Hinge Movie Quotes

SOUVENIR I would like to take something with me but even one chair is too awkward too heavy peeling paint falls off in a suitcase hinge sounds betray a theft cheeses won’t keep the clothespin without its surroundings would be mediocre the big thunder rolled elsewhere the umbrella is for sale but in a desert what you want is a soaking the do not disturb sign is tattered I have many times taken some café’s small packets of sugar so that in Turkey I might sweeten my coffee with China, and in Italy remember a Lithuanian pastry but where is the coffee hands left and right useless knees clattery heart finally calm as some hero at the end of a movie squinting silently into the sun you can’t hold an umbrella there anyhow and what would he hang from the clothespin

Digital technology enables new modes of production and distribution, which in turn enable new sorts of representations that anticipate sexual minorities as audiences. But these practices are predicated on assumptions about those audiences, and they hinge on privileges associated with gender, race, and class that delimit the forms of diversity they are able to engender at all. This paradigm is most evident in cinema, where digital technology has resulted in a large number of distributors circulating movies to sexual minorities across different delivery platforms. Despite this multiplicity, the movies they distribute are striking in their similarities. They tend to animate narrative paradigms steeped in ideas about personal agency that actively curb attention to the different forms of diversity that characterize the very publics they convene.