Hickey Quotes

All the while, my mind reeled with what had happened. I have a hickey. I let Adrian Ivashkov give me a hickey.

I sent a quick text to Adrian: I have a hickey! You can’t ever kiss me again. I honestly hadn’t expected him to be awake this early, so I was surprised to get a response: Okay. I won’t kiss you on your neck again. So typical of him. No! You can’t ever kiss me ANYWHERE. You said you were going to keep your distance. I’m trying, he wrote back. But you won’t keep your distance from me. I didn’t dignify that with a response.

What the fuck happened to you? [...] You look like you lost a fight with a lamprey. Hickey, hickey...bruise, bruise, bruise...bite. I thought that thing on your neck the other day was just a fluke. I guess not--looks like you get off on picking up a few souvenirs when you...get off. ~Crash

Did you pay for the repairs on my Range Rover?” I asked him. “Yeah.” “Why?” “Why not?” he answered. I felt my hold on my temper slip. “Luke, it’s my car.” “Ava, you’re my woman.” I ignored the melty feeling that gave me too. “So?” “So you’re my woman, I take care of you.” “Luke – “ “This isn’t up for discussion.” “It sure as hell is!” “I’m thinkin’, as payback for the hickey, I want you in that pink teddy thing tonight.” Was he for real? “Luke!” “Later.” Disconnect. Argh!

All this natural misery,” Dr. Goodsir said suddenly. “Why do you men have to add to it? Why does our species always have to take our full measure of God-given misery and terror and mortality and then make it worse? Can you answer me that, Mr. Hickey?

Oh, God," Lori said without looking at me, "what are they thinking, leaving the two of us alone out here on the dock together? We might TALK or something." "That would be awful," I said. "I might give you a hickey." She laughed, still watching for Cameron's start instead of looking at me. "Just by talking to me?" "I can talk really dirty. You'd be surprised.

You ever had a hickey? I want to give you a hickey." "Karl, we're not fourteen!" "Don't bloody care. I was in love with you when I was fourteen -- your neck owes me a hickey." (Karl & Elena)

Bad taste is real taste, of course, and good taste is the residue of someone else's privilege.

You might want to do something about your neck.” I was totally lost. “My neck?” She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck. “What on earth is that?” I exclaimed. Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey” She paused and arched an eyebrow. “You do know what that is, don’t you?” “Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—” She held up a hand to silence me. “You don’t have to justify your private life to me. But you might want to consider how you can actually keep it private in the next fifteen minutes.

I can’t date a man who has survived for centuries by biting women and sucking their blood.” — Heather “I bet he gives one hell of a hickey.” — Fidelia

Happiness is having your very first hickey, put there by a set of soft lips that speak the smoothest words that sound like music to your ears and whispers to your soul.

When you know you can do something, and you feel good about yourself, you do not have to devalue others.

I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit.

I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he had done to the city's name. Later I heard men who could manage their r's give it the same pronunciation. I still didn't see anything in it but the meaningless sort of humor that used to make richardsnary the thieves' word for dictionary. A few years later I went to Personville and learned better.

If you gave me a hickey, this little affair is over.” “If I gave you a hickey, it means you’re fucking mine.

Be a person that others will look for your posts daily because they know you will encourage them. Be the positive one and help others to have a great day and you will find that not only they like you but you will like you too.

Beauty is and always will be blue skies and open highway.

Al Hickey: It's not about anything. Frank Boggs: Yeah, it's about four hundred grand

Who is giving you hickeys, and why have you not gotten them to sign an NDA?

There was a hickey on the side of my neck the size of a quarter. I looked like I had argued with a Hoover and the Hoover won. Jesus.

Al Hickey: [following the final shootout] Nobody came... nobody cares. It's still not about anything. Frank Boggs: Yeah, you told me.

You couldn't not notice the bruise on the side of her face. Or the hickey under her chin.

Lula hauled herself up off the floor and put her hand to her neck. “Do I got holes? Am I bleeding? Do I look like I’m turning into a vampire?” “No, no, and no,” I told her. “He doesn’t have his teeth in. He was just gumming you.” “That’s disgustin’,” Lula said. “I been gummed by a old vampire. I feel gross. My neck’s all wet. What’s on my neck?” I squinted over at Lula. “Looks like a hickey.” “Are you shitting me? This worthless bag of bones gave me a hickey?” Lula pulled a mirror out of her purse and checked her neck out. “I’m not happy,” Lula said. “First off I don’t know if I got vampire cooties from this. And second, how am I gonna explain a hickey to my date tonight

Don’t do it,” Tony says. “Do what?” I ask, not taking my eyes off the kitchen door. “Murder a man because he fed your woman a piece of shellfish. Or, at least, wait until we’re not in public. I don’t have that Will Smith memory eraser doo-hickey. I’ll have a better chance of covering up a murder if fifty of New York’s elite aren’t watching.

If there is no art, no culture, then what the fuck are we going to talk about? These are our stories and our stories are all we got!

Out of sheer perversity, I followed beauty where it lead, into the silence.

Wisdom tells us that the best time for silence is when we are mad or upset.

You and I used to play vampires when we were kids and didn't realize the marks we were leaving on each other's necks were hickeys.

LARRY--(with increasing bitter intensity, more as if he were fighting with himself than with Hickey) I'm afraid to live, am I?--and even more afraid to die! So I sit here, with my pride drowned on the bottom of a bottle, keeping drunk so I won't see myself shaking in my britches with fright, or hear myself whining and praying: Beloved Christ, let me live a little longer at any price! If it's only for a few days more, or a few hours even, have mercy, Almighty God, and let me still clutch greedily to my yellow heart this sweet treasure, this jewel beyond price, the dirty, stinking bit of withered old flesh which is my beautiful little life! (He laughs with a sneering, vindictive self-loathing, staring inward at himself with contempt and hatred. Then abruptly he makes Hickey again the antagonist.) You think you'll make me admit that to myself?

Every decision you ever make has its own consequences. Freedom is not the issue. You have freedom to do what you want, you just cannot do it and not pay the price for it.

To see things in surprising ways, you have to extend yourself a bit.

Good manners is just being respectful of others. Whether you know them or not, you should show respect for all people.

We can change by changing our attitudes and patterns of behavior. In so doing, we change our destiny.

There is a hickey on my forehead!

I got so many hickeys, people will think I'm a leper." -Rizzo

What the hell time is it?" muttered the old man. He was always an aggressive sleeper. Sleep was one of the things he did best, and he loved it. Some look upon sleep as an unfortunate necessary interruption of life; but there are others who hold that sleep is life, or at least one of the more fulfilling aspects of it, like eating or sex. Any time my old man's sleep was interrupted, he became truly dangerous.

Forget the fact that he was the first person I had slept with in almost a year or that even though I was drunk I remembered it clearly (and it was effing fantastic!) Forget the fact that I had a hickey for the first time since high school on my neck under the scarf I was wearing, tied around my dumb neck.

Jazz presumes that it would be nice if the four of us--simpatico dudes that we are--while playing this complicated song together, might somehow be free and autonomous as well. Tragically, this never quite works out. At best, we can only be free one or two at a time--while the other dudes hold onto the wire. Which is not to say that no one has tried to dispense with wires. Many have, and sometimes it works--but it doesn't feel like jazz when it does. The music simply drifts away into the stratosphere of formal dialectic, beyond our social concerns. Rock-and-roll, on the other hand, presumes that the four of us--as damaged and anti-social as we are--might possibly get it to-fucking-gether, man, and play this simple song. And play it right, okay? Just this once, in tune and on the beat. But we can't. The song's too simple, and we're too complicated and too excited. We try like hell, but the guitars distort, the intonation bends, and the beat just moves, imperceptibly, against our formal expectations, whetehr we want it to or not. Just because we're breathing, man. Thus, in the process of trying to play this very simple song together, we create this hurricane of noise, this infinitely complicated, fractal filigree of delicate distinctions. And you can thank the wanking eighties, if you wish, and digital sequencers, too, for proving to everyone that technologically "perfect" rock--like "free" jazz--sucks rockets. Because order sucks. I mean, look at the Stones. Keith Richards is always on top of the beat, and Bill Wyman, until he quit, was always behind it, because Richards is leading the band and Charlie Watts is listening to him and Wyman is listening to Watts. So the beat is sliding on those tiny neural lapses, not so you can tell, of course, but so you can feel it in your stomach. And the intonation is wavering, too, with the pulse in the finger on the amplified string. This is the delicacy of rock-and-roll, the bodily rhetoric of tiny increments, necessary imperfections, and contingent community. And it has its virtues, because jazz only works if we're trying to be free and are, in fact, together. Rock-and-roll works because we're all a bunch of flakes. That's something you can depend on, and a good thing too, because in the twentieth century, that's all there is: jazz and rock-and-roll. The rest is term papers and advertising.

As a success-minded person, you should always be looking to not only do your job but do it with excellence and go the extra mile.

I cannot tell you how many quiet mornings I have spent sitting around hotel rooms and furnished apartments in the United States and Mexico, smoking cigarettes, plunking the guitar, and watching Perry Mason--telling myself, "Well, at least I don't have a day job. And there is nothing wrong with that. I am not guilty of anything. Perry would see that in a minute.

YA is about angst. Will I get that boy to like me? Will I lose the weight? Will I turn into a vampire if he just gives me a hickey? I’m an orphan! I’m a mind reader! I’m biracial! I’m gay! When I get out of high school, I’ll move to New York City, where I’ll find others like me, and then I’ll be happy and I will have it all: a career, a family, good teeth, and takeout Chinese.

I know the impossibility of the hickey, whose urge is not ultimately to mark or to be marked, but to possess and be possessed. I cannot render anything precisely in words, as I cannot crush my lover's body inside of mine. All I can do is leave a mark--the notation of my effort, a symbol for the thing. That is the endless pleasure and frustration of the writer and the lover: to reach and reach and never become.

...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous "bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion.

Some parents cannot distinguish between punishment and discipline. Anyone can punish a child and many parents do it out of frustration. Discipline requires time, patience, and love and may include some punishment. To punish children without discipline usually involves a parent who is frustrated and has turned to anger.

Our marriage began with knots and fangs; vows inked on skin. Black venom stained our fingers, twinned snakes strangling the marriage vein in Celtic macramé – cocksure monogamy. We became one, me and the gun, the serpent reeling itself from the needle. I had few firsts left; marriage a wild west for the hedonist. Snakes unspooled like figure-eights, symbols of eternity. Acrimony, alimony; Leave the moaning to adults. We children will be wiser wed, inoculated – these hickeys, homeopathy.

Serial murders are a bit like natural disasters: in the scheme of things they are quite rare, but when they happen they demand our attention. They interest us for several reasons, but especially because they are so dramatically threatening, and they profoundly challenge our sense of our own everyday safety. [Todd R. Clear, Foreword]

Al... You ever kill anybody? In the United States? Because I know you mean it and everything, but I know these guys better than I know you. They're soldiers, that's all. No questions, no time to ask, no talk. Cops are worse, and less predictable. When you pull a gun, you've gotta be ready to kill somebody, and I'm telling you it's better to run.

Tatty says oh yes, she knows what he's like. But when she thinks about it, she doesn't.

The body is the end terminal for difficulties. If our difficulties are handled on the mental and emotional levels they need never manifest on the physical level.

I have never understood why the pig is an animal whose name is used in derision. He is intelligent and kindly, often benevolent, in fact; in short, totally with it.

Everything has a consequence to it.

Are you a religious man, Mr. Williams?”               “No, ma’am. I reckon I’m not. But I do enjoy a relationship with my Savior. Will that do?

Success-minded people must understand that the use of profane and obscene words have no place in their vocabulary.

If you want friends you must be friendly. Always complaining and posting negative comments is not going to bring you friends. No one likes to get puked on.

Deadlines give us the sense that we are really on our way and that we will achieve the goal – soon!

Always remember that the lessons you learn in life are never meant just for you. They are like all our gifts, they are meant to be used and shared, never horded and hidden.

It a sad fact that in life we seldom get to choose our responsibilities

Wrap him up in floral wallpaper, wishing the envelopes I seal were his lips, leaving hickeys like stamps to show where he's been.

Rich Hickey once said programmers know the benefits of everything and the tradeoffs of nothing...an approach that can lead a project down a path of frustra‐ ted developers and unhappy customers. But as an architect you must consider the tradeoffs of every new library, language, pattern, or approach and quickly make decisions often with incomplete information.

Only the foolish insist on making their own mistakes when they can learn from the mistakes of others. Only the wise will understand that success leaves clues, and those clues are there for you to use to achieve great things.

Back off guys,” I said. “Nothing happened. I had way too much to drink and Hopsheer let me crash on her floor last night. That’s all that happened.” “Really?” Tarr asked as he pointed at my neck. “Her rug give you those hickeys?” I

When I lift my eyes to the mirror, my lips part. It’s me. The witchy, white-blonde hair. The baby blue eyes. But at the same time, it isn’t. There’s a void in there. A… numbness. I’m about to move to the shower when something else stops me. My scar. Several angry red marks surround it. Did the psycho leave freaking hickeys around my scar? What in the ever living hell was going on in his defective brain? I rip my gaze away from the mirror and take the longest, most scalding shower in history. When I step back into the room, the song has changed to Good Grief by Bastille. I let the music drift around me as I climb into bed, still in a towel, and close my eyes. I fight the tears and lose.

For example, in the state of California, it is illegal to have sexual intercourse with someone under the age of 18; yet, in the same state, having sex with a dead body (i.e., necrophilia), does not have a specific criminal code within the penal system (Hickey, 2005).

Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’ ‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.

If you leave me with hickeys like some sort of love-struck teenager, I'll kill you.” “Will you now,” he growled. “I think I know how I'd make it up to you.” His fingers slipped between her thighs, which parted automatically at his touch. Her breath rasped in her throat, desire burning through her.

Candy smirked and gave him a long, slow up-down glance. “Look at you. With your hickey and your fucked up hair.”               Colin slapped a hand to his neck out of reflex, to cover said imaginary hickey, and Candy burst out laughing.               “Haha, asshole,” he muttered.               Candy

Let your heroes be known. Give praise and honor to those to whom it is rightly due. Spend more time posting stories about heroes than you do about the wrongs in the world. When we know about heroes and we see those who perform heroic acts, we too want to be heroes. There is a hero in all of us. Heroes are important.

And there was nothing quite like the surprise attack of a snarling black bear, even one missing all forty-two teeth, to urge someone back to work. Waking up with several hundred mud-encrusted, reeking pounds on top of you — your neck suffering a hickey of epic proportions — just pushed the limits on what was tolerable.

You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.

When your thoughts are fastened to the Word of God, you are involved in a form of meditation, and the truth will both keep and sustain you.

Posting your thoughts on any social media site is like telling you most deeply held secret to the town gossip. Not a wise move.

Not everyone will support every mission or work, you can still enjoy their friendship. No one likes to feel that the only reason you are friends is what you can get out of them.

We are all different and we all have a different sense of humor.

No matter who it is or what you think of them, never rejoice in the pain of others. It lowers you to a level you should not be at.

Gossip has always been a problem. It is one of the most powerful, addictive behaviors there is. As long as the human race has had a common language they have used it to gossip.

Trustworthiness is a mark of a success-minded person. To be seen as trustworthy is a great compliment. When people trust you, they expect that you will honor their trust.

Keep the personal, personal and do not be guilty of spreading bad feelings.

I’d be honored.” I followed her to the porch where

Successful people have always been the ones to learn from the mistakes of others as well as from their successes.

There is only one way to success, wealth and achievement and that is through a lot of hard work.

If you need a gun to do it with, you aren't doing it right." Sheriff Bud Smith.

Those who have learned to behave as winners always end up winners.

medical knowledges tend to express bodies in terms of what they can’t do, and media representations often value bodies in ways that overlook their uniqueness

Defining the norm is its instrument of control over idiosyncrasy.

As my friend Jeremy Gilbert-Rolfe has argued persuasively, there is an element of positivity in the visible world, and in color particularly, that totally eludes the historicity of language, with its protocols of absence and polarity. The color red, as an attribute of the world, is always there. It is something other than the absence of yellow and blue--and, thus, when that red becomes less red, it becomes more one or the other. It never exists in a linguistic condition of degradation or excess that must necessarily derive from our expectations.

...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.

Miss Melbourne? “Yes, ma’am?” “You might want to do something about your neck.” I was totally lost. “My neck?” She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck. “What on earth is that?” I exclaimed. Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey.” She paused and arched an eyebrow. “You do know what that is, don’t you?” “Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—” I have a hickey. I let Adrian Ivashkov give me a hickey. We had another minute before we would reach my dorm, so I sent a quick text to Adrian: "I have a hickey! You can’t ever kiss me again." I honestly hadn’t expected him to be awake this early, so I was surprised to get a response: "Okay. I won’t kiss you on your neck again." So typical of him. "No! You can’t ever kiss me ANYWHERE. You said you were going to keep your distance". "I’m trying," he wrote back. "But you won’t keep your distance from me."

I'd just put Ed Hickey into a taxi. Ed had been mixing his rye with his gin, and I just felt that he needed conveying. Well, anyway, I was walking down along the street and I heard this voice saying, "Good evening, Mr. Dowd." Well, I turned around and here was this big six-foot rabbit leaning up against a lamp-post. Well, I thought nothing of that because when you've lived in a town as long as I've lived in this one, you get used to the fact that everybody knows your name. And naturally I went over to chat with him. And he said to me... he said, "Ed Hickey was a little spiffed this evening, or could I be mistaken?" Well, of course, he was not mistaken. I think the world and all of Ed, but he was spiffed. Well, we talked like that for awhile and then I said to him, I said, "You have the advantage on me. You know my name and I don't know yours." And, and right back at me he said, "What name do you like?" Well, I didn't even have to think twice about that. Harvey's always been my favorite name. So I said to him, I said, "Harvey." And, uh, this is the interesting thing about the whole thing: He said, "What a coincidence. My name happens to be Harvey.

And then I saw it. The mirror fogged over as I squinted at my reflection, and I scrubbed it with the heel of my palm. My skin squeaked against the glass, I turned my head to the side. I peered at my reflection from the corner of my eye. Toothmarks. Jesus. "You left a bite mark on my neck!" Jacob opened the shower curtain just far enough to look out at me. He knuckled water out of his eyes and grinned at me. "Good thing you don't have to woke tomorrow." "You shit." He grinned wider and whisked the curtain shut. Way to go. I'd look real slick reporting for duty at the Fifth Precinct covered in hickeys like a slutty teenaged girl. Damn it. I rubbed at the toothmarks, which raised a pinkish blotch around them. "It better be gone by Thursday," I said. I'm sure Jacob felt very chastised. Not.

The road to success and achievement can be a busy highway – crowded and noisy, full of hazards and tie-ups. Every now and then, you need to take the side roads, get away from the rush, and enjoy the trip.

If we will follow the Holy Spirit’s leading by seeking to live a balanced, healthy lifestyle that includes appropriate amounts of work, exercise, ministry, rest, and play, He will keep us full of strength.

The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did.

If you are going to share something with a person, first look on their social media accounts and see how they have handled other people trust. If someone has shared the secrets of others, they will share yours.

The pieces in this book, then, are quite literally “speculative writing,” neither stories nor essays but something more like fables: compressed narratives, grounded in real experience and as true as they need to be, with little “morals” at the end. They move directly from what I have seen and experienced to what I think about it, from the particular to the general, with none of the recursiveness of ordinary essays and short stories.

At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo—any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.

Each person has the potential to be good and productive, yet I also know that many people never begin to tap their true potential. It is human nature to surrender to the lowest common denominator. We must purposely strive to move ahead and achieve.

That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')

Success-minded people make a decision to achieve a goal and never have to make that decision again. They will be faced with a choice or some new circumstances to deal with, but the decision to achieve the goal is not in question. They have only to make adjustments along the way.

Psychopaths are generally viewed as aggressive, insensitive, charismatic, irresponsible, intelligent, dangerous, hedonistic, narcissistic and antisocial. These are persons who can masterfully explain another person's problems and what must be done to overcome them, but who appear to have little or no insight into their own lives or how to correct their own problems. Those psychopaths who can articulate solutions for their own personal problems usually fail to follow them through. Psychopaths are perceived as exceptional manipulators capable of feigning emotions in order to carry out their personal agendas. Without remorse for the plight of their victims, they are adept at rationalization, projection, and other psychological defense mechanisms. The veneer of stability, friendliness, and normality belies a deeply disturbed personality. Outwardly there appears to be nothing abnormal about their personalities, even their behavior. They are careful to maintain social distance and share intimacy only with those whom they can psychologically control. They are noted for their inability to maintain long-term commitments to people or programs.

LaVey’s bible (1969), members worship the trinity of the devil—Lucifer, Satan, and the Devil—including nine pronouncements of the devil that Satan represents: 1. indulgence, instead of abstinence, 2. vital existence, instead of spiritual pipe dreams, 3. undefiled wisdom instead of hypocritical self-deceit, 4. kindness to those who deserve it, instead of love wasted on ingrates, 5. vengeance, instead of turning the other cheek, 6. responsibility, instead of concern for the psychic vampires, 7. man as just another animal, sometimes better, more often worse, than those who walk on all fours, who because of his divine and intellectual development has become the most vicious of all, 8. all of the so-called sins, as they lead to physical, mental, or emotional gratification, 9. the best friend the church has ever had, as he has kept it in business all these years (LaVey, 1969, p. 25). Holmes (1990), who interviewed two