Lit Party Quotes

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Hey, Adam,” I said. I thought you’d want to know that Warren and Darryl made it out of the vampire den alive.” I sucked in my breath. “You didn’t actually agree to their meeting on Marsilia’s grounds?” He laughed. “No, it just sounded better than saying they made it out of Denny’s alive. It might not be romantic, but it’s open all night and set in the middle of a brightly lit parking lot with no dark places for skulking parties to ambush from.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
So it’s your death suit.” “Correct. Don’t you have a death outfit?” “Yeah,” I said. “It’s a dress I bought for my fifteenth birthday party. But I don’t wear it on dates.” His eyes lit up. “We’re on a date?” he asked. I looked down, feeling bashful. “Don’t push it.
John Green
Rhys straightened. "You'd- make me food?" "Heat," I said. "I can't cook." It didn't seem to make a difference. But whatever it was, the act of offering him food... I dumped some cold soup into a pan and lit the burner. "I don't know the rules," I said, my back to him. "So you need to explain them to me." He lingered in the center of the cabin, watching my every move. He said hoarsely, "It's an... important moment when a female offers her mate food. It goes back to whatever beats we were a long, long time ago. But it still matters. The first time matters. Some mated pairs will make an occasion of it- throwing a party just so the female can formally offer mate food... That's usually done amongst the wealthy. But it means that the female... accepts the bond." I stared into the soup. "Tell me the story- tell me everything." He understood my offer: tell me while I cooked, and I'd decide at the end whether or not to offer him that food.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I don't believe this. How can he not want to go to the Savoy? God, it's all right for top businessmen, isn't it? Free champagne, yawn, yawn. Goody bags, yet another party, yawn, how tedious and dull.
Sophie Kinsella (I've Got Your Number)
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages. As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment. Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive. Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either. School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics. Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements. The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla. Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection. But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation. Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
Colin's chuckles grew more heartfelt. "You really ought to have more faith in your favorite brother, dear sis." "He’s your favorite brother?" Simon asked, one dark brow raised in disbelief. "Only because Gregory put a toad in my bed last night," Daphne bit off, "and Benedict's standing has never recovered from the time he beheaded my favorite doll." "Makes me wonder what Anthony's done to deny him even an honorable mention," Colin murmured. "Don't you have somewhere else to be?" Daphne asked pointedly. Colin shrugged. "Not really." "Didn't," she asked through clenched teeth, "you just tell me you promised a dance to Prudence Featherington?" "Gads, no. You must have misheard." "Perhaps Mother is looking for you, then. In fact, I'm certain I hear her calling your name." Colin grinned at her discomfort. "You're not supposed to be so obvious," he said in a stage whisper, purposely loud enough for Simon to hear. "He'll figure out that you like him." Simon's entire body jerked with barely contained mirth. "It's not his company I'm trying to secure," Daphne said acidly. "It's yours I'm trying to avoid." Colin clapped a hand over his heart. "You wound me, Daff." He turned to Simon. "Oh, how she wounds me." "You missed your calling, Bridgerton," Simon said genially. "You should have been on the stage." "An interesting idea," Colin replied, "but one that would surely give my mother the vapors." His eyes lit up. "Now that's an idea. And just when the party was growing tedious. Good eve to you both." He executed a smart bow and walked off.
Julia Quinn (The Duke and I (Bridgertons, #1))
Beyond the table, there is an altar, with candles lit for Billie Holiday and Willa Carter and Hypatia and Patsy Cline. Next to it, an old podium that once held a Bible, on which we have repurposed an old chemistry handbook as the Book of Lilith. In its pages is our own liturgical calendar: Saint Clementine and All Wayfarers; Saints Lorena Hickok and Eleanor Roosevelt, observed in the summer with blueberries to symbolize the sapphire ring; the Vigil of Saint Juliette, complete with mints and dark chocolate; Feast of the Poets, during which Mary Oliver is recited over beds of lettuce, Kay Ryan over a dish of vinegar and oil, Audre Lorde over cucumbers, Elizabeth Bishop over some carrots; The Exaltation of Patricia Highsmith, celebrated with escargots boiling in butter and garlic and cliffhangers recited by an autumn fire; the Ascension of Frida Khalo with self-portraits and costumes; the Presentation of Shirley Jackson, a winter holiday started at dawn and ended at dusk with a gambling game played with lost milk teeth and stones. Some of them with their own books; the major and minor arcana of our little religion.
Carmen Maria Machado (Her Body and Other Parties: Stories)
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon – layers upon layers of life, always something more, new, deeper.
Lauren Oliver (Before I Fall)
Maddy shook her head, as if the movement could somehow shake the reality away. She simply couldn’t believe it. That by saving her he had actually, knowingly put himself in line for a consequence this severe. So much was kept hidden about the Angels, about how they handled their internal affairs—brutally, it turned out. All the while they put on a smooth, clean exterior for the public and the media. “What can I do?” she said finally. Jacks looked at her through the deluge. “Come with me.” There he stood in the pouring rain, the image of shirtless soaked perfection. He stood before her offering her a choice just like he had the night they went flying. She was at another crossroads. She knew she could just leave. Knew she probably should. But they were going to take his wings, and it was all her fault. Her fault for going to the party, her fault for trying to follow through with her plan, her fault for leaving and insisting on walking home. Could she really leave him now? Before she had even decided, her mouth opened. “Yes,” she said. Just like when he had invited her to the party. It simply came out, as though her true desires could no longer be repressed. Jacks smiled a dripping, radiant smile. A flash of lightning lit the roof, followed closely by a bark of thunder.
Scott Speer (Immortal City (Immortal City, #1))
The darkness is not so empty as you imagine. Think of attending a party at night, in a house brightly lit with candles. If we happen to glance out the window, we cannot see into the darkness or know what lies outside. Yet any out there in the dark can see inside to us.
Galen Beckett (The Magicians and Mrs. Quent (Mrs. Quent, #1))
It’s striking that so many of the great economic initiatives of the Clinton presidency led eventually to catastrophe. But what really makes this story poisonous is that liberals by and large convinced themselves for many years that nothing had gone wrong at all. Everything Clinton’s team had done was an act of professional-class consensus. Because most of the fuses lit by Clinton and Co. didn’t actually detonate until after he had left office—and by then some science-denying Republican was in the Oval Office—they found it easy to absolve the Democrat from blame.
Thomas Frank (Listen, Liberal: Or, What Ever Happened to the Party of the People)
Filip was from San Jose, but his painfully good looks excused that. He was tall, six-foot-something-or-other, intensely blue eyes, chiseled features, massive package. Didn't have Prince Albert in a Can, but he did have a thick gauged one through his cock head. His name really wasn’t Filip, it was Brent, an all-American moniker about as dark and mysterious as pastel-colored bobby socks. Initially, I joked about his choice of sobriquet, changing his name to go off to the big city, transform into Mr. Big Stuff, until it dawned on me I’d done the same damn thing with my ‘Catalyst’ surname. So I shut up. He comported himself with rigid shoulders and stiff gestures, as if he had a secret. Turns out he did. Filip was married, had a wife for more than a year now, but they had some kind of crazy arrangement. Days they were a couple; evenings they were free to do as they pleased. Where’d they come up with that idea, Jerry Springer?

 “If you wanted to go back to your place, we could,” Filip suggested. “But only until dawn.” Yeah, right. An affair is an affair, the way I see it. What difference is there between 5 and 7 a.m.? Was their marriage some sort of religious fasting thing, starve until the sun sets then binge and party down? I'd never sunk my teeth into married meat, but figured it was a logical progression from my I'm Not Gay But It's Different With You saga. And if I was going to sin, I was gonna sin good. That means no peeking to see whether it’s still dark outside.
Clint Catalyst (Pills, Thrills, Chills, and Heartache: Adventures in the First Person)
Now all the candles were lit, and the faces on both sides of the table were brought nearer by the candle light, and composed, as they had not been in the twilight, into a party round a table
Virginia Woolf (To the Lighthouse)
People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.
Garrison Keillor
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon—layers upon layers of life, always something more, new, deeper. It makes me feel like crying,
Lauren Oliver (Before I Fall)
The most direct path to Party was raising pigs. The company had several dozen of these and they occupied an unequaled place in the hearts of the soldiers; officers and men alike would hang around the pigsty, observing, commenting, and willing the animals to grow. If the pigs were doing well, the swine herds were the darlings of the company, and there were many contestants for this profession. Xiao-her became a full-time swineherd. It was hard, filthy work, not to mention the psychological pressure. Every night he and his colleagues took turns to get up in the small hours to give the pigs an extra feed. When a sow produced piglets they kept watch night after night in case she crushed them. Precious soybeans were carefully picked, washed, ground, strained, made into 'soybean milk," and lovingly fed to the mother to stimulate her milk. Life in the air force was very unlike what Xiao-her had imagined. Producing food took up more than a third of the entire time he was in the military. At the end of a year's arduous pig raising, Xiao-her was accepted into the Party. Like many others, he put his feet up and began to take it easy. After membership in the Party, everyone's ambition was to become an officer; whatever advantage the former brought, the latter doubled it. Getting to be an officer depended on being picked by one's superiors, so the key was never to displease them. One day Xiao-her was summoned to see one of the college's political commissars. Xiao-her was on tenterhooks, not knowing whether he was in for some unexpected good fortune or total disaster. The commissar, a plump man in his fifties with puffy eyes and a loud, commanding voice, looked exceedingly benign as he lit up a cigarette and asked Xiao-her about his family background, age, and state of health. He also asked whether he had a fiance to which Xiao-her replied that he did not. It struck Xiao-her as a good sign that the man was being so personal. The commissar went on to praise him: "You have studied Marxism-Leninism-Mao Zedong Thought conscientiously. You have worked hard. The masses have a good impression of you. Of course, you must keep on being modest; modesty makes you progress," and so on. By the time the commissar stubbed out his cigarette, Xiao-her thought his promotion was in his pocket.
Jung Chang (Wild Swans: Three Daughters of China)
Maddie began regaling Lexi with another tale from the History of Irvington Country Day. Apparently, it was not all tea parties and polo games. The last story ended with, “And then we had to call the fire department because the bonfire lit up the grass clippings in the lawn.
Dayna Lorentz (No Safety in Numbers (No Safety in Numbers, #1))
All lonely, beautifully silent and so very enchanting the city seems at night when every tourist, hotelier and tour guide have gone to bed, almost like a ghost town if it weren’t for the one or other lit window and a few lonely insomniac people walking the alleys here and there.
Ryan Gelpke (Nietzsche’s Birthday Party: A Short Story Collection)
Across the street, there were parties at other windows. The sky was fading behind the roof peaks and chimney tops, which stood out like cardboard cutout silhouettes, and I looked from them to the lit windows, and back again. A flock of birds, pigeons probably, wheeled across the sky, heading home before dark.
Jo Walton (Half a Crown (Small Change, #3))
The breeze of morning lifted in the bush and the smell of leaves and wet black earth mingled with the sharp smell of the sea. Myriads of birds were singing. A goldfinch flew over the shepherd's head and, perching on the tiptop of a spray, it turned to the sun, ruffling its small breast feathers. And now they had passed the fisherman's hut, passed the charred-looking lit
Katherine Mansfield (The Garden Party and Other Stories)
What happened next was a blur. I sat down at the table. Jess was somewhere nearby, but my vision clouded her out. There were Tostitos on the table. There was a candle on the table. I said hi to Drew, and started talking to him, but there were also other girls at the table, and I guess I wanted more attention. I picked up a chip, held it in the flame of the candle to see if it would light on fire, and, when it didn’t, I put the black and smoky remnant into my mouth, and I swallowed it. I wish I could say that I understood what I was doing. I wish I could say that I was or am secretly a fire-eater, and that after this little fake-out, I pulled out a baton, covered it in gasoline, lit it on fire, and swallowed the flame to rapturous applause. Instead, I just established myself pretty firmly as the weird girl at the party she wasn’t invited to who inexplicably tried to light a chip on fire and then ate it. I know Drew saw it. I know he was intrigued, though I’m fairly sure it was not in the way I intended. He certainly didn’t seem to suddenly view me as a tough and mysterious vixen with a dark past and a one-way ticket out of this town.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
The gift of fear was given to her by the women she grew up around: nannies, teachers, friends, lovers. From them all, she learned to carry her keys between her fingers like knuckle-dusters. She learned to pour her own drinks at parties and keep them close to her, always in sight, never unguarded. She learned to walk in busy, well-lit areas at night and to wear bright, memorable clothing so that if- when- she disappeared, she would stick in the minds of those who'd witnessed her final hours.
Krystal Sutherland (The Invocations)
show me your face i crave flowers and gardens open your lips i crave the taste of honey come out from behind the clouds i desire a sunny face your voice echoed saying "leave me alone" i wish to hear your voice again saying "leave me alone" i swear this city without you is a prison i am dying to get out to roam in deserts and mountains i am tired of flimsy friends and submissive companions i die to walk with the brave am blue hearing nagging voices and meek cries i desire loud music drunken parties and wild dance one hand holding a cup of wine one hand caressing your hair then dancing in orbital circle that is what i yearn for i can sing better than any nightingale but because of this city's freaks i seal my lips while my heart weeps yesterday the wisest man holding a lit lantern in daylight was searching around town saying i am tired of all these beasts and brutes i seek a true human we have all looked for one but no one could be found they said yes he replied but my search is for the one who cannot be found
Jalal ad-Din Muhammad ar-Rumi (Rumi: Fountain of Fire)
It was in this atmosphere of boozy wistfulness and dizzy exhaustion that Sylvia- along with Carol LeVarn- took her suitcase to the Barbizon roof and tossed each slip, stocking, sheath, and skirt into the night sky. "We took the elevator to the roof," recalls Carol, who refrained from tossing her own clothes off the Barbizon. "We stood there by the empty pool, which was all lit up. We were laughing. All this absurd phony fun we were having was over….We were just kind of giddy. I didn't see it as Sylvia throwing off a false self. It was just fun- a 'good-bye to all that' sort of thing.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
It was a portable phonograph, the kind with the plastic cover, invented for teenage girls of thirteen or fourteen to take to beach and lawn parties. The kind of phonograph constructed with 45 singles in mind—the ones made by the Osmonds, Leif Garrett, John Travolta, Shaun Cassidy. She looked at it closely, and felt her eyes filling with tears. “Well,” she said, “let’s see if it does.” It did work. And for almost four hours they sat at the opposite ends of the couch, the portable phonograph on the coffee table before them, their faces lit with silent and sorrowful fascination, listening as the music of a dead world filled the summer night.
Stephen King (The Stand)
Now all the candles were lit up, and the faces on both sides of the table were brought nearer by the candle light, and composed, as they had not been in the twilight, into a party round a table, for the night was now shut off by panes of glass, which, far from giving any accurate view of the outside world, rippled it so strangely that here, inside the room, seemed to be order and dry land; there, outside, a reflection in which things waved and vanished, waterily. Some change at once went through them all, as if this had really happened, and they were all conscious of making a party together in a hollow, on an island; had their common cause against that fluidity out there. Mrs Ramsay, who had been uneasy, waiting for Paul and Minta to come in, and unable, she felt, to settle to things, now felt her uneasiness changed to expectation. For now they must come, and Lily Briscoe, trying to analyse the cause of the sudden exhilaration, compared it with that moment on the tennis lawn, when solidity suddenly vanished, and such vast spaces lay between them; and now the same effect was got by the many candles in the sparely furnished room, and the uncurtained windows, and the bright mask-like look of faces seen by candlelight. Some weight was taken off them; anything might happen, she felt.
Virginia Woolf (To the Lighthouse)
Retrouver l'appartement au retour de vacances est délicieux : il pue un peu, il sent notre famille et c'est une odeur si rassurante, on ne la sent comme ça si concentrée qu'une fois par an, les fenêtres sont restées fermées, les odeurs de cuisine ont eu le temps de s'évaporer totalement, et il ne subsiste plus qu'un parfum très dense qui mêle le bois des meubles, leur vernis, une très légère décomposition des rideaux et des dessus de lit, un effritement imperceptible de la peinture des murs. Je me précipite dans ma chambre pour vérifier que tout est là : je redeviens son propriétaire. J'ouvre un tiroir où une partie de la fameuse odeur est encore plus concentrée : j'y prends mon album de timbres.
Hervé Guibert (My Parents (Masks))
Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk. Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.” “Yes,” he said shortly, but didn’t tear his gaze away from the passing trees. Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy. Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them. When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.” “No,” said Arin. “I want to see the house.” He opened the door. They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face. They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons. “They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls. “Irex is an exceptional fighter,” said Kestrel. “And not very modest.” Arin said nothing, so neither did Kestrel.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I remember a personal experience. Almost in tears from pain (I had terrible sores on my feet from wearing torn shoes), I limped a few kilometers with our long column of men from the camp to our work site. Very cold, bitter winds struck us. I kept thinking of the endless little problems of our miserable life. What would there be to eat tonight? If a piece of sausage came as extra ration, should I exchange it for a piece of bread? Should I trade my last cigarette, which was left from a bonus I received a fortnight ago, for a bowl of soup? How could I get a piece of wire to replace the fragment which served as one of my shoelaces? Would I get to our work site in time to join my usual working party or would I have to join another, which might have a brutal foreman? What could I do to get on good terms with the Capo, who could help me to obtain work in camp instead of undertaking this horribly long daily march? I became disgusted with the state of affairs which compelled me, daily and hourly, to think of only such trivial things. I forced my thoughts to turn to another subject. Suddenly I saw myself standing on the platform of a well-lit, warm and pleasant lecture room. In front of me sat an attentive audience on comfortable upholstered seats. I was giving a lecture on the psychology of the concentration camp! All that oppressed me at that moment became objective, seen and described from the remote viewpoint of science. By this method I succeeded somehow in rising above the situation, above the sufferings of the moment, and I observed them as if they were already of the past. Both I and my troubles became the object of an interesting psychoscientific study undertaken by myself. What does Spinoza say in his Ethics? —“Affectus, qui passio est, desinit esse passio simulatque eius claram et distinctam formamus ideam.” Emotion, which is suffering, ceases to be suffering as soon as we form a clear and precise picture of it.
Viktor E. Frankl (Man's Search for Meaning)
Beauty anyhow. Not the crude beauty of the eye. It was not beauty pure and simple--Bedford Place leading into Russell Square. It was straightness and emptiness of course. the symmetry of a corridor; but it was also windows lit up, a piano, a ramophone sounding; a sense of pleasure-making hidden, but now and again emerging when, through the uncurtained window, the window left open, one saw parties sitting over tables, young people slowly circling, conversations between men and women, maids idly looking out (a strange comment theirs, when work was done), stockings drying on top ledges, a parrot, a few plants. Absorbing, mysterious, of infinite richness, this life. And in the large square where the cabs shot and swerved so quick, there were loitering couples, dallying, embracing, shrunk up under the shower of a tree that was moving; so silent, so absorbed, that one passed, discreetly, timidly, as if in the presence of some sacred ceremony to interrupt which would have been impious. That was interesting. And so on into the flare and glare.
Virginia Woolf (Mrs. Dalloway)
Une seule chose me paraît intelligente à ce moment-là. Je me glisse sous le lit et j’attends, le cœur battant. Je me retiens de lâcher un juron lorsque la porte s’ouvre. Je ne distingue que des baskets et le bas d’un jogging, mais il s’agit sûrement de Jason, ça ne peut être que lui. Je me mords la lèvre inférieure, en essayant de m’empêcher de trembler. Je blêmis lorsque son tee-shirt tombe au sol. Il retire ses chaussures, ses chaussettes, et son pantalon suit le même chemin. Oh, bon sang… Je plaque une main sur ma bouche pour éviter de faire trop de bruit en respirant. Il suffirait qu’il déploie son pouvoir pour réaliser qu’il y a quelqu’un d’autre dans sa chambre. Je l’entends s’affaler sur son lit et je tressaille. J’ai une vue sur ses chevilles et ses mollets. Il ne va quand même pas rester, si ? Pourquoi il bouge pas, là… Le soulagement m’envahit quand il se relève. Mes joues deviennent rouges et une bouffée de chaleur me prend d’assaut lorsqu’il retire son caleçon. Mon corps se met à picoter sous l’angoisse d’être découverte. Calme-toi, calme-toi, m’ordonné-je.
Cylinia Carrière (Première partie : Jouer (Sans limites, #1))
Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.
Molly McAdams (Taking Chances (Taking Chances, #1))
Can't sleep so you put on his grey boots -- nothing else -- & step inside the rain. Even though he's gone, you think, I still want to be clean. If only the rain were gasoline, your tongue a lit match, & you can change without disappearing. If only he dies the second his name becomes a tooth in your mouth. But he doesn't. He dies when they wheel him away & the priest ushers you out the room, your palms two puddles of rain. He dies as your heart beats faster, as another war coppers the sky. He dies each night you close your eyes & hear his slow exhale. Your fist choking the dark. Your fist through the bathroom mirror. He dies at the party where everyone laughs & all you want is to go into the kitchen & make seven omelets before burning down the house. All you want is to run into the woods & beg the wolf to fuck you up. He dies when you wake & it's November forever. A Hendrix record melted on a rusted needle. He dies the morning he kisses you for two minutes too long, when he says Wait followed by I have something to say & you quickly grab your favorite pink pillow & smother him as he cries into the soft & darkening fabric. You hold still until he's very quiet, until the walls dissolve & you're both standing in the crowded train again. Look how it rocks you back & forth like a slow dance seen from the distance of years. You're still a freshman. You're still but he smiles anyway. His teeth reflected in the window reflecting your lips as you mouth Hello -- your tongue a lit match.
Ocean Vuong (Night Sky with Exit Wounds)
And thus by degrees was lit, half-way down the spine, which is the seat of the soul, not that hard little electric light which we call brilliance, as it pops in and out upon our lips, but the more profound, subtle and subterranean glow which is the rich yellow flame of rational intercourse. No need to hurry. No need to sparkle. No need to be anybody but oneself. We are all going to heaven and Vandyck is of the company--in other words, how good life seemed, how sweet its rewards, how trivial this grudge or that grievance, how admirable friendship and the society of one's kind, as, lighting a good cigarette, one sunk among the cushions in the window-seat. If by good luck there had been an ash-tray handy, if one had not knocked the ash out of the window in default, if things had been a little different from what they were, one would not have seen, presumably, a cat without a tail. The sight of that abrupt and truncated animal padding softly across the quadrangle changed by some fluke of the subconscious intelligence the emotional light for me. It was as if someone had let fall a shade. Perhaps the excellent hock was relinquishing its hold. Certainly, as I watched the Manx cat pause in the middle of the lawn as if it too questioned the universe, something seemed lacking, something seemed different. But what was lacking, what was different, I asked myself, listening to the talk? And to answer that question I had to think myself out of the room, back into the past, before the war indeed, and to set before my eyes the model of another luncheon party held in rooms not very far distant from these; but different. Everything was different.
Virginia Woolf (A Room of One's Own (Classics To Go))
The cultural code of the stiff upper lip is not for her boys. She is teaching them that it is not “sissy” to show their feelings to others. When she took Prince William to watch the German tennis star Steffi Graff win the women’s singles final at Wimbledon last year they left the royal box to go backstage and congratulate her on her victory. As Graff walked off court down the dimly lit corridor to the dressing room, royal mother and son thought Steffi looked so alone and vulnerable out of the spotlight. So first Diana, then William gave her a kiss and an affectionate hug. The way the Princess introduced her boys to her dying friend, Adrian Ward-Jackson, was a practical lesson in seeing the reality of life and death. When Diana told her eldest son that Adrian had died, his instinctive response revealed his maturity. “Now he’s out of pain at last and really happy.” At the same time the Princess is acutely aware of the added burdens of rearing two boys who are popularly known as “the heir and the spare.” Self-discipline is part of the training. Every night at six o’clock the boys sit down and write thank-you notes or letters to friends and family. It is a discipline which Diana’s father instilled in her, so much so that if she returns from a dinner party at midnight she will not sleep easily unless she has penned a letter of thanks. William and Harry, now ten and nearly eight respectively, are now aware of their destiny. On one occasion the boys were discussing their futures with Diana. “When I grow up I want to be a policeman and look after you mummy,” said William lovingly. Quick as a flash Harry replied, with a note of triumph in his voice, “Oh no you can’t, you’ve got to be king.
Andrew Morton (Diana: Her True Story in Her Own Words)
The party spills over with guests, from the ballroom to the front lawn. It’s nighttime, but the house is lit up, bright as the sun. All around me diamonds glitter. We’ve reached that tipping point where everyone is sloshed enough to smile, but not so much they start to slur. There’s almost too many people, almost too much alcohol. Almost too much wealth in one room. It reminds me of Icarus, with his wings of feather and wax. If Icarus had a five-hundred-person guest list for his graduation party. It reminds me of flying too close to the sun. I snag a flute of champagne from one of the servers, who pretends not to see. The bubbles tickle my nose as I take a detour through the kitchen. Rosita stands at the stove, stirring her world-famous jambalaya in a large cast iron pot. The spices pull me close. I reach for a spoon. “Is it ready yet?” She slaps my hand away. “You’ll ruin your pretty dress. It’ll be ready when it’s ready.” We have caterers who make food for all our events, but since this is my graduation party, Rosita agreed to make my favorite dish. She’s going to spoon some onto little puff pastry cups and call it a canape. I try to pout, but everything is too perfect for that. Only one thing is missing from this picture. I give her a kiss on the cheek. “Thanks, Rosita. Have you seen Daddy?” “Where he always is, most likely.” That’s what I’m afraid of. Then I’m through the swinging door that leads into the private side of the house. I pass Gerty, our event planner, who’s muttering about guests who aren’t on the invite list. I head up the familiar oak staircase, breathing in the scent of our house. There’s something so comforting about it. I’m going to miss everything when I leave for college. At the top of the stairs, I hear men’s voices. That isn’t unusual. I’m around the corner from Daddy’s offic
Skye Warren (The Pawn (Endgame, #1))
Mais j’avais revu tantôt l’une, tantôt l’autre, des chambres que j’avais habitées dans ma vie, et je finissais par me les rappeler toutes dans les longues rêveries qui suivaient mon réveil ; chambres d’hiver où quand on est couché, on se blottit la tête dans un nid qu’on se tresse avec les choses les plus disparates : un coin de l’oreiller, le haut des couvertures, un bout de châle, le bord du lit, et un numéro des Débats roses, qu’on finit par cimenter ensemble selon la technique des oiseaux en s’y appuyant indéfiniment ; où, par un temps glacial, le plaisir qu’on goûte est de se sentir séparé du dehors (comme l’hirondelle de mer qui a son nid au fond d’un souterrain dans la chaleur de la terre), et où, le feu étant entretenu toute la nuit dans la cheminée, on dort dans un grand manteau d’air chaud et fumeux, traversé des lueurs des tisons qui se rallument, sorte d’impalpable alcôve, de chaude caverne creusée au sein de la chambre même, zone ardente et mobile en ses contours thermiques, aérée de souffles qui nous rafraîchissent la figure et viennent des angles, des parties voisines de la fenêtre ou éloignées du foyer et qui se sont refroidies ; – chambres d’été où l’on aime être uni à la nuit tiède, où le clair de lune appuyé aux volets entr’ouverts, jette jusqu’au pied du lit son échelle enchantée, où on dort presque en plein air, comme la mésange balancée par la brise à la pointe d’un rayon – ; parfois la chambre Louis XVI, si gaie que même le premier soir je n’y avais pas été trop malheureux, et où les colonnettes qui soutenaient légèrement le plafond s’écartaient avec tant de grâce pour montrer et réserver la place du lit ; parfois au contraire celle, petite et si élevée de plafond, creusée en forme de pyramide dans la hauteur de deux étages et partiellement revêtue d’acajou, où, dès la première seconde, j’avais été intoxiqué moralement par l’odeur inconnue du vétiver, convaincu de l’hostilité des rideaux violets et de l’insolente indifférence de la pendule qui jacassait tout haut comme si je n’eusse pas été là ; – où une étrange et impitoyable glace à pieds quadrangulaires barrant obliquement un des angles de la pièce se creusait à vif dans la douce plénitude de mon champ visuel accoutumé un emplacement qui n’y était pas prévu ; – où ma pensée, s’efforçant pendant des heures de se disloquer, de s’étirer en hauteur pour prendre exactement la forme de la chambre et arriver à remplir jusqu’en haut son gigantesque entonnoir, avait souffert bien de dures nuits, tandis que j’étais étendu dans mon lit, les yeux levés, l’oreille anxieuse, la narine rétive, le cœur battant ; jusqu’à ce que l’habitude eût changé la couleur des rideaux, fait taire la pendule, enseigné la pitié à la glace oblique et cruelle, dissimulé, sinon chassé complètement, l’odeur du vétiver et notablement diminué la hauteur apparente du plafond.
Marcel Proust (Du côté de chez Swann (à la recherche du temps perdu #1))
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
For example, attending a noisy, crowded party can be overwhelming. Taking a bumpy airplane ride can overload your brain with rapid movement sensations. Lingering in bed with the flu can prevent you from receiving sufficient movement experiences and make you feel weak. Walking from a well-lit room into a dark closet can deprive your eyes of light and therefore your brain of visual sensations. Not being in control of oneself is very unpleasant, but an occasional disorganizing experience is normal. It is when the brain is so disorganized that a person has difficulty functioning in daily life that the person is diagnosed as having Sensory Processing Disorder.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Why did fate decide to over-season her soul’s stockpot with a dash of tear-spilling salt, then give her life a stir to watch the pyramid of pain crumble?
Mel A. Rowe (Avoiding The Pity Party)
One should not chug an entire glass of wine at an elegant dinner party. I start hacking and coughing, having practically water-boarded myself out of sheer humiliation.
Lisa Daily (Single-Minded)
At the sight of the dozen assorted cupcakes, as bright and optimistic as party hats, Louise's eyes lit up. "How wonderful!" she said, clapping her hands together again. I handed her one of the red velvet cupcakes that I'd made in the old-fashioned style, using beets instead of food coloring. I'd had to scrub my fingers raw for twenty minutes to get the crimson beet stain off them, but the result was worth it: a rich chocolate cake cut with a lighter, nearly unidentifiable, earthy sweetness, and topped with cream cheese icing and a feathery cap of coconut shavings. For Ogden, I selected a Moroccan vanilla bean and pumpkin spice cupcake that I'd been developing with Halloween in mind. It was not for the faint of heart, and I saw the exact moment in Ogden's eyes that the dash of heat- courtesy of a healthy pinch of cayenne- hit his tongue, and the moment a split-second later that the sugary vanilla swept away the heat, like salve on a wound. "Oh," he said, after swallowing. He looked at me, and I could see it was his turn to be at a loss for words. I smiled. Louise, on the other hand, was half giggling, half moaning her way through a second cupcake, this time a lemonade pound cake with a layer of hot pink Swiss meringue buttercream icing curling into countless tiny waves as festive and feminine as a little girl's birthday tiara. "Exquisite!" she said, mouth full. And then, shrugging in her son's direction, her eyes twinkling. "What? I didn't eat lunch.
Meg Donohue (How to Eat a Cupcake)
emporter /ɑ̃pɔʀte/ I. vtr 1. (prendre avec soi) [personne] to take [objet, vêtement, vivres, document]; [vent] to sweep away [feuilles mortes] • n'oublie pas d'~ un parapluie/à manger | don't forget to take an umbrella/something to eat • ~ qch avec soi | (controv) to take sth with one [objet, vêtement, vivres, document] • pizzas à ~ | takeaway pizzas 2. (transporter) (lit) [ambulance, sauveteurs] to take [sb] away [blessé, cadavre]; [bateau, train, avion] to carry away [passager, fret] • se laisser ~ par son élan | (fig) to get carried away • se laisser ~ par la colère | to let one's anger get the better of one • se laisser ~ par son imagination | to let one's imagination run riot 3. (arracher) [vent, rivière] to sweep away [personne, maison, embarcation, arbre, pont]; [obus, balle] to take [sth] off [oreille, bras] • emporté par le courant | swept away by the current 4. (causer la mort) • une leucémie l'a emporté | he died of leukaemia 5. (conquérir) to take [position] • ~ l'accord de qn | to get sb's agreement • ~ l'adhésion de qn | to win sb over 6. (voler) [personne] to steal [bijoux, argenterie, tableau] • il est parti en emportant la caisse | he ran off with all the money 7. (triompher) l'emporter • [équipe, candidat] to win; [idée, bon sens] to prevail • l'~ sur qn | [équipe, candidat] to beat sb • l'~ sur qch | to overcome sth • le bon sens l'a emporté | common sense prevailed • l'~ avec 38% des suffrages/par 2 buts à 1/de 4 points | to win with 38% of the votes/by 2 goals to 1/by 4 points • l'~ sur son adversaire avec 57% des voix | to defeat one's opponent by getting 57% of the votes voir aussi: paradis, tombe II. vpr (s'énerver) [personne] to lose one's temper • il s'emporte facilement | he loses his temper easily III. Idiome • emporter la bouche (informal) or gueule (very informal) | [épices, plat, alcool] to take the roof off one's mouth (familier)
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Lloyd George’s Budget of 1909 was the fuse, deliberately lit, of one of the great quarrels which made the Liberal era, in the words of a participant, “so unprecedentedly cantankerous and uncomfortable.” With Liberal prestige sinking, party leaders were aware that without a popular issue they might not win the next election. People were already beginning to calculate, Gardiner wrote, “when the election would come and by how much the Liberals would lose.” As Chancellor of the Exchequer Lloyd George had to provide £16,000,000 of additional revenue for 1909, one-third toward the eight Dreadnoughts to which the Government had agreed, and two-thirds for implementing the Old Age Pensions Act.
Barbara W. Tuchman (The Proud Tower: A Portrait of the World Before the War 1890-1914)
Entre ma paillasse et la planche du lit, j'avais trouvé, en effet, un vieux morceau de journal presque collé à l'étoffe, jauni et transparent. Il relatait un fait divers dont le début manquait, mais qui avait dû se passer en Tchécoslovaquie. Un homme était parti d'un village tchèque pour faire fortune. Au bout de vingt-cinq ans, riche, il était revenu avec une femme et un enfant. Sa mère tenait un hôtel avec sa sœur dans son village natal. Pour les surprendre, il avait laissé sa femme et son enfant dans un autre établissement, était allé chez sa mère qui ne l'avait pas reconnu quand il était entré. Par plaisanterie, il avait eu l'idée de prendre une chambre. Il avait montré son argent. Dans la nuit, sa mère et sa sœur l'avaient assassiné à coups de marteau pour le voler et avaient jeté son corps dans la rivière. Le matin, la femme était venue, avait révélé sans le savoir l'identité du voyageur. La mère s'était pendue. La sœur s'était jetée dans un puits. J'ai dû lire cette histoire des milliers de fois. D'un côté, elle était invraisemblable. D'un autre, elle était naturelle. De toute façon, je trouvais que le voyageur l'avait un peu mérité et qu'il ne faut jamais jouer.
Albert Camus (L'Étranger)
Getting Off the Island of Lost Boys and Girls The first step to getting off this God-forsaken island is to understand ministry is wherever you are as a disciple of Jesus. When I first chose the public-university route, Christian friends would say, “Wow, I’m really surprised you’re not going into ministry.” But they had no idea of the ministry happening all around me, through me, and growing inside of me. They weren’t there when I carried my drunk classmate to her dorm room at 3:00 a.m. and slept on her floor to make sure she was safe. They weren’t hearing the midnight conversations between my Jewish roommate and me. They didn’t know how much ministry was happening as I lit the menorah with her at Hanukkah or how the presence of God filled our room as we read the Easter story together that same year. They didn’t know about the lunches with my atheist professors who wore me down as they challenged my charismatic upbringing and tried to tell me there was no God. They didn’t see me wrestling with my faith and that with each day God was perfecting it. Ministry is all around us, and if we let him, he’ll show us it isn’t confined to a position in a church building that we fear can be stolen. It’s in the everyday hugs and phone calls we make, in teachers grading papers and doctors charting medical information, in stay-at-home moms and dads packing lunches with little notes where Jesus shows up, and the Kingdom advances because we are right where he wants us. When we learn that ministry is right where we are, we go big, we don’t hold back, and we don’t wait for something better. We stop being afraid it can be stolen. We don’t care if we’re overlooked. It might be holding back your roommate’s hair after a long night of partying or rocking a sleeping baby or mowing your neighbor’s lawn. This isn’t selfie material. Setting sail with the Great Commission (go and make disciples) and the Great Commandment (love God and love people) as our North Star keeps us off the Island of Lost Boys and Girls.
Natalie Runion (Raised to Stay: Persevering in Ministry When You Have a Million Reasons to Walk Away)
It was hard to invest in a person when one saw how things passed. Take the ball player, for example, who dedicates his life, gets injured, and then watches the sport proceed without him. He sits on his leather couch, watching better athletes run across his television screen, younger ones on renovated fields. And he, who sacrificed his sweat, youth, and sanity to the sport and knew coaches, teammates, and even janitors at the stadium like brothers—is forced to still live afterward. His teammates said kind words before a match, hugged him after a goal, but now seem to be focused on new seasons and new goals. He gets left behind. Did none of it mean anything? He cries for the fast world to stop and says, “Slow down. This pains me. We were just here. I used to joke with you. We said we loved each other. Wait for me. Will you just wait for me?” Those hands he shook after a victory could not care for the weeping, broken-footed man hiding in the shadows of his home, once lit by the sun, once the life of the party. When Andrei walked into a job now, or even met someone for the first time, he thought: How long will it take you to forget me?
Kristian Ventura (A Happy Ghost)
Our Skirt (by Kathy Boudin) You were forty-five and I was fourteen when you gave me the skirt. ¨It's from Paris!¨ you said as if that would impress me who at best had mixed feelings about skirts. But I was drawn by that summer cotton with splashes of black and white--like paint dabbed by an eager artist. I borrowed your skirt and it moved like waves as I danced at a ninth grade party. Wearing it date after date including my first dinner with a college man. I never was much for buying new clothes, once I liked something it stayed with me for years. I remember the day I tried ironing your skirt, so wide it seemed to go on and on like a western sky. Then I smelled the burning and, crushed, saw that I had left a red-brown scorch on that painting. But you, Mother, you understood because ironing was not your thing either. And over the years your skirt became my skirt until I left it and other parts of home with you. Now you are eighty and I almost fifty. We sit across from each other in the prison visiting room. Your soft gray-thin hair twirls into style. I follow the lines on your face, paths lit by your eyes until my gaze comes to rest on the black and white on the years that our skirt has endured.
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
I came out at 32. Married my college sweetheart. Stay-at-home mama to 2 small children. Small town preacher's daughter living in a bubble of privilege she had no idea existed. Playgroups & sippy cups & easy predictability. An eternal restless, seeking edge telling me there was something more. There was that life. It was good. Safe. Stable. Then it was gone. “How did you not know you were queer?” My kids asked me this over the years. Their life in a sex-positive, queer-friendly, liberal utopian bubble made my lack of self-awareness utterly perplexing. It is hard to know a thing when you are given no context for it. You know there is a misfit, something not entirely right. But without options beyond compulsory heterosexuality & with a deep desire for approval, one does what one sees. At least, that is what one does until one no longer can. Being queer was like holding the golden ticket to a club nobody wanted to go to. I had no idea that once I blasted down those closet doors, with their bouncers of fear & religion & internal bias, the club would be lit. The way a party can be when everyone inside finally knows what it means to come home. My queerness is a Tupperware container (thank god) that nobody will ever find a lid for. A box that cannot be closed. The reclamation of wholeness over goodness, transforming the perpetual misfit into one holy hell of a celebration. Owning my queerness was like learning the desert floor was once the bottom of the ocean, meaning the towering 200-year-old saguaro watching over me was somehow born underwater. It is the dogged insistence on coloring outside of every single line. It is the refusal to accept a singular definition that makes the word witch at me finally feel at home in the spaces where words are left behind. My queerness rests its foundation on a ground named freedom. I speak it loudly because I have the freedom to do so without fear of reprisal or harm. I claim this life of mine under the rainbow & the complexity of the history it has given me fiercely. To love a woman in a world that said I must not will never be anything but a revolution. And when I kiss her, trust me, entire galaxies are mine
Jeanette LeBlanc
Being queer was like holding the golden ticket to a club nobody wanted to go to. I had no idea that once I blasted down those closet doors, with their bouncers of fear, religion, and internal bias, the club would be lit. The way a party can be when everyone inside finally knows what it means to come home. My queerness is a Tupperware container (thank god) that nobody will ever find a lid for. A box that cannot be closed. The reclamation of wholeness over goodness, transforming the perpetual misfit into one holy hell of a celebration. Owning my queerness was like learning the desert floor was once the bottom of the ocean, meaning the towering 200-year-old saguaro watching over me was somehow born underwater. It is the dogged insistence on coloring outside of every single line. It is the refusal to accept a singular definition that makes the word witch at me finally feel at home in the spaces where words are left behind. My queerness rests its foundation on a ground named freedom. I speak it loudly because I have the freedom to do so without fear of reprisal or harm. I claim this life of mine under the rainbow and the complexity of the history it has given me fiercely. To love a woman in a world that said I must not will never be anything but a revolution. And when I kiss her, trust me, entire galaxies are mine.
Jeanette LeBlanc
When Derek Sivers first built his business CDbaby.com, he set up a standard confirmation email to let customers know their order had been shipped. After a few months, Derek felt that this email wasn’t aligned with his mission—to make people smile. So he sat down and wrote a better one. Your CD has been gently taken from our CD Baby shelves with sterilized contamination-free gloves and placed on a satin pillow. A team of 50 employees inspected your CD and polished it to make sure it was in the best possible condition before mailing. Our packing specialist from Japan lit a candle and a hush fell over the crowd as he put your CD into the finest gold-lined box that money can buy. We all had a wonderful celebration afterwards and the whole party marched down the street to the post office where the entire town of Portland waved “Bon Voyage!” to your package, on its way to you, in our private CD Baby jet on this day, Friday, June 6th. I hope you had a wonderful time shopping at CD Baby. We sure did. Your picture is on our wall as “Customer of the Year.” We’re all exhausted but can’t wait for you to come back to CDBABY.COM!! —Derek Sivers, Anything You Want The result wasn’t just delighted customers. That one email brought thousands of new customers to CD Baby. The people who got it couldn’t help sharing it with their friends. Try Googling “private CD Baby jet”; you’ll find over 900,000 search results to date. Derek’s email has been cited by business blogs the world over as an example of how to authentically put your words to work for your business.
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
Michael Brent Jones (Dinner Party: Part 2)
to Clara’s party? And why did she accept? ELEVEN “Honestly, you’re the worst investigator in history,” said Dominique. “At least I was asking questions,” snapped Ruth. “Only because I couldn’t get a word in.” Myrna and Clara had joined the other two women in the bistro and were now sitting in front of a fire, lit more for effect than necessity. “She asked André Castonguay how big his dick was.” “I did not. I asked how big a dick he was. There’s a difference.” Ruth brought up her thumb and forefinger to indicate about two inches. Despite herself, Clara smirked. She’d often wanted to ask gallery owners the same question.
Louise Penny (A Trick of the Light (Chief Inspector Armand Gamache #7))
Inside it looks like a nineteenth century palace, given the attention to detail and the elegance of the furniture: there are two carpets on the floor, more paintings in gilt frames, wooden furniture along the walls, and a large table with a flower arrangement in the center. All lit with spotlights. Andrea feels like he’s in another era and another season; it doesn’t look like a home in the mountains and there's no summer heat. He expects some nobility to appear. Indeed, standing next to the table is Ian. And he’s watching them. Andrea gasps silently. "Here we are," says Carlotta. "We’re very sorry for making you wait, Count." "Don’t worry, Carlotta," he says politely, moving closer. Ian’s wearing a white top with a black satin jacket and pants, also satin, with a stripe down the side. It creates a strange Casual Count effect that both stuns and disturbs Andrea. Always ambiguous, Ian doesn’t seem to want to adapt to anything. Not even a normal style. Was he not sure whether to go for a stroll or to a party? Andrea feels his brain smoking so much that it must be on fire. "These inconveniences can happen." He smiles at her and she blushes to the point of melting. Her knees buckle and she touches her face, embarrassed. Typical! Andrea grunts. "Can you introduce your friend to me?" says Ian. "Of course. He’s the guy.....," she stops. "Nearest to our Maicol." Ian looks at him and pretends not to know him. Andrea does the same. "Exactly," says Carlotta.
Key Genius (Heart of flesh)
– Bah alors, c’est ce que je dis, avec la dotation qu’on a, ajouta Făneață puis il se leva pour prendre le livre le plus épais de la pile la plus proche. Il se trouva que c’était La Montagne magique. – Ça fera l’affaire, dit-il le travailleur en se rasseyant à table. Il a suffisamment de pages pour que personne ne remarque que nous en avons déchiré quelques-unes. – Mon frère, t’es vraiment mortel. Laisse donc ce livre en paix, nom de Dieu… Nicu s’opposa pour la dernière fois, l’image de son camarade en cerbère le fit éclater de rire. Une considération de folie. – Tiens, avant de le déplumer, lis au moins ce qu’il y a d’écrit, qu’on entende nous aussi. Făneață fourra son doigt épais au cœur du livre et lut là où ses yeux se posèrent : – Qu’est-ce que le corps ! éclata-t-il avec une impétosité soudaine. Qu’est-ce que la chair ! Qu’est-ce que le corps humain ! De quoi est-il constitué ! Monsieur le conchilier aulique, dites-le nous tout de suite, cet après-midi même. Dites-le-nous une fois pour tourtes et le plus échactement, pour que nous le sachions. Écœuré par la lecture, il s’arrêta, et ne cacha pas son étonnement : certains sont prêts à jeter leur argent par les fenêtres pour n’importe quoi. – Mon petit Nicu, c’est ainsi quand l’homme a trop de temps libre, qu’il ne travaille même pas. Il est là à se faire des idées, et ceux qui se font passer pour cultivés font la file d’attente pour acheter quelque livre comme celui-là. Chiche qu’on va montrer à m’sieur l’écrivain – il fit une pause pour lire le nom de celui-ci sur la couverture – ce que c’est-ce que la viande, car je vois que l’honorable dit ne pas le savoir. Passe-moi les saucisses, va ! Puis il arracha soigneusement quelques pages sur lesquelles il déposa fromage et légumes en se vantant auprès de Nicu que lui était un garçon de salon et que l’on n’aurait déchiré des feuilles que de là-bas, de l’introduction, partie que personne ne lit. – De la critique.
Călin Torsan (Brocs en stock (French Edition))
She made people happy. She was beautiful, certainly, but she was more. She was lit from the inside.
Anton DiSclafani (The After Party)
Larry King Larry King is one of the premier figures in American broadcasting, and his show, Larry King Live, on CNN, is one of the longest-running television programs currently on the air. The summer of 2007 will mark his fiftieth anniversary in broadcasting. I first met Princess Diana at a party in Los Angeles. As at so many parties in LA, there were famous people from all walks of life--actors, broadcasters, executives, authors, politicians, journalists. But there was only one princess, and she stood out from the crowd, talking and smiling and taking the time to give each person some personal attention. I kept her in the corner of my eye, waiting for an opportunity to talk to her. But she was spending so much time with every guest! Eventually, I made my way over to where she stood, and waited for a chance to finally meet this illustrious lady. Her pictures did not do her justice. I had seen her many times on TV and in the papers, of course, but seeing her in person was a whole new experience. She was absolutely beautiful. Her face was radiant, animated and full of life. She had honesty in her eyes, which made her approachable, and she had this uncanny ability to make everyone around her comfortable. I have interviewed thousands of people in my career, and this is a quality that I’ve always known is essential for a broadcaster. But for Diana, it seemed to come completely naturally. Within the first five seconds of meeting her, I felt like we had been friends for years. It was a big party and she was the star. Everybody wanted to talk to her. Not a big surprise--after all, she had interesting things to say about so many different topics. I always respected her work with land mines and AIDS, I knew her importance to the fashion world, and her role as a princess in the Royal Family made her one of the hottest topics of the tabloids. Yet she chatted about her sons and her friends with everybody--Diana was an extraordinary woman with an unassuming air, and it was an absolute pleasure to be in her presence. When we were introduced, her eyes lit up and she grabbed my hand. She said, “Oh, you’re Larry from the telly!” We laughed and spoke for a little while about our families, and I was amazed at how well she remembered all of the little details I mentioned. After all of the people she had met that night, she was bright-eyed and curious about everything. My only regret from the first time we met was that we didn’t have a few more hours to talk! I blushed when she mentioned a few interviews I had done earlier in the year. I didn’t know she had seen me on CNN. It was a warm, friendly greeting that I will never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Her face lit up in welcome as she saw me, and taking prompt, if cowardly, action in the face of emergency I smiled, waved and ducked out through a side door. As I hurried around the side of the building into a handy patch of deep shadow (Briar being a persistent sort of girl), I tripped over someone’s legs stretched across the path. I lurched forward, and a big hand grasped me firmly by the jersey and heaved me back upright. ‘Thank you,’ I said breathlessly. ‘Helen?’ Briar called, and I shrank back into the shadows beside the owner of the legs. ‘Avoiding someone?’ he asked. ‘Shh!’ I hissed, and he was obediently quiet. There was a short silence, happily unbroken by approaching footsteps, and I sighed with relief. ‘Not very sociable, are you?’ ‘You can hardly talk,’ I pointed out. ‘True,’ he said. ‘Who are you hiding from?’ ‘Everyone,’ he said morosely. ‘Fair enough. I’ll leave you to it.’ ‘Better give it a minute,’ he advised. ‘She might still be lying in wait.’ That was a good point, and I leant back against the brick wall beside him. ‘You don’t have to talk to me,’ I said. ‘Thank you.’ There was another silence, but it felt friendly rather than uncomfortable. There’s nothing like lurking together in the shadows for giving you a sense of comradeship. I looked sideways at the stranger and discovered that he was about twice as big as any normal person. He was at least a foot taller than me, and built like a tank. But he had a nice voice, so with any luck he was a gentle giant rather than the sort who would tear you limb from limb as soon as look at you. ‘So,’ asked the giant, ‘why are you hiding from this girl?’ ‘She’s the most boring person on the surface of the planet,’ I said. ‘That’s a big call. There’s some serious competition for that spot.’ ‘I may be exaggerating. But she’d definitely make the top fifty. Why did you come to a party to skulk around a corner?’ ‘I was dragged,’ he said. ‘Kicking and screaming.’ He turned his head to look at me, smiling. ‘Ah,’ I said wisely. ‘That’d be how you got the black eye.’ Even in the near-darkness it was a beauty – tight and shiny and purple. There was also a row of butterfly tapes holding together a split through his right eyebrow, and it occurred to me suddenly that chatting in dark corners to large unsociable strangers with black eyes probably wasn’t all that clever. ‘Nah,’ he said. ‘I collided with a big hairy Tongan knee.’ ‘That was careless.’ ‘It was, wasn’t it?’ I pushed myself off the wall to stand straight. ‘I’ll leave you in peace. Nice to meet you.’ ‘You too,’ he said, and held out a hand. ‘I’m Mark.’ I took it and we shook solemnly. ‘Helen.’ ‘What do you do when you’re not hiding from the most boring girl on the planet?’ he asked. ‘I’m a vet,’ I said. ‘What about you?’ ‘I play rugby.’ ‘Oh!’ That was a nice, legitimate reason for running into a Tongan knee – I had assumed it was the type of injury sustained during a pub fight.
Danielle Hawkins (Chocolate Cake for Breakfast)
Prior to having sex for the first time, I had read many books and magazines, pornographic and otherwise, and I'd developed certain expectations of intercourse. From paperback romances I expected to feel vaguely yet ecstatically ravished, as if, for the duration of the act, I would experience everything an ad for a drugstore cologne could ever promise. From more serious fiction, I assumed that I would be blasted with a torrent of conflicting emotions, flashbacks to my birth, a rough kinship with the natural world, perhaps a Booker Prize, and, ultimately, a sense of existential ennui. From mainstream movies, I hoped for a beautifully lit and choreographed series of thrusts and embraces, with my head thrown back, my eyes shut but not squinched, and my lips slightly but appealingly parted; I also felt that the sex might be edited, continually leaping forward in the attractive bits and pieces, with only the dewiest bodily fluids. From porn, I trusted that sex would be alternately savage, degrading, pounding, and dull, and all of this sounded promising. From what my parents had told me, I knew that sex did not exist, and from what other schoolchildren had let on, I imagined that there was a real danger of getting stuck in one position or another, with the parties involved finally getting yanked apart in the emergency room.
Paul Rudnick (I Shudder and Other Reactions to Life, Death, and New Jersey)
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
Her bone-white face lit up like she was at a surprise party. “Hear that, Dwyer? He called me ma’am! Stay forever if you want, big guy. Teach my son a thing or two about manners.” “He’s good people,” Kyle said. “Always has been.” It was the last thing I wanted to hear at that moment. “I’m not always good,” I shot back. “Ooooo, polite and a bad boy,” Gina cooed. “Watch out, ladies.
Aaron Starmer (The Riverman (The Riverman Trilogy, #1))
of my jacket pocket. By this point, with my full workday and tonight’s party of all parties to plan, I was more surprised when it wasn’t going off. A sound, deafening even by midtown Manhattan standards, hammered into my ears as I made the corner. Was it a jackhammer? A construction pile driver? Of course not, I thought, as I spotted a black kid squatting on the sidewalk, playing drums on an empty Spackle bucket. Luckily, I also spotted my lunch appointment, Aidan Beck, at the edge of the crowded street performance. Without preamble, I hooked elbows with the fair, scruffily handsome young man and pulled him into the chic Hudson. At the top of the neon-lit escalator, a concierge who looked like one of the happy, shiny cast members of High School Musical smiled from behind the Carrara marble check-in desk. “Hi. I called twenty minutes ago,” I said. “I’m Mrs. Smith. This is Mr. Smith. We’d like a room with a large double bed. The floor or view doesn’t matter. I’m paying cash. I’m really in a rush.” The clerk took in my sweating face and the contrast between my sexy office attire and my much younger companion’s faded jeans and suede jacket with seeming approval. “Let’s get you to your room, then,” the über-happy concierge said without missing a beat.
James Patterson (10th Anniversary (Women's Murder Club, #10))
Alex has never been very keen on events of the season. I wouldn’t worry about her. As I said, Nicola is a friend. She’ll want to go. One of us has to chaperone her. And, since I’m older and of a higher rank, I get to decide who that will be. Care to hazard a guess, Kit?” His green eyes twinkled with laughter. “Bollocks!” This from Kit, who was not about to accept this particular decision without a fight. “It can’t be me!” “Why not?” Kit paused, clearly searching for a viable excuse to avoid the ball in question. His eyes lit up with excitement when he’d hit on the right thing. “The hunting party I’ve an invitation to is just as viable a location to meet an eligible young lady as any, I daresay. I shall simply tell Mother that.” He looked veritably triumphant. Will
Sarah MacLean (The Season)
[...] Dans cette affaire, si j'avais agi par calcul, j'aurais laissé faire les choses, sans prendre parti. Mais j'avoue, et je l'affirme très sérieusement, que j'ai fait le lit du FLN, depuis Ben Bella jusqu'aux dernières années du président Chadli. Je ne peux pas tout révéler ; mais si à la parution de votre livre [celui là] il y avait la moindre suspicion à l'égard de ce que je viens de déclarer, à ce moment-là, j'ouvrirai toutes grandes les vannes pour expliquer comment, pourquoi et avec qui j'ai fait le lit du FLN. Pour l'instant il vaut mieux s'arrêter là. Q. - Alors, allons plus loin ? R. - Non, plus tard, si on n'est pas connect." p 84
Hassan II (ذاكرة ملك)
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.
Michael Brent Jones (Dinner Party: Part 2)
pot /po/ I. nm 1. (récipient, contenu) container; (en verre) jar; (en plastique) carton, tub; (en faïence, terre) pot; (pichet) jug • ~ de verre | glass jar • mettre qch en ~ | to put [sth] into jars [confiture, fruits]; to pot [plante] • plante en ~ | potted plant • ~ de marmelade | jar of marmalade • ~ de yaourt (en verre) jar of yoghurt; (en plastique) carton of yoghurt • acheter un ~ de peinture | to buy a tin of paint • garder les ~s de confiture | to save jam jars • réutiliser les ~s de peinture | to re-use the paint tins • il a fallu trois ~s de peinture | it took three tins of paint voir aussi: cuiller 2. (de chambre) pot; (de bébé) potty • aller sur le ~ (ponctuellement) to go on the potty • depuis un mois il va sur le ~ | he's been potty-trained for a month now 3. ○(boisson) drink • prendre un ~ | to have a drink 4. ○(réunion) do (familier) (GB), drinks party • ~ d'accueil/d'adieu | welcoming/farewell party 5. ○(chance) luck • elle n'a pas eu de ~ | she hasn't had much luck • avoir du ~ | to be lucky • avoir un coup de ~ | to have a stroke of luck • (par un) coup de ~, la porte était ouverte | as luck would have it, the door was open 6. (argent commun) kitty • ramasser le ~ | (Jeux) to win the kitty II. Idiomes 1. payer les pots cassés | to pick up the pieces 2. c'est le pot de terre contre le pot de fer | it's an unequal contest 3. ce sera à la fortune du pot | you'll have to take pot luck 4. découvrir le pot aux roses | to stumble on what's been going on 5. être sourd comme un pot○ | to be as deaf as a post 6. tourner autour du pot | to beat about the bush 7. payer plein pot○ | to pay full price 8. partir or démarrer plein pot○ | to be off ou go off like a shot (familier) pot catalytique catalytic converter pot de chambre chamber pot pot de colle (lit) pot of glue; (fig) informal leech pot à eau water jug (GB), pitcher (US) pot d'échappement (silencieux) silencer (GB), muffler (US); (système) exhaust
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
La lecture est un acte de sélection (et non de simple enregistrement) opérant, selon les intérêts du « sujet », non seulement «parmi les livres», par élimination massive, majoritaire, mais aussi à l'intérieur du peu d'élus. On ne « lit » pas réellement tout ce qu'on lit, mais juste une petite, infime partie… Notre lecture est orientée, on ne retient que ce que – de l'extérieur comme de l'intérieur – on est déterminés à retenir ; et on ne comprend de fait que ce qu'on a été en quelque sorte préparés d'avance (par une expérience, par des préoccupations « actuelles » bien particulières) à recevoir et à comprendre. (p. 55)
Lucian Raicu (O suta de scrisori din Paris)
I avoided his stare, turning for the kitchen. 'You must be hungry, I'll heat something up.' Rhys straightened. 'You'd- make me food?' 'Heat,' I said. 'I can't cook.' It didn't seem to make a difference. But whatever it was, the act of offering him food... I dumped some cold soup into a pan and lit the burner. 'I don't know the rules,' I said, my back to him. 'So you need to explain them to me.' He lingered in the centre of the cabin, watching my every move. He said hoarsely. 'It's an... important moment when a female offers her mate food. It goes back to whatever beasts we were a long, long time ago. But it still matters. The first time matters. Some mated pairs will make an occasion of it- throwing a party just so the female can formally offer her mate food... That's usually done amongst the wealthy. But it means that the female... accepts the bond.' I stared into the soup. 'Tell me the story- tell me everything.' He understood my offer: tell me while I cooked, and I'd decide at the end whether or not to offer him that food.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
When I was a child, charlottes--- French desserts made traditionally out of brioche, ladyfingers, or sponge and baked in a charlotte mold--- were everywhere. Charlotte au chocolat wasn't the only variety, though being chocolate, it had the edge on my mother's autumn-season apple charlotte braised with brioche and poached in clarified butter, and even on the magnificent charlotte Malakoff she used to serve in the summer: raspberries, slivered almonds, and Grand Marnier in valleys of vanilla custard. But it is charlotte au chocolat, being my namesake dessert, that I remember most, for we offered it on the menu all year long. I walked into the pastry station and saw them cooling in their rusted tin molds on the counter. I saw them scooped onto lace doilies and smothered in Chantilly cream, starred with candied violets and sprigs of wet mint. I saw them lit by birthday candles. I saw them arranged, by the dozens, on silver trays for private parties. I saw them on customers' plates, destroyed, the Chantilly cream like a tumbled snowbank streaked with soot from the chocolate. And charlottes smelled delightful: they smelled richer, I thought, than any dessert in the world. The smell made me think of black velvet holiday dresses and grown-up perfumes in crystal flasks. It made me want to collapse and never eat again.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
feel like I'm going to throw up, but that has more to do with this hangover I'm battling right now. But my feelings for marrying you? They haven’t changed since I asked, Gia. I loved you from the night I met you at that campus party. You were dancing with some cornball—what is it with you and cornball ass niggas—but anyway, I saw you dancing and you lit up the room. My pops would say that about my mother all the time, and I didn’t understand it until I saw you. I knew you would be my wife long before I asked you.” I dabbed at the tears pooling in my eyes. “Are you just saying this so I’ll marry you?” I replied thickly. “That was my attempt at making a joke to lighten the situation.” “The fact that you had to explain your joke explains why you always attract cornballs—you're one too.” “I am not!” “Yes, you are, but I love your corny ass. And I'mma love our corny little kids too. I love you so much that I'm willing to spend the rest of my life living in a house with a wife and kids explaining all their jokes to me,” Hasani went on over my laughs. “On a serious note: Gia, it doesn’t matter if you get all the way to the altar and change your mind when asked if you want to be my wife. I wouldn’t be mad. I want you to be as excited about forever as I am, you hear me? But don’t wait until we sign the marriage license and shit; I might have to fight you.
Tya Marie (When A Heartless Thug Holds Me Close 4)
mérite pas l’amour d’un homme tel que lui. En venant à Londres, il voulait me prouver que j’étais la femme de sa vie. Je lui ai prouvé le contraire. Cette conclusion me fend le cœur, me tord les boyaux, l’idée de l’avoir perdu m’est insupportable. Je ne sais pas, je ne sais plus comment vivre sans lui… Les yeux ruisselants de larmes et mes escarpins à la main, je pénètre dans notre chambre en espérant y trouver Marcus. Les sons que je perçois une fois la porte fermée m’indiquent qu’il est là, mais qu’il n’est pas seul. Apparemment, pendant que je foutais en l’air la plus belle histoire de ma vie, lui invitait un homme dans son lit. N’importe où, n’importe quand, mais pas ici, pas maintenant ! Je n’ose pas m’avancer, mais pendant une demi-seconde, j’hésite à interrompre ce qui semble être une partie de jambes en l’air démente (et très vocale). Finalement, je
Emma Green (Incandescent (Les 100 Facettes de Mr. Diamonds #11))
Natalia, Kahlia and Helen are always saying “Love you!” to each other. They say it at school, at parties, at each other’s houses. They hug all the frickin time, too. Guys, on the other hand, bump fists and every so often hug their moms.
Lauren Myracle (This Boy)
And another thought hits me now like a physical blow as I look at the man who could be my father. Was this all planned? Did he come back from Florence because he heard of my existence? Did he make his wife throw a party so he could get a look at me in the most completely unsuspicious, neutral way possible? I tear my head away swiftly, burying it in Evan’s shoulder. “Hey!” he says above me, sounding understandably surprised. “You okay? What’s up?” “Everyone’s looking--I feel shy,” I manage to say. It’s not completely a lie. He turns me with him, his arm still around my waist, walking away from the lit windows and into the comparative shadow at the back of the terrace. “Complimenti!” a high voice trills, and I look sideways as we pass to see Elisa smiling at us, extremely complacent to see me in another boy’s arms. And beyond her, Luca, not smiling: positively glowering. I can see his eyes now, and they’re burning as blue as if there were a miniature gas flame in each one. I feel scorched by the anger in his stare.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
He could smell the earth and the trees around the shallow lake beneath the balcony. It was a cloudy night and very dark, just a hint of glow directly above, where the clouds were lit by the shining Plates of the Orbital’s distant daylight side. Waves lapped in the darkness, loud slappings against the hulls of unseen boats. Lights twinkled round the edges of the lake, where low college buildings were set among the trees. The party was a presence at his back, something unseen, surging like the sound and smell of thunder from the faculty building; music and laughter and the scents of perfumes and food and exotic, unidentifiable fumes.
Iain M. Banks (The Player of Games (Culture, #2))
Elle saisit une prise de la main gauche, ravala un gémissement quand la chaîne qui liait ses poignets lui heurta le visage, tira sur ses bras. Jilano ne se rendait-il pas compte que sa leçon était stupide ? Ne se rendait-il pas compte qu’elle n’apprenait strictement rien ? Ne savait-il pas qu’apprendre est impossible quand on subit ? Elle se sentait rabaissée, humiliée. Avec ces chaînes, Jilano lui volait sa condition de marchombre. Elle se figea soudain. Les doigts verrouillés derrière une arête de glace, les pieds reposant sur de minuscules appuis, le corps en équilibre précaire au-dessus d’un vide vertigineux. Elle n’en avait cure. Avec ces chaînes, Jilano lui volait sa condition de marchombre. Vraiment ? Sa condition de marchombre était donc tributaire d’une simple chaîne d’acier ? Quelques maillons et elle perdait son identité ? Un vent nouveau se leva en elle. Un nuage commença à se désagréger dans son esprit. Lorsque, blessée, elle reposait sur son lit, était-elle moins marchombre que lorsqu’elle gravissait une tour escarpée, en pleine possession de ses moyens ? Ehrlime et son visage fripé ou Andorel et ses mouvements ralentis par l’âge étaient-ils moins marchombres qu’elle qui avait dix-huit ans ? Le corps était-il à ce point important qu’il définissait à lui seul la réalité du mot marchombre ? Elle raffermit sa prise de peur que la tempête qui soufflait désormais en elle ne jaillisse à l’extérieur et ne la fasse basculer dans le vide. Elle était marchombre. Libre ou enchaînée. Valide ou blessée. Jeune ou vieille. Elle était marchombre. Mais le corps ? La tempête rugit dans son esprit. Son corps était une partie d’elle. Elle lui devait le respect, c’était par lui qu’elle appréhendait le monde mais il n’était qu’une partie d’elle. Sa condition de marchombre prenait naissance bien au-delà des limites de son corps. Elle le transcendait, et si son corps était enchaîné, blessé, affaibli, brisé même, elle n’en demeurait pas moins libre. Elle était marchombre. La tempête cessa soudain de souffler.
Pierre Bottero (L'intégrale Le Pacte des marchombres (Grand Format))
The story of the Bible is the story of God’s grace to graceless humanity. It is the story of God bringing heaven to earth so that it might be saved from hell. Each of us, like the thief on the cross, has a choice to make: to receive God’s gift or to refuse it. The feasting hall is lit and decorated; the table is set and a delicious meal prepared; the wine goblets are filled to overflowing; the invitation has been sent. But the choice is ours. Will you come to the party?
James Paul (What on Earth is Heaven?)
Urbain VIII fit alors envoyer par l'ambassade une note destinée à l'inquisiteur et à Galilée, répétant les conditions auxquelles le livre devait répondre pour que l'imprimatur lui soit octroyé. J'ai reproduit cette note autrefois. Elle est remarquable. Dans l'état des connaissances du temps, un scientifique d'aujourd'hui ne pourrait donner de meilleurs conseils. En voici l'essentiel: « L'inquisiteur pouvait permettre la publication à Florence, s'il s'agissait de considérations purement mathématiques sur le système de Copernic. En aucun cas, ce livre ne pourrait admettre d'allégations absolues, mais il devait se maintenir dans les limites de l'hypothèse; surtout il n'y serait pas question de l'Écriture Sainte. « Il ne doit pas avoir pour titre et pour sujet le flux et le reflux de la mer ... mais l'examen mathématique de l'hypothèse copernicienne relative au mouvement de la Terre, en vue de prouver que (la rélévation divine et la doctrine sacrée étant réservées) cene hypothèse se concilie avec les phénomènes apparents et n'est pas détruite par les arguments contraires qui peuvent être empruntés à l'expérience et à la philosophie péripatéticienne» (c'est-à-dire celle d'Aristote et de Ptolémée)." « Le but de l'ouvrage doit être surtout de faire voir que I'on connaît toutes les raisons qui peuvent être invoquées en faveur de la doctrine» (copernicienne - c'est moi qui souligne), et que ce n'est pas pour les avoir ignorées qu'a été promulgué à Rome le décret (de 1616) «auquel l'ouvrage devra se conformer dans son commencement et dans sa fin, qui seront envoyés à l'inquisiteur ... Après ces précautions, le livre ne rencontrera aucun obstacle à Rome et l'inquisiteur pourra donner satisfaction à l'auteur ... ». Quand on lit sans parti pris ces directives du pape, écrit Aubanel, «on ne peut qu'être frappé de sa sagesse et de la liberté qu'il donne à Galilée. Que lui demande-t-on ? De ne pas enseigner comme une vérité absolue une théorie gu'il n'appuie que sur des probabilités; de laisser de côté l'Ecriture Sainte; de ne point faire dépendre toute la question de sa preuve fameuse - et fausse - du flux et du reflux. Il a même la permission - et ceci est à retenir - de combattre Aristote et de montrer l'impuissance de sa philosophie à démentir la doctrine qu'il préconise. Où donc trouver dans ces lignes la moindre entrave à la science? Il n'yen a aucune ».
Philippe Decourt (I. Faut-il réhabiliter Galilée ? - II. Comment on falsifie l'histoire : le cas Pasteur)
Mirchi, I cannot lie to you,” Rahul said, grinning. “On my side of the hall there were five hundred women in only half-clothes—like they forgot to put on the bottom half before they left the house!” “Aaagh, where was I?” said Mirchi. “Tell me. Anyone famous?” “Everyone famous! A Bollywood party. Some of the stars were in the VIP area, behind a rope, but John Abraham came out to near where I was. He had this thick black coat, and he was smoking cigarettes right in front of me. And Bipasha was supposedly there, but I couldn’t be sure it was really her or just some other item girl, because if the manager sees you looking at the guests, he’ll fire you, take your whole pay—they told us that twenty times before the party started, like we were weak in the head. You have to focus on the tables and the rug. Then when you see a dirty plate or a napkin you have to snatch it and take it to the trash bin in the back. Oh, that room was looking nice. First we laid this thick white carpet—you stepped on it and sank right down. Then they lit white candles and made it dark like a disco, and on this one table the chef put two huge dolphins made out of flavored ice. One dolphin had cherries for eyes—” “Bastard, forget the fish, tell me about the girls,” Mirchi protested. “They want you to look when they dress like that.
Katherine Boo
Beginning in the late 18th century, a very large candle would be lit at nightfall on Christmas Eve and allowed to burn through the night.
Stephanie Barron (On Hosting Your Regency-Era Christmas Party: A Companion to Jane and the Twelve Days of Christmas)
Quand ils sont arrivés à la maison, ils étaient tous les deux sales et fatigués. La femme à tout faire était partie et leur avait laissé la marmite sur la gazinière. La soupe s’était figée en refroidissant. Il n’a plus eu envie de manger, il s’est allongé sur le lit et ses pensées tournaient dans sa tête exactement comme la roue de la voiture dans la fange. Il a revu la chambre dans laquelle il dormait et il apprenait durant son enfance et soudain elle lui sembla terriblement petite. Son père entra brusquement par la porte. – As-tu appris qui m’a balancé ? Il ne s’attendait pas à cette question. Il souleva le devant de son corps prenant appui sur ses coudes et le regarda clignant des yeux. La figure du père se constitua lentement devant lui. – Il portait le nom de code l’Ours, lui a-t-il dit. – D’accord, soit, mais as-tu appris quel est son véritable nom ? – Il y avait plusieurs noms là-bas. Petroviceanu, je crois. – Mouais, lui répondit le père en se dirigeant vers la porte. Tu es sûr de ne pas vouloir de la soupe ? – Non. Ou bien Petroveanu. Quelque chose dans ce genre. Son père s’arrêta de marcher et se retourna le visage vers lui. – Petroveanu était un type qui travaillait aux serres et c’était mon patient tandis qu’avec Petroviceanu j’ai été camarade au lycée. Il se rendit alors compte qu’il ne savait plus et précisément ce dont il craignait ne l’avait pas épargné. – Je ne sais plus, maintenant. J’ai lu des dizaines de pages hier et il y a n’a eu beaucoup qui ont donné des notes informatives sur toi et sur maman. Son père fronça les sourcils. – De toute façon, tu disais que cela ne t’intéresse guère. – Cela ne m’intéresse guère. Je t’ai juste demandé si tu as appris son nom. J’ai voulu vérifier si tu sais de qui tu dois te méfier. Ils se sont tu, tous les deux, pendant un instant, décontenancés. – Je vais me méfier de tous les deux, lui a répondu le fils. – Très bien, lui a répondu le père. Moi je vais me réchauffer une portion. Cette femme cuisine à merveille. Il lui a semblé qu’à ce moment-là il était devenu un peu plus joyeux. – Tu en es où avec le rhume ? lui a demandé le fils. – Toujours pareil, a répondu le père balayant de sa main en signe de lassitude. (fin de la nouvelle « Le Refroidissement », traduite du roumain par Gabrielle Danoux)
Augustin Cupşa (Marile bucurii și marile tristeți)
Every relationship leaves behind a sticky residue, hard to wash away without chemical help. I prefer liquor and looks so strong that they make my eyes water. But whatever keeps the party lit and the lushes from gushing on the dancefloor.
Tayi Tibble (Poukahangatus: Poems)
the thick black trees. A light breeze lifted their hair as they looked into the Forest. ‘Look there,’ said Hagrid, ‘see that stuff shinin’ on the ground? Silvery stuff? That’s unicorn blood. There’s a unicorn in there bin hurt badly by summat. This is the second time in a week. I found one dead last Wednesday. We’re gonna try an’ find the poor thing. We might have ter put it out of its misery.’ ‘And what if whatever hurt the unicorn finds us first?’ said Malfoy, unable to keep the fear out of his voice. ‘There’s nothin’ that lives in the Forest that’ll hurt yeh if yer with me or Fang,’ said Hagrid. ‘An’ keep ter the path. Right, now, we’re gonna split inter two parties an’ follow the trail in diff’rent directions. There’s blood all over the place, it must’ve bin staggerin’ around since last night at least.’ ‘I want Fang,’ said Malfoy quickly, looking at Fang’s long teeth. ‘All right, but I warn yeh, he’s a coward,’ said Hagrid. ‘So me, Harry an’ Hermione’ll go one way an’ Draco, Neville an’ Fang’ll go the other. Now, if any of us finds the unicorn, we’ll send up green sparks, right? Get yer wands out an’ practise now – that’s it – an’ if anyone gets in trouble, send up red sparks, an’ we’ll all come an’ find yeh – so, be careful – let’s go.’ The Forest was black and silent. A little way into it they reached a fork in the earth path and Harry, Hermione and Hagrid took the left path while Malfoy, Neville and Fang took the right. They walked in silence, their eyes on the ground. Every now and then a ray of moonlight through the branches above lit a spot of silver blue blood on the fallen leaves. Harry saw that Hagrid looked very worried. ‘Could a werewolf be killing the unicorns?’ Harry asked. ‘Not fast enough,’ said Hagrid. ‘It’s not easy ter catch a unicorn, they’re powerful magic creatures. I never knew one ter be hurt before.’ They walked past a mossy tree-stump. Harry could hear running water; there must be a stream somewhere close by. There were still
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))