Ii Bow Quotes

We've searched our database for all the quotes and captions related to Ii Bow. Here they are! All 37 of them:

They bowed their heads together as Louie prayed. If God would quench their thirst, he vowed, he’d dedicate his life to him.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
To standing in the bow wind with no charted course." Clay Mitchell, "Half-Past Eternity" book II "Eterna".
Clay Mitchell
II Hollywood Flapper Oh, come my love and join with me The oldest infant industry. Come seek the bourne of palm and pearl, The lovely land of boy-meets-girl. Come grace this lotus-laden shore, The isle of Do-What’s-Done-Before. Come curb the new and watch the old win, Out where the streets are paved with Goldwyn. – Dorothy Parker
David Stenn (Clara Bow: Runnin' Wild)
You can buy gold that is bright as the sun and diamonds as pale as the moon. But you cannot buy the sun. You cannot own the moon.” II
David Gemmell (Lord of the Silver Bow (Troy, #1))
You gotta promise to never leave me. I-I… you just gotta.” Her response is, “You have to promise to try to love me back. What you’re doing to me…that’s not how you treat a person you love, Twitch.” I’ve loved you since you were six. Kissing her once more, I tell her without hesitation, “If you promise to never leave me, I will love you. And be good to you. I’ll treat you like a queen.” My queen. I heard somewhere that a king only bows down to his queen. And I’m bowing down to Lexi. My chest aches. I don’t know if I like this love thing.
Belle Aurora (Raw (RAW Family, #1))
My father is deceast, come Gaveston,' And share the kingdom with thy deerest friend.' Ah words that make me surfet with delight: What greater blisse can hap to Gaveston, Then live and be the favorit of a king? Sweete prince I come, these these thy amorous lines, Might have enforst me to have swum from France, And like Leander gaspt upon the sande, So thou wouldst smile and take me in thy armes. The sight of London to my exiled eyes, Is as Elizium to a new come soule. Not that I love the citie or the men, But that it harbors him I hold so deare, The king, upon whose bosome let me die, And with the world be still at enmitie: What neede the artick people love star-light, To whom the sunne shines both by day and night. Farewell base stooping to the lordly peeres, My knee shall bowe to none but to the king. As for the multitude that are but sparkes, Rakt up in embers of their povertie, Tanti: Ile fawne first on the winde, That glaunceth at my lips and flieth away: ....
Christopher Marlowe (Edward II)
He bowed his head against my forehead. “I…I love you, Sarah. I’m so in love with you, I can hardly bear it.
Samantha Young (Through the Glen (The Highlands, #3))
They bowed their heads together as Louie prayed. If God would quench their thirst, he vowed, he’d dedicate his life to him. The next day, by divine intervention or the fickle humors of the tropics, the sky broke open and rain poured down. Twice more the water ran out, twice more they prayed, and twice more the rain came. The showers gave them just enough water to last a short while longer. If only a plane would come.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
torpedo, too, either missed the target or failed to explode. Undaunted, Prien then headed southward, away from the Royal Oak, to reload his bow tubes. An hour later, just past 1:00 a.m., with the crew of the battleship still no wiser about his presence, he returned to fire three more torpedoes.
Craig L. Symonds (World War II at Sea: A Global History)
We have received a kingdom that cannot be moved—whose nature is immovable: let us have grace to serve the Consuming Fire, our God, with divine fear; not with the fear that cringes and craves, but with the bowing down of all thoughts, all delights, all loves before him who is the life of them all, and will have them all pure.
George MacDonald (Unspoken Sermons Series I., II., and II.)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.” I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything. He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best. Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?” “I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Wherefore, we receiving a kingdom which cannot be moved, let us have grace, whereby we may serve God acceptably with reverence and godly fear, for our God is a consuming fire."—We have received a kingdom that cannot be moved—whose nature is immovable: let us have grace to serve the Consuming Fire, our God, with divine fear; not with the fear that cringes and craves, but with the bowing down of all thoughts, all delights, all loves before him who is the life of them all, and will have them all pure. The kingdom he has given us cannot be moved, because it has nothing weak in it: it is of the eternal world, the world of being, of truth. We, therefore, must worship him with a fear pure as the kingdom is unshakeable. He will shake heaven and earth, that only the unshakeable may remain, (verse 27): he is a consuming fire, that only that which cannot be consumed may stand forth eternal. It is the nature of God, so terribly pure that it destroys all that is not pure as fire, which demands like purity in our worship. He will have purity. It is not that the fire will burn us if we do not worship thus; but that the fire will burn us until we worship thus; yea, will go on burning within us after all that is foreign to it has yielded to its force, no longer with pain and consuming, but as the highest consciousness of life, the presence of God. When evil, which alone is consumable, shall have passed away in his fire from the dwellers in the immovable kingdom, the nature of man shall look the nature of God in the face, and his fear shall then be pure; for an eternal, that is a holy fear, must spring from a knowledge of the nature, not from a sense of the power. But that which cannot be consumed must be one within itself, a simple existence; therefore in such a soul the fear towards God will be one with the homeliest love. Yea, the fear of God will cause a man to flee, not from him, but from himself; not from him, but to him, the Father of himself, in terror lest he should do Him wrong or his neighbour wrong. And the first words which follow for the setting forth of that grace whereby we may serve God acceptably are these—" Let brotherly love continue." To love our brother is to worship the Consuming Fire.
George MacDonald (Unspoken Sermons, Series I., II., and III.)
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
We have Gideon because we don't want always to be speaking of our faith in abstract, otherworldly, irrreal, or general terms, to which people may be glad to listen but don't really take note of; because it is good once in a while actually to see faith in action, not just hear what it should be like, but see how it just happens in the midst of someone's life, in the story of a human being. Only here does faith become, for everyone, not just a children's game, but rather something highly dangerous, even terrifying. Here a person is being treated without considerations or conditions or allowances; he has to bow to what is being asked, or he will be broken. This is why the image of a person of faith is so often that of someone who is not beautiful in human terms, not a harmonious picture, but rather that of someone who has been torn to shreds. The picture of someone who has learned to have faith has the peculiar quality of always pointing away from the person's own self, toward the One in whose power, in whose captivity and bondage he or she is. So we have Gideon, because his story is a story of God glorified, of the human being humbled.
Dietrich Bonhoeffer (The Collected Sermons of Dietrich Bonhoeffer)
You’re mine,” he said when he drew back, gazing down at her with a hunger that should have made her run. “No one else’s.” He gripped her hips and set her on the edge of his desk. Before she could figure out what he was doing, he brushed her dress up, spread her thighs, and ripped her thong. “Gavin, what—?” His tongue slipped into her vagina, and her mind went blank with shock. He dragged her to the edge of the desk and ate her as if his life depended on it. One hand pinned her thigh open while the other cupped her ass, drawing her tight to his intimate kiss. She couldn’t think as pleasure ricocheted through her. His talented mouth suckled her clit. Before she could counteract the pleasure or get a hold on it, her climax, violent and unstoppable, blasted through her. She wrapped her legs around his head, body bowing as he slammed his fingers into her, eliciting mind-numbing pleasure so great, her mind shut down and her body took over. When it became too much, she yanked on his hair, trying to get his mouth away from her. He moaned but didn’t budge. She could hear him swallow as he lapped up her juices. “G-Gavin, please stop,” she said hoarsely, shuddering. Without moving his head, he pushed her, so she sprawled on her back in a boneless heap on the slick surface of his desk. He used his fingers this time, curling and stroking. The heat began to build again. She tried to kick him, but his hands pinned her wide, and she had no defense as he teased oversensitive nerves. “I-I can’t,” she panted even as another climax punched through her. She erupted, body jerking as he pulled the strings like the master he was. When rational thought returned, she found him standing over her, fingers still buried between her legs. His eyes were ablaze with lust. “I didn’t ask the first time. You say I raped you. Will you let me have you?” It would feel damn good, but... “No.
Mia Knight (Crime Lord's Captive (Crime Lord, #1))
Satan himself must bow to that.
David E. Taylor (The Kingdom of God - Part II: Recovery of the Crown)
You are Lady Elizabeth Bowes Lyon,
Karen Harper (The Queen's Secret: A Novel of England's World War II Queen)
We love you, our angel, and always will,” Papa said and patted me on the back. I knew enough of my Bible to realize why I had overheard, more than once, some of our Bowes Lyon relations refer to David and me as “the Benjamins.” After all, Benjamin was the dearly beloved and youngest of his father’s and Rachel’s children and had many older half brothers.
Karen Harper (The Queen's Secret: A Novel of England's World War II Queen)
softly. His head bows forward and touches my hand. I place my other hand on the back of his head and I feel him shake. “He was my brother,” Liam says as another tear falls from my cheek. “I-I . . . ” The stuttering of my words are all I can get out while he looks at me. He takes a second and draws a deep breath, stands, and walks over to the box. Initially, Liam refused to accept
Corinne Michaels (Consolation (The Consolation Duet #1; Salvation #3))
Occasionally, even today, you come across certain people who seem to possess an impressive inner cohesion. They are not leading fragmented, scattershot lives. They have achieved inner integration. They are calm, settled, and rooted. They are not blown off course by storms. They don’t crumble in adversity. Their minds are consistent and their hearts are dependable. Their virtues are not the blooming virtues you see in smart college students; they are the ripening virtues you see in people who have lived a little and have learned from joy and pain. Sometimes you don’t even notice these people, because while they seem kind and cheerful, they are also reserved. They possess the self-effacing virtues of people who are inclined to be useful but don’t need to prove anything to the world: humility, restraint, reticence, temperance, respect, and soft self-discipline. They radiate a sort of moral joy. They answer softly when challenged harshly. They are silent when unfairly abused. They are dignified when others try to humiliate them, restrained when others try to provoke them. But they get things done. They perform acts of sacrificial service with the same modest everyday spirit they would display if they were just getting the groceries. They are not thinking about what impressive work they are doing. They are not thinking about themselves at all. They just seem delighted by the flawed people around them. They just recognize what needs doing and they do it. They make you feel funnier and smarter when you speak with them. They move through different social classes not even aware, it seems, that they are doing so. After you’ve known them for a while it occurs to you that you’ve never heard them boast, you’ve never seen them self-righteous or doggedly certain. They aren’t dropping little hints of their own distinctiveness and accomplishments. They have not led lives of conflict-free tranquillity, but have struggled toward maturity. They have gone some way toward solving life’s essential problem, which is that, as Aleksandr Solzhenitsyn put it, “the line separating good and evil passes not through states, nor between classes, nor between political parties either— but right through every human heart.” These are the people who have built a strong inner character, who have achieved a certain depth. In these people, at the end of this struggle, the climb to success has surrendered to the struggle to deepen the soul. After a life of seeking balance, Adam I bows down before Adam II. These are the people we are looking for.
David Brooks
At New London, parking was available for submariners at the head of the finger piers. Should a submarine be brought alongside at too high a speed, or if a backing bell failed to be answered, the heavy, protruding bow on occasion overrode the dock and damaged the car parked at the head of the pier. To emphasize the need for caution in avoiding a possible submarine-auto collision, the first parking space was reserved for the skipper of the submarine, thereby guaranteeing the enthusiastic co-operation of the CO in preventing possible damage to a U.S. naval vessel if only to avoid more serious damage to the family wheels. Insurance claims based on collisions between submarine and automobile in New London were unusual but far from unknown.
Paul R. Schratz (Submarine Commander: A Story of World War II and Korea)
Halfway home I stopped at a deli and had soup and a sandwich and coffee. There was a bizarre story in the Post. Two neighbors in Queens had been arguing for months because of a dog that barked in its owner’s absence. The previous night, the owner was walking the dog when the animal relieved itself on a tree in front of the neighbor’s house. The neighbor happened to be watching and shot at the dog from an upstairs window with a bow and arrow. The dog’s owner ran back into his house and came out with a Walther P-38, a World War II souvenir. The neighbor also ran outside with his bow and arrow, and the dog’s owner shot him dead. The neighbor was eighty-one, the dog’s owner was sixty-two, and the two men had lived side by side in Little Neck for over twenty years. The dog’s age wasn’t given, but there was a picture of him in the paper, straining against a leash in the hands of a uniformed police officer.
Lawrence Block (Eight Million Ways to Die (Matthew Scudder, #5))
We have Gideon because we don't want always to be speaking of our faith in abstract, otherworldly, irrreal, or general terms, to which people may be glad to listen but don't really take note of; because it is good once in a while actually to see faith in action, not just hear what it should be like, but see how it just happens in the midst of someone's life, in the story of a human being. Only here does faith become, for everyone, not just a children's game, but rather something highly dangerous, even terrifying. Here a person is being treated without considerations or conditions or allowances; he has to bow to what is being asked, or he will be broken. This is why the image of a person of faith is so often that of someone who is not beautiful in human terms, not a harmonious picture, but rather that of someone who has been torn to shreds. The picture of someone who has learned to have faith has the peculiar quality of always pointing away from the person's own self, toward the One in whose power, in whose captivity and bondage he or she is. So we have Gideon, because his story is a story of God glorified, of the human being humbled.
Dean G. Stroud (Preaching in Hitler's Shadow: Sermons of Resistance in the Third Reich)
What’s going on?” he said. The wind breathed a cool breath across her skin, making her shiver. “What do you mean?” “Come on, Meridith—that kiss . . .” “It was just a kiss,” she said feebly, but her mind replayed the embrace, refuting her words. “You won’t even look at me.” His voice was strained. “Maybe we need to turn out the lights.” Her face burned. Even the wind couldn’t cool it. The grass at Jake’s feet shimmied and bowed over his scarred tennis shoes. “I don’t know what to say. I—I just can’t do this.” She wrapped her arms around her middle. “Why?” She searched the ground for answers like she’d find it among the blades of grass, pull it up by the roots, and hand it over. If only it were so easy. When nothing materialized, she chose the only answer that sounded logical. “I just broke my engagement a month ago. You can’t expect—” “This isn’t about him, and you know it.” An ache started behind her eyes. “I don’t know what it is.” “Then there’s nothing to stop us, is there? Unless you don’t feel anything for me . . .” Self-doubt crept into his tone. She let the sentence hang, unable to deny it. She prayed somehow he wouldn’t remember her response to the kiss or at least not remember it the way she did. She took three cleansing breaths. Four. The briny air failed to calm her. “No, it’s there, isn’t it.” It wasn’t even a question. There was no point denying it. “All right, I won’t deny an attraction. But that’s all, that’s all there can be.” “Why?” She threw her hands up. “I’m leaving soon, moving hundreds of miles away, I’ve just inherited three kids, my engagement’s broken, my future’s uncertain . . .” Surely there was more, but her mind ran out of steam. “Those are all things people work around.” He took a step toward her, then another. “There’s something else.” A memory flashed in her mind. Her mother, in manic mode coming toward her, slowly, just like this. She’d been no more than nine years old, had been wrapped in her mom’s arms only an hour earlier, but an hour made all the difference. Now her mom’s face was red and mottled, and she was yelling. Meridith had covered her ears with her hands. Jake’s movement snagged her attention. He was getting close. She stepped back. 974 . . . 948 . . . 922 . . . “Why are you running?” She knew he wasn’t talking about the step. It hadn’t put nearly enough distance between them. He was there, right in front of her. 896 . . . 8 . . . “Meridith.” He took her by the shoulders. The motion drew her eyes to his, and she knew it with certainty: she was too far gone. As far gone as he, maybe more. What had she done? How was she going to escape with her heart intact? There weren’t enough calming breaths to fix this. She could count backward from a million and still be where she was now. Hopelessly in love with the man who made her feel too many things. “You’re afraid.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Luca stepped away and turned around to give Cass privacy. She wrestled out of her waterlogged dress and slipped the fresh chemise over her head. She tugged the skirt over her hips. The dry fabric felt good against her skin. She slipped her arms through the sleeves of her bodice and stopped. The ties were in the back. She had no way to lace it without Siena’s help. A sob escaped from her lips. Luca was at her side in an instant. “Cass. What is it?” he asked. “Are you hurt?” “I need Siena,” Cass whispered, feeling incredibly stupid. “I--I can’t lace this bodice. I--” “I’ll help you,” Luca said. With slow, fumbling fingers, Luca threaded the first lace through the highest hole. He dropped it and grabbed the lace on the other side. Cass started to tell him it was faster if he threaded one lace through all of the holes first, and then did the same on the other side. But she stopped. There was something comforting about Luca’s painstakingly slow progress, about the methodical but innocent way his hands grazed her back repeatedly. “Thank you,” Cass said, when he had made it all the way to the bottom and knotted the silk pieces in a clumsy bow.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Down the ten channels they plunged, two designated for each of the five forces steaming toward five beaches: Utah, Omaha, Gold, Juno, Sword. Wakes braided and rebraided. The amber orb of a full moon rose through a thinning overcast off the port bow, and the sea sang as swells slipped along every hull bound for a better world. Hallelujah, sang the sea. Hallelujah. Hallelujah.
Rick Atkinson (The Guns at Last Light: The War in Western Europe, 1944-1945 (World War II Liberation Trilogy, #3))
She needed time to accept that she liked every dirty, wrong thing I did to her tonight. That she craved it more than she would ever crave anything else. It was no easy thing, bowing to the dark. It’s okay. “I-I hate you!” It’s okay. Her chin quivered, and she squeezed her eyes shut, shaking her head violently as she turned on her heel and left. This time, I wouldn’t chase her because I knew, one way or another, she’d come back all on her own.
Elena Lawson (Soulless Saint (Kings of Kilborn University, #1))
Occasionally, even today, you come across certain people who seem to possess an impressive inner cohesion. They are not leading fragmented, scattershot lives. They have achieved inner integration. They are calm, settled, and rooted. They are not blown off course by storms. They don't crumble in adversity. Their minds are consistent and their hearts are dependable. Their virtues are not the blooming virtues you see in smart college students; they are the ripening virtues you see in people who have lived a little and have learned from joy and pain. Sometimes you don't even notice these people, because while they seem kind and cheerful, they are also reserved. They possess the self- effacing virtues of people who are inclined to be useful but don't need to prove anything to the world: humility, restraint, reticence, temperance, respect, and soft self-discipline. They radiate a sort of moral joy. They answer softly when challenged harshly. They are silent when unfairly abused. They are dignified when others try to humiliate them, restrained when others try to provoke them. But they get things done. They perform acts of sacrificial service with the same modest everyday spirit they would display if they were just getting the groceries. They are not thinking about what impressive work they are doing. They are not thinking about themselves at all. They just seem delighted by the flawed people around them. They just recognize what needs doing and they do it. They make you feel funnier and smarter when you speak with them. They move through different social classes not even aware, it seems, that they are doing so. After you've known them for a while it occurs to you that you've never heard them boast, you've never seen them self-righteous or doggedly certain. They aren't dropping little hints of their own distinctiveness and accomplishments. They have not led lives of conflict-free tranquillity, but have struggled toward maturity. They have gone some way toward solving life's essential problem, which is that, as Aleksandr Solzhenitsyn put it, 'the line separating good and evil passes not through states, nor between classes, nor between political parties either—but right through every human heart.' These are the people who have built a strong inner character, who have achieved a certain depth. In these people, at the end of this struggle, the climb to success has surrendered to the struggle to deepen the soul. After a life of seeking balance, Adam I bows down before Adam II. These are the people we are looking for.
David Brooks
Words do nothing against them in the short term, so we bow to the storm winds and wait. We wait, and we have faith.
James R. Benn (Death's Door (Billy Boyle World War II #7))
One woman appeared everywhere. A barefoot, black-haired beauty in robes of white. She wore strange horned crowns—feathers of gold sprouted from her forehead. The walls told her story. She played board games with the animal-headed monsters, bowed to jackal-faced men and danced among winged serpents. Sunrays enveloped her figure. Her beady white eyes stared from all surfaces. No corner of the underground maze was free of her strange spell.
Zita Steele (The Hidden Sphinx: A Tale of World War II Egypt)
Richard looked at the bow-tips that twinkled in the sun, the arrows being slowly notched and pointing down the field at him. He flung his head back and dug the golden spurs of knighthood into his horse's flanks. He galloped straight towards the revel lines and shouted, "So now I shall be your leader, as you wished me to!
Anya Seton (Katherine)
Chapter Six: Mistress of Red From underneath from hellish bowels, She lives the torment she shrieks and howls. A damned flame of volcanic intent, Seeks a city where her hatred may vent. Underneath the bow of vaulted earth, This spirit breaks from infernoed perch. Circles the span of inward woe, From beneath the caverns does she go. She seeks the city she may destroy, To lie in ruins for her ploy. From lofty plume of sordid ash, She delights to see her cuts and gash. Vulcania Draconis, spirit of bitter ’ire, Rings the earth with her dredful fires. Horrendous demon from Vulcan’s forge, Lays waste to the earth, her inhabitants engorged. Mighty Pompeii knew her ways, Scoffed at her threats and would not pay. In vindiction’s rage hissed she their doom, Cast them alive within their tombs. And Krakatoa and Mycenae, They would not yield, she laid them waste. An extortioness, royal supreme, To conquer or destroy, her consummate dream. How this evil one sets her pace, Rings sweet earth in her death’s nec-lace. Far from below she blasts her smoke, To cover their eyes until they choke. At her command cities fall and swell, Earthquake, tidal wave, gives masses to hell. This spirit from the blackest pit, Broods deep on those she kiss. She comes to seek those to enslave, To fuel her bowels, her booty in trade. The pride and ruination of nations and men, Seeks souls and bodies to ambition her ends. Now this licking creature of red-hot glow, Sends her heat to make fumerals. Damns the many and damns the one, As empires burn when her rage is done. A vengeful spirit, Draconis is, Smiles so pleasant as victims drop in. Opens her shotted eyes in mirth, To hear the screams of their heated death lurch. This diabolic holds much potent sway, Seeks for victims as ground gives way. She holds the riddle to the land, And holds it she must for her time is at hand. Had learned she now that Kari had come, That timeless conflict again begun. “Never did I see one I could not coerce, But now a convolcation of power, a tour de force.” Suppressed regret ruminated throughout, Yet shreds of fear left no doubt. “I will finish what was started here in mmy land, Beyond records treatise once we did stand. Past all memories, hmm, even so, Before myth began and Rome’s trumpets blowed. I will shatter her like earthenware because I mmust, She tasks mme this creature, mmy hate it is just. Wounded mme she did, her preysence calls, If nothing else, ha I will hurt her if I faullt.” On Vulcania Draconis, Kari's Diabolical Enemy Cold Steel Eternity Vol. ii
Douglas M. Laurent
You took something,” I said. “That bow.” “No!” she said, but her voice was quivering. “Give it back!” I said. “Throw it down!” “I…I didn’t take the bow! Besides, it’s too late.” “What did you take?” Before she could answer, I heard a massive creaking noise, and a shadow blotted out the sky.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Elain swallowed, a doe caught in a snare. “I—I can’t. I …” But my mate nodded—kindly. With understanding. “The sentries will be here, and remain unseen and unfelt. They will look after themselves. Should you change your minds, one will be waiting in this room every day at noon and at midnight for you to speak. My home is your home. Its doors are always open to you.” Nesta looked between Rhys and Cassian, then to me. Despair still paled her face, but … she bowed her head. And said to me, “That was why you painted stars on your drawer.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Enchantment Name Maximum Level Objects Effect Protection IV All armor Reduces physical damage Fire Protection IV All armor Reduces fire damage and burn time, includes damage from lava Blast Protection IV All armor Reduces damage from explosions Feather Falling IV Boots Reduces fall damage Projectile Protection IV All armor Reduces damage from all projectiles Thorns III All armor Damages attackers based on enchantment level Sharpness V Sword/ ax Increases damage of item Smite V Sword/ ax Increases damage to undead mobs Bane of Arthropods V Sword/ ax Increases damage to spiders and silverfish Knockback II Sword Pushes mobs back when hit Fire Aspect II Sword Sets target mob on fire Power V Bow Increases damage done by arrows Punch II Bow Pushes target back Flame I Bow Arrows set mobs on fire Infinity I Bow One arrow can be used infinite times Unbreaking III Most weapons tools and armor Increases durability of tools, armor and weapons Respiration III Helmet Extends underwater breathing time and improves vision Aqua Affinity I Helmet Increases the speed of mining underwater Depth Strider III Boots Increases the horizontal swimming speed inside water Looting II Sword Increases the number of drops as well as the chance of rare mob drops Efficiency V Tools Increases the mining speed. Correct tools must be used with a block to get the boost Silk Touch I Tools Mined blocks drop themselves instead of dropping the usual items. (For instance mining ore block will drop ore block) Fortune III Tools Increases the number of items dropped by a mined block Luck of the Sea III Fishing Rod Reduces the chance of catching junk Lure III Fishing Rod Increases the rate at which fishes bite the hook
BlockBoy (Minecraft: Enchanting and Potions Guide: Master the Art of Enchanting in Minecraft (Unofficial Minecraft Guide) (MineGuides))