Scar Famous Quotes

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Yes, yes, I know what you’re thinking! ‘It’s all right for him, he’s an internationally famous wizard already!’ But when I was twelve, I was just as much of a nobody as you are now. In fact, I’d say I was even more of a nobody! I mean, a few people have heard of you, haven’t they? All that business with He-Who-Must-Not-Be-Named!” He glanced at the lightning scar on Harry’s forehead. “I know, I know — it’s not quite as good as winning Witch Weekly’s Most-Charming-Smile Award five times in a row, as I have — but it’s a start, Harry, it’s a start.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
That’s what happens in our hearts. The holes do not disappear, but scar tissue grows and becomes part of who we are. The same takes place in nature. As the famous Spanish architect Antoni Gaudi observed, 'There are no straight lines or sharp corners in nature.' The most stable structures in nature— like trees or spiderwebs— have angular and curved lines. As our hearts grow larger, and we learn that scar tissue is not so ugly after all, we accommodate what we had thought would be unendurable. And we realize that the wisdom we have gained would not have been possible without the losses we have known, even those that seemed impossible to bear.
Daniel Gottlieb (The Wisdom We're Born with: Restoring Our Faith in Ourselves)
What’s the good of that if I’m not on the House team?” said Malfoy, looking sulky and bad-tempered. “Harry Potter got a Nimbus Two Thousand last year. Special permission from Dumbledore so he could play for Gryffindor. He’s not even that good, it’s just because he’s famous … famous for having a stupid scar on his forehead. …” Malfoy bent down to examine a shelf full of skulls. “… everyone thinks he’s so smart, wonderful Potter with his scar and his broomstick —” “You have told me this at least a dozen times already,” said Mr. Malfoy, with a quelling look at his son.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
General Garrison assembled all of the men for a memorial service, and captured their feelings of sadness, fear, and resolve with the famous martial speech from Shakespeare’s Henry V: Whoever does not have the stomach for this fight, let him depart. Give him money to speed his departure since we wish not to die in that man’s company. Whoever lives past today and comes home safely will rouse himself every year on this day, show his neighbor his scars, and tell embellished stories of all their great feats of battle. These stories he will teach his son and from this day until the end of the world we shall be remembered. We few, we happy few, we band of brothers; for whoever has shed his blood with me shall be my brother. And those men afraid to go will think themselves lesser men as they hear of how we fought and died together.
Mark Bowden (Black Hawk Down: A Story of Modern War)
Better is it for a soldier to die in battle than to save his life by running away. For my part I had rather be again present, were it possible, in that famous battle, than whole and sound without sharing ill the glory of it. The scars which a soldier exhibits in his breast and face are stars to guide others to the haven of honour and the love of just praise.
Miguel de Cervantes Saavedra (The History of Don Quixote de la Mancha)
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door. “You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.” “Unlock this thing and get me out of here!” she squeaked. He chuckled. “Coward.” He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye. Cecily blew him a kiss as Colby gunned the engine down the busy street. “You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added. “He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?” She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years. “He won’t like it,” he said. She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.” “I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.” “Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly. He glanced at her rigid profile. “He won’t marry her.” She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.” “In psychology,” Colby mused. “She’s been going around with Tate for several months.” “He goes around with a lot of women. He won’t marry any of them.” “Well, he certainly won’t marry me,” she assured him. “I’m white.” “More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.” She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Someone will ask later, sometimes searching for a name, his own or someone else's why I neglected his sadness or his love or his reason or his delirium or his hardships: and he'll be right: it was my duty to name you, you, someone far away and someone close by, to name someone for his heroic scar, to name a woman for her petal, the arrogant one for his fierce innocence, the forgotten one for his famous obscurity. But I didn't have enough time or ink for everyone
Pablo Neruda
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
There were battles ahead, dangers she and Hanne would have to face. What they were attempting was audacious, maybe impossible, but somehow she knew they would manage it. Nina rested her cheek against Hanne’s. She’d honored Matthias, and this path, somewhere between revenge and redemption, was the right one. My place is with the wolves. Nina sat up straight. “Hanne, what do I call you now? Rasmus?” Hanne shuddered. “I can’t stand that. We’ll have to choose a new name. A Saint’s name. To honor the prince’s newfound faith in the Children of Djel.” “All Saints, you’re a quick learner. That’s a politician’s move.” “But we have to pick a good one.” “How about Demyan? Or Ilya? He was famous. And he changed the world.” Her prince smiled. “I don’t know the story.” “I’ll tell it to you,” Nina said. Outside, night was falling and the sky was full of stars. “I’ll tell you a thousand stories, my love. We’ll write the new endings, one by one.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
As the men rode they saw for the first time the full grandeur of Hawaii, for they were to work on one of the fairest islands in the Pacific. To the left rose jagged and soaring mountains, clothed in perpetual green. Born millions of years before the other mountains of Hawaii, these had eroded first and now possessed unique forms that pleased the eye. At one point the wind had cut a complete tunnel through the highest mountain; at others the erosion of softer rock had left isolated spires of basalt standing like monitors. To the right unfolded a majestic shore, cut by deep bays and highlighted by a rolling surf that broke endlessly upon dark rocks and brilliant white sand. Each mile disclosed to Kamejiro and his companions some striking new scene. But most memorable of all he saw that day was the red earth. Down millions of years the volcanic eruptions of Kauai had spewed forth layers of iron-rich rocks, and for subsequent millions of years this iron had slowly, imperceptibly disintegrated until it now stood like gigantic piles of scintillating rust, the famous red earth of Kauai. Sometimes a green-clad mountain would show a gaping scar where the side of a cliff had fallen away, disclosing earth as red as new blood. At other times the fields along which the men rode would be an unblemished furnace-red, as if flame had just left it. Again in some deep valley where small amounts of black earth had intruded, the resulting red nearly resembled a brick color. But always the soil was red. It shone in a hundred different hues, but it was loveliest when it stood out against the rich green verdure of the island, for then the two colors complemented each other, and Kauai seemed to merit the name by which it was affectionately known: the Garden Island.
James A. Michener (Hawaii)
You're calling me shallow? So you know so much about this, huh? Which restaurants have you worked in?" He held his hands out. "Where are your scars?" I stiffened. I shouldn't have to pour out any of my pain for him to take me seriously. "I don't have to have worked in a restaurant to know what makes cooking really good," I snapped. He folded his arms like a sulky fourteen-year-old. "Then educate me." That clearly wasn't an invitation, but screw it. I stood up and planted my hands on the table. "Caring. I don't mean for the details. I mean caring for the person who's going to eat it. Giving them a little piece of what you love the most." I jabbed my finger at my plate. "All of these dishes, they're just about showing off." He rubbed his forearm hard, his face stony. "But I won Fire on High. I'm kind of a big deal, in case you didn't know. I think it's OK for me to show off." I held up a finger. "You won one competition," I said slowly, contempt sneaking into my voice. "This year. Can you name the person who won two years ago? Three? Unless you take this seriously, your book will gather dust in a remainder pile somewhere, a historical record of a leprechaun in a stupid bandanna who was famous for a hot second." The stone in his expression crumbled away. Bright green eyes flashed, hands clenched. His mouth opened and closed, and finally he hissed, "Who the fuck are you to tell me that? You're nobody. You can't even get your own name on a book. Who gives a shit what you think?" My voice shot high with anger. "I'm the woman who has to clean up your mess, you entitled, arrogant brat." It was quiet. Not the silence of people eating delicious food. It was post-atomic-bomb explosion quiet.
Sarah Chamberlain (The Slowest Burn)
The show is a part of our lives, but it’s just a part. Our lives are more about our faith in God, our love for each other, and the family we are raising together. You know, if God wasn’t for us, we wouldn’t be where we are today. Because we love God more than we love each other, we’ve been able to overcome the hurts and the scars of our younger lives and build a new life, centered on Him, focused on faith and family rather than on ourselves. And even though we sometimes fly here and there and do things famous people do--to do our part to support the show--in the end, I love being at home. Most of the time I wish I could just sit in my house all day, with a quilt on my lap, enjoying Jep’s cooking, catching a rerun of Golden Girls or Murder, She Wrote, playing cards with the kids, and enjoying my family. Fame is fleeting, but family is forever.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
It has been said that time heals all wounds. I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue, and the pain lessens, but it is never gone.
Heather C. Leigh (Extremely Famous (Famous, #3))
famous … famous for having a stupid scar
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Bark is a waterproof skin of dead cells that protects a tree's interior plumbing. The furrows in bark are essentially stretch marks that appear as the tree expands. On some trees, like the giant sequoia, bark can be 12 or more inches thick--good insulation from wildfire. Other species, like birch and aspen, have skins just 1/4 inch thick. In the famously exquisite bark of paper birch, cells are laminated on top of one another in layers, so the bark can stretch without furrowing. Microscopic air spaces riddle the outer layers, reflecting light in all directions and making the bark appear white. Should the inner, re4ddish brown bark be exposed, a black scar develops.
James Balog
But Gehrig reported in later life that they weren’t very nice to him. He was a brother all right, but he wasn’t quite as much of a brother as some of the other lads whose mothers weren’t cooks. The boys managed somehow to convey that fine distinction to him. It was the first time that the big, rough, dumb Dutchman butted into the wall reared by the so-called upper classes. It bled a little where he hit, and left a scar. In fact, the brothers never did warm up to him until he became the famous Yankee first baseman and heir to the throne of Babe Ruth. Then they would come around and give him the grip and remember the good old days in the frat house and how jolly it all was.
Paul Gallico (Lou Gehrig: Pride of the Yankees)