Injured Bird Quotes

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It is kindness to prepare a comfortable roost for an injured bird... But to prevent it from taking flight once its wounds have healed, because you fear the world is too dangerous, means confining it to a cage.
Asato Asato (86―エイティシックス―Ep.2 ―ラン・スルー・ザ・バトルフロント―〈上〉)
Every tree in the forest has a story to tell. Some of them were burnt but they endured the fire and got revived; some of them were cut, their barks injured, some people pick up their leaves to make medicines for their sicknesses, birds used their leaves to make their nests, etc. Upon all these, the tree is still tree!
Israelmore Ayivor (Shaping the dream)
There is a delightful story which tells of Eostre finding an injured bird on the ground and, in order to save its life, she transformed it into a hare. The transformation however was incomplete and, although the bird looked like a hare, it still retained the ability to lay eggs. Regardless of this slight mishap, the hare was so grateful for the goddess saving her life that on Eostre’s festival the hare would lay eggs, decorate them and leave them as a token of thanks. In Germany today, many young children still believe that their Easter eggs are laid and delivered by the Easter hare.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
I tend the mobile now like an injured bird We text, text, text our significant words. I re-read your first, your second, your third, look for your small xx, feeling absurd. The codes we send arrive with a broken chord. I try to picture your hands, their image is blurred. Nothing my thumbs press will ever be heard. "Text
Carol Ann Duffy (Rapture)
The worthiest people are the most injured by slander, as is the best fruit which the birds have been pecking at.
Jonathan Swift
But in London he saw a new response to tragedy: It was not skinned or stuffed; no one kept it in a box, preserving it like an injured bird. People unfastened it, let it fall into the gutter, and walked away, determined not to look back. Instead of adorning themselveswith it, letting it define them, people let the wounds heal over and, touching their scars like talismans, set out to rebuild their world. - James was determined to join them.
Cara Wall (The Dearly Beloved)
I am sorry, Miss Grey, you should think it necessary to interfere with Master Bloomfield's amusements; he was very much distressed about you destroying the birds.' 'When Master Bloomfield's amusements consist in injuring sentient creatures,' I answered, 'I think it my duty to interfere.' 'You seemed to have forgotten,' said she, calmly, 'that the creatures were all created for our convenience.' I thought that doctrine admitted some doubt, but merely replied - 'If they were, we have no right to torment them for our amusement.
Anne Brontë (Agnes Grey)
Most people look at cats and think what a life—all we do is lie around in the sun, never having to lift a finger. But cats’ lives aren’t that idyllic. Cats are powerless, weak little creatures that injure easily. We don’t have shells like turtles, nor wings like birds. We can’t burrow into the ground like moles or change colors like a chameleon. The world has no idea how many cats are injured every day, how many of us meet a miserable end. I happen to be lucky enough to live with the Tanabes in a warm and friendly family, the children treat me well, and I’ve got everything I need. But even my life isn’t always easy. When it comes to strays, though, they have a very tough time of it.
Haruki Murakami (Kafka on the Shore)
The Ancient Egyptians postulated seven souls.” Top soul (Vicarious), and the first to leave at the moment of death, is Ren the Secret name. This corresponds to my Director. He directs the film of your life from conception to death. The Secret Name is the title of your film. When you die, that's where Ren came in. Second soul (Jambi), and second one off the sinking ship, is Sekem: Energy, Power. LIGHT. The Director gives the orders, Sekem presses the right buttons. Number three (Wings/Days) is Khu, the Guardian Angel. He, she or it is third man out...depicted as flying away across a full moon, a bird with luminous wings and head of light. The sort of thing you might see on a screen in an Indian restaurant in Panama. The Khu is responsible for the subject and can be injured in his defense - but not permanently, since the first three souls are eternal. They go back to Heaven for another vessel. The four remaining souls must take their chances with the subject in the land of the dead. Number four (The Pot) is Ba, the Heart, often treacherous. This is a hawk's body with your face on it, shrunk down to the size of a fist. Many a hero has been brought down, like Samson, by a perfidious Ba. Number five (L.C., Lost Keys, Rosetta Stoned) is Ka, the double, most closely associated with the subject. The Ka, which usually reaches adolescence at the time of bodily death, is the only reliable guide through the Land of the Dead to the Western Lands. Number six (Instension) is Khaibit, the Shadow, Memory, your whole past conditioning from this and other lives. Number seven (Right in Two) is Sekhu, the Remains
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
A scorpion sat on the shores of a river one day, needing to get to the other side, but the river was too wide, and there were not enough stones to jump across. He begged the various water birds—mallards and geese and herons—if he could catch a ride, but they pragmatically turned him down, knowing too well his cunning and his sting. He caught sight of the lovely swan making her way down the river and charmingly pleaded to her attributes. “Please, beautiful Swan, take me across the river. I couldn’t imagine harming something as beautiful as you, and it is not in my interest to do so. I simply want to get to the other side of the river.” The swan hesitated, but the scorpion was so charming and convincing. He was close enough to sting her right now, and yet he did not do it. What could go wrong? The trip across the river would take only a few minutes. She agreed to help him. As they traversed the river, the scorpion expressed his gratitude and continued to offer his compliments about her loveliness and kindness compared to all of the other negligent river birds. As they arrived at the other riverbank, he prepared to jump off. And right before he jumped off of her back, he lifted his tail and stung her. Crying and injured, the swan couldn’t understand why he’d done this, after all the promises, all the flattery, the logical explanations. “Why did you sting me?” she asked. He looked at her from the river bank and said, “I’m a scorpion. It’s who I am.” ♦♦♦
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
Mr. Tulliver was a strictly honest man, and proud of being honest, but he considered that in law the ends of justice could only be achieved by employing a stronger knave to frustrate a weaker. Law was a sort of cock-fight, in which it was the business of injured honesty to get a game bird with the best pluck and the strongest spurs.
George Eliot (Complete Works of George Eliot)
The lovely thing about gonorrhea is microscopic, he thought. Reduced to its cellular structure it takes on a spectacular beauty, all stained glass and Persian carpets, shadings and meltings away, subtle shapes interlocking, unfolding, receding into dimness, then recurring boldly at just the right moment. A man holds his injured penis gently, the boy-mouth curls in self-disgust while the fingers that lately gripped a gun and squeezed out streams of bullets are grown suddenly tender, sad and pitying, lifting the sickness up and out, resting it on the burry palm. Were he to weep it would be now when the sweet bird of his youth lies moist of beak, wizening of wing.
Richard Selzer MD (Knife Song Korea (Excelsior Editions))
Gail told amusing stories about wildlife rescue and trying to bandage up an injured great blue heron. “I had to wear a welding face mask,” she said. “And if I’d had a riot shield, I’d have used it. Those beaks are like a spring-loaded javelin, and they’re never grateful.” She smiled fondly at the memory of a bird trying to put its beak through her eye.
T. Kingfisher (A House with Good Bones)
He reached for me, and fast as lightning, he boxed my ears. All I remember is the world exploding. Cassandra says she helped me back to our room, and there was blood coming from my left ear. My right ear mended in a day or two, but I could only hear a little out of the left one, and there was a beating pain deep down. Soon I took ill with fever. Mama said that had nothing to do with the ear, but I think it did." Pandora paused, unwilling to relate any of the distasteful details of her ear suppurating and draining. She glanced cautiously at Gabriel, whose face was averted. He was no longer playing with her braid. His hand had clenched around it until the muscles of his forearms and wrist stood out. "Even after I recovered from the fever," Pandora said, "the hearing didn't come back all the way. But the worst part was that I kept losing my balance, especially at night. It made me afraid of the dark. Ever since then-" She stopped as Gabriel lifted his head. His face was hard and murderous, the hellfrost in his eyes frightening her more than her father's fury ever had. "That bloody son of a bitch," he said softly. "If he were still alive, I'd beat him with a thresher's flail." Pandora reached out with a fluttering motion, patting the air near him. "No," she said breathlessly, "no, I wouldn't want that. I hated him for a long time, but now I feel sorry for him." Gabriel caught her hand in midair, swift but gentle, as if it were a bird he wanted to hold without injuring. His eyes had dilated until she could see reflections of herself in the dark centers. "Why?" he whispered after a long moment. "Because hurting me was the only way to hide his own pain.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
As the driver pulled over to attend the injured animal, I sat and watched the sky - an oceanic mass of gray, with islands of steel blue - thinking, yes, certainly, birds must sleep at times while they fly. How ridiculous it was to think otherwise. Yet my brothers' tutor, a man from Oxford with red eyebrows, had informed me the previous morning that no such thing could occur. Such a thing, he'd opined, would be an affront to God, who had blessed birds with the ability to sleep and the ability to fly, but not the ability to sleep while flying or fly while sleeping. Absurd! Moreover, he went on, were it to be case, each morning we would find at our feet heaps of dead birds that had smashed into rooftops or trees in the night. Night after night we would be awakened by this ornithological cacophony, this smashing of beaks against masonry, this violence of feathers and bones. It will not do, he said, to too greatly admire the mysteries of nature. But I remembered that sparrow on the riverbank and secretly held that the world was not so easily explained by a tutor's reason. Indeed, it was then that I first formed the opinion - if childishly, idly - that a person should trust to her own good sense and nature's impenetrable wisdom.
Danielle Dutton (Margaret the First)
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
No one will think anything, Alma. It’s an empty room, remember – you said so yourself.’ I began to sit cross-legged at his feet so as to listen to his operatic flourishes. Soon I was running to meet him when he came home, then crawling up onto his lap so I could see the words on the page. I still didn’t say much, and I was mute with all strangers and continued to hide my face in my grandmother’s skirts. We were sat this way one afternoon when there was a tap at the window that startled us both. We looked, but there was nothing there. It sounded like something had been thrown at it, so my grandfather told me to stay inside while he went out to investigate. When he came back, he was carrying a tiny bird in his hands. ‘It’s a little dunnock, Susannah. He must have got himself confused, or scared, chased by a sparrowhawk maybe, and flown into the glass. He’s only stunned himself. We’ll find him a box and keep him warm, see if he comes to.’ The bird looked dead to me, but my grandfather lined an old box with straw, placed the tiny bird inside and closed the lid. ‘We need to remove him from all the terrors of the world for a while, let his little body recover. You know, it’s a very good thing for an animal to hide if he’s injured or in danger. All the clever animals do it. He crawls into the tiniest space he can find and makes his world very small. It’s a natural thing, when you’re very scared, to make your world very small indeed. The trick is to understand when the danger is gone, to be very brave and let the world be big again, or else there may as well be no world at all.
Clare Whitfield (People of Abandoned Character)
I literally feel pain bouncing around my ribs like a caged, injured bird.
Maggie Sweet (Will)
A Twig to Rest On This is what the LORD says: “Stand at the crossroads and look; ask for the ancient paths, ask where the good way is, and walk in it, a nd you will find rest for your souls.” JEREMIAH 6:16 NIV The day was so long and stressful that Tracey didn’t get out to her front porch until late at night to water her flowers. Recent days had been so unusually hot and dry in the Midwest, draining both Tracey and her once-luscious hanging petunia baskets into a weary state. She breathed a calming sigh to be out in the cool of the evening, hearing a few last birds coo while the crickets took the next singing shift. But as she reached up to water one thirsty pot, something fluttered furiously out through the stream of water. Frightened, Tracey jumped back and tried to determine what it was. The small creature flew directly into a rose of sharon bush next to the porch, where Tracey could now see it was a baby sparrow. Maybe it’s injured, she thought, as it fell asleep on the tiny twig, swaying with the gentle breeze of the night. In the morning she found the bird still resting in the same place and slowly approached it. The sparrow flew off with strength into the sunshine. Lord, thank You for giving me the rest I need along the journey. Just like You do for the tiny sparrow, so much more You do for me. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
The First Water is the Body (excerpt) The Colorado River is the most endangered river in the United States—also, it is a part of my body. I carry a river. It is who I am: ‘Aha Makav. This is not metaphor. When a Mojave says, Inyech ‘Aha Makavch ithuum, we are saying our name. We are telling a story of our existence. The river runs through the middle of my body. --- What threatens white people is often dismissed as myth. I have never been true in America. America is my myth. --- When Mojaves say the word for tears, we return to our word for river, as if our river were flowing from our eyes. A great weeping is how you might translate it. Or a river of grief. --- I mean river as a verb. A happening. It is moving within me right now. --- The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement. Energy is a moving river moving my moving body. In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both. --- What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body? Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated. Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows. Pre-verbal was when the body was more than a body and possible. One of its possibilities was to hold a river within it. --- If I was created to hold the Colorado River, to carry its rushing inside me, if the very shape of my throat, of my thighs is for wetness, how can I say who I am if the river is gone? --- Where I come from we cleanse ourselves in the river. I mean: The water makes us strong and able to move forward into what is set before us to do with good energy. We cannot live good, we cannot live at all, without water. If your builder could place a small red bird in your chest to beat as your heart, is it so hard for you to picture the blue river hurtling inside the slow muscled curves of my long body? Is it too difficult to believe it is as sacred as a breath or a star or a sidewinder or your own mother or your beloveds? If I could convince you, would our brown bodies and our blue rivers be more loved and less ruined? The Whanganui River in New Zealand now has the same legal rights of a human being. In India, the Ganges and Yamuna Rivers now have the same legal status of a human being. Slovenia’s constitution now declares access to clean drinking water to be a national human right. While in the United States, we are teargassing and rubber-bulleting and kenneling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. We have yet to discover what the effects of lead-contaminated water will be on the children of Flint, Michigan, who have been drinking it for years. America is a land of bad math and science. The Right believes Rapture will save them from the violence they are delivering upon the earth and water; the Left believes technology, the same technology wrecking the earth and water, will save them from the wreckage or help them build a new world on Mars. ---
Natalie Díaz (Postcolonial Love Poem)
injured bird and some boys in the fifth grade were teasing her. I walked up to the little instigator, who was doing most of the egging on, and slugged him in the jaw. He fell flat on his ass and began crying. Anstice and I had been friends ever since. But something had changed since the ‘episode’—that was how we referred to my abduction. Anstice was leery, refused to talk about what had happened, and seemed withdrawn. Something had changed. Mostly, I felt disappointed with myself.
Nashoda Rose (Stygian (Scars of the Wraiths, #1))
It is a kindness to prepare a comfortable roost for an injured bird… But to prevent it from taking flight once its wounds have healed, because you fear the world is too dangerous, means confining it to a cage. These birds have finally escaped their cage of persecution. Do you intend to lock them in a cage of pity next?
Asato Asato (86—EIGHTY-SIX, Vol. 2: Run Through the Battlefront (Start))
Tell me something beautiful,” you said. I opened my mouth and out came the only thing that I had ever known to be as beautiful as it was true: that I had once met a woman who knew how to fly. You clasped my chilled hand in yours and lowered your gaze to our fingers. I hoped I’d said the right thing. My mother always used to say that people in mourning prefer not to talk about the earth. “What a wonderful thing,” you said, “for just one instant, to be so close to God.” The breeze tugged your hair across your lips. When my father had been injured in the revolt, I’d dreamed a flock of starlings had passed over our village, and their tears turned to pomegranate seeds. The seeds fell to the ground, but the earth was weary, and the seeds wouldn’t take. The starlings circled, coaxing the earth toward fruitfulness. As they passed, the birds sang a psalm my mother had quoted to me many times, a line from the Song of Songs. I thought of it then, standing on the corniche so close to you that I could feel you breathing. You are altogether beautiful, my darling. There is no flaw in you.
Zeyn Joukhadar
Birds that are startled frequently try to take off and fly toward what looks like open space, which is often how they end up hitting windows. If the window is close enough, the bird won’t have time to get up enough speed to injure itself too badly, which is why the Audubon Society recommends that if you can’t put bird feeders more than 10 meters away from your window, you should put them closer than 1 meter.
Randall Munroe (What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions)
He drove a big-rig dessert truck and was injured while filling it with gas.” I guess somebody doesn’t like Sara Lee. The room’s grip releases. She performs inventory of what on her hurts. Pain is different now, she concludes. It’s more like sound in another part of the house. But I still hate my ass. Asses like ours never leave, even in the afterlife. “You don’t have an ass,” I remind her. “You’re a bird.” A bird today. Myself again tomorrow. We could disagree for eternity but there’s no one I’d rather sit with. I spread jam onto a scone and hold it out for her. Where does it come from—beat a dead horse? “Probably from people who like horses.” Or hate them. Her beak cannot find purchase on the pastry. The afterlife is truly cruel. Being a bird is exhausting. I’m obsessed with cleaning these. She runs her beak through her tail feathers.
Marie-Helene Bertino (Parakeet)
With every last barrier stripped away, I see him clearly now. The raven-haired monster I fell in love with so many years ago. Jaded and miserable, with a smile that only shone for me. Possessive enough to kill an injured bird to make me love him. Broken enough to walk away when I needed him most. Good enough to hold me in my lowest moment and tell me that it’s going to be okay. Layer upon layer of imperfect human being, much like us all. Somehow, he’s still it for me. The beginning and the end.
J. Rose (Sacrificial Sinners (Blackwood Institute, #2))
Just—you all do that, tell me to stay.” “Because when you catch a wounded bird, you have to be careful of its wings.” In my closet, I reached up to the top shelf, then tugged the wood bracket to the side and slid it open. Pulling out the box, I carried it over to the bed and set it in front of her. “Wings are delicate things, they can heal, but they can also be re-injured if you aren’t careful.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
You left,” he snarls. “You left!” Diesel screams, and we all look over at him. Shit, he’s exploding. “D, calm down,” I order, but he ignores me, shaking his head as he smashes his hands into it. “Left! She left!” he roars. “Oh yeah, ‘cause it’s my fault for getting kidnapped—” She starts, but doesn’t get to finish. Diesel is there, kissing her hard, tasting her blood, before he bites her injured lip. “You are in a whole lot of fucking shit when we get home, Little Bird.” “I can’t fucking wait.
K.A. Knight (Den of Vipers)
Where Maddy now cares for injured owls, Jada had cared for a human girl-- a human girl who, all signs indicate, is as unconscious or forgetful of that steadfast daily care as a bird would be.
Ashley Wurzbacher (How to Care for a Human Girl)
The lovely thing about gonorrhea is microscope, he thought. Reduced to its cellular structure it takes on a spectacular beauty, all stained glass and Persian carpets, shadings and meltings away, subtle shapes interlocking, unfolding, receding into dimness, then recurring boldly at just the right moment. A man holds his injured penis gently, the boy-mouth curls in self-disgust while the fingers that lately gripped a gun and squeezed out streams of bullets are grown suddenly tender, sad and pitying, lifting the sickness up and out, resting it on the burry palm. Were he to weep it would be now when the sweet bird of his youth lies moist of beak, wizening of wing.
Richard Selzer MD (Knife Song Korea (Excelsior Editions))
Cade was on his feet and after her within seconds, but she was fleet of foot and recklessly unaware of the treacherousness of the ground. He took it more cautiously, wanting to be certain one of them came out of this whole so as to carry the other back. Cursing beneath his breath, he watched her take the lead to greater lengths. With a burst of speed when they hit the open prairie, he closed the gap. She was like a terrified bird with injured wings, running and desperately trying to take to the air, without success. He didn't want to harm her with capture, but there seemed no other choice. Cade grabbed Lily's waist and spun around to take the impact as they fell to the ground. The fall knocked the breath from his lungs, and he could only hold her struggling figure while he gasped for air. "Don't, Lily," he managed to get out as she flailed wildly with arms and legs, seeking to punish. His use of her name made no impression. Lily turned in his grasp and tried to sink her teeth into any flesh she could find. Cade turned over and flattened her against the grass, effectively trapping her. "You don't want what I have to offer," he informed her. His words finally penetrated some still-functioning part of her brain, and Lily gave up her futile struggles. Even now, she could feel the desire flare up between them, a heat that boiled and simmered every place that they touched. She tried to move her hips away from the encroachment of his, and he shifted to relieve the strain. "If I had taken what you offered back there, I would have brought you pain and possibly given you a bastard to bring you shame. That isn't what you want." Of course it wasn't, but logic wasn't the best defense against what she was feeling. Lily turned her head away so Cade couldn't see her eyes. Grass bent and tickled her face, but all she could think of was the solid masculinity of him straddling her hips. She burned with desire, and she hated his rationality. "Get
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
You just told me you’d never baby me,” she said softly. “I can see what you’re thinking. I’m not broken. I’m not a bird with an injured wing. I have a past, and it’s tricky, and it often visits me in my dreams, but I’m still kicking ass, Fix. So…if you want me, try and take me. I’ll kick your ass if I don’t want your hands on me.
Callie Hart (Dirty (Dirty Nasty Freaks, #1))
Luna, my neighbor, is the one who usually saves the injured birds, frogs, cats, stray dogs, and there was even a deer once.
L.J. Shen (Pretty Reckless (All Saints High, #1))
Lord, take a cop or a fireman—the toughest one around—and show him a child injured or emotionally scarred by something and they fall to pieces. It never ceases to amaze me.
Chautona Havig (A Bird Died)
By showing me to the injured men, the army told them, This fluffy, cooing thing with its wooden leg is what the public will know of the ravages of war. Your task is to remain unseen. By showing me to the public, the army told them, War is a game, and its costs are light enough to be borne by even this little bird. The burgeoning American empire demanded sacrifices; my job was to help make them acceptable, even entertaining.
Kathleen Rooney (Cher Ami and Major Whittlesey)
By showing me to the injured men, the army told them, This fluffy, cooing thing with its wooden leg is what the public will know of the ravages of war. Your task is to remain unseen. By showing me to the public, the army told them, War is a game, and its costs are light enough to be borne by even this little bird. The burgeoning American empire demanded sacrifices; my job was to help make them acceptable, even entertaining. In that limited and perverted sense, I continued to function as a messenger pigeon.
Kathleen Rooney (Cher Ami and Major Whittlesey)
Perhaps they had tried to migrate in the past but had found either their winter habitat destroyed or the path so fragmented and fraught with danger that it made more sense—to these few birds—to ignore the tuggings of the stars and seasons and instead to try to carve out new lives, new ways of being, even in such a stark and severe landscape: or rather, in a stark and severe period—knowing that lushness and bounty were still retained with that landscape, that it was only a phase, that better days would come. That in fact (the snipe knowing these things with their blood, ten million years in the world) the austere times were the very thing, the very imbalance, that would summon the resurrection of that frozen richness within the soil—if indeed that richness, that magic, that hope, did still exist beneath the ice and snow. Spring would come like its own green fire, if only the injured ones could hold on. And
Lex Williford (The Scribner Anthology of Contemporary Short Fiction: 50 North American Stories Since 1970 (Touchstone Books (Paperback)))
The power of endurance of the plains Indians has always been beyond comprehension by white men. These tribesmen hunted, feasted, gambled, and eagerly made war, young men often faring forth alone over the unmarked plains to count coup, so that they might marry the young women of their choice, and be numbered among the tribe’s warriors. Killing and scalping an enemy did not entitle them to count coup. They must strike an armed enemy with their hands, or with something held in their hands, without otherwise injuring the enemy; or they must capture an enemy’s weapons, or be first to strike an enemy who had fallen in battle, etc., the rules for coup-counting differing somewhat among the plains tribes. And this coup-counting was expected of young men. For centuries, during the long, winter nights on these northern plains, red patriarchs feelingly extolled bravery and fortitude, reciting hero-tales, some of which may have had origin in far lands.
Frank Bird Linderman (Blackfeet Indians)
There was plenty of wildlife to film: water pythons, venomous snakes, numerous beautiful birds, koalas, possums, and all kinds of lizards. But the big croc remained elusive. Finally we found him. But something was wrong. As we approached, he failed to submerge. We were horrified to discover that the poachers had beaten us--and shot him. It was likely that he had been killed some time ago. Crocs often take a long while to die. They have the astonishing ability to shut off blood supply to an injured part of their body. The big croc had shut down and gone to the bottom of the river, at last, to succumb to his wound. He was huge, some fifteen feet long, fat and in good shape. Steve was beside himself; he felt as if the croc’s death was a personal failure. We filmed the croc and talked about what had happened. But eventually, Steve simply had to walk away. When I went to him, there were tears in his eyes. Steve had a genuine love for crocodiles and appreciated each individual animal. This croc could have been fifty years old, with mates, a family, and a history as king of this river. His death wasn’t abstract to Steve. It was personal, as though he had lost a friend, and it fueled his anger toward the poacher who had killed such a magnificent animal. Steve knew there was another croc in the area that was also in potential danger. “Maybe if we save that one,” Steve said, with resolve, “we can salvage something out of this trip.” He didn’t give up. That night we cruised Cattle Creek again to film the trap sites. It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet.
Terri Irwin (Steve & Me)
An injured bird will never flap its wings without an opportunity to fly.
Owen Egerton (Everyone Says That at the End of the World)
What's wrong with his foot?" Said Reed. "Why even ask? It's Jason we're talking about here. He get's injured by breathing." Colt chuckled. I grit my teeth. "That was one time and the doctor said it could happen to anyone." "I googled it!" Max said helpfully. "It happens to llamas. And those dodo birds - the really stupid ones.
Rachel Van Dyken (The Consequence of Rejection (Consequence, #4))
His self-esteem was a mass of smarting pin- pricks. Whenever he assured himself, as he tried to do, that he was the heroic victim of a grand and melancholy passion, the memory of some new and petty indignity stabbed him awake. “I’m darned if I’m going to put up with it,” he told Matilda that evening. “What I want to know is this: Am I the master of my own house?” Matilda only smiled. And so it went on. You might, Jimmy thought, have supposed that treatment of this kind would arouse the fair one’s pity, poor substitute as that might be for the warmer emotion which, by all romantic canons, she owed to her rescuer. In protest he adopted an air of injured tenderness and nobility. But Matilda soon knocked the bottom out of that. “Don’t take any notice,” she told their guest, “if he happens to touch your hand when he’s passing the butter. He’s quite harmless, is Jimmy, and even if he does like to dream he’s a Don Juan, that doesn’t take me in! I know him! We haven’t been married six years for nothing.” “Oh, haven’t we?” said Jimmy, darkly. ‘That’s where you’re mistaken! ” “Just listen to him!” laughed Matilda. “He hates you to think he’s been faithful. Isn’t he just a lamb?” And the object of Jimmy’s frustrated passion merely smiled. She was always smiling. The tragic figure of the Boulogne boat, the distressed beauty of the Customs House, the vision of pathetic loveliness whom he, James Marler, had swept off her feet with such manly magnificence, no longer existed. Those grave, impassioned dialogues which he had imagined taking place under the romantic towers of the Crystal Palace had never materialized. She was gay, she was childish, perhaps she was even more beautiful; but her gaiety, her childishness, her beauty were not for him.
Francis Brett Young (Cage Bird, And Other Stories)