Do Footnotes Have To Be Quotes

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Let us return to pathemata mathemata (learning through pain) and consider its reverse: learning through thrills and pleasure. People have two brains, one when there is skin in the game, one when there is none. Skin in the game can make boring things less boring. When you have skin in the game, dull things like checking the safety of the aircraft because you may be forced to be a passenger in it cease to be boring. If you are an investor in a company, doing ultra-boring things like reading the footnotes of a financial statement (where the real information is to be found) becomes, well, almost not boring.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. I do not mean the systematic scheme of thought which scholars have doubtfully extracted from his writings. I allude to the wealth of general ideas scattered through them.
Plato (The Republic)
The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. I do not mean the systematic scheme of thought which scholars have doubtfully extracted from his writings. I allude to the great wealth of general ideas scattered through them. His personal endowments, his wide opportunities for experience at a great period of civilization, his inheritance of an intellectual tradition not yet stiffened by excessive systematization, have made his writings an inexhaustible mine of suggestion.
Alfred North Whitehead
You think I hate men. I guess I do, although some of my best friends...I don't like this position. I mistrust generalized hatred. I feel like one of those twelfth century monks raving on about how evil women are and how they must cover themselves up completely when they go out lest they lead men into evil thoughts. The assumption that the men are the ones who matter, and that the women exist only in relation to them, is so silent and underrunning that ever we never picked it up until recently. But after all, look at what we read. I read Schopenhauer and Nietzsche and Wittgenstein and Freud and Erikson; I read de Montherlant and Joyce and Lawrence and sillier people like Miller and Mailer and Roth and Philip Wylie. I read the Bible and Greek myths and didn't question why all later redactions relegated Gaea-Tellus and Lilith to a footnote and made Saturn the creator of the world. I read or read about, without much question, the Hindus and the Jews, Pythagoras and Aristotle, Seneca, Cato, St.Paul, Luther, Sam Johnson, Rousseau, Swift...well, you understand. For years I didn't take it personally. So now it is difficult for me to call others bigots when I am one myself. I tell people at once, to warn them, that I suffer from deformation of character. But the truth is I am sick unto death of four thousand years of males telling me how rotten my sex is. Especially it makes me sick when I look around and see such rotten men and such magnificent women, all of whom have a sneaking suspicion that the four thousand years of remarks are correct. These days I feel like an outlaw, a criminal. Maybe that's what the people perceive who look at me so strangely as I walk the beach. I feel like an outlaw not only because I think that men are rotten and women are great, but because I have come to believe that oppressed people have the right to use criminal means to survive. Criminal means being, of course, defying the laws passed by the oppressors to keep the oppressed in line. Such a position takes you scarily close to advocating oppression itself, though. We are bound in by the terms of the sentence. Subject-verb-object. The best we can do is turn it around. and that's no answer, is it?
Marilyn French (The Women's Room)
The fact that I had never wanted to be a doctor was nothing more than a footnote to a story that interested no one. You wouldn’t think a person could succeed in something as difficult as medicine without wanting to do it, but it turned out I was part of a long and noble tradition of self-subjugation. I would guess at least half the students in my class would rather have been anywhere else. We were fulfilling the expectations that had been set for us: the sons of doctors were expected to become doctors so as to honor the tradition; the sons of immigrants were expected to become doctors in order to make a better life for their families; the sons who had been driven to work the hardest and be the smartest were expected to become doctors because back in the day medicine was still where the smart kids went.
Ann Patchett (The Dutch House)
How much does the iron in your blood and the calcium in your bones remember of the heart of the star in which they were born? And if they can forget that terrible, magnificent heat and light, what hope do I have of being more than an unremarkable footnote to you?
Seanan McGuire (Lightspeed Magazine, Issue 61, June 2015: Queers Destroy Science Fiction!)
My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I
Hope Jahren (Lab Girl)
He'll do whatever it is they are doing until Liam smartens up and ends it. Because having pieces of Liam is better than having none at all. And he will watch as one day Liam moves on to someone better, someone whole, someone that can give him everything he wants. Everything he deserves.
Maya Jean (Just a Footnote)
When I came to myself again, I said — ‘When I get so that I can do that, I’ll be able to raise the dead, and then I won’t have to pilot a steamboat to make a living. I want to retire from this business. I want a slush-bucket and a brush; I’m only fit for a roustabout. I haven’t got brains enough to be a pilot; and if I had I wouldn’t have strength enough to carry them around, unless I went on crutches.’ ‘Now drop that! When I say I’ll learn {footnote [‘Teach’ is not in the river vocabulary.]} a man the river, I mean it. And you can depend on it, I’ll learn him or kill him.
Mark Twain (The Complete Works of Mark Twain: The Novels, Short Stories, Essays and Satires, Travel Writing, Non-Fiction, the Complete Letters, the Complete Speeches, and the Autobiography of Mark Twain)
In the New Testament, God's steadfast love and faithfulness are seen, not in an act of deliverance from foreign enemies, but in sending the Son and raising Him from the dead to enact a global rescue mission (Romans 8:3.) Jesus is God's supreme, grand, climactic act of faithfulness. Not only that, but "faithful" also describes Jesus. Paul writes, "We know that a person is justified not by the works of the law but in faith in Jesus Christ" (Galations 2:16...). A better reading is "faithfulness of Jesus Christ" -- which is found in footnotes of many Bibles -- and the two readings couldn't be more different... Paul isn't saying, "You are not justified by your efforts but by your faith." The contrast he's making isn't between two options we have; the contrast is between your efforts and Jesus' faithfulness to you, shown in His obedient death on a Roman cross. Paul is interested in telling readers what Jesus did, Jesus' faithfulness, not what we do. God's grand act of faithfulness is giving His son for our sake. God is all in. Jesus' grand act of faithfulness is going through with it for our sake. Jesus is all in. Now it's our move, which really is the point of all this. Like God the Father and God the Son, we are also called to be faithful. On one level, we are faithful to God when we trust God, but faith (pistis) doesn't stop there. It extends, as we've seen, in faithfulness toward each other, in humility and self-sacrificial love. And here is the real kick in the pants: When we are faithful to each other like this, we are more than simply being nice and kind -- though there's that. Far more important, when we are faithful to each other, we are, at that moment, acting like the faithful God and the faithful Son. Being like God. That's the goal. And we are most like God, not when we are certain we are right about God, or when we tell others how right we are, but when we are acting toward one another like the faithful Father and Son. Humility, love, and kindness are our grand acts of faithfulness and how we show that we are all in.
Peter Enns (The Sin of Certainty: Why God Desires Our Trust More Than Our "Correct" Beliefs)
A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work in itself is good in itself—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery. I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this: "We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry fort you lower classes, just as we are sorry for a cat with the mange, of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.” This is particularly the attitude of intelligent, cultivated people; one can read the substance if it in a hundred essays. Very few cultivated people have less than (say) four hundred pounds a year, and naturally they side with the rich, because they imagine that any liberty conceded to the poor is a threat to their own liberty. foreseeing some dismal Marxian Utopia as the alternative, the educated man prefers to keep things as they are. Possibly he does not like his fellow-rich very much, but he supposes that even the vulgarest of them are less inimical to his pleasures, more his kind of people, than the poor, and that he had better stand by them. It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions. Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothings else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty? In my copy of Villon’s poems the editor has actually thought it necessary to explain the line “Ne pain ne voyent qu'aux fenestres” by a footnote; so remote is even hunger from the educated man’s experience. From this ignorance a superstitious fear of the mob results quite naturally. The educated man pictures a horde of submen, wanting only a day’s liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. “Anything,” he thinks, “any injustice, sooner than let that mob loose.
George Orwell (Down and Out in Paris and London)
I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'.
Saul Bellow (Ravelstein)
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
Human bodies are extremely complicated and over the years I learned three important things about them, none of which I had been taught by lecturers or professors at my medical school. First, I learned that no two bodies are identical and there are an infinite number of variations. Not even twins are truly identical. When I first started to study medicine I used to think how much easier it would be for us all (doctors and patients) if bodies came with an owner's manual, but the more I learned about medicine the more I realised that such a manual would have to contain so many variations, footnotes and appendices that it wouldn't fit into the British Museum let alone sit comfortably on the average bookshelf. Even if manuals were individually prepared they would still be too vast for practical use. However much we may think we know about illness and health there will always be exceptions; there will always be times when our prognoses and predictions are proved wrong. Second, I learned that the human body has enormous, hidden strengths, and far greater power than most of us ever realise. We tend to think of ourselves as being delicate and vulnerable. But, in practice, our bodies are tougher than we imagine, far more capable of coping with physical and mental stresses than most of us realise. Very few of us know just how strong and capable we can be. Only if we are pushed to our limits do we find out precisely what we can do. Third, I learned that our bodies are far better equipped for selfdefence than most of us imagine, and are surprisingly well-equipped with a wide variety of protective mechanisms and self-healing systems which are designed to keep us alive and to protect us when we find ourselves in adverse circumstances. The human body is designed for survival and contains far more automatic defence mechanisms, designed to protect its occupant when it is threatened, than any motor car. To give the simplest of examples, consider what happens when you cut yourself. First, blood will flow out of your body for a few seconds to wash away any dirt. Then special proteins will quickly form a protective net to catch blood cells and form a clot to seal the wound. The damaged cells will release special substances into the tissues to make the area red, swollen and hot. The heat kills any infection, the swelling acts as a natural splint - protecting the injured area. White cells are brought to the injury site to swallow up any bacteria. And, finally, scar tissue builds up over the wounded site. The scar tissue will be stronger than the original, damaged area of skin. Those were the three medical truths I discovered for myself. Over the years I have seen many examples of these three truths. But one patient always comes into my mind when I think about the way the human body can defy medical science, prove doctors wrong and exhibit its extraordinary in-built healing power.
Vernon Coleman (The Young Country Doctor Book 7: Bilbury Pudding)
All our opinions are false and don’t matter in the grand scheme of things. We live ,we die. We as individuals don’t matter in this world ,we will be a memory if anyone does remember us. We will be lucky.But soon , our memory will die with them and maybe someone will utter our name in passing in this age of technology ,as a footnote to something that grabbed more of their attention. Ultimately in this world our lives do not matter. So why do we feel we are in a one man play? Why do we want to accomplish so much just to be bellowed as heroes or heroines, to be adored or thought highly of by other people who do not even have favorable opinions of themselves? You see the truth is that the trace we leave In this world do not matter in this world, the track we leave in this world is what matters in the afterlife and it will be mirror in the memory of your future. Everything we do today is either for our own comforts or to avoid discomfort we are living in a perpetual state of pleasing ourselves , self gratification and being busy bodies for the momentarily exhalation of relief that will almost always follow up with a crisis. No one will have a continuous state of bliss as the pendulum swings up it will eventually come down before it comes back up again, yet we act surprised and devastated. This life is a perpetual test to try to develop and polish your outlook and inner life so you may be the lucky ones to develop the acuteness to see this world for what it is, and not lose that vision. An illusion of forms presenting the beauty and ugliness of our souls to us on a platter and tempting us to forget we are mortal. You don’t finish school when you graduate with that degree. You finish school when you die.
Ilwaad isa
Human males, too, form alliances for gaining resources such as large game, political power within the group, ways to defend against the aggression of other coalitions of men, and sexual access to women.7 The survival and reproductive benefits derived from these coalitional activities constituted tremendous selection pressure over human evolutionary history for men to form alliances with other men. Since ancestral women did not hunt large game, declare war on other tribes, or attempt to forcibly capture men from neighboring bands, they did not experience equivalent selection pressure to form coalitions. Although women do form coalitions with other women for the care of the young and for protection from sexually aggressive men, these are weakened whenever a woman leaves her kin group to live with her husband and his clan. The combination of strong coalitions among men and somewhat weaker coalitions among women, according to Barbara Smuts, may have contributed historically to men’s dominance over women.9 My view is that women’s preferences for a successful, ambitious, and resource-capable mate coevolved with men’s competitive mating strategies, which include risk taking, status striving, derogation of competitors, coalition formation, and an array of individual efforts aimed at surpassing other men on the dimensions that women desire. The intertwining of these coevolved mechanisms in men and women created the conditions for men to dominate in the domain of resources. The origins of men’s control over resources is not simply an incidental historical footnote of passing curiosity. Rather, it has a profound bearing on the present, because it reveals some of the primary causes of men’s continuing control of resources. Women today continue to want men who have resources, and they continue to reject men who lack resources. These preferences are expressed repeatedly in dozens of studies conducted on tens of thousands of individuals in scores of countries worldwide. They are expressed countless times in everyday life. In any given year, the men whom women marry earn more than men of the same age whom women do not marry. Even professionally successful women who do not really need resources from a man are reluctant to settle for a mate who is less successful than they are. Women who earn more than their husbands seek divorce more often, although this trend appears to be changing, at least within America. Men continue to compete with other men to acquire the status and resources that make them desirable to women. The forces that originally caused the resource inequality between the genders—women’s mate preferences and men’s competitive strategies—are the same forces that contribute to maintaining resource inequality today. Feminists’ and evolutionists’ conclusions converge in their implication that men’s efforts to control female sexuality lie at the core of their efforts to control women. Our evolved sexual strategies account for why this occurs, and why control of women’s sexuality is a central preoccupation of men. Over the course of human evolutionary history, men who failed to control women’s sexuality—for example, by failing to attract a mate, failing to prevent cuckoldry, or failing to retain a mate—experienced lower reproductive success than men who succeeded in controlling women’s sexuality. We come from a long and unbroken line of ancestral fathers who succeeded in obtaining mates, preventing their infidelity, and providing enough benefits to keep them from leaving. We also come from a long line of ancestral mothers who granted sexual access to men who provided beneficial resources.
David M. Buss (The Evolution Of Desire: Strategies of Human Mating)
Rabo Karabekian, then, created at least one masterpiece as a lover, which was necessarily created in private and vanished from the Earth even more quickly than the paintings which made me a footnote in Art History. Is there nothing I have done which will outlive me, other than the opprobrium of my first wife and sons and grandchildren? Do I care? Doesn’t everybody? Poor me. Poor practically everybody, with so little durable good to leave behind!
Kurt Vonnegut Jr. (Bluebeard)
In a New Testament translation called the Worrell version (A. S. Worrell, The Worrell New Testament [Springfield, Mo.: Gospel Publishing House, 1980]), the footnote to 1 Peter 5:7 offers clear and powerful insight into this verse. In reference to the first part of the verse, which Worrell renders as “having cast all your anxiety on Him,” the note reads: The Greek tense here indicates a momentary and complete casting of one’s anxiety, once for all, upon God. This, in a sense, is done when one makes a complete surrender of himself and his all to God for Him to manage at His will. When one puts the whole management of his life in God’s hands, he may reach the place where all anxiety leaves him, regardless of the outward testings that may fall to his lot. (p. 352) We can see from Worrell’s insights that God wants to manage our lives. He wants to handle our affairs for us as a blessing to us. But sometimes we do not take advantage of the divine help that is available to us and we try to manage things on our own. When we do, often the results are not good. If we want to experience the peace of the Lord, we must learn to cast all our care upon Him—forcefully giving Him all the things that burden and distract us—permanently, not temporarily. Can you imagine the relief you would feel if you no longer had to carry any of the burdens that seem so heavy right now? Can you begin to sense the freedom of knowing someone else is dealing with all your problems and concerns—and dealing with them in the most perfect way, the way that will be best for you? This is what happens when you cast all your care upon the Lord, realizing and believing that He truly cares for you.
Joyce Meyer (Worry-Free Living: Trading Anxiety for Peace)
In a New Testament translation called the Worrell version (A. S. Worrell, The Worrell New Testament [Springfield, Mo.: Gospel Publishing House, 1980]), the footnote to 1 Peter 5:7 offers clear and powerful insight into this verse. In reference to the first part of the verse, which Worrell renders as “having cast all your anxiety on Him,” the note reads: The Greek tense here indicates a momentary and complete casting of one’s anxiety, once for all, upon God. This, in a sense, is done when one makes a complete surrender of himself and his all to God for Him to manage at His will. When one puts the whole management of his life in God’s hands, he may reach the place where all anxiety leaves him, regardless of the outward testings that may fall to his lot. (p. 352) We can see from Worrell’s insights that God wants to manage our lives. He wants to handle our affairs for us as a blessing to us. But sometimes we do not take advantage of the divine help that is available to us and we try to manage things on our own. When we do, often the results are not good. If we want to experience the peace of the Lord, we must learn to cast all our care upon Him—forcefully giving Him all the things that burden and distract us—permanently, not temporarily. Can
Joyce Meyer (Worry-Free Living: Trading Anxiety for Peace)
This is it,” Orion breathed and we turned to read the words as he held out the book. A spell was laid out to strip the newly acquired Elements from King, the answer right there before us. We needed Vampire blood to pull it off as part of a potion which Ryder immediately started writing down the ingredients to. To speed the process up, a Vampire could feed on the vessel once the Elements had been stripped away while the spell was being chanted to draw the stolen magic out of them faster, but it wasn’t necessary. But if a Vampire didn’t do that then it would take a lot longer to rip the stolen magic out of the host and that would give King more time to fight back. One glance at Elise told me she was fully planning to drain every last drop of stolen power out of King the moment she could and I swallowed down the fear that sparked in me. “There’s a warning here,” Orion said gravely, pointing to a small footnote at the base of the page. “It says that though a Vampire can drain the stolen power faster, they must act quickly to release it into the sky where it belongs. If not, the power will work to corrupt them, feeding into their bloodlust and making a demon out of them.” “We shouldn’t risk it,” I said, reaching for Elise’s hand. “We can just contain King and use the spell to force the magic out of them without you draining it.” “And what if that takes too long?” Elise demanded. “Our girl won’t be corrupted by the power,” Leon said confidently, reaching out to brush his fingers through her hair. “I just have to release it the moment I steal it. Simple,” she agreed but as I cast a look at Orion he didn’t seem at all convinced. “Dark magic lures you in unlike anything you could possibly understand without having experienced it,” he warned. “I’d think very carefully about doing this before you charge in and attempt it.” “Okay,” Elise agreed, raising her hands in surrender. “I won’t bite the fucker to drain them unless everything starts going to shit and I don’t have any other choice.” “I think that’s for the best, bella,” Dante agreed.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
Shortly after, Paul took up the cry of liberty and declared all meats clean, every day holy, all places sacred and every act acceptable to God. The sacredness of times and places, a half-light necessary to the education of the race, passed away before the full sun of spiritual worship. The essential spirituality of worship remained the possession of the Church until it was slowly lost with the passing of the years. Then the natural legality of the fallen hearts of men began to introduce the old distinctions. The Church came to observe again days and seasons and times. Certain places were chosen and marked out as holy in a special sense. Differences were observed between one and another day or place or person, "The sacraments" were first two, then three, then four until with the triumph of Romanism they were fixed at seven. In all charity, and with no desire to reflect unkindly upon any Christian, however misled, I would point out that the Roman Catholic church represents today the sacred-secular heresy carried to its logical conclusion. Its deadliest effect is the complete cleavage it introduces between religion and life. Its teachers attempt to avoid this snare by many footnotes and multitudinous explanations, but the mind's instinct for logic is too strong. In practical living the cleavage is a fact. From this bondage reformers and puritans and mystics have labored to free us. Today the trend in conservative circles is back toward that bondage again. It is said that a horse after it has been led out of a burning building will sometimes by a strange obstinacy break loose from its rescuer and dash back into the building again to perish in the flame. By some such stubborn tendency toward error Fundamentalism in our day is moving back toward spiritual slavery. The observation of days and times is becoming more and more prominent among us. "Lent" and "holy week" and "good" Friday are words heard more and more frequently upon the lips of gospel Christians. We do not know when we are well off.
A.W. Tozer (The Pursuit of God)
...David Mich is the Hollywood genius who produced and wrote much of the HBO series Deadwood. Mr. Milch's story was an interesting one to me, at least as it emerged from maybe half a dozen profiles written about him back when Deadwood was in its heyday, and it goes like this: Mr. Milch had pined to do a western ever since he was an important writer on an Emmy-winning network cop series and could just as easily have been a novelist, if I remember the story correctly, and after years of research and reading everything available on the old west decided to focus his talents on the town of Deadwood in the 1870s. But hold your horses, Tex. As Mr. Milch explained it, he didn't read everything after all, he read everything except the novel Deadwood, and was not only able on his own to come up with the same setting and feel and characters that populated the novel, but somehow intuited a footnote-in-history sort of character named Charlie Utter into pretty much the same human being who is the central character of the novel. Except Mr. Milch gave him an English accent, and if that's not Hollywood genius I don't know what is. ... --Acknowledgments
Pete Dexter (Spooner)
From the Bridge” by Captain Hank Bracker Behind “The Exciting Story of Cuba” It was on a rainy evening in January of 2013, after Captain Hank and his wife Ursula returned by ship from a cruise in the Mediterranean, that Captain Hank was pondering on how to market his book, Seawater One. Some years prior he had published the book “Suppressed I Rise.” But lacking a good marketing plan the book floundered. Locally it was well received and the newspapers gave it great reviews, but Ursula was battling allergies and, unfortunately, the timing was off, as was the economy. Captain Hank has the ability to see sunshine when it’s raining and he’s not one easily deterred. Perhaps the timing was off for a novel or a textbook, like the Scramble Book he wrote years before computers made the scene. The history of West Africa was an option, however such a book would have limited public interest and besides, he had written a section regarding this topic for the second Seawater book. No, what he was embarking on would have to be steeped in history and be intertwined with true-life adventures that people could identify with. Out of the blue, his friend Jorge suggested that he write about Cuba. “You were there prior to the Revolution when Fidel Castro was in jail,” he ventured. Laughing, Captain Hank told a story of Mardi Gras in Havana. “Half of the Miami Police Department was there and the Coca-Cola cost more than the rum. Havana was one hell of a place!” Hank said. “I’ll tell you what I could do. I could write a pamphlet about the history of the island. It doesn’t have to be very long… 25 to 30 pages would do it.” His idea was to test the waters for public interest and then later add it to his book Seawater One. Writing is a passion surpassed only by his love for telling stories. It is true that Captain Hank had visited Cuba prior to the Revolution, but back then he was interested more in the beauty of the Latino girls than the history or politics of the country. “You don’t have to be Greek to appreciate Greek history,” Hank once said. “History is not owned solely by historians. It is a part of everyone’s heritage.” And so it was that he started to write about Cuba. When asked about why he wasn’t footnoting his work, he replied that the pamphlet, which grew into a book over 600 pages long, was a book for the people. “I’m not writing this to be a history book or an academic paper. I’m writing this book, so that by knowing Cuba’s past, people would understand it’s present.” He added that unless you lived it, you got it from somewhere else anyway, and footnoting just identifies where it came from. Aside from having been a ship’s captain and harbor pilot, Captain Hank was a high school math and science teacher and was once awarded the status of “Teacher of the Month” by the Connecticut State Board of Education. He has done extensive graduate work, was a union leader and the attendance officer at a vocational technical school. He was also an officer in the Naval Reserve and an officer in the U.S. Army for a total of over 40 years. He once said that “Life is to be lived,” and he certainly has. Active with Military Intelligence he returned to Europe, and when I asked what he did there, he jokingly said that if he had told me he would have to kill me. The Exciting Story of Cuba has the exhilaration of a novel. It is packed full of interesting details and, with the normalizing of the United States and Cuba, it belongs on everyone’s bookshelf, or at least in the bathroom if that’s where you do your reading. Captain Hank is not someone you can hold down and after having read a Proof Copy I know that it will be universally received as the book to go to, if you want to know anything about Cuba! Excerpts from a conversation with Chief Warrant Officer Peter Rommel, USA Retired, Military Intelligence Corps, Winter of 2014.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
Now, it may be objected that Orwell was no Borges, that Nineteen Eighty-Four is no postmodern literary experiment, and that I am considering the Appendix too curiously. Perhaps the Newspeak essay should be seen simply as a parody 'presented in the form of a mock-survey, scientific and historical, of the language of Oceania,' whose purpose is to illustrate 'how a totalitarian oligarchy uses the rational tools of science as the instrument of power.' Or perhaps the problem I have identified could be explained as one more manifestation of 'the generic contradiction between naturalism and satire that is the basic formal determinant of the book.' Furthermore, it is pointless to second-guess an author; there are commonsense explanations for Orwell's decision to place the Newspeak essay in an Appendix, and for his failure to identify precisely the essay's author; the incongruities between the Appendix and the novel proper do not reduce the political urgency of the total work; it is a mistake to come to Nineteen Eighty-Four with expectations derived from more conventional novels; paradoxes are the stuff of futuristic stories; readers have a duty to suspend their disbelief; even Homer nods. But, if it was unlike Orwell to lure us deliberately into a hall of mirrors, he certainly did not lack ingenuity. And, even if he encountered difficulties he was unable to solve, his imperfect solutions were consonant with the plan to convey a world deprived of 'objective truth.' Even though his handling of the Appendix may have had unforeseen consequences for the book as a whole, the confusion raised by the document nevertheless 'works.' The footnote's implied promise of verification is hollow, and the reader's attempts to determine the 'objective truth' about Oceania—its social and political structure, its language, its fate—are frustrated. By trying to reconcile the novel and the Appendix, we experience for ourselves—'outside' the novel, as it were—what it might be like to inhabit a world in which the authenticity (never mind the accuracy or objectivity) of all documents is in doubt, in which documents are almost dreamlike, unfixed in time, infused with self-contradiction, at once recognisable and cryptic. Those who keep a checklist of Orwell's 'prophecies' may credit him with anticipating and dramatising the age of 'disinformation.
Richard K. Sanderson
We’re living in an acquisitive capitalist society that is fundamentally anti-family and fundamentally uncomfortable with just enjoying being human. We’d rather shop than live, acquire than love and stare into a screen than hold each other. The pressure parents put on teenage kids to get into the “right schools” is stressful and cruel. So please forgive me while I preach a little about the joy of children and grandchildren, because plenty of sensible people will tell you to do anything but commit to love first and to career, money and possessions second. And this isn’t only about heterosexual love. Everything I’m ranting about here is just as true for gay men and lesbian women who are in love and who want children and who like me also want to put their relationships ahead of stuff, prestige and ego. So I have news for us all: it’s the entire cycle of life that counts. And that cycle is the only real “biological clock” that matters. Everything else is just a footnote.
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
When Abraham journeyed from Hebron (v. 1), he left God’s presence and the proper standing on which he could have fellowship with God (13:18 and notes). Although he had been circumcised both physically and spiritually (17:10, 23-24 and note 101), when he left the proper standing of fellowship with God, Abraham was again in the flesh and repeated his previous failure (12:13). This shows that no matter how high our spiritual attainment may be, as long as we are still in the old creation, if we do not remain in fellowship with God, we are capable of being in the flesh and of behaving like the worldly people. We should never have any confidence in our flesh; the flesh is absolutely untrustworthy (Rom. 7:18; Phil. 3:3). We must put our trust in the Lord’s presence.
Living Stream Ministry (Holy Bible Recovery Version (contains footnotes))
Modern art is a waste of time. When the zombies show up, you can't worry about art. Art is for people who aren't worried about zombies. Besides zombies and icebergs, there are other things that Soap has been thinking about. Tsunamis, earthquakes, Nazi dentists, killer bees, army ants, black plague, old people, divorce lawyers, sorority girls, Jimmy Carter, giant quids, rabid foxes, strange dogs, new anchors, child actors, fascists, narcissists, psychologists, ax murderers, unrequited love, footnotes, zeppelins, the Holy Ghost, Catholic priests, John Lennon, chemistry teachers, redheaded men with British accents, librarians, spiders, nature books with photographs of spiders in them, darkness, teachers, swimming pools, smart girls, pretty girls, rich girls, angry girls, tall girls, nice girls, girls with superpowers, giant lizards, blind dates who turn out to have narcolepsy, angry monkeys, feminine hygiene commercials, sitcoms about aliens, things under the bed, contact lenses, ninjas, performances artists, mummies, spontaneous combustion, Soap has been afraid of all of these things at one time or another, Ever since he went to prison, he's realized that he doesn't have to be afraid. All he has to do is come up with a plan. Be prepared. It's just like the Boy Scouts, except you have to be even more prepared. You have to prepare for everything that the Boy Scouts didn't prepare you for, which is pretty much everything.
Kelly Link (Magic for Beginners)
Gao Jianfu came to India at a juncture when many Indian nationalist leaders and personalities like Gandhi and Tagore were sympathetic to China under the notorious Japanese aggression. Gao was an ardent reader of Rabindranath’s poetry. However, it is hard to trace, from the available data, the extent of his exposure to contemporary art in Bengal since he did not visit Santiniketan and look up its artistic activities. But many of his drawings and sketches bore evidence of some interactions. It is interesting that while the artists of Bengal were eager to assimilate certain elements of Japanese and Chinese art, a celebrated Chinese artist and intellectual visited Bengal almost in the same trajectory, and we do not have enough record of this event. Gao Jianfu, during his long trip to India, also visited the Ajanta caves and made a large number of copies of the Ajanta murals. From these copies, he did a great many sketches and drawings as if he were putting together a visual travelogue interspersed with narratives and footnotes. Fascinatingly, some of his drawings of ruined stupas and Buddhist sites that he visited in India were evidence of their impact on him, working behind his growing inclination to Buddhism and spirituality during the later phase of his life.
Tan Chung (Tagore and China)
A fairy ring, it stated, is very much like a doorway, and in several cultures it is perfectly acceptable to knock. Though most American and American-antecedent ethnicities do not practice such summoning, some bargaining cultures did, or do, practice the art. Alaine skimmed several photographs describing Sicilian stories of joining with fairies to battle witches and the Scottish worship of nature spirits, none of which seemed particularly relevant. She was growing frustrated at the author's apparent disregard for the separation between folktale and true practice when the chapter settled on a long description. Recent research into English witch trials have revealed a connection between bargaining culture and some occult forms of practice in which fairies are ritualistically summoned. Though some equate the practice with the concept of a "witch's familiar"... Here Alaine began to skim again until the author found himself back on track. Interviewees from several small villages recall stories that those bold enough to enter a fairy ring could summon a fairy by placing a silver pin in the center of the ring, repeating an incantation such as "a pin to mark, a pin to bind, a pin to hail" (additional variants found in Appendix E), and circling the interior of ring three times. It remains, of course, impossible to test the veracity of such stories, but the consistency of the methodology across geographical regions is intriguing, down to the practice of carrying a small bunch or braid of mint into the ring. Alaine shut the book on her finger, marking the spot. Impossible to rest, indeed. She opened the book again. It began a long ramble detailing various stories of summoning, but Alaine didn't need the repetition to know the method. A short footnote added that Mint appears to serve in the stories as both attractant and repellant for the fairy creatures, drawing them to the summoner but preventing from being taken unwilling into Fae, unlike tobacco and various types of sage, which are merely deterrents.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
Cadoc does not have feelings for me. You’ll see. We’ll graduate, he’ll marry Gwyneth, and I will just be some face in the yearbook that will be completely forgotten.” “You’re not a footnote, sweetie,” she said, smiling at me the way one might if she were appeasing a child, “you’re Style.” I stared at her, certain I was hearing wrong. “Please stop comparing my life to Taylor Swift songs” “Oh please, that’s like the highest compliment I could pay you. It means your life is actually interesting, epic, like a love song.” “My life is small, and boring. I’m not worthy of being compared to Taylor Swift. I’m…. Jack Johnson.” “Ha! Whatever you say, Queenie.” I rolled my eyes. “I’m going to bed.” “You do that. I give it two years.” “Two years?” “Before you and Jasper become Last Kiss. If anyone is a footnote, he’s a footnote.” Royals and Rebels 2: Love and War only on Dreame
Cambria Covell
By entering into the arena of argument and counter-argument, of technical feasibility and tactics, of footnotes and citations, by accepting the presumption of legitimacy of debate on certain issues, one has already lost one’s humanity. This is the feeling I find almost impossible to repress when going through the motions of building a case against the American war in Vietnam. Anyone who puts a fraction of his mind to the task can construct a case that is overwhelming: surely this is now obvious. In a way, by doing so he degrades himself, and insults beyond measure the victims of our violence and our moral blindness. There may have been a time when American policy in Vietnam was a debatable matter. This time is long past. It is no more debatable than the Italian war in Abyssinia or the Russian suppression of Hungarian freedom. The war is simply an obscenity, a depraved act by weak and miserable men, including all of us, who have allowed it to go on and on with endless fury and destruction – all of us who would have remained silent had stability and order been secured. It is not pleasant to use such words, but candour permits no less.
Noam Chomsky (American Power and the New Mandarins: Historical and Political Essays)
The documentary hypothesis once held (and maybe still holds) the agreement of the majority of scholars. But that is not what made it right. We do not determine truth by a majority vote. The hypothesis held us because its evidence was (and is) strong. None of the new alternatives has replaced it, not only because they have not won over a majority of the field, but because they remain insufficiently defended and because they have not dealt with the evidence that made the documentary hypothesis the standard for a century. (footnote)
Richard Elliott Friedman (The Exodus)
Skin in the game can make boring things less boring. When you have skin in the game, dull things like checking the safety of the aircraft because you may be forced to be a passenger in it cease to be boring. If you are an investor in a company, doing ultra-boring things like reading the footnotes of a financial statement (where the real information is to be found) becomes, well, almost not boring. But there is an even more vital dimension. Many addicts who normally have a dull intellect and the mental nimbleness of a cauliflower—or a foreign policy expert—are capable of the most ingenious tricks to procure their drugs. When they undergo rehab, they are often told that should they spend half the mental energy trying to make money as they did procuring drugs, they are guaranteed to become millionaires. But, to no avail. Without the addiction, their miraculous powers go away. It was like a magical potion that gave remarkable powers to those seeking it, but not those drinking it. A confession. When I don’t have skin in the game, I am usually dumb. My knowledge of technical matters, such as risk and probability, did not initially come from books. It did not come from lofty philosophizing and scientific hunger. It did not even come from curiosity. It came from the thrills and hormonal flush one gets while taking risks in the markets. I never thought mathematics was something interesting to me until, when I was at Wharton, a friend told me about the financial options I described earlier (and their generalization, complex derivatives). I immediately decided to make a career in them. It was a combination of financial trading and complicated probability. The field was new and uncharted. I knew in my guts there were mistakes in the theories that used the conventional bell curve and ignored the impact of the tails (extreme events). I knew in my guts that academics had not the slightest clue about the risks. So, to find errors in the estimation of these probabilistic securities, I had to study probability, which mysteriously and instantly became fun, even gripping. When there was risk on the line, suddenly a second brain in me manifested itself, and the probabilities of intricate sequences became suddenly effortless to analyze and map. When there is fire, you will run faster than in any competition. When you ski downhill some movements become effortless. Then I became dumb again when there was no real action. Furthermore, as traders the mathematics we used fit our problem like a glove, unlike academics with a theory looking for some application—in some cases we had to invent models out of thin air and could not afford the wrong equations. Applying math to practical problems was another business altogether; it meant a deep understanding of the problem before writing the equations.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
The Soul-Hole (Note: The icons in TSH do not necessarily match with their intended formal meanings, they are merely frosting. Also, there are no footnotes to explain the text as there are multiple interpretations–like the proverphorical layer cake. Enjoy the cuisine. If it gets tedious its meant to. (Once dedicated to certains who want to stuff their pie holes on a diet of fattening sweet nothings). The Soul–Hole It was a soul It had a goal— (It had a notion–to fill its whole) Its desire was—to fill its hle It “dug” wholeheartedly its soul hole 5 To fill its soul and solely occupy the whole It tried all things to feed its hole— All sort O’ wants stuffed it–its black h●le The more it ❽ the more it famished— Ate its soul—all the more ravished 10 It thought it best Take More not less— Spaded it in–the meaningless Every shovel made Its hle got deep twice laid— 15 Struck it poor it did–its dirt well paid ◷ne scoop forward tw◑ depths deep Length doubles t◒◒—its emptying sØul–it keeps On the w(h)◎le, it went whole hog, To burrow its hole–this groundhog went agog— Furrowed it deep—to slop its façade The more it strode to trench its hole— A thimbleful empty⨟ no (front) end load (–Pssst! Its as if it got bit by a pire of soul— Yea, a soulpire sucked its swhoule dry— 25 Leaving 2wö more empty holes) It filled but missed It labored in bliss Found it it—it abyssed In dread and fearh it stoked its hole 30 With joyous tear it looped its knot whole Broke its soil with useless toil All–to–make it—it–assoiled Other: “do it have a h ◙ le in its •ead?—? It needs to fill its head h⌻le–like a hole in its head (—Fill ⎌ its h
Douglas M. Laurent
Look into the bastard's mind." "I can't do that, Ziller." "Why not?" "It is one of the very few more-or-less unbreakable rules of the Culture. Nearly a law. If we had laws, it would be of the first on the statue book." "Only more-or-less unbreakable?" "It is done very, very rarely, and the results tend to be ostracism. There was a ship called the Grey Area, once. It used to do that sort of thing. It became known as the Meatfucker as a result. When you look up the catalogs that's the name it's listed under, with its original, chosen name as a footnote. To be denied your self-designated name is a unique insult in the Culture, Ziller. The vessel disappeared some time ago. Probably killed itself, arguably as a result of the shame attached to such behavior and resulting disrespect." "All it is is looking inside an animal brain." "That's just it. It is so easy, and it would mean so little, really. That is why the not-doing of it is probably the most profound manner in which we honor our biological progenitors. This prohibition is a mark of our respect. And so I cannot do it." "You mean you won't do it." "They are almost the same thing." "You have the ability." "Of course.
Iain M. Banks (Look to Windward (Culture, #7))