Hanging Upside Down Quotes

We've searched our database for all the quotes and captions related to Hanging Upside Down. Here they are! All 100 of them:

Watch out for intellect, because it knows so much it knows nothing and leaves you hanging upside down, mouthing knowledge as your heart falls out of your mouth.
Anne Sexton (The Complete Poems)
Stuff your eyes with wonder. Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that . Shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
Stuff your eyes with wonder," he said, "live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.
Ray Bradbury
Just go on dancing with me like this forever and I'll never tire. We'll scrape our shoe on the stars and hang upside down from the moon.
Stephen King (The Long Walk)
Your hair looks funny," Lief said, as soon as the Ugloids left. "It stands straight up!" No," said Nick, intensely irritated, "It's hanging straight down." Lief just gave him an upside-down shrug. "Up is down in China and you're part-Chinese.
Neal Shusterman (Everlost (The Skinjacker Trilogy, #1))
Hang me upside-down and fuck me in both ears. You pulled yourself out of a clinical depression by being a freaking hero.
David Foster Wallace (Infinite Jest)
Puck swung the cannon around in anger. The nozzle spun and hit Sabrina in the chest. The force was so pawerful she was knocked right off the platform and fell backward off the tower. She saw sky above her and felt the wind in her hair. How ironic, she thought, as she fell to her certain death, that at that moment she would have given anything to be a giant goose again. Air rushed past Sabrina's ears and suddenly she felt her back tingling again. A moment later she was hanging upside down, inches from the ground. She looked up to find her savior, only to find that her her wasn't a person but a long, furry tail sticking out of the back of her pants. It was wrapped around a beam in the tower a kept her swinging there like a monkey. Puck floated down to her, his wings flapping softly enough to allow him to hover. "I bet you think this is hilarious. Look what you did to me with your stupid pranks. I have a tail!" she raged. Puck's face was trembling. "I'm sorry." "What?" Sabrina said blankly. "I almost killed you. I'm sorry, Sabrina," he said, rubbing his eyes on his filthy hoodie. He lifted her off the tower and set her on the ground. "Since when do you care?" Sabrina said, still stunned by the boy's apology.
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
AHA!” screamed a voice from overhead . . . Peeves was hanging upside down from a chandelier and grinning maliciously at them. “Potty asked Loony to go to the party! Potty lurves Loony! Potty luuuuurves Looooooony!” And he zoomed away, cackling and shrieking, “Potty loves Loony!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Ask for no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping it's life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
Just go on dancing with me like this forever, Garraty, and I'll never tire. We'll scrape our shoes on the stars and hang upside down from the moon.
Richard Bachman (The Long Walk)
i am like a dead begonia hanging upside down because like a dead begonia I don't give a fuck
David Levithan (Will Grayson, Will Grayson)
I got a head start and ws already hanging upside down when he caught up. All the blood was rushing to my head, making me feel dizzy. "I can't stay like this much longer," I told him."Head rush." He leaned down and stuck his face next to mine, gifting me with a beautiful smile."I know the feeling," he said. "You give me a head rush all the time.
Jessica Verday (The Haunted (The Hollow, #2))
I'll just hang upside down from the wire banana and throw bags of flour at the librarians.
Lissa Evans (Horten's Miraculous Mechanisms: Magic, Mystery, & a Very Strange Adventure)
I am like a dead begonia hanging upside down because like a dead begonia I don't give a f**k.
David Levithan
Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that, shake the tree and knock the great sloth down on his ASS.
Ray Bradbury (Fahrenheit 451)
I pinch the sentence's butt with my other hand and tug it from my skin like a leech, smack it back on the page and clamp the book shut. Part of it's hanging out, and it waves jerkily at me with what appears to be blatant hostility. I stick the book back on the upside-down shelf over my head, pissed off sentence first, counting on the gluey base to hold it in. All I need is a badly mangled, irate sentence stalking me.
Karen Marie Moning (Iced (Fever, #6))
Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The normalcy of it almost kills me. Even in a world turned upside down, a world of war and insanity, people hang their clothing; they fold their pants; they make their beds. It is the only way.
Lauren Oliver (Pandemonium (Delirium, #2))
It is strange how interiors reflect their dark turbulent past, how in their stillness bygone history tries to be reenacted, how the same situations repeat themselves with infinite variations, turned upside down and inside out by fruitless dialectic of wallpapers and hangings.
Bruno Schulz (The Street of Crocodiles)
It might if you were male, hanging upside down naked and got nervous, then whizzed all over yourself. Gravity is not your friend at that point. (Josie) Eww. Save those tidbits for when you’re in the men’s room…updating your contact information. (Terri)
Sherrilyn Kenyon (Phantom in the Night (B.A.D. Agency, #2))
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie
I open my eyes and see a head hanging upside down. Grinning at me.
Margarita Morris (Oranges for Christmas)
Robin read recently that bats give birth to their babies while hanging upside down. Then they have to catch their children before they fall too far, but that part is the same for all parents.
Alice Feeney (Rock Paper Scissors)
I go away for a few years and the whole fucking world is upside down Jules said angrily. Buildings are missing. You get strip-searched every time you go to someone's office. Everybody sounds stoned because they're emailing people the whole time they're talking to you. Tom and Nicole are with different people...And now my rock-and-roll sister and her husband are hanging around with Republicans. What the fuck - Jules Jones
Jennifer Egan (A Visit from the Goon Squad)
It's 8a.m. and time to rest It's 10a.m. and time to relax It's noon and time for repose It's 3p.m. and time for shut-eye It's 6p.m. and time for siesta It's 9p.m. and time to slumber It's midnight and time to snooze It's 4a.m. and time to hang upside down from your bedroom ceiling, screaming.
Francesco Marciuliano
Ask no guarantees, ask for no security, there never was such an animal.And if there were, it would be related to the great sloth which hangs upside down in a tree all day, every day, sleeping its life away.
Ray Bradbury (Fahrenheit 451)
The room into which Ivan Ivanovich stepped was quite dark, because the shutters were closed and the sunbeam that penetrated through a hole in the shutter was broken into rainbow hues and painted upon the opposite wall a multicolored landscape of thatched roofs, trees, and clothes hanging in the yard, but all upside down. This made an uncanny twilight in the whole room.
Nikolai Gogol
Nola had read that when a female bat gives birth, she does it hanging upside down, catching the baby in her wings as it falls. Reality has plenty of miracles.
Erica Bauermeister (No Two Persons)
i am like a dead begonia hanging upside down because like a dead begonia i don’t give a fuck
David Levithan
I grew up feeling fearless, hanging upside down in Avery Park, running just a little faster than my own heartbeat.
Sarah Everett (No One Here Is Lonely)
It was a woman. Hanging upside down.
Lucian Bane (Desecrating Solomon (Desecration #1))
In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.
Jack Kerouac (Maggie Cassidy)
I think I was about to say that if I ever see Eliza again—and the fact that this is even a remote possibility is—I don’t know what it is, a goddamn miracle, maybe? After I kiss her and hold her and let her touch my chest, I’m going to hang her upside down and employ Chinese water torture until she promises never to be so stupid again.
Tiffanie DeBartolo (How to Kill a Rock Star)
This creature kneeling dusted with snow, its teeth grinding together, sound of old stones at the bottom of a river You lugged it to the barn I held the lantern, we leaned over it as if it were being born. The sheep hangs upside down from the rope, a long fruit covered with wool and rotting. It waits for the dead wagon to harvest it. Mournful November this is the image you invent for me, the dead sheep came out of your head, a legacy: Kill what you can’t save what you can’t eat throw out what you can’t throw out bury What you can’t bury give away what you can’t give away you must carry with you, it is always heavier than you thought.
Margaret Atwood (You are Happy)
Last night Vicky was talking about the ineffability of inner experience. She told you to imagine what it was like to be a bat. Even if you knew what sonar was and how it worked, you could never know what it feels like to have it, or what it feels like to be a small, furry creature hanging upside down from the roof of a cave. She said that certain facts are accessible only from one point of view - the point of view of the creature who experiences them. You think she meant that the only shoes we can ever wear are our own. Meg can't imagine what it's like for you to be you, she can only imagine herself being you.
Jay McInerney (Bright Lights, Big City)
What,” Mick said softly, “is Lad doin’ in me bed?” Hearing his name, Lad opened small, piggish, upside-down eyes, gazing with idiotic adoration as his whip-thin tail thumped the covers. “Ah.” Harry scratched behind one ear. “Well, see, ’e was lookin’ so forlorn, like, out in the courtyard by ’imself. Seemed an awful shame to leave ’im there all alone.” “Off!” Mick roared at the dog. Lad’s transformation was instantaneous. His tiny triangle ears folded back, his eyes narrowed worriedly, and he rolled so that he could crawl toward the edge of the bed on his belly. “Is that mud on his paws?” Mick asked in outrage. Harry glanced at the dog. “I do believe it is,” he said as if making a discovery. “Christ!” Mick watched disgustedly as Lad made the edge of the bed and slithered off, thumping to the floor. The dog seemed to think that his apology was done—or perhaps he’d already forgotten that Mick was mad at him—for he gamboled over as frisky as a lamb. “He’s not even me dog,” Mick muttered. Lad sat, one back leg sprawled out to the side, tongue hanging from his mouth, and grinned up at him. He completely ignored Harry, his supposed master. “The dog ’as a wonderful affection for ye,” Harry said brightly.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
In those years, that marvelous mess of constellations, nebulae, interstellar gaps and all the rest of the awesome show provoked in me an indescribable sense of nausea, of utter panic, as if I were hanging from earth upside down on the brink of infinite space, with terrestrial gravity still holding me by the heels but about to release me any moment
Vladimir Nabokov (Speak, Memory)
Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping it's life away
Ray Bradbury (Fahrenheit 451)
As difficult as it was to decipher Two’s expression when she was on the ground, it was next to impossible when she was at her ease hanging upside down in her office.
Susan R. Matthews (Hour of Judgment (Jurisdiction, #4))
She watched the blood drip from the man hanging upside down as she mindlessly touched the top of her ear.
Jamie Applegate Hunter (The Umbra King (Vincula Realm, #1))
I strongly advise you, witcher, that if the queen orders you to strip naked, paint your arse blue and hang yourself upside down in the entrance hall like a chandelier, you do it without surprise or hesitation.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
You see?" Granger turned to Montag. "Grandfather's been dead for all these years, but if you lifted my skull, by God, in the convolutions of my brain you'd find the big ridges of his thumbprint. He touched me. As I said earlier, he was a sculptor. 'I hate a Roman named Status Quo!' he said to me. 'Stuff your eyes with wonder,' he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,' he said, 'shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day sleeping its life away. To hell with that, shake the tree and knock the great sloth down on his butt.
Ray Bradbury (Fahrenheit 451)
Colors of spring have turned upside down. Red once burned underfoot, now hangs over the horizon--a blood bruise where sky smashed itself against hills. Green once gathered in the quick-shaping clouds carrying a mix of sand and rain and left quickly as it arrived; now it cushions your steps, hides the evidence of bones.
D.A. Gray (Contested Terrain)
Henry hooked his legs on the branch and flipped over gingerly, until he was hanging upside-down, grinning at Vlad. Then Henry's grin slipped. He fell to the ground several feet below with a thump, crying out as his body made impact. Vlad shimmied down the tree as fast as he could. "Henry ! Are you okay?" Henry sat up, clutching his wounded knee. He looked very much like he was going to start crying any second. A small, thin line of blood oozed from the scrape on his knee. Vlad's tiny fangs shot from his gums. Henry's eyes went wide, his injury all but forgotten. "What are those?" Vlad's small shoulders sank. He'd let his dad down. "They're my fangs." "Vlad, are you a vampire or something?" Henry's eyes were big, and Vlad was certain he saw fear in them. Not as much fear as when Henry had been falling from the tree, but close. He took a deep breath, glancing at the house. Then he sat down in front of Henry and said, "Yeah, Henry. I'm a vampire. But it's a secret. A very, very, very big secret and you can't tell anyone ever.
Heather Brewer (Eleventh Grade Burns (The Chronicles of Vladimir Tod, #4))
Simm watched the hanging with disgust. Why would the young man pretend to be a spy when he had no skills and no natural ability? As far as he could tell there had been no secret inks, no codes, and little effort to keep his movements secret. Maybe the world was better off without such fools; fledglings who fell out of the sky only to die on the ground.
Dory Codington (Fate & Fair Winds (Edge of Empire: World Turned Upside Down #3))
Just keep dancing with me like this, Garraty, and I'll never tire. We'll scrape our shoes on the stars and hang upside down from the moon.
Richard Bachman (The Long Walk)
A blank canvas is so abstract that only imagination can fill it. But wait! Don't hang it on the wall like that. It's upside down.
Jarod Kintz (This Book is Not for Sale)
Even in a world turned upside down, a world of war and insanity, people hang their clothing; they fold their pants; they make their beds. It is the only way.
Lauren Oliver (Pandemonium (Delirium, #2))
I would tell you that she is global warming. She’s the one that completely altered the climate of my life and like the people on this planet, I’m not ready for her.
Anthony Otero (Hanging Upside Down)
I want to do this every day,” I said. “Baby, we can do this ten times a day, upside down, tangled up, and hanging from the ceiling if you want.
Amanda Bouchet (Nightchaser (Endeavor, #1))
The whole fucking world is upside down. Buildings are missing. You get strip-searched everytime you go to someone's office. Everybody sounds stoned, because they're emailing people the whole time they're talking to you. Tom and Nicole are with different people...and now my rock-and-roll sister and her husband are hanging around with Republicans. What the fuck!
Jennifer Egan (A Visit from the Goon Squad)
The carcass closest to him was the remains of the pimply youth he'd seen in Car One. The body hung upside-down, swinging back and forth to the rhythm of the train, in unison with its three fellows; an obscene danse macabre. Its arms dangled loosely from the shoulder joints, into which gashes an inch or two deep had been made, so the bodies would hang more neatly.
Clive Barker (Books of Blood, Vol. 1)
The struggle inside the cocoon between the defenders of the worm state and the agents of winged possibility is one that I was still living, one that many of us surely experience in times of spiritual emergence. We may find ourselves pounded into mush, hanging upside down from whatever we can cling to — and yet have the possibility and destiny of becoming much, much more.
Robert Moss (The Boy Who Died and Came Back: Adventures of a Dream Archaeologist in the Multiverse)
Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,
Ray Bradbury (Fahrenheit 451)
Frost lurched away, gagging. The nude man hung upside down, his ankles bound with orange nylon cord. Like a pig carcass hanging in a slaughterhouse, his abdomen had been sliced open, the cavity stripped of all organs. Both arms
Tess Gerritsen (Die Again)
What they are hanging from is hooks. The hooks have been set into the brickwork of the Wall, for this purpose. Not all of them are occupied. The hooks look like appliances for the armless. Or steel question marks, upside-down and sideways.
Margaret Atwood (The Handmaid's Tale)
I hate a Roman named Status Quo!’ he said to me. ‘Stuff your eyes with wonder,’ he said, ‘live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,’ he said, ‘shake the tree and knock the great sloth down on his ass.’ 
Ray Bradbury (Fahrenheit 451)
Newspapers are always crowded with strange maps and names of towns, and every few months the earth seems to lurch from its path when you see something in the newspapers, such as the time Mussolini, who had almost seemed one of the eternal leaders, is photographed hanging upside down on a meathook. Everyone listens to news broadcasts five or six times every day. All pleasurable things, all travel and sports and entertainment and good food and fine clothes, are in the very shortest supply, always were and always will be.
John Knowles (A Separate Peace)
The clouds fold up. Suddenly through the small airplane window the sky is clear. Abdallah, son of Merchant Sulayman, dozes off for a few moments. As he wakes up he is still half-talking in his sleep. Don’t hang me upside down in the well, don’t. Please, no! Don’t!
Jokha Alharthi جوخة الحارثي (Celestial Bodies)
depriving prisoners of sleep, banging rubber hoses across a suspect’s abdomen, placing a box over an individual’s head and filling it with tear gas, applying acid to genitals, hanging prisoners upside down by their ankles or beating them with poles to the point of eyeball dislocation and blindness
Simon Balto (Occupied Territory: Policing Black Chicago from Red Summer to Black Power)
E L James, Party Games you’re looking kind of smug inserting that god damn anal plug giving me your kinky love after writing Fifty Shades you’re acting like some kind of renegade giving me your kinky love sit me on a dildo and spin me right around chain me up and hang me upside down giving me your kinky love god damn you E L James making me into some kind of party game giving me your kinky love put me in a dream and wheel in the Fucking Machine god damn you E L James spank a hand on my bum see how much I can cum god damn you E L James stand me up and sit me down lay me out and roll me about god damn you E L James BDSM electro impulses up my brainstem god damn you E L James cast me in a submissive role-play with my genitals on display god damn you E L James suspend me high in the air slap me around like I don’t care god damn you E L James take that whip off the shelf make me forget myself god damn you E L James Why are you wearing oven mittens? branding iron your name written inner goddess don’t keep in hidden god damn you E L James holy crap my mind has snapped to forget one thing that I have heard I’m never going to use the safe-word god damn you E L James By R.M.Romarney
R.M. Romarney
Newspapers are always crowded with strange maps and names of towns, and every few months the earth seems to lurch from its path when you see something in the newspapers, such as the time Mussolini, who had almost seemed one of the eternal leaders, is photographed hanging upside down on a meathook. Everyone listens to news broadcasts five or six times every day. All pleasurable things, all travel and sports and entertainment and good food and fine clothes, are in the very shortest supply, always were and always will be. There are just tiny fragments of pleasure and luxury in the world, and there is something unpatriotic about enjoying them.
John Knowles (A Separate Peace)
The Allies housed a hundred patients there. Before that the Germans held it with a small army, their last stronghold. Some rooms are painted, each room has a different season. Outside the villa is a gorge. All this is about twenty miles from Florence, in the hills. You will need a pass, of course. We can probably get someone to drive you up. It is still terrible out there. Dead cattle. Horses shot dead, half eaten. People hanging upside down from bridges. The last vices of war. Completely unsafe. The sappers haven’t gone in there yet to clear it. The Germans retreated burying and installing mines as they went. A terrible place for a hospital. The smell of the dead is the worst. We need a good snowfall to clean up this country. We need ravens.
Michael Ondaatje (The English Patient)
See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,’ he said, ‘shake the tree and knock the great sloth down on his ass.’ 
Ray Bradbury (Fahrenheit 451)
I think museums are dead boring. I don't like most of the pictures on their walls. With modern pieces you never know if it's a sandwich on the floor half-eaten by some animals, a forgotten hors d'oeuvre -- or Art Some great artist paints shit pictures that I could've surpassed in nursery school and then hangs them upside down on the wall. I mean, what about that involves Art?
Jutta Profijt (Kühlfach zu vermieten (Kühlfach 4, #3))
live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,’ he said, ‘shake the tree and knock the great sloth down on his ass.’ 
Ray Bradbury (Fahrenheit 451)
See wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in [TV] factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that; shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
What do you mean by "ruin"? Is it an old woman with a stick? A witch who smashed all the windows and put out all the lights? There's no such thing! What do you mean by that word?' Philipp Philippovich angrily inquired of an unfortunate cardboard duck hanging upside down by the sideboard, then answered the question himself. 'I'll tell you what it is: If instead of operating every evening I were to start a glee club in my apartment, that would mean that I was on the road to "ruin". If when I go to the lavatory I don't piss, if you'll excuse the expression, into the bowl but on to the floor instead and if Zina and Darya Petrovna were to do the same thing, the lavatory would be ruined. Ruin, therefore, is not caused by lavatories but it's something that starts in people's heads. So when these clowns start shouting “Stop the ruin!” – I laugh!
Mikhail Bulgakov
Stuff you eyes with wonder,' he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or pid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,' he said, 'shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
Stuff your eyes with wonder,' he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,' he said, 'shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
Stuff your eyes with wonder,’ he said, ‘live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,’ he said, ‘shake the tree and knock the great sloth down on his ass.’ 
Ray Bradbury (Fahrenheit 451)
I’m sorry, I didn’t mean to offend you, Castellan. I was simply surprised . . .’ ‘Stop being surprised.’ Haxo turned away, still sulking. ‘Your job isn’t to be surprised. And I strongly advise you, witcher, that if the queen orders you to strip naked, paint your arse blue and hang yourself upside down in the entrance hall like a chandelier, you do it without surprise or hesitation. Otherwise you might meet with a fair amount of unpleasantness. Have you got that?
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Nothing can drive out the disease: not praying, not bathing them in holy water, not tying them to their beds, not leaping out from the night to frighten them, not holding them by the ankle in the cold river, not beating them around the head with a yew branch, not burying them crown to toe in warm manure, not hanging them upside down from a high tree and spinning them until they vomit, not drilling a tiny hole through their skulls to let the bad humors out of the brains.
Lauren Groff (Matrix)
I am sitting across from the Wall Street investor and CEO of CBS, Larry Tisch. He is somewhat more charming than the fleshy gargoyle face would suggest. And he was, I must say, very good humored when he asked me to reach up to the overhead compartment to get down his jacket and I tipped it upside down so all his money and pens and credit cards rained down on his bald head, and he had to grovel around under the seat and retrieve them. I was tempted to hang on to his Amex.
Tina Brown (The Vanity Fair Diaries: Power, Wealth, Celebrity, and Dreams: My Years at the Magazine That Defined a Decade)
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
The Fool, the Zero card, dressed in motley, dazzled face to the sky, foot about to come off the cliff. Pierrot. It wasn't Michael at all. It was her. You fool...And which one was he? The Magician? She'd thought he was. She'd thought he had it all lined up. The world spinning on his little finger. Or else the Hermit with his lantern, looking for the true world. But no, here he was. The twelfth card. The Hanged Man. Lashed upside down to his cross tree. Unable to go backward or forward
Janet Fitch (Paint it Black)
I hate a Roman named Status Quo!” he said to me. “Stuff your eyes with wonder,” he said, “live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,” he said, “shake the tree and knock the great sloth down on his ass.
Ray Bradbury (Fahrenheit 451)
It's one thing to forbid the worship of a god, and another to command that it be forgotten. One day I found the oldest tree of all, a black oak bigger than twelve men could encircle with their arms, and I knew it for the one Na called Heart of The Wood. Dolls of twigs and shucks dangled from its branches: right side up to cure barreness, upside down to bring on a miscarriage. Mudwomen had dared to put them there, knowing that if the kingsmen had caught them in the woods out of turn, they might also hang from those branches.
Sarah Micklem (Firethorn (Firethorn, #1))
Certainly, Chesterton seemed to understand asceticism, at least in theory. For the contemplative vision, he says, reveals the world as it really is by turning it upside-down, and revealing the fragile dependence of all that seemed solid and certain upon the fine thread of the mercy of God, on which it hangs. This is the discovery of an infinite debt, of the kind that lovers delight in: we love to be in each other’s debt, and so to be continually paying it back. Thus the saint, who is nothing if he is not a lover, “will always be throwing things away into a bottomless pit of unfathomable thanks.
Robert Wild (The Tumbler of God: Chesterton as Mystic)
Well, on the upside,” said Ron finally, who was sitting watching the skin on his hands regrow, “we got the Horcrux. On the downside--” “--no sword,” said Harry through gritted teeth, as he dripped dittany through the singed hole in his jeans onto the angry burn beneath. “No sword,” repeated Ron. “That double-crossing little scab…” Harry pulled the Horcrux from the pocket of the wet jacket he had just taken off and set it down on the grass in front of them. Glinting in the sun, it drew their eyes as they swigged their bottles of juice. “At least we can’t wear it this time, that’d look a bit weird hanging round our necks,” said Ron, wiping his mouth on the back of his hand. Hermione looked across the lake to the far bank, where the dragon was still drinking. “What’ll happen to it, do you think?” she asked. “Will it be all right?” “You sound like Hagrid,” said Ron. “It’s a dragon, Hermione, it can look after itself. It’s us we need to worry about.” “What do you mean?” “Well, I don’t know how to break this to you,” said Ron, “but I think they might have noticed we broke into Gringotts.” All three of them started to laugh, and once started, it was difficult to stop. Harry’s ribs ached, he felt lightheaded with hunger, but he lay back on the grass beneath the reddening sky and laughed until his throat was raw.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I griped about it at lunch one day to Bill Weist and Dr. Leslie Squier, our visiting psychologists from Reed College. I'd been trying to train one otter to stand on a box, I told them. No problem getting the behavior; as soon as I put the box in the enclosure, the otter rushed over and climbed on top of it. She quickly understood that getting on the box earned her a bite of fish, But. As soon as she got the picture, she began testing the parameters. 'Would you like me lying down on the box? What if I just put three feet on the box? Suppose I hang upside down from the edge of the box? Suppose I stand on it and look under it at the same time? How about if I put my front paws on it and bark?' For twenty minutes she offered me everything imaginable except just getting on the box and standing there. It was infuriating, and strangely exhausting. The otter would eat her fish and then run back to the box and present some new, fantastic variation and look at me expectantly (spitefully, even, I thought) while I struggled once more to decide if what she was doing fit my criteria or not. My psychologist friends flatly refused to believe me; no animal acts like that. If you reinforce a response, you strengthen the chance that the animal will repeat what it was doing when it was reinforced; you don't precipitate some kind of guessing game. So I showed them. We all went down to the otter tank, and I took the other otter and attempted to get it to swim through a small hoop. I put the hoop in the water. The otter swam through it, twice. I reinforced it. Fine. The psychologists nodded. Then the otter did the following, looking up for a reward each time: swam through the hoop and stopped, leaving its tail on the other side. Swam through and caught the hoop with a back foot in passing, and carried it away. Lay in the hoop. Bit the hoop Backed through the hoop. 'See?' I said. 'Otters are natural experimenters.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
Salman Rushdie (Quichotte)
I can’t understand this. There is not a breath of wind. The sail hangs dead. The sea is as flat as a pond. And yet we drive on as fast as if there were a gale behind us.” “I’ve been thinking that, too,” said Caspian. “We must be caught in some strong current.” “H’m,” said Edmund. “That’s not so nice if the World really has an edge and we’re getting near it.” “You mean,” said Caspian, “that we might be just--well, poured over it?” “Yes, yes,” cried Reepicheep, clapping his paws together. “That’s how I’ve always imagined it--the World like a great round table and the waters of all the oceans endlessly pouring over the edge. The ship will tip up--stand on her head--for one moment we shall see over the edge--and then, down, down, the rush, the speed--” “And what do you think will be waiting for us at the bottom, eh?” said Drinian. “Aslan’s country, perhaps,” said the Mouse, its eyes shining. “Or perhaps there isn’t any bottom. Perhaps it goes down for ever and ever. But whatever it is, won’t it be worth anything just to have looked for one moment beyond the edge of the world.” “But look here,” said Eustace, “this is all rot. The world’s round--I mean, round like a ball, not like a table.” “Our world is,” said Edmund. “But is this?” “Do you mean to say,” asked Caspian, “that you three come from a round world (round like a ball) and you’ve never told me! It’s really too bad of you. Because we have fairy-tales in which there are round worlds and I always loved them. I never believed there were any real ones. But I’ve always wished there were and I’ve always longed to live in one. Oh, I’d give anything--I wonder why you can get into our world and we never get into yours? If only I had the chance! It must be exciting to live on a thing like a ball. Have you ever been to the parts where people walk about upside-down?” Edmund shook his head. “And it isn’t like that,” he added. “There’s nothing particularly exciting about a round world when you’re there.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The
Jen Turano (Playing the Part (A Class of Their Own, #3))
In case if you don't listen to the words of the lord, you need to hang upside down like bats over churchyard in the name of coronavirus
P.S. Jagadeesh Kumar
We stop, together as if on signal, and stand and look at the bodies. It doesn't matter if we look. We're supposed to look: this is what they are there for, hanging on the Wall. Sometimes they'll be there for days, until there's a new batch, so as many people as possible will have the chance to see them. What they are hanging from is hooks. The hooks have been set into the brickwork of the Wall, for this purpose. Not all of them are occupied. The hooks look like appliances for the armless. Or steel question marks, upside-down and sideways. It's the bags over the heads that are the worst, worse than the faces themselves would be. It makes the men like dolls on which the faces have not yet been painted; like scarecrows, which in a way is what they are, since they are meant to scare. Or as if their heads are sacks, stuffed with some undifferentiated material, like flour or dough. It's the obvious heaviness of the heads, their vacancy, the way gravity pulls them down and there's no life anymore to hold them up. The heads are zeros. Though if you look and look, as we are doing, you can see the outlines of the features under the white cloth, like gray shadows. The heads are the heads of snowmen, with the coal eyes and the carrot noses fallen out. The heads are melting. But on one bag there's blood, which has seeped through the white cloth, where the mouth must have been. It makes another mouth, a small red one, like the mouths painted with thick brushes by kindergarten children. A child's idea of a smile. This smile of blood is what fixes the attention, finally. These are not snowmen after all.
Margaret Atwood (The Handmaid's Tale)
I Tonight my father steps drunk into the snare, is lifted in his fur coat like a small bear who upside down feels only the weight of its tongue. Alone in moonlight he circles for hours on the palms of his hands, finds by touch, the green bottle of wine upright in snow. Already his eyes are small pockets of ice a paw has pushed through. And these are the tracks he follows into the first few moments of sleep, into a life now hanging by one heel among the birches. This is the world gone white at the edges of maps where even wolves disappear in silence, where my father's bewildered ear twists its own deaf center, calling home. II By morning he is still alive, this noose a last foothold turning his body slowly in a light snow. He wakes like a man whose skin has swallowed the cold, thin air wintering in the heart of a stone. Here, he dreams of dragging a sled of pelts across a field. But always his one caught leg keeps falling behind like en exhausted animal too heavy to move on the crust. There is sweat and a stiff wind carving a trail in his back, snow falling harder in every direction but time. III At last he thinks of a woman undressing below him in the snow. Her skin is blue, her legs crossed and long. When he reaches down darkness falls all the way from his chest. Inside one finger he has written his name in blood. Now he must bed down for good in the thought of this one woman cold and naked who begins to stir openly in her perfect camouflage like absence entering the eye of this storm.
Jack Driscoll
Stanislav Grof drew a cartoon showing a bearded yogi with a loincloth who was hanging upside down from a tree. Sitting under the tree was a man in a straightjacket who was saying, “Why do they call you a mystic and me a psychotic?” The yogi answers, “A mystic knows whom not to talk to.”(
Kylea Taylor (The Ethics of Caring: Finding Right Relationship with Clients for Profound, Transformative Work in Professional Healing Relationships)
It is oddly weird. The one moment I am clutching to the railing of the bus seat in front of me, hanging sideways and upside down simultaneously, with my hair falling over my eyes and then in the blink of an eye I am standing here in this brilliant white hall.
Rosaline Saul (My Life Hereafter)
We hang upside down from the railing bats looking to the void in our down time. missus technology teacher stared at one of the hours too much. the hour stared back. she throws a reason at us every time. we get bloated from some of the curses. we’re coming apart nuts bolts and all. a new heart waiting. one liver at a time. powder kegs we sometimes crane our necks flashing on low heat dry beans. we remember the herbarium book of nerves. forget that we’re alive. we don’t even hope for death. how can you keep fireflies from roaming in the hallways you disappoint me I tell them. they don’t want to go to class to put good behaviors on their desks mister German teacher has two watches one for each building. he’s not even a minute late in building A or building B. when he misses a minute he crouches down covers his eyes with his hands to cry on the inside. a child who doesn’t arrive on time. we coddle him we’re kind. (translated by Diana Manole)
Emil Iulian Sude (Paznic de noapte)
Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.
Margaret Atwood (Dearly: New Poems)
Before the Germanic peoples adopted the Latin alphabet, their written language consisted of runes—mystical carved symbols that represented far more than just letters of an alphabet. The runes were considered a type of magic, which Odin attained by hanging himself upside down from a branch of Yggdrasil and piercing himself with the tip of his spear. He spent nine days and nights on the verge of death before the sacred runes accepted his sacrifice and revealed to him their secrets. METHODS OF PRACTICE The physical world was thought to be a manifestation
Jason Boyett (12 Major World Religions: The Beliefs, Rituals, and Traditions of Humanity's Most Influential Faiths)
She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
Aren’t you all wanked out?” I laugh as I hang upside down. “I saw the blisters.
T.L. Swan (The Casanova (Miles High Club, #3))
The lesson in this path is taught sufficiently by the trump of the Hanged Man, a personal favorite. The Hanged Man is one of the better teachers of all the trumps on how to train the human mind (Hod) to work from the spiritual perspective. Since the figure on the card is being hung upside down, this indicates that the values of the higher world are most often the reverse of the lower. The Hanged Man gives an indication of serenity through chaos, as his face is placid despite being strung up and his head about to be submerged in a body of water in the Thoth Tarot. This explains why most mystics throughout time have been thought to be insane: their ideas and values are normally at odds with dogma and culture, and they are revolutionaries and radicals. Most often, when engaging with the higher spheres of consciousness, one encounters realities that far surpass culture’s understanding of what is and is not acceptable. The Hanged Man encapsulates the expression of mystic action, which is rarely understood in conventional culture. When these spiritual ideas and values are expressed, the prevailing mindset of society often misinterprets these expressions, becomes afraid, and retaliates either through crucifixion, persecution, or banishment. Hence, the secrecy of occultism. Crowley calls this path and trump the “card of the Dying God,” and perhaps he has a point. Path 23 is the roadway where old ideas are purged to make way for a new, higher perspective in accordance with the spiritual Will of the universe. Turning one’s point of view upside down, in reverse, a pachakuti, is the magical formula of seeing the world via the perspective of spirit. It is the prime elixir of alchemy.
Daniel Moler (Shamanic Qabalah: A Mystical Path to Uniting the Tree of Life & the Great Work)
I was cutting off her air supply with my cock, hanging her upside down, threatening to break her jaw, and the bitch was cumming.
Kat Blackthorne (Ghost (The Halloween Boys, #1))
step: In silence both raised their left arms in a kind of salute and passed straight through, as though the dark metal were smoke. The yew hedges muffled the sound of the men’s footsteps. There was a rustle somewhere to their right: Yaxley drew his wand again, pointing it over his companion’s head, but the source of the noise proved to be nothing more than a pure-white peacock, strutting majestically along the top of the hedge. “He always did himself well, Lucius. Peacocks . . .” Yaxley thrust his wand back under his cloak with a snort. A handsome manor house grew out of the darkness at the end of the straight drive, lights glinting in the diamond-paned downstairs windows. Somewhere in the dark garden beyond the hedge a fountain was playing. Gravel crackled beneath their feet as Snape and Yaxley sped toward the front door, which swung inward at their approach, though nobody had visibly opened it. The hallway was large, dimly lit, and sumptuously decorated, with a magnificent carpet covering most of the stone floor. The eyes of the pale-faced portraits on the walls followed Snape and Yaxley as they strode past. The two men halted at a heavy wooden door leading into the next room, hesitated for the space of a heartbeat, then Snape turned the bronze handle. The drawing room was full of silent people, sitting at a long and ornate table. The room’s usual furniture had been pushed carelessly up against the walls. Illumination came from a roaring fire beneath a handsome marble mantelpiece surmounted by a gilded mirror. Snape and Yaxley lingered for a moment on the threshold. As their eyes grew accustomed to the lack of light, they were drawn upward to the strangest feature of the scene: an apparently unconscious human figure hanging upside down over the table, revolving slowly as if suspended by an invisible rope, and reflected in the mirror and in the bare, polished surface of the table below. None of the people seated underneath this singular sight was looking at it except for a
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))