Cowboys John Wayne Quotes

We've searched our database for all the quotes and captions related to Cowboys John Wayne. Here they are! All 20 of them:

COWBOYS, just like the word says.
John Wayne
I would like to be remembered, well ... the Mexicans have a phrase, "Feo fuerte y formal". Which means he was ugly, strong and had dignity.
John Wayne
No cowboys for Canada. Canada got Mounties instead - Dudley Do-Right, not John Wayne. It's a mind-set of "Here I come to save the day" versus "Yippee-ki-yay, motherfucker.
Sarah Vowell (The Partly Cloudy Patriot)
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
John Wayne
I won't be wronged, I won't be insulted, and I won't be laid a hand on. I don't do these things to other people, and I require the same from them." - J.B Books in The Shootist 1976, directed by Don Siegel
John Wayne
Just because I look like John Wayne (at least my liver looks identical to his) doesn’t mean I play cowboy with politics. I’m going to vote for Philo T. Farnsworth for president, and so should you.
Jarod Kintz ($3.33 (the title is the price))
You’re not swimming in glory until you find someone to swim with you. Glory isn’t glory if you don’t have someone to share it with. It’s just pride and bullshit on your own.” Unbelievable. Will Jones wasn’t only one badass cowboy; he pretty much could have been the love child of John Wayne and Yoda.
Nicole Williams (Finders Keepers (Lost & Found, #3))
The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here.
Dan O'Brien (Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch)
Finding comfort and courage in symbols of a mythical past, evangelicals looked to a rugged, heroic masculinity embodied by cowboys, soldiers, and warriors to point the way forward. For decades to come, militant masculinity (and a sweet, submissive femininity) would remain entrenched in the evangelical imagination, shaping conceptions of what was good and true.
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
.....I'm certain I asked for a cowboy one December past-- For I wanted the excitement of pioneers to last; I ached to sing with a fiddle, speak with a drawl and twang; I surely requested John Wayne to be part of my gang. Of course I dreamed of a cowboy in those Yuletides of yore-- For I wanted that ace, that corral fighter, that scout roar; I ached for the authentic frontier hero of the West; I surely requested the sacred battleground's finest. I did pray Santa'd give me a cowboy some time ago-- For I wanted a legend in denim wrangler for beau; I ached to be rounded up safely by my saddled knight; I surely requested I be prospected, mined, settled right... -----excerpted from the poem 'A Cowboy For Christmas' in the book FROM GUAM TO CROWN CITY CORONADO (THANKS TO HERMANN, MISSOURI): A JOURNEY IN POESY, by Mariecor Ruediger
Mariecor Ruediger
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
Later that day at the hospital, I chose to wear my boots with my scrubs. I assisted on an angioplasty and when Abbie, the scrub nurse, looked down at the booties over my boots, she laughed. “What?” Smiling, she said, “I like your boots. I didn’t take you for a cowboy.” “It’s a state of mind, Abbie, plain and simple.” “We’ve all been calling you Hollywood.” I laughed loudly. “I will spare you my John Wayne impression.
Renee Carlino (After the Rain)
He’s crazy. All you goddamned hick cops are crazy. In the cities, man, the cops are usually just dudes doing a job of work, and some of them like it and some don’t, some are good, some bad. But none of them think they’re gonna save the world from evil. Hick cops always think they’re John Wayne making the frontier safe for decent, God-fearing folk. That’s why we’re having this drink, man, ‘cause you’re a crazy cowboy.
James Crumley (The Wrong Case (Milo Milodragovitch, #1))
Neither John Wayne nor Walter Brennan grew up in the cowboy West, and though Brennan became a rancher, he did not pretend to be his characters the way Wayne sometimes did. Walter’s son Andy remembered a story about a downpour that hit the Red River location shoot just as the cast and crew were sitting down to lunch: “Duke was seated next to Walter and, as everyone scurried for shelter, Wayne calmly went on eating, saying to Walter, ‘This will separate the men from the boys.’ Dad spooned up his rain-soaked lunch for a few minutes more, then getting up he said, ‘Which way did the boys go?’” Walter had a dry wit that could be quite unlike the sensibilities of the characters he played. Andy remembered another time when a driver gave his father the finger. Walter leaned out of his car window and extended a full five fingers, saying “Take some home to the whole family.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
I won’t be wronged, I won’t be insulted, and I won’t be laid a hand on. I don’t do these things to other people and I require the same from them.” JOHN WAYNE in his last film, The Shootist (1976)
James P. Owen (Cowboy Ethics: What It Takes to Win at Life)
love John Wayne. I love his cowboy movies especially, which makes sense I guess. Rio Bravo may be my favorite.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
1. Money cannot buy happiness but it is more comfortable to cry in a Mercedes than on a bicycle. 2. Forgive your enemy but remember the bastard's name 3. Help someone when they are in trouble and they will remember you when they're in trouble again. 4. Many people are alive only because it's illegal to shoot them. 5. Alcohol does not solve any problems, but then again, neither does milk. - Cowboy humour
John Wayne
The most surprising supporter of the treaties outside the Senate was the Oscar-winning actor John Wayne, a conservative Republican and icon of cowboy integrity. Wayne’s first wife was Panamanian, and his next two were also Latinas, and he and Torrijos had become fishing buddies. He let Bob Pastor—Carter’s top aide on the issue—ghostwrite dozens of letters and articles in support of the treaties, many of which pointed out that “General Torrijos has never followed the Marxist line.” Wayne contacted every senator and, as he told the president, “all the people who write me hysterical letters.” When Wayne saw Reagan’s fund-raising letter attacking the treaties, he privately scolded his old friend: “Dear Ronnie,” he wrote. “I’ll show you point by God damn point in the treaty where you are misinforming people. This is not my point of view against your point of view. These are facts.”VII
Jonathan Alter (His Very Best: Jimmy Carter, a Life)
Steeped in a literature claiming that men were created in the image of a warrior God, it’s no wonder evangelicals were receptive to sentiments like those expressed by Jerry Falwell in his 2004 sermon, “God is Pro-War.” Having long idealized cowboys and soldiers as models of exemplary Christian manhood, evangelicals were primed to embrace Bush’s “‘ cowboy’ approach” and his “Lone Ranger mentality.” God created men to be aggressive—violent when necessary—so that they might fulfill their sacred role of protector. 27 At the 2004 Republican National Convention, Christian recording artist Michael W. Smith stood on the stage of New York’s Madison Square Garden, declaring his love for his president and his country. He then recounted how, only six weeks after the September 11 attacks, he had found himself in the Oval Office with his good friend, President Bush. They spoke of the firefighters and other first responders who had given their lives trying to save others. “Hey W,” said the presidential “W” to the singer. “I think you need to write a song about this.” Smith did as he was asked. And there, standing before the convention audience as patriotic images flashed on the screen behind him, he performed “There She Stands,” a song about the symbol of the nation, the American flag, standing proudly amid the rubble. It was a small rhetorical step to change the feminine “beauty” all men were created to fight for into the nation herself. 28
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
Colorado Springs can be traced to the city’s founding, but it was in the post-WWII era that the city began to emerge as a nerve center for a politically engaged, globally expansive evangelicalism intent on winning the country, and the world, for Christ. The entrenchment of evangelicalism in Colorado Springs coincided with the growth of the military in the region. In 1954, the United States Air Force Academy was established in Colorado Springs. The city would eventually house three air force bases, an army fort, and the North American Air Defense Command. In the 1960s, the Nazarene Bible College opened its doors, and soon an array of evangelical, charismatic, and fundamentalist churches, colleges, ministries, nonprofits, and businesses took root. Lured by local tax breaks and drawn to the growing epicenter of evangelical power, nearly one hundred Christian parachurch organizations sprouted up within a five-mile vicinity of the academy, including Officers’ Christian Fellowship, the International Bible Society, Youth for Christ, the Navigators, Fellowship of Christian Athletes, Christian Booksellers Association, Fellowship of Christian Cowboys, Christian Camping International, and, most significantly, Dobson’s Focus on the Family. 2
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)