How To Annotate Quotes

Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis.

I know how many lives any move of mine will cost; and if the move is worth the cost I make it and pay the cost. But Joan never counts the cost at all:

Aristotle's example is as follows: A Moor is black; but in regard to his teeth he is white; therefore, he is black and not black at the same moment.

How to Win a Fight - Step 1: Always make eye contact. Step 2: Go ahead and use henchmen - these days it's unnecessary and frowned upon to fight your own battles, especially with so many henchmen out of work. Step 3: Run lots of attack ads - I have run about 500 attack ads this year, and I expect that I will buy even more air time next year, because my enemies are getting stronger.

Oh! dear me, the mystery of life; The inaccuracy of thought! The ignorance of humanity! To show how very little control of our possessions we have—what an accidental affair this living is after all our civilization—let me just count over a few of the things lost in one lifetime, beginning, for that seems always the most mysterious of losses—

He understood how to say the grandest things in the most vulgar of idioms. As he spoke all tongues, he entered into all hearts.

In writing there are many secrets too. Nothing is ever lost no matter how it seems at the time and what is left out will always show and make the strength of what is left in.

It doesn't matter if a man does use bad grammar so long as he is a good provider and doesn't go poking round the pantry to see how much sugar you've used in a week.

How can one be serious with the world when the world itself is so ridiculous!

The virtuous soul that is alone and without a master, is like a lone burning coal; it will grow colder rather than hotter. Those who fall alone remain alone in their fall, and they value their souls little since they entrust it to themselves alone. If you do not fear falling alone, do you presume that you will rise up alone? Consider how much more can be accomplished by two together than by one alone.

It wearied Carter to see how solemnly people tried to make earthly reality out of old myths which every step of their boasted science confuted.

how much a thing means to one man and how little it means to another ain’t the right way to look at a business matter.

How, how could the furrows your father plowed bear you, your agony, harrowing on in silence O so long?

Oh how she wept, mourning the marriage-bed where she let loose that double brood—monsters— husband by her husband, children by her child.

How can I annotate his metadata on my mental card catalog if I don’t know what to annotate?

I thought how unpleasant it is to be locked out; and I thought how it is worse perhaps to be locked in; and, thinking of the safety and prosperity of the one sex and of the poverty and insecurity of the other and of the effect of tradition and of the lack of tradition upon the mind of a writer, I thought at last that it was time to roll up the crumpled skin of the day, with its arguments and its impressions and its anger and its laughter, and cast it into the hedge.

56. They all flew away into the west. At this point in the novel Pa delivers this haunting line, 'I would like some one to tell me how they all knew at once that it was time to go, and how they knew which way was west and their ancestral home." Prof. Lockwood commented, 'Locusts were then-- and still are-- mysterious creatures, whose sudden, irruptions are their defining attribute.

Then to submit, boasting I could subdue Th’ Omnipotent. Ay me, they little know How dearly I abide that boast so vaine, Under what torments inwardly I groane; While they adore me on the Throne of Hell, With

Nobody who has not been tried knows how difficult it is; but whoever has come out well of it - and those who do not overcome never do come out of it - always looks back with horror, not on what she has come through, but on the very idea of the possibility of having failed and being still the same miserable creature as before.

There are, you see, two ways of reading a book: you either see it as a box with something inside and start looking for what it signifies, and then if you're even more perverse or depraved you set off after signifiers. And you treat the next book like a box contained in the first or containing it. And you annotate and interpret and question, and write a book about the book, and so on and on. Or there's the other way: you see the book as a little non-signifying machine, and the only question is "Does it work, and how does it work?" How does it work for you? If it doesn't work, if nothing comes through, you try another book. This second way of reading's intensive: something comes through or it doesn't. There's nothing to explain, nothing to understand, nothing to interpret.

But it's a changeable world! When we consider how great our sorrows SEEM, and how small they ARE; how we think we shall die of grief, and how quickly we forget, I think we ought to be ashamed of ourselves and our fickle-heartedness.

Act of Grace my former state; how soon Would highth recal high thoughts, how soon unsay What feign’d submission swore: ease would recant Vows made in pain, as violent and void. For never can true reconcilement grow Where wounds of deadly hate have peirc’d so deep: Which

I mention the library only as a last resort. I recommend buying your own books... They can be spiced with underlines, question marks, and exclamation points; they can be thumbed and dog-eared, plucked to their essential core, and annotated so that they become a mirror of yourself.

Indeed, it is curious how instinctively one protects the image of oneself from idolatry or any other handling that could make it ridiculous, or too unlike the original to be believed in any longer. Or is it not so very curious after all? It is a matter of great importance. Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people—what an airless, shallow, bald, prominent world it becomes! A world not to be lived in.

The emerging and vital truth isn’t who is more Neanderthal than whom. It’s that all peoples, everywhere, enjoyed archaic human lovers whenever they could. These DNA memories are buried deeper inside us than even our ids, and they remind us that the grand saga of how humans spread across the globe will need some personal, private, all-too-human amendments and annotations—rendezvous here, elopements there, and the commingling of genes most everywhere.

How did Kirchmann understand the worthlessness of jurisprudence ? The answer lies in the aphorism: "Three revisions by the legislator and whole libraries became wastepaper." With a sharp alteration this answer became a slogan:"A stroke of the legislator's pen and whole libraries became wastepaper." Another aphorism in the same vein made the point even more brusquely and less politely: "Positive law turns the jurist into a worm in rotten wood." Kirchmann meant that jurisprudence could never catch up with legislation. Thus our predicament becomes immediately obvious. What remains of a science reduced to annotating and interpreting constantly changing regulations issued by state agencies presumed to be in the best position to know and articulate their true intent?

With tire Master-Key in his possession, the student may unlock the many doors of the mental and psychic temple of knowledge, and enter the same freely and intelligently. This Principle explains the true nature of "Energy," "Power," and "Matter," and why and how all these are subordinate to the Mastery of Mind.

Dan's voice rose on the air: "Oh, bring some soap, why don't you!" The reply was Italian. Dan resumed: "Soap, you know—soap. That is what I want—soap. S-o-a-p, soap; s-o-p-e, soap; s-o-u-p, soap. Hurry up! I don't know how you Irish spell it, but I want it. Spell it to suit yourself, but fetch it. I'm freezing.

Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, “Go to sleep, darlings, till the summer comes again.” And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about—whenever the wind blows—oh, that’s very pretty!’ cried Alice, dropping the ball of worsted to clap her hands. ‘And I do so wish it was true! I’m sure the woods look sleepy in the autumn, when the leaves are getting brown.

Remember always thine end, and how the time which is lost returneth not. Without care and diligence thou shalt never get virtue. If thou beginnest to grow cold, it shall begin to go ill with thee, but if thou givest thyself unto zeal thou shalt find much peace, and shalt find thy labour the lighter because of the grace of God and the love of virtue.

Then he looked at a car. It was odd how soon one got used to cars without horses, he thought. They used to look ridiculous.

offices of Love, how we may light’n Each others burden in our share of woe; Since this days Death denounc’t, if ought I see, Will prove no sudden, but a slow-pac’t evill, A

I lost my life over that curtain as I might have done when storming a fort. Is that possible? How terrible and how stupid. It can't be true! It can't, but it is.

Poetry is ever accompanied with pleasure.

How often we say prayers, but how little we really pray! May God make us worthy of doing the work for each other.

the baptism with the Holy Spirit is the Spirit of God coming upon a believer, taking possession of their faculties, and imparting to them gifts not naturally their own,

How beautiful upon the mountains

Not to cleave to our own virtues, nor become as a whole a victim to any of our specialties, to our "hospitality" for instance, which is the danger of dangers for highly developed and wealthy souls, who deal prodigally, almost indifferently with themselves, and push the virtue of liberality so far that it becomes a vice. One must know how TO CONSERVE ONESELF—the best test of independence.

And, what was even more exciting, she felt, too, as she saw Mr Ramsay bearing down and retreating, and Mrs Ramsay sitting with James in the window and the cloud moving and the tree bending, how life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up and threw one down with it, there, with a dash on the beach. Mr

For what is Nature? Nature is no great mother who has borne us. She is our creation. It is in our brain that she quickens to life. Things are because we see them, and what we see, and how we see it, depends on the Arts that have influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it come into existence

The explicit royal stipulation that all forms of annotation would be excluded ensured that the difficulties created for the establishment by the Geneva Bible would be avoided—or so, at any rate, it was thought.

The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. “But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. “He can come in mist which he create, that noble ship’s captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. “He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through.

Epictetus nicely likened this process to gaming: “The counters are indifferent and the dice are indifferent: how do I know which way they will fall? But to use the throw carefully and skillfully, that is my job.

XVI: A BOOK. There is no frigate like a book To take us lands away, Nor any coursers like a page Of prancing poetry. This traverse may the poorest take Without oppress of toll; How frugal is the chariot That bears a human soul!

I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.

the tree to get a little wood for cooking. The little bit of food that we people get is immediately burnt up with heavy logs; we do not swallow so much as you coarse, greedy folk. I had just driven the wedge safely in, and everything was going as I wished; but the cursed wedge was too smooth and suddenly sprang out, and the tree closed so quickly that I could not pull out my beautiful white beard; so now it is tight and I cannot get away, and the silly, sleek, milk-faced things laugh! Ugh! how odious you are!' The children tried very hard, but they

In another large journal book, he wrote his notes out again, along with further notes on the notes, and then started to cross words out of the completed, annotated notes, carefully removing word after word until he had something that looked like a poem. This was how he imagined poetry to be made.

When a man beginneth to grow lukewarm, then he feareth a little labour, and willingly accepteth outward consolation; but when he beginneth perfectly to conquer himself and to walk manfully in the way of God, then he counteth as nothing those things which aforetime seemed to be so grievous unto him.  

Put thy whole trust in God and let Him be thy fear and thy love, He will answer for thee Himself, and will do for thee what is best. Here hast thou no continuing city,(3) and wheresoever thou art, thou art a stranger and a pilgrim, and thou shalt never have rest unless thou art closely united to Christ within thee.

But all over-expression, whether by journalists, poets, novelists, or clergymen, is bad for the language, bad for the mind; and by over-expression, I mean the use of words running beyond the sincere feeling of writer or speaker or beyond what the event will sanely carry. From time to time a crusade is preached against it from the text: ‘The cat was on the mat.’ Some Victorian scribe, we must suppose, once wrote: ‘Stretching herself with feline grace and emitting those sounds immemorially connected with satisfaction, Grimalkin lay on a rug whose richly variegated pattern spoke eloquently of the Orient and all the wonders of the Arabian Nights.’ And an exasperated reader annotated the margin with the shorter version of the absorbing event. How the late Georgian scribe will express the occurrence we do not yet know. Thus, perhaps: ‘What there is of cat is cat is what of cat there lying cat is what on what of mat laying cat.’ The reader will probably the margin with ‘Some cat!

The popular conception of any philosophical doctrine is necessarily imperfect, and very generally unjust. Lucretius is often alluded to as an atheistical writer, who held the silly opinion that the universe was the result of a fortuitous concourse of atoms readers are asked to consider how long letters must be shaken in a bag before a complete annotated edition of Shakespeare could result from the process; and after being reminded how much more complex the universe is than the works of Shakespeare, they are expected to hold Lucretius, with his teachers and his followers, in derision. A nickname which sticks has generally some truth in it, and so has the above view, but it would be unjust to form our judgment of a man from his nickname alone, and we may profitably consider what the real tenets of Lucretius were, especially now that men of science are beginning, after a long pause in the inquiry, once more eagerly to attempt some explanation of the ultimate constitution of matter.

I hate saying anything to a group of people. When I talk to a group of people I always have to single out one and talk to him, and all the while I am talking I feel the others are peering at me and taking unfair advantage. I also hate people to ask cheerfully how you are when they know you're feeling like hell and expect you to say 'Fine'.

If the book is yours and it does not have antiquarian value, do not hesitate to annotate it. Do not trust those who say that you must respect books. You respect books by using them, not leaving them alone. Even if the book is unmarked, you won’t make much money reselling it to a bookseller, so you may as well leave traces of your ownership.

Let me ask you a question. What would you give to cause a thrill of pleasure in the heart of the beloved Redeemer? Remember the grief you cost Him and the pangs which shot through Him on your account, so He might deliver you from your sin and its consequences. Don’t you long to make Him glad? When you bring others to His feet, you give Him joy.

I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and, though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.

We wished to go to the Ambrosian Library, and we did that also. We saw a manuscript of Virgil, with annotations in the handwriting of Petrarch, the gentleman who loved another man's Laura, and lavished upon her all through life a love which was a clear waste of the raw material. It was sound sentiment, but bad judgment. It brought both parties fame, and created a fountain of commiseration for them in sentimental breasts that is running yet. But who says a word in behalf of poor Mr. Laura? (I do not know his other name.) Who glorifies him? Who bedews him with tears? Who writes poetry about him? Nobody. How do you suppose he liked the state of things that has given the world so much pleasure? How did he enjoy having another man following his wife every where and making her name a familiar word in every garlic-exterminating mouth in Italy with his sonnets to her pre-empted eyebrows? They got fame and sympathy--he got neither. This is a peculiarly felicitous instance of what is called poetical justice. It is all very fine; but it does not chime with my notions of right. It is too one-sided--too ungenerous.

It is no great thing to mingle with the good and the meek, for this is naturally pleasing to all, and every one of us willingly enjoyeth peace and liketh best those who think with us: but to be able to live peaceably with the hard and perverse, or with the disorderly, or those who oppose us, this is a great grace and a thing much to be commended and most worthy of a man.

the marginal notes to the Geneva Bible did more than provide theological elucidation at points of difficulty—the “most profitable annotations upon the hard places” mentioned on the title page of the work. They offered political comments on the text, which could easily be applied to the political situation under James I—and James cordially detested what he found in those notes.

I had often seen my master and Dick employed in reading; and I had a great curiosity to talk to the books, as I thought they did; and so to learn how all things had a beginning: for that purpose I have often taken up a book, and have talked to it, and then put my ears to it, when alone, in hopes it would answer me; and I have been very much concerned when I found it remained silent.

I pull out the father-to-be book Sarah gave him, now annotated with notes in the margins and flagged pages with bright pink tabs. I flick through it, realising that he’s left notes to the baby amongst the pages. Telling them how excited he is for every stage. How much he can’t wait to meet them. Your mom is doing such a good job at growing you, I read. She’s going to be an incredible mom.

If thou willingly bear the Cross, it will bear thee, and will bring thee to the end which thou seekest, even where there shall be the end of suffering; though it shall not be here. If thou bear it unwillingly, thou makest a burden for thyself and greatly increaseth thy load, and yet thou must bear it. If thou cast away one cross, without doubt thou shalt find another and perchance a heavier.

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

O, sir!’ she cried, ‘I wish to beg of you to spare my father; for I assure your Highness, if he had known who you was, he would have bitten his tongue out sooner. And Fritz, too—how he went on! But I had a notion; and this morning I went straight down into the stable, and there was your Highness’s crown upon the stirrup-irons! But, O, sir, I made certain you would spare them; for they were as innocent as lambs.

The evidence strongly suggests that the first English Bible to be brought to the New World was the Geneva Bible. Not only had this been available longer, it was the translation of choice for the Puritans, who valued its extensive annotations. The Geneva Bible offered both text and commentary, which served as a framework to interpret the hand of providence that had delivered them from Egypt and brought them to this new Canaan.

Thou wilt be quickly deceived if thou lookest only upon the outward appearance of men, for if thou seekest thy comfort and profit in others, thou shalt too often experience loss. If thou seekest Jesus in all things thou shalt verily find Jesus, but if thou seekest thyself thou shalt also find thyself, but to thine own hurt. For if a man seeketh not Jesus he is more hurtful to himself than all the world and all his adversaries.

It’s painful to recall, but I’m not ashamed, because all those thoughts—which I thankfully don’t have anymore, thanks to medical science and therapy—were not my fault any more than the allergies that clog my sinuses when the trees in my neighborhood start doin’ it every spring are my fault. It’s just part of who I am. It’s part of how my brain is wired, and because I know that, I can medically treat it, instead of being a victim of it.

Illumination Always there is something more to know what lingers at the edge of thought awaiting illumination as in this second-hand book full of annotations daring the margins in pencil a light stroke as if the writer of these small replies meant not to leave them forever meant to erase evidence of this private interaction Here a passage underlined there a single star on the page as in a night sky cloud-swept and hazy where only the brightest appears a tiny spark I follow its coded message try to read in it the direction of the solitary mind that thought to pencil in a jagged arrow It is a bolt of lightning where it strikes I read the line over and over as if I might discern the little fires set the flames of an idea licking the page how knowledge burns Beyond the exclamation point its thin agreement angle of surprise there are questions the word why So much is left untold Between the printed words and the self-conscious scrawl between what is said and not white space framing the story the way the past unwritten eludes us So much is implication the afterimage of measured syntax always there ghosting the margins that words their black-lined authority do not cross Even as they rise up to meet us the white page hovers beneath silent incendiary waiting

Among the prisoners were a number of priests, and Joan took these under her protection and saved their lives. It was urged that they were most probably combatants in disguise, but she said: 'As to that, how can any tell? They wear the livery of God, and if even one of these wears it rightfully, surely it were better that all the guilty should escape than that we have upon our hands the blood of that innocent man. I will lodge them where I lodge, and feed them, and sent them away in safety.

For some reason, there was a scare about the Catholics getting control of the government and the awful things they would do to protestants. The daughter would wring her hands and pace the floor declaring that the Catholics should never take her Bible away from her. Then a comet appeared in the sky and both women thought it meant the end of the world and were more frightened than ever. But I couldn’t see how I could be afraid of both comet and Catholics at the same time so I worried about neither.

Sam loved me in a way that was as close as love could come to his mother’s indifference. It was playful, bouncy, it accepted the situation between us without annotations, and without realizing it, he stuck me like a buffer between himself and his parents. He had a wife, and that warded them off. How could he be wild if he was settled? How could he be in trouble if he was married? He might have known these things, but coming from that emotionally monosyllabic household, how could he have had a vocabulary for them?

I wasn't sure whether I liked "goodness" so much as I had supposed. This is a very terrible experience. As long as what you are afraid of is something evil, you may still hope that the good may come to your rescue. But suppose you struggle through to the good and find that it also is dreadful? How if food itself turns out to be the very thing you can't eat, and home the very place you can't live, and your very comforter the person who makes you uncomfortable? Then, indeed, there is no rescue possible: the last card has been played.

I heard the doctor say impressively: "Dan, how often have we told you that these foreigners cannot understand English? Why will you not depend upon us? Why will you not tell us what you want, and let us ask for it in the language of the country? It would save us a great deal of the humiliation your reprehensible ignorance causes us. I will address this person in his mother tongue: 'Here, cospetto! corpo di Bacco! Sacramento! Solferino!—Soap, you son of a gun!' Dan, if you would let us talk for you, you would never expose your ignorant vulgarity.

Blessed is he who understandeth what it is to love Jesus, and to despise himself for Jesus' sake. He must give up all that he loveth for his Beloved, for Jesus will be loved alone above all things. The love of created things is deceiving and unstable, but the love of Jesus is faithful and lasting. He who cleaveth to created things will fall with their slipperiness; but he who embraceth Jesus will stand upright for ever. Love Him and hold Him for thy friend, for He will not forsake thee when all depart from thee, nor will he suffer thee to perish at the last.

Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to one self. By feeling that one has some innate superiority—it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney—for there is no end to the pathetic devices of the human imagination—over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself.

How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, “Musing among the vegetables?”—was that it?—“I prefer men to cauliflowers”—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh.

How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.

How many of our loved ones are dead today due to these experiments? What is to become of all of those who were part of these experiments the innocent women, children, prisoners, and service members who became human guinea pigs for “A Nobler Purpose?” How many citizens of this country were exposed to radiation from fallout? Do we really need to ask why Cancer is so prevalent? How much were our oceans damaged due to sea dumping? These are tough questions, for which you have the answers. Let your voices be heard, lest your silence convey a more powerful message to those in power. Until we make the necessary changes to protect every citizen, history will continue to repeat itself.

For, how could you expect me not to feel uneasy about what that ancient lawgiver they call the Public will say when it sees me, after slumbering so many years in the silence of oblivion, coming out now with all my years upon my back, and with a book as dry as a rush, devoid of invention, meagre in style, poor in thoughts, wholly wanting in learning and wisdom, without quotations in the margin or annotations at the end, after the fashion of other books I see, which, though all fables and profanity, are so full of maxims from Aristotle, and Plato, and the whole herd of philosophers, that they fill the readers with amazement and convince them that the authors are men of learning, erudition, and eloquence. And

Love is a great thing, a good above all others, which alone maketh every heavy burden light, and equaliseth every inequality. For it beareth the burden and maketh it no burden, it maketh every bitter thing to be sweet and of good taste. The surpassing love of Jesus impelleth to great works, and exciteth to the continual desiring of greater perfection. Love willeth to be raised up, and not to be held down by any mean thing. Love willeth to be free and aloof from all worldly affection, lest its inward power of vision be hindered, lest it be entangled by any worldly prosperity or overcome by adversity. Nothing is sweeter than love, nothing stronger, nothing loftier, nothing broader, nothing pleasanter, nothing fuller or better in heaven nor on earth, for love was born of God and cannot rest save in God above all created things.

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")

How she had come to Great Mop she could not say; whether it was of her own will, or whether, exchanging threatenings and mockeries for sweet persuasions, Satan had at last taken pity upon her bewilderment, leading her by the hand into the flower-shop in the Moscow Road; but from the moment of her arrival there he had never been far off. Sure of her—she supposed—he had done little for nine months but watch her. Near at hand but out of sight the loving huntsman couched in the woods, following her with his eyes. But all the time, whether couched in the woods or hunting among the hills, he drew closer. He was hidden in the well when she threw in the map and the guidebook. He sat in the oven, teaching her what power she might have over the shapes of men. He followed her and Mr. Saunter up and down between the henhouses. He was nearest of all upon the night when she climbed Cubbey Ridge, so near then that she acknowledged his presence and was afraid.

But she was a little angry, and a great deal hurt. “I can guess what you would tell me,” the editor had kindly but firmly interrupted her lengthy preamble in the long-looked-forward-to interview just ended. “And you have told me enough,” he had gone on (heartlessly, she was sure, as she went over the conversation in its freshness). “You have done no newspaper work. You are undrilled, undisciplined, unhammered into shape. You have received a high-school education, and possibly topped it off with normal school or college. You have stood well in English. Your friends have all told you how cleverly you write, and how beautifully, and so forth and so forth. You think you can do newspaper work, and you want me to put you on. Well, I am sorry, but there are no openings. If you knew how crowded—” “But if there are no openings,” she had interrupted, in turn, “how did those who are in, get in? How am I to show that I am eligible to get in?” “They made themselves indispensable,” was the terse response. “Make yourself indispensable.” “But how can I, if I do not get the chance?” “Make your chance.

How she had come to Great Mop she could not say; whether it was of her own will, or whether, exchanging threatenings and mockeries for sweet persuasions, Satan had at last taken pity upon her bewilderment, leading her by the hand into the flower-shop in the Moscow Road; but from the moment of her arrival there he had never been far off. Sure of her—she supposed—he had done little for nine months but watch her. Near at hand but out of sight the loving huntsman couched in the woods, following her with his eyes. But all the time, whether couched in the woods or hunting among the hills, he drew closer. He was hidden in the well when she threw in the map and the guidebook. He sat in the oven, teaching her what power she might have over the shapes of men. He followed her and Mr. Saunter up and down between the henhouses. He was nearest of all upon the night when she climbed Cubbey Ridge, so near then that she acknowledged his presence and was afraid. That night, indeed, he must have been within a hand’s-breadth of her. But her fear had kept him at bay, or else he had not chosen to take her just then, preferring to watch until he could overcome her mistrust and lure her into his hand. For Satan is not only a huntsman. His interest in mankind is that of a skilful and experienced naturalist.

Besides, it’s not as big a deal as people make it out to be. You just have to be prepared to answer any question on any of the four hundred books you’ve read so far in graduate school. And if you get it wrong, they kick you out,” she said. He fixed her with a look of barely contained awe while she stirred the salad around her plate with the tines of her fork. She smiled at him. Part of learning to be a professor was learning to behave in a professorial way. Thomas could not be permitted to see how afraid she was. The oral qualifying exam is usually a turning point—a moment when the professoriate welcomes you as a colleague rather than as an apprentice. More infamously, the exam can also be the scene of spectacular intellectual carnage, as the unprepared student—conscious but powerless—witnesses her own professional vivisection. Either way, she will be forced to face her inadequacies. Connie was a careful, precise young woman, not given to leaving anything to chance. As she pushed the half-eaten salad across the table away from the worshipful Thomas, she told herself that she was as prepared as it was possible to be. In her mind ranged whole shelvesful of books, annotated and bookmarked, and as she set aside her luncheon fork she roamed through the shelves of her acquired knowledge, quizzing herself. Where are the economics books? Here. And the books on costume and material culture? One shelf over, on the left. A shadow of doubt crossed her face. But what if she was not prepared enough? The first wave of nausea contorted her stomach, and her face grew paler. Every year, it happened to someone. For years she had heard the whispers about students who had cracked, run sobbing from the examination room, their academic careers over before they had even begun. There were really only two ways that this could go. Her performance today could, in theory, raise her significantly in departmental regard. Today, if she handled herself correctly, she would be one step closer to becoming a professor. Or she would look in the shelves

Thy Justice seems; yet to say truth, too late, I thus contest; then should have been refusd Those terms whatever, when they were propos’d: Thou didst accept them; wilt thou enjoy the good, Then cavil the conditions? and though God Made thee without thy leave, what if thy Son Prove disobedient, and reprov’d, retort, Wherefore didst thou beget me? I sought it not: Wouldst thou admit for his contempt of thee That proud excuse? yet him not thy election, But Natural necessity begot. God made thee of choice his own, and of his own To serve him, thy reward was of his grace, Thy punishment then justly is at his Will. Be it so, for I submit, his doom is fair, That dust I am, and shall to dust returne: O welcom hour whenever! why delayes His hand to execute what his Decree Fixd on this day? why do I overlive, Why am I mockt with death, and length’nd out To deathless pain? how gladly would I meet Mortalitie my sentence, and be Earth Insensible, how glad would lay me down As in my Mothers lap? there I should rest And sleep secure; his dreadful voice no more Would Thunder in my ears, no fear of worse To mee and to my ofspring would torment me With cruel expectation. Yet one doubt Pursues me still, least all I cannot die, Least that pure breath of Life, the Spirit of Man Which God inspir’d, cannot together perish With this corporeal Clod; then in the Grave, Or in some other dismal place, who knows But I shall die a living Death? O thought Horrid, if true! yet why? it was but breath Of Life that sinn’d; what dies but what had life And sin? the Bodie properly hath neither. All of me then shall die: let this appease The doubt, since humane reach no further knows. For though the Lord of all be infinite, Is his wrauth also? be it, man is not so, But mortal doom’d. How can he exercise Wrath without end on Man whom Death must end? Can he make deathless Death? that were to make Strange contradiction, which to God himself Impossible is held, as Argument Of weakness, not of Power. Will he, draw out, For angers sake, finite to infinite In punisht man, to satisfie his rigour Satisfi’d never; that were to extend His Sentence beyond dust and Natures Law, By which all Causes else according still To the reception of thir matter act, Not

TWO FORMS OF IMAGINATION The imaginative faculty functions in two forms. One is known as "synthetic imagination," and the other as "creative imagination." SYNTHETIC IMAGINATION: Through this faculty, one may arrange old concepts, ideas, or plans into new combinations. This faculty creates nothing. It merely works with the material of experience, education, and observation with which it is fed. It is the faculty used most by the inventor, with the exception of the who draws upon the creative imagination, when he cannot solve his problem through synthetic imagination. CREATIVE IMAGINATION:-Through the faculty of creative imagination, the finite mind of man has direct communication with Infinite Intelligence. It is the faculty through which "hunches" and "inspirations" are received. It is by this faculty that all basic, or new ideas are handed over to man. It is through this faculty that thought vibrations from the minds of others are received. It is through this faculty that one individual may "tune in," or communicate with the subconscious minds of other men. The creative imagination works automatically, in the manner described in subsequent pages. This faculty functions ONLY when the conscious mind is vibrating at an exceedingly rapid rate, as for example, when the conscious mind is stimulated through the emotion of a strong desire. The creative faculty becomes more alert, more receptive to vibrations from the sources mentioned, in proportion to its development through USE. This statement is significant! Ponder over it before passing on. Keep in mind as you follow these principles, that the entire story of how one may convert DESIRE into money cannot be told in one statement. The story will be complete, only when one has MASTERED, ASSIMILATED, and BEGUN TO MAKE USE of all the principles. The great leaders of business, industry, finance, and the great artists, musicians, poets, and writers became great, because they developed the faculty of creative imagination. Both the synthetic and creative faculties of imagination become more alert with use, just as any muscle or organ of the body develops through use. Desire is only a thought, an impulse. It is nebulous and ephemeral. It is abstract, and of no value, until it has been transformed into its physical counterpart. While the synthetic imagination is the one which will be used most frequently, in the process of transforming the impulse of DESIRE into money, you must keep in mind the fact, that you may face circumstances and situations which demand use of the creative imagination as well.

In Chapter two, you were instructed to take six definite, practical steps, as your first move in translating the desire for money into its monetary equivalent. One of these steps is the formation of a DEFINITE, practical plan, or plans, through which this transformation may be made. You will now be instructed how to build plans which will be practical, viz:- (a) Ally yourself with a group of as many people as you may need for the creation, and carrying out of your plan, or plans for the accumulation of money-making use of the "Master Mind" principle described in a later chapter. (Compliance with this instruction is absolutely essential. Do not neglect it.) (b) Before forming your "Master Mind" alliance, decide what advantages, and benefits, you may offer the individual embers of your group, in return for their cooperation. No one will work indefinitely without some form of compensation. No intelligent person will either request or expect another to work without adequate compensation, although this may not always be in the form of money. (c) Arrange to meet with the members of your "Master Mind" group at least twice a week, and more often if possible, until you have jointly perfected the necessary plan, or plans for the accumulation of money. (d) Maintain PERFECT HARMONY between yourself and every member of your "Master Mind" group. If you fail to carry out this instruction to the letter, you may expect to meet with failure. The "Master Mind" principle cannot obtain where PERFECT HARMONY does not prevail.

My analysis work proved that there are thirty major reasons for failure, and thirteen major principles through which people accumulate fortunes. In this chapter, a description of the thirty major causes of failure will be given. As you go over the list, check yourself by it, point by point, for the purpose of discovering how many of these causes-of-failure stand between you and success. 1. UNFAVORABLE HEREDITARY BACKGROUND. There is but little, if anything, which can be done for people who are born with a deficiency in brain power. This philosophy offers but one method of bridging this weakness-through the aid of the Master Mind. Observe with profit, however, that this is the ONLY one of the thirty causes of failure which may not be easily corrected by any individual. 2. LACK OF A WELL-DEFINED PURPOSE IN LIFE. There is no hope of success for the person who does not have a central purpose, or definite goal at which to aim. Ninety-eight out of every hundred of those whom I have analyzed, had no such aim. Perhaps this was the 3. LACK OF AMBITION TO AIM ABOVE MEDIOCRITY. We offer no hope for the person who is so indifferent as not to want to get ahead in life, and who is not willing to pay the price. 4. INSUFFICIENT EDUCATION. This is a handicap which maybe overcome with comparative ease. Experience has proven that the best-educated people are often those who are known as "self-made," or self-educated. It takes more than a college degree to make one a person of education. Any person who is educated is one who has learned to get whatever he wants in life without violating the rights of others. Education consists, not so much of knowledge, but of knowledge effectively and persistently APPLIED. Men are paid, not merely for what they know, but more particularly for WHAT THEY DO WITH THAT WHICH THEY KNOW. 5.LACK OF SELF-DISCIPLINE. Discipline comes through self-control. This means that one must control all negative qualities. Before you can control conditions, you must first control yourself. Self-mastery is the hardest job you will ever tackle. If you do not conquer self, you will be conquered by self. You may see at one and the same time both your best friend and your greatest enemy, by stepping in front of a mirror. 6. ILL HEALTH. No person may enjoy outstanding success without good health. Many of the causes of ill health are subject to mastery and control. These, in the main are: a. Overeating of foods not conducive to health b. Wrong habits of thought; giving expression to negatives. c. Wrong use of, and over indulgence in sex. d. Lack of proper physical exercise e. An inadequate supply of fresh air, due to improper breathing.

No erudition, no purity of diction, no width of mental outlook, no flowers of eloquence, no grace of person, can atone for lack of fire. Prayer ascends by fire. Flame gives prayer access as well as wings, acceptance as well as energy. There is no incense without fire; no prayer without flame.

A sinner will never be converted until his emotions are stirred. Unless he feels sorrow for sin, and unless he has some measure of joy in the reception of the Word, you can’t have much hope for him. The Truth must soak into the soul and dye it with its own color.

let a man become really holy, and, even if he only has the slightest ability, he will be a more fit instrument in God’s hand than the man of great acquired skills who is not obedient to divine will, nor clean and pure in the sight of the Lord God Almighty.

The greatest strength of the sermon lies in what has gone before the sermon. You must get ready for the whole service through private fellowship with God and real holiness of character.

the most likely instrument to do the Lord’s work is the man who expects God will use him and who goes forth to labor in the strength of that conviction

Then" Once we were in the loop . . . slick with information and the luster of good timing. We folded our clothes. Once we stood up before the standing vigils, before the popping vats, before the annotated lists of marshaled forces with their Venn diagrams like anxious zygotes, their paratactic chasms . . . before the set of whirligig blades, modular torrent. We folded our clothes. Once we remembered to get up to pee . . . and how to pee in a gleaming bowl . . . soaked as we were in gin and coconut, licorice water with catalpa buds, golden beet syrup in Johnny Walker Blue and a beautiful blur like August fog, cantilevered over the headlands . . . We tucked into the crevices of the mattress pad twirling our auburn braids, or woke up at the nick of light and practiced folding our clothes. Our pod printed headbands with hourly updates, announcing the traversals of green-shouldered hawks through the downtown loop, of gillyfish threading the north canals, of the discovery of electron calligraphy or a new method of washing brine. We smoothed our feathers like birds do, and twitched ourselves into warm heaps, and followed the fourth hand on the platinum clocks sweeping in arcs from left to right, up and down, in and out . . . We were steeped in watchfulness, fully suspended, itinerant floaters — ocean of air — among the ozone lily pads and imbrex domes, the busting thickets of nutmeg, and geode malls. At night we told stories about the future with clairvoyant certainty. Our clothing was spectacular and fit to a T. We admired each other with ferocity.

For brief explanation I may say that witch craft is known to its votaries as la vecchia religione, or the old religion, of which Diana is the Goddess, her daughter Aradia (or Herodias) the female Messiah, and that this little work sets forth how the latter was born, came down to earth, established witches and witchcraft, and then returned to heaven. With it are given the ceremonies and invocations or incantations to be addressed to Diana and Aradia, the exorcism of Cain, and the spells of the holy-stone, rue, and verbena, constituting, as the text declares, the regular church-service, so to speak, which is to be chanted or pronounced at the witch-meetings. There are also included the very curious incantations or benedictions of the honey, meal, and salt, or cakes of the witch-supper, which is curiously classical, and evidently a relic of the Roman Mysteries.

It is curious to note how slowly the mechanism of the intellectual life improves. Contrast the ordinary library facilities of a middle-class English home, such as the present writer is now working in, with the inconveniences and deficiencies of the equipment of an Alexandrian writer, and one realizes the enormous waste of time, physical exertion, and attention that went on through all the centuries during which that library flourished. Before the present writer lie half a dozen books, and there are good indices to three of them. He can pick up any one of these six books, refer quickly to a statement, verify a quotation, and go on writing. Contrast with that the tedious unfolding of a rolled manuscript. Close at hand are two encyclopedias, a dictionary, an atlas of the world, a biographical dictionary, and other books of reference. They have no marginal indices, it is true; but that perhaps is asking for too much at present. There were no such resources in the world in 300 B.C. Alexandria had still to produce the first grammar and the first dictionary. This present book is being written in manuscript; it is then taken by a typist and typewritten very accurately. It can then, with the utmost convenience, be read over, corrected amply, rearranged freely, retyped, and recorrected. Fig 00346

Right thinking is necessarily an open process, and the only science and history of full value to men consist of what is generally and clearly known; this is surely a platitude, but we have still to discover how to preserve our centres of philosophy and research from the caking and darkening accumulations of narrow and dingy-spirited specialists. We have still to ensure that a man of learning shall be none the less a man of affairs, and that all that can be thought and known is kept plainly, honestly, and easily available to the ordinary men and women who are the substance of mankind. The

Kate stood by that low bed, looking down earnestly on its occupant—that occupant that was now a person, and soon would be—O, fearful metamorphosis!—but a thing,—why was it that the recollection of her own mother flashed so arrow-swift, so lightning-bright, across her? What possible resemblance could there be found between this poor plebeian, with the swollen, debased features, with the coarse, weather-stained, care-wrinkled skin, and her mother, with her patient, saintly face and spirit eyes? What resemblance indeed! Why this, just this one, which struck Kate through and through: she had seen on both the stamp of the valley of the shadow of death.[301] There is that much resemblance between us all. We acknowledge it in words; but we do not often feel it to our heart’s core; do not realise how near of kin that ineradicable stain of mortality makes us all. The

And what of this great map on the wall?” William explained how for each country he annotated information about population, politics, religion and other facts. Finally he was overcome with emotion as the reality struck him once again. “Don’t you see, Brother Fuller? Most of the world does not know Christ. Everywhere we look there are pagans! Pagans. Pagans. Pagans.

What is drawing?" Vincent van Gogh asked in an 1882 letter to his brother Theo. "How does one learn it? It is working through an invisible iron wall that seems to stand between what one feels and what one can do. How is one to get through that wall--since pounding at it is of no use? In my opinion one has to undermine that wall, filing through it steadily and patiently.