Dew Drops On Leaves Quotes

Try to praise the mutilated world. Remember June’s long days, and wild strawberries, drops of wine, the dew. The nettles that methodically overgrow the abandoned homesteads of exiles. You must praise the mutilated world. You watched the stylish yachts and ships; one of them had a long trip ahead of it, while salty oblivion awaited others. You’ve seen the refugees heading nowhere, You’ve heard the executioners sing joyfully. You should praise the mutilated world. Remember the moments when we were together in a white room and the curtain fluttered. Return in thought to the concert where music flared. You gathered acorns in the park in autumn and leaves eddied over the earth's scars. Praise the mutilated world and the gray feathers a thrush lost, and the gentle light that strays and vanishes and returns.

The shadows of leaves fall upon their arms, as they spread the branches apart, but their shoulders are in the sun. The skin of their arms is like a blue mist, but their shoulders are white and glowing, as if the light fell not from above, but rose from under their skin. We watch the leaf which has fallen upon their shoulder and it lies at the curve of their neck, and a drop of dew glistens upon it like a jewel.

Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.

As soon as that majestic force, which had already pierced me once before I had outgrown my childhood, struck my eyes, I turned to my left with the confidence a child has running to his mamma when he is afraid or in distress to say to Virgil: 'Not a single drop of blood remains in me that does not tremble-- I know the signs of the ancient flame.' But Virgil had departed, leaving us bereft: Virgil, sweetest of fathers, Virgil, to whom I gave myself for my salvation. And not all our ancient mother lost could save my cheeks, washed in the dew, from being stained again with tears.

DD/MM/YYYY was not an ordinary day. Early in the morning, before the sunrise, a Baby Girl Fairy was dropped from the Fairy Lands to the Earth. There were songs of joys and rejoices everywhere. Cool breeze was playing and running across the meadows. Dew drops were dancing and floating over the leaves. Birds were swaying and singing in chorus: "Happy Birthday Happy Birthday Happy Birthday (Name), Happy Birthday Happy Birthday Happy Birthday to you.

New grass, you don't even know where to sprout and grow. How can I, a drop of dew, vanish away in the air leaving you alone?

In my defense I have only silence, dew on the grass, a nightingale among the branches. You forgive it, its long tenure in the leaves of one aspen after another, drops of eternity, grams of amazement, and the sleepy complaints of the poor poets

I'm comming to You. You are blazing. I'm giving You a rose. It embalms sweet. I'm givin a kiss... I melt of You. I melt and flow with You. Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...

Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...

I know the thrill of the grasses when the rain pours over them. I know the trembling of the leaves when the winds sweep through them. I know what the white clover felt as it held a drop of dew pressed close in its beauteousness. I know the quivering of the fragrant petals at the touch of the pollen-legged bees. I know what the stream said to the dipping willows, and what the moon said to the sweet lavender. I know what the stars said when they came stealthily down and crept fondly into the tops of the trees.

Her hair glowed. It shimmered and shone and pulsed, the full length of it flowing behind Rapunzel and lighting up the undersides of the trees and throwing soft illumination on all the paler leaves and mushrooms, gleaming for a moment where it hit a drop of dew or sap. The moths who had fled returned, like a fluttering train of silken flowers on a long, magical wedding veil, following the mesmerizing river of silver light.

O Thebes! garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dancе — and let all the land of Thebes dance! with Dionysos leading, to the mountains! to the mountains! where the mob of women waits! They’ve forsaken their shuttles, they’ve left their looms, they’ve dropped their aprons and taken up their stations on Dionysos’ mountain!

I Saw Thee Weep (From "Hebrew Melodies") I saw thee weep – the big bright tear Came o’er that eye of blue; And then methought it did appear A violet dropping dew: I see thee smile – the sapphire’s blaze Beside thee ceased to shine; It could not match the living rays That filled that glance of thine. As clouds from yonder sun receive A deep and mellow dye, Which scarce the shade of coming eve Can banish from the sky, Those smiles unto the moodiest mind Their own pure joy impart; Their sunshine leaves a glow behind That lightens o’er the heart.

Ode to a Cluster of Violets Crisp cluster plunged in shadow. Drops of violet water and raw sunlight floated up with your scent. A fresh subterranean beauty climbed up from your buds thrilling my eyes and my life. One at a time, flowers that stretched forward silvery stalks, creeping closer to an obscure light shoot by shoot in the shadows, till they crowned the mysterious mass with an intense weight of perfume and together formed a single star with a far-off scent and a purple center. Poignant cluster intimate scent of nature, you resemble a wave, or a head of hair, or the gaze of a ruined water nymph sunk in the depths. But up close, in your fragrance’s blue brazenness, you exhale the earth, an earthly flower, an earthen smell and your ultraviolet gleam in volcanoes’ faraway fires. Into your loveliness I sink a weathered face, a face that dust has often abused. You deliver something out of the soil. It isn’t simply perfume, nor simply the perfect cry of your entire color, no: it’s a word sprinkled with dew, a flowering wetness with roots. Fragile cluster of starry violets, tiny, mysterious planet of marine phosphorescence, nocturnal bouquet nestled in green leaves: the truth is there is no blue word to express you. Better than any word is the pulse of your scent. Pablo Neruda, Odes to Common Things. (Bulfinch; Bilingual edition May 1, 1994) Originally published 1961.

Let us suppose that this ounce of mud is left in perfect rest, and that its elements gather together, like to like, so that their atoms may get into the closest relations possible. Let the clay begin. Ridding itself of all foreign substance, it gradually becomes a white earth, already very beautiful; and fit, with help of congealing fire, to be made into finest porcelain, and painted on, and be kept in kings’ palaces. But such artificial consistence is not its best. Leave it still quiet to follow its own instinct of unity, and it becomes not only white, but clear; not only clear, but hard; not only clear and hard, but so set that it can deal with light in a wonderful way, and gather out of it the loveliest blue rays only, refusing the rest. We call it then a sapphire. Such being the consummation of the clay, we give similar permission of quiet to the sand. It also becomes, first, a white earth, then proceeds to grow clear and hard, and at last arranges itself in mysterious, infinitely fine, parallel lines, which have the power of reflecting not merely the blue rays, but the blue, green, purple, and red rays in the greatest beauty in which they can be seen through any hard material whatsoever. We call it then an opal. In next order the soot sets to work; it cannot make itself white at first, but instead of being discouraged, tries harder and harder, and comes out clear at last, and the hardest thing in the world; and for the blackness that it had, obtains in exchange the power of reflecting all the rays of the sun at once in the vividest blaze that any solid thing can shoot. We call it then a diamond. Last of all the water purifies or unites itself, contented enough if it only reach the form of a dew-drop; but if we insist on its proceeding to a more perfect consistence, it crystallizes into the shape of a star. And for the ounce of slime which we had by political economy of competition, we have by political economy of co-operation, a sapphire, an opal, and a diamond, set in the midst of a star of snow.

It embalms sweet. I'm givin a kiss... I melt of You. I melt and flow with You. Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...

Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.

He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness. They found one another, conquered their fear and, a moment later, found the truth, which exploded under their eyelids with a terrible, blinding clarity, tore apart the lips pursed in determination with a moan. Then time shuddered spasmodically and froze, everything vanished, and touch became the only functioning sense. An eternity passed, reality returned and time shuddered once more and set off again, slowly, ponderously, like a great, fully laden cart. Geralt looked through the window. The moon was still hanging in the sky, although what had just happened ought in principle to have struck it down from the sky. ‘Oh heavens, oh heavens,’ said Yennefer much later, slowly wiping a tear from her cheek. They lay still among the dishevelled sheets, among thrills, among steaming warmth and waning happiness and among silence, and all around whirled vague darkness, permeated by the scent of the night and the voices of cicadas. Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.

We are white dew drops; If we lay ourselves just as we are On the maple leaves, We are red beads.

Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.

BETWEEN SEASONS Today I bring you cold chrysanthemums, white as absence, long-stemmed as my grief. I stand before your grave, a few unfallen leaves overhead, the sucking mud beneath. What survives best are chrysanthemums in a month which arrives austere as grief. The hearty blossoms persevere, unfallen. Suffering even snow, they flourish beneath. You walked in mornings among chrysanthemums, and bowed to them as if to hear their grief. Your sleeves grew damp from brushing unfallen dew. A drop lay by your eye, and one beneath. Truest to your nature were chrysanthemums, brilliant while first snows descended like grief. You watched them from your bed, your heart unfallen, steadfast through winter, and then you slipped beneath. What is it they told you, once, the chrysanthemums? It made you sigh, Ah, Grief! Who savors you more than us, the unfallen, long after we’ve forgotten the fallen beneath?

Those whom love has not given wings cannot fly the cloud of appearances to see the magic world in which Selma`s spirit and mine existed together in that sorrowfully happy hour. Those whom Love has not chosen as followers do not hear when Love calls. This story is not for them. Even if they should comprehend these pages, they would not be able to grasp the shadowy meanings which are not clothed in words and do not reside on paper, but what human being is he who has never sipped the wine from the cup of love, and what spirit is it that has never stood reverently before that lighted altar in the temple whose pavement is the hearts of men and women and whose ceiling is the secret canopy of dreams? What flower is that on whose leaves the dawn has never poured a drop of dew; what streamlet is that which lost its course without going to the sea?

I stir the simmering potion until it turns a bright, gruesome red, the same shade as Ruby Valentino's lips. But it's too bright, too obvious. Then I remember. I reach into the pocket of my dress, past the spool of thread, to the thing I'm looking for. When I pull it out, the leaves are slightly flattened, but it's still intact: the four-leaf clover given to me by the leprechaun in St. Patrick Town. He said it would bring me luck. And I need it now. I drop the green clover into the potion, and within seconds, the color turns a vibrant, grassy green--reminding me of the damp meadow in St. Patrick Town, freshly dewed with rain. The exact shade I need.

Let us Let us fall in love and be romantics once again, Let us kiss our desires again and again, Let me pursue my feelings in your beautiful eyes, Let us dive into them and feel the love that lies beyond these eyes, Let us wear our emotions all over us, To feel the kiss of love all over us, Let us become the daylight and spread everywhere, Or maybe in that secret somewhere where your beauty is everywhere, Let me love you now and love you forever, And let your heart confess it has felt the kiss of the true lover, My darling Irma, let our love be the only event in our lives, And let us only grow being a part of our beautiful love lives, Let you be the summer day that never ends, And let all my beginnings in your beautiful eyes find their ends, Let me belong to you just like the Moon belongs to the sky, Let us create a world where there is only your and my love’s sky, Let your feelings like the scent of the rose sink into my senses, And then let us love each other with all our senses, Let us reside in some quiet corner together, Where there is only one sound, that of our two hearts beating together, Let us travel together from our today into our every tomorrow, And carry our love into every moment that represents every tomorrow, Let us walk through the corridors of time, And leave the essence of our love as our signature in every moment of time, Then let me hold your hand and travel somewhere, Because now with our love’s essence residing in time, you shall be everywhere, even in places called somewhere, Let me say it again and again, that my heart beats for you, And then let every moment of time echo with these words, “my darling Irma I love you!” Let the drops of dew reflect your grace, And then let every flower bear the beauty of just one beautiful face, and your grace, Let the moments of time rain over you and me, And then let me find you everywhere within me, Finally let the night conceal us in its dark and mystical shades, And let us transform into love’s most beautiful cascades, only bearing your and my shades, Then let the river of love flow into the valley of promises, And let me find you in beautiful roses and let us now fulfill our promises!

Remind me of the place. The wind breathing through the trees and the sound of coconuts dropping on the mud. Ta-dup ta dup. The hairy mangrove crabs and the turtles. The evening sky looking like a big mash up rainbow with all these colors leaking down on the sea. The fresh smell of fish and sand in the mornings. Cascadura jumping up from the ponds like living clumps of mud. Dew skating down from the big dasheen leaves as if they playing with the sunlight. A horsewhip snake slipping down a guava branch as smooth as flowing water. Cassava pone and seamoss drinks.

I wonder what would happen if the days were not pushed? What would happen if the time flowed in its natural sequence? The sky edging from darkness to gray, rising like a tide of light, pushing the flotsam of cloud upward. And then the sun’s rim, liquid gold, the slant of light through twigs and leaf. What would happen if you watched time’s river rise and flow, lifting you on its back and carrying you on its crest, until, lying back, you rested on the receding light, languishing in the slow pools of afternoon, the tips of the firs trembling and lifting, the ropes of birch leaves swaying in the light like sea kelp. To the west, the evening glow would linger, holding on to color. What if you could watch until the last drops spilled from the edge and then you came to know the night? Oh, but what would be served by such a life? Observation. Contemplation. Deliberation. What if your life came unplugged, disconnected, out of sync with the rest of the world? What if you rode this planet on one full circle round its star paying attention to light and plants and water? Seeing the way rain gathers in puddles or dew beads on grass, noticing the day violets open under the firs or ants appear in the bathroom? You could, you know. Shut off the bells. You could cut loose, unplug, begin. You could improve the nick of time.

When you heard Kazune play, it summoned up visible, tangible scenery. Light shining down among the trees, wet with morning dew. Drops of water sparkling on the tips of leaves, then dripping down. One morning, repeated over and over again. A vibrancy and solemnity born fresh and new.

In one of the sermons I remember best, Mother Elfilda compared the Virgin Mary to an onyx, the precious stone that opens up to receive a drop of dew when the sun shines on it. After nine months it opens again and another onyx falls out, leaving the original stone unchanged. Mary remained pure, untouched, even as God forced Joseph to wed Mary.