Hard Disney Movie Quotes

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Shouldn't he at least be waiting to see if it works with you or not before he dates the next guy?" "It doesn't work like that." "I think it should," she told me. "This isn't a Disney movie," Michael told her. She smacked him hard. "I know all about how gay men hook up. My Aunt Susan has Queer As Folk on DVD.
Mary Calmes (Acrobat)
But love ain’t no fairy tale, ain’t no Disney movie. Love . . . REAL love . . . is complicated. It’s hard. It’s gonna hurt some days. Then some days it’s not.
Tiffany D. Jackson (Grown)
The film can never be the book. But what it can be—if we work hard—is what the book makes us feel. It can be those moments in the book that are everything to us, those characters that are everything to us. We can bring them to the screen with the same feelings and know and accept that we’re doing an adaptation.
Walt Disney Company (The World of A Wrinkle in Time: The Making of the Movie)
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.
Grady Hendrix (How to Sell a Haunted House)
Being raised evangelical in the Midwest gave me a personal experience of the phenomenon called “religious fundamentalism.” A story illustrates. When I was a boy in high school, I was interested in a girl from our church. It was an evangelical church, although some might have called it a bit fundamentalist—taking a hard line on cultural issues. But I took a chance and invited her to a movie, which was certainly frowned upon back then in our church culture (though my own parents snuck us out to Walt Disney movies at the drive-in, where we were unlikely to be spotted). I chose The Sound of Music, thinking it was “safe.” Who could object to Julie Andrews, I confidently thought? I was wrong. As we left the house, my girlfriend’s father stood in the doorway, blocking our exit, and said to his daughter, “If you go to this film, you’ll be trampling on everything that we’ve taught you to believe.” She fled downstairs to her bedroom in tears. We missed the movie, and the evening was a disaster. A year later, the fundamentalist father watched The Sound of Music on his television—and liked it. Fundamentalism is essentially a revolt against modernity. It is a reaction usually based on profound fear and defensiveness against “losing the faith.” My girlfriend’s father instinctively knew that his religion should make him different than the world. That is a fair religious point, and to be honest, there is much about modernity that deserves some revolting against. But I wish he had chosen to break with America at the point of its materialism, racism, poverty, or violence. Instead, he chose Julie Andrews.
Jim Wallis (God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It)
Actually, add TV, movies, and books to that. There are hardly any plus-sized leading ladies. Do you realize there's not even one Disney heroine who's fat? The closest you get is that little Lilo chick, who's like six, and her story isn't even a romance. Stitch is a blue alien who's a friendly pet. I mean, are they trying to say girls who have a little pudge aren't worthy of love? Because that's what it feels like.
Cookie O'Gorman (Cupcake)
Love? Seriously? This isn’t a Disney movie, Mick. This is real life.” “Is love so hard to believe in?
Jessa Russo (Divide: A Beauty and the Beast Retelling)
By November 1965, Brennan was hard at work on a Disney movie, The Gnome-Mobile (July 19, 1967), playing, in Roger Ebert’s words, “the world’s most grandfatherly grandfather.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
People who are too optimistic for me love living in "La La Land" also known as (aka) Disney fairy tale movies. I don't trust people who don't live in reality. They keep forgetting their mistakes (it ain't fun to feel disappointed) and they continue to feel unreasonable hope that "next time" things will work out for them. I prefer hope based on realism. It has been said that depressed humans are the only realistic people living on planet earth. I was once a hard working optimist but now I am too sick, tired, disabled, and crabby to be hard working anymore. At the most I can be smart working but that is only due to holy spirit. I wasn't born disabled but other individuals made me permanently disabled from your point of view. Have a nice day!
Joomi aka Joo-Mi
No, I mean, she got robbed.” He says, falling into his propensity to rant, and thus begins his thesis of How Tiana from A Disney Movie Got Robbed, “That prince Naveen is just worthless, P. Here is this inspired go-getter of a girl who was trying so hard to achieve on her own. She was no nonsense, no drama. Just a fucking hero. She gets. Naveen.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (But Actually, a Novel) Part Tres Bien)
The abusive man learns early in life, from his surrounding society and beyond, that when he becomes an adult he has the right to swallow a female whole, and that in this way he will fill the vast emptiness inside of him and feel empty no more. He learns that the female of his choosing owes him her life entire in this fashion, that it would be wrong of her to fail to sacrifice her life and herself in this way. Not only that, but he learns that this self-erasure will be her greatest joy. He gets these messages all over the place, from his own unhealthy relatives all the way up to police responses, courts, and Disney movies. All of what he learns is a lie. It is a moral lie, meaning it’s a lie about what’s right and what’s wrong; no woman’s life should ever by martyred to fill a man’s (or anyone’s) emptiness. But not only should this not be done, it also cannot be done. Thus it is not only a moral lie but also a lie about the nature of reality. A human being cannot be vacuumed into the inside of another person and become part of that person, in some kind of twisted reversal of the birth process. It’s absurd that it’s even necessary for me to state this. The abusive man hates the woman for continuing to exist outside of him. No matter how hard she may try, in her terror and in her trauma, to disappear inside of him, she simply cannot do it. (And if she gets some support in her life, she may even attempt to refuse to continue trying.) He hates her for this, for still being there, because he was taught that to disappear inside of him is her unlimited obligation and will make him whole. When you find yourself wondering why the abuser hates you – as most abused women do at one point or another – this is why: because you continue to breathe, because you have skin, because you eat food and then move with the energy of that food, because by getting out of bed and standing up in the morning you have once again demonstrated your failure to become him.
Lundy Bancroft
1. A Rich Life means you can spend extravagantly on the things you love as long as you cut costs mercilessly on the things you don’t. 2. Focus on the Big Wins—the five to ten things that get you disproportionate results, including automating your savings and investing, finding a job you love, and negotiating your salary. Get the Big Wins right and you can order as many lattes as you want. 3. Investing should be very boring—and very profitable—over the long term. I get more excited eating tacos than checking my investment returns. 4. There’s a limit to how much you can cut, but no limit to how much you can earn. I have readers who earn $50,000/year and ones who earn $750,000/year. They both buy the same loaves of bread. Controlling spending is important, but your earnings become super-linear. 5. Your friends and family will have lots of “tips” once you begin your financial journey. Listen politely, then stick to the program. 6. Build a collection of “spending frameworks” to use when deciding on buying something. Most people default to restrictive rules (“I need to cut back on eating out . . .”), but you can flip it and decide what you’ll always spend on, like my book-buying rule: If you’re thinking about buying a book, just buy it. Don’t waste even five seconds debating it. Applying even one new idea from a book is worth it. (Like this one.) 7. Beware of the endless search for “advanced” tips. So many people seek out high-level answers to avoid the real, hard work of improving step by step. It’s easier to dream about winning the Boston Marathon than to go out for a ten-minute jog every morning. Sometimes the most advanced thing you can do is the basics, consistently. 8. You’re in control. This isn’t a Disney movie and nobody’s coming to rescue you. Fortunately, you can take control of your finances and build your Rich Life. 9. Part of creating your Rich Life is the willingness to be unapologetically different. Once money isn’t a primary constraint, you’ll have the freedom to design your own Rich Life, which will almost certainly be different from the average person’s. Embrace it. This is the fun part! 10. Live life outside the spreadsheet. Once you automate your money using the system in this book, you’ll see that the most important part of a Rich Life is outside the spreadsheet—it involves relationships, new experiences, and giving back. You earned it.
Ramit Sethi (I Will Teach You to Be Rich: No Guilt. No Excuses. No B.S. Just a 6-Week Program That Works.)
In the last few years, Meg had been to hell and back- literally. She'd sold her soul to the god of the Underworld and spent her days and nights fulfilling Hades's every demand. While she still walked in the land of the living, her life was no longer her own. Meeting Hercules had awoken something in her. Honestly, she wasn't sure what that something was, but she knew it felt important. Why else would she have leaped in front of a falling pillar to save him, causing her own demise in the process? That moment, and Wonder Boy's rescue of her afterward, was a blur now, like so many nightmares she tried hard to forget. The next thing she remembered was air filling her lungs as if she'd held her breath underwater for too long. Then there had been a crack of lightning, a flurry of clouds, and she and Wonder Boy were being whisked into the heavens toward Mount Olympus.
Jen Calonita (Go the Distance)