I'm A Feminist Obviously Quotes

The process begins with the individual woman’s acceptance that American women, without exception, are socialized to be racist, classist and sexist, in varying degrees, and that labeling ourselves feminists does not change the fact that we must consciously work to rid ourselves of the legacy of negative socialization. It is obvious that many women have appropriated feminism to serve their own ends, especially those white women who have been at the forefront of the movement; but rather than resigning myself to this appropriation I choose to re-appropriate the term “feminism,” to focus on the fact that to be “feminist” in any authentic sense of the term is to want for all people, female and male, liberation from sexist role patterns, domination, and oppression.

The whole reason I’d written about him so freely was that I never expected to face him in person and could therefore imagine him in ways that gratified my conception of who he should be: a white trash savant imbued with junkyard political savvy. In truth, I found the magazine completely disgusting—as I was meant to, obviously: it had long been the most reviled instance of mass-circulation pornography around and used people like me (shame-ridden bourgeois feminists and other elites) for target practice, with excremental grossness among its weapons of choice. It was also particularly nasty to academics who in its imagination are invariably prissy and uptight—sadly I’m one of this breed too. (A cartoon academic to his wife: “Eat your pussy? You forget, Gladys, I have a Ph.D.”)1 Maybe I yearned to be rescued from my primness, though Flynt was obviously no one’s idea of a white knight. (Of course, being attracted to what you’re also repelled by is not exactly unknown in human history.) For some reason, I tend to be drawn to excess: to men who laugh too loud and drink too much, who are temperamentally and romantically immoderate, have off-kilter politics and ideas. Aside from that, it also happened that in the period during which my ideas about things were being formed, the bawdy French satirist Rabelais was enjoying an intellectual revival in my sorts of circles, along with the idea of the “carnivalesque”: the realm of subversion and sacrilege—the grotesque, the unruly, the profane—where the lower bodily stratum and everything that emerges from it is celebrated for supposedly subverting established pieties and hierarchies. I was intrigued by these kinds of ideas, despite—or more likely because of—my aforementioned primness. Contemplating where one might locate these carnivalesque impulses in our own time I’d immediately thought of Hustler, even though back then I had only the vaguest idea what bodily abhorrences awaited me within its shrink-wrapped covers (as if a thin sheet of plastic were sufficient to prevent seepage from the filth within). In fact, the first time I peeled away the protective casing and tried to actually read a copy, I was so disgusted I threw it away, I didn’t even want it in the house.

I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school? At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’” So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling.

If I could be anyone, I’d be Abigail Adams.” “Because she did it all?” he asked. “Because she was glad to do it all and never complained, that’s how committed she was to what John was doing. I know—as a woman, a feminist, I’m not supposed to admire a woman who’d do all that for a man, but she was doing it for herself. As if that was the contribution she could make to the founding of America. And they wrote each other letters—not just romantic, loving letters, but letters asking each other for advice. They were first good friends, two people who respected each other’s brains, and then obviously lovers, since they had a slew of kids. True partners, long before true partners were fashionable.

But because divorce was so unheard of in middle-class Indian society, people looked at divorcées with a sort of incredulous shock and wonder, as if they were somehow criminals. They were ostracized from everyday life because of an invisible scarlet D hovering over them. Meanwhile, Second Wave feminism in the United States was changing attitudes about how women were treated in the workplace and in society, and how unmarried women were perceived in particular. Women were challenging age-old notions of their place in the world. Western media was full of unafraid, smart American women who published magazines, were marching in DC, and were generally making a lot of noise. No such phenomenon had reached our Indian shores. I’m sure my mother had read about the ERA movement, Roe v. Wade, and bra burnings. She, too, wanted the freedom to earn a living in a country where she wouldn’t be a pariah because of her marital status. We could have a fighting chance at surviving independently in the United States, versus being dependent on her father or a future husband in India. Conservative as he was, my grandfather K. C. Krishnamurti, or “Tha-Tha,” as I called him in Tamil, had encouraged her to leave my father after he witnessed how she had been treated. He respected women and loved his daughter and it must have broken his heart to see the situation she had married into. He, too, wanted us to have a second chance at happiness. America, devoid of an obvious caste system and outright misogyny, seemed to value hard work and the use of one’s mind; even a woman could succeed there. My grandfather was a closet feminist.

This rant makes me love even more my individualistic, rock and roll approach to stripping. It’s fucking gorgeous. To anyone arguing that I wouldn’t make the cut for any Vegas show, you’re goddamn right I wouldn’t. I’m far too creative, adventurous, cerebral, daring, and sexy as fuck inside and out to be anyone’s onstage boy toy. The further along I get with this book, the more obvious it becomes that I am to male strippers what Camille Paglia is to feminists. And that statement coming from a male stripper proves itself.