fiction. If you distort reality too much, it will weaken you, and you will not be able to compete against more clear-sighted rivals. On the other hand, you cannot organise masses of people effectively without relying on some fictional myths. So if you stick to unalloyed reality, without mixing any fiction with it, few people will follow you. If you used a time machine to send a modern scientist to ancient Egypt, she would not be able to seize power by exposing the fictions of the local priests and lecturing the peasants on evolution, relativity and quantum physics. Of course, if our scientist could use her knowledge in order to produce a few rifles and artillery pieces, she could gain a huge advantage over pharaoh and the crocodile god Sobek. Yet in order to mine iron ore, build blast furnaces and manufacture gunpowder the scientist would need a lot of hard-working peasants. Do you really think she could inspire them by explaining that energy divided by mass equals the speed of light squared? If you happen to think so, you are welcome to travel to present-day Afghanistan or Syria and try your luck. Really powerful human organisations – such as pharaonic Egypt, the European empires and the modern school system – are not necessarily clear-sighted. Much of their power rests on their ability to force their fictional beliefs on a submissive reality. That’s the whole idea of money, for example. The government makes worthless pieces of paper, declares them to be valuable and then uses them to compute the value of everything else. The government has the power to force citizens to pay taxes using these pieces of paper, so the citizens have no choice but to get their hands on at least some of them. Consequently, these bills really do become valuable, the government officials are vindicated in their beliefs, and since the government controls the issuing of paper money, its power grows. If somebody protests that ‘These are just worthless pieces of paper!’ and behaves as if they are only pieces of paper, he won’t get very far in life.

Inspired by the punched railway tickets of the time, an inventor by the name of Herman Hollerith devised a system of punched manila cards to store information, and a machine, which he called the Hollerith Machine, to count and sort them. Hollerith was awarded a patent in 1889, and the government adopted the Hollerith Machine for the 1890 census. No one had ever seen anything like it. Wrote one awestruck observer, “The apparatus works as unerringly as the mills of the Gods, but beats them hollow as to speed.” Another, however, reasoned that the invention was of limited use: “As no one will ever use it but governments, the inventor will not likely get very rich.” This prediction, which Hollerith clipped and saved, would not prove entirely correct. Hollerith’s firm merged with several others in 1911 to become the Computing-Tabulating-Recording Company. A few years later it was renamed—to International Business Machines, or IBM.

If Bezos took one leadership principle most to heart—which would also come to define the next half decade at Amazon—it was principal #8, “think big”: Thinking small is a self-fulfilling prophecy. Leaders create and communicate a bold direction that inspires results. They think differently and look around corners for ways to serve customers. In 2010, Amazon was a successful online retailer, a nascent cloud provider, and a pioneer in digital reading. But Bezos envisioned it as much more. His shareholder letter that year was a paean to the esoteric computer science disciplines of artificial intelligence and machine learning that Amazon was just beginning to explore. It opened by citing a list of impossibly obscure terms such as “naïve Bayesian estimators,” “gossip protocols,” and “data sharding.” Bezos wrote: “Invention is in our DNA and technology is the fundamental tool we wield to evolve and improve every aspect of the experience we provide our customers.

So many synapses,' Drisana said. 'Ten trillion synapses in the cortex alone.' Danlo made a fist and asked, 'What do the synapses look like?' 'They're modelled as points of light. Ten trillion points of light.' She didn't explain how neurotransmitters diffuse across the synapses, causing the individual neurons to fire. Danlo knew nothing of chemistry or electricity. Instead, she tried to give him some idea of how the heaume's computer stored and imprinted language. 'The computer remembers the synapse configuration of other brains, brains that hold a particular language. This memory is a simulation of that language. And then in your brain, Danlo, select synapses are excited directly and strengthened. The computer speeds up the synapses' natural evolution.' Danlo tapped the bridge of his nose; his eyes were dark and intent upon a certain sequence of thought. 'The synapses are not allowed to grow naturally, yes?' 'Certainly not. Otherwise imprinting would be impossible.' 'And the synapse configuration – this is really the learning, the essence of another's mind, yes?' 'Yes, Danlo.' 'And not just the learning – isn't this so? You imply that anything in the mind of another could be imprinted in my mind?' 'Almost anything.' 'What about dreams? Could dreams be imprinted?' 'Certainly.' 'And nightmares?' Drisana squeezed his hand and reassured him. 'No one would imprint a nightmare into another.' 'But it is possible, yes?' Drisana nodded her head. 'And the emotions ... the fears or loneliness or rage?' 'Those things, too. Some imprimaturs – certainly they're the dregs of the City – some do such things.' Danlo let his breath out slowly. 'Then how can I know what is real and what is unreal? Is it possible to imprint false memories? Things or events that never happened? Insanity? Could I remember ice as hot or see red as blue? If someone else looked at the world through shaida eyes, would I be infected with this way of seeing things?' Drisana wrung her hands together, sighed, and looked helplessly at Old Father. 'Oh ho, the boy is difficult, and his questions cut like a sarsara!' Old Father stood up and painfully limped over to Danlo. Both his eyes were open, and he spoke clearly. 'All ideas are infectious, Danlo. Most things learned early in life, we do not choose to learn. Ah, and much that comes later. So, it's so: the two wisdoms. The first wisdom: as best we can, we must choose what to put into our brains. And the second wisdom: the healthy brain creates its own ecology; the vital thoughts and ideas eventually drive out the stupid, the malignant and the parasitical.

follow you. If you used a time machine to send a modern scientist to ancient Egypt, she would not be able to seize power by exposing the fictions of the local priests and lecturing the peasants on evolution, relativity and quantum physics. Of course, if our scientist could use her knowledge in order to produce a few rifles and artillery pieces, she could gain a huge advantage over pharaoh and the crocodile god Sobek. Yet in order to mine iron ore, build blast furnaces and manufacture gunpowder the scientist would need a lot of hard-working peasants. Do you really think she could inspire them by explaining that energy divided by mass equals the speed of light squared? If you happen to think so, you are welcome to travel to present-day Afghanistan or Syria and try your luck. Really powerful human organisations – such as pharaonic Egypt, the European empires and the modern school system – are not necessarily clear-sighted. Much of their power rests on their ability to force their fictional beliefs on a submissive reality. That’s the whole idea of money, for example. The government makes worthless pieces of paper, declares them to be valuable and then uses them to compute the value of everything else. The government has the power to force citizens to pay taxes using these pieces of paper, so the citizens have no choice but to get their hands on at least some of them. Consequently, these bills really do become valuable, the government officials are vindicated in their beliefs, and since the government controls the issuing of paper money, its power grows. If somebody protests that ‘These are just worthless pieces of paper!’ and behaves as if they are only pieces of paper, he won’t get very far in life.

In fact, the same basic ingredients can easily be found in numerous start-up clusters in the United States and around the world: Austin, Boston, New York, Seattle, Shanghai, Bangalore, Istanbul, Stockholm, Tel Aviv, and Dubai. To discover the secret to Silicon Valley’s success, you need to look beyond the standard origin story. When people think of Silicon Valley, the first things that spring to mind—after the HBO television show, of course—are the names of famous start-ups and their equally glamorized founders: Apple, Google, Facebook; Jobs/ Wozniak, Page/ Brin, Zuckerberg. The success narrative of these hallowed names has become so universally familiar that people from countries around the world can tell it just as well as Sand Hill Road venture capitalists. It goes something like this: A brilliant entrepreneur discovers an incredible opportunity. After dropping out of college, he or she gathers a small team who are happy to work for equity, sets up shop in a humble garage, plays foosball, raises money from sage venture capitalists, and proceeds to change the world—after which, of course, the founders and early employees live happily ever after, using the wealth they’ve amassed to fund both a new generation of entrepreneurs and a set of eponymous buildings for Stanford University’s Computer Science Department. It’s an exciting and inspiring story. We get the appeal. There’s only one problem. It’s incomplete and deceptive in several important ways. First, while “Silicon Valley” and “start-ups” are used almost synonymously these days, only a tiny fraction of the world’s start-ups actually originate in Silicon Valley, and this fraction has been getting smaller as start-up knowledge spreads around the globe. Thanks to the Internet, entrepreneurs everywhere have access to the same information. Moreover, as other markets have matured, smart founders from around the globe are electing to build companies in start-up hubs in their home countries rather than immigrating to Silicon Valley.

Instead of storing those countless microfilmed pages alphabetically, or according to subject, or by any of the other indexing methods in common use—all of which he found hopelessly rigid and arbitrary—Bush proposed a system based on the structure of thought itself. "The human mind . . . operates by association," he noted. "With one item in its grasp, it snaps instantly to the next that is suggested by the association of thoughts, in accordance with some intricate web of trails carried by the cells of the brain. . . . The speed of action, the intricacy of trails, the detail of mental pictures [are] awe-inspiring beyond all else in nature." By analogy, he continued, the desk library would allow its user to forge a link between any two items that seemed to have an association (the example he used was an article on the English long bow, which would be linked to a separate article on the Turkish short bow; the actual mechanism of the link would be a symbolic code imprinted on the microfilm next to the two items). "Thereafter," wrote Bush, "when one of these items is in view, the other can be instantly recalled merely by tapping a button. . . . It is exactly as though the physical items had been gathered together from widely separated sources and bound together to form a new book. It is more than this, for any item can be joined into numerous trails." Such a device needed a name, added Bush, and the analogy to human memory suggested one: "Memex." This name also appeared for the first time in the 1939 draft. In any case, Bush continued, once a Memex user had created an associative trail, he or she could copy it and exchange it with others. This meant that the construction of trails would quickly become a community endeavor, which would over time produce a vast, ever-expanding, and ever more richly cross-linked web of all human knowledge. Bush never explained where this notion of associative trails had come from (if he even knew; sometimes things just pop into our heads). But there is no doubt that it ranks as the Yankee Inventor's most profoundly original idea. Today we know it as hypertext. And that vast, hyperlinked web of knowledge is called the World Wide Web.

I WANT TO end this list by talking a little more about the founding of Pixar University and Elyse Klaidman’s mind-expanding drawing classes in particular. Those first classes were such a success—of the 120 people who worked at Pixar then, 100 enrolled—that we gradually began expanding P.U.’s curriculum. Sculpting, painting, acting, meditation, belly dancing, live-action filmmaking, computer programming, design and color theory, ballet—over the years, we have offered free classes in all of them. This meant spending not only the time to find the best outside teachers but also the real cost of freeing people up during their workday to take the classes. So what exactly was Pixar getting out of all of this? It wasn’t that the class material directly enhanced our employees’ job performance. Instead, there was something about an apprentice lighting technician sitting alongside an experienced animator, who in turn was sitting next to someone who worked in legal or accounting or security—that proved immensely valuable. In the classroom setting, people interacted in a way they didn’t in the workplace. They felt free to be goofy, relaxed, open, vulnerable. Hierarchy did not apply, and as a result, communication thrived. Simply by providing an excuse for us all to toil side by side, humbled by the challenge of sketching a self-portrait or writing computer code or taming a lump of clay, P.U. changed the culture for the better. It taught everyone at Pixar, no matter their title, to respect the work that their colleagues did. And it made us all beginners again. Creativity involves missteps and imperfections. I wanted our people to get comfortable with that idea—that both the organization and its members should be willing, at times, to operate on the edge. I can understand that the leaders of many companies might wonder whether or not such classes would truly be useful, worth the expense. And I’ll admit that these social interactions I describe were an unexpected benefit. But the purpose of P.U. was never to turn programmers into artists or artists into belly dancers. Instead, it was to send a signal about how important it is for every one of us to keep learning new things. That, too, is a key part of remaining flexible: keeping our brains nimble by pushing ourselves to try things we haven’t tried before. That’s what P.U. lets our people do, and I believe it makes us stronger.

In quel preciso momento, Karla è entrata nella stanza. Ha spento la televisione, ha guardato Todd fisso negli occhi e ha detto: "Todd, tu esisti non soltanto come membro di una famiglia o di una compagnia o di una nazione, ma come membro di una specie... sei un essere umano. Sei parte dell'umanità. Attualmente la nostra specie ha problemi profondi e stiamo cercando di sognare un modo per uscirne e stiamo usando i computer per cavarcela. La costruzione di hardware e software è il campo in cui la specie ha deciso di investire energie per la sua sopravvivenza e questa costruzione richiede zone di pace, bambini nati dalla pace, e l'assenza di distrazioni che interferiscano col codice. Non possiamo acquisire conoscenza attraverso l'informatica, ma riusciremo a usarla per tenerci fuori dalla merda. Quello che tu percepisci come un vuoto è un paradiso terrestre: alla lettera, linea per linea, la libertà di impedire all'umanità di diventare non lineare". Si è seduta sul divano e c'era il rumore della pioggia che tamburellava sul soffitto e mi sono reso conto del fatto che non c'era abbastanza luce nella stanza e che noi eravamo tutti in silenzio. Karla ha detto: "Abbiamo avuto una vita discreta. Nessuno di noi, a quanto mi risulta, è mai stato maltrattato. Non abbiamo mai desiderato niente, né abbiamo mai voluto possedere qualcosa. I nostri genitori sono tutti ancora insieme, a parte quelli di Susan. Ci hanno trattato bene, ma la vera moralità, qui. Todd consiste nel sapere se le loro mani sono state sprecate in vite non creative, o se queste mani sono utilizzate per portare avanti il sogno dell'umanità". Continuava a piovere. "Non è una coincidenza che come specie abbiamo inventato la classe media. Senza la classe media, non avremmo potuto avere quel particolare tipo di configurazione mentale che contribuisce in misura consistente a sputar fuori i sistemi informatici e la nostra specie non avrebbe mai potuto farcela ad arrivare allo stadio evolutivo successivo, qualunque esso sia. Ci sono buone probabilità che la classe media non rientri neanche parzialmente nella prossima fase evolutiva. Ma non è né qui né là. Che ti piaccia o no, Todd, tu, io, Dan, Abe, Bug, e Susan... tutti noi siamo fabbricanti del prossimo ciclo Rem del sogno umano. Tutti gli altri ne saranno attratti. Non metterli in discussione, Todd, e non crogiolartici dentro, ma non permettere mai a te stesso di dimenticarlo".

I do not believe that we have finished evolving. And by that, I do not mean that we will continue to make ever more sophisticated machines and intelligent computers, even as we unlock our genetic code and use our biotechnologies to reshape the human form as we once bred new strains of cattle and sheep. We have placed much too great a faith in our technology. Although we will always reach out to new technologies, as our hands naturally do toward pebbles and shells by the seashore, the idea that the technologies of our civilized life have put an end to our biological evolution—that “Man” is a finished product—is almost certainly wrong. It seems to be just the opposite. In the 10,000 years since our ancestors settled down to farm the land, in the few thousand years in which they built great civilizations, the pressures of this new way of life have caused human evolution to actually accelerate. The rate at which genes are being positively selected to engender in us new features and forms has increased as much as a hundredfold. Two genes linked to brain size are rapidly evolving. Perhaps others will change the way our brain interconnects with itself, thus changing the way we think, act, and feel. What other natural forces work transformations deep inside us? Humanity keeps discovering whole new worlds. Without, in only five centuries, we have gone from thinking that the earth formed the center of the universe to gazing through our telescopes and identifying countless new galaxies in an unimaginably vast cosmos of which we are only the tiniest speck. Within, the first scientists to peer through microscopes felt shocked to behold bacteria swarming through our blood and other tissues. They later saw viruses infecting those bacteria in entire ecologies of life living inside life. We do not know all there is to know about life. We have not yet marveled deeply enough at life’s essential miracle. How, we should ask ourselves, do the seemingly soulless elements of carbon, hydrogen, oxygen, zinc, iron, and all the others organize themselves into a fully conscious human being? How does matter manage to move itself? Could it be that an indwelling consciousness makes up the stuff of all things? Could this consciousness somehow animate the whole grand ecology of evolution, from the forming of the first stars to the creation of human beings who look out at the universe’s glittering constellations in wonder? Could consciousness somehow embrace itself, folding back on itself, in a new and natural technology of the soul? If it could, this would give new meaning to Nietzsche’s insight that: “The highest art is self–creation.” Could we, really, shape our own evolution with the full force of our consciousness, even as we might exert our will to reach out and mold a lump of clay into a graceful sculpture? What is consciousness, really? What does it mean to be human?

We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.

and I’ll never know what it was like to try to find a book title without the ease of a Google search, to check out items with due date slips and stamps, or to convert the physical card catalog to a computer database.

Well,” more than one Disney executive told me that day, “until computer animation can do bubbles, then it will not have arrived.

The best thing about being a writer is that it's the best of several worlds. I sit alone with my computer and I create. I lose myself in this world. When I finish I get to talk to other writers who lose themselves in their worlds and we compare our worlds. We recommend other writers and other worlds. There's solitude when I type, but I still with my characters, then there's a community of authors and readers, like here, where we share all these experiences.

Just write...be it with pen or pencil...no matter if you use paper, computer, or a smartphone...get your words out and tell your story!

Consider how you are spending your time – passing hours upon end with eyes glued to a TV, phone, or computer.

As we developed the ability to tell a story with a computer, we still didn’t have storytellers among us, and we were the poorer for it. So aware were Alvy and I of this limitation that we began making quiet overtures to Disney and other studios, trying to gauge their interest in investing in our tools.

I think that two of the most important things in business are communication and the ability to inspire confidence in your employees, investors, and end-users. How does computer science tie in? Being able to translate strategic objectives into language that both the business team and the engineering team can understand is really helpful to foster good communication. Being able to speak with confidence on the details of both business and engineering considerations also helps to inspire confidence.

That everyone in the corporate food chain, up to Price and even Bezos, was convinced of the need to work with theaters on their terms and not put their movies on Amazon Prime until five months after they debuted on the big screen proved the company was all-in on art-house movies. It was, in fact, the core of Amazon’s strategy. Rather than serve everyone everything they might want, as Netflix was doing with its mix of Adam Sandler comedies, Will Smith action flicks, and some indies, Amazon wanted to build a distinct identity for its Prime Video service. By making a particular kind of movie, everyone at Amazon figured, they would build an identity for their service, one that made it noticeably different from what almost everyone else in Hollywood was doing. Sure, many people wouldn’t be interested in the weird, depressing, or simply outré works that it was releasing, but at least those who were into it would love it. Amazon executives distinctly didn’t want a studio that was as bland as the company’s selection of USB cables. “We don’t want something that 80 percent of the audiences eventually gets around to watching,” said Hope. “We want the thing that 20 percent of the audience is so passionate about, they’ll break up with you if you don’t feel the same way. We want to inspire an urgent need to see.” In addition, the people who go to art-house movies tend to be upscale, well-educated people who live in cities and who like to shop online. If the ultimate goal of Amazon’s movie business was to attract, retain, and engage Prime subscribers, it only made sense to draw people who would buy the most computers, books, and Kindles online. “They are often very good retail customers,” Price said sheepishly. “So that’s not a bad thing.

A computer only specializing in counting, will forever stay a calculator - wasting its potential of becoming the complex system incorporating it.

The whole word is familiar with Zoom now.

Google is good for inspiration.

There are so many people in this world who want to live a different life that if their stories were written, neither the papers in the world nor the pages on the computers would be enough to explain the emptiness in their lives!

MILF Token: What Is It and What Are the Prospects? Why MILF symbols? Whoever had actually the intense suggestion of producing a MILF token has actually located a cutting-edge means of touching into 2 distinctive yet similarly eye-catching streams. On the one hand, here's a fresh cryptocurrency including distinctively collectible characters, with evidence of possession saved in a blockchain. On the various other hand, when it concerns those characters, it likewise ventures a fixation among several songs in the very early 21st-century: fully grown, sexually knowledgeable ladies looking for daring times with their suitors. Any kind of speculator wanting to explore the idea behind these extravagant as well as attractive characters can conveniently acquaint themselves with a few of the very best sites concentrating on dating MILFs. These systems provide an algorithm-based solution, where brand-new consumers can surely join, as well as the details offered throughout this enrollment procedure - inspirations, kind of MILF they are brought in to, and so on. - can surely be as compared to the information they currently carry submit. This way, the liaison can surely be easily organized without the individual enquiring also needing to make up a candid message. The computer system software application will certainly give a shortlist of ideal dating prospects. Comparable character-driven symbols MILF symbols are top on from formerly prominent characters that have actually gripped the focus of crypto investors, such as CryptoPunks. These were a collection of 10,000 characters, each distinct, that exposed evidence of possession on the Ethereum blockchain. MILF symbols operate similarly. Due to the fact that no 2 characters are alike, each token can surely ended up being the authorities residential building of a solitary proprietor on this blockchain. Those 10,000 CryptoPunk symbols were quickly purchased, immediately providing the specific characters boosted worth. The presumption is that the MILF symbols will certainly go similarly, so any individual wanting to obtain their practical a certain MILF personality will certainly need to buy this through the market-place that's likewise installed in the Ethereum blockchain. Presently, the most affordable offered rate for MILF symbols is $0.00004078, standing for a 0.61% increase over the previous 24-hour. Shade coding Generally, these characters will certainly have actually a condition when they show up in the crypto markets. Where the CrytoPunks are worried, a blue history suggested that punk was except sale, neither exist energetic quotes. Punks that were offered offer for sale would certainly have actually a red history. Those with an energetic quote would certainly have actually a purple history. MILFs have actually built such a solid track record for desirability, their incorporation as

I love walking and working - it's my favorite thing to do. I have meetings while walking or work on projects, come up with ideas, respond to messages etc [all while walking around the city]. My least favorite thing to do is sit and work in front of a computer, so I limit that to the minimum.

At this moment, my fingers are on a computer keboard. I'm going to type "geimu" and try to decide how I want the computer to convert it. Will it be a positive [...] (artful dream), or a negative [...] (receive nothing)? Or will i remain as it always has: [...] (video game)?

Everything done at PARC, from the Alto to Bob Metcalf’s Ethernet architecture, was geared to making a decentralized network of personal computers function efficiently. This was new. The second core principle flowed from Alan Kay’s Dynabook. As Brown says, “The Dynabook and then the Alto were inspirations meant to empower the artistic individual.

We took pride in the fact that reviewers talked mainly about the way Toy Story made them feel and not about the computer wizardry that enabled us to get it up on the screen. We believed that this was the direct result of our always keeping story as our guiding light.

People don’t buy WHAT you do, they buy WHY you do it. A failure to communicate WHY creates nothing but stress or doubt. In contrast, many people who are drawn to buy Macintosh computers or Harley-Davidson motorcycles, for example, don’t need to talk to anyone about which brand to choose.

Skeptical Empiricism and the a-Platonic School The Platonic Approach Interested in what lies outside the Platonic fold Focuses on the inside of the Platonic fold Respect for those who have the guts to say “I don’t know” “You keep criticizing these models. These models are all we have.” Fat Tony Dr. John Thinks of Black Swans as a dominant source of randomness Thinks of ordinary fluctuations as a dominant source of randomness, with jumps as an afterthought Bottom-up Top-down Would ordinarily not wear suits (except to funerals) Wears dark suits, white shirts; speaks in a boring tone Prefers to be broadly right Precisely wrong Minimal theory, considers theorizing as a disease to resist Everything needs to fit some grand, general socioeconomic model and “the rigor of economic theory;” frowns on the “descriptive” Does not believe that we can easily compute probabilities Built their entire apparatus on the assumptions that we can compute probabilities Model: Sextus Empiricus and the school of evidence-based, minimum-theory empirical medicine Model: Laplacian mechanics, the world and the economy like a clock Develops intuitions from practice, goes from observations to books Relies on scientific papers, goes from books to practice Not inspired by any science, uses messy mathematics and computational methods Inspired by physics, relies on abstract mathematics Ideas based on skepticism, on the unread books in the library Ideas based on beliefs, on what they think they know Assumes Extremistan as a starting point Assumes Mediocristan as a starting point Sophisticated craft Poor science Seeks to be approximately right across a broad set of eventualities Seeks to be perfectly right in a narrow model, under precise assumptions

I followed all the advice my mind could compute and digested it to the best of my ability. I’d run, work out, eat healthy, and then swallow a fifth of whiskey. The man cave below my home began to look like a recycling center for Crown Royal and Jack Daniels distilleries. I discovered that empty whiskey bottles made an eerily satisfying thud when stacked up like cordwood. The sturdy glass was much thicker and stronger than my own skin, and I admired their resilience to outside forces.

Everything from the sophisticated cars we drive, the plastic packaging for food and beverages, and even computer or phone you may be using to read this were all made due to humanity’s insatiable drive for progress.

The vision for Echo and Alexa was inspired by the Star Trek computer,

Yet, they don’t know anything about who I am really… like I’m not sure if I know who I am…! They just see what they see. I’m not sure if Ray understands me completely or not, so how are they going to, just looking at my profile photos on their computers clicking away. They just want to feel the inside of me, not get inside of me. (Yah- know.) So anyway, at lunch today. Jenny is somewhat okay, that I want to be with Ray… so she said, at the table smelling through her teeth. The stipulation she gave was only if we keep on nodding terms, like with all the other guys or even girls I am with. So that means that I can have a full-blown relationship, whether I find them attractive if they're popular, hot, or not. That I can only hook up with a girl or boy, yet not stay with them. It made no sense to me. At the time I didn’t get it. Just like I didn’t get it when I saw Maddie was wearing bunny slippers, and a holy bathrobe to school today. Looking like, she was ridden hard and put away wet. I giggled so hard in math class today when she walked into the room; I think I snorted loudly.

The human brain is, after all, the best example we have of an intelligent system. If we can learn its methods, we can use these biologically inspired paradigms to build more intelligent machines. This book is the earliest serious examination of the human brain from the perspective of a mathematician and computer pioneer. Prior to von Neumann, the fields of computer science and neuroscience were two islands with no bridge between them.

Many AI researchers today claim that their systems are cognitively inspired (in particular inspired by the popular System 1/System 2 distinction introduced by Daniel Kahneman in his dual-process theory) just because their decision-making mechanisms couple both fast routines and slow decision-making strategies. This is a clear example (one of the many in the field) of the misconceptions that have been raised by the shallow ascription of labels coming from the cognitive vocabulary to the behavior and/or design of such systems. Unfortunately, it is not sufficient to just implement “fast” and “slow” mechanisms in an artificial system to claim any kind of cognitive inspiration or of cognitive plausibility. To make one of these claims, in fact, one should build and integrate algorithms in a way that is much more constrained with respect to such a generic and shallow description of how an intelligent system (natural or artificial) works (note: the book Daniel Kahneman - Thinking, Fast and Slow (2011) was written for a popular audience and therefore contains obvious oversimplifications of the dual-process theory of reasoning. Unfortunately, many people in AI have considered the book as a scientific publication ignoring the actual scientific papers laying down the theory). For example, one should consider "how” such fast or slow mechanisms are built, how they interact between them (both within the System 1/System 2 components and between them), how they evolve over time (e.g. System 2 mechanisms can be “automatized” and become System 1 routines) etc. In Cognitive Design for Artificial Minds, the distinction between these “shallow” and “constrained” systems is made clear by introducing the “functional” and “structural” design approaches and by exploring the different explanatory roles that such design perspectives put in place.

One thing I think this is showing us is that focusing on the brain as the source of inspiration for machine learning is derived from a very specialized architecture. I’ve been suggesting that a true general purpose intelligence is much more likely to arise not from mimicking the structure of the core of the human cortex, or anything like that, but from actually taking seriously the computational principles that life has been applying since the very beginning. CHRISTINA: Paramecia? MICHAEL: Even before that. Bacteria biofilms. All that stuff has been solving problems in ways that we have yet to figure out. They’re able to generalize, they’re able to learn from experience with a small number of examples. They make self-models. It’s amazing what they can do. That should be the inspiration. I think the future of machine learning and AI technologies will not be based on brains, but on this much more ancient, general ability of life to solve problems in novel domains.

History, whether personal or collective, is the best guide to our individual and collective lives. We need always to compute who--or which action, in self or others--deserves praise, and which deserts principle and deserves criticism and condemnation.

The only job security, to the extent that it exists, will reside in your ability to be “high concept high touch”: to come up with inspired and innovative ideas, gain creative insights, and connect with people on an emotional level through empathy, story or design.  To do what computers can’t, or that dude in China or India for only so many dollars an hour.  To create experiences that people didn’t know they wanted or needed but soon refuse to live without.

We all program our gadgets—computers, mobiles, but we don’t Program our Mind in such a way that we can REJOICE and BE HAPPY.-RVM

One persistent attempt to find a thread in the history of mankind focuses on the notion of Reason. Human history, on this view, is the unfolding of rationality. Human thought, institutions, social organization, become progressively more rational. The idea that Reason is the goal or end-point of the development of mankind can fuse with the view that it also constitutes the principal agency which impels humanity along its path. It seems natural to suppose that changes in human life spring from growth of our ideas, our ways of thought. What is conduct if not implementation of ideas? If we improve, is it not because our ideas have improved? Though somewhat suspect as the fruit of vainglorious self-congratulation by nineteenth century Europeans, the role of thought and reason still deserves some consideration. The problems and difficulties facing a reason-centred view of history are considerable. No doubt the idea is far less popular now than it was in the heady days of rationalistic optimism, which stretched, in one form or another, from the late eighteenth to the early twentieth centuries. But, in a sober and not necessarily optimistic form, it remains necessary to attempt some kind of sketch of the cognitive transformation of mankind, from the days of hunting to those of computing. The nature of our cognitive activities has not remained constant: not only have things changed, but the change has also been deep and fundamental. It is not merely a matter of more of the same. The changes that have occurred have been changes in kind. A convenient baseline or starting point for the discussion of this problem is provided by the blatant absurdity of some at least of the beliefs of primitive man. Many of us like to think that the standards of what is acceptable in matters of belief have gone up, and that the advance of reason in history is manifest in this raising of standards. We have become fastidious and shrink from the beliefs of our distant ancestors, which strike us as absurd. Perhaps, so as not to prejudge an important issue, one ought to say - it is the translations frequently offered of some of the beliefs of some primitive men which now seem so absurd. It may be — and some have indeed argued this — that the absurdity is located not in the original belief itself but in its translation, inspired by a failure to understand the original context. On this view, it is the modern translator, and not the savage, who is guilty of absurdity.

One persistent attempt to find a thread in the history of mankind focuses on the notion of Reason. Human history, on this view, is the unfolding of rationality. Human thought, institutions, social organization, become progressively more rational. The idea that Reason is the goal or end-point of the development of mankind can fuse with the view that it also constitutes the principal agency which impels humanity along its path. It seems natural to suppose that changes in human life spring from growth of our ideas, our ways of thought. What is conduct if not implementation of ideas? If we improve, is it not because our ideas have improved? Though somewhat suspect as the fruit of vainglorious self-congratulation by nineteenth century Europeans, the role of thought and reason still deserves some consideration. The problems and difficulties facing a reason-centred view of history are considerable. No doubt the idea is far less popular now than it was in the heady days of rationalistic optimism, which stretched, in one form or another, from the late eighteenth to the early twentieth centuries. But, in a sober and not necessarily optimistic form, it remains necessary to attempt some kind of sketch of the cognitive transformation of mankind, from the days of hunting to those of computing. The nature of our cognitive activities has not remained constant: not only have things changed, but the change has also been deep and fundamental. It is not merely a matter of more of the same. The changes that have occurred have been changes in kind. A convenient baseline or starting point for the discussion of this problem is provided by the blatant absurdity of some at least of the beliefs of primitive man. Many of us like to think that the standards of what is acceptable in matters of belief have gone up, and that the advance of reason in history is manifest in this raising of standards. We have become fastidious and shrink from the beliefs of our distant ancestors, which strike us as absurd. Perhaps, so as not to prejudge an important issue, one ought to say-it is the translations frequently offered of some of the beliefs of some primitive men which now seem so absurd. It may be—and some have indeed argued this—that the absurdity is located not in the original belief itself but in its translation, inspired by a failure to understand the original context. On this view, it is the modern translator, and not the savage, who is guilty of absurdity.

One persistent attempt to find a thread in the history of mankind focuses on the notion of Reason. Human history, on this view, is the unfolding of rationality. Human thought, institutions, social organization, become progressively more rational. The idea that Reason is the goal or end-point of the development of mankind can fuse with the view that it also constitutes the principal agency which impels humanity along its path. It seems natural to suppose that changes in human life spring from growth of our ideas, our ways of thought. What is conduct if not implementation of ideas? If we improve, is it not because our ideas have improved? Though somewhat suspect as the fruit of vainglorious self-congratulation by nineteenth century Europeans, the role of thought and reason still deserves some consideration. The problems and difficulties facing a reason-centred view of history are considerable. No doubt the idea is far less popular now than it was in the heady days of rationalistic optimism, which stretched, in one form or another, from the late eighteenth to the early twentieth centuries. But, in a sober and not necessarily optimistic form, it remains necessary to attempt some kind of sketch of the cognitive transformation of mankind, from the days of hunting to those of computing. The nature of our cognitive activities has not remained constant: not only have things changed, but the change has also been deep and fundamental. It is not merely a matter of more of the same. The changes that have occurred have been changes in kind. A convenient baseline or starting point for the discussion of this problem is provided by the blatant absurdity of some at least of the beliefs of primitive man. Many of us like to think that the standards of what is acceptable in matters of belief have gone up, and that the advance of reason in history is manifest in this raising of standards. We have become fastidious and shrink from the beliefs of our distant ancestors, which strike us as absurd. Perhaps, so as not to prejudge an important issue, one ought to say-it is the translations frequently offered of some of the beliefs of some primitive men which now seem so absurd. It may be—and some have indeed argued this—that the absurdity is located not in the original belief itself but in its translation, inspired by a failure to understand the original context. On this view, it is the modern translator, and not the savage, who is guilty of absurdity.

It was definitely a new way of life for people who had become so used to being entertained by televisions, computers and technology." -from Day After Disaster

Toy Story went on to become the top-grossing film of the year and would earn $358 million worldwide. But it wasn’t just the numbers that made us proud; money, after all, is just one measure of a thriving company and usually not the most meaningful one. No, what I found gratifying was what we’d created. Review after review focused on the film’s moving plotline and its rich, three-dimensional characters—only briefly mentioning, almost as an aside, that it had been made on a computer. While there was much innovation that enabled our work, we had not let the technology overwhelm our real purpose: making a great film.

Was [Steve Jobs] smart? No, not exceptionally. Instead, he was a genius. His imaginative leaps were instinctive, unexpected, and at times magical. [...] Like a pathfinder, he could absorb information, sniff the winds, and sense what lay ahead. Steve Jobs thus became the greatest business executive of our era, the one most certain to be remembered a century from now. History will place him in the pantheon right next to Edison and Ford. More than anyone else of his time, he made products that were completely innovative, combining the power of poetry and processors. With a ferocity that could make working with him as unsettling as it was inspiring, he also built the world's most creative company. And he was able to infuse into its DNA the design sensibilities, perfectionism, and imagination that make it likely to be, even decades from now, the company that thrives best at the intersection of artistry and technology.

Twitter is not just for Journalists. You don’t have to be a writer to Tweet.[Social Media]

By writing, we partake in something greater than ourselves. Pick up pen and paper or take a seat at your computer today and create something of beauty.

Harvard generally frowned on Aiken’s postwar activities, however, including his close ties with industry, and ultimately the continual struggle for funding drove him to retire from the university at the minimum age in 1961. When he died suddenly at a conference in March 1973 at the age of seventy-three, Aiken left a generous bequest to Harvard. His generosity was not reciprocated. In spring 2000 the new Maxwell Dworkin computer sciences building was ceremonially inaugurated at the northeast corner of Harvard University’s Holmes Field, formerly the site of the Aiken Computation Laboratory. The new building was a gift to the university from Bill Gates and his Microsoft associate and Harvard classmate Steven Ballmer. Instead of continuing to honor the name of Howard Hathaway Aiken, founder of Harvard’s trailblazing computing program, the new center was named for the mothers of the two recent benefactors. A bronze plaque on the wall of the building is all that remains today to remind of Aiken’s original inspiration. Recently a conference room at the computer center was named for Grace Hopper.

Give yourself permission 2 evolve. Become a philosopher; come up with your own interpretation of life and stop accepting someone else's as your truth.

Social Media begins with a story - your story.

the founding of Pixar University and Elyse Klaidman’s mind-expanding drawing classes in particular. Those first classes were such a success—of the 120 people who worked at Pixar then, 100 enrolled—that we gradually began expanding P.U.’s curriculum. Sculpting, painting, acting, meditation, belly dancing, live-action filmmaking, computer programming, design and color theory, ballet—over the years, we have offered free classes in all of them.

if the hacker is a creator, we have to take inspiration into account.

Among the handful of companies that were trying to solve these problems, most embraced a culture of strictly enforced, even CIA-like secrecy. We were in a race, after all, to be the first to make a computer-animated feature film, so many who were pursuing this technology held their discoveries close to their vests. After talking about it, however, Alvy and I decided to do the opposite—to share our work with the outside world. My view was that we were all so far from achieving our goal that to hoard ideas only impeded our ability to get to the finish line. Instead, NYIT engaged with the computer graphics community, publishing everything we discovered, participating in committees to review papers written by all manner of researchers, and taking active roles at all the major academic conferences. The benefit of this transparency was not immediately felt (and, notably, when we decided upon it, we weren’t even counting on a payoff; it just seemed like the right thing to do). But the relationships and connections we formed, over time, proved far more valuable than we could have imagined, fueling our technical innovation and our understanding of creativity in general.

When is the last time your computer restarted you? Don't forget about nature. Recreation means to re-create yourself.

We all program our gadgets—computers, mobiles, but we don’t Program our Mind in such a way that we can REJOICE and BE HAPPY. -RVM

Association of dissimilar ideas “I had earlier devised an arrangement for beam steering on the two-mile accelerator which reduced the amount of hardware necessary by a factor of two…. Two weeks ago it was pointed out to me that this scheme would steer the beam into the wall and therefore was unacceptable. During the session, I looked at the schematic and asked myself how could we retain the factor of two but avoid steering into the wall. Again a flash of inspiration, in which I thought of the word ‘alternate.’ I followed this to its logical conclusion, which was to alternate polarities sector by sector so the steering bias would not add but cancel. I was extremely impressed with this solution and the way it came to me.” “Most of the insights come by association.” “It was the last idea that I thought was remarkable because of the way in which it developed. This idea was the result of a fantasy that occurred during Wagner…. [The participant had earlier listened to Wagner’s ‘Ride of the Valkyries.’] I put down a line which seemed to embody this…. I later made the handle which my sketches suggested and it had exactly the quality I was looking for…. I was very amused at the ease with which all of this was done.” 10. Heightened motivation to obtain closure “Had tremendous desire to obtain an elegant solution (the most for the least).” “All known constraints about the problem were simultaneously imposed as I hunted for possible solutions. It was like an analog computer whose output could not deviate from what was desired and whose input was continually perturbed with the inclination toward achieving the output.” “It was almost an awareness of the ‘degree of perfection’ of whatever I was doing.” “In what seemed like ten minutes, I had completed the problem, having what I considered (and still consider) a classic solution.” 11. Visualizing the completed solution “I looked at the paper I was to draw on. I was completely blank. I knew that I would work with a property three hundred feet square. I drew the property lines (at a scale of one inch to forty feet), and I looked at the outlines. I was blank…. Suddenly I saw the finished project. [The project was a shopping center specializing in arts and crafts.] I did some quick calculations …it would fit on the property and not only that …it would meet the cost and income requirements …it would park enough cars …it met all the requirements. It was contemporary architecture with the richness of a cultural heritage …it used history and experience but did not copy it.” “I visualized the result I wanted and subsequently brought the variables into play which could bring that result about. I had great visual (mental) perceptibility; I could imagine what was wanted, needed, or not possible with almost no effort. I was amazed at my idealism, my visual perception, and the rapidity with which I could operate.

FOR MANY YEARS, I was on a committee that read and selected papers to be published at SIGGRAPH, the annual computer graphics conference I mentioned in chapter 2. These papers were supposed to present ideas that advanced the field. The committee was composed of many of the field’s most prominent players, all of whom I knew; it was a group that took the task of selecting papers very seriously. At each of the meetings, I was struck that there seemed to be two kinds of reviewers: some who would look for flaws in the papers, and then pounce to kill them; and others who started from a place of seeking and promoting good ideas. When the “idea protectors” saw flaws, they pointed them out gently, in the spirit of improving the paper—not eviscerating it. Interestingly, the “paper killers” were not aware that they were serving some other agenda (which was often, in my estimation, to show their colleagues how high their standards were). Both groups thought they were protecting the proceedings, but only one group understood that by looking for something new and surprising, they were offering the most valuable kind of protection. Negative feedback may be fun, but it is far less brave than endorsing something unproven and providing room for it to grow.

There’s a tunnel between our external skill sets and our deepest longings and passions. People with the highest developed skills always know how to traverse that tunnel. That is, personal integration and wholeness — and consequent accomplishment and fulfillment — are largely about “enlightening” the tool with the best we have in us. The tool could be anything — a voice or body, a musical instrument or paint brush, a trowel or computer. But skill is made up of capability, and that requires practiced familiarity over time with how to inject into the moment our unique talents, virtues and qualities.

Keep hydrated while you are at work. I suggest keeping a water bottle next to your computer.

the fastest growing major in the United States today is the double major (one popular choice combines computer science with art and design).

The early Wittgenstein and the logical positivists that he inspired are often thought to have their roots in the philosophical investigations of René Descartes.9 Descartes’s famous dictum “I think, therefore I am” has often been cited as emblematic of Western rationalism. This view interprets Descartes to mean “I think, that is, I can manipulate logic and symbols, therefore I am worthwhile.” But in my view, Descartes was not intending to extol the virtues of rational thought. He was troubled by what has become known as the mind-body problem, the paradox of how mind can arise from nonmind, how thoughts and feelings can arise from the ordinary matter of the brain. Pushing rational skepticism to its limits, his statement really means “I think, that is, there is an undeniable mental phenomenon, some awareness, occurring, therefore all we know for sure is that something—let’s call it I—exists.” Viewed in this way, there is less of a gap than is commonly thought between Descartes and Buddhist notions of consciousness as the primary reality. Before 2030, we will have machines proclaiming. Descartes’s dictum. And it won’t seem like a programmed response. The machines will be earnest and convincing. Should we believe them when they claim to be conscious entities with their own volition?

A computer program is a message from a man to a machine. The rigidly marshaled syntax and the scrupulous definitions all exist to make intention clear to the dumb engine. But a written program has another face, that which tells its story to the human user. For even the most private of programs, some such communication is necessary; memory will fail the author-user, and he will require refreshing on the details of his handiwork. How much more vital is the documentation for a public program, whose user is remote from the author in both time and space! For the program product, the other face to the user is fully as important as the face to the machine. Most of us have quietly excoriated the remote and anonymous author of some skimpily documented program. And many of us have therefore tried to instill in new programmers an attitude about documentation that would inspire for a lifetime, overcoming sloth and schedule pressure. By and large we have failed. I think we have used wrong methods.

It doesn’t matter how physically fit or tough you are, if you fail to use natures computer between your ears.

Not that it would have prevented the shooting. That was a drive by inspired by a case Peter Bradford had been working on at the time. It would have happened anyway. It could still happen. But the security measures made Megan feel better. I stood slightly behind Hayden, aware of the tension in his shoulders. He disliked this new security protocol. I didn’t blame him. It seemed rather useless to me, too. We could have had badges that could be swiped or something like that, something more modern than clicking a name on a computer screen. But it wasn’t my job to worry about that. And it was a nice excuse to spend a little more time with Hayden. I found myself searching for something to talk about when I noticed Peter up ahead of us. “Everyone seems to be pairing off.” “What?” I gestured toward Peter. He was talking into his cellphone to his girlfriend, a very pregnant woman who was due to give birth practically any moment. I could hear him trying to calm her down, saying something about false labor. Hayden watched him thoughtfully, something

Overused Settings All too often, games borrow settings from one another or from common settings found in the movies, books, or television. A huge number of games are set in science fiction and fantasy worlds, especially the quasi-medieval, sword-and-sorcery fantasy inspired by J. R. R. Tolkien and Dungeons & Dragons, popular with the young people who used to be the primary—indeed, almost the only—market for computer games. But a more diverse audience plays games nowadays, and they want new worlds to play in. You should look beyond these hoary old staples of gaming.

What is faith, if not an acceptance that there are things out there that cannot be explained? You know what you know, because you've never lived a life without that truth. That you are different, that your gender did not compute with that label assigned at birth. It does not matter how large a percentage of the general population is perfectly fine with their identity. That does not change you, how you responded to the mechanisms that made you who you are.

The Bradford Exchange—a knockoff of [Joseph] Segel’s [Franklin Mint] business—created a murky secondary market for its collector plates, complete with advertisements featuring its “brokers” hovering over computers, tracking plate prices. To underscore the idea of these mass-produced tchotchkes as upmarket, sophisticated investments, the company deployed some of its most aggressive ads (which later led to lawsuits) in magazines like Kiplinger’s Personal Finance and Architectural Digest. A 1986 sales pitch offered “The Sound of Music,” the first plate in a new series from the Edwin M. Knowles China Company, at a price of $19.50. Yet the ad copy didn’t emphasize the plate itself. Rather, bold type introduced two so-called facts: “Fact: ‘Scarlett,’ the 1976 first issue in Edwin M. Knowles’ landmark series of collector’s plates inspired by the classic film Gone With the Wind, cost $21.60 when it was issued. It recently traded at $245.00—an increase of 1,040% in just seven years.” And “Fact: ‘The Sound of Music,’ the first issue in Knowles’ The Sound of Music series, inspired by the classic film of the same name, is now available for $19.50.” Later the ad advised that “it’s likely to increase in value.” Currently, those plates can be had on eBay for less than $5 each. In 1993 U.S. direct mail sales of collectibles totaled $1.7 billion

And, as inflation has fallen, so bonds have rallied in what has been one of the great bond bull markets of modern history. Even more remarkably, despite the spectacular Argentine default – not to mention Russia’s in 1998 – the spreads on emerging market bonds have trended steadily downwards, reaching lows in early 2007 that had not been seen since before the First World War, implying an almost unshakeable confidence in the economic future. Rumours of the death of Mr Bond have clearly proved to be exaggerated. Inflation has come down partly because many of the items we buy, from clothes to computers, have got cheaper as a result of technological innovation and the relocation of production to low-wage economies in Asia. It has also been reduced because of a worldwide transformation in monetary policy, which began with the monetarist-inspired increases in short-term rates implemented by the Bank of England and the Federal Reserve in the late 1970s and early 1980s, and continued with the spread of central bank independence and explicit targets in the 1990s. Just as importantly, as the Argentine case shows, some of the structural drivers of inflation have also weakened. Trade unions have become less powerful. Loss-making state industries have been privatized. But, perhaps most importantly of all, the social constituency with an interest in positive real returns on bonds has grown. In the developed world a rising share of wealth is held in the form of private pension funds and other savings institutions that are required, or at least expected, to hold a high proportion of their assets in the form of government bonds and other fixed income securities. In 2007 a survey of pension funds in eleven major economies revealed that bonds accounted for more than a quarter of their assets, substantially lower than in past decades, but still a substantial share.71 With every passing year, the proportion of the population living off the income from such funds goes up, as the share of retirees increases.

In the climactic scene of many Hollywood science-fiction movies, humans face an alien invasion fleet, an army of rebellious robots or an all-knowing super-computer that wants to obliterate them. Humanity seems doomed. But at the very last moment, against all the odds, humanity triumphs thanks to something that the aliens, the robots and the super-computers didn’t suspect and cannot fathom: love. The hero, who up till now has been easily manipulated by the super-computer and has been riddled with bullets by the evil robots, is inspired by his sweetheart to make a completely unexpected move that turns the tables on the thunderstruck Matrix. Dataism finds such scenarios utterly ridiculous. ‘Come on,’ it admonishes the Hollywood screenwriters, ‘is that all you could come up with? Love? And not even some platonic cosmic love, but the carnal attraction between two mammals? Do you really think that an all-knowing super-computer or aliens who managed to conquer the entire galaxy would be dumbfounded by a hormonal rush?

Muglia insisted that a computer program, while certainly inspired and created by code writers, must reflect the currents of the market and the desires of customers. No great program was created by slavishly following the market or crudely regurgitating the requests of shoppers. But creators lived in a cocoon. The very demands of their craft made it hard to step outside the bounds of their imaginations. Muglia

Office reformers are pulled in two directions. They either follow Frederick Taylor (the father of scientific management) and the successive waves of management scientists who thought that with enough overhead cameras, spreadsheets, computing power, and analysis, they could “solve” the organization and its problems. Or they follow the dreamers of the 1970s and ’80s, who, inspired by the cybernetic-counterculture movement, thought that by getting rid of that same organizational infrastructure, they could free workers to reach their full potential by embracing chaos, complexity, new technology, or all three.

Pixar started as a company that sold a special computer for doing digital animation; it took a while till they got into the moviemaking business. Similarly, Starbucks originally sold only coffee beans and coffee equipment; they hadn't planned to sell coffee by the cup.

His powers of memory were awe-inspiring, but only about matters on which he had fearsomely concentrated his mind.

You are created to be a creator. God does not give anyone a finished product. God did not create the telephone, car, computers, Facebook, amazon, ebay, God did not make a chair, He created a tree for you to produce the chair. He gave you the raw materials to look at and ask yourself what can I do with this? Are you a producer or a consumer? .....ponder

Never mind how sophisticated your computer, smartphone or tablet is, it cannot replace the importance of the intimate process of recording by hand into a good old-fashioned diary.

Never mind how sophisticated your computer, smartphone or tablet is, it cannot replace the importance of the intimate process of recording by hand into a good old-fashioned diary - by Jozef.

Never mind how sophisticated your computer, smartphone or tablet is, it cannot replace the importance of the intimate process of recording by hand into a good old-fashioned diary, by Jozef.

The “self-actualization” philosophy from which most of this new bureaucratic language emerged insists that we live in a timeless present, that history means nothing, that we simply create the world around us through the power of the will. This is a kind of individualistic fascism. Around the time the philosophy became popular in the seventies, some conservative Christian theologians were actually thinking along very similar lines: seeing electronic money as a kind of extension for God’s creative power, which is then transformed into material reality through the minds of inspired entrepreneurs. It’s easy to see how this could lead to the creation of a world where financial abstractions feel like the very bedrock of reality, and so many of our lived environments look like they were 3-D-printed from somebody’s computer screen. In fact, the sense of a digitally generated world I’ve been describing could be taken as a perfect illustration of another social law—at least, it seems to me that it should be recognized as a law—that, if one gives sufficient social power to a class of people holding even the most outlandish ideas, they will, consciously or not, eventually contrive to produce a world organized in such a way that living in it will, in a thousand subtle ways, reinforce the impression that those ideas are self-evidently true.

It would be a completely inconvenient time to go to the computer and write it all down. I ignored some ideas, and then became frustrated because I couldn’t find the information again later or grab it back. I eventually learned to just go write it down now because Spirit does not exist on a timeline and only delivers insights in the most perfect ways. It was my responsibility to trust the timing. Responsibility is the ability to act and I had that ability, even while unloading the dishwasher, or folding laundry, or trying to get some random things done  around the house, or driving on the freeway. YEP, I’m livin’ the glamorous dream!

We all program our gadgets—computers, mobiles, but we don’t Program our Mind in such a way that we can REJOICE and BE HAPPY.

So what should you do, right now then? Well you should start by listening to George Bernard Shaw who said that, “all progress depends on the unreasonable man.” Graduation gives you the courage to be unreasonable. Don’t bother to have a plan. Instead let’s have some luck. Success is really about being ready for the good opportunities that come before you. It’s not to have a detailed plan about everything you’re going to do, you can’t plan innovation or inspiration, but you can be ready for it. And when you see it, you can jump on it and you can make a difference, as many of the people here have already done. Leadership and personality matters a lot. Intelligence, education, and analytical reasoning matter. Trust matters. In the network world, trust is the most important currency. Which brings me to my final question. What is, in fact, the meaning of life? And in a world where everything is remembered and everything is kept forever–the world you are in–you need to live for the future and the things you really care about. And what are those things? Well in order to know that, I hate to say it, but you’re going to have to turn off your computer. You’re actually going to have to turn off your phone and discover all that is human around us. You’ll find that people really are the same all around the world. They really do care about the same things. You’ll find that the resilience of a human being and the human spirit is amazing. You’ll find today that the best chance you will ever have is right now, to start being unreasonable. You’ll find that a mind set in its way is a life wasted–don’t do it.

Soon, I found myself criss-crossing the country with Steve, in what we called our “dog and pony show,” trying to drum up interest in our initial public offering. As we traveled from one investment house to another, Steve (in a costume he rarely wore: suit and tie) pushed to secure early commitments, while I added a professorial presence by donning, at Steve’s insistence, a tweed jacket with elbow patches. I was supposed to embody the image of what a “technical genius” looks like—though, frankly, I don’t know anyone in computer science who dresses that way. Steve, as pitch man, was on fire. Pixar was a movie studio the likes of which no one had ever seen, he said, built on a foundation of cutting-edge technology and original storytelling. We would go public one week after Toy Story opened, when no one would question that Pixar was for real. Steve turned out to be right. As our first movie broke records at the box office and as all our dreams seemed to be coming true, our initial public offering raised nearly $140 million for the company—the biggest IPO of 1995. And a few months later, as if on cue, Eisner called, saying that he wanted to renegotiate the deal and keep us as a partner. He accepted Steve’s offer of a 50/50 split. I was amazed; Steve had called this exactly right. His clarity and execution were stunning. For me, this moment was the culmination of such a lengthy series of pursuits, it was almost impossible to take in. I had spent twenty years inventing new technological tools, helping to found a company, and working hard to make all the facets of this company communicate and work well together. All of this had been in the service of a single goal: making a computer-animated feature film. And now, we’d not only done it; thanks to Steve, we were on steadier financial ground than we’d ever been before. For the first time since our founding, our jobs were safe. I

The lateral thinking concept emerged from de Bono’s study of how the mind works. He found that the brain is not best understood as a computer; rather, it is “a special environment which allows information to organize itself into patterns.” The mind continually looks for patterns, thinks in terms of patterns, and is self-organizing, incorporating new information in terms of what it already knows. Given

A Subdivision Algorithm for Computer Display of Curved Surfaces,

one of the pioneers of interactive computer graphics, Ivan Sutherland.

In the intervening years, George has said that he hired me because of my honesty, my “clarity of vision,” and my steadfast belief in what computers could do. Not long after we met, he offered me the job.

Whilst your memory is as sharp as the most reliable computer, it is always wiser to write things down. Pre-meditation helps the refining process, taking out the undesirable elements from a dream or vision, even mounting the courage to face and overcome challenges before they appear in reality.

In graduate school, I’d quietly set a goal of making the first computer-animated feature film, and I’d worked tirelessly for twenty years to accomplish it.

At a desk, in front of a computer, my mind goes blank, but as soon as I take off (to the supermarket, to Australia), inspiration strikes. Journeys are the midwives of books. — ALAIN DE BOTTON

The Z-buffer accomplished that by assigning a depth to every object in three-dimensional space, then telling the computer to match each of the screen’s pixels to whatever object was the closest.

decade later, Apple Computer made several attempts at commercializing computers inspired by the Xerox Alto prototypes, but it wasn’t actually until 1987, with the introduction of the Mac II personal computer, that the technology that Kay and his group assembled in 1973

religious experience, inspiring the same kinds of passion that Vannevar Bush’s Memex article had given rise to for Engelbart twenty-three years earlier. Computing was just beginning to have an impact on society.

We've taken a small part of how our brain works - the patterns of dendrites and axons and synapses - and we've built computer architectures around them. But that's all it is - a symbolic machine inspired by the human brain. Real brains are biological pieces of meat inextricably connected to the bodies that host them and the environments they inhabit in a million essential ways. A computer is a complex tool, but it's not a brain. It requires the human operator to be its body, to be its environment, by writing its algorithm and feeding it data. If we really want to make an artificial construct that can think like we do, we have to start over with a completely different concept.

Pulse shooter Omar Mateen does not seem to have received any direction or support from ISIS or any other international terrorist organization. ISIS inspired Mateen, but Mateen did not report to ISIS, even to the extent that there was any ISIS to report to. Mateen exemplified a new kind of international terrorist movement: a virtual movement that shared ideas and rhetoric rather than money and weapons. Just such a movement of international terror would kill hundreds of people worldwide in the Trump years, a movement of white racial resentment that often looked to Donald Trump as its inspiration and voice. The year 2019 suffered a peak in mass shootings in the United States, forty-nine shootings in total according to computations by the Associated Press, USA Today, and criminologists at Northeastern University. (The researchers defined a “mass killing” as taking four or more lives apart from the perpetrator’s.) The majority of those killed died at the hands of a stranger—typically a white male loner impelled by grievances against society.3 The deadliest mass shooting in US history (as of the end of 2019) occurred in October 2017. Stephen Paddock, a sixty-four-year-old white man, opened fire at a music festival in Las Vegas from a thirty-second-floor hotel room. Paddock killed 58 people and wounded 413. More than 400 other people were injured in the rush to escape the attack. After firing thousands of rounds in only ten minutes, Paddock killed himself by a gunshot in his mouth.

A computer can tell you down to the dime what you’ve sold, but it can never tell you how much you could have sold,” said Walton.

Our fleshly eyes are already much more than receptors for light rays, colors, and lines. They are computers of the world, which have the gift of the visible as it was once said that the inspired man had the gift of tongues. Of course this gift is earned by exercise; it is not in a few months, or in solitude, that a painter comes into full possession of his vision... The eye sees the world, sees what inadequacies keep the world from being a painting, sees what keeps a painting from being itself, sees—on the palette—the colors awaited by the painting, and sees, once it is done, the painting that answers to all these inadequacies just as it sees the paintings of others as other answers to other inadequacies...The eye is an instrument that moves itself, a means which invents its own ends; it is that which has been moved by some impact of the world, which it then restores to the visible through the offices of an agile hand.

Deep learning is an approach to machine learning. While machine learning is trying to put knowledge into computers by allowing computers to learn from examples, deep learning is doing it in a way that is inspired by the brain.

Ciência da Computação tem tanto a ver com o computador como a astronomia com o telescópio, a biologia com o microscópio, ou a química com os tubos de ensaio. A ciência não estuda ferramentas, mas o que fazemos e o que descobrimos com elas.

How the hell did I end up here? I certainly had no intentions of making this comic. There was, in fact, no comic to be made. Sunstone was the end result of the deepest fast-food and burn-out I have ever experienced in my life. It was three years ago. I had just finished my last issue of Witchblade, a comic that I had lived and hated at that point. Comics itself had nothing to do with it ... [sic.] Truth was, artistically speaking, I hit a wall and there was no way past it. In my eyes I wasn't a storyteller anymore. I was a grinder going through the emotions. And I was burnt out. So there I was, sitting and hate-staring my computer monitor... or way...too...long... , Something had to change. I had to find the spark, which by that time, I had obviously lost. I started reminiscing about those great outbursts of inspiration and drive I experienced in my past. And there, I remembered it. The most exciting moment of my career. It was just before I got hired by Top Cow. I was in my early twenties, and my dream was to become a comic artist. Chances of this living in Croatia were slim to none, but my work was noticed, and I got asked to do a fetishistic erotic comic. Not all that unusual in Europe. I was ecstatic. For the first time I would be able to help my family by doing something I love. I remember drawing up a storm. I drew over 30 sample pages, and then crazily enough, Top Cow's offer came in. I had to make a choice. And it was a choice I never regretted. But I remembered something about those long list sample pages ... They were expressive. There was so much energy to them ... Energy that got lost in my work over time as a result of trying to emulate other people's work. I shrugged ... said "Fuck it!" turned to Linda, and told her about my idea ...

The problem with working slowly is not just that technical innovation happens slowly. It’s that it tends not to happen at all. It’s only when you’re deliberately looking for hard problems, as a way to use speed to the greatest advantage, that you take on this kind of project. Developing new technology is a pain in the ass. It is, as Edison said, one percent inspiration and ninety-nine percent perspiration. Without the incentive of wealth, no one wants to do it.

Mind is like an computer. If you input too much command Suddenly it will stuck. You need to do two things Shut it Down or Restart.

The processors in my mind are faster than most computers